Gym Class Heroes - Billboard

Gym Class Heroes are perhaps one of the oddest, biggest bundle of contradictions, confusions and concerns you may ever witness in a music venue, which is a bold statement considering how screwed up a lot of Hip Hop generally is. The ‘backing band’ is a bunch of highly proficient musicians with very decent equipment, which always smacks of ‘manufactured’ session musicians, despite what the bands biography might tell you. Travis on vocals bounds around the stage attempting to perfect a sort of cutesy little boy lost image, whilst simultaneously churning out lyrics about women and how much he wants to have ‘relations’ with them. This same desire also applies to the female members of the audience, bearing in mind that most of the audience are under 18, you can’t help but feel that encouraging them to all make out with each other (and him) is slightly in bad taste. He also goes out of his way to inform the audience that a song containing the lyrics ‘Glamorous White Girl√Æ and ‘Razor√Æ is not about an (rumoured) addiction to Cocaine, but an addiction to music. Frankly the whole set up is all a little perverse, but the kids love the big marketing machine behind the band and aimed squarely at them, infiltrating their media sources and ways of thinking (i.e. MySpace, the band have a song called ‘Friend Request√Æ), whooping in the right places, dancing throughout and playing along with all the bizarre and vaguely obscene games thrown at them, e.g. ‘Hands up who’s not here with their Boyfriends?√Æ receives a worrying response.
The music is generally in the minor key so prevalent in modern Hip Hop, giving the songs that slightly sinister and ominous feel that again contrasts with the lyrical content, creating yet another concerning contradiction. However the music isn’t bad, the songs are funky, tight and live which is a nice novelty in the genre, providing a good solid musical bed for the lyrical tomfoolery and for the kids in their best frocks and oversized tracksuits to shake their booties to, hopefully without quite thinking about why they are.

Published in InPress