# Chris Chinchilla — Full Content

> A technical communicator with a love of explaining technical concepts in documentation, blog posts, videos, books and more. Also a podcaster, video maker, writer of interactive fiction, and games.

> Index at [https://chrischinchilla.com/llms.txt](https://chrischinchilla.com/llms.txt)

# About

---

## [CV and resume](https://chrischinchilla.com/cv)

## Books

- 2017, "Jump start responsive design" from SitePoint.
- Edited three books for Packt publishing.
- Technical editor for six books with Manning.
- "Technical Writing for Developers" for Packt publishing, released in March 2024.
- "Building the Sustainable Web" for Apress, released in June 2026.

Find links at [chrischinchilla.com/books](https://chrischinchilla.com).

## Podcasts and Video

- My 10+ year-old podcast, "Chinchilla Squeaks", recently renamed to "Tech Lounge" has interviewed numerous guests from the tech industry.
- My YouTube channel is monetised with regular technical and creative content.

Find links at [chrischinchilla.com](https://chrischinchilla.com).

## Open Source

I have always been active in open-source communities, maintaining widely used tools and contributing documentation suggestions to many projects.

See [my GitHub profile](https://github.com/chrischinchilla) for more.

## Presentations

Over the past 4-5 years, I have spoken at over 100 events on a wide variety of subjects.

Find more at [chrischinchilla.com/events](https://chrischinchilla.com/events).

## Community

- I run the Berlin Shut Up & Write© meetup with over 4,000 members. I brought the group back to life after the Pandemic, and thanks to the co-organisers, we run meetups almost every day. It's the world's most active chapter, and I was invited to speak at the community symposium in 2024.
- I have helped run the Write the Docs EU conference six times. I was on the organising committee for the 2018, 2019, 2020, 2021, 2025, 2026 EU, and 2019 Australian Write the Docs conferences. I co-organised the "Tool the Docs" devroom at FOSDEM in 2018, 2019, 2021, 2024, 2025, and 2026.
- I am helping organise Berlin’s only international tabletop gaming event, Bircon, for the third time. We sold out an 80-person event within a week in 2023, and in 2026. we are organising a two-day event for 500 people. Our Discord server is lively between events.
- I have moderated stages at the We Are Developers conference for the past two years, one of the largest developer conferences in Europe.
- I was a judge for the Mozilla Open Source Awards in 2020.

## Work Experience

### Documentation Team lead, Supabase

_July 2025 - Present_

I am the documentation team lead at Supabase, a company that provides an open-source backend-as-a-service platform. My role includes:

- Task management, planning, and reviewing for the documentation team
- Building, mentoring, and coaching team members
- Writing, editing, and reviewing key documentation
- Working with product managers, engineers, and designers to create and maintain documentation for new and existing products
- Proposing and steering new improvement projects
- Editing and reviewing submissions from internal and external contributors
- Liaising and working with developer relations and marketing teams for collaboration ideas
- Optimising documentation for AI and agent consumption

### Freelance Technical Writer, Blogger, and Developer Relations

_March 2017 - Present_

When not working full time, I have worked as a freelance writer and developer relations consultant, I have contributed to the blogs and documentation sets of technical companies, created videos, and more. Ranging from small cutting-edge startups to large enterprises.

Past clients and work include:

- **Parseable**: Technical blog posts and videos.
- **Aspect**: Documentation and documentation tooling.
- **Dosu**: Technical blog posts and product advisory.
- **adoc Studio**: Technical blog posts, videos, and product advisory.
- **EKline**: Product advisory.
- **Expansio**: Technical blog posts, documentation, and documentation tooling.
- **IEEE Spectrum**: Technical journalism.
- **The Next Web**: Technical journalism.
- **Caepe**: Documenting a new product release.
- **n8n**: Creating a series of self-hosting guides for documentation.
- **KILT**: Working on documentation for the decentralised identity platform.
- **Slint**: Overhauling documentation for this cross-platform development tool.
- **libcamera**: Documentation of an open-source camera stack and framework for Linux, Android, and ChromeOS.
- **Dev Spotlight**: Technical blog posts for Salesforce, Kong, and others.
- **ReveCom**: Technical blog post editing for high-profile clients.
- **Sky Word**: Technical whitepaper writing for high-profile clients.
- **Unity**: Documentation for the MARS AR development plugin.
- **GitLab**: Technical blog posts.
- **Humanitec**: Technical blog posts.
- **here technologies**: Updating and maintaining API and reference documentation for the GeoVisualization product.
- **PagerDuty**: Non-technical blog posts.
- **OverOps**: Technical blog posts.
- **SitePoint**: Two video courses on mobile development.
- **Manning**: CSS in Depth video course.
- **Flatiron School**: An introduction to Swift course.
- **Career Foundry**: An introduction to web development course.
- **Coralogix**: Technical blog posts.
- **Facebook Messenger**: Technical blog posts.
- **data artisans**: Technical blog posts and documentation for Apache© Flink.
- **Sqreen**: Tutorial, API, and reference documentation.
- **Telerik**: Technical blog posts.
- **DZone**: Tech journalist covering events, interviews, and tools.
- **Equinix**: Technical blog posts.
- **DGraph**: Documentation platform overhaul.
- **Sentry**: Writing blog posts on how to debug with certain languages.

### Docker, Staff Technical Writer

_February 2023 - August 2023_
Docker Inc. is a major contributor to many container-related technologies and its own commercial offerings. I was a staff technical writer on the documentation team and was attached to working on several commercial products. My responsibilities included:

- Working with product managers, engineers, and designers to create and maintain documentation for new and existing products
- Proposing and steering new improvement projects
- Editing and reviewing submissions from internal and external contributors
- Liaising and working with our developer relations and marketing teams for collaboration ideas
- Writing technical blog posts for products
- Providing guidance, mentorship, and feedback

### Chronosphere, Senior Technical Writer

_August 2020 - September 2022_

Chronosphere is the steward for M3, the highly available time series database, and its commercial offering. I was the sole tech writer for both projects, and my role included:

- Overhauling documentation and documentation platforms
- Documenting new features as they developed
- Creating and maintaining a style guide and automated style-checking tools
- Creating and maintaining tests, screenshot generation, and other documentation tools
- Editing and reviewing submissions from internal and external contributors
- Liaising and working with our developer relations and marketing teams for collaboration ideas
- Responsibility for metrics, planning, and delivery of documentation
- I wrote a handful of technical blog posts and a monthly Observability newsletter
- I hosted several video series interviewing staff members and external experts

### Ethereum Foundation, Technical Writer

_August 2018 - August 2020_

I worked as the sole tech writer for the Ethereum Foundation and its projects. My role included:

- The Solidity project:
  - Improving the getting started and contributors guides
  - Working with developers to improve feature documentation
  - Coordinating documentation translation
- The Geth project:
  - Improving the getting started guides
- The Remix project:
  - Working on creating interactive workshops for people to learn Solidity
- Ethereum Studio
  - Creating content for this interactive web-based IDE to help people learn Ethereum Dapp development
- Ethereum Wiki
  - Fixing bug with the current wiki
  - Transitioning the wiki to an improved collaborative platform
- Organising a monthly education call for all people involved in Ethereum education
- Creating tool kits for documentation platforms and tools for projects
- Auditing project documentation needs for funding teams
- Helping create an RPC standard spec for the Ethereum RPC

### Event Store, Technical Writer

_March 2017 - March 2020_

Event Store creates an open-source events-optimised database with commercial-only features and support. My role included:

- Migrating to a new documentation platform
- Improving getting started guides
- Creating example applications
- Maintaining reference documentation for an HTTP API, a .NET SDK, command-line interface, and implementation guides
- Writing a book for a new release
- Creating a new developer portal to hold old and forthcoming documentation
- Integrating docs and support platform (fresh desk)

### Kauri (ConsenSys), Technical Content Lead

_October 2018 - March 2020_

Kauri was a content management system and platform built on Ethereum technologies. We lost funding from our parent company (ConsenSys) in March 2020. My role was to do the following:

- Commission and work with writers to produce content on particular topics
- Manage a content budget
- Promote the platform to writer communities
- Write our help content, newsletters, and some technical articles
- Work on writer-related features for the platform, for example, improving the editor
- Suggest edits to unsolicited posts to the platform
- Organise content into collections and communities

### Contentful, Technical Writer

_Sep 2016 - March 2017_

As the lone technical writer for Contentful, an API-based CMS, I wrote and edited all developer documentation. I managed the documentation infrastructure, information architecture, and analytics. I liaised with the
engineering, marketing, and support teams to determine priorities and problems that needed addressing in the documentation.

### Crate.IO, Developer Advocate

_Feb 2015 - Aug 2016_

I was a Developer advocate for this open-source, highly scalable database startup.
Responsible for Europe, my tasks include handling support, organising events
and presentations, networking, creating content, documentation and sample
applications, partnerships, social media, and much more.

## Older work

Summarised for brevity.

- SitePoint Mobile Channel Editor: _March 2014 - Aug 2016_
- This Little Duck, Senior Drupal Developer: _March - July 2014_
- The Monthly, Drupal and CiviCRM Developer: _December 2013 - March 2014_
- Moat Media / Go: _April 2012 - October 2013_
- The Australian Conservation Foundation, Online Coordinator
- CERES, Online Coordinator
- Green Renters, Operations
- Portable Content, Developer

---

## [Community and volunteering](https://chrischinchilla.com/community)

I am and have been involved in the following communities and volunteering efforts.

## Shut up and write© Berlin

_Lead organiser, 2020 to present_

Shut up and write© is a global community dedicated to letting people find the time to write.

There are dozens of global chapters and I run the Berlin chapter with several co-organisers.

The Berlin chapter has the largest membership base and meets the most regularly out of all the global chapters.

## BIRCon

_Co-organiser, 2024 to present_

Berlin's first and only international roleplaying convention. I am one of the organizers. In our first year, we sold out nearly 100 tickets in less than a week, and for the second year, we tripled capacity. The event hosts games, workshops, panels, and more.

## Open music school

_Drum tutor, 2023 to present_

The open music school is part of give something back to berlin and holds multiple free music classes every week, largely aimed at refugees and those on low incomes.

## Write the Docs

_Co-organiser, 2018 to 2021_

- I ran the Write the Docs meetup in Berlin for technical writers.
- I was on the organising committee for the 2018, 2019, 2020, 2021, 2025 EU, and 2019 Australian Write the Docs conferences.
- I co-organised the "Tool the Docs" devroom at FOSDEM in 2018, 2019, 2021, 2024, 2025, and 2026.

## Open source

I have always been active in open source communities, including regular contributions to: Drupal, CiviCRM, Atom, Visual Studio Code, Webpack, Kubernetes, Obsidian, and Vale.

See [my software projects](/software) for a full list, or [my GitHub profile](https://github.com/chrischinchilla) for more.

---

## [Work with me](https://chrischinchilla.com/contact)

## Services

### Video production and editing

Need someone to create or edit 5-30 minute video explaining a technical concept? I can help with the following:

- Planning
- Scripting
- Face to camera content
- Screenshare content
- Illustrations and animations
- Music and sound creation
- Editing
- Distribution

### Audio production and editing

Need someone to produce, create, or edit a voiceover or podcast? I can help with the following:

- Planning
- Scripting
- Guest coordination
- Recording
- Music and sound creation
- Editing
- Distribution

### Technical Writing, audits, and editing

I have many years of writing technical documentation and marketing content. I can help with the following:

- Documentation audits and improvement suggestions
- Proofreading and editing for style, consistency, and technical accuracy
- Toolchain advice, updates, maintenance, and feature implementation
- Content writing, editing, and maintenance
- Automation advice and setup for testing, style guidelines, image generation, and more
- Technical blog writing, editing, and reviewing
- Technical whitepaper writing, editing, and reviewing
- Technical book writing, editing, and reviewing

### Game text writing and editing

Need help making that awesome board or roleplaying game manual more readable and understandable? I can help with the following:

- Rules writing
- Development editing
- Rules proofreading
- Rules editing

### Developer relations, workshops, and presentations

Need someone to deliver a technical workshop or presentation in-person or online? I can help with the following:

- Research and preparation
- Materials creation
- Delivery
- Follow up

### Software benchmarking

I have developed a series of benchmark tests I use for evaluating different software project types. If you're looking for independent analysis and comparison, I can help with the following:

- Container runtimes
- Container orchestration
- Container alternatives (Nix, WASM, etc)
- Technical and creative writing tools
- Database performance
- Audio and video editing
- Continuous integration and deployment tools

### Sustainability benchmarking and audits

Thanks to my Sustainability book and community group work, I have developed a series of benchmark tests I use for evaluating the energy impact of cloud native software projects. If you're looking for independent analysis and comparison, I can help with the following:

- Developing specific benchmarking suites
- Implementing continuous processes for benchmarking
- Offering suggestions for reducing energy impact
- Implementing changes to reduce energy impact

## Want to hire me?

Sounds great! [Let's arrange a chat](https://calendar.app.google/Ks79ZWhYJrPLwLRNA).

## Sponsored content requests

If you have a product or service you think matches my audience or experience and would like to sponsor content on my YouTube channel, I'd love to hear from you!

I charge **$/€/£ 175 per 5-10 minute video** and aim to complete and publish the video within 30 days of payment. This includes a private preview of your video for approval and up to 3 edits before publishing. If you're interested in commissioning me you have two options.

- Pay instantly and we can arrange a call to discuss your requirements. Your options are:
  - Request via [Buy Me a Coffee](https://www.buymeacoffee.com/chrischinchilla/commissions).
  - Request via [Ko-fi](https://ko-fi.com/chrischinchilla/commissions).
- If you'd rather discuss first and pay in a different way, [arrange a call to discuss your requirements](https://calendar.app.google/Ks79ZWhYJrPLwLRNA)

---

## [Courses](https://chrischinchilla.com/courses)

Video courses Chris has produced or contributed to.

---

# Blog Posts

---

## [What's new in adoc Studio 5 for AsciiDoc writers](https://chrischinchilla.com/blog/2026/adoc-studio-5)

Date: 2026-09-15

There aren't many desktop tools for technical writing that are native to macOS and iPadOS. adoc Studio is one of the few, built specifically around AsciiDoc. I covered it before, and the team has been busy since. Here's what's new in versions 4 and 5, including export options, accessibility tools, multilingual support, and AI features.

---

There aren't many desktop tools for technical writing that are native to macOS and iPadOS. Plenty of cross-platform options exist, but they don't feel the same. I mean fully Mac first, built around Apple's APIs and OS updates.

One tool I know of, and have covered before, is [adoc Studio](https://www.adoc-studio.app). It's built around AsciiDoc, and getting AsciiDoc out into other publishable formats. The team has been working hard since I last looked at it, so I went through what's new in versions 4 and 5. That includes PDF export with accessibility tools, HTML and site export, multilingual support, and AI features.

## Working with includes and language variants

I opened a fairly complex document, the help content for adoc Studio itself, to see the rendering options. HTML for Mac and PDF both work as expected.

adoc Studio supports the standard AsciiDoc include directives. In the English file, an include pulls in content from a file called _moredetails.adoc_. Switch to the German file, and it references a file with the same name, just written in German. adoc Studio picks up the correct language version automatically.

Typing an include command triggers autocomplete, so you can pick the target file directly. You can also include only part of a file using standard AsciiDoc line-range syntax, for example the first eight lines instead of the whole document.

## AI-powered translation

One new feature uses whichever AI provider you've set in the app's preferences to create new translations of content. I had English and German versions of a document, and added French by translating from the existing English file.

The process runs in the background with a status update, so you can leave it and come back. Translating a couple of thousand words through OpenAI cost 5 cents and used about 75,500 tokens. I can't vouch for translation quality, but the cost is low.

adoc Studio supports ChatGPT, Claude, and Gemini. You can also pick a different model. For translation, a smaller model is probably fine. Heavier tasks might need something more capable.

## Exporting

adoc Studio calls its export process "producing," and there's a wide range of output options: HTML for different devices, PDF for different devices, and full website export with its own style.

The website export gives you a lot of control over navigation, including which heading levels appear in the table of contents, automatic search, and top bar navigation. You can also choose which source content and languages to include, in case you don't want every language available in every output.

For PDF, the options are similar but without navigation. You can pick a format, style, and appearance.

One detail worth noting, the "device" setting here refers to the platform adoc Studio itself runs on (iPad, iPhone, or Mac), not the target format of the exported PDF. The app doesn't generate different PDFs per device, though you could set that up yourself.

## Customising output with CSS

You can adjust the CSS that controls how exported content renders. In the settings, under product style, you can duplicate an existing style and edit the resulting stylesheet directly if you know CSS.

I found the section for admonition colours and changed them to something deliberately garish, just to prove the change worked. After saving, the preview updated immediately. Once you've built a style you like, it applies automatically to future exports and any future changes.

When I ran a full export (HTML, PDF for Mac, and website), it initially failed. adoc Studio runs a pre-flight check before generating PDFs, similar to what I remember from InDesign and QuarkXPress. It flagged missing attributes and placeholders. I ignored the warnings and re-exported.

The results looked solid, an English PDF with working hyperlinks and a proper table of contents, a matching German version, and a website export that closely mirrored the in-app help.

## Other useful features

adoc Studio also offers plain translation and rewriting through the same AI provider, similar to macOS's built-in tools but tuned to AsciiDoc syntax. It correctly ignored attributes and variables in the text rather than trying to work with them.

There's now also a command line interface. Right now it supports one command, exporting a project with its default settings, with more likely on the way. This matters for people scripting their documentation pipeline, and increasingly for AI agents that need to run the same export without a GUI.

For PDF export, adoc Studio added support for confirming the universal accessibility standard, which is especially important for anyone producing PDFs for distribution in the European Union. Adding one attribute at the top of a document is enough to enable it.

## Pricing and plans

adoc Studio has three tiers. Community is free and covers core editing, AsciiDoc syntax support, and HTML export. Pro adds PDF and website export, custom CSS styling, multilingual projects, AI translation and writing assistance, CLI export automation, and accessible PDF export. Enterprise adds volume licensing, direct purchase outside the App Store, and dedicated support.

Pro costs $24.99 a month, or $249.99 a year if you pay annually. Enterprise pricing is custom. All plans include a 14-day trial and cover up to five devices.

## Should you try it

If you're a solo technical writer working in AsciiDoc on a Mac or iPad, the free Community tier alone might cover what you need. If you need multilingual output, AI translation, or CLI automation, Pro is reasonably priced compared to other enterprise writing tools. There aren't many alternatives built specifically for macOS and iOS, and that alone makes adoc Studio worth a look.

---

## [How I sync applications between Macs using Homebrew](https://chrischinchilla.com/blog/2026/application-sync-homebrew)

Date: 2026-09-11

How I attempted to sync applications between Macs using Homebrew and Brewfiles.

---

For a while, I have been using the [`brew bundle`](https://docs.brew.sh/Brew-Bundle-and-Brewfile) command to create a bundle file of everything installed with Homebrew. Then, by checking it into version control, I can use `brew bundle` on the other computer to install everything. Often I don't want to have every formula on both machines. For example, I don't want to install some audio applications on my laptop that I only use on my desktop Mac.

It's also worth noting that the resulting Brewfile from a `brew bundle` command can contain installation candidates for Mac App Store apps, WinGet packages on WSL, VS Code extensions, Go packages, Cargo packages, npm packages, uv tools, Flatpak packages and krew kubectl plugins. This means it's a good way to keep a list of all sorts of things in sync.

What I wanted was a way to specify a core list of items to install, and then specify which items to install only on a certain computer. This led me to think about "tagging" formulas with something like a machine identifier, and I posted in [the Homebrew GitHub discussions](https://github.com/orgs/Homebrew/discussions/6291) for ideas. This wasn't possible, but if you didn't know, Brew formulas and bundle files use Ruby as the domain-specific language (DSL), so in theory, you can manipulate them programmatically to suit your needs, which is what I ended up doing. There's a little bit to make this work, so here's what I implemented and what I changed as I tested it.

## First the `Brewfile`s

One of the great aspects of how `brew bundle` works is that it only installs a formula if it's missing or out of date on a machine. Installing the same formula repeatedly is not a problem. This is a feature I have also often found useful when setting up a new machine and running many install commands. If something fails, you restart the process, and Homebrew picks up where it left off.

For my setup, I needed three Brewfiles:

- _Brewfile.miniChinch_: Formulas just for my Mac mini. The suffix matches the machine's hostname.
- _Brewfile.ChinchPro_: Formulas just for my MacBook Pro. The suffix matches the machine’s hostname.
- _Brewfile.common_: Formulas shared between the two machines

Splitting out the dependencies between files takes time, but because of how the bundle command works, as I mentioned above, it doesn't matter in the meantime.

The `brew bundle` command won't recognise any of these files. It only works with a `Brewfile`, and that is where we use Ruby's underpinnings.

```ruby
# path/to/Brewfile
def load_brewfile(name)
  path = File.join(__dir__, name)
  instance_eval(File.read(path), path) if File.exist?(path)
end

load_brewfile("Brewfile.common")

hostname = `hostname -s`.strip
load_brewfile("Brewfile.#{hostname}")
```

This loads _Brewfile.common_ first, then loads any other Brewfile that matches the hostname, so on each machine you end up with a combination of the two Brewfiles returned to the `brew bundle` command.

## Keeping the `Brewfile`s in sync

So far so good, but I didn't want to change my daily experience installing and uninstalling formula, so I needed two scripts to be able to continue this.

- One to check when installed formulas drifted from the Brewfile.
- One to regularly sync the various `Brewfile`s between the two machines using git.

This is the sync script, which runs a git pull, installs any changes, and displays a notification.

```sh
#!/bin/zsh
set -e

# launchd runs this as a non-interactive login shell, which never sources
# ~/.zshrc — so Homebrew's PATH entry (set there) isn't present. Set it
# explicitly rather than depending on shell-rc sourcing.
export PATH="/opt/homebrew/bin:/opt/homebrew/sbin:$PATH"

cd ~/path/to/home-folder/homebrew

# Ensure repo is up to date 
git pull --rebase --autostash
# Install any changes to the Homebrew file
brew bundle install --file=./Brewfile
# Display a notification
osascript -e 'display notification "Brew bundle synced" with title "brew-sync"' 2>/dev/null || true
```

The drift, or triage, script is more complex. Again, it updates from GitHub, parsing the Brewfiles to find items installed locally that aren’t in a Brewfile, and then asking which Brewfile to add them to.

```sh
#!/usr/bin/env zsh
# ~/path/to/script/brew-triage.sh
set -e

# launchd runs this as a non-interactive login shell, which never sources
# ~/.zshrc — so Homebrew's PATH entry (set there) isn't present. Set it
# explicitly rather than depending on shell-rc sourcing.
export PATH="/opt/homebrew/bin:/opt/homebrew/sbin:$PATH"

# Move to brew files
REPO=~/path/to/home-folder
BREWDIR="$REPO/homebrew"

# Built from $REPO, before cd'ing into $BREWDIR: the glob below is resolved
# relative to the current directory, and must match repo-root-relative paths
# since that's what `git add`/`git status` expect later.
cd "$REPO"
BREW_PATHS=(homebrew/Brewfile homebrew/Brewfile.*(N))

cd "$BREWDIR"

# Pull first so not committing on top of stale history
git -C "$REPO" pull --rebase --autostash

# --- triage step (same as before) ---
brew bundle dump --file=/tmp/Brewfile.current --force

cat Brewfile.common Brewfile.*(N) 2>/dev/null | grep -E '^(brew|cask) ' | sort -u > /tmp/tracked.txt
grep -E '^(brew|cask) ' /tmp/Brewfile.current | sort -u > /tmp/current.txt
comm -23 /tmp/current.txt /tmp/tracked.txt > /tmp/untracked.txt

typeset -a additions   # track what we add, for the commit message

if [[ -s /tmp/untracked.txt ]]; then
  echo "Untracked packages found:"
  while read -r line <&3; do
    echo "  $line"
    # Ask where to add untracked package
    read "target?  → which file (common/ChinchPro/miniChinch/skip)? "
    [[ "$target" == "skip" ]] && continue
    echo "$line" >> "Brewfile.$target"
    additions+=("$line -> Brewfile.$target")
  done 3< /tmp/untracked.txt
else
  echo "Nothing untracked."
fi

# --- commit + push, scoped ONLY to the Brewfile paths ---
cd "$REPO"

if [[ -n $(git status --porcelain -- "${BREW_PATHS[@]}") ]]; then
  git add -- "${BREW_PATHS[@]}"

  if [[ ${#additions[@]} -gt 0 ]]; then
    msg="brew: add $(IFS=, ; echo "${additions[*]}")"
  else
    msg="brew: sync Brewfile changes from $(hostname -s)"
  fi

  git commit -m "$msg" -- "${BREW_PATHS[@]}"
  git push
  echo "→ committed and pushed: $msg"
else
  echo "No Brewfile changes to commit."
fi
```

Great, but remembering to manually run two scripts doesn't help much. Enter the wonderful and much-underused world (on macOS, at least) of [launchd](https://en.wikipedia.org/wiki/Launchd). Typically added by macOS and 3rd-party apps, launchd lets you run a script periodically in the background, generally without user interaction. Less known is that you can also add your own scripts to do whatever you want.

For these scripts, the code is fairly simple.

The sync launchd script, named _com.chrischinchilla.brewsync.plist_, which you should update to match your own name, runs every day at 11 am. It also logs errors to the _/tmp/_ directory.

```xml
<?xml version="1.0" encoding="UTF-8"?>
<plist version="1.0">
<dict>
  <key>Label</key><string>com.chrischinchilla.brewsync</string>
  <key>ProgramArguments</key>
  <array>
    <string>/bin/zsh</string>
    <string>-lc</string>
    <string>~/path/to/script/brew-sync.sh</string>
  </array>
  <key>StartCalendarInterval</key>
  <dict><key>Hour</key><integer>11</integer><key>Minute</key><integer>0</integer></dict>
  <key>StandardOutPath</key><string>/tmp/brewsync.log</string>
  <key>StandardErrorPath</key><string>/tmp/brewsync.log</string>
</dict>
</plist>
```

The triage launchd script, with the file name _com.chrischinchilla.brewtriage.plist_ runs every day at 3pm:

```xml
<?xml version="1.0" encoding="UTF-8"?>
<plist version="1.0">
<dict>
  <key>Label</key><string>com.chrischinchilla.brewtriage</string>
  <key>ProgramArguments</key>
  <array>
    <string>/bin/zsh</string>
    <string>-lc</string>
    <string>~/Workspace/home-folder/bin/brew-triage.sh</string>
  </array>
  <key>StartCalendarInterval</key>
  <dict><key>Hour</key><integer>15</integer><key>Minute</key><integer>0</integer></dict>
  <key>StandardOutPath</key><string>/tmp/brewtriage.log</string>
  <key>StandardErrorPath</key><string>/tmp/brewtriage.log</string>
</dict>
</plist>
```

Move both of these files to _~/Library/LaunchAgents_, macOS uses the terms LaunchAgents and LaunchDaemons interchangeably, but typically LaunchAgents are used for user-level scripts. Logging out and logging back in, or restarting, is enough to get the scripts running, or if you want to do it manually, you can use:

```sh
launchctl bootstrap gui/$(id -u) <Script>
```

## Does it work?

After some trial and error, the process does work as expected. The biggest annoyance is that launchd only runs LaunchAgents when the machine is awake. I am not too fussed if they don't run every day. A couple of times a week is enough, and as it requires human input to select the Brewfile location anyway, I think it is enough to keep the machines in reasonable sync, but it is easy to forget it hasn't run for a while and thus defeat the whole of the exercise in the first place. I have found myself running the scripts manually instead, which is a reasonable workaround. It's not perfect, but it's getting there.

---

## [The 2026 Observability Audit - Separating Single Vendor Silos From Community Innovation](http://dzone.com/articles/2026-observability-audit)

Date: 2026-08-26

Originally published at: http://dzone.com/articles/2026-observability-audit

Open source projects dominated by a single vendor are a hallmark of "open source in name only." Rather than filling the traditional role of open source fostering innovation and decision-making from a diverse community, "open source in name only" projects are often used as marketing tools for proprietary platforms. These projects are also seen as riskier than community-driven projects because a single vendor is more apt to abruptly terminate long-term support, restrict contributions, or switch from an open-source license to a more restrictive one (forcing some previous contributors to pay for the project they helped build).
In these projects, critics claim that investments are often lopsided and heavily skewed toward onboarding, marketing, and brand-related support. As a result, technical contributions are frequently less developed, opaque, undocumented, or lacking in real substance, often manifesting merely as a superficial "ease of entry and onboarding." Because of these underlying gaps in documentation and codebase depth, developers are routinely forced to reverse-engineer functionality simply to get the tools to work correctly.

---

## [Is OpenMusic actually a helpful music AI assistant?](https://chrischinchilla.com/blog/2026/openmusic-helpful)

Date: 2026-08-11

I tested OpenMusic to generate a dramatic confession-style backing track for a theatre project, a reality TV take on Antony and Cleopatra. Beyond the usual prompt-based generation, it has stem splitting and MIDI tools that are actually useful for music production.

---

I've mostly finished the soundtrack for a theatre project, a reality TV interpretation of Antony and Cleopatra, and I'll release it soon. Part of that work involved confession-style backing tracks, the kind of music that plays under a character explaining what just happened and how they feel about it. I tested [OpenMusic](https://go.chrischinchilla.com/openmusicai) to see if it could generate something usable for that scene.

## The prompt

I asked for a two minute backing track for a theatre show. It needed to emulate a dramatic, confession-style scene, bold enough to carry the moment but with space for the actor to speak over it. I gave it a genre mix too. Country, folk, rock, blues, classical, disco, funk. And a mood, "Emotional".

Generation took three or four minutes for each track. I had asked for two minutes and got back tracks over three minutes long. Not a dealbreaker, but worth knowing if you're planning around a specific time.

## Listening to the results

OpenMusic generated two versions from the same prompt. Both matched the general description, dramatic and cinematic, but neither quite nailed "confession" specifically. That said, the first track leaned closer to the direction I actually wanted for the project.

The two tracks sounded similar but not identical, with slightly different keying. I preferred the second one, so I renamed it, tweaked the description, and moved on to downloading it.

## Remix and stem tools

This is where OpenMusic got more interesting than the average prompt-and-generate tool. Alongside a basic download, it offers a handful of remix options: cover, extend, replace a section, mashup, and an editor. Extend works like the extension features you find in other generation tools. Replace a section and mashup let you swap in or combine different musical ideas, which feels like it could get messy fast, but the option is there.

The feature I liked most was the AI stem splitter. You can split any track into stems, and specifically the AI songs you've generated. I ran it on my track and got back separated parts, strings, and other sections I could pull individually. Being able to generate a full track and then lift just the piece you want, like a string section, is genuinely useful. It has an obvious AI artifact sound to it, but usable.

Downloads default to a fairly small file size. A full WAV export ran to around 90MB, and individual stems came in around 33MB each. AI generated music tends to be encoded at lower bit rates.

With the WAV stems downloaded, the plan is to bring them into Ableton Live and generate MIDI from there, so I can rework the material properly rather than just using it as-is.

## Everything else in the toolbox

Beyond generation and stems, OpenMusicAI packs in a long list of extra tools. AI mastering, which most DAWs already handle. An AI MIDI editor, which might do something similar to an MCP server I tested with Ableton in another video. Audio-to-MIDI conversion, again something Ableton already offers. A BPM tapper, useful if you don't have a DAW open. A chord progression generator, photo-to-music, an AI rap generator, a noise generator, and genre-specific generators like a "funk maker" and a K-pop punk generator.

Quality across these varies. Some are genuinely handy if you don't already have the equivalent in your DAW. Others feel more like novelties. I used about 22 credits across this whole session, which isn't much, so there's room to keep experimenting without burning through an allowance.

## Should you try it?

The generation quality is decent rather than exceptional, and it won't nail a specific brief like "confession scene" on the first try. But the export options make it worth using anyway. Being able to pull MIDI and WAV stems out of a browser-based tool and take them into a proper DAW turns a rough AI generation into a real starting point rather than a finished product.

If you want to try it yourself, [sign up here](https://go.chrischinchilla.com/openmusicai). And if you want to hear the actual soundtrack this experiment fed into, [it's on Bandcamp](https://aeonv.bandcamp.com/album/antony-cleopatra-love-is-war-soundtrack).

---

## [Platform Engineering 2.0 - Evolve the Substrate for AI and Agents](https://dzone.com/articles/platform-engineering-ai-agents)

Date: 2026-07-16

Originally published at: https://dzone.com/articles/platform-engineering-ai-agents

Al has blindsided cloud native infrastructure management, rendering established platform engineering woefully inadequate. Original platform engineering often suffers from a developer-only focus, but a platform that serves only one persona in a multi-persona organization ultimately delivers a shrinking fraction of its potential enterprise value.
Autonomous agents are already beginning to write, review, test, and deploy code or fixes with or without human intervention. This shifts the primary organizational bottleneck from writing code to delivering it safely and quickly.  The gap requires a new model: Platform Engineering 2.0.

---

## [Nokia S 14 Years Of Mobile Phone Supremacy Ended In An Afternoon](https://spectrum.ieee.org/nokia-phones-history)

Date: 2026-07-13

Originally published at: https://spectrum.ieee.org/nokia-phones-history

IN 2005, NOKIA SOLD its billionth mobile phone, a budget-friendly device that went to a customer in Nigeria. By then, the company, based in Espoo, Finland, was making one of every three cellphones globally.
But just nine years later, the mobile-device maker offloaded its entire handset division to Microsoft for pennies on the dollar, compared to what it had been worth at its peak.

---

## [I have a new book out on creating the sustainable web](https://chrischinchilla.com/blog/2026/i-have-a-new-book)

Date: 2026-07-06

Finally, after a lot of work over a long period of time, I have a new non-fiction book out, co-written with Ines Akrap. It’s [“Building the Sustainable Web”, out with Apress now](/books/building-the-sustainable-web).

---

Finally, after a lot of work over a long period of time, I have a new non-fiction book out, co-written with Ines Akrap. It’s [“Building the Sustainable Web”, out with Apress now](/books/building-the-sustainable-web).

Building the Sustainable Web takes you through the entire digital stack, showing where impact happens, why it matters, and how to make meaningful progress. From infrastructure choices and backend architecture to frontend performance, UX design, content strategy, and marketing practices, this book gives you practical ways to make digital products lighter, faster, and more responsible. It also explains what we can measure today, what remains uncertain, and how to navigate that complexity without getting stuck.

A little over two years ago, I pitched the book to a commissioning editor from Apress at Web Summit about a topic I’d been thinking about for a while. How to make the apps and services we build and run more sustainable. And shortly, Ines joined as a co-writer, and her contributions, conversations, and experience were invaluable.

At the time, the topic was in the zeitgeist, with most hyperscalers and the companies below their scale spending time creating and maintaining sustainability reports and teams. The modern wave of AI tools was in their infancy, but we were already talking about their impact on the planet. Oddly, when we started the book, AI was going to be one part of one chapter. It then became one chapter, and honestly, now, it could have been the entire book.

Times change, especially when working on a book. We finished most of the writing months ago, which unfortunately means many details are likely already out of date. I think much of the practical information on building more sustainable infrastructure, backends, and front ends remains useful and applicable. But definitely, the field of AI has rapidly moved on, as has much of the talk on regulation and, more generally, the attitudes of companies and others toward the topic.

But it’s here now! If you care even remotely about sustainable, planet-friendly development and design. If you care about optimising for performance or even cost saving, this is a book for you and your team.

We also aim to keep an accompanying GitHub repository up to date with any pressing changes or new tools we think you should know about.

We hope you buy, read, enjoy, and share. I would like to thank Ines for working with me, as well as Anita Schüttler for the technical review, and all the staff at Apress, especially James, who listened to my pitch. I would like to thank Chris Adams, the people of Green.io and the CNCF sustainability tag for putting up with a lot of my questions and technical fumbling. I would like to thank all the people I interviewed for the book for their insights.

Finally, I would like to thank my wife Cate for putting up with me vanishing regularly to work on yet another side project.

[Find out more and buy yourself a copy](/books/building-the-sustainable-web/).

---

## [I am releasing music for the first time in 15 years](https://chrischinchilla.com/blog/2026/im-releasing-music)

Date: 2026-06-13

Today I am 45, so I am releasing music for the first time in about 15 years. A look at my musical journey and the new EP I am releasing.

---

_This picture is one of the first gigs I played. That's my friend Richard on bass who I still know today!_

Today, I am 45. So to "celebrate", I am releasing music for the first time in about 15 years. I am tempted to say that because I am 45, [I am releasing a 45](https://en.wikipedia.org/wiki/45_RPM). But I doubt many of you even remember or know what that is, and even at my ripe old age, I barely remember them.

Also, a 45 was generally only two tracks, and I am releasing 4, so it makes even less sense.

Ah well. Whatever. I am releasing music again. What midlife crisis?

Again, I hear some of you say. But Chris, aren’t you a tech blogger/video maker/tech writer/programmer? What’s this I hear about music?

I have a past life. In fact, some people know me better for that past life. Music has always been in the family, in my blood. My Dad played with a bunch of bands in the 1960s and 1970s, some of whom went on to be quite famous. My Mum was active in the curious English tradition of [music hall theatre](https://en.wikipedia.org/wiki/Music_hall). During my childhood, my Dad made many efforts to get me into playing music, but it didn’t really stick until I was about 16, and then I fell deep into it. I put out one of the first online music zines. I had a few small bands. I went to a lot of gigs and was lucky that London in the late 1990s and early 2000s was fantastic for music. And even at home I was lucky that my Dad generally had great taste in music, some of which I am only starting to appreciate now.

And then around 2003, I met a curious bunch of individuals that kind of clicked, and we formed a band. That band, [Art Brut](https://www.artbrut.org.uk), did well at the time, swept up in the second wave of ["Brit Pop"](https://en.wikipedia.org/wiki/Britpop) with acts like Franz Ferdinand, Kaiser Chiefs, and Bloc Party. It was fun, I saw a lot, but for one reason or another that made sense at the time, I instead decided to go solo, and eventually moved to Australia.

There I switched instruments from guitar to drums and played in a few other bands, who did OK, but never quite as popular. I got tired of trying, and moved on to other things.

But there was always a desire to make music lurking behind the scenes, and despite being mostly known for playing in indie rock bands, my musical tastes have always been broad, and actually I always wanted to work on soundtracks.

Fast forward to the past couple of years, and I reignited my musical bones by teaching at a volunteer music school, which has been invigorating for my creativity and sense of musical discovery. I formed a music writing and production partnership with someone else and we have been slowly creating a body of work covering a mix of genres, intended use cases, and instruments.

And today, that new duo, Aeon V, releases a debut EP, “[The dark embrace of infinite space](/music/the-dark-embrace-of-infinite-space)”. It’s a conceptual EP of four tracks around a loose theme of an astronaut getting stranded in space after some sort of dramatic incident, and slowly dying, drifting in the vast blackness. I am not sure if you could describe it all as a soundtrack, as there is some singing (well, it’s me, so…). Maybe consider it as more of a statement of intent, and we will also be releasing other tracks to our profile pages over the coming months.

>   - [Bandcamp](https://aeonv.bandcamp.com/album/the-dark-embrace-of-infinite-space)
>   - [All others](https://distrokid.com/hyperfollow/aeonv/the-dark-embrace-of-infinite-space-2?ref=release)

If you were an Art Brut fan, I am not sure if you will like it. Maybe you and your tastes have changed too in the past 20 years. You might recognise a few stylistic signatures, but it’s fairly different.

If you have no idea who Art Brut were, or even that I had a music past, even better!

Listen. Buy if you want. Subscribe. Share. All the usual things content creators ask and need you to do these days.

Most of all, I’d appreciate opinions, emotions. In this increasingly AI-filled world, they are increasingly important, and the inefficient creation process an important part of being and feeling human.

Enjoy. And more to come.

> Looking for someone to compose music for your project? [Get in touch](https://calendar.app.google/Ks79ZWhYJrPLwLRNA)!

---

## [Revisiting 2016 - Links from ten years ago](https://chrischinchilla.com/blog/2026/links-from-ten-years-ago)

Date: 2026-06-03

Revisiting links saved ten years ago, exploring what captured my attention and the world's interests back in 2016.

---

Last year, [when Pocket finally closed](https://support.mozilla.org/en-US/kb/future-of-pocket), I needed an alternative read-it-later service. I looked at all the new cool options such as [Matter](https://www.getmatter.com/), but they were overly complex and expensive for my needs. I also looked at cutting out an additional service and instead using Safari's read-it-later features, but I use my read-it-later service to kick off items for my newsletter, so I needed something with API access.

After a bit of research, I ended up back where I started many years ago before I started using Pocket, and that was using [Instapaper](https://www.instapaper.com).

Fortunately, my account still worked, and after logging in, I was fascinated to find links from ten years ago. I thought it would make an entertaining post to revisit some of them to see what I and the world were thinking ten years ago.

## DIY standing desks

I was thinking about standing desks, but also building my own, I guess because they're expensive. I clearly gave up on the idea and didn't even get a standing desk until 2020, thanks to company home office setup money. A lovely Fully desk, which I still have in my home office, even though [sadly the company was acquired in 2019](https://www.reddit.com/r/StandingDesks/comments/135z9yb/what_happened_to_fully_did_herman_miller_bought_it/).

### Building a standing desk

- **URL:** https://abeautifulmess.com/building-a-standing-desk/
- **Publication:** A Beautiful Mess
- **Author:** Emma Chapman
- **Published:** February 5, 2014 _(updated June 16, 2022)_

### 23 IKEA standing desk hacks with ergonomic appeal

- **URL:** https://www.homedit.com/ikea-standing-desk/
- **Publication:** Homedit
- **Author:** Simona Ganea
- **Published:** Updated April 7, 2021

### Scraping an HTML table

I have no idea why I was trying to do this. I am pretty sure that back in 2016 I would have ended up using something like [nokogiri](https://nokogiri.org/), but now? Well, probably AI 🤷‍♂️. Still, this solution using Google Docs remains pretty cool.

### The simple way to scrape an HTML table: Google Docs

- **URL:** https://eagereyes.org/blog/2009/scrape-tables-using-google-docs
- **Publication:** eagereyes
- **Author:** Robert Kosara
- **Published:** November 15, 2009

## Trump 1.0

Remember those heady days when Trump was elected the first time, and at the end of the first term we all thought, " that wasn't as bad as we thought"? Weren't they happy days? Well, not really, but still.

### The case against Democracy

- **URL:** https://www.newyorker.com/magazine/2016/11/07/the-case-against-democracy
- **Publication:** The New Yorker
- **Author:** Caleb Crain
- **Published:** October 31, 2016

### When Hillary and Donald were friends

- **URL:** https://www.nytimes.com/2016/11/06/magazine/when-hillary-and-donald-were-friends.html
- **Publication:** The New York Times
- **Author:** Maureen Dowd
- **Published:** November 2, 2016

### Those taking selfies with Hillary Clinton aren’t narcissists – but our best hope

- **URL:** https://www.theguardian.com/commentisfree/2016/sep/26/taking-selfies-hillary-clinton-not-narcissists
- **Publication:** The Guardian
- **Author:** Johnathon Ross
- **Published:** September 26, 2016

### Globalisation is dead, and white supremacy has triumphed

- **URL:** https://www.theguardian.com/commentisfree/2016/nov/09/globalisation-dead-white-supremacy-trump-neoliberal
- **Publication:** The Guardian
- **Author:** Paul Mason
- **Published:** November 16, 2016

## Using AI for creative work

I am fond of telling people that AI is nothing new. Even the principles underpinning the current wave of tools aren't that new. People were using algorithms to generate writing and films ten years ago too. They weren't good, but that's besides the point.

### Writing with the machine

- **URL:** https://www.robinsloan.com/notes/writing-with-the-machine/
- **Publication:** robinsloan.com
- **Author:** Robin Sloan
- **Published:** May 2016

### Watch your language (automatically)

- **URL:** https://kvz.io/blog/2015-09-16-watch-your-language
- **Publication:** kvz.io
- **Author:** Kevin van Zonneveld
- **Published:** September 16, 2015

### An AI wrote this movie and it's strangely moving

- **URL:** https://arstechnica.com/gaming/2021/05/an-ai-wrote-this-movie-and-its-strangely-moving/
- **Publication:** Ars Technica
- **Author:** Annalee Newitz
- **Published:** June 6, 2016

## The Archers hits its peak

I forget when I started listening to the long-running [BBC Radio 4 soap opera The Archers](https://www.bbc.co.uk/programmes/b006qpgr/episodes/player). It's one of my guilty pleasures. One of the reasons I love it is that the plots are rarely controversial and it's generally pleasingly dull. But ten years ago was different, and they had one of their most controversial and memorable storylines.

### How a radio soap got a country talking about domestic abuse

- **URL:** https://www.nytimes.com/2016/09/04/world/europe/the-archers-bbc-radio-domestic-abuse.html
- **Publication:** The New York Times
- **Author:** Kimiko de Freytas-Tamura
- **Published:** September 3, 2016

## The ellipsis is mightier than the em-dash

If a telltale of AI-generated writing was the ellipsis, then I would be in trouble. Ten years later, it's still underused and the "..." overused.

### The mighty ellipsis

- **URL:** https://medium.com/@jsaito/the-mighty-ellipsis-6c2c00ddc864
- **Publication:** Medium
- **Author:** John Saito
- **Published:** September 6, 2016

## Are we all introverts now?

Clearly I was either wondering about my own behaviour or that of others ten years ago, and this is pre-2020 lockdowns and all the knock-on effects of that and people's ability to socialise.

### Am I introverted, or just rude?

- **URL:** https://www.nytimes.com/2016/09/25/opinion/sunday/am-i-introverted-or-just-rude.html
- **Publication:** The New York Times (Sunday Opinion)
- **Author:** K.J. Dell'Antonia
- **Published:** September 25, 2016

## What a decade

One of the things I love about history is how, on a smaller scale, things don’t change that much. It’s often only when you zoom out that you see the more seismic change. Of course I have been selective with the links I showed here, and they represent aspects of my interests that are relatively similar to ten years ago. However, it’s also striking how many are pretty similar to the conversations we’re having now. Some of the same people, the same topics, the same undercurrent themes.

But zoom out and the past ten years, honestly the past six have seen monumental change, as I said to someone recently, “It’s like every year since 2020 looked at the previous year and said, ‘I’ll raise you’”. We had the COVID pandemic, with some of its impact still playing out and some of its Impact basically reverting to what came before. Politics since 2016 has been a wild, wild ride, and that’s still yet to resolve to whatever conclusion it arrives at. The amount of full-scale conflicts that began in the past years has had global impact. The energy crisis, AI, the divisiveness of social groups, and so much more. While looking back ten years, we may not see much small-scale difference. I think if I undertake the same exercise in 2036, the story might be quite different. But then again, as history proves time and time again, maybe it might not.

---

## [How AI tools are changing the way developers solve problems](https://chrischinchilla.com/blog/2026/ai-tools-problem-solving)

Date: 2026-04-16

AI tools are transforming how we approach complex problems by automating tasks, enhancing decision-making, and fostering collaboration. This article explores the impact of AI on my software development work, ethical considerations, and the future of problem-solving in the AI-driven era.

---

In today’s fast-paced tech landscape, we face increasingly complex challenges that demand faster, smarter solutions. Projects now involve large-scale systems, diverse technologies, and constant updates, making efficiency essential. Artificial intelligence (AI) tools are rapidly transforming how we approach and solve complex technical problems.

They automate repetitive tasks, generate code, and provide predictive insights. These capabilities help us identify issues early and optimise performance. By integrating AI into our workflow, we can accelerate development cycles, reduce errors, and unlock more innovative, efficient approaches to problem-solving.

In this article, I explore how AI is reshaping my experience as a developer and the strategies that are driving smarter, more efficient solutions.

## Accelerating debugging and root cause analysis

AI tools are transforming how we debug by quickly detecting anomalies, predicting failures, and identifying root causes. They analyse large codebases and historical error patterns to suggest fixes and highlight problematic areas. This reduces the time we spend troubleshooting. As a result, downtime decreases while the reliability of our software and our productivity significantly improve.

A study published by [MDPI](https://www.mdpi.com/2076-3417/15/3/1344) highlights the growing reliance on AI in debugging processes. It found that 68% of developers use AI tools in at least one phase of the software development lifecycle. Debugging and coding emerged as the most common applications, which matches my own experience. This trend underscores AI’s role in accelerating root cause analysis.

## AI-assisted decision-making in complex systems

In complex software systems, we face decisions around architecture, performance, and scalability. AI tools analyse large datasets, simulate outcomes, and offer data-driven recommendations. They highlight trade-offs and predict system behaviour to guide our choices. This reduces uncertainty and speeds up critical decision-making, enabling more efficient and reliable system design.

Studies published by Modern Sciences highlight the growing role of AI in complex decision-making. Research shows that 78% of companies worldwide have adopted AI in at least one business function. This widespread adoption supports data-driven strategies, and many have found it enables them to make faster, more informed decisions in complex systems.

## Ethical AI and the responsibility of developers

As AI tools evolve from assistants to core architects of user experience, “clean code” now includes algorithmic integrity. We're not only responsible for performance but also for preventing encoded bias. Since AI learns from historical data, it can unintentionally amplify harmful patterns, turning efficiency into systemic inequality.

A landmark example is the [Facebook lawsuit](https://www.torhoermanlaw.com/social-media-mental-health-lawsuit/facebook-mental-health-lawsuit/) involving Meta, where algorithms faced scrutiny for harming youth mental health. The case revealed how engagement-driven systems can prioritize clicks over well-being. It highlighted that without ethical safeguards, such designs may contribute to addiction and psychological distress.

TorHoerman Law reports that Facebook-related cases are now included in nationwide social media addiction litigation. These cases consolidate personal injury claims against Meta and other tech companies. They are combined into a single federal proceeding for more streamlined legal handling.

## Automating repetitive tasks and code generation

AI tools are transforming how we develop by automating tasks like boilerplate code, syntax fixes, and testing. Using machine learning trained on vast repositories, they generate code snippets and suggest completions. This reduces development time significantly, leaving us free to focus more on innovation and complex problem-solving.

McKinsey's recent global report emphasises that development teams increasingly depend on artificial intelligence tools. It reports that [65% of organisations](https://www.mckinsey.com/capabilities/quantumblack/our-insights/the-state-of-ai-2024) are regularly using generative AI. For many, that often means deploying these tools to generate repetitive code blocks, allowing teams to work faster and focus on higher-value problem-solving activities. 

## Enhancing collaboration through AI-driven insights

AI is revolutionising team dynamics by acting as a "contextual bridge" between disparate engineering silos. In complex projects, communication overhead often leads to delays and inefficiencies. AI-driven insights streamline collaboration by summarising pull requests, flagging merge conflicts early, and recommending the most suitable reviewers based on historical expertise.

Beyond management, AI fosters collective intelligence by turning fragmented documentation into a searchable, interactive knowledge base. It organises information for easier access and reuse. This ensures institutional knowledge is preserved when shifting teams, enabling a more fluid, high-velocity development environment.

## Learning and skill development in the AI era

Machine intelligence revolutionises how we learn by offering tailored instructions and immediate, real-time performance critiques. From code assistants to AI-powered tutorials, they help us quickly master new technologies. By analysing our coding patterns, they suggest targeted improvements. This accelerates skill development, shortens learning curves, and supports continuous upskilling.

According to the World Economic Forum, AI is reshaping business models, with half of employers targeting new opportunities. About 77% plan to upskill workers to adapt. However, 41% anticipate workforce reductions. Nearly half aim to transition employees into new roles, balancing innovation with skill development.

## Frequently asked questions

### What are the risks of relying too heavily on AI-generated code?

Overreliance on AI-generated code can introduce hidden bugs, security risks, and weaken my understanding of core concepts. I might overlook logic or accept flawed suggestions. It can also create dependency, limiting innovation and spreading biased or inefficient coding practices.

### How do AI tools affect software development timelines and budgets?

AI tools streamline my development by automating tasks, accelerating coding, and improving debugging, which shortens timelines. They reduce labour costs and errors, lowering budgets. However, upfront investments, integration challenges, and training costs may increase expenses before long-term productivity gains are achieved.

### Which sectors gain the most from AI-enhanced software engineering cycles?

From what I've seen, the industries benefiting most from AI-assisted development include healthcare, finance, e-commerce, and manufacturing. These sectors leverage AI for faster data analysis, automation, and improved decision-making. Technology and SaaS companies, where I spend most of my time, gain by accelerating development cycles, enhancing user experiences, and reducing operational costs efficiently.

## The future of problem-solving in the AI-driven development era

AI tools are no longer optional for many. They are essential in solving complex development challenges. They accelerate workflows, enhance collaboration, and enable smarter decisions and continuous learning across the lifecycle. While they deliver efficiency, they also require responsible use and a solid understanding of underlying principles.

Sustainable innovation requires a strategic harmony between human ingenuity and the power of artificial intelligence. As AI continues to evolve, embracing it thoughtfully may give a strong competitive edge. You can build smarter, faster, and more impactful solutions in an increasingly dynamic digital landscape.

---

## [I Replaced My Custom Mac App Audio Routing Solution with Elgato Wave Link 3 and Love It](https://chrischinchilla.com/blog/2026/app-audio-routing)

Date: 2026-04-02

macOS has always lacked a built-in way to route and mix audio on a per-application basis. Windows users have had per-app volume control for years, but on macOS, you need third-party tools to get anything close. I had been using a combination of SoundDesk, the Stream Deck MIDI plugin, and a Stream Deck plus with dials to solve this. The setup worked, but configuring it was fiddly. Then Elgato released Wave Link 3, and everything changed.

---

macOS has always lacked a built-in way to route and mix audio on a per-application basis. Windows users have had per-app volume control for years, but on macOS, you need third-party tools to get anything close.

I had been using a combination of [SoundDesk](https://www.loudlab-app.com/sounddesk-app), the [Stream Deck MIDI plugin](https://marketplace.elgato.com/product/midi-b068a591-1a69-48fe-9206-b2d24762228b), and a [Stream Deck plus](https://www.elgato.com/us/en/p/stream-deck-plus) with dials to solve this. The setup worked, but configuring it was fiddly. Then Elgato released [Wave Link 3](https://www.elgato.com/us/en/s/downloads), and everything changed.

## The problem with macOS Audio

On macOS, controlling the volume of individual applications requires third-party tools. [Rogue Amoeba](https://rogueamoeba.com) makes solid tools for parts of this, including [Loopback](https://rogueamoeba.com/loopback/), [Audio Hijack](https://rogueamoeba.com/audiohijack/), and [SoundSource](https://rogueamoeba.com/soundsource/). I already use Loopback and Audio Hijack, so initially trying SoundSource made sense. SoundSource sits in the menu bar and lets you control per-application audio, but I couldn't get it to work well with physical controllers like the Stream Deck. You can control it with Apple's Shortcuts, which I could then tie to the Stream Deck, but it wasn't precise, required a lot of setup, and wouldn't persist app volume state.

At the time, I used a [Korg nanoKONTROL2](https://www.korg.com/us/products/computergear/nanokontrol2/) for various purposes, but I also wanted to use it to control audio volumes. Looking for something MIDI-controllable, I found [SoundDesk from Loud Lab](https://www.loudlab-app.com/).

## SoundDesk and the Stream Deck MIDI Plugin

Aimed at professional mixers and sound engineers who likely connect their Macs to external audio equipment, SoundDesk provides powerful per-app audio routing, device mixing and more. It supports Audio Units and VST plugins, and many routing configurations. With its virtual devices add-on, you can route application audio, meaning it crosses over with elements of Loopback, Audio Hijack, and SoundSource. But most crucially, it has support for Mackie, HUI, and MIDI control, making it a good candidate for integration with a wide variety of devices.

While I was still using the Korg NanoKontrol2, it made perfect sense. I could use it to send MIDI CC or Mackie Control messages to SoundDesk, changing various parameters of each channel. At a certain point, I replaced my old AKAI keyboard with a [Novation Launchkey 49](https://us.novationmusic.com/products/launchkey-49), which had many of the NanoKontrol2 controls built into it, so I sold that too. Using a gigantic keyboard to control app volume seemed a bit overkill, I saw the Stream Deck's dials sat before me, bought a second one and instead made use of the fantastic [Stream Deck MIDI plugin](https://marketplace.elgato.com/product/midi-b068a591-1a69-48fe-9206-b2d24762228b).

The MIDI plugin uses two virtual MIDI ports on macOS to communicate with devices, "StreamDeck2Daw" and "Daw2StreamDeck,". You set the SoundDesk MIDI input to "Daw2StreamDeck" and the output to "StreamDeck2Daw." You can create your own in the macOS Audio MIDI Setup app and use those instead.

The Stream Deck MIDI plugin handles MIDI CC (Control Change) messages, which you can use to control SoundDesk, and I used it specifically to control fader volumes for each channel of routed app audio. Each fader has a MIDI CC number, starting at 80. Fader one uses CC 80, fader two uses CC 81, and each next fader increments by one, all on MIDI channel 2. You then assign an application's audio to each channel, meaning that you can control it from SoundDesk.

While it took me a little while to figure out how to get it to work, once I figured it out, the setup was quick. I had my dials controlling podcast volume, music volume, Premiere Pro, and more.

There were some issues with the setup. Like LoopBack, SoundDesk creates virtual audio devices that you route your audio to instead. You have to remember to switch if you ever want more direct control of audio hardware. You can operate  SoundDesk's virtual devices add-on in "takeover" mode, meaning that when you open the application, it switches to the virtual device, and when you quit, it switches back to whatever you had selected before. However, there were still times when I couldn't get an application's audio to play through SoundDesk and quitting and re-opening some combination of the applications I was using would fix it.
%% TODO: Check and pictures %%
## What Elgato Wave Link 3 Does

[Wave Link](https://www.elgato.com/us/en/s/wave-link-app) is Elgato's free audio mixing and routing software. Version 3 is a significant update, rebuilt from the ground up with a new interface and a much broader feature set. It now works with any microphone or audio interface, not just Elgato hardware.

It basically replicates what I was trying to accomplish with SoundDesk. The simplicity of SoundSource but integrates with a Stream Deck.

Applications and hardware appear as input channels on the left of a routing matrix, and you route them to output mixes on the right. You can create up to five mixes, so you could have one for your headphones, one for streaming, one for recording, etc.

## Setting Up Wave Link with Stream Deck

Because Wave Link comes from Elgato, the Stream Deck integration is much tighter than anything else. The dedicated Wave Link Stream Deck plugin lets you assign application volume controls directly to controls, without any MIDI configuration. You pick the channel, the mix, and whether the dial controls the input volume or the mix volume.

No channel setup in _Audio MIDI Setup_, no MIDI CC numbers to look up, and no state reset issues. Moving the dial on the Stream Deck moves the volume in Wave Link, and the plugin reflects the current state in real time. You can also add VST and Audio Unit effects input and mix channels, including some from the Elgato Marketplace which you can also use in other audio applications.

I now have music, podcasts, Adobe Audition, and Premiere Pro each on their own dial, with a fifth dial controlling the mix output and audio levels show on the Stream Deck screens as well as on a handy menu bar icon where you can also change audio levels from.

## What Wave Link Doesn't Do

Unlike SoundDesk, Wave Link 3 gives you no manual control over audio quality, with no buffer size setting or sample rate. In practice, audio quality is fine, but if you need low-latency monitoring or precise buffer control, SoundDesk gives you more configuration options, and the nerd in me _would just like to know_.

I use an XLR microphone through an audio interface rather than an Elgato microphone. Microphone input control works in Wave Link, but I get duplication through the audio interface ([Arturia Minifuse 4](https://www.arturia.com/products/audio/minifuse/minifuse-4)) that I need to resolve. If you use an Elgato microphone or interface directly, this is probably not an issue.

You need to keep the Wave Link window open for routing to work, but this was the same with SoundDesk.

## Performance comparison

Audio routing uses a reasonable amount of CPU, but how much depends on a lot of factors. For a pretty similar setup with both applications, i.e., a handful of applications set to route, with reasonable audio quality, I found the following based on CPU usage, which doesn't mean much, but it's a metric:

- SoundDesk is consistently around 10% CPU
- Wave initially was around 30%, but then after a while dropped to about 10%, perhaps after an update. Wave has also glitched and crashed a couple of times.
## Which should you use?

If you want a simple, well-integrated way to route application audio on macOS and you have a Stream Deck, Wave Link 3 is a fairly obvious choice. It's free, the Stream Deck integration is seamless, and the setup is straightforward. CPU usage is reasonable, and audio quality suits content creation work.

If you need advanced routing, plugin support, or fine-grained audio quality control, SoundDesk remains a strong option. It's more powerful but more complex to configure, especially with physical controllers.

For my use case, controlling application volumes, Wave Link 3 handles everything I need, and I haven't even explored the different mix options yet. I have already paid for SoundDesk and have some live audio work coming up where it might come into its own. I shall wait and see.

[Wave Link 3](https://www.elgato.com/us/en/s/downloads) is free for macOS and Windows. [SoundDesk is available from Loud Lab](https://www.loudlab-app.com/) for macOS. [The Stream Deck MIDI plugin](https://marketplace.elgato.com/product/midi-b068a591-1a69-48fe-9206-b2d24762228b) is available in the Stream Deck Marketplace.

---

## [Is TypeBoost the AI personal assistant you've been looking for?](https://chrischinchilla.com/blog/2026/typeboost)

Date: 2026-03-17

TypeBoost is an AI personal assistant that helps boost writing productivity by allowing you to apply prompts to text in any application. In this post, I test the tool to see how well it performs and how much it improves my productivity.

---

[TypeBoost](https://www.typeboost.ai/) is one of a growing number of tools that use AI to boost writing productivity. Select text in any application, hit a keyboard shortcut, and apply a prompt, such as making text more formal, translating it, or shortening it, directly in place. It supports voice input as well as text, and claims to work system-wide across any text field.

In this post, I put it through its paces to see how well it performs and how much it improves my productivity.

## How does TypeBoost work?

TypeBoost sits in your macOS menu bar and activates via a global keyboard shortcut. Select some text, press *Control + Space*, and a small prompt picker appears. Choose a prompt, and TypeBoost sends your text to an AI model, then replaces the selected text with the result.

It ships with a range of default prompts, including options for grammar fixing, making text more formal, translating to other languages, creating LinkedIn posts, and a few developer-oriented ones like writing Git commit messages. You can also create your own custom prompts, and share these across devices via cloud sync.

Beneath the surface, TypeBoost passes your text and a system prompt to an external AI model. Older tools did similar things when they first appeared, and other applications have since absorbed most of those features. This pits TypeBoost against some stiff competition.

## Installation and setup

On first launch, TypeBoost walks you through permissions. You need to grant microphone access, accessibility access, and automation access. These are generally standard requirements for any tool that interacts with other applications.

The default shortcut is *Control + Space*, which conflicts with some common system shortcuts. You can change it in settings.

Unfortunately, TypeBoost is an Electron app. This means it could consume more resources than a native app, and it doesn't integrate with other macOS APIs and features well.

## Testing it out

### Text manipulation in a browser

I tried selecting some text in a web browser and triggering the prompt picker. The picker appeared correctly, and I chose to polish it as a LinkedIn post. The transformed text appeared in the TypeBoost panel, but clicking to replace the text did nothing. Web browsers don't allow accessibility tools to replace text in most fields, so this is a known limitation rather than a bug.

The workaround is copying the result manually. That works, but it removes some appeal of an inline tool.

### Text manipulation in Obsidian

The next test used [Obsidian](https://obsidian.md/), also an Electron app, which makes it an interesting case. I selected a chunk of notes and triggered TypeBoost. This time, text replacement worked. I tried the voice brain dump to structure prompt on a rambling list of ideas. The result was reasonable, though it condensed rather aggressively.

I also tried working with a file that contained images mixed in with text. TypeBoost handled the text portions correctly and ignored the images, which I guess makes sense.

### Translating in Apple Notes

I selected a note I'd written some time ago and tried translating it to German. The translation replaced my note text successfully, and then I translated it back to check accuracy. The result was close to the original, with some minor phrasing differences. TypeBoost correctly preserved some German-language terms I had in the original text.

### Voice mode

Voice mode is the most interesting part of TypeBoost. Instead of selecting existing text, you speak directly to the app. I tried a short voice input describing what I was testing, and the app transcribed and processed it into a coherent paragraph. The result was shorter than what I'd spoken, but the meaning carried through.

Voice input switches between text manipulation and a more direct capture mode, which is useful for capturing ideas without typing.

## Limitations

The Electron foundation has a real impact on the experience. Features like macOS services and sharing, which many Mac-native apps expose for similar text manipulation tasks, can work in Electron apps, but often aren't added. The prompt picker panel also looks and behaves like a web interface rather than a native macOS popover, which is noticeable, but I acknowledge it's a "me problem".

The prompt selection list is small and needs to be taller. With more prompts loaded, scrolling through them becomes fiddly.

Text replacement in web browsers doesn't work. That's a platform limitation, but worth knowing before assuming TypeBoost works "everywhere."

There's no offline mode. Every action goes out to an external AI model, which means credits and an internet connection are always required.

## Pricing

The free plan includes a one-time allocation of 50,000 credits and 10 minutes of voice mode. The Pro plan is $8 per month (or $96 billed annually). It includes 1 million credits per month, 180 minutes of voice mode, and access to many model providers including OpenAI, Anthropic, and Google. An enterprise tier with shared team prompts is available at a custom price.

The credit model maps to API usage costs. How far your credits go depends on the length of your texts and how often you use the tool.

## Other options

If you already use [Raycast](https://go.chrischinchilla.com/raycast), it has AI prompt features that integrate well with macOS. PopClip is another Mac-native and extensible option, with AI actions available. MacWhisper handles voice-to-text more directly. macOS itself exposes text services that some apps can use, though these are inconsistent across applications.

TypeBoost's advantage is its cross-platform focus. If you work across Mac and iOS and want prompts to sync, it handles that cleanly.

## Should you use TypeBoost?

TypeBoost does what it says. The core idea, applying saved AI prompts to selected text with a keyboard shortcut, works, and voice mode adds a useful capture option. The prompt customisation is straightforward, and the default prompt library covers common use cases.

The Electron foundation is a real trade-off. You get cross-platform consistency but lose Mac-native integration. If that doesn't bother you, TypeBoost is worth trying. The free plan gives you enough credits to test it without committing.

If you prefer Mac-native tools, Raycast or PopClip suit you better. If you're cross-platform or just want something simple to set up and use, TypeBoost is a solid choice.

---

## [Testing Neon - Opera's agentic browser](https://chrischinchilla.com/blog/2026/opera-neon)

Date: 2026-03-04

Opera Neon is a new browser with an AI assistant that interacts with web pages on your behalf, completing tasks that typically require manual clicking, typing, and navigation. In this post, I test the browser with real tasks to see how well it performs.

---

Opera released [Neon](https://www.operaneon.com), a new browser that includes an AI assistant. This assistant interacts with web pages on your behalf, completing tasks that typically need manual clicking, typing, and navigation. I, like many, am sceptical about agentic browsers, so wanted to test the browser with real tasks to see how it performs.

## What's Opera Neon?

Opera Neon uses Opera's latest browser release, built on the Chromium engine and uses forms of computer vision to understand page layouts, identify interactive elements, and click buttons or fill forms.

The browser maintains Opera's existing features, including a VPN, ad blocker, and integrated messaging.

The interface offers different modes: chat for conversations, do for task execution, research for gathering information, and make for content creation. You need an Opera account to access these AI features, which Opera currently offers as a paid service with trial periods available.

## Installation and setup

I downloaded and installed Opera Neon on macOS. The installation process matches Opera's standard browser setup once you have enrolled for an Opera account and subscription. After launching, a side panel displays options for different modes, though switching between them often caused the chat context to vanish, which I guess makes sense, but there was no hint that this would happen. As you might expect, the assistant shows its progress through visual overlays on pages and status updates in the sidebar.

## Testing with real tasks

I ran several real-world tests to understand the assistant's capabilities and limitations.

### Flight search: Berlin to Malaysia

The first test involved booking a flight. I asked the "do" assistant to find flights from Berlin to Malaysia. The assistant started working through various travel comparison sites.

The process revealed immediate challenges. The assistant filled in the departure city correctly but struggled with the date picker. Skyscanner's date picker shows prices across a calendar, which makes sense to humans but confused the assistant. It initially set both departure and return dates to the same day.

The assistant recognised its error, displaying a message about "human in the loop" and requesting my help. I corrected the dates manually. The assistant then continued, but progress was slow. What I might have completed in 30 seconds took several minutes.

The assistant then switched to Google Flights for comparison, which presented a different date picker interface. Again, date selection proved problematic. The assistant repeatedly got stuck on the dates, requiring multiple interventions.

The experience showed that whilst the assistant can navigate travel sites, date pickers remain a significant obstacle. The "human in the loop" approach means you're more of a supervisor than someone who can leave the task entirely to automation.

One interesting caveat is that Berlin is a poorly served airport, which highlights that no tool, no matter how smart, can solve real world limitations. After considerable time, the assistant did find flight options, though they were essentially the same flights available through normal search. The prices looked reasonable (though some seemed suspiciously cheap), but I had to verify everything myself anyway.

### Guitar shopping on Reverb

I tested e-commerce functionality by asking the "do" assistant to find and buy a [Yamaha Pacifica electric guitar](https://usa.yamaha.com/products/musical_instruments/guitars_basses/el_guitars/pacifica/index.html). The assistant navigated to Reverb and other music retailers, searching for options.

The assistant found several guitars and even added one to the cart on Reverb. However, it stopped at checkout, which I assume aligns with Opera's safety features. The assistant won't complete purchases without explicit confirmation, which makes sense for financial transactions.

The interesting aspect here was watching it compare prices across different sites, though the results were mostly what I'd find through normal price comparison tools. The assistant opened multiple tabs and navigated between them, but the time saved was questionable compared to doing this manually. Also what it considered "cheapest" was interesting, it picked a guitar based in the USA, which was cheaper than the same model available in Germany, but the shipping costs and import taxes would likely make it more expensive overall. As everything with AI, you need to be specific with prompts.

### Research task: Compiling reviews

I tested the research mode by asking the "research" assistant to compile reviews about text editors to form the basis of an article. This triggered a different interface showing "researcher thinking" and "researcher summarizing to supervisor" messages.

The assistant searched for information and compiled results, eventually producing a document with references. However, the output was overly verbose, typical of AI-generated content. The references appeared at the end, and whilst the information was accurate, the presentation lacked focus.

The research mode took considerable time, running for a long time before producing results.

### Analysing my own content

I tested whether the assistant could analyse a specific page from my blog and asked the "make" assistant to create a presentation based on the content.

Here the assistant showed some confusion. It pulled images from my blog but not always from the correct page. It seemed to analyse my blog generally rather than the specific article I'd specified. After being more explicit about the URL, the assistant produced a summary, though calling it a "presentation" was generous.

The assistant correctly identified the main text editors I'd reviewed and included honourable mentions, so it did extract the right information. The formatting and structure needed work though, and again, the content was overly verbose.

## Interface and context issues

Testing revealed several interface quirks. The assistant occasionally switched to German unexpectedly, presumably based on location rather than language preference. This created confusion until I noticed and switched back.

Context switching between modes (chat, do, research) sometimes lost conversation history. When I switched from one task to another, the assistant didn't always retain information from previous exchanges and sometimes switching to another task would cause others to lose context or stop running completely.

Running multiple tasks simultaneously was possible but confusing. I tested having the flight search running whilst starting the guitar search, and the interface struggled to show clear progress for both. Switching between them sometimes disrupted one task to start another.

Different modes also presented different interfaces. Sometimes the sidebar showed controls, other times a full-page interface appeared. This inconsistency made it unclear which mode I was actually using at times.

## The date picker problem

Date pickers emerged as the assistant's biggest weakness, which is odd as "booking a trip" is often the example companies use to demonstrate assistant tools. Almost every travel site uses custom date picker interfaces, often showing price calendars or date ranges in visually complex ways. These interfaces make sense to humans who can quickly scan and select, but the assistant consistently struggled.

The assistant would correctly identify the date picker element but couldn't reliably select dates. It would click wrong elements, select the same date for departure and return, or simply get stuck trying to interact with the calendar interface.

## When Opera Neon makes sense

Opera Neon works best for research tasks where you want information compiled from multiple sources. The research mode can gather information whilst you work on something else, though you'll need to clean up the verbose output.

Form filling works reasonably well for standard forms without complex date pickers or dropdown interfaces. The assistant can complete basic contact forms faster than manual entry.

Price comparison across e-commerce sites shows promise, though it's not dramatically faster than using dedicated price comparison tools. The advantage is having the assistant navigate multiple sites whilst you focus elsewhere.

Opera Neon has limited utility for complex web applications, booking systems with custom interfaces, or tasks requiring subjective judgement. The assistant works best with standard, predictable web interfaces.

## Should you use Opera Neon?

Like all agentic browsers, Opera Neon demonstrates interesting possibilities for AI-assisted browsing, but the technology needs refinement. It works for straightforward tasks but struggles with common web interface patterns like date pickers.

If you're already in the Opera ecosystem, Opera Neon offers value for research tasks and simple automation. The promise to run tasks in the background whilst working elsewhere shows promise.

For general browsing and complex tasks, standard browsers remain more efficient. The time spent supervising the assistant and correcting errors often exceeds the time saved through automation.

The technology shows promise but feels like early-stage development. The interface inconsistencies, context switching problems, and interface struggles indicate Opera Neon needs more development before becoming a reliable daily tool.

---

## [Big Cloud Still Runs Most Containers on VMs; What Does that Mean for the Rest of Us?](https://dzone.com/articles/big-cloud-runs-containers-on-vms)

Date: 2026-02-27

Originally published at: https://dzone.com/articles/big-cloud-runs-containers-on-vms

If bare metal provides the best raw performance, why do hyperscalers still insist on running their own infrastructure on virtual machines? The answer reveals what the companies running the world’s most complex infrastructure really think about cloud architecture.

---

## [Cleaning Cloud Storage with CleanMyMac](https://chrischinchilla.com/blog/2026/cleaning-cloud-storage-with-cleanmymac)

Date: 2026-01-24

CleanMyMac has long been a go-to tool for macOS maintenance, but its recent addition of cloud storage cleanup is worth examining. In this post, I test the new feature to see how well it helps manage cloud storage across services like iCloud and Google Drive, and whether it's a useful addition or just a gimmick.

---

[CleanMyMac](https://go.chrischinchilla.com/cleanmymac) has existed for a few years as a maintenance tool for macOS, handling everything from disk cleanup to malware detection. Generally, I am a fan of it, despite often wondering if some of what it recommends is necessary. Still, a lot of modern applications are terrible at cleaning up after themselves, and I am obsessed with digital cleanliness, so…

Recently, they added a feature that extends this cleaning capability to cloud storage. I tested it to see if it's useful.

## What CleanMyMac offers

For context, [CleanMyMac](https://go.chrischinchilla.com/cleanmymac) provides several maintenance features:

- **Scan**: A combined check that runs multiple diagnostics
- **Cleanup**: Finds files you can remove to free up space
- **Protection**: Malware and threat detection
- **Performance**: Maintenance tasks like DNS cache clearing and periodic scripts
- **Applications**: Updates and uninstalls, including leftover files
- **Space Lens**: Shows what's consuming disk space

The cloud cleanup feature is the newest addition. It currently supports three services: Google Drive, iCloud, and OneDrive.

## How Cloud Cleanup works

I tested the feature with iCloud and two Google Drive accounts. The interface shows files with icons indicating whether they're stored locally, in the cloud, or both. "Locally" can depend on the storage provider, for example, iCloud natively integrates with macOS Finder, while Google Drive depends on the sync client used. For many years, I have used [Insync](https://www.insynchq.com/) instead of Google's official client, which CleanMyMac doesn't recognize, so it only shows files synced by the official app.

### iCloud

I use iCloud extensively across multiple Macs, an iPad, and iPhone. This makes file access seamless, though I keep some folders like music projects downloaded locally because I or certain applications need immediate access.

macOS buries iCloud's actual storage location in *\~/Library/Mobile Documents/com\~apple\~CloudDocs/*. I once accidentally deleted this folder not realizing what it was, not my finest moment, but I managed to recover most files.

The scan took a while because I have a lot stored in iCloud. When finished, it categorized files into:

- Locally synced files (34.4 GB)
- Large locally synced files (13.2 GB)
- Large cloud files (4 GB)

The distinction between these categories wasn't immediately clear. More importantly, the tool doesn't show hidden application data that accumulates in iCloud. Depending on the OS, often under iCloud Storage Management, you can find apps like WhatsApp consuming nearly a gigabyte, or other apps with unexpectedly large footprints. [CleanMyMac](https://go.chrischinchilla.com/cleanmymac) doesn't surface these at all.

When reviewing files for deletion, I was cautious. It marked some items as "essential" because they sync system folders like Documents. The tool did show large files, but it wasn't revealing anything I couldn't find through Finder with some manual searching.

One odd issue was that it misidentified an Ableton project file as an archive file, suggesting the categorisation logic needs work.

### Google Drive

Google Drive was more straightforward since I don't use Google's desktop sync client. I use an alternative called [Insync](https://www.insynchq.com/), but [CleanMyMac](https://go.chrischinchilla.com/cleanmymac) doesn't detect those locally synced files, it only sees what the official Google Drive app would sync.

The scan found less than 3 GB used out of 16 GB total. Most files were audio files, Ableton projects shared with collaborators, and old client work. I could definitely clean up some folders, like archived project versions or audio files from past events.

It has one major limitation in my opinion. It doesn't show native Google Docs files, which is possibly some sort of API limitation. Only files uploaded to Drive (like .docx, .pdf, or audio files) appeared. While Google Docs files don't typically consume much space, this means you're not seeing a complete picture of your storage.

## Limitations of CleanMyMac's Cloud Cleanup

Several limitations became apparent during testing:

1. **No cross-service view**: You must check each cloud service individually. There's no way to see all your cloud storage at once or identify duplicate files across services.

2. **Missing services**: Dropbox isn't supported, and that's a major omission since Dropbox free accounts have limited space and fill up quickly.

3. **No hidden app data**: The tool doesn't surface application storage in iCloud that you can only see through System Settings.

4. **No native cloud files**: Google Docs, Sheets, and similar native cloud documents don't appear.

5. **Limited categorization feedback**: The view doesn't clearly show which files are local versus cloud-only when browsing the file list.

6. **Uncertain safe deletion**: As with many cleanup tools, you sometimes hesitate to delete files because you're not entirely sure what they are or what depends on them.

## Is It Useful?

The Cloud Cleanup feature is a start, but it doesn't go as far as CleanMyMac's local cleanup capabilities. For power users who already maintain their cloud storage, it doesn't reveal much you couldn't find manually. The missing services, inability to see native cloud documents, and lack of cross-service analysis limit its usefulness.

That said, if you already use [CleanMyMac](https://go.chrischinchilla.com/cleanmymac) for local maintenance and want a quick overview of your cloud storage without opening multiple web interfaces, it provides some convenience. Just don't expect the same depth you get with the tool's local features.

The limitations likely stem from API access constraints, MacPaw can only work with what the cloud providers make available. Hopefully, they'll expand support and add more sophisticated analysis in future updates.

If you want to try [CleanMyMac](https://go.chrischinchilla.com/cleanmymac), the Cloud Cleanup feature is included with the standard subscription. Just set your expectations accordingly: it's a nice addition, but not a comprehensive cloud storage management solution.

---

## [At Ukraine’s Top Tech Event, Faster and Cheaper Rule](https://spectrum.ieee.org/ukraine-weapons)

Date: 2025-11-10

Originally published at: https://spectrum.ieee.org/ukraine-weapons

Four years into a full-scale invasion and a decade after Russia’s annexation of Crimea, Ukraine’s tech ecosystem continues to flourish at home and in exile around the world. After celebrating its 10th anniversary in 2024, Ukraine’s premier tech event, IT Arena, returned to the Arena Lviv Stadium for the first time since 2019.

---

## [Increasing focus with macOS Focus Modes and Raycast](https://chrischinchilla.com/blog/2025/focus-macos-raycast)

Date: 2025-10-05

Surrounded by digital devices, it's all too easy to use any number of them to access a world of distractions, rather than focus on doing what you need to get done. In a strange, ironic twist, many of the devices and operating systems now offer tools to help block and filter these distractions.

---

Surrounded by digital devices, it's all too easy to use any number of them to access a world of distractions, rather than focus on doing what you need to get done. In a strange, ironic twist, many of the devices and operating systems now offer tools to help block and filter these distractions. When I split myself between macOS and Android, I had focus modes set on both (conveniently, both OSs call them the same thing), but I never found them to be that effective, as I'd have to keep remembering to keep the equivalent modes the same on both devices. Then I bought an iPhone and discovered that the focus modes mostly sync between devices. With the arrival of the "Reduce Interruptions" focus mode in the 2024 operating systems, I went all in on optimising focus modes to work as efficiently as possible, not only blocking and filtering as many distractions as possible, but also automating them as much as possible.

One of the positives of keeping everything in Apple's ecosystem is the expectation of continuity (to use Apple's term) between devices. One of the negatives is that fewer developers than you hope integrate the necessary APIs and features to facilitate these continuity features, including Apple's Focus Modes APIs. This is especially true of cross-platform applications such as Discord and Slack, which will keep pinging away at you, no matter your focus mode settings. If developers do support focus modes, they are often limited to the options they offer, which typically include filtering and blocking notifications, but in some cases, filtering what you can see, such as mail accounts or calendar sets.

One of the biggest limitations is that the focus modes don't stop you from manually checking and distracting yourself. One day, I hope that Apple will enhance and consolidate focus modes with the downtime feature, which blocks application access but has its own limitations that focus modes could address.

Then I was digging around [Raycast](https//go.chrischinchilla.com/raycast) and noticed it had its own [focus feature](https://www.raycast.com/core-features/focus), which blocks applications and websites completely, and I wondered how I could combine the two for a truly focused and context-appropriate work experience.

## Set up

### Apple focus modes

You can find Focus mode configuration in _System Settings_. macOS should have "Do Not Disturb", "Reduce Interruptions", and "Sleep" by default. Apart from not being able to delete these modes, the process for creating and editing one is the same. Start by creating a new mode, which you do by clicking the _Add Focus…_ button.

The _Intelligent Breakthrough and Silencing_ section is an Apple intelligence feature that attempts to display notifications the OS considers important, regardless of your other settings.

I have found that in addition to the exceptions you set, this is generally when people directly "@" you in a chat app, messages relating to calendar events, 2FA requests, and a few other random things. It's not always accurate, and I run my computer in English, but I also receive a lot of notifications in German, so that might confuse the system.

![A screenshot of application filters in focus modes](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/focus-app-filters.jpeg)

The _Allow_ sections let you set the people and applications that can always send you notifications, no matter what. There are several caveats here:

- Even though the Focus modes sync between Apple platforms, sometimes the same application in each platform has a different package name (which is how the OS internally knows which application is which), so if you intend to sync Focus modes between platforms, you may need to add the "same" application on each OS.
- The People filter only works for contacts in your Contacts application. This is OK, but it also means that the filters only work with applications that use and respect contacts. For example, it filters messages from the Messages, Phone, and WhatsApp apps, but not from Discord or Slack.

I am a big fan of focus modes and use them all the time, but as I mentioned, they don’t go far enough. You can still open an application and distract yourself. This is where Raycast’s focus feature comes in.

### Raycast focus feature

If you don’t already know it, [Raycast](https://go.chrischinchilla.com/raycast) is a general-purpose productivity tool for macOS that combines elements of Spotlight with much more to create a highly customisable tool for running all sorts of tasks on macOS. Included in that ever-growing list of features is focus.

It takes on the more traditional role of other 3rd-party distraction-blocking apps, such as [Freedom](https://freedom.to), [SelfControl](https://selfcontrolapp.com), and [Cold Turkey](https://getcoldturkey.com). Some of these only block websites, while others block apps as well. If you’re already using Raycast, then it saves the need to install another application.

The feature works around “Focus sessions”, and these could be, for example, “coding” or “writing”. And then you start and stop a specific focus session.

As the main interface to Raycast is via the floating prompt bar, setting up what you want to block or allow is a little fiddly, especially as it’s easy to forget all the small utility or background applications you might need access to during a focus session, such as a music player, Apple Home, or your password manager. Adding all these apps and websites using the form interface can take a long time.

Thankfully, if you’re familiar with JSON (and if not, what you need to know for the focus feature is quite simple), [you can add all these in a series of JSON files](https://manual.raycast.com/focus/how-to-import-focus-categories) and import them as you update what you do and don’t need access to. When you start a focus session, you can select one or more categories so that you can create a series of domain adjacent categories, such as:

- Background utilities
- Writing apps
- Coding apps
- Messaging apps

Then, combine the categories as needed for the focus mode.

If you take the JSON file approach, you need to know the bundle ID of the application. This is generally hidden from users but identifies both the application name and the company name. Apple uses these to validate applications for malware and other security threats. You can find the value with the following command in a terminal:

```bash
osascript -e 'id of app "Application Name"'
```

Then, once you have populated the file, you can import it into RayCast with the "Import Focus Categories" command.

```json
[
  {
    "title": "Gambling",
    "websites": ["winamax.com", "stake.com"]
  },
  {
    "title": "French News",
    "apps": ["com.apple.news"],
    "websites": ["lefigaro.fr", "lemonde.fr", "liberation.fr", "lequipe.fr"]
  }
]
```

One final setting to note for the Raycast focus feature is that by default, when it blocks an application, it also quits them. This is helpful, but it can make it easy to forget what you had open before starting the focus session. You can enable relaunching the applications in the focus settings.

![A screenshot of the Raycast focus settings](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/raycast-focus-quit.png)

## Tying it together

So far, so good, but combining the macOS level and Raycast level focus features would be the real power move, and there are two ways to do this, each with caveats and possibilities: triggering Raycast focus modes from macOS focus modes or using Shortcuts.

### macOS Focus modes

Depending on the applications you use, you may never have looked into the filters you can add to a focus mode, as sadly, much like a lot of feature APIs, application developers don't always implement them.

Click the focus mode you want to edit, and then the _Raycast_ section. You can select the categories and whether to block or allow them.

![A screenshot of the Raycast focus filter](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/add-raycast-focus-filter.jpeg)

### Shortcuts

Far more flexible is using Shortcuts, as you can trigger the focus session in more ways and also trigger more actions when you run it.

There are two ways to do this.

One is to use the "Start Focus Session" action. You can set whether to "Block" or "Allow", set the categories, and then set a time. Any of these fields could be from variables, meaning that you could prompt for the time, categories, and more, or set them via a calendar event, or myriad other ways.

The other is to use the "Set Raycast Focus Filter" action. Again, you can set most of the same fields, but the action is triggered by the specified focus mode being active. You can still pass some variables to the action, but fewer are available.
![A screenshot of a shortcut](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/focus-shortcut.jpeg)

Both actions have their use cases, personally I prefer the "Set Raycast Focus Filter" action as it makes the macOS focus mode the, err, "focus" of things. But I do like the idea of using a calendar event to trigger the "Start Focus Session" action, passing the time, etc.

And then by using Shortcuts, you can manually trigger them with lots of other tools, for example, a Stream Deck, or Raycast itself.

Once you have Shortcuts running things, you can use it to trigger more actions related to your focus session. For example, apps like FocusFlight are currently popular, and several of them, FocusFlight included, support Shortcuts. In the example Shortcut below, when I enable the "Reduce interruptions" focus mode, it starts a journey in FocusFlight, starts a playlist and changes my lights. You could change the shortcut or create a paired one to toggle everything to a different state when the focus mode is disabled.

## Stay focussed

Helping people stay focused is a big industry, one which often monetises selling you "easy solutions" to what is often fundamentally a case of "getting on with it". While [Raycast](https://go.chrischinchilla.com/raycast) has a paid tier, nothing in this article is part of it, and I hope it has shown you how to combine it with features in your operating system to make a setup that hopefully works for you. Let me know what you try.

---

## [Esoteric Languages Challenge Coders to Think Way Outside the Box](https://spectrum.ieee.org/esoteric-programming-languages-daniel-temkin)

Date: 2025-09-04

Originally published at: https://spectrum.ieee.org/esoteric-programming-languages-daniel-temkin

Have you ever tried programming with a language that uses musical notation? What about a language that never runs programs the same way? What about a language where you write code with photographs?
All exist, among many others, in the world of esoteric programming languages, and Daniel Temkin has written a forthcoming book covering 44 of them, some of which exist and are usable to some interpretation of the word “usable.” The book, Forty-Four Esolangs: The Art of Esoteric Code, is out on 23 September, published by MIT Press.

---

## [Virtualized Containers vs. Bare Metal - The Winner Is…](https://dzone.com/articles/virtualized-containers-vs-bare-metal)

Date: 2025-08-15

Originally published at: https://dzone.com/articles/virtualized-containers-vs-bare-metal

The blanket statement that bare metal is superior to containers in VMs for running containerized infrastructure, such as Kubernetes, no longer holds true. Each has pros and cons, so the right choice depends heavily on specific workload requirements and operational context.
Bare metal was long touted as the obvious choice for organizations seeking both the best compute performance and even superior security when hosting containers compared to VMs. But this disparity in performance has slowly eroded. For security, it is now hard to make the case for bare metal’s benefits over those of VMs, except for very niche use cases. 

---

## [At 30 years old, can MySQL Revamp Itself for the AI Age?](https://chrischinchilla.com/blog/2025/30-years-mysql)

Date: 2025-08-14

On May 23rd 2025, the MySQL database celebrated its 30th anniversary. Look at the usage trends for databases on DB-engine and MySQL and its owner since 2010, Oracle's own product occupy the top two spots. However, the same rankings show that the popularity of most of the top four is declining, especially for MySQL.
It has been in slow decline since the era of "cloud computing" began, but like many other areas of technology, it is the demands of and for artificial intelligence (AI) that are causing the most pressure. As it celebrates its 30th year, what is the project doing to remain relevant and competitive in the new AI age? With rivals hot on its tail and some of its biggest competitors offering fully compatible, free alternatives, how does it plan to survive for another 30 years? 

---

On May 23rd 2025, the MySQL database celebrated its 30th anniversary. [Look at the usage trends for databases on DB-engine](https://db-engines.com/en/ranking)(a respected database comparison and ranking site) and MySQL and its owner since 2010, Oracle's own product occupy the top two spots. However, the same rankings show that [the popularity of most of the top four is declining](https://db-engines.com/en/ranking_definition), especially for MySQL.

It has been in slow decline since the era of "cloud computing" began, but like many other areas of technology, it is the demands of and for artificial intelligence (AI) that are causing the most pressure. As it celebrates its 30th year, what is the project doing to remain relevant and competitive in the new AI age? With rivals hot on its tail and some of its biggest competitors offering fully compatible, free alternatives, how does it plan to survive for another 30 years? 

But before looking to the future, let's take a quick trip back in time to understand the principles of databases like MySQL.

## The origins of relational databases and  SQL

At the heart of many applications is data, typically stored in a database. One of the oldest is a relational database, which defines entries as a series of columns and rows in tables. The rows represent entries, the columns the values of those entries, and a table is a collection of related data. You then relate data between tables referencing the unique IDs of rows. For example, you could relate a row in a table of authors to their articles in a table of articles.

This relational model originated as [an idea in 1970 in a paper by E.F. Codd](https://dl.acm.org/doi/10.1145/362384.362685). It wasn't until the beginning of the Web 2.0 era in the late 1990s that relational databases came into their own, powering many of the dynamic websites that emerged during that time. Even at the time of writing, [according to DB-Engines](https://db-engines.com/en/ranking), the top four most widely used databases are all relational, including MySQL and PostgreSQL. 

MySQL is open source and has been since its inception on May 23, 1995. However, it has a checkered ownership history, owned independently until 2008, when it was acquired by Sun Microsystems, and in 2010, Oracle acquired Sun. The Oracle acquisition caused such upset at the time that one of MySQL's creators, [Michael "Monty" Widenius](https://monty-says.blogspot.com/), forked (created a new open source alternative based on the current code) MySQL, creating the [MariaDB](https://mariadb.com/) project, which remains a popular alternative. [Percona](https://www.percona.com) also maintains a popular fork. 

As Peter Zaitsev, cofounder of Percona, noted why MySQL became popular in the first place and was his database of choice back in 1999.

"At the time, PostgreSQL was the database for smart people, and if you weren't smart enough for PostgreSQL, then you probably shouldn't be using a database at all. The MySQL approach was to be a database for everyone.  It understood that a lot of people had no clue what they were doing and made them successful. It focused on making things easy."

As the 2000s became the 2010s, developers adopted new approaches to cope with increased and sometimes unpredictable demand, leading to the emergence of new paradigms in NoSQL databases, collectively referred to as "Not only SQL". Typically, instead of using tables, rows, and columns, they use a single data structure of some form.

The "SQL" part of MySQL stands for "Structured Query Language", a language for managing and querying data, typically in relational databases. MySQL was not the first database to use SQL. It began in the 1970s, but the syntax has become so familiar for interacting with data that even the "alternative" NoSQL databases often boast compatibility with SQL.

More recently, subsets of NoSQL databases, Graph and Vector databases, which use graph and vector structures to represent and store data, experienced a resurgence in popularity. This is largely due to the growing adoption of the new wave of AI-based applications, which often read and write data in similar structures.
## Vector and Graph storage and search

**Vector** databases organize data as points in a multi-dimensional space. The point is the item of data, and its location relative to other points represents how it relates to other data. For example, a database stores two points that represent "cat" and "dog" closer to each other than "cat" and "microphone". This makes vector databases well-suited for use cases such as recommendation systems, anomaly detection, and, yes, the kinds of natural language processing and LLM retrieval-augmented generation (RAG) that many new AI tools use.

**Graph** databases also organize data as individual points, called nodes, and the relationships between them are edges. Think of a transit map or a spider's web, and that's basically how a graph database stores data. In some ways, this sounds like a relational database, but unlike tables and columns, the schema isn't fixed and can change over time. This makes graph databases well-suited to analytics and crucially for AI, knowledge graphs.

### How is MySQL tackling this?

For MySQL itself, it's unclear. The latest [version 9 added a new `VECTOR` data type](https://dev.mysql.com/doc/refman/9.0/en/vector.html), meaning it's possible to store vector data, but there are no vector search features yet. The open source community maintains plugins that add vector search, and [Oracle sells a commercial version of MySQL](https://www.oracle.com/mysql/) with vector storage and search.

[MariaDB added vector storage and search support](https://mariadb.org/projects/mariadb-vector/) in version 11.7 in November 2024.

## Stored programs and procedures

In many complex data-heavy applications, accessing databases is a speed and performance bottleneck. Stored procedures are a way to reduce communication between application code and the database by creating a batch of SQL commands that an application can then execute. They mean that a database administrator can focus on the tasks they excel at, rather than relying on a developer to write and maintain business logic.

As the lines between roles in modern software development projects blurred, some databases added support for stored programs, which, instead of using pure SQL, use a programming language.

NoSQL databases don't always have an exact equivalent to stored procedures and programs. They generally introduce more efficient ways to bring code logic closer to the database, such as the [MapReduce programming model](https://static.googleusercontent.com/media/research.google.com/es/us/archive/mapreduce-osdi04.pdf).

In the context of AI, stored procedures and programs help with tasks such as pre-processing large amounts of data before returning it to the application, and enable more real-time inference as data arrives in the database.
### How is MySQL tackling this?

MySQL has had stored procedures since version 5 in 2005, but [stored programs arrived in version 9](https://dev.mysql.com/doc/refman/9.3/en/srjs-examples.html), allowing you to store JavaScript programs.

Neither MariaDB nor Percona supports stored programs, but they do support stored procedures.

## Will it matter?

Ask for advice on database recommendations to create an AI-powered application, and the answers are options such as [Pinecone](https://www.pinecone.io/), [Milvus](https://milvus.io/), and [MongoDB](https://mongodb.com). [PostgreSQL](https://postgresql.org), only a year younger than MySQL, is the only SQL database that frequently appears thanks to its popular [pgvector plugin](https://github.com/pgvector/pgvector). However, so much has been built on top of MySQL over the past 30 years that it's not going anywhere anytime soon. Oracle and MySQL have a LOT of legacy users, so these new features will help those users transition to some form of AI-powered application. Will it be enough? Will it attract new users to MySQL?

As Zaitsev put it, "In 1999, when I was trying to find a database for a new startup project, MySQL was the fastest. It was fastest because it didn't support transactions (a mechanism that ensures data integrity of operations). MySQL said it would never support transactions. [But added support eventually in 2002](https://blogs.oracle.com/mysql/post/mysql-retrospective-the-early-years)."

It's never too late.

---

## [3 Grammarly desktop alternatives](https://chrischinchilla.com/blog/2025/grammarly-desktop-alternatives)

Date: 2025-07-28

Much like "googling" has become a generic term for searching, Grammarly has become almost synonymous with a general grammar and style checker, outside of those provided by tools like Word or Google Docs. I have used the pro version for several years, and while its advice is not always correct and inconsistent, it's generally a good aid in giving ideas and pointers for writing. However, every year, that subscription comes up for renewal, and I start thinking about alternatives and features I'd like to have that Grammarly doesn't offer. In this post, I look at the disappointingly few alternatives that exist.

---

Much like "googling" has become a generic term for searching, Grammarly has become almost synonymous with a general grammar and style checker, outside of those provided by tools like Word or Google Docs.

I have used the pro version for several years, and while its advice is not always correct and inconsistent, it's generally a good aid in giving ideas and pointers for writing.

However, every year, that subscription comes up for renewal, and I start thinking about alternatives and features I'd like to have that Grammarly doesn't offer. In this post, I look at the disappointingly few alternatives that exist.

"Hold on!" I hear you saying. There are loads of grammar checkers now, and thanks to the new wave of AI tools, almost everything tries to pack a writing advice feature in. That is correct, maybe I need to be more precise, I don't want an alternative to the "paste some text in a text field" features of Grammarly, I want an alternative to Grammarly desktop, the feature that adds a background checker, providing input into (almost) all text fields across the system.

There are fewer of these than you might think, and having looked into building an equivalent that uses [Vale](https://vale.sh) at its core, creating one is a complex task that's operating system dependent and typically involves hijacking some unofficial API. Grammarly has a big development office here in Berlin where they host regular development talks, and they've given some insights into how they build for each platform, which detailed some of the steps they've had to go through.

In addition to the system-wide checker, I was looking for the following features in the tools evaluated for this post:

- **The ability to set language per document**: I write in US and international English, as well as occasionally in German, so ideally, the tool lets you change the language at a document level.
- **Reliability and performance**: These tools sit running always in the background, so shouldn't consume too many system resources and not require restarting.
- **Custom rule creation**: My work with Vale has shown that many companies require a set of complex style rules to check text, so any custom style rules should ideally offer more complex than "search and replace".
- **Pricing**: I don't mind paying, but sometimes price is a big factor.

All of this aside, I only really found three options, but if you know of any I missed, I'll gladly take a look at them.

<!-- youtube:JTR19h-BL4s -->

## Grammarly

I should start with my baseline point of comparison.

![A screenshot of Grammarly desktop showing issues and suggestions](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/grammarly.png)

- **Price**: $0-12 per month. On the free plan, you can do a reasonable amount, but you will quickly reach its limits and miss out on a lot of potential checks.
- **Application support**: Aside from some special applications that have highly custom text fields, such as VSCode, Grammarly works just about everywhere. Sometimes it needs a restart or a little prodding to kickstart checks, but most of the time it works. And like all other tools in this article, it needs an internet connection.
- **Performance**: Not bad. It tends to crash or time out (or whatever you want to call it) in long Google documents, but outside of the browser, it doesn't consume too many system resources.
- **Features**: While the price is low, you can't configure Grammarly too much. It focuses more on a default feature set that works for most people, which would explain their success. You can change a few mostly broad settings, such as tone and style, and that's about it. The enterprise plans have custom style guide rules, but they are only search and replace rules.
- **Language setting**: Global.
- **More details**: https://grammarly.com

## LanguageTool

A long-running tool with a mixture of open and closed source components, you often find LanguageTool embedded in other applications. For example, I think [OpenOffice](https://www.openoffice.org/) and [Ulysses](https://setapp.com/apps/ulysses?irgwc=1&clickid=VkDVYX3khxyIUCez3ZXf1X0mUkp0hKRlSQezx40&iradid=343321&irpid=4025833&utm_content=ONLINE_TRACKING_LINK&utm_campaign=Chris%20Chinchilla&sharedid=&utm_medium=affiliate&mpaid=3) use it, or at least used to. Their desktop tool is newer, and many features are still in beta. However, if it continues in the right direction, it shows a lot of promise, building upon its long history.

![A screenshot of LanguageTool showing issues and suggestions](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/languagetool.png)

- **Price**: $0-19 per month.
- **Application support**: The support for certain applications and their features is inconsistent. There's a standalone editor for when LanguageTool doesn't support a specific application. It has an extension for all browsers.
- **Performance**: Not always clear where suggestions relate to or when it applies a change and doesn't always move the text editor view when selecting a suggestion from the list. It doesn't always offer suggestions to issues.
- **Features**: Custom styles are search and replace only. Broad support for writing styles, personal and terminology dictionaries. Offers multiple inline alternative suggestions. Thanks to its long history in application integration, LanguageTool has a lot of checks to toggle and configure.
- **Language setting**: Per document. Many languages and variants are supported. This makes LanguageTool the only tool on this list that lets you change the language at a document level.
- More details: https://languagetool.org

## ProWritingAid

Another service I believe has existed as a browser-based editor and API service for some time, but the desktop app is a relatively new addition. ProWritingAid has a stronger focus on general writing advice and comparison, especially for longer-form writing, but I didn't delve too deeply into these additional features.

![A screenshot of ProWritingAid showing issues and suggestions](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/prowritingaid.png)

- **Price**: $0-12 per month.
- **Application support**: All, but inconsistent with getting suggestions to apply and seeing if they did apply, depending on the application. Despite claiming there's a Safari extension, I couldn't find it.
- **Performance**: Low system resource impact, but the suggestions panel is jumpy.
- **Features**: Lots, but not all may be relevant to everyone. Custom style guides are only search and replace. It's not always aware of the document context with regard to suggestions.
- **Language setting**: Global and only English.
- **More details**: https://prowritingaid.com

## Grazie

I have covered JetBrains' various efforts at text checking in the past and Grazie continues as a sort of standalone product to their usual developer tools. I say "sort of" as outside of their developer tools, Grazie only works in the browser, which may be enough for you, especially as all the other tools here require you to install a browser extension anyway, aso maybe that' enough for you.

![A screenshot of Grazie showing issues and suggestions](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/grazie.png)

- **Price**: Free
- **Application support**: Limited. JetBrains' IDEs and all browsers.
- **Performance**: Low system resources, but suggestions seem less accurate and relevant to the document context.
- **Features**: More suited to technical writing styles and the types of issues that style of writing is interested in. No custom styles apart from the dictionary.
- **Language setting**: Global
- **More details**: https://www.jetbrains.com/grazie/

## Does anything beat Grammarly desktop?

From this limited list, LanguageTool is the only option that supports per-document language settings, but it's still too inconsistent in terms of performance and application support. When application support improves, I may consider switching. Similar for ProWritingAid. Perhaps the additional features that you can't find in any other application might be appealing in the long run, but with too many inconsistencies and no Safari support, the basics need to work for me first.

Apart from Grammarly, almost all the other tools on this list enable checking support at an application level, meaning that if they don't support your application, then tough. This makes a degree of sense, as not all text fields are equal and are implemented in myriad ways. With LanguageTool, even the supported applications had mixed feature support. For example, not jumping to identified issues, or showing different checking features.

So, until either of those two solves those issues, I guess I will stick with Grammarly. It has a lot that I would like improved or changed, but for the basics I need, grammar and style checking in almost all applications, it gets the job done.

---

## [KubeVirt - Can VM Management With Kubernetes Work?](https://dzone.com/articles/kubevirt-can-vm-management-with-kubernetes-work)

Date: 2025-06-12

Originally published at: https://dzone.com/articles/kubevirt-can-vm-management-with-kubernetes-work

KubeVirt offers a bridge between virtual machines and containerized environments.  As an open-source project, its standout feature is the ability to run VMs and containers side by side. 
But while the concept is promising, several caveats remain for organizations that need to support critical at-scale VM workloads. The CNCF project also reflects how containers are not going to replace VMs, while the reverse may be true in the long term for many use cases.

---

## [Cross-Border Data Processing With Privacy Compliance Through Expanso](https://blog.bacalhau.org/p/cross-border-data-processing-with)

Date: 2025-05-22

Originally published at: https://blog.bacalhau.org/p/cross-border-data-processing-with

Many organizations work with clients and infrastructure around the world and face significant challenges ensuring they follow privacy regulations as their application data flows across borders.
This post looks at how you can use Bacalhau to handle distributed cross-border processing and anonymize data with Microsoft Presidio to help meet some of these requirements.

---

## [Turning AI Into an API Documentation Assistant](https://ekline.io/blog/turning-ai-into-an-api-documentation-assistant)

Date: 2025-05-22

Originally published at: https://ekline.io/blog/turning-ai-into-an-api-documentation-assistant

API documentation is generally predictable, follows common patterns, and is one of the least interesting tasks in a documentation project. It's also a task with a degree of pre-existing automatic generation tools and practices.
It sounds like a perfect use case for AI-assistive tools!
In this post, I look at general and specialized tools for generating API documentation from code and text-based prompts. I also cover potential problems and pitfalls in generated docs and how to test the generated output to ensure its accuracy.

---

## [Opera Includes AI Agents in Latest Web Browser](https://spectrum.ieee.org/agentic-ai-opera-mini)

Date: 2025-05-14

Originally published at: https://spectrum.ieee.org/agentic-ai-opera-mini

The Opera Web browser, first introduced 30 years ago, has over its long tenure helped to pioneer features that would later become commonplace among all Web browsers—including tabs, sync, and built-in search. Opera was among the first to introduce a built-in AI assistant (Aria) as well as the ability to use locally running models with its developer version. Now, Opera aims to be the first to offer a new kind of AI agent–based browsing, with a feature called Browser Operator.

---

## [Getting Started with Machine Learning on Bacalhau](https://blog.bacalhau.org/p/getting-started-with-machine-learning)

Date: 2025-05-08

Originally published at: https://blog.bacalhau.org/p/getting-started-with-machine-learning

Machine Learning requires vast amounts of resources, and distributing these resources across multiple devices and regions helps with cost, speed, and data sovereignty. Bacalhau is an open-source distributed orchestration framework designed to bring compute resources to the data where and when you want, drastically reducing latency and resource overhead.
Instead of moving large datasets around networks, Bacalhau makes it easy to execute jobs close to the data’s location, reducing latency and resource overhead.

---

## [Cloud orchestration cost optimization](https://blog.bacalhau.org/p/cloud-orchestration-cost-optimization)

Date: 2025-04-25

Originally published at: https://blog.bacalhau.org/p/cloud-orchestration-cost-optimization

The move to the cloud promised to save users money and give them insights into their usage and costs.
However, the opposite happened. A 2025 report from AAG stated that around 82% of respondents found cloud spending challenging. A cloudzero report from 2024 states that more than 20% of respondents had no clear idea of their cloud costs, with reports for large users sometimes consisting of thousands of rows of hard-to-read usage data.

---

## [6 new macOS and iOS tools for April 2025](https://chrischinchilla.com/blog/2025/chinchilla-squeaks-trends-and-tools-for-april-2025)

Date: 2025-04-16

Welcome to a new newsletter/post/radar/term-yet-to-be-defined from me that I have been planning for ages. I intend it to be something of a round up of tools and services i’ve been trying recently, plus also industry analysis and trends. To begin with it’s just the tools and service round up as the analysis part requires more thought that I haven’t had time for yet.

---

Welcome to a new newsletter/post/radar/term-yet-to-be-defined from me that I have been planning for ages. I intend it to be something of a round up of tools and services i’ve been trying recently, plus also industry analysis and trends. To begin with it’s just the tools and service round up as the analysis part requires more thought that I haven’t had time for yet.

## Tools and services

Moving forward, I will always try to have a more in-depth video or post on the tools where you can find out more.

## Cotypist: Ai-powered autocomplete

Autocomplete is nothing new, but it’s never been that smart, and depending on the platform, it is often sporadic when it decides to offer assistance.

From the developer of the time tracker app, [Timing][1], comes [Cotypist][2]. It’s early days and is a little noisy at times with a few UI quirks, but in principle, it is an interesting idea.

- - **Cost**: Free during the beta phase
- **More detail**: [Type faster with AI-powered autocomplete][3]

## Aqua Voice: AI-powered dictation and control

Even before the latest AI tools and services boom, dictation and transcription were big industries, and recent advances have improved their speed and accuracy. Results are still inconsistent, especially with industry-specific terms or oddly pronounced words (The number of times I have to correct “Chris Chinchilla”…). The transcription quality of Aqua Voice is far better than anything else I’ve tried. It’s in real-time and has features for correcting what you’re dictating, understanding context, and more.

- - **Cost**: $8 per month
- **More detail**: [https://www.youtube.com/watch?v=uAv39wdf_0k][4]

## adoc Studio: The Asciidoc IDE

I reach a broad audience, but a certain subset of it are tech writers, who probably recognise Asciidoc as a more specialised and standardised alternative to markdown (which I think more of you recognise).

A lot of tools support markdown, either natively or via plugins, but while asciidoc has always had an excellent toolchain in the form of [asciidoctor][5], its support inside of writing tools has never been as comprehensive as markdown.

adoc studio, from the same developers as the [Merlin project management tool][6] has just reached version 3, bringing a plethora of new features that many asciidoc users expect such as a bibliography, project dictionary, and a CLI tool. It’s a niche product, but for those of you who know what I’m talking about, it’s a compelling one.

- **Cost**: $99.99 per year
- **More detail**: [adoc Studio website][7]

## Opera: 30 years old and still innovating

I recently attended Opera Days, where the company showed off new features and browser releases. When I told many about the event, the response was generally, “Are they still going?” Actually, Opera still has a 2-3% share of the browser market, which, when you consider that it consists of 5 billion people, is still a few 100 million. Nothing to be sniffed at!

Opera was the first browser to introduce many now standard features from tabs to ad blockers, and now it’s introducing an AI operator mode. I witnessed it in action, ordering a bunch of flowers, which arrived the next day. It also has the option to connect to local models, which is especially compelling.

- **Cost**: Free
- **More detail**: Coming soon from me, [opera.com][8]

## Hide my email shortcuts

I love the hide my email feature in Apple’s iCloud+. This feature quickly creates alias email addresses for forms as you fill them in, preserving your privacy and allowing you to delete an address to stop spam. The main problem is that it only works with Apple tools like Safari. Some clever sounds made macOS shortcuts that automate searching and creating addresses no matter which application you’re in.

- **Cost**: Free
- **More detail**: [Reddit thread][9]

## Openvibe: Consolidate the social web

Mastodon, Bluesky, Threads, LinkedIn, Twitter/Twix/X… And more! When did the social web get so complicated?!

At least for interacting with Mastodon, Bluesky, and Threads, all of which use a form of the same decentralised protocol, the wonderful [Openvibe][10] makes life easier. It was a little unstable a couple of months ago, but since recent updates, it’s now a fantastic way of keeping on top of multiple social networks.

- **Cost**: Free
- **More detail**: Coming soon from me, [Openvibe website][11]

[1]: https://go.chrischinchilla.com/timing
[2]: http://cotypist.app/
[3]: https://www.youtube.com/watch?v=BY-uddDOsx8 "Type faster with AI-powered autocomplete"
[4]: https://www.youtube.com/watch?v=uAv39wdf_0k
[5]: https://asciidoctor.org
[6]: https://go.chrischinchilla.com/merlin
[7]: https://www.adoc-studio.app/?utm-source=ChrisChinchilla
[8]: https://www.opera.com
[9]: https://www.reddit.com/r/shortcuts/comments/yp5817/shortcut_for_creating_a_new_hide_my_email_alias/?utm_source=embedv2&utm_medium=post_embed&utm_content=post_title&embed_host_url=https://forums.macrumors.com/threads/shortcut-url-to-get-to-hide-my-email-in-system-preferences-macos.2385583/
[10]: https://openvibe.social/#openvibe
[11]: https://openvibe.social/#openvibe

---

## [Cotypist AI-powered autocomplete for macOS review](https://chrischinchilla.com/blog/2025/cotypist-ai-autocomplete-macos-review)

Date: 2025-03-31

Autocomplete has existed on macOS in some form for years, and it's always been inconsistent. I tried Cotypist, an AI-powered autocomplete tool that works across almost every app on the Mac, to see if it does a better job.

---

Autocomplete has existed in one form or another on macOS for years. It's always been inconsistent. Some implementations are cleverer than others, some don't pick up the context of what you're writing, and sometimes just getting it to trigger is a small exercise in frustration. AI tools open up some new possibilities here, so I tried [Cotypist](https://cotypist.app/), an app that does exactly what it sounds like. It types alongside you.

## Setting it up

Opening Cotypist for the first time takes you through an onboarding flow which includes permissions, a short intro to how it works, recommendations for models to download and use based on your computer setup, and a few single-word and single-sentence examples of what a completion looks like.

The permissions aren't surprising. Accessibility, which is what most input-monitoring tools use, screen recording, and clipboard which enables Cotypist to get context of what you're writing. This is optional and Cotypist can work without it. At this point it's worth noting that Cotypist runs everything locally, so even if you do enable screen recording, nothing leaves your machine.

Cotypist runs its models locally rather than in the cloud, and during setup you can choose between a couple of different model sizes and it makes recommendations based on your system.

I tweaked a few personalisation settings. For example, that I often write in non-American English, my nickname, and turning off typographically correct quotes in favour of straight ones.

You can also enable and customise the prompt per application, but I haven't yet done this.

## Using it day to day

According to the developer, Cotypist works from about a page of surrounding context, wherever that context is available. In a blank document it doesn't have much to go on beyond what you type, and it's not obvious whether that context carries over between windows or applications. Testing this directly, mentioning something in one document didn't visibly change completions in another.

Testing it in Discord, where there's more to work from, made the app-awareness clearer. Cotypist picked up that I was in Discord specifically, and completions there differed from ones in Mail. Whether it was pulling from the actual conversation content was harder to tell. I mentioned a fairly obscure board game by name early in a chat and didn't get strong evidence it had picked that up later, though it's a niche enough term that it may simply not be one it knows.

I also tested UK versus US English, since my system language settings were a bit of a mess at the time (a leftover from briefly using Apple Intelligence, which only supported US English). Cotypist did eventually produce a UK-specific completion, "boot" instead of "trunk", though getting there took a few attempts and it's hard to say how much of that was context versus luck.

There's an option to disable Cotypist in the current app, globally, for a set time, or indefinitely. This is useful, since there are times you don't want it running, screen recording software being an obvious example.

## Comparing it to macOS's own autocomplete

macOS has its own built-in autocompletion, and it's genuinely unclear which apps support it and when it decides to show up, and pressing Option+Escape reveals a suggestion in some apps that otherwise wouldn't show one, an easy shortcut to miss if nobody points it out. It doesn't work at all in Mail, and even across Apple's own apps, behaviour is inconsistent. iOS has a similar version of this above the keyboard.

None of it feels as clear as Cotypist and over time it should visibly improve in terms of app updates and knowledge of you. Whereas Apple's update cycles are a mystery.

## Should you use it?

For what it's trying to do, Cotypist works better than what's already built into macOS. It's local, it's aware of which app you're in, and should get better over time. The context awareness at time of writing was a little bit of a black box. I couldn't reliably tell what it was and wasn't picking up, and getting a completion to trigger sometimes took a few attempts. If you write a lot across different apps and want something more consistent than Apple's own effort, it's worth trying.

## What's changed since I recorded this

> Update August 2026

This post is a couple of years old now, and Cotypist has moved on a lot since the version I tested. It's now on general release rather than early access, works across a much wider set of apps (including AI chat prompt boxes and IDE sidebar chats, though not the main editor in tools like VS Code, where something like Copilot is a better fit), and has more features for reviewing and resetting the knowledge it has of you. 

Pricing has also settled into three tiers: a free plan with a daily cap on accepted completions, a Plus plan at $6 a month for unlimited completions, and a Pro plan at $9 a month that adds the full model catalog and per-app instructions. It needs an Apple Silicon Mac running macOS 14 or later.

---

## [Bacalhau v1.7.0 - Day 5: Distributed Data Warehouse with Bacalhau and DuckDB](https://blog.bacalhau.org/p/cloud-orchestration-cost-optimization)

Date: 2025-03-28

Originally published at: https://blog.bacalhau.org/p/cloud-orchestration-cost-optimization

With many applications that rely on data warehouses, you need to keep data sources in different locations. This could be due to privacy or regulatory reasons or because you want to keep processing close to the source. However, there are still times when you want to perform analysis on and across these data sources from one location but not move the data.
This post uses Bacalhau to orchestrate the distributed processing and DuckDB to provide the SQL storage and querying capacity for some mock sales data based in the EU and the US.

---

## [European cloud hosts are offering an escape from AWS, Azure, and GCP](https://thenextweb.com/news/european-cloud-alternative-to-aws-azure-and-gcp)

Date: 2025-03-13

Originally published at: https://thenextweb.com/news/european-cloud-alternative-to-aws-azure-and-gcp

When the modern-day internet began emerging in the early 2000s, finding hosting services and resources to run the new wave of dynamic web applications was hard. You needed a database to store application data. These were slow, expensive, and unreliable, regularly bringing applications to a grinding halt when a single instance failed. You needed a server to run interpreted languages like PHP, Python, or Ruby. These were equally expensive, often needed configuration, had security issues, and frequently ran out of memory or CPU resources, again bringing applications to a grinding halt.

---

## [Text-based diagrams taken mainstream with Mermaid Chart](https://chrischinchilla.com/blog/2025/mermaid-chart-review)

Date: 2025-03-13

A while ago I made a video on Mermaid, the markdown-style syntax for creating diagrams and charts. It's still one of my more popular videos, and it needs an update. In the meantime, the people at Mermaid Chart, a new commercial company formed by some of Mermaid's original creators, reached out to show me their platform. So in this post, I take a look at what it adds on top of the default Mermaid syntax.

---

A while ago I made a video on [Mermaid](https://mermaid.js.org/), the markdown-style syntax for creating diagrams and charts. It's still one of my more popular videos, and it needs an update. I have a few more "diagrams as code" posts planned too. In the meantime, the people at [Mermaid Chart](https://go.chrischinchilla.com/mermaid), a new commercial company formed by some of Mermaid's original creators, reached out to show me their platform. So here's a look at what it adds on top of the default Mermaid syntax.

## A quick reintroduction to Mermaid

Mermaid is a JavaScript library that renders diagrams from a simple text syntax. Since it's a library, tools need to implement it to actually display anything, and plenty do. If you want to experiment with the syntax without installing anything, the [live editor](https://mermaid.live/) is a good place to start. Changes update automatically, and there are sample diagrams to explore.

If you'd rather work in an editor you already use, that's also possible. This is where Mermaid Chart's connection to the open-source project gets a little unclear. The prominent plugin link on Mermaid's own site actually takes you to Mermaid Chart's commercial plugin, not the open-source one. Digging further, there's a page listing over 20 integrations. Many editors, like Obsidian, support Mermaid by default. For VS Code, I use two extensions: one for syntax preview and one for syntax highlighting, though there are several more to choose from.

## The Mermaid Chart editor

I opened a flowchart in the VS Code preview to see the basics. The diagram type and direction are both configurable, and you can't drag nodes around directly, contrary to what I expected. Editing the connections between nodes changes the diagram live. The bracket style around a node determines its shape. Curly brackets give a diamond, round brackets a rounded rectangle, square brackets a normal rectangle.

Pie charts calculate percentages automatically from whatever numbers you give the nodes, which is a nice touch, though the pie chart doesn't render well in dark mode.

Switching to the Mermaid Chart web interface itself, you get a synchronised split view between the text syntax and a visual editor. You can change shapes, borders, colours, and text directly in the visual side. One confusing bit: styling a node with icons uses Font Awesome shorthand in the text field, with no picker, so unless you already know the shorthand it's not obvious what you're typing.

Moving nodes around is inconsistent. You can't reposition an existing connection, but if you delete one and create a new one, that works fine, repeatedly. Mermaid itself has no real concept of fixed location, since everything just connects, so this might be expected behaviour rather than a bug, but it caught me out a few times.

Templates are available for common chart types, like pie charts, though starting from a template after you've already begun a diagram isn't obvious. You mostly have to go back and start again.

## The whiteboard feature

Beyond the visual editor, Mermaid Chart has a collaborative whiteboard. I tested this by opening the same board in an incognito window to simulate a second collaborator, and changes synced close to instantly. You can see other collaborators' cursors, which is a little disconcerting the first time.

The genuinely useful part is that you can extract pure Mermaid syntax from whatever you've built on the whiteboard, syntax that's admittedly a bit messier than what you'd write by hand, but usable. At the time of writing, the whiteboard only supports flowcharts.

## The AI chat feature

Mermaid Chart also has an AI chat for generating diagrams from a text prompt. My first attempt, deliberately vague, only returned a text response rather than a diagram, so I learned you need to be specific. Using one of the built-in sample prompts worked well and produced an editable flowchart quickly.

I tried a pie chart next, since that needs actual data. The AI generated plausible-looking numbers, with a caveat that you should verify they reflect real data. I attempted to point it at a source to pull real numbers from, but it couldn't extract the data itself. That would be a genuinely useful addition if Mermaid Chart adds it later, especially paired with something like a RAG pipeline to fetch and chart real data.

## Presentations and the VS Code extension

There's also a presentation feature. Select a chart, and it embeds into a simple slide. It's functional, but I couldn't find a way to edit the chart again from within the presentation view, so its usefulness feels limited for now.

Finally, there's a VS Code extension. It's not entirely clear whether it's built specifically for Mermaid Chart or is an existing extension Mermaid Chart took over, given its unusually large install count for a new tool. It adds a sidebar view listing your diagrams, and clicking one opens it, but only as a link back to the Mermaid Chart website rather than an inline editor. I'd hoped for the ability to create and sync diagrams directly from VS Code, but it's really just another front end onto the web app.

## Should you try it?

Mermaid Chart is an interesting service with some good ideas, though it still feels early days in places, dragging and repositioning nodes is inconsistent, and some features like the presentation view and VS Code extension don't yet do much beyond what you'd get from the website directly. The AI chat feature has the most potential, especially if it eventually supports pulling in real data, and the whiteboard's ability to export clean Mermaid syntax from a collaborative session is genuinely useful. If you want a more visual, collaborative way to build Mermaid diagrams without leaving plain text syntax behind entirely, it's worth a look.

---

## [Dagger and Bazel](https://blog.aspect.build/dagger-and-bazel)

Date: 2025-02-24

Originally published at: https://blog.aspect.build/dagger-and-bazel

For those of you in the Bazel ecosystem, when you hear "Dagger", you probably think of the dependency injection framework for Java, Kotlin, and Android. And for good reason. Dependencies are frequently part of a build process. But there's another Dagger in the wild, a tool and platform for ephemerally building and testing multi-language projects. Sound familiar?
In this post, I look at what (the new) Dagger is, how it works, and how it compares to Bazel.

---

## [Using Orka Desktop to run and create OCI-compliant VMs on macOS](https://chrischinchilla.com/blog/2024/orka-desktop-oci-compliant-vm)

Date: 2024-12-30

Changes in recent versions of macOS have made running macOS and Linux virtual machines far easier and more performant. Primarily used for testing, a plethora of new applications that take advantage of these features emerged, so when Mac Stadium released a free desktop version of their long-running Okra range of virtualisation tools, one feature in particular stood out to me as something different and potentially useful.

---

[Changes in recent versions of macOS](https://developer.apple.com/documentation/virtualization) have made running macOS and Linux virtual machines far easier and more performant. Primarily used for testing, a plethora of new applications that take advantage of these features emerged, so when Mac Stadium released a free desktop version of their long-running Okra range of virtualisation tools, one feature in particular stood out to me as something different and potentially useful.

In this article, I take a look at creating macOS virtual machines with [Orka Desktop](https://orkadocs.macstadium.com/docs/desktop-getting-started) and how to share them amongst your team and collaborators using its support for [open container initiative (OCI) compliant containers](https://opencontainers.org).

<!-- youtube:GKzN2ilMf3A -->

## Settings

You can set default VM resource settings, directory locations for logs, and where to pull [IPSW](https://en.wikipedia.org/wiki/IPSW) files from, which is the format used for Apple operating systems.

![A screenshot of Orka Desktop's main settings screen](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/orka-desktop-settings.jpg)

## Creating a VM

Settings get more interesting when creating a VM. Here, you can override the default resource settings and configure display settings. You can also select a local IPSW file to use or pull an image from an OCI repository. I'll come back to that later.

![A screenshot of Orka Desktop's VM settings screen](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/orka-desktop-vm.jpg)

The biggest complication is that even a minimal macOS image is dozens of gigabytes, so if you need to download an image, it takes a while. When the image is downloaded, installing macOS takes a little time and involves jumping through a series of setup steps. Trust me, I have had to install Windows to VMs a couple of times recently, and setting up macOS is quick compared to Windows. At least MacOS doesn't repeatedly advertise other products and services to you.

Once installed and running, there are a limited number of extra features beyond the settings. No drag and drop between host and VM, no shared clipboard, etc. If you're looking for more features like that, [then read my full roundup of other virtualisation options](https://chrischinchilla.com/blog/2024/6-tools-running-windows-linux-macos).

## Sharing VMs

So far, so good. The plethora of other virtualisation tools all work similarly. Where things get more interesting is the ability to share images once you've customised them. There are ways to create and distribute images amongst fleets of macOS users by using 3rd party provisioning tools or [Apple's features](https://support.apple.com/guide/deployment/intro-to-mdm-profiles-depc0aadd3fe/web), but they aren't as common as with Windows. If you only want a beta version of macOS to test a new application release, they are probably overkill.

### Pushing an image

With Orka Desktop instead, once you've installed and customised a VM, you can then push it to an OCI-compliant registry, such as Docker Hub. Depending on the registry you use, figuring out the path and access details you need to set in Orka Desktop can take a little while, as they often expect you to be using the particular pre-authenticated tool to do it. And then, again, when you push, you have to wait.

Many OCI registries don't expect you to upload dozens of gigabytes. You may even find that some set limitations on certain account levels. The image that Orka Desktop pushes is also a somewhat impenetrable binary format for some of the registries. So, when I was looking on the image page on the Docker registry, it was hard to find what I uploaded.

![A screenshot of the Docker Hub showing the uploaded VM image](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/orka-desktop-dh.png)

### Pulling an image

Now, with a custom image pushed, your collaborators (or yourself in the future) can pull and run it. When creating a new VM, toggle the _Pull from OCI registry_ radio, fill in the authorisation details, and again… wait.

## Pre-existing images

Where there's the ability to create and share custom images, there's the potential to use trustworthy pre-existing images, and [Mac Stadium has a handful pre-configured and ready to go](https://github.com/macstadium/orka-images).

## Summary

And that's it! Beyond the OCI registry support, Orka Desktop is quite simple, but it is free, and for certain users who will find that feature useful, it's the only tool I know that offers it. If you are already using [MacStadium's more enterprise-focused tools](https://www.macstadium.com/orka-lp), then the OCI images you create fit right into the Orka Cluster tool and service for orchestrating macOS with Kubernetes. Coming from a cloud-native background, that sounds fascinating, and I hope one day to give it a try.

---

## [Fishman TriplePlay Express MIDI guitar pickup review](https://chrischinchilla.com/blog/2024/fishman-tripleplay-express-review)

Date: 2024-12-10

I used to be a full time guitar player, and more recently I've been experimenting with electronic drums, MIDI devices, and DAWs. Converting an analogue instrument I'm used to playing into MIDI signals has always interested me, so I tried the Fishman TriplePlay Express, a relatively affordable MIDI guitar pickup, to see how it holds up.

---

I used to be a full time guitar player. More recently, I've been experimenting with electronic drums, MIDI devices, and DAWs. Converting an analogue instrument I'm used to playing into MIDI signals has always interested me, so I was keen to try [the Fishman TriplePlay Express](https://www.amazon.com/Fishman-TriplePlay-Express-Guitar-6-String/dp/B0CPVR5DDS?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20&th=1), a relatively affordable but good-quality MIDI guitar pickup. Thanks to Fishman for sending me a review unit.

## What's in the box

The box contains the pickup itself, sitting on a semi-magnetic strip, a receiver that matches the pickup, a USB-C connector, mounting buttons, a quick start guide, and various other bits and pieces: sticky mounts, risers, and screwdrivers.

## Installing the pickup

To install it, you need to get to the guitar's bridge, which means taking the strings off first. On my [Squier Mustang](https://www.amazon.com/Squier-Fender-Classic-Mustang-Electric/dp/B07N2939RC?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20&th=1), the bridge is a bit unusual, a mix between styles with a large gap between the scratch plate and the body. That gap caused a few stability issues later, which I'll get to.

With the strings off, the first step is mounting the bracket that everything else attaches to. It's straightforward, fitting over the guitar's starp buttons with a cork lining for softening. Once that's screwed back in, you stick the pickup's magnetic mount in place, and it holds solidly since everything is metal. The receiver slots onto its own mount.

If there's more distance between the guitar body and the strings, Fishman includes height adapters that sit between the pickup and its mount. On my guitar there wasn't much space, so I skipped those.

There's a small cable connecting the pickup to the receiver unit, and on my guitar it's a bit tight, mostly down to the Mustang's unusual shape rather than anything Fishman could control.

Fishman includes a string-spacer checker, shaped like a guitar, to check the distance between the pickup and the strings. Too little space and the pickup buzzes against the strings. Too much space, and the signal is quieter. Two small adjustment holes on either side let you raise or lower it to get this right, and I also had to adjust my guitar's bridge slightly to get the top strings sitting properly.

Once everything's mounted, you end up with both a guitar cable and a USB cable coming out of the instrument, which looks a little odd, plus a pair of control buttons and a dial for adjusting things on the fly.

## Using it as a MIDI device

Plugged into a computer, the TriplePlay Express works as a standard MIDI input in any DAW. I tested it in Ableton Live, where it shows up as two separate inputs and outputs: guitar and control. Guitar is the one that matters for playing.

I set a track's input to the pickup and loaded the [Spitfire Symphony Orchestra](https://www.spitfireaudio.com/products/spitfire-symphony-orchestra)] for something dramatic, picking a violin patch. The mapping between the guitar fretboard and the plugin's note range takes some figuring out, since it varies by plugin. Once I found the right range, playing worked as expected, though not everything translated well. String bending doesn't always work and chords aren't handled cleanly. Though the utility software mentioned next does let you tweak these settings to try and get them to work better. However, a lot comes down to the plugins, many don't expect an instrument like a guitar as a MIDI controller. Individual notes, and small groups of them, come through fine. Instruments with longer sustain than a plucked guitar string feel a little strange, though switching to a pizzicato patch or a simple synth made it feel more natural.

## The bundled software

The pickup ships with two applications: the TriplePlay host and the TriplePlay utility. The host also bundles SynthMaster, a synth plugin.

The host interface takes some getting used to, and I'm still working out some of the finer details. It only supports VST and VST3 plugins, which meant re-adding a few I'd previously removed in favour of Audio Units.

By default, you get a single "split" with a level indicator per string, triggering SynthMaster. The pickup's control buttons cycle through patches, and there's a volume dial.

Splits let you assign different instruments to different strings or frets. I tried mapping a drum plugin, which technically should work, but figuring out a workable mapping proved fiddly, especially since it's unclear whether playing drums via guitar frets is ever really the point. I had better luck running two SynthMaster instances split across string groups, though the combination I landed on was more a demonstration than something musical.

There's also a "guitar" input option in the host, which is just the analogue signal from the pickup itself. Blending that with the MIDI output gives some interesting combinations, essentially layering the live guitar tone under the synthesized one.

The utility app handles the rest. Transposing, bend range and mode, micro-adjusting sensitivity per string (useful if the physical adjustment screws are hard to reach), firmware updates, and remapping the control buttons.

## Should you buy it?

The Fishman TriplePlay Express is a genuinely usable, affordable way into MIDI guitar, with a few caveats. Installation takes some patience and depends a lot on your guitar's bridge shape. The host software's mapping and plugin compatibility take experimentation, and things like chords and string bending don't always translate cleanly to MIDI. But for triggering individual notes and exploring new instrument textures from a guitar, it works, and the creative potential is worth spending more time with.

---

## [7 alternative text editors and IDEs for macOS](https://chrischinchilla.com/blog/2024/7-alternative-text-editors-and-ides-for-macos)

Date: 2024-11-15

I've been a mostly happy VSCode user for a few years now. So much so that I even maintain a couple of extensions for it. Before VSCode, I loved Atom. And before that… I can't remember anymore. But every now and then, it's good to look into alternatives and see how they compare, what options you haven't considered they offer, and if they bring anything new to your productivity.

---

I've been a mostly happy [VSCode](https://code.visualstudio.com) user for a few years now. So much so that [I even maintain a couple of extensions for it](https://marketplace.visualstudio.com/publishers/ChrisChinchilla). Before VSCode, I loved [Atom](https://atom-editor.cc). And before that… I can't remember anymore. But every now and then, it's good to look into alternatives and see how they compare, what options you haven't considered they offer, and if they bring anything new to your productivity.

In this post, I look at seven alternatives to VSCode that interest me. Some are old and some new, some are macOS-native, and some are cross-platform. Notable exceptions are [VSCodium](https://vscodium.com/), the fully open fork of VSCode, which is fairly similar. I also leave out perennial classics such as Vim, Emacs, and Nano. I have nothing against them, but they aren't for me, and I don't think anyone needs another blog about them.

## IDE vs Text editor

The line between a text editor and an integrated developer environment (IDE) has blurred over the years. Some options in this round-up are pure text editors and have no features to support programming languages. Others are mostly aimed at developers, and while they also handle text, that's not their only function. Others started out as text editors and have added features to support programming languages.

I have grouped them all together in one list, but of course, this means that some fare better with certain of my criteria.

## Evaluation criteria

- **Configuration options**: Text editors and IDEs are deeply personal and places where you spend a lot of time, so it's important to get them suited to you. My eyesight is poor, so I need decent text formatting features.
- **Architecture and performance**: While Microsoft has done a good job optimising VSCode, it is still a cross-platform application that uses Electron. This means it could be more operating system-native and performant.
  - **System Integration**: Related to the point above, I am a big fan of tools that connect with operating system APIs to allow for a more integrated experience across other tools. While native applications are more likely to support APIs, cross-platforms may too.
- Supported languages:
- **Cost**: Whether we like it or not, many users have gotten used to "free" applications, especially text editors and IDEs. If it's not free, is it worth it?
- **Extensions community**: While extensible text editors and IDEs are nothing new, they are more popular than ever, and often, a tool or ecosystem lives or dies because of its community contributions.
  - **Language server support**: As a sub-criteria for the extensions community, the language server protocol was created for VSCode to define a more standard way of creating certain extensions. Other tools have now adopted it, and it can expand extension support without needing to create tool-specific extensions or make it possible to create them with less work.

## Test content

I wanted to try a mix of common file syntax and some more obscure formats to see if they were supported or if an extension would support them.

- **My website**: Uses Astro, with markdown, JavaScript, and MDX.
- **Task Overboard**: Uses Flutter and React.
- **KILT docs**: Uses Docusaurus, mixing MDX and React.
- **Adoc studio manual**: Uses Asciidoc.

<!-- youtube:R1L8CbttZgc -->

### Code edit

I've covered [CodeEdit](https://www.codeedit.app) before, back when the project first started. It aims to sit alongside XCode and TextEdit, looking and feeling familiar but adding support for other languages and toolchains.

Because of this aim, it's macOS native but also open source, so it's a great repository of knowledge for learning how to write a macOS-native text editor. It has an active community, but I don't see much progress since I last looked. I guess building an extensible text editor that supports multiple languages is complicated!

This means that, at the moment, it's mostly a text editor with some IDE-like features. It has a framework for extensions, but as far as I can tell, it's not implemented yet. As many tools and platforms have shown before, while creating an ecosystem is often essential, it's complicated from a technical and governance perspective. CodeEdit also has language server protocol support planned.

Aside from those two large feature areas, how else does CodeEdit compare on my requirements list?

- **Configuration options**: Comprehensive with excellent text handling settings.
- **Architecture and performance**: macOS-native
  - **System Integration**: Adds a system-wide "open in CodeEdit" context menu item.
- **Supported languages**: I couldn't find a full list, but from my test list, it only recognised JavaScript, TypeScript, and Dart, but there's no way to set the language manually.
- **Cost**: Free
- **Extensions community**: In progress.
  - **Language server support**: In progress.

My opinion of CodeEdit hasn't changed much since I last reviewed it. It's a great-looking project, and the community is making slow progress. Keep an eye on it, but it may not be ready for daily use yet.

Find out more: https://www.codeedit.app

<!-- youtube:WSYc5ZqwQ6g -->

### Nova

From macOS development stalwart Panic, [Nova](https://nova.app) reminds me a little of some of the text editors and IDEs I used to use back on older versions of macOS but brought up to date. It's a macOS-native and performant IDE but has some less familiar interface aspects, such as extra colours and iconography. However, it seems Panic have toned it down since I last looked. It has extensive configuration and a growing extensions ecosystem, even including a version of one of the VSCode extensions I maintain, and even has language server support. For those looking for something with many of the same features as VSCode but feels more optimised. The main question is if you think it's worth it.

- **Configuration options**: Comprehensive and excellent text options.
- **Architecture and performance**: macOS-native
  - **System Integration**: Adds a variety of system extensions, including Quicklook and a handful of others.
- **Supported languages**: Most popular options in-built, with community extensions to support many others.
- **Cost**: $99 plus yearly upgrade fee
- **Extensions community**: Yes, and growing.
  - **Language server support**: Yes.

Find out more: https://nova.app

### Chime

Largely developed by a lone developer, [Chime](https://www.chimehq.com) is a lean, macOS-native editor with a limited feature set. It supports language server protocol and has an extensions toolkit that extends Apple's own [ExtensionKit](https://developer.apple.com/documentation/extensionkit), which makes it the most native extensions ecosystem but likely sets limits on the community. My main negatives are that there are no options to change the text or set the file type manually.

- **Configuration options**: Limited and no options for changing text.
- **Architecture and performance**: macOS-native
  - **System Integration**: Uses Apple's ExtensionKit, which means you manage editor extensions in system preferences. I am not sure how I feel about this…
- **Supported languages**: Currently limited, but language server support makes support a matter of time.
- **Cost**: Free and open source
- **Extensions community**: Small.
  - **Language server support**: Yes.

Find out more: https://www.chimehq.com

<!-- youtube:RNjaxAnPC6k -->

### CotEditor

Very much in the text editor camp, [CotEditor](https://coteditor.com/) is another performant, open-source, macOS-native option with a handful of thoughtful features for working with text. Best of all, it uses MacOS's default font picker and renders text beautifully. CotEditor also lets you create snippets, customise all key bindings, toggle settings between code and non-code text usage, and more.

- **Configuration options**: Comprehensive with excellent text-handling options.
- **Architecture and performance**: macOS-native
  - **System Integration**: Nothing in addition to the above
- **Supported languages**: Reasonable but missing more obscure languages.
- **Cost**: Free and open source.
- **Extensions community**: None.
  - **Language server support**: No.

Find out more: https://coteditor.com

### Cursor

All the cool kids seem to love [Cursor](https://www.cursor.com/pricing) right now. It's based on VSCodium (the fully open version of VSCode) with a custom AI assistant extension. Its creators claim they did this for technical reasons, but I suspect it's more financial. The custom AI functionality aside, it's basically the same as VSCode, but I include it to prevent comments from people asking why I didn't include it 😁.

- **Configuration options**: Comprehensive.
- **Architecture and performance**: Cross-platform.
  - **System Integration**: None.
- **Supported languages**: Same as VSCodium.
- **Cost**: 0 - $40 per user per month.
- **Extensions community**: Same as VSCodium.
  - **Language server support**: Yes.

Find out more: https://cursor.sh

### BBEdit

Another macOS classic, I thought it was worth looking at [BBEdit](https://www.barebones.com/products/bbedit) and seeing how it compares to modern tools. There's been little better on macOS for a long time for text editing, processing, and manipulation. While it's not as optimised for more IDE-like functions, with a little tweaking and rethinking, thanks to its recent support for language server protocol, you can use it for some basic code work. I also particularly like its newer Jupyter notebook style worksheets feature for terminal command and AI experimentation, as you can then work with the output straight into a text file.

- **Configuration options**: Comprehensive and plenty of text options.
- **Architecture and performance**: Cross-platform.
  - **System Integration**: Applescript and more.
- **Supported languages**: I can't find a list, but lots.
- **Cost**: $59.
- **Extensions community**: Yes.
  - **Language server support**: Yes.

Find out more: https://www.barebones.com/products/bbedit/

### Fleet

In my opinion, [JetBrains Fleet](https://www.jetbrains.com/fleet/) is the company's attempt to make a VSCode beater. Something lighter than the rest of their IntelliJ family but customisable and extensible. Fleet has been in beta for a while and still lacks some functionality, but if it ever becomes a full product, it could be a worthy competitor. It also bundles JetBrains' new AI and remote collaboration features.

- **Configuration options**: Comprehensive and plenty of text options.
- **Architecture and performance**: Cross-platform, high resource usage (still beta).
  - **System Integration**: None.
- **Supported languages**: Most popular and less popular options.
- **Cost**: Free during beta.
- **Extensions community**: Coming soon, I am unsure if Fleet will use the same as IntelliJ.
  - **Language server support**: Yes.

Find out more: https://www.jetbrains.com/fleet/

<!-- youtube:ecAGPv-FC_I -->

## Honourable mentions

Here are a few I missed, either because I ran out of time, they were too single-purpose, or for some other reason.

- **[Sublime](https://www.sublimetext.com)**: I plain forgot to include it! Again, I feel like maybe others have covered it enough in the past, and it hasn't changed enough in recent years to warrant inclusion. It still has many fans and users.
- **[Kakoune](https://kakoune.org)**: It looks interesting, but for me, it fits into the same world as emacs, vi, nano, etc. Feel free to pile on the criticism, but I don't like writing in the terminal.
- **[CudaText](https://cudatext.github.io)**: It's written in Pascal! CudaText also has many of the features I'm looking for but it didn't look OS-native enough for me.
- **[Helix](https://helix-editor.com)**: Similar to Kakoune, it looks great, but I don't want to write in the terminal.
- **[Adoc studio](https://www.adoc-studio.app)**: I've covered adoc before, and it's great, but it only works with Asciidoc, so if that's all you use, fantastic, check it out.

## Would I switch?

So the question at the end of every listicle is whether the writer would change what they use. For text manipulation, maybe. I really liked CotEditor and BBEdit. I especially liked some of the new features in BBEdit. For example, to use its language server support, you don't need an extension, you just run the plain language server, which, while complex, is tidy. Also, the worksheets features are particularly fun to experiment with. And the font rendering in CotEditor is amazing.

When it comes to IDE-style tools, I am less sure. VSCode has many issues, but the extension community is more extensive than any other tool. Granted, many of the extensions are abandoned, and forking them is not always seamless, but it's a start. Ideally, I'd love a project that was more OS-native but supported VSCode's extensions API in a similar way to how the productivity tool Raycast runs as a native application, but you can create extensions with JavaScript that are fairly performant and sandboxed. This may be the approach Code Edit could take.

Generally speaking, I will probably not switch my IDE quite yet, but I remain IDE-curious. You?

---

## [At 30 years old, is Ruby in a mid-life crisis or a renaissance?](https://thenextweb.com/news/at-30-years-old-is-ruby-in-a-mid-life-crisis-or-a-renaissance)

Date: 2024-11-11

Originally published at: https://thenextweb.com/news/at-30-years-old-is-ruby-in-a-mid-life-crisis-or-a-renaissance

Ruby’s creator, Yukihiro Matsumoto (Matz), released the first public version of the programming language in December 1995, making Ruby just shy of its 30th birthday. It spread across Japanese-language Usenet newsgroups, a popular way of exchanging conversation and media before the World Wide Web, and then reached broader communities throughout the late 1990s.

---

## [Are the operating systems of the future immutable?](https://thenextweb.com/news/immutable-operating-systems-future)

Date: 2024-09-06

Originally published at: https://thenextweb.com/news/immutable-operating-systems-future

Developers talk a lot about “immutability.” Outside the technical world, it usually means something negative: unmoving, inflexible, and entrenched. However, in the technical field, these features become an advantage and mean that a system is reliable and reproducible.

---

## [6 tools for running Windows & Linux on macOS](https://chrischinchilla.com/blog/2024/6-tools-running-windows-linux-macos)

Date: 2024-08-07

I've been happily using [Parallels Desktop][1] for my Windows and Linux virtual machine needs for about the past three years. It's performant, supports a reasonable variety of guest operating systems, and, with some tweaks, can also run headless developer machines and Kubernetes clusters.

---

I've been happily using [Parallels Desktop][1] for my Windows and Linux virtual machine needs for about the past three years. It's performant, supports a reasonable variety of guest operating systems, and, with some tweaks, can also run headless developer machines and Kubernetes clusters.

However, times are financially lean, so every time I see that recurring fee approaching, I wonder if there are any alternatives. With [VMware making Fusion Pro free for personal use in May][2], it seemed a good time to survey the desktop emulation landscape.

## Emulation, virtualisation, compatibility layers…

Before I begin, I want to clarify some of the terminology the tools I cover use and what they mean. Not every tool for running Windows and other operating systems works the same way, or they use different terminology to mean the same thing.

- **Virtual machine**: A virtual representation of a computer system you install an operating system onto.
  - Some use native architecture and virtualisation, e.g., running the Arm version of Windows on an Apple Silicon Mac.
  - Others emulate architecture, i.e. running the Intel version of Windows on an Apple Silicon Mac.
- **Compatibility layer**: The other main tool grouping, all based on [Wine][3]. Instead, uses a "compatibility layer" to translate Windows API calls to POSIX calls for UNIX-like POSIX compatible operating systems, which includes Linux and macOS (well, post MacOS 9 anyway).
- **Containers**: This is a post aimed mainly at end users and not developer users, but as some of the tools in the list also allow you to run containers, it's worth quickly explaining what they are. You can think of them as minimal virtual machines that contain just what's needed to run a particular task, with a shared common framework that the tool provides. Docker is perhaps the best-known option for running containers, but many other tools also offer the possibility.

Those are the main groupings and terms you're likely to hear, but there are a few other smaller tools and terms you might see or hear that are somewhat connected, such as Apple's game porting kit. It is designed for developers to port Windows code to macOS, but you can also use it to run games directly and evaluate performance.

OK then, with that out the way, let's get started.!

<!-- youtube:RsnSfp5JTKg -->

## What I'm looking for

Unless you're trying to use 3D rendering or video production applications, almost all options work fine with simpler and less impactful Windows applications. For example, accounting software, or I have a game scenario editing tool that only works with Windows.

So, instead, I decided to push the tool harder to test it by using two games. These aren't exactly the latest games, but they're two of the games I play regularly, so I know how they should feel when running them natively on macOS. Also, I think they are enough of a test. These games are:

- Divinity Original Sin 2
- Civilization 6

In both cases, they are the Steam version.

As part of this evaluation, I looked at the following aspects of each option:

- Price
- Compatibility with Apple Silicon
- Performance, based loosely on the following:
  - CPU usage
  - Fan activity
  - "Feelings" of sluggishness
- Simplicity for changing settings
- Other non-Windows machine options
- Other miscellaneous features

## Getting images

For virtual machine-based tools, you need an image of the operating system. Some tools provide ways to get this for you, and Linux is generally easy to find, though the ARM versions are typically slightly harder. Windows, however, is harder, especially for the ARM version. During my testing, I came across [CrystalFetch][4], which makes it much easier to download Windows in different architectures and versions.

## Parallels Desktop

I have to begin with what I currently use, [Parallels Desktop][5]. Aside from the large dozens of gigabytes file on my hard drive, which has nothing to do with Parallels but Windows, I have never had any problems or major performance issues with Parallels. My main negative is the occasional spammy notification telling me about other products, and while the recent focus on developer tools is useful, they are buggy and poorly supported.

One nice feature would be a larger range of supported operating systems in the gallery you see on machine creation and, thus, tools to support them more seamlessly.

### Parallels Desktop summary

- Apple Silicon native
- **Performance**: Excellent
  - 180 - 280% of CPU (using game mode)
- **Configuration**: Good
- **Other OSs**: Good
  - I have run macOS, Ubuntu, Red Hat, and BSD
- **Features**: Excellent
  - Headless and Kubernetes
  - Shared clipboard
  - macOS keyboard shortcuts
  - Profiles
- **Price**: Good
  - €99 - 149 per year
  - I have the Pro edition (€119), which, according to the feature list, is needed to run "graphics-intensive" applications such as games.

## VMWare Fusion

[VMware's post that Fusion is now free for personal use][6] sparked this thought process. Maybe Broadcomm's recent acquisition prompted the change, or perhaps the company considers it a "gateway product" to bigger and more lucrative options. The corporate nature of Broadcom and VMware makes it a hellish experience to jump through the umpteen account creation steps to try and download it. Pro tip: if you use Homebrew, [you can install it with that][7] and bypass all of them 😌.

That aside, the performance overall was good. Strangely, downloading and installing was slower than with Parallels, and creating additional disk space was complicated. Showing its VMware heritage, it also has features for use with containers and Kubernetes.

### VMware Fusion summary

- Apple Silicon native
- **Performance**: Excellent
  - 150 - 320% of CPU
- **Configuration**: Average
- **Other OSs**: Average
  - Linux support
- **Features**: Good
  - Containers and Kubernetes
  - Shared clipboard
  - macOS keyboard shortcuts
- **Price**: Excellent
  - Free

## Virtualbox

Traditionally, [Virtualbox][8] was the typical option for anyone looking for a free way to virtualise operating systems. However, it only works on x86 systems, so it is not good for Apple Silicon users.

## Qemu and UTM

Almost as venerable as Virtualbox is [QEMU][9], which is both a virtualiser and an emulator, so is flexible and many other tools use it under the hood. This, combined with its primarily command line interface, means that it's also complex to use, which brings us to [UTM][10].

You can think of UTM as a frontend for QEMU, but it also adds some other tweaks to improve the experience. It's open source, and highly configurable, and you can run many different operating systems, including classic MacOS and Amiga OS to Windows XP, should you want to. It's fiddly and can involve searching documentation and forums to get everything working, but conceptually, I love it.

Yes, there's a "but." You can't run any games that require 3D acceleration on Windows. However, it's open source, so naturally, work is in progress, and if you're not interested in games or want to run something other than Windows, then it could be ideal.

### QEMU and UTM summary

- Apple Silicon native
- **Performance**: Poor for games, good for general use
  - 150 - 300% of CPU
- **Configuration**: Excellent
- **Other OSs**: Excellent
  - Windows, Linux, macOS, and more
- **Features**: Good
  - Shared clipboard
  - macOS keyboard shortcuts
  - Scripting
  - Headless option
- **Price**: Excellent
  - Free

## Wine

Time to enter the "compatibility layer" world of [Wine][11], which has also been around for a long time and, I think, is more popular on Linux than macOS. Anything using Wine works with Apple's Rosetta to emulate an x86 architecture, and I couldn't find any mention if this was something likely to change in the future or not. I think it is because most people use Wine to run Windows applications. Windows is just starting to push its ARM support, so Wine will catch up when there's enough critical mass.

Whilst I never had any real issues getting the two games to work under Windows for ARM with Parallels and VMware Fusion, using x86 "Windows", I guess, means you have a large selection of software available to you.

Wine and anything that uses it stores all Windows-related files in the macOS Finder, which I like, but it is odd to see them there. Conceptually, I like the semi-seamless nature, but I ran into several specific problems and general stability issues.

Most crucially, I was unable to get either of my test games to run. As I got them to run in other Wine-based options in this article, it could be a configuration issue or that the developers of the other applications added something to make games possible.

### Wine summary

- Runs in Rosetta
- **Performance**: Unable to test
- **Configuration**: Good
- **Other OSs**: Poor
  - Windows only
- **Features**: Average
  - System Integration
  - macOS keyboard shortcuts (with configuration)
- **Price**: Excellent
  - Free

## Crossover

Codeweavers makes [Crossover][12] and is one of the main maintainers behind Wine, so you can think of Crossover as a front end to and a commercial version of Wine. It adds some polish to the Wine experience, including different options for 3D graphics and controllers and better configuration surfacing.

However, I still found it unstable and buggy at times, with occasions where it wasn't clear what was happening or the state of running applications. There may be some configuration I could change, but I had a lot of problems with what screen any Wine-based application would use. Every time I launched an application, it wouldn't open on the active screen, which made video capture particularly annoying. The biggest issue I found was that sometimes switching between macOS and CrossOver windows would cause unresponsive windows in Crossover. Because of this, I was unable to test running Civilization 6. But Divinity Original Sin 2 ran well.

### Crossover summary

- Runs in Rosetta
- **Performance**: Mixed (Very good to non-functional)
  - 50 - 200%
- **Configuration**: Good
- **Other OSs**: Poor
  - Windows only
- **Features**: Average
  - System Integration
  - macOS keyboard shortcuts (with configuration)
- **Price**: Good
  - €74 per version or €484 lifetime

## Whisky

I had a lot of hope for [Whisky][13] as it combines Wine with [Apple's game porting kit][14] and is designed and optimised for games. It's also a far more modern macOS application, following a lot of Apple's best practices and aiming for an experience where no one needs to use a CLI unless they want to. It's almost as user-friendly and performant as Crossover, but it's free and open-source.

Most of the small issues I had were the same as any of the other Wine-derived options here, with windows opening on different screens, some instability etc. However, my biggest issue was that I couldn't install Civilization 6. The process always got stuck at around 60%, and I have no idea why. This led to me finding that knowing when Whisky or Wine (yes, as a fan of both, I love the names) had fully shut down is difficult. I frequently had to force quit all processes, delete the hard drive folder (which fortunately with Wine is easy) and try over and over again.

However, I had no issues with Divinity Original Sin 2, and in fact, it worked really well.

### Whisky summary

- Runs in Rosetta, though the main application is Apple Silicon
- **Performance**:
  - 100 - 200%
- **Configuration**: Good
- **Other OSs**: Poor
  - Windows only
- **Features**: Average
  - System Integration
  - macOS keyboard shortcuts (with configuration)
  - CLI tool
- **Price**: Excellent
  - Free

## Play on Mac

An older equivalent to Crossover and Whisky, I tried installing and using [Play on Mac][15], but with no visible activity in two years, I am not sure it's still active and couldn't get it to work. Maybe it works on Intel mac still.

## Will I switch

So, I have arrived at the inevitable conclusion. Will I stick with Parallels or switch to something else?

I love the idea behind the Wine-based tools. It feels tidier to me, and with the files directly visible on my hard drive, I like that I can dig into them and move and delete them if I want to. However, even with a minimal installation, the Windows support files still take up gigabytes of space. I also frequently need Linux machines for testing, so this means that I still need a second tool for that purpose, which brings me to deciding between the virtual machine tools.

Keeping UTM and QEMU around for the occasional obscure operating system need takes up minimal space. A handful of more developer-focused tools for running containers and other types of pseudo-virtual machines often install and use QEMU anyway, so there's a chance you have it installed without realising it. If it ends up supporting games and performing well, then I think this is a big deal and would make it an ideal option.

But in the meantime it brings me to weigh up Parallels and Fusion. Whilst Fusion doesn't feel as polished, it's a much better price, and its options for using it with containers and Kubernetes are more mature than Parallels. I imagine this new competition is why Parallels has pushed the new developer features recently. For example, its driver for Minikube (an option for running Kubernetes locally) has numerous issues and its extension for launching virtual machines in Visual Studio Code (something Fusion doesn't have) endlessly has issues.

In recent months I bought a mini PC for testing and benchmarking. It primarily runs Linux, but came with Windows, so there's also a bit of me that wonders if I even need a Windows virtual machine eating up drive space anymore. So, if that requirement is becoming less necessary for me, a free option looks even more attractive.

[1]: https://www.parallels.com
[2]: https://blogs.vmware.com/teamfusion/2024/05/fusion-pro-now-available-free-for-personal-use.html
[3]: https://www.winehq.org
[4]: https://github.com/TuringSoftware/CrystalFetch
[5]: https://www.parallels.com/products/desktop/pro/
[6]: https://blogs.vmware.com/teamfusion/2024/05/fusion-pro-now-available-free-for-personal-use.html
[7]: https://formulae.brew.sh/cask/vmware-fusion
[8]: https://www.virtualbox.org
[9]: https://www.qemu.org
[10]: https://getutm.app/
[11]: https://www.winehq.org
[12]: https://www.codeweavers.com/crossover
[13]: https://getwhisky.app
[14]: https://developer.apple.com/games/game-porting-toolkit/
[15]: https://www.playonmac.com/

---

## [After 15 years, the maintainer of Homebrew plans to make a living](https://thenextweb.com/news/homebrew-maintainer-make-a-living-15-weeks)

Date: 2024-07-26

Originally published at: https://thenextweb.com/news/homebrew-maintainer-make-a-living-15-weeks

Installing and updating applications and other dependencies on a computer really should be a solved problem by now. Yet almost every major desktop operating system provides multiple options, with no real clear answer to “which is best.”

---

## [JetBrains' Writerside - A Tech Writing IDE](https://chrischinchilla.com/blog/2024/jetbrains-writerside)

Date: 2024-07-25

JetBrains is known for its variety of developer-focused IDEs, all based around its IntelliJ core. In recent years, they developed their own writer-focussed plugin, Grazie, for handling grammar and style guidance, Writerside for a wide variety of tech writing tasks, and more recently, an AI assistant for writers. The company has also helped with community-maintained plugins such as those for markdown and asciidoc. But then, a year or so ago, JetBrains announced that Writerside would become a fully-fledged tech writing IDE. I've been using it on and off for some time, and in this post, I take a look at some of its features, recent updates, and related plugins.

---

[JetBrains](https://www.jetbrains.com) is known for its variety of developer-focused IDEs, all based around its IntelliJ core. In recent years, they developed their own writer-focussed plugin, [Grazie](https://www.jetbrains.com/grazie/), for handling grammar and style guidance, [Writerside](https://www.jetbrains.com/writerside/) for a wide variety of tech writing tasks, and more recently, an AI assistant for writers. The company has also helped with community-maintained plugins such as those for [markdown](https://www.jetbrains.com/help/idea/markdown.html) and [asciidoc](https://plugins.jetbrains.com/plugin/7391-asciidoc). But then, a year or so ago, JetBrains announced that Writerside would become a fully-fledged tech writing IDE. I've been using it on and off for some time, and in this post, I take a look at some of its features, recent updates, and related plugins.

<!-- youtube:YTWe7Nf4sfE -->

## Plugin or IDE

One aspect of any Intellij-based IDES that I've always found a little confusing is that you can generally recreate any of the specialised IDEs by adding relevant plugins to IntelliJ. Personally, I kind of prefer the "tool for each purpose" approach, but this dual approach gives everyone the option they want to follow.

Writerside is no different, but I focus on the standalone IDE for the rest of this post.

## Markdown, XML, docs-as-code, and topic-based support

The technical writing world is split into a handful of different toolchains and opinions. One of those writes content with flavours of markdown in a more "loose" structure, and another uses XML-based markup for a stricter structure. Generally, those who use markdown (and some other similar markup languages) assemble and manage their documentation with a "docs-as-code" approach, i.e., treating documentation in similar ways to code. On the other hand, those who use XML-based formats tend to use a "topic-based" approach, treating separate concepts as individual "topics" that you then assemble into different outputs.

Interestingly, Writerside takes a hybrid approach. It lets you freely mix markdown and XML content with almost full compatibility of features, and it combines some aspects of "docs-as-code", such as version control, testing, and continuous processes, into a topic-based structure. This mixed approach offers flexibility but can be a little confusing if you're used to using one of the methodologies exclusively.

## Writerside is a complete toolchain

Because of the features mentioned in the last section, if you use Writerside to write, then you really have to use it to build the documentation to take advantage of its features. This does mean that if you already have a toolchain setup (probably in the docs-as-code ecosystem), then whilst you can still use Writerside to write, most of the useful features won't be useful to you for delivery.

That said, like every other writing tool and toolchain, it outputs to HTML, PDF, etc., so hosting the content it outputs is not a challenge.

## Custom markup suited to writers

Much like many other tools aimed at tech writers, Writerside packs a lot of custom markup syntax suited for tech writing needs. While the way you use syntax varies when you use markdown or XML, the functionality and output are the same. And being a fully-fledged ID, all the markup has autocomplete and snippets available.

In some cases, Writerside also lets you choose between generic markup, such as "bold text," or semantic markup, such as "a UI control." This is not the place to discuss the merits of semantic markup, but those of you who know what it's and why you should use it will find this useful.

I won't discuss every option available, but you've probably seen much of it before in other tools, such as tabs and admonitions. Instead, I'll feature some of the more interesting ones.

### Structural elements

![An example of semantic structure in Writerside](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/ws-structure.png)

Much like semantic markup in HTML, you can just declare everything as `div`s, `span`s, and `p`s, but that has no semantic context at all. Using content structure-specific markup like `chapter` and `procedure` with `steps` is better.

[The Markdown syntax doesn't always have a way of representing semantic markup, whereas it does in the XML markup](https://www.jetbrains.com/help/writerside/structural-elements.html).

Compare the XML:

```xml
<chapter title="Default chapter title" id="default-chapter-id">
	<title instance="foo">Chapter title for Foo</title>
	<p>Some text.</p>
</chapter>
```

This isn't great from a writing perspective, but it's consistent and understandable, and Writerside autocompletes the tags for you.

In Markdown:

```markdown
## Default chapter title {id="default-chapter-id"}

<title instance="foo">Chapter title for Foo</title>

Some text.
```

It's a bit mixed and inconsistent. This is one of the things you notice with Writerside. It supports Markdown, but either due to the nature of Markdown or because Writerside supports it with a little reluctance, using the custom syntax is sometimes not ideal.

### Semantic elements

In addition to overarching page structure elements, Writerside also provides inline elements to mark text as having a specific purpose, such as code, a UI element, or a path.

And in this case, the XML and Markdown markup is the same:

```xml
call <code>doThis()</code>, open <path>file.txt</path>, select <ui-path>Edit | Copy</ui-path>,
```

So, you already see that using Markdown is inconsistent and perhaps better seen as a way to bring existing content into Writerside.

### Collapsible elements

![An example of the collapsible property in Writerside](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/ws-collapse.jpeg)

You can show chapters, procedures, code blocks, and definition list items as "collapsible," meaning that you can toggle the content's display by clicking a small icon next to the header.

With XML markup, you add `collapsible="true"` and with Markdown, add `{collapsible="true"}` next to the header text. You can follow a similar pattern with other parameters. there isn't a comprehensive list of all of these in the Writerside documentation. Some are scattered throughout [the markup reference](https://www.jetbrains.com/help/writerside/semantic-markup-reference.html), and others you find as you write markup in the editor.

### Tabs

![An example of tabs in Writerside](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/ws-tabs.jpeg)

Code and content tabs are one of my favourite formatting elements to add to documentation as they let you group related content together but let the reader select and toggle what parts of that related content they want to read.

[It's the same markup for XML and Markdown](https://www.jetbrains.com/help/writerside/tabs.htmlhttps://www.jetbrains.com/help/writerside/tabs.html). It's fairly clear and reminds me of how many markdown-based documentation tools also handle tabs:

```xml
<tabs>
	<tab id="windows-install" title="Windows"> How to install on Windows. </tab>
	<tab id="macos-install" title="macOS"> How to install on macOS. </tab>
	<tab id="linux-install" title="Linux"> How to install on Linux. </tab>
</tabs>
```

### Tooltips

![An example of tooltips in Writerside](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/ws-tooltip.jpeg)

In every documentation tool I use, I try to create a system for displaying glossary tooltips. Technical documentation is littered with jargon, providing readers with a quick way to hover over a term and see what it means they don't have to keep jumping back and forth between pages.

[For Writerside](https://www.jetbrains.com/help/writerside/tooltips.html), you first create a _glossary.xml_ file that defines the terms and descriptions, and then you can reference the term with the following markup:

```xml
Send an <tooltip term="HTTP">HTTP</tooltip> request.
```

### Admonitions

Finally, no technical writing tool is complete without a way to present "admonitions", pop-outs, or whatever you want to call them. I.e. areas of the page where you show a tip, note, warning, etc.

[Writerside has three admonition types defined](https://www.jetbrains.com/help/writerside/admonitions.html): tip, note, and warning. In XML markup, you use the type as the tag:

```xml
<warning>
	Use a warning for critical information about potentially harmful consequences, such as damage or data loss.
</warning>
```

For Markdown, you use quote syntax with the type added as a property if it's not a tip. I am not sure how you show a quote:

```markdown
> Use a note for important information that the reader should be aware of,
> like known issues or limitations.
{style="note"}
```

### Diagrams

Support for what I like to call "diagrams as code" is more widespread in documentation tools, and their markup languages are more common than they used to be. If the views of my video on Mermaid are anything to go by, it's a popular topic.

Writerside supports [Mermaid](https://www.jetbrains.com/help/writerside/mermaid-diagrams.html) and [PlantUML](https://www.jetbrains.com/help/writerside/plantuml-diagrams.html) by default and [D2](https://www.jetbrains.com/help/writerside/d2-diagrams.html) if you install it as a dependency. In every case, you add the diagram syntax in a code block. For XML that's the following:

```xml
<code-block lang="mermaid">
	graph LR
		A[Do you write docs?]
		A -- Yes --> B[Use Writerside]
		A -- No --> C[Tell us why]
</code-block>
```

And for Markdown:

```markdown
```mermaid
graph LR
	A[Do you write docs?]
	A -- Yes --> B[Use Writerside]
	A -- No --> C[Tell us why]
```
```

## Non-markup features

So far, so good. Writerside has comprehensive support for a lot of useful markup, but so do many other tools, and they don't require you to use a specialised tool. How else does it help you?

### API documentation

A handful of existing documentation tools support creating and rendering API specs, but often in a "bolted-on" way that does not allow you to link spec content with other content.

[You can either create XML or Markdown topics based on a spec](https://www.jetbrains.com/help/writerside/api-documentation.html) (requiring updating every time the specification changes) or embed an entire spec or part of it in a page.

```xml
<api-doc openapi-path="path/to/spec.yaml"/>
```

To specify a particular endpoint or operation, you first add the overall markup and then drill down:

```xml
<api-doc openapi-path="path/to/spec.yaml">
	<api-endpoint endpoint="/users" method="GET"/>
	<api-endpoint endpoint="/users" method="POST"/>
</api-doc>
```

You can even populate an endpoint with custom sample data that replaces what might be in the spec and can include other language output in addition to the default JSON output.

### Content reuse

One of the big selling points of topic and XML-based documentation tools is "write once" techniques, or "content reuse". Again, numerous Markdown-based tools offer their own form of this, as do technical writing-focused markup languages such as Asciidoc and RsT. However, tools like Writerside build this into the core purpose of the product and offer different options and methods for content inclusion and reuse.

[You can include parts of other content by adding an ID to an element](https://www.jetbrains.com/help/writerside/reuse-a-content-in-another-topic.html).

With the XML syntax:

```xml
<warning id="generic-warning">
	This version support ended on January 14, 2022. Download the latest version.
</warning>
```

And for Markdown:

```markdown
> This version support ended on January 14, 2022.
> Download the latest version.
>
{style="warning" id="generic-warning"}
```

And then include with the following syntax in either XML or Markdown synatx:

```xml
<include from="filename.EXT" element-id="generic-warning"/>
```

But while the syntax varies from tool to tool, content reuse is fairly common now, but Writerside adds more. [You can override the title](https://www.jetbrains.com/help/writerside/make-titles-differ.html) and other parts of included content items as well as [set variables and use basic logic](https://www.jetbrains.com/help/writerside/variables.html) to selectively show parts of included content. For example:

```xml
<warning instance="!sd">
	<p>This version of product support ended on January 14, 2022.</p>
	<p if instance="ac">Download the latest version <a href="link1">here</a>.</p>
	<a if instance="!ac">Download the latest version <a href="link2">here</a>.</p>
</warning>
```

Where `instance` is set in the snippet:

```xml
<snippet id="generic_warning">
	<warning>
		This version of %instance% support ended on January 14, 2021. Download the %latest% version.
	</warning>
</snippet>
```

You can use this logic in other ways too, wrapping entire sections. In XML:

```xml
<if instance="foo,bar">
	<p>This paragraph and the following image is filtered for instances `foo` and `bar`.</p>

	<img src="image.png" alt="Image"/>
</if>
```

And in markdown:

```markdown
<if instance="foo,bar">

This paragraph and the following image is filtered for instances `foo` and `bar`.

![Image](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/image.png)

</if>
```

## Better writing

The final useful tool category is for improving your writing. I am interested in and involved in this topic and tool area, and Writerside bundles a handful of tools, including the one I contribute to, [Vale](https://vale.sh). In addition to these writing tools, it includes linters for structure and text, such as Markdown, AsciiDoc, HTML, etc.

The configuration for all of these is spread out across the settings and IDE interface, but they include:

- **Vale inspection**: Uses an unknown version of Vale's Regex-based language linting. You need to set up and configure Vale normally.
- **[LanguageTool](https://languagetool.org)**: A common language-checking tool that many tools integrate. It has a lot of small rules that you can't customise, but you can toggle.
  **Grazie** is [JetBrains' own language-checking tool](https://www.jetbrains.com/grazie/). Depending on which version you use, it has AI elements but also acts as an overview of some of the other tools. I won't cover Grazie in great detail here, as there's a lot to it, but I will cover it in a future post very soon.
- **[JetBrains AI](https://www.jetbrains.com/ai/)**: A new AI tool that does many of the assistive tasks we have now come to expect, and on the text-related front, this is a content generation, summaries, autocompletes, and more. Again, I am going to cover it separately in the same post as Grazie.

The different tools, their overlap, and how to configure them is slightly confusing, but it's nice to have these different types of tools available, integrated, and configurable.

<!-- youtube:5gh1TqMsYKE -->

## Building and publishing

OK, great, I've established that Writerside supports a lot of useful markup and features, but how can you deliver and publish the content?

Many topic-based tools support those who publish content to multiple output formats. While many of us typically only focus on delivering content to a website, others also need to deliver documentation to in-app help, PDFs, and print. This is where a lot of the content reuse, variables, and logic come into play. They allow a writer to render content in different formats selectively.

All that said, Writerside only supports [HTML](https://www.jetbrains.com/help/writerside/build-and-publish.html) and [PDF](https://www.jetbrains.com/help/writerside/export-to-pdf.html) output. There may be more to come, or Jetbrains might have decided that's all that most need these days.

Exporting to PDF gives a reasonable number of options for metadata and formatting, as does the HTML output, which you can preview as you work in the IDE.

## Summary

I have probably covered less than 50% of what Writerside packs into an IDE optimised for technical writers, but do I use it, or will I use it?

As always, it depends.

The main negative for me is that to use it, I have to switch an entire toolchain and any existing documentation. This isn't impossible, but it's likely a challenge to convince a company or team, especially as it also means that any other contributor needs to use Writerside. This is especially problematic if you run an open-source project; it means that any contributors also have to install a custom tool to contribute to anything beyond fixing small typos.

But if you or the teams around you are already using JetBrains tools and tooling and/or you have a greenfield project or opportunity to completely overhaul your current workflow with a closed-source tool, then, frankly, it's almost ideal.

---

## [My Audio And Video Setup](https://chrischinchilla.com/blog/2024/my-audio-video-setup)

Date: 2024-05-29

A few years ago I detailed the hardware and software I use for producing my podcasts and videos. Since then, I have changed a lot, so it seemed a good time to revisit.

---

[A few years ago I detailed the hardware and software I use for producing my podcasts and videos](https://chrischinchilla.com/blog/2021/2021-09-07-my-audio-video-production-setup/). Since then, I have changed a lot, so it seemed a good time to revisit.

My last post mentioned that I had two setups for video and audio production, my “A” setup in my small office-cum-studio and my “B” setup at home. I almost exclusively use the “A” setup these days, and when I do use the “B” setup, it’s almost identical to what I detailed in the older post.

> I spend a lot of time on making content, and some of the product links here are affiliate links to cover even some of the time and money I have invested. If you don't like affiliate links, but would still like to say thanks, subscribe to my [YouTube](https://www.youtube.com/channel/UCgnrx8qi4qhmN6sBebdDrmg) or find [other ways to support me](https://chrischinchilla.com/support/).

## Hardware

### Video

My video setup has changed quite a bit since the last post. I now have a second-hand Lumix G7 (bought from the awesome [mpb.com][1]) connected to an [Elgato Cam Link 4k](https://amzn.to/3VjGbGO). Getting used to using a "proper" camera and optimising the correct settings for capture has and is still taking me some time. I think the last time I had such a device was a Nikon D90 a long time ago.

![An image of an Elgato Cam link](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/IMG_0241.jpeg)

Almost immediately I realised I needed what's called a "dummy battery" so you can plug the camera into power instead of running it on battery. Which you need depends on the camera, [but this is one for my G7](https://amzn.to/4e2i3jw).

![An image of a Lumix G7 with a dummy battery](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/IMG_0250.jpeg)

> If you're interested in knowing the camera settings, let me know.

### Audio

#### Microphones

Until last year, I exclusively used a [Blue yeti](https://amzn.to/3X1opJU) (now owned by Logitech), which has been serving me diligently for nearly eight years. However, I changed that several times recently for two reasons.

![An image of a the Yeti Blue](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/IMG_0249.jpeg)

I was looking for a mic that was less in my face for video work than the Yeti, and attempting to position it without doing that has been an endless task. So, I thought it was time to invest in a mic that sits more out of the way for video work and points upwards to your mouth. I was also interested in a mic that accepted XLR input if I ever wanted to take it into a more traditional studio and use it with a mixer.

I also wanted to create a separate, more isolated audio area for pure voice work, such as voiceovers and spoken word pieces, and the Yeti is more suited to that.

There are a handful of mics that meet all these requirements, and I initially looked at the Shure MV7. However, it’s a bit expensive, and I settled on the [t.bone MB 7 Beta](https://www.thomannmusic.com/the_t.bone_mb_7_beta.htm), one of Thomann’s many microphones that are fairly obvious copies of existing models. It’s more than half the price but ships with a copy of Cubase LE (which I actually needed to resurrect some ancient Cubase projects). I found it needs a bit of a volume boost when using USB, but it was fine for my needs.

**Was**? Yup. I used it mostly happily for a few months, even tracking down [the only European distributer of the small barrel-style pop shields](https://www.runwayproaudio.com/microphone_pop_filters.htm) you see on a lot of YouTube videos. Actually the company is based in the UK, so no longer ships to the EU and I had to wait until a trip to collect it from a friend. I digress. Berlin had a fantastic bricks and mortar music store called "Just Music" and they finally shut their five floor haven of music nerdiness in March. This meant they had some epic clearance sales and I acquired an ex-demo [Shure MV7](https://amzn.to/3VjXrfe) that I now use, relegating the MB 7 (and it's expensive pop shield) to tasks yet unknown. Much like my camera, I am still investigating the right settings for the Shure, using USB vs XLR, etc etc.

![An image of a Shure MV7](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/IMG_0242.jpeg)

There are two more microphones I use that deserve mention. The one(s) I use for capturing interviews on the road. I have been through several of these in the past few years. My changes were born of requirements for something that is reasonable quality, easy to use for non-experienced interviewees, and easy to take on European budget airline carry-on.

For most of the past few years, I used an [iRig Mic HD 2](https://amzn.to/3yMk033) and am still happy with it. However, I wanted separate microphones (and thus recordings) for myself and the interviewee, ideally without needing large external recording devices that would then break my baggage requirement. I spent some time looking for something suitable, including many trips to the clearance sale at Just Music to see if they had what I was looking for.

I don't even remember how I came across it, but I ended up with the [Neweer CM 28](https://amzn.to/4bErKms), a curious device that sparks plenty of conversation when I use it, which is an unexpected bonus to warm up interviewees. It consists of two small lavaliar-style mics, a receiver, and a case which is also a battery. Each mic can store 2GB of audio, and the default format is WAV, so the quality is reasonable if a little hollow-sounding. My only issue so far has been that the mics date stamp each file with the start of Unix time (January 1st, 1970), making it hard to match files to interview when it comes to editing later.

#### Audio interfaces

![An image of an Arturia minifuse 4](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/IMG_0239.jpeg)

On the subject of audio and USB, for the times when I need to connect analogue inputs, I have an [Arturia Minifuse 4](https://amzn.to/3WZTjlO), but I will save discussions on that for future post on my music set-up.

### Lighting

My lighting hardware has changed slightly. I still have the [Neweer LED lights](https://amzn.to/4eaCCdA), but I have moved them around many times to try and get a better lighting situation. As they are fairly flexible and use standard camera mounts, I currently have one on top of the G7 and another on the pole inside one of my VESA mounts.

After switching a lot of lighting at home to Shelly bulbs, I had two [LifX smart bulbs](https://amzn.to/3KleDKV) available, so I decided to bring those into my setup for more flexible lighting. I haven't quite figured out how to use them optimally as they are not really strong enough to make much impact.

My biggest issue with lighting is that I have a large window overlooking the Spree River, which provides wonderful, uncontrollable lighting throughout the year. I recently bought a new desk and moved it more into the middle of the room to see if it helps, but it's too soon to tell the effect yet.

I know I should install blinds of some description, but it's a lot of work, and it's a shared space, so I am still struggling with compromise for now, especially when using a green screen, which I have yet to really get to work properly.

### Other hardware

I have a couple of other bits and pieces around the core hardware that don’t completely fit into any other category.

![An image of an Elgato Stream Deck +](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/IMG_0237.jpeg)

An [Elgato stream deck plus](https://amzn.to/453DTih). Even though I have owned a mini for a while (which moved to my B setup), I am only slowly starting to realise their full potential, especially with the dials on the plus, which are not fully supported in many plugins yet.

My strategy over the past few months has been to maintain a list of regularly performed tasks that could be streamlined and figure out the best hardware and software to streamline them. [[That is definitely a future post]].

I have an [Elgato green screen](https://amzn.to/3V3Cfsw), but my aforementioned lighting situation has made it challenging to get it to work well.

Exclusively for editing, I have a [Korg nanoKontrol2](https://amzn.to/3yM5AA0) because I am old and like the feeling of pushing sliders and twiddling knobs. It supports different control modes, which makes it work with almost any application, but it means you have to note or write down a handful of keyboard combinations to switch between those modes in different applications. Combined with the stream deck, this gives a lot of possibilities and flexibility.

![An image of a Korg nanoKontrol2](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/IMG_0238.jpeg)

Through various twists of fate, sales, and second-hand deals, I also have far too many headphones. But my now-favourite pair for editing work is the classic [DT 770 Pro](https://amzn.to/4e3aoBt). They are big, cable-only, and incredibly comfortable, especially for glasses wearers.

![An image of DT 770 Pros](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/IMG_0243.jpeg)

I love VESA mounts as they get a lot of this gear out of the way and have two double VESA monitor stands. I'll cover more details on those in another more general setup post, but my latest purchase, [this camera shelf](https://amzn.to/4aDOwtp), is relevant, and I love it.

![An image of a Lumix G7 on a VESA mount and an LED light](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/IMG_0244.jpeg)

Those major items aside, I have a bunch of arms, brackets, cables, widgets, and wotsits that support and hold things together. Endless amounts of them, yet I still never have that exact item I'm looking for 😅.

## Software

### Preparation

I am trying to storyboard at least my edited videos more before I jump into recording, and for that, I have been experimenting with [Storyboarder](https://wonderunit.com/storyboarder/). However, I am still not fully in that process. Most of the time, I write a blog post that forms a loose script outline. For videos, I don’t tend to follow a script too much, but for spoken word and voiceover work, I do, and I use [Prompsmart](https://promptsmart.com/).

### Recording

My recording software has changed to using [OBS](https://obsproject.com/) for all most all tasks, as opposed to sometimes using Quicktime player for higher quality video as outlined in my older post.

This change came with newer versions of OBS that supported recording natively into ProRes formats on Apple Silicon machines. This meant I no longer had to use Quicktime to access higher-quality, uncompressed formats. OBS now gives more control over the codec settings, meaning you can balance quality over file size to your heart's content and without digging into FFmpeg settings too much.

When I record, I mostly use OBS as a simple two-scene switcher, one for face-to-camera and one for screen sharing. I don't add any filters or effects, as I add those in editing for recorded videos. I use Prores 422 LT for the codec, as my video work is not complex enough to need anything higher in terms of quality, but I like having uncompressed footage to edit with. OBS settings are a topic unto themselves, so guess what? That will be a future post 😁.

Whilst recording I use two other small applications. [Keycastr](https://github.com/keycastr/keycastr) for showing my keypresses. [Presentify](https://presentifyapp.com) ([also on Setapp](https://setapp.sjv.io/y2bBOG)) for highlighting my mouse and annotating the screen.

### Editing

![An image of editing in Adobe Premiere Pro](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/premiere-screenshot.jpeg)

I still edit most of my audio and video with [Adobe Premiere](https://www.adobe.com/products/premiere.html) and [Audition](https://www.adobe.com/products/audition.html). Not much has changed there. However, I have been using some of the newer features, such as essential graphics and sound for quick effects and processing. Premiere also has some excellent new text-based editing features that have significantly improved my productivity.

![An image of editing in Adobe Premiere Pro](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/audition-screenshot.jpeg)

On top of this, I now use [Descript](https://get.descript.com/hwdvp8thjpih) for final editing of my podcasts, as it generates a static and interactive transcript. I will start experimenting with using Descript for videos soon.

![An image of editing in Adobe Premiere Pro](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/descript.jpeg)

I have been trying to build libraries of assets for text and graphics overlays while I edit, but the way Creative Cloud applications save and sync different styles and assets into synced libraries remains confusing, to say the least. But I will keep pursuing it, as my current workflow (embarrassingly, copying and pasting previous overlays from older videos 😬) is problematic.

I try to use my ageing Wacom medium (I don't think my model exists anymore, [but this is the current closest one](https://amzn.to/4dWUsAx)) as much as possible for editing, but honestly, I forget about it a lot of the time, and as I'd prefer to use it wirelessly, I frequently find that the battery is flat and end up sticking to my mouse, a fabulous [Logitech MX master 3s for Mac](https://amzn.to/4bDuT5X). I struggled happily with Apple magic mice for years until I started using this beauty.

![An image of the Logitech MX master 3s for Mac](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/IMG_0248.jpeg)

## Distribution

For long-form videos, I exclusively publish to YouTube, exporting and uploading in the same ProRes 422 LT codec I use during editing. Again, this might be overkill, but YouTube can handle it, and I feel it gives a good starting point for creating the quality versions YouTube rolls out across its platforms.

I am still experimenting with shorts on YouTube, Instagram, and TikTok. Generally exporting to the highest quality MP4 the platform allows. I’m yet to crack the shorts formula or even figure out if I think it’s worth it. Sure, I can get higher views on a video about a cat, but it doesn’t really bring in the audience I’m looking for. I am currently trying shorts of me reading my flash fiction, but the results have been mixed. I find them fun to make, so I will keep persevering.

When using text-based editing in Premiere, you can take the transcript and generate captions. I export and add those alongside the video and chapters exported from Premiere’s markers using [Jeff Greenberg’s Google Sheets method](https://www.provideocoalition.com/from-markers-to-youtube-video-chapters-with-adobe-premiere-pro/).

Finally, I add a thumbnail. I am trying to avoid “YouTube face” and instead use AI-generated Chinchilla thumbnails. I won’t pretend the experiment has been successful yet, but I am determined to make it work and not add to the flood of people pulling stupid faces on YouTube. Tools-wise, I was using Midjourney, but I am now using Firefly in Adobe Photoshop instead, as I am already paying for it, so I might as well. I then plug that image into a PSD file, export it, and upload it.

[1]: http://mpb.com

---

## [As Kubernetes turns 10, experts predict the future of cloud-native](https://thenextweb.com/news/the-future-of-cloud-native-kubernetes)

Date: 2024-05-02

Originally published at: https://thenextweb.com/news/the-future-of-cloud-native-kubernetes

In June, Kubernetes celebrates its tenth birthday. The system is now so widely used by hundreds of thousands of companies worldwide to scale their applications to meet demand it’s hard even to remember a time before it existed. But there was a time when other options were available, and I even remember using some of them.

---

## [Writing for robots – How to optimise your writing for LLMs](https://chrischinchilla.com/blog/2024/writing-for-robots)

Date: 2024-04-23

Who do you think reads most of your technical writing? Customers? Potential customers?

---

Who do you think reads most of your technical writing? Customers? Potential customers?

If your work is public and not behind a log-in, I hate to disappoint you, but your most frequent reader probably isn't human. And this is nothing new.
Since website crawlers began venturing out onto the internet to compile websites for people to find the information they need, services running on machines have been reading our work, casting a silent lack of judgment.

And now comes a new wave of machines guzzling our content to feed and train large language models (LLMs).

Whatever you think of the old and new wave of machines consuming our content, unless you disallow them, it's hard to stop them. However, the good news is that writing and maintaining good content for humans also produces good content for robots! Yay?

In this post, based on a recent presentation I will record a video of soon, I recap some good writing advice. Much of which you hopefully already know, but it's always worth revisiting and looking at why it helps machines, too.

**Before I begin, a disclaimer.**

I wrote this post mostly for people who write technical documentation and blog posts. However, much of the advice is useful for anyone writing online.

## Stop the bots!

It's a good idea to recap what benefits you might receive from allowing the robots to trawl your content.

Similar to how allowing search engines access to your content helps people find what they are looking for without you needing to do much work, allowing LLM training scrapers access to your content also benefits you.

I think we can all agree that we have never found an ideal way to help people navigate documentation and find what they need. We try tweaking navigation, creating meaningful headings, and adding search. Really, what most people actually want is a giant Google-style search box or someone to ask a question and give them an answer to their specific question.

## Docs bot

![My original Docs Bot prototype](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/1*UtvnO5rBzu3_2l62iEOXfg.webp)

Several years ago, at a Write the Docs event during the last wave of generally terrible chatbots, I proposed a kind of "docs bot" that could provide you with information based on your questions. It could maintain context and continue answering questions based on what it has learned from you so far. At the time, it seemed like a crazy idea. But now, this seems like table stakes for any chatbot.

Well, the new wave of AI tools, especially those with chat interfaces, do just that. And it's an increasingly popular option for many people.

## Good structure

Good structure always helped web page scrapers identify the context of content and how different areas of the page relate to each other.

The same mostly applies to feeding an LLM. If a machine understands the content and how it relates to the content around it, it can provide better responses.
I often refer to the NextJS documentation to highlight many best practices. Take a look at this page for a good example of a good structure.
Why? Because it uses plenty of page elements to break up the content.

Let's recap some of these (you should be doing these already).

### Headings

Any web page, in fact, most pages in any format, begin with a title or heading. Regarding HTML, this should be an <h1></h1>, or heading level 1 for however your tool of choice represents headings.

Every page should have only one h1, but unfortunately, many tools and people break this rule to the page's detriment.
Typically, right after an h1 is some opening text, and then every following sub-heading should be an h2. Then, every sub-heading is underneath an h2, an h3, etc. Most browsers comfortably handle everything down to an h5, but theoretically, you could keep going down the levels. However, if you have that many sub-headings, your content probably needs reorganising.

Headings should be active, gerund, and "-ing" style text describing what the reader learns and accomplishes from reading the section. This may become less relevant as you get further down the sub-heading tree but it should apply to at least heading levels 1–3. Descriptive headings have always been important before LLMs, but they are even more useful in this case, as they often represent the direct answers to people's questions.
For example, "How do I install this software?"

A related heading is "Installing this software", which now means the tool using the LLM knows that the content directly beneath the heading is relevant to the question.

### Meaningful links

The "H" and the "T" in HTML and HTTP stand for "hypertext" or, to be more precise in this context, "hyperlinks," a somewhat ageing term for what we now call "links." Why they're called this requires a delve into history, which I am always a fan of but won't do right now. Ultimately, the internet and its web pages are built on interconnected links.

Although the intentions, mechanics, and purposes of links have changed over the years, they are still a fundamental component of how the Internet works. We still use them extensively, and they also provide LLMs with sources of related content when answering questions.

Despite how essential they are to how the internet works, we generally implement them in sub-par ways.

I can't remember where I heard this, but someone described to me that the standard way most people populate link text with words such as "click here, "here", or "link" is equivalent to walking around a shopping district and every shop calling itself "shop". You already know what it is. Telling you that again and again is completely unhelpful. In the case of links, there's another machine consumer to consider: screen readers. Used by people with lower vision, these read the screen's contents to the user, describing page elements and what they contain. So imagine hearing "link link, link click" over and over again the next time you think about link text.

Link text should be as descriptive as page titles and menu entries. Aim for link text that's 3 to 5 words long and describes what the reader gets from clicking the link. For example

- "How to Install a Prerequisite"
- "The full list of configuration options"

This helps human readers, machine readers, and LLMs understand the context of resources content links to.

### Alt tags

Images are wonderful ways to break up text and visually explain a concept. However, at this moment, most text-scraping LLMs don't really understand what an image shows, and even if they do, they aren't so accurate at describing them constructively.

A picture may speak a thousand words, but not if someone can't see it. Any image you add needs a way for someone visually impaired to access the content, too. These users often use screen reading applications to help them navigate applications and websites.

At a minimum, you need to add an alt attribute to the image that tells a screen reader what to read in place of that image. Technical documentation can be poor regarding alt attributes as many of the tools documentarians use don't prompt you to add them or give much advice on a good value. We also tend not to give much thought to what we add to alt attributes, often entering minimal text or, at best, text that describes what the image is; for example, "Screenshot of settings." There are different schools of thought on what you should use for alt tags, but the best answer I heard was that an alt attribute should describe what the image describes. So, in essence, an alt attribute should tell someone who can't see it what you wanted to communicate with the image in the first place.

For example, instead of "screenshot of settings," use something like, "The screenshot shows how to change the text size using the value in settings.

### Describe other elements

If you want to take accessibility a step further, remember my point about images and text complimenting each other. An image added with little context in the text around it may give enough information to someone who can see it, but with no context around an image, even good alt attribute text gives little help to someone who can't see the image.

The same applies to all other non-textual images. If you add a table, describe what the table shows. If you add a code block, again, describe what it shows. If you add a video, ideally also provide a transcript, but at the very least, you guessed it, describe what it contains.

This means that when an LLM encounters media, it can't fully understand (yet), but it at least understands what the item is supposed to show and could possibly suggest where you might find the element if you're interested.

### Large Language Language

I won't go into too much detail here about writing good technical copy. If you're reading this, I assume you already have a rough idea of how to do that, and if not, well, there's a lot of content out there on the topic. Plug, I even have a book you can read… 😬

But in short, many of the same rules apply to writing for robots that apply to writing for humans.

Keep things clear and concise. Set aside assumptions. Use good grammar. Test that what you've written technically works. And so on.

Maybe one point to pay extra attention to is expanding and explaining custom terminology. Just because you and (hopefully) your users understand your own custom industry or project language doesn't mean an LLM will do.

## Feed the machine

Optimising technical copy for LLMs is, much like the LLM space more broadly, in an active state of flux. There's a lot more detail this article could have gone into, and best practices will change. However, I hope the advice and ideas here at least get you started, and any of you who made it this far have already realised that, for the most part, anything good for humans is also good for robots.
For now…

---

## [The state of open source in Europe](https://thenextweb.com/news/state-open-source-europe)

Date: 2024-04-11

Originally published at: https://thenextweb.com/news/state-open-source-europe

Open source is at a crossroads. For the past few years, venture capital has directly or indirectly paid for many of the contributors and much of the infrastructure it needed to keep going.

---

## [Tracking the words you write with WordCounter](https://chrischinchilla.com/blog/2024/tracking-with-wordcounter)

Date: 2024-02-19

How many words do you write every day? Think about it. Every time you send an email, post in Slack, or comment on an Instagram post. Oh, you thought I would mention those wondrous words you pour into your latest novel, blog post, marketing copy, or script?

---

How many words do you write every day? Think about it. Every time you send an email, post in Slack, or comment on an Instagram post. Oh, you thought I would mention those wondrous words you pour into your latest novel, blog post, marketing copy, or script?

On a good day, those more creative works are where I'd like most of my words to end up, but in reality, it's probably the former category on average most of the time.

Over drinks with fellow writers last year, we started wondering how many words we wrote and where, and that might be an interesting programming experiment to create such a tool.

Then, I came across WordCounter quite by chance, which saved me the bother. As a technical experiment, I was still interested in how I might create my own. A short email conversation with WordCounter's developer quickly told me that creating system-wide textfield observers (on macOS, anyway) was challenging.

<!-- youtube:6KHr15xuV38 -->

The Installation and setup of WordCounter simple, but you need to give the application accessibility permissions and let it run at login and in the background for maximum usefulness.

![A screenshot showing WordCounter's accessibility settings](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/1*V4LusgQz8XjWuVdrktPj4A.webp)

![A screenshot showing WordCounter's login settings](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/1*cq3HIBFXNdv_rMHfijmx9Q.webp)

The main configuration step is to add all the applications you want to track. You do this by clicking the plus icon from the application menu bar. This isn't complicated, but can take a while, and it's easy to forget to add certain applications where you spend countless words.

![A screenshot of adding an application for WordCounter to track](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/1*StgPE0QKkMOWm96uUFCFCQ.webp)

For tracking words in actual editors, WordCounter, by default, tracks plain text, Word, and RTF, and you can also specify which file types you want to track as plain text, for example, Markdown, Asciidoc, etc.

![A screenshot showing the WordCounter setting for file types](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/1*dWV9iH0XqtMwLY9HoAc8RA.webp)

## Is it useful?

"OK", I hear you saying, this is all very well and good, but show us the numbers! Where are your words ending up?
The data analysis tools in WordCounter are a little inconsistent. On a daily and even hourly basis, it sorts the word counts by application, but when you want to look over a time period, it doesn't sort the results. There's also a CSV export, but it only exports the word count by day, and that's it. I was more interested in the by-application value.

A screenshot showing 90 days of tracking history in WordCounterSo, with a bit of manual checking, my word count for the past 90 days was 135,000, and the top applications were:

- Safari: 25,845
- Scrivener: 20,953
- Slack: 14,179
- Mail: 13,359
- WhatsApp: 11,103
- Obsidian: 10,813
- VSCode: 6,953
- Discord: 5,891
- Word: 4,145

My average is about 1,500 words a day, with a high of 3,943 and a low of a few hundred, but this is mostly on weekends or holidays, so it isn't that useful.

For the past 90 days, I have been working on several projects in Scrivener, one of which I then have to review and submit using Word (unfortunately). When I work on technical documentation, I work almost exclusively in VSCode. Obsidian has become a note-taking dumping ground and a place where I often draft blog posts. So, most of those numbers make sense to me.

I am disappointed but not surprised to see such high numbers on WhatsApp, Slack, Discord, and Mail. However, it is hard to think what on earth I have been writing that outstrips my "real" writing. The one that surprises me the most is Safari. 25,000 words! I typically try to avoid doing too much work in the browser, but I guess I haven't succeeded.

A suggestion for an advanced feature in WordCounter could be to keep track of the actual words you type. That would be a weird and wonderful record to sift through later. Another might be to track word counts across matching applications on iOS, much like Timing does with time tracking.

## Does any of this help me?

It proves my unfortunate assumptions and shows that if I want to be more productive, I need to set up do not disturb and focus modes to better block certain applications when I am writing. But here we get into discussions on what "productivity" means. Despite their reputation, writing emails and Slack messages can be essential to productive work. While I use Discord for a mixture of uses, I can imagine that, for the most part, it's communication that could wait. WhatsApp, well, some groups and contacts are, of course, more important than others, but again, I think I could be more selective about when I use it.

WordCounter is in early but rapid development, so it will likely add new features soon. $20 is possibly a little high for a small utility application, but it's a one-off payment with a trial, not yet another subscription, so that's a big plus for me. All in all, WordCounter provides a fascinating insight into what you write and where. It's up to you how you act on those insights.

---

## [Transcription tools for Podcasters and Video Creators](https://chrischinchilla.com/blog/2024/9-transcription-tools-podcasters-video-creators)

Date: 2024-01-17

I create a lot of content with audio. Interviews that become final podcasts, final podcasts, videos, and more. In almost all cases, a transcript of that audio is useful. Often, I use it to create a blog post based on that audio, and I am also in the process of creating interactive transcripts for my backlog of podcasts. And that aside, accompanying transcriptions of shows are good for SEO and accessibility.

---

> Updated in 2026 to include some new services. Also note that I no longer use some options here. I will update those soon.

I create a lot of content with audio. Interviews that become final podcasts, final podcasts, videos, and more. In almost all cases, a transcript of that audio is useful. Often, I use it to create a blog post based on that audio, and I am also in the process of creating interactive transcripts for my backlog of podcasts. And that aside, accompanying transcriptions of shows are good for SEO and accessibility.

Transcription tools have existed for some time, but the recent wave of generative AI tools has vastly increased the options provided by existing and new services, also available in desktop offline applications.

On top of this, I have a lot of older shows. How can I automate the backlog of transcribing them?

With several hours of old shows to transcribe and a growing backlog of episodes to release, I thought it was time to test the several potential services piled up in my "to check out pile".

<!-- youtube:a0_vvVxlivQ -->

## Sample recording

I needed some sample audio to work with, so I used an interview I recently had with Alex from [Respeecher](https://www.respeecher.com/). Alex is from Ukraine, so has an accent when he speaks English, which is a good test case, and well, with the company name, it seemed appropriate. The company name is also a portmanteau of real words, perfect for tripping up an AI. I used recordings of each of our inputs, and in a couple of cases, I had to combine these into one file. I didn't apply any processing or do any editing.

## What I was looking for

- The ability to recognise common technical terms and jargon, ideally with the option for adding regular custom terms to a dictionary.
- Something that works offline would be ideal, but if the tool is already an online tool, for example, the service I use for recording remote interviews offers transcription tools, I wouldn't expect it to work offline.
- A batch or automation option would be fantastic to cope with the backlog of podcasts I need to transcribe.

## What I currently use

At the moment, I use a mixture of tools, which prompted me to write this post as I wanted to weigh up the options available to me.

The options I jump between in different use cases are [Descript](https://go.chrischinchilla.com/flexclip), [Adobe Premiere](https://www.adobe.com/products/premiere.html), [Google Recorder,](http://recorder.google.com) [Otter](http://otter.ai), and [MacWhisper](https://goodsnooze.gumroad.com/l/macwhisper). Otter is increasingly less, but my Wife has an account, so I occasionally still use it.

## Google Recorder

When recording interviews at events, I use an [iRig Mic HD 2](https://www.ikmultimedia.com/products/irigmichd2/?pkey=irigmichd2) plugged into the USB port of my Pixel 6. The built-in [Pixel Recorder](http://recorder.google.com) app has live transcription, and you can download a text transcript and audio recording.

The transcription is quite good, and the live aspect often impresses my guests. But it only works on Pixel phones, and you can't upload other audio files, so it isn't much use for editing purposes.

- **Price**: Free with a Pixel phone
- **Transcription quality**: Good
- **Features**: Low

## Otter

Aimed mostly at business meeting use cases, with Zoom, Google Workspace, and Office 365 integrations that reflect this. However, [Otter](http://otter.ai/) does a reasonable job at transcriptions but could be better at allowing you to correct transcription errors. You have to manually upload each file if the recording doesn't come from an integration source. It only accepts combined tracks, so you must combine any tracks before uploading.

Otter has many new AI features (of course) that let you ask questions about the interview and review and comment features, again showing that it's mostly a tool for business users. Finally, if you weren't already convinced, the audio quality it stores is very low, and there are few export options for the transcript. It's a good tool, but it's not suited to my use case.

- **Price**: $0-20 per month
- **Transcription quality**: Good
- **Features**: High, but low for the use case

## Descript

A tool optimised for text-based audio and video editing, [Descript](https://go.chrischinchilla.com/descript)'s workflow is designed for content creators, with integrations to recording platforms, dropbox folders, and export options to editing tools.

Transcript quality is high, though the correction tools aren't as comprehensive as I expected. It's more like a search and replace, but if the error is different in each case, the search and replace doesn't save much time. I haven't yet found a way to build a library of common errors. For example, "Chris Chinchilla" is almost always wrong in every transcription. But it's a big application with many features so that I might have missed it.

- **Price**: $0-24 per month
- **Transcription quality**: Good
- **Features**: High

<!-- youtube:ZwayH1JVGf0 -->

## FlexClip

[FlexClip](https://go.chrischinchilla.com/flexclip) is part of a wide suite of other audio and video editing tools, which means it's transcription tools are embedded in a variety of other features and not always obvious. For example, it has features for text-based editing and captions, but not just a "transcribe this" feature. That aside, the transcription quality is excellent and correctly transcribed almost all the typically challenging words. That said, it lacks some of the comprehensive export features a tool like Descript offers. 

- **Price**: $0-20 per month
- **Transcription quality**: Excellent
- **Features**: High

## Riverside FM

I used to use [Riverside FM](https://riverside.fm) for recording remote interviews until Descript acquired SquadCast, and the combined offering was too good to resist.

In the months before I left, RiversideFM added a handful of browser-based transcriptions and text-based editing tools that were good enough that they caused me to pause before cancelling my membership. The interface is similar to Descript and Audiate, with the text above and a timeline of waveforms below.

It automatically transcribes anything you record through Riverside, but you can also upload files recorded elsewhere to start the transcription process.

It's the only service I tried that could correct all assumed incorrectly transcribed words at once. Or at least, it wasn't obvious to me how to get that to work with other services, and with Riverside, "it just worked". It offers standard export options for the transcript and auto chapter generation, which some other tools offer, but I have never found it that reliable.

- **Price**: $0-26 per month
- **Transcription quality**: High
- **Features**: Medium

## Techsmith Audiate

Techsmith is better known for its visual tools for screenshot and video generation, [Audiate](https://www.techsmith.com/audiate.html) feels like a Descript competitor that hasn't quite caught up. It doesn't detect multiple speakers but allows for text-based editing, removing filler words, etc. You can export the transcript as text and SRT, as well as to Camtasia.

Similar to Audition, it makes mistakes on the transcription, but different mistakes to other services.

- **Price**: €225 / year
- **Transcription quality**: Good
- **Features**: Low for the price

## MacWhisper

A macOS-native wrapper around [OpenAI's Whisper,](https://github.com/openai/whisper) [MacWhisper](https://goodsnooze.gumroad.com/l/macwhisper) has many features in the free version and even more if you pay. It works offline, is quite fast (depending on your machine), is accurate, and is affordable.

The podcast transcription feature is still in beta but works well, with several different ways of wrapping Whisper for specific use cases. The beta podcast transcript feature is the most appropriate option for this blog post. In a basic way, it works similarly to Descript. You can upload multiple files, and it recognises each file as a different speaker and treats them as if they are from the same conversation.

However, it presents the transcription differently and, of course, has far fewer features for handling the transcript. You can edit the transcript by clicking into it. The main limitations are that the player and transcript don't move completely in sync, and the way it displays the speaker pausing is space-consuming. There might be ways to change this behaviour that I missed. There are no audio export options, but there are many options for exporting the transcript and even more in the paid version.

- **Price**: €0-29
- **Transcription quality**: High
- **Features**: High

## Audio Hijack

More known as a long-running tool for capturing audio inputs, [Audio Hijack](https://rogueamoeba.com/audiohijack/) recently added transcription provided by Open AI's Whisper. It has limited usage, optionally dumping a text file of the input audio into a text file. It's as accurate as MacWhisper, but offers little in terms of post-transcription tools.

- **Price**: $77
- **Transcription quality**: High
- **Features**: Medium generally, but low for transcription

## Adobe Premiere

I love the recent addition of text-based editing in [Adobe Premiere](https://www.adobe.com/products/premiere.html). It saves a lot of time on rough edits, stays up to date with the current state of the timeline, and offers export options for different caption and transcription formats. I wish the feature would come to [Adobe Audition](https://www.adobe.com/products/audition.html), as whilst editing audio in Premiere is possible, it's not optimised for it, which makes complete sense.

It shows multiple speakers, and you can remove silences and filler words by selecting and deleting them. Transcription accuracy is reasonable, but it makes mistakes in almost all the same places as other options here, but with a different incorrect word, so I wonder if Adobe uses different models from other tools. You can then export the transcription in different formats or add it as captions for video.

- **Price**: $20-60 per month
- **Transcription quality**: Medium
- **Features**: Medium (for transcription)

## macOS dictation

There's [dictation built right into macOS](https://support.apple.com/en-au/guide/mac-help/mh40584/mac), but it only works with a microphone input. If you have an application such as [Loopback](https://rogueamoeba.com/loopback/) or free alternatives such as [Blackhole](https://github.com/ExistentialAudio/BlackHole), you can reroute application audio into the "microphone input" and dump a transcript into any text field. The negative is that this happens in real-time, so it takes a while, but it is fun to watch. The transcription is probably the least accurate I saw in the roundup. Still, if you don't want to spend any money (unless you buy or already have Loopback) or install anything else on your Mac, it's a… possibility.

- **Price**: Free with a Mac
- **Transcription quality**: Poor
- **Features**: Low

## Bulk transcription

I opened this post with bulk transcription of older content as one of my requirements but have not mentioned it for each tool. None of them helped with that requirement aside from manually uploading files, exporting the transcript, etc. In theory, this process might be possible with Otter, but I stopped looking as it's not generally optimised for my workflow.

So far, Descript works fairly well, as you can upload a bunch of files and leave it processing. I am also using it to generate the interactive transcripts I use on my website, so it feeds into my whole workflow. However, it limits transcription hours based on your payment tier, so I need to stagger my transcription backlogging.

I thought of experimenting with the Whisper API myself, either directly or via a service such as make.com, but by default, the API limits upload to 25 MB, so you need to plan how to chunk and handle larger files. In summary, I have decided to leave that topic for future research. Let me know if you have any ideas!

## The future

I will not change my current tools and service selection, primarily using Descript for podcasts, Premiere for video, and MacWhisper for anything else. I intend to try using Descript more for video editing, so that may change things, and I also wait eagerly for text-based editing in Audition, which also may change things. However, this does mean I lack any cohesive, centralised dictionary of custom words. However, none of the tools I looked at offer particularly good features for this purpose anyway, so while it's sometimes tedious to endlessly correct words, I am not missing anything… Yet.

What do you use? I would love to hear of anything I have missed.

---

## [Loss and absence in death](https://chrischinchilla.medium.com/loss-and-absence-in-death-6c41d86be448)

Date: 2024-01-06

Originally published at: https://chrischinchilla.medium.com/loss-and-absence-in-death-6c41d86be448

We had to put our 17-year-old cat to sleep last week. First, why does English have such terrible words for this action? “Putting down”, “putting to sleep”. They are both terrible ways to describe such an action, but I’m not sure I have any better ideas…

---

## [Making Markdown Interactive with Runme](https://chrischinchilla.com/blog/2023/runme)

Date: 2023-12-22

Markdown may be popular for its simplicity and "plainness", but it's often full of information. Whether for internal or external consumption, that information often contains code snippets for running certain commands or code examples. Wouldn't it be great if you could run that code directly as you read from within the markdown?

---

Markdown may be popular for its simplicity and "plainness", but it's often full of information. Whether for internal or external consumption, that information often contains code snippets for running certain commands or code examples. Wouldn't it be great if you could run that code directly as you read from within the markdown?

That's what [runme][1], a CLI tool, VSCode extension, and online service promises to do.

<!-- youtube:9PMu3i4-RFk -->

## Example project

For this post, I use a repository read me generated by Docusaurus. Most of the code blocks are yarn commands.

## Installation

While it works best running inside [the VSCode extension][2] (which also contains the CLI binary), [you can install runme separately][3], or [run it with Docker][4]. However, if you install with the VSCode extension, you can't use the `runme` command from CLI, so weigh up how you intend to use it.

## CLI usage

By default, if you run the `runme` command in a folder with a _readme.md_ file, then it scans the file for code blocks marked as `shell` or `bash` and presents them in a command line user interface (CUI) for you to select the code to run.

Then, the code runs in the terminal as normal.

![runme running in CLI](https://miro.medium.com/v2/resize:fit:1400/format:webp/1*ckBshY-jGi5wwrQBOk7nVA.png)

If you want to use `runme` against markdown files not called _readme_, use the `--filename` argument.

And that's the main usage for the CLI tool, [but there are other options available][5].

## VSCode usage

Using runme through the CLI offers some convenience, but the tool comes into its own when you use the VSCode extension.

With the extension, any markdown files you now have open look different, and not just readme files, as the plugin overrides the default markdown editor view. It adds a couple of different components.

![runme in VSCode](https://miro.medium.com/v2/resize:fit:1400/format:webp/1*aPR50C7tbbPS160vogYUnA.png)

Every code block now is now in a cell with a "run" or a "cli" button, depending on if you're in preview or edit view. Click that button, and the code example runs inline in VSCode. Unfortunately, it marks all code blocks as runnable, but it only works with bash or shell. There might be a setting to disable that. Runme does a good job of detecting how to run the command, but it doesn't always get it right, and you can manually override its assumptions by clicking the language selector button.

I also found a few occasions when runme or VScode (it's hard to say) couldn't find the command in my environment. I spoke with the runme developers, and they are aware of the issue, but it's sometimes hard to track down, and the runme extension isn't the only extension I've encountered issues with.

The plugin also turns all non-code markdown into blocks and renders them in a preview you can click into to edit. You can also drag and drop these cells around the page in a WYSIWYG manner.

[There are a bunch of other features and settings][6] , and if you're uncertain if you want the extension to do any more than allow you to run code blocks, then you can toggle and configure many of the features.

## Web

So far, the functionality provided by runme is interesting, but the web integration turns it into a team-wide collaborative knowledge base tool.

First, if you installed it with the CLI tool, you can run `runme open` to start a browser-based version of VSCode that uses [code-server][7]. This is still running locally, but you could use a tool such as [ngrok][8] to expose that locally running service.

![codeserver running runme in the browser](https://miro.medium.com/v2/resize:fit:1400/format:webp/1*-DTrPBAXbgJUBo2cW0RheA.png)

While in its early days, runme has the beginnings of a hosted platform in which you can share commands and outputs between team members, and even since I created the video version of this post, the team have added an ability to see all markdown files in a GitHub organisation and run commands from the browser.

![runme commands shared to the web](https://miro.medium.com/v2/resize:fit:1400/format:webp/1*m42kZBxdjFjcrAByDXGB6A.png)

## And there's more

Some of the other miscellaneous but interesting features are the following:

- [Running Github actions inside a markdown file][9], which, if you combine with other commands, you can start to make a markdown file a runbook repository.
- [Running runme (!) in a Github action][10], initially, I was confused as to the use of this, but it means you can test the code in markdown files with one tool, which is actually immensely useful.
- [A browser extension][11] for running commands in markdown files stored in GitHub repositories. Again, this is cool for quickly testing projects without installing anything first. But I'm not sure where the commands run, and I imagine there are a few limitations on what can run in the browser.

## Up and running

I have always been a fan of interactive documentation, and while runme only supports shell commands and is primarily aimed at working inside some form of code editor at the moment, I see it developing in a broader direction. Runme is in its early days and has a lot of other small features that may add up to a cohesive product offering over time.

_What do you think? Have you tried runme or any tools like it? Let me know in the comments._

[1]: https://runme.dev
[2]: https://docs.runme.dev/install#runme-for-vs-code
[3]: https://docs.runme.dev/install
[4]: https://docs.runme.dev/install#runme-with-docker
[5]: https://docs.runme.dev/getting-started/cli
[6]: https://docs.runme.dev/getting-started/vs-code
[7]: https://github.com/coder/code-server
[8]: https://ngrok.com/
[9]: https://docs.runme.dev/integrations/embed-github-action
[10]: https://docs.runme.dev/integrations/github-actions-workflow
[11]: https://docs.runme.dev/integrations/browser-extension

---

## [Bring the power of Apple Shortcuts to Obsidian](https://chrischinchilla.com/blog/2023/apple-shortcuts-obsidian)

Date: 2023-12-13

I've mentioned before that I have been using Obsidian more and more, and from a knowledge management perspective, it's fantastic, with a plethora of plugins that extend its functionality to connect to many external services. But as a cross-platform Electron application, integration with the host operating system is one of the places it fails. As the underlying data store is a folder of files, some integration is possible there, but Obsidian has minimal awareness of changes that happen.

---

I've mentioned before that I have been using Obsidian more and more, and from a knowledge management perspective, it's fantastic, with a plethora of plugins that extend its functionality to connect to many external services. But as a cross-platform Electron application, integration with the host operating system is one of the places it fails. As the underlying data store is a folder of files, some integration is possible there, but Obsidian has minimal awareness of changes that happen.

Actions for Obsidian aims to add a degree of interaction between Apple's fantastic shortcuts and Obsidian. It's a start!

<!-- youtube:iRq98uUxpe4 -->

Want to watch a video version of the post?

Thanks Midjourney for this delightful Chinchilla hugging an Obsidian

## Installation and setup

You need two components to get the actions working with Obsidian. First, add the Actions URI plugin to Obsidian, which handles incoming requests using Apple's internal callback URL system that allows you to communicate with other installed applications.

The second is the Actions for Obsidian application, which adds the actions to Shortcuts and provides minimal preferences and license management. The app has an onboarding flow, prompting you to install the Obsidian plugin and then link it with one or more vaults.

On the subject of licensing. You can use Actions for Obsidian for free, but it will notify you to purchase a license with increasing frequency that rapidly becomes fairly hard to use. While making this video and blog post, I ended up buying a license even though I wasn't sure I wanted to keep it, as it became impossible for me to record without constant notifications that stopped the shortcuts from running. However, it was only a few €/£/$s, and developers deserve to be paid. I was more irritated by how evaluating after a certain point became fairly challenging. I did also take quite a long time to evaluate 😅.

Actions for Obsidian (AFO) divides the actions it provides into sections:

- **Commands**: Use Obsidian commands
- **Dataview**: Generate Dataviews of Obsidian data on the fly if you have the Dataview plugin installed
- **Folders**: Create, delete, and manipulate folders in the vault
- **Notes**: Create, delete, manipulate, add text to, and more with notes
- **Periodic notes**: Much of the same functionality as notes, but specifically for working with the core daily notes or other periodic note types provided by the periodic notes plugin.
- **Vaults**: Manipulate properties of the current vault

The usage of some of these, such as creating notes, is more immediately obvious than others. Others, such as dataview and commands, require a little more thinking. Here's some of what I tried.

## Notes

Notes are the prime data type of Obsidian, so unsurprisingly, AFO supports the most options with them. Sometimes, with Apple Shortcuts, the difficulty is more in figuring out what combination of other useful actions to assemble. Here are a couple of basic ideas I tried, but there are many more I will try over time.

### Create note

Apple Notes and other native applications allow you to select text from elsewhere and quickly share it into a new or existing note, which I miss in Obsidian.

Create a new Shortcut, and in the info view, check the share sheet and quick action options.

![A screenshot of creating a note with input from a Shortcut](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/1*Soys68WY2ihqz-qiTHI_Ng.webp)

This then adds a Receive action where you probably want to change to "Text" and "Rich text" for the context of Obsidian.

Now, search for the "Append Text to a Note" action and drag it into the shortcut. I found this more reliable than the "Create Note" action, as you can configure it to create a note if it doesn't exist anyway. Configuring this action is up to you, but I set the following.

I left the note name blank. As for my use case, I wanted the shortcut to be fairly dynamic, and it would prompt you for a name when it runs. Set it to receive input from the shortcut, select the relevant vault, add newlines, and check the create note option. I chose to append it to the end of a note, but like many other steps in shortcut actions, you can prompt every time, too.

### Open note

I have a dataview-based note that contains anything in a note that's part of a checklist. It's my vague attempt at using Obsidian as a task management tool that hasn't quite worked yet, but I'm trying 😅.

![Screenshot of Shortcut to open an Obsidian note](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/1*pDulNtEPNZ8wI3Qm8Du6Fw.webp)

The nature of Obsidian vaults means that despite the underlying note being a file on your operating system, they can often feel buried in something of a black box for quick access. The "Open note" action helps pull that note out more quickly. The action doesn't have much to configure, just the note and the vault.

### Periodic notes

You are probably familiar with Obsidian's core daily note feature, designed for tasks like journaling, daily task lists, and more. I didn't realise that using the periodic notes plugin you can also have weekly and monthly notes.

As interesting as that sounded, I struggled to combine shortcut inputs and actions to be genuinely useful (see earlier comment). What I ended up with was a kind of daily schedule recap note. But I can imagine connecting it to different daily (or weekly or monthly) inputs as a starting point for regular note-taking on what happened during the period.

### Daily meeting recap

Create a Shortcut and add the "Append Text to periodic note" action, which works similarly to the non-periodic version, so use many of the same settings.

I used the Fantastical "Show schedule" action as input to the note. If you use the default calendar, the equivalent is "find calendar events", but you need to filter based on the start date.

Screenshot of creating a daily schedule shortcutI thought I'd need to loop through the returned events to add them to a note, but Shortcuts seems to handle that for you with lists of items, and you might have noticed in the AFO actions that you can set what properties of any types to send to Obsidian. In the case of calendar events, you can send the title, date, and many other properties.

### Trigger commands

Like many modern applications, Obsidian hides a wealth of power behind a command palette, and AFO also lets you trigger commands from that. This was another example of a potentially powerful action, but I wasn't sure what to do with it. Mostly as I don't have that many plugins that provide additional commands, and those that do make more sense triggered from within Obsidian. However, creating Shortcuts with these commands would mean I can trigger them from productivity tools such as Raycast, a Stream Deck, etc…

I could also see some potentially powerful shortcuts where you trigger a command, pipe its output to something else, and so on.

#### Open project management flow

What I settled on as an example is a little basic but is useful for me, and I also connected it to a Stream Deck.
I use Trello extensively for managing tasks and ideas, and I use the Obsidian Trello plugin to hook together articles and notes with tasks so I can update status in both places. But for larger scale planning, the Trello application is easier to use, so I created a shortcut that opened the Trello application, showed the Trello pane in Obsidian, and then placed both applications to the side of each other.

Before using any command-based action, you need to run the "Get available commands from vault" action at least once, and maybe when commands update. You could keep this as a separate shortcut or probably add it as an initial step before a larger shortcut.

Once AFO has that list of commands, use the "Trigger command" action, selecting the command and vault.
In my example, it's just a series of steps with no data passed between them. I am unsure what happens if there is output and if you can do anything with it. I then use the "Open App" and "Resize Window" actions for my example.

## With great power comes great possibility

AFO does its utmost to provide flexibility and integration possibilities to a powerful application that is something of a black box regarding macOS. The developer is active and responsive and will likely add more features as the figure out how to build them. Some licensing niggles aside, my only negatives are more Shortcuts-related. It's one of those applications I know I can get so much more out of and streamline so many manual, repetitive processes, but I often find myself stuck knowing where to start. Or, I have a great idea for a shortcut and then hit a limitation or a lack of support with an application I regularly use and give up. But at least Actions for Obsidian fills one more of those gaps. The rest is up to me.

---

## [A newcomer's quest: Scoring apps for drum notation on a budget](https://www.scoringnotes.com/opinion/a-newcomers-quest-scoring-apps-for-drum-notation-on-a-budget/)

Date: 2023-12-08

Originally published at: https://www.scoringnotes.com/opinion/a-newcomers-quest-scoring-apps-for-drum-notation-on-a-budget/

I have a past life in music. In the late 1990s, I produced one of the first online fanzines and wrote for several street press magazines in London and Melbourne. In the middle of that, I also played in bands in the UK and Australia, playing guitar and, latterly, drums. And then I stopped. My musical creative spark had run out. Fast forward to about 2021, and it returned, primarily due to relearning the instruments I had always played by “feeling” in the past. Actively learning instruments and production techniques familiar to me properly opened my musical mind again, and I am slowly producing music I always wanted to make in the past before joining rock bands.

---

## [Configure and switch macOS displays with Displayplacer](https://medium.com/macoclock/configure-and-switch-macos-displays-with-displayplacer-650c62c0f1bf)

Date: 2023-10-05

Originally published at: https://medium.com/macoclock/configure-and-switch-macos-displays-with-displayplacer-650c62c0f1bf

I am extremely lucky to have a display problem. I have a small home office and a studio setup. At home, I sometimes have my laptop under my screen and sometimes to the left. In the studio, I have two external screens, one of which I switch to 1080p when recording videos. So that’s four potential screen configurations. I have always found screen configuration on macOS relatively smart and reliable. It tends to remember individual screens and automatically switch to the configuration you last used with that screen. But if you want to manually change layouts or resolutions, what do you do? You can keep jumping into system settings to make changes, but that gets tedious quickly. I wondered if there was a better way.

---

## [Is the Future of Documentation Dynamic?](https://chrischinchilla.com/blog/2023/is-the-future-of-documentation-dynamic)

Date: 2023-09-19

What do American Online, the Apple Newton, DVDs, Tamagochis, MP3, PDF, and Sony Discmans all share in common? They were all products born in (and some dying in) the 1990s. An era I remember vaguely well as I spent most of my mid to late teenage years in it. And now I see the fashions and band T-shirts from that era back on the streets and…

---

What do American Online, the Apple Newton, DVDs, Tamagochis, MP3, PDF, and Sony Discmans all share in common? They were all products born in (and some dying in) the 1990s. An era I remember vaguely well as I spent most of my mid to late teenage years in it. And now I see the fashions and band T-shirts from that era back on the streets and…

Where was I? Ah, yes, so what else was born in the 1990s?

![The first web page](https://miro.medium.com/v2/resize:fit:1400/format:webp/1*G5WkDgY_vPRIfPGxQnmIRg.png)

Hypertext Markup Language is known to you and me as HTML or "web pages" (kind of).

I promise I will get to the actual topic of this post eventually, but humour me a little longer as it helps understand what comes later. History, it turns out, is important to understanding the modern world.

## HTML, print for the web

HTML is a static presentation technology, with much of its markup language inspired by the print layout world. Thirty years later, it still shows these roots with fairly strict layout options. For example, the options for laying out images and text with each other remain rigid grid layouts.

HTML has added support for many things during its lifetime and changed many of the "tags" that form its specification to suit the modern web. However, fundamentally it's not changed that much. And that's fine.

What has changed is how we can create those pages. Most web pages are a combination of HTML plus two other technologies. Cascading stylesheets (CSS) and JavaScript. CSS adds a way to define how pages should look in a centralised way (much like styles in publishing and word processing applications), JavaScript adds interaction and dynamism, and HTML creates the layout and ties everything together. Initially, these technologies were quite limited, lacked widespread support, and we turned to other technologies to fill the gaps. Technologies such as Flash, Director, and Silverlight are long gone. JQuery, which added missing features to JavaScript, is still widely used, contrary to what many developers think. Developers used these technologies to allow pages to show dynamic data and react to users interacting with pages, updating their status and display to reflect change.

OK, end of the potted history lesson. My question to those of us who produce documentation is the following. With all of these wonderful developments in web technologies over the past 30 years, why do we mostly insist on having such static walls of text?

<!-- youtube:9PMu3i4-RFk -->

## Disclaimer

This post covers "[docs-as-code][1]" approaches to creating documentation sites. You could probably achieve similar goals with content management systems, developer portals, etc. But I won't cover that here. Docs-as-code is how I roll.

## Dynamic docs ideas

What are some of the common, more complex entities we want to get into docs?

- **Reusing content**: The ability to reuse the same content items in multiple places and update them in one place.
- **Content from external sources**: Loading content sources such as APIs, headless CMS, etc.
- **Screenshots with good quality test data**: A picture can say 1,000 words. But they also add to page weight, consume time to create, and populating them with useful data is complicated.
- **User data integrated into docs**: Instead of showing example data in docs, how about showing data relevant to the user?
- **Interactive "playgrounds"**: Sometimes, the best way to teach a concept is not through words, but through letting a user experiment.
- **The ability to use docs content in other formats elsewhere**: Why restrict someone to reading your documentation on a docs website?

While you could achieve some of these goals in many ways, I will mostly stick to using two in this post. There's a lot here I could cover in more detail, and who knows, maybe I will 😁.

## Show me the tools

[Astro][2] and [Docusaurus][3] are React-like tools (Astro isn't React but is inspired by it). There is also Gatsby, but it has grown quite complicated, so I generally skip it. Astro is a general-purpose site builder with a docs-related offshoot. Docusaurus is docs-focused with a good pedigree but is more limited than Astro.

## Everything as a component

Let's unpack what "React-like" means.

[React][4] is a JavaScript framework that did/does many things, but one of the fundamental paradigm shifts it took was turning everything into components. A page is a component. A menu is a sub-component of the page, a menu item is a sub-component of the menu and so on.

Where this gets interesting for us is that it also treats content as a component.

### MDX

There's even a flavour of markdown (of course) called [MDX][5] that mixes markdown with component syntax. This is interesting for a couple of reasons. First, we actually get a flavour of markdown syntax that allows for using special formatting in a consistent way, instead of what we have now, which is different tools take different versions of markdown and then add all the extra formatting we often want in different ways to each other.

![Screenshot from MDX website](https://miro.medium.com/v2/resize:fit:1400/format:webp/1*D_dgOpg2pSWZrXk39_aqIg.png)

There's even a rich and often complex ecosystem of MDX, MD, and HTML manipulation tools in the [remark][6] and [rehype][7] world.

I understand that this is starting to sound complex and can involve understanding many new concepts and technologies that may require more developer-focused minds. I'll try to write some future tutorials that break things down into more detail, but for now, here are some examples to illustrate what I mean and how these tools can help.

## Content reuse

What about reusing content? We often like to single-source certain content items. There are myriad ways to do this with existing docs as code tools. But remember, I said that content is a component. If you want to include content from another file, then treat it like a component. You can even pass variables to those components for more flexible reuse. You could pull some of those variables from customer data, providing useful live data like access keys in line in documentation.

_\_include.mdx_

```mdx
<span>Hello {props.name}</span>

This is text some content from `_markdown-partial-example.mdx`.
```

```mdx
import PartialExample from './_include.mdx';

# Manage Docs Versions

<PartialExample name="Chris" />
<PartialExample name="Alice" />
```

## Content from other sources

What about APIs? They fuel the internet's interconnectivity, and whilst many documentation sites devote time to explaining how they work, we don't often use them to present information. You could dynamically load a roadmap, issue tracker, status page, or content from another source, such as a headless CMS or external service.

Here's an example from my personal website using Astro, where I pull videos and podcast episodes live from the source.

```mdx
const youTubeVideos = await fetch(
`https://www.googleapis.com/youtube/v3/playlistItems?part=snippet&maxResults=200&playlistId=UUgnrx8qi4qhmN6sBebdDrmg&key=${import.meta.env.GOOGLE_API}`
)
.then((response) => response.json())
.then((response) => Object.values(response.items));

…

        <ul>
      {
        youTubeVideos.map((video) => (

          <li class="mb-12 md:mb-20">
    		<Video
              name={video.snippet.title}
              snippet={video.snippet.description}
              id={video.snippet.resourceId.videoId}
            />
          </li>
        ))
      }
    </ul>
```

## Screenshots no more

Screenshots. The bane of our existence. Keeping them up to date takes time, and getting meaningful and consistent data into screenshots is challenging.

If your front-end development teams also happen to be using React or similar frameworks, and there's a likelihood they are, then you're in luck!

_Example component_

```mdx
export const Highlight = ({ children, color }) => (
  <span
    style={{
      backgroundColor: color,
      borderRadius: '20px',
      color: '#fff',
      padding: '10px',
      cursor: 'pointer',
    }}
    onClick={() => {
      alert(`You clicked the color ${color} with label ${children}`);
    }}
  >
    {children}
  </span>
);

;
```

```mdx
This is <Highlight color="#25c2a0">Docusaurus green</Highlight> !

This is <Highlight color="#1877F2">Facebook blue</Highlight> !
```

You can potentially include components directly from the application's front end and render them in docs directly. No more screenshots, actual living examples of the application. There's also the potential to load customer data straight into those "screenshots", providing code and other examples relevant to them.

This is one of the harder ideas to implement (especially the data, but that's the same with screenshots), but it could be worth the effort in the long run.

## Interactive docs

Which leads us nicely to…

Interactive playgrounds. These are not new concepts and have existed as effective learning tools in docs and API tools for a while. However, based on and building upon some of the discussion points so far, implementing them with these tools becomes, if not easier, but more seamless and integrated.

## Docs everywhere

So far, I've only talked about the impact on actual docs. What about outside of docs?

Whilst not restricted to the platforms I cover, they open new possibilities and make some older ones easier.

For example, converting content to outputs like pure JavaScript and JSON becomes easier, especially using the whole remark and rehype ecosystem. I think we all know how useful and flexible JSON is.

But even more interesting, remember I mentioned how almost everything is a component? Well, the docs are a component too! So, you can embed the docs, or parts of the docs, into other compatible places (yes, this means that the application needs to be something that understands components). This takes single-sourcing content to new levels!

## Advantages and disadvantages

OK, so I have presented along the way ideas and pitfalls, but what are more general advantages and disadvantages?

There are a few…

These are new tools, especially regarding docs use cases. Docusaurus is mature but doesn't support all of the ideas I've covered here. Astro does, but it isn't fully optimised for docs and moves quickly, sometimes breaking things.

Next, Vue, and Gatsby are more general JavaScript frameworks that offer content-handling features, but this leads us to one of the larger negatives.

These are primarily developer-focused tools. They are full of assumptions, jargon, and pitfalls that can be extremely frustrating and will have your tech writer/developer experience brain going crazy.

This may mean that you have a development team handy who can help. After all we are talking about some of the same tools and frameworks they use. Depending on your company and team size, this can also have issues as you may, instead of using off-the-shelf options, end up with something custom, which has its own maintenance issues. Similarly, hiring tech writers familiar with these or custom tools could be challenging.

However, the whole MDX paradigm and the "everything is a component" trend is increasingly entrenched with the wider tech community, making a lot of potential sense for explanatory content. So, Like many other topics in technology, it's worth a look!

[1]: https://www.writethedocs.org/guide/docs-as-code/
[2]: https://astro.build
[3]: https://docusaurus.io
[4]: https://react.dev
[5]: http://mdxjs.com
[6]: https://github.com/remarkjs/remark/blob/main/doc/plugins.md#list-of-plugins
[7]: https://github.com/rehypejs/rehype/blob/HEAD/doc/plugins.md#list-of-plugins

---

## [My highlights of IFA and Startup Night Berlin 2023](https://chrischinchilla.medium.com/my-highlights-of-ifa-and-startup-night-berlin-2023-d0417bbcb610)

Date: 2023-09-09

Originally published at: https://chrischinchilla.medium.com/my-highlights-of-ifa-and-startup-night-berlin-2023-d0417bbcb610

It’s been a few years since I attended Berlin’s Internationale Funkausstellung, better known as IFA. And after several slow years for conferences and trade fairs, capped off with a slowdown in tech and tech-adjacent spending, I was interested to know what the show floor would feel like.

---

## [My note-taking and knowledge management process updated for 2023](https://chrischinchilla.medium.com/my-note-taking-and-knowledge-management-process-updated-for-2023-d570ffaf61f0)

Date: 2023-08-25

Originally published at: https://chrischinchilla.medium.com/my-note-taking-and-knowledge-management-process-updated-for-2023-d570ffaf61f0

About 18 months ago, I covered my attempts to replace Evernote. I was surprised by how popular that post was and how much feedback it received. Unsurprisingly, I have adapted and changed my setup since then and in this post, I cover what I now use and how I use it. Hopefully, with the same level of readers and feedback 😁.

---

## [Creating narrative story timelines with Aeon Timeline](https://medium.com/macoclock/creating-narrative-story-timelines-with-aeon-timeline-9261f3065f21)

Date: 2023-08-16

Originally published at: https://medium.com/macoclock/creating-narrative-story-timelines-with-aeon-timeline-9261f3065f21

In this post, I cover how I use Aeon Timeline, an application for building interactive narrative timelines. If you want to read more, then take a look at the post I wrote on the Setapp applications I use regularly.

---

## [The 14 Setapp macOS applications I use regularly](https://medium.com/macoclock/the-setapp-macos-applications-i-use-on-a-regular-basis-14abdb64f271)

Date: 2023-07-29

Originally published at: https://medium.com/macoclock/the-setapp-macos-applications-i-use-on-a-regular-basis-14abdb64f271

Welcome to Setapp Month! I have been a user of Setapp for quite a while now, almost ever since the service launched, and I visited Macpaw’s offices in Kyiv, touring their awesome Apple museum and meeting the office cats. Setapp is a macOS and iOS application subscription service, where for $9.99 a month, you get access to dozens of applications, large and small, complex and simple, old favourites and new arrivals.

---

## [7 macOS native generative AI tools to try](https://medium.com/macoclock/7-macos-native-generative-ai-tools-to-try-1e6fa5c489b)

Date: 2023-06-11

Originally published at: https://medium.com/macoclock/7-macos-native-generative-ai-tools-to-try-1e6fa5c489b

Generative AI tools and platforms are not just the flavour of the month (for now), they’re the flavour of the year, if not the decade.

---

## [My tech writing setup](https://chrischinchilla.medium.com/my-tech-writing-setup-75bcbcb9cf19)

Date: 2023-05-17

Originally published at: https://chrischinchilla.medium.com/my-tech-writing-setup-75bcbcb9cf19

In my previous post I covered my creative writing setup and the post proved quite popular, so I thank everyone who read and left comments for that. Next in this series of posts covering my various setups is my setup for technical writing. In this post I use the term “tech writing” to cover my documentation, blog post, and longer form technical writing work.

---

## [Google IO 2023](https://medium.com/aimonks/google-io-2023-ee16469392f0)

Date: 2023-05-11

Originally published at: https://medium.com/aimonks/google-io-2023-ee16469392f0

Or how Google IO made me realise I probably need to find a new job in 2 years

---

## [KubeCon, back to business](https://chrischinchilla.medium.com/kubecon-back-to-business-722007516c02)

Date: 2023-05-02

Originally published at: https://chrischinchilla.medium.com/kubecon-back-to-business-722007516c02

I didn’t attend Detroit last year, but did attend Valencia, and while it was great to be back at a reasonably large in-person event again, the event did feel slightly subdued.

---

## [My Experiences Migrating a Site from Jekyll to Astro](https://javascript.plainenglish.io/my-experiences-migrating-a-site-from-jekyll-to-astro-9bd422d106bc)

Date: 2023-04-20

Originally published at: https://javascript.plainenglish.io/my-experiences-migrating-a-site-from-jekyll-to-astro-9bd422d106bc

In my last post, I looked at the decision process I went through in deciding what to migrate my long time Jekyll-powered website to. I arrived at Astro and in this post I cover my experiences in migrating to and using Astro.

---

## [Would it be possible to work all day on a phone?](https://chrischinchilla.com/blog/2023/2023-03-23-work-all-day-on-phone)

Date: 2023-03-23

Last week, I stupidly left the apartment to take a stroll with my office keys. As I shut the front door to double lock it and stared at the wrong set of keys in my hands with disbelief, I realised my mistake. To make things worse, I was sick, the weather was foul, and my wife wasn’t due to return from a work trip until late evening.

---

Last week, I stupidly left the apartment to take a stroll with my office keys. As I shut the front door to double lock it and stared at the wrong set of keys in my hands with disbelief, I realised my mistake. To make things worse, I was sick, the weather was foul, and my wife wasn’t due to return from a work trip until late evening.

Resolved in the fact that I was stuck with just my wallet and phone for the day, and thanking the stars I had the option to go to the office, I headed in. I wondered if I could be like so many others I have heard of, and spend the entire day working on my phone.

## Android desktop mode

Since version 10, Android has included a desktop mode, which in theory means you can plug your phone into an external display. But I have a Pixel 6, and pixels don’t support the feature for some reason. So small screen all day… Android does autorotate between portrait and landscape, but not all apps support it and it’s unreliable. For example, you frequently have to wave the phone back and forth to get it to readjust after the display goes to sleep.  However, you can connect a mouse and keyboard, and while they are not as intuitive to use as on iOS (granted my experience is with an iPad), it works well enough.

OK, so not optimal so far, but better than nothing.

## Accessing data

I am one of the odd people who uses Apple operating systems everywhere, but have an Android phone. Why I do this, and if it’s a good idea is a topic for another post, but for today, what could I access?

Anything Google-related is straightforward, and while mobile apps aren’t the best ways to interact with most long-form work, the external keyboard makes it easier.

It is possible to access iCloud in a browser, where I can get to my email, notes, and iCloud drive, but of course, I am missing a lot of the applications I need to work with that data. Still, this opens up the options of what I can work on.

## What can I work on?

OK then, with hours to kill, what can I work on?

Anything in a browser or in an Android app is possible, but not optimal. So, I can do things like purchases, admin, email, some planning, listen to and watch media, and write in Google Docs or Apple Notes (through the browser). I could do some programming and documentation in something like GitHub codespaces, but it would be hard to debug every application type, and the small screen makes it quite hard.

## Experience

So, how was it? Well, i got some things done… To a point, and only certain tasks until i hit a point where I was stuck with what to do next.

One of the biggest disappointments was the lack of desktop mode. That would have made the whole experience far more pleasant for my eyes and back, especially as I have two 27” screens in my office 🤩.

One thing I found myself needing time and again was a split screen view, so I could see two pages at once. I am uncertain if iPhones or Android tablets support this, but macOS and iPadOS do, and it’s extremely helpful. Granted, on such a small screen, the split would be a challenge, but the option would be useful.

I found that when I had an external keyboard connected, it locked out the screen-based keyboard. This might seem like an odd need, but there are some apps that are unsurprisingly designed better for on-screen use, and it would be good to be able to switch between the two input methods. Maybe I missed a setting somewhere.

Keyboard shortcuts didn’t work as I expected anyway, perhaps there’s a setting to enable them. I tried various combinations for copying and pasting and nothing seemed to work. Again I am uncertain if iPhones or Android tablets support this.

Finally, while I could access iCloud data in and Android Browsers, it didn’t all work. Email was fine, notes I could read but not edit, and files I could sort of access, but generally by downloading them first and often I had no Android application that opened them anyway.

## The death of the laptop is overrated

I am not sure how people who say that they live on their phones do it. But to be fair, the kind of work I do, is, and always has been, primarily computer-based. I write long form content, code, and record and edit audio and video. These are all possible on mobile devices, but still not optimal, even on an iPad. There has been much discussion about improving Android tablets and I did own a couple a few years back, and from memory even then, the larger screen helped with certain applications.

But working all day on a mobile phone? It was a novelty, and tolerable, but that was all.

---

## [Technical writing with JetBrains' Writerside and Grazie](https://medium.com/geekculture/technical-writing-with-jetbrains-writerside-and-grazie-2009208f1d4b?source=rss-------1)

Date: 2023-03-15

Originally published at: https://medium.com/geekculture/technical-writing-with-jetbrains-writerside-and-grazie-2009208f1d4b?source=rss-------1

The docs as code trend, where technical writers and developers work more closely using similar tools and processes, has grown in the past few years.

---

## [My Creative Writing Setup](https://medium.com/macoclock/my-creative-writing-setup-8691c3a65b3f)

Date: 2023-03-08

Originally published at: https://medium.com/macoclock/my-creative-writing-setup-8691c3a65b3f

I finally finished my first fiction novel after two years of work and have already begun work on my second. I’ve also produced several short stories and have some game supplements in slow progress.

---

## [Managing a home folder with version control](https://medium.com/macoclock/managing-a-home-folder-with-version-control-b0a4078ceb20)

Date: 2023-02-20

Originally published at: https://medium.com/macoclock/managing-a-home-folder-with-version-control-b0a4078ceb20

Some time ago, I mentioned a process I triedthat allowed me to partially recreate my Mac setup on

---

## [Migrating a website from Jekyll to...](https://medium.com/geekculture/migrating-a-website-from-jekyll-to-54f0bea3de7a)

Date: 2023-02-11

Originally published at: https://medium.com/geekculture/migrating-a-website-from-jekyll-to-54f0bea3de7a

I have stuffed so much into my website over the years it was starting to creak

---

## [New Alternative Web Browsers for macOS](https://medium.com/geekculture/new-alternative-web-browsers-for-macos-8edf6edaf517)

Date: 2023-02-03

Originally published at: https://medium.com/geekculture/new-alternative-web-browsers-for-macos-8edf6edaf517

I have long been concerned about the state of browsers and the dominant

---

## [The past, present, and future of interactive fiction](https://medium.com/geekculture/the-past-present-and-future-of-interactive-fiction-51f4f589274)

Date: 2023-01-03

Originally published at: https://medium.com/geekculture/the-past-present-and-future-of-interactive-fiction-51f4f589274

Or, maybe in a more click-generating sub-heading, “how to combine creative writing and programming to create interactive fiction”.

---

## [5 Docker Desktop Alternatives](https://hackernoon.com/5-docker-desktop-alternatives)

Date: 2022-12-28

Originally published at: https://hackernoon.com/5-docker-desktop-alternatives

For Windows and macOS users, Docker Desktop has been the main way to use Docker containers for many years. While it remains a viable and usable option for hobbyists and small development teams, recent pricing changes for larger user bases sent people looking for alternatives. I am not looking to replace Docker Desktop myself, but I was interested in trying the alternatives and seeing how they compared.

---

## [Virtualization and Emulation on MacOS](https://hackernoon.com/virtualization-and-emulation-on-macos)

Date: 2022-11-22

Originally published at: https://hackernoon.com/virtualization-and-emulation-on-macos

I have been using Parallels for a couple of years now, primarily for running Windows virtual machines (VMs), but occasionally Linux VMs too. I mostly use it for playing games, testing, and the occasional Windows-only application. There are some other long-standing options such as VirtualBox, QEMU, and VMWare. I am intentionally ignoring anything that also runs containers, such as Docker, as that’s a different use case, and a whole other gamut of options.

---

## [Developer Trends from Thoughtworks’ Technology Radar 27](https://hackernoon.com/developer-trends-from-thoughtworks-technology-radar-27)

Date: 2022-11-15

Originally published at: https://hackernoon.com/developer-trends-from-thoughtworks-technology-radar-27

Thoughtworks’ Technology Radar is a regular time to take a look at what experienced industry experts think might be the next wave of tools, practices, and technologies to consider or stop using.

---

## [Running SerenityOS, a Love Letter to '90s User Interfaces](https://hackernoon.com/running-serenityos-a-love-letter-to-90s-user-interfaces)

Date: 2022-10-20

Originally published at: https://hackernoon.com/running-serenityos-a-love-letter-to-90s-user-interfaces

I have always loved messing around with operating systems and desktop environments. I believe my first graphical operating system was AmigaOS. In the decades since I have worked through various Windows versions, every version of macOS since 7.0, different Linux flavors and combinations, and many other small niche OSs I have forgotten about in a sea of windows and menus.

---

## [Cybersecurity Awareness Month - MacPaw Supports Ukraine](https://hackernoon.com/cybersecurity-awareness-month-macpaw-supports-ukraine)

Date: 2022-10-14

Originally published at: https://hackernoon.com/cybersecurity-awareness-month-macpaw-supports-ukraine

It's Cybersecurity awareness month every October and this year I thought I'd share something relevant from my recent trip to cover IT Arena in Lviv, Ukraine.

---

## [IT Arena 2022 - Ukrainian Tech Braves the War](https://hackernoon.com/it-arena-2022-ukrainian-tech-braves-the-war)

Date: 2022-10-13

Originally published at: https://hackernoon.com/it-arena-2022-ukrainian-tech-braves-the-war

I have been to many tech conferences over the years. I have sat in so many startup pitches and talks that are barely masked marketing pitches. I have introduced myself and told people what I do and where I am from so many times that it all becomes something of a blur.

---

## [An eye on observability for August 2022](https://chronosphere.io/learn/an-eye-on-observability-for-august/)

Date: 2022-08-30

Originally published at: https://chronosphere.io/learn/an-eye-on-observability-for-august/

The silly season, or the quiet season for news depending on your perspective and country. Still, before we all prepare for packed announcement times in September and October here’s a few observability and cloud native related nuggets from across the interwebs.

---

## [Testing macOS betas with VirtualBuddy](https://medium.com/geekculture/testing-macos-betas-with-virtualbuddy-c4f38d680d99)

Date: 2022-08-06

Originally published at: https://medium.com/geekculture/testing-macos-betas-with-virtualbuddy-c4f38d680d99

Every time Apple announces a new macOS beta, I am tempted to somehow

---

## [An eye on observability for July 2022](https://chronosphere.io/learn/an-eye-on-observability-for-july-2022/)

Date: 2022-08-02

Originally published at: https://chronosphere.io/learn/an-eye-on-observability-for-july-2022/

Well hello there! If you’re reading this monthly round up of Observability (and related) news, then you’re one of the few not on vacation and I thank you 🙇 . That last sentence was basically me making an excuse for not having too much to write about, but there’s just enough

---

## [Cristian Heilmann - Principal Program Manager Developer Tools at Microsoft](https://chrischinchilla.com/blog/2022/2022-07-29-cristian-heilmann-principal-program-manager-devel)

Date: 2022-07-29

Ian and Chris speak with Cristian Heilmann, Principal Program Manager Developer Tools at Microsoft about his long career through developer relations/evangelism, teaching technical skills, and so much more!

---

Ian and Chris speak with Cristian Heilmann, Principal Program Manager Developer Tools at Microsoft about his long career through developer relations/evangelism, teaching technical skills, and so much more!

---

## [Increasing Cloud-Native Sustainability With Observability](https://dzone.com/articles/increasing-cloud-native-sustainability-with-observ)

Date: 2022-07-10

Originally published at: https://dzone.com/articles/increasing-cloud-native-sustainability-with-observ

Learn about the unintended environmental impact and cost of the proliferation of cloud services, frameworks, and "throw an other service at it" development.

---

## [An eye on observability for June 2022](https://chronosphere.io/learn/an-eye-on-observability-for-june-2022/)

Date: 2022-07-07

Originally published at: https://chronosphere.io/learn/an-eye-on-observability-for-june-2022/

Phew! A group of Chronospherians attended Monitorama back in person in Portland and we had a whistlestop (partial) week meeting customers and observability enthusiasts. I had a talk which sparked a lot of interesting discussion, we hosted a very successful whisk(e)y tasting, and all in all, had a great time.

---

## [Increasing cloud native sustainability with observability](https://chronosphere.io/learn/increasing-cloud-native-sustainability-with-observability/)

Date: 2022-07-05

Originally published at: https://chronosphere.io/learn/increasing-cloud-native-sustainability-with-observability/

What are the hidden impacts of all the infrastructure and dependencies that are used to run a cloud native application?

---

## [Open Source Monitoring and Metrics Landscape](https://dzone.com/articles/open-source-monitoring-and-metrics-landscape)

Date: 2022-06-26

Originally published at: https://dzone.com/articles/open-source-monitoring-and-metrics-landscape

Navigate what open source monitoring standards are available, where in the ecosystem they fit, and how interoperable they are with each other.

---

## [An eye on observability for May 2022](https://chronosphere.io/learn/an-eye-on-observability-for-may/)

Date: 2022-06-01

Originally published at: https://chronosphere.io/learn/an-eye-on-observability-for-may/

Yes, KubeCon returned with vengeance to Europe, and over 7000 cloud native hungry folks made their way to Valencia to see what was new in the world of Kubernetes and cloud computing. There was a lot that happened, and for more detail, read our wrap up post, the rest of this newsletter summarizes some of the most relevant topics.

---

## [Instrumenting a JavaScript Application for OpenTelemetry, Part 1- Setup](https://dzone.com/articles/instrumenting-a-javascript-application-for-opentel)

Date: 2022-05-31

Originally published at: https://dzone.com/articles/instrumenting-a-javascript-application-for-opentel

This post looks at the first steps for instrumenting a JavaScript application to report OpenTelemetry metrics.

---

## [An eye on observability for April 2022](https://chronosphere.io/learn/an-eye-on-observability-for-april-2022/)

Date: 2022-04-26

Originally published at: https://chronosphere.io/learn/an-eye-on-observability-for-april-2022/

Observability is fast changing from a practice that those close to engineering knew was useful, to a practice that everyone knows is useful for technical and business reasons.

---

## [Tales of an attempted switch from Google Workspace](https://medium.com/geekculture/tales-of-an-attempted-switch-from-google-workspace-fbf53fde177e)

Date: 2022-04-06

Originally published at: https://medium.com/geekculture/tales-of-an-attempted-switch-from-google-workspace-fbf53fde177e

Many years ago, I took over a small publishing company, that's an

---

## [An eye on observability for March 2022](https://chronosphere.io/learn/an-eye-on-observability-for-march-2022/)

Date: 2022-03-29

Originally published at: https://chronosphere.io/learn/an-eye-on-observability-for-march-2022/

The sun is rearing its sleepy head across much of the northern hemisphere, making news a little quiet this month. But we have a few choice items for you, and with the first in-person conference seasons in a while on the horizon, there’s plenty more to come!

---

## [An eye on observability for February 2022](https://chronosphere.io/learn/an-eye-on-observability-for-february-2022/)

Date: 2022-03-02

Originally published at: https://chronosphere.io/learn/an-eye-on-observability-for-february-2022/

As big fans of bestowing the positives of distributed tracing, we’re excited to see so many others in the observability space discussing the subject.

---

## [Testing DatoCMS, another headless CMS that promises an easier life](https://chrischinchilla.com/blog/2022/dato-cms)

Date: 2022-02-23

I put DatoCMS through its paces to see if it finally solves the gap between a great editing experience and simple content delivery that every other headless CMS has left me with.

---

I'm on an endless mission to find a headless CMS that works as easily as the marketing copy claims. I love the concept. I spent a long time building content management systems, and I got tired of the weight they add. Static site generators and markdown files solved that for a while, but they hit their own limits.

So headless CMS appeal to me. I've tested a few already, including [Contentful](https://contentful.com)] and [Strapi](https://strapi.io/)]. Every time, I get let down at the same point. The editing experience is great. Then I try to render that content, and it turns out to be far more complex than I expect. This time I tried [DatoCMS](https://www.datocms.com/)] to see if it breaks the pattern.

## Getting started

DatoCMS lists Vercel as a client, which surprised me since I assumed Vercel ran their own equivalent. The pitch is familiar: a central hub for content, distributed via API to more than 25,000 businesses. It isn't open source. Beyond that, the getting started docs use language I recognise from my time at Contentful. Content delivery API, content management API, models, records, fields. If you've used any other headless CMS, none of this will surprise you.

The concepts click quickly. A model defines the shape of your content, like a blog post having a date, tags, and an author. A record is an actual piece of content based on that model. Roles, permissions, and environments all work the way you'd expect, with staging and production separated and controlled per project. Content-level permissions, workflow permissions, and asset permissions round it out. It's one of the more clearly explained onboarding flows I've seen from a headless CMS.

## Building the model

I decided to recreate part of my own website to test it properly. I created a project, started from blank, and built a blog model. DatoCMS asks whether you need a collection of records or a single one, which took me a second to parse but made sense once I saw the distinction.

Adding fields felt familiar: a title field, a body field using DatoCMS's structured text type (I skipped their Notion-style rich editor and asked for plain markdown instead), a field set for an external link, and a media field for an image. Creating a record and publishing it was straightforward, once I set the alt text DatoCMS requires before it lets you save.

The editing experience here is genuinely good. A few rough edges, like the block editor being slightly fiddly with images, but nothing that got in my way.

## Where it gets harder

This is where I always hit the same wall, and DatoCMS is no exception.

I started with their Jekyll gem, since I find Jekyll easier to reason about even though it's fallen out of fashion. Adding the gem and running bundle install worked fine. Running the actual dump command didn't. I got an uninitialized constant error pointing at ActiveSupport, and since DatoCMS isn't open source, there was no way for me to dig into why. I tried a few things to work around it and gave up.

I switched to Hugo instead. Same story, different error: a missing config file, with no clear documentation on what that file needed to contain. Third time, I gave up on a dedicated integration and went down the path DatoCMS clearly wants you to take: query the GraphQL API directly and render the result into a template yourself.

This works, but it's exactly the kind of manual wiring I was hoping to avoid. DatoCMS already knows my content model. It knows every field I created. I don't understand why it can't generate the boilerplate to consume that content, at least as a starting point. Instead, every time someone adds a field, you go back and update your rendering code by hand.

## Pricing

The free developer plan is generous: three projects, one editor per project, GraphQL, a CDN, and most of the core features. Video streaming and translations sit on higher tiers, and image transformations look useful if DatoCMS gets them right, though I didn't get far enough to test them properly.

## My take

DatoCMS has a genuinely nice content modelling and editing experience. The delivery side is the same story I've had with every headless CMS I've tried: a promise of simplicity that doesn't hold up once you actually need to render the content somewhere. I hit real problems with both Ruby-based integrations, and the GraphQL path, while it works, still means writing your own rendering layer from scratch.

DatoCMS is a small team, just six people as far as I could tell, and they're clearly still building. I'd like to see the delivery experience get as much attention as the editing side has. Until then, I'm still more inclined to reach for a static site generator with plain YAML or JSON files than commit to a headless CMS.

---

## [How I set up a RaspberryPi to share my files and media](https://chrischinchilla.com/blog/2022/2022-02-20-how-setup-raspberry-pi-files-media)

Date: 2022-02-20

Over the past months, I've been slowly assembling a suite of self-hosted tools and services on a shiny new RaspberryPi 400, and finally, I think I am finished and ready to write up my experiences. At the least, it will help remind me what I have, but I hope it might also help others taking similar journeys.

---

Over the past months, I've been slowly assembling a suite of self-hosted tools and services on a shiny new RaspberryPi 400, and finally, I think I am finished and ready to write up my experiences. At the least, it will help remind me what I have, but I hope it might also help others taking similar journeys.

_Updated on 20th February 2022 to include changes I added to the setup._

## Disclaimer

Blogs take time to write, and I hope this helps you. Some of the products here are affiliate links, but If you don't like affiliate links, but would still like to say thanks, subscribe to my [YouTube](https://www.youtube.com/channel/UCgnrx8qi4qhmN6sBebdDrmg) or [Twitch](https://www.twitch.tv/chrischinchilla) channel, or find [other ways to support me on my website](https://chrischinchilla.com/support/).

## Hardware - RaspberryPi 400

I chose a RapsberryPi 400 because of the built-in keyboard. I remember my experiments with a more traditional RaspberryPi in the past and found the short-term need for a keyboard annoying. Though I admit, I have used the keyboard (and mouse included in the package) probably for less than 5 minutes and am now happy with VNC and SSH connections for management Those concerns and changes of opinion aside, the 400 has been flawless, never had any memory or performance issues, and the only time I had any issues with it was when a cat sitter accidentally unplugged it.

I connected the 400 directly to my router via Ethernet, a [Fritz!Box 6490](https://en.avm.de/products/fritzbox/fritzbox-6490-cable/), which are feature-full and quite fantastic, but largely unavailable outside Europe. Plugged into the Pi is a [4TB Seagate Backup Plus](https://www.amazon.com/gp/product/B07CRGSR16/ref=as_li_qf_asin_il_tl?ie=UTF8&tag=gregamamma-20&creative=9325&linkCode=as2&creativeASIN=B07CRGSR16&linkId=1d4e8f90af6e656f102d088ed29b34ba) for archive data I don't access that much, and [a SanDisk Flash drive](https://www.amazon.com/gp/product/B015CH1PJU/ref=as_li_qf_asin_il_tl?ie=UTF8&tag=gregamamma-20&creative=9325&linkCode=as2&creativeASIN=B015CH1PJU&linkId=bb51abb12c16b056c820448c4dd1f6fc) for regularly accessed data, i.e., Nextcloud data (more on that later).

## Basic Raspbian setup

I didn't change much from the default [Raspbian](http://www.raspbian.org/) settings, but here's a few small things I changed after installation.

- Uninstalled packages I would never need, such as LibreOffice, etc.
- Enabled SSH and VNC, and disabled just about everything else I wasn't going to need, such as WiFi, Bluetooth, and audio.

## Allowing access across the internet

As I step through the various services in this post, to access them, you need to expose ports to the internet. How you do this depends a lot on your setup, and you should be aware of the prerequisites and security aspects of doing so.

My Fritzbox allows you to expose individual ports to devices and matching ports and configure an address online (with an unmemorable address which I guess makes it more secure 🤷‍♂️). If you want to, it also lets you set up an SSL certificate (but not in the most flexible way), a VPN, use a Dynamic DNS service, and more. I can't really show you what I did without giving away a bit too much detail about my setup, but exposing the ports was all I needed to do. Your setup may be more or less complex if you have a different router or need to route traffic through another service.

## Self-hosted cloud with Nextcloud

My initial intention with the RaspberryPi was to attempt to reduce my personal dependence on cloud-based file storage such as Dropbox or Google Drive. I'll sadly always need access to some of these for collaboration or some apps that only sync with them ([Looking at you Scrivener](https://scrivener.tenderapp.com/help/kb/cloud-syncing/using-scrivener-with-cloud-sync-services)!), but I want to reduce it as much as possible.

I can't remember how I ended up discovering it, but I ended up using the wonderful [NextCloudPi from Own your own bits](https://ownyourbits.com/nextcloudpi/). Finding the correct and/or best instructions to follow is a little confusing, and I feel like I chanced upon a random post somewhere that ended up being the easiest option. Whether my memory fails me now, I am not certain, but if you want to take a more organised approach, [follow the official documentation](https://docs.nextcloudpi.com/en/how-to-install-nextcloudpi/). I don't recall having any major issues, and the installer took a little time to download, install, and setup all dependencies that Nextcloud needs. Once it's installed, access the configuration interface via one of [the methods mentioned in the documentation](https://docs.nextcloudpi.com/en/how-to-access-nextcloudpi/); again, whichever option suits you varies.

NextcloudPi handled a lot of the configuration for me, but there's a couple of specific things worth bringing to attention or changing.

- Setting up the data directory for Nextcloud, which in my case was the USB drive, formatted to BTRFS.
- I automount all USB drives. I am uncertain if I need this enabled, but just in case.
- I enabled the Web UI. I like UIs 😁.
- I forced HTTPS. I think this is essential when making the instance public.
- I activated "pretty URLs", _index.php_ in URLs is so early 2000s.
- I have the RaspberryPi on a static IP address, so I enabled that in NextcloudPi too.
- I have most of the autoupdate features enabled.

## SSL Certificates

So I can access the domain over HTTPS across the internet, I initially used the configuration option provided by NextcloudPi, but as I also needed an SSL certificate for other subdomains on the domain provided by Fritzbox, I ended up using [Let's Encrypt with certbot](https://certbot.eff.org/instructions), following instructions in their documentation.

If you only need SSL for Nextcloud, then using the feature is probably enough for you.

## File sharing over the internet

I wanted to share two other folder and file locations across my internal network as well as the internet. The first is a large archive of miscellaneous data from across my years of computer use, and a couple of large [Calibre](https://calibre-ebook.com/) libraries that contain things like RPG books and comics, i.e., several GBs in size each.

I wanted a solution that was relatively easy to access on a local network and elsewhere. Preferably the same solution used the same way in both cases. This requirement ruled out [Samba](https://www.samba.org/) shares, as it's not designed for sharing across the internet. I looked at [NFS](<https://en.wikipedia.org/wiki/Network_File_System_(protocol)>), but encountered speed and reliability issues, and recent macOS support is poor with documented workaround to enable version 4 seemingly not working anymore.

So far I am most happy with using the curious [SSHFS](https://en.wikipedia.org/wiki/SSHFS), which allows you to mount directories across networks as an extension to the SSH protocol. It needs no extra components on server side, and I have found it performant and stable. On client side it needs some extra components, depending on your operating system. Unfortunately, on macOS, this requires installing the closed source [macFUSE](https://osxfuse.github.io), it used to be open source, and [recent decisions to become closed source have attracted much discussion](https://github.com/osxfuse/osxfuse/issues/616). This license change has also caused issues for projects that used to bundle macFUSE, including installing it with Homebrew.

Anyway, I digress. These issues aside, SSHFS works really well, and I have had next to no issues with speed or stability. If you're happy mounting and unmounting drives from the command line that is. If you are reading this post, then I assume you are, but I have been pondering the ways my not-so-happy-with-the-command-line partner could mount and unmount the drives. I haven't figured that out yet, so watch this space for updates. For more details on the commands to use, I have so far (bizarrely) found [this wiki page](https://igppwiki.ucsd.edu/display/igppwiki/Mounting+Network+Shares+with+SSHFS+on+macOS) from [the Institute of Geophysics and Planetary Physics ](https://www.igpp.ucsd.edu) the most useful guide, but a quick search finds many more.

So I didn't need to keep using a password, I set up password-less login using key pairs, [following these instructions](https://www.redhat.com/sysadmin/passwordless-ssh), and now this means I can mount drives with commands such as:

```shell
sshfs pi@{RASPBERRYPI_ADDRESS}:/media/Data/Calibre /Volumes/Calibre -o volname=Calibre
```

And unmount with:

```shell
umount /Volumes/Calibre
```

### Spinning down external drives when idle

One negative with hosting the media on an external hard drive is that it spins. I am a little obsessive with saving as much electricity as possible, and spinning drives are noisy. So I wanted to spin the drive down when nothing was accessing it, and spin it back up when something is. I am aware this could degrade the drive over time, but this was a compromise I was OK with.

Getting this to work took some time, and many of the recommendations I tried (including the classic “it should just work”) didn’t spin the drive down.

Finally, I got the new fork of [hd-idle](https://github.com/adelolmo/hd-idle) to work. I set it up as a service as detailed in the instructions, and added the following to _/etc/default/hd-idle_:

```shell
START_HD_IDLE=true

hd-idle -i 0 -a sda -i 1200
```

This sets the external drive to spin down after ten minutes of inactivity. So far it works flawlessly and I haven’t found any delay in mounting the drive across the network when waking the drive from idle.

## Sharing eBook libraries over the internet

Calibre is one of those tools with many issues, and every few months, you search for an alternative. But every time you search for an alternative, you can't find one and carry on making do with its esoteric ways. Walled garden ecosystem tools aside, it's basically the only option for eBook management, editing, serving, and more. I have cultivated multiple libraries containing gigabytes of eBooks, PDFs, CBZs, and mobi files for years, and they're precious to me. I wanted to find a way to offload these files to network storage, give my partner the ability to access them in their copy of Calibre, and be able to access them in reader applications (or elsewhere) via the [OPDS](https://opds.io) protocol.

I weighed up a variety of Calibre and OPDS aligned tools but eventually settled on just getting the [Calibre server](https://manual.calibre-ebook.com/server.html) component to work well for my aims. If you [install Calibre from Debian repositories](https://packages.debian.org/buster/calibre), it's two versions behind, and [the official method involves running a shell command](https://calibre-ebook.com/download_linux). For reasons I can't even remember now, I had issues with following the official steps (ARM processor maybe?) and stuck with the outdated version, experiencing no compatibility issues so far. I'll upgrade it at a later date.

Another caveat. Once you start searching around for options to sharing Calibre libraries, you generally encounter harsh warnings discouraging you from doing so, accompanied by workarounds to get it to kinda work. The setup I describe is mostly just me accessing the libraries, and while I intend my partner to access them too, it's unlikely we will ever access them at the same time and cause the issues Calibre warns against. As always, your mileage may vary, and the workarounds may work fine for you if you're careful.

Before I get into the solution, let me summarise the requirements, as that explains some of the decisions I made. When I refer to a "library", I mean the Calibre library file(s) as well as the actual folders and files, as this is where some of the complexity came in to play.

- One library that is my "current reads", I wanted this hosted in my personal Nextcloud sync folder so I could sync it to my Mac, as well as available via OPDS for reader application.
- Three other libraries that host comics, RPG books, and an archive of books we've read but want to keep somewhere. These libraries needed to be accessible in Calibre, network-mounted storage is fine, and available via OPDS.

I start with the three archive libraries as they are the simplest. They are spread across the various storage attached to the RaspberryPi, based on which I access the most frequently (USB drive for comics and RPGs, HDD for book archive). There are a bunch of CLI and GUI ways to add and manage libraries with Calibre, but because I am used to the GUI version, I created all the libraries there and pointed the libraries at the various folder locations.

The "current reads" library proved more problematic to get working as Nextcloud expects certain permissions on any storage it accesses. This includes those you set as "external storage", which is how I set up the folder so it could live outside of the main Nextcloud folder, and Calibre and OPDS could access it.

I followed [the local external storage documentation](https://docs.nextcloud.com/server/latest/admin_manual/configuration_files/external_storage/local.html), but then ran into issues with using the permissions Nextcloud mentions, as then Calibre was unable to write metadata. I took the drastic step of giving full read and write permissions to make every application and service happy. I didn't face any issues with this approach, but there's probably some good reasons not to do it. I am not completely sure what other solution there might have been.

For the Calibre server to resume after restarts, it's best to add it as a service, and there are a lot of different instructions for this online, but I found these steps best for up-to-date versions or Raspbian.

Create a systemd service in _/etc/systemd/system/calibre-server.service_ with something like the following depending on what setup you want:

```shell
[Unit]
Description=calibre content server
After=network.target

[Service]
Type=simple
User={USER_NAME}
Group={GROUP_NAME}
ExecStart=calibre-server \
--port=8090 --enable-use-bonjour
--enable-local-write

[Install]
WantedBy=multi-user.target
```

Most of this I based on the instructions in [the Calibre Server docs](https://manual.calibre-ebook.com/server.html#id13), including the steps for enabling and starting the service. I couldn't find a full list of arguments for the `calibre-server` command, but using `--help` gets you started. I didn't specify a library path, which means the server loads all libraries I defined with the GUI. I changed the port to something that doesn't conflict with other services and enable [bonjour](https://developer.apple.com/bonjour/). I am not completely sure if bonjour works, but enabled it anyway. There's more I want to configure over time, [especially enabling user accounts](https://manual.calibre-ebook.com/server.html#id9), and/or SSL support.

That took care of the OPDS share, so what about when I want to connect to the libraries on my Mac? For this I mount the relevant drive hosted on the Pi with SSHFS and setup the library in my local copy of Calibre. When I am done, I unmount the drive. Depending on the file size, transfer speeds are reasonably fast, and I haven't experienced any disconnection issues so far.

### Securing Calibre

Initially I wasn’t too fussed about my Calibre libraries shared publicly over the internet, as they had no private or sensitive information, and the address was hard to guess anyway. Then someone pointed out to me that I could be accused of piracy if someone did find the collection, so I realised it was time to secure the libraries.

First I added [user authentication](https://manual.calibre-ebook.com/server.html#id9). You can do this from the Calibre UI, or on the command line, I used the UI.

And then I added the following lines to the service file from the step above:

```shell
--userdb /srv/calibre/users.sqlite --enable-auth \
--auth-mode auto \
```

Restart the service, and next time you access the Calibre library from the browser or 3rd party interface, it prompts for the account details.

Next I wanted to ensure Calibre was served over a secure connection. This was more complex as there’s no centralised source of documentation on how to do this. Here’s what I ended up doing.

Calibre server requires a path to the private key and the cert file set in the same service file:

```shell
--ssl-keyfile /home/pi/privkey.pem \
--ssl-certfile /home/pi/fullchain.pem
```

Creating those files is more involved, and I endlessly hit permissions issues, which is why I ended up creating copies of them in my home directory from the lets encrypt source files. I realise this will require manual updating when I renew the certificate, and need to find a better method eventually.

For the private key I copied with this command:

```shell
sudo cp /etc/letsencrypt/live/{PI_URL}/privkey.pem ~/
```

And then change the ownership to the appropriate user and group that runs Calibre server with `chown`.

Do the same for the cert file:

```shell
sudo cp /etc/letsencrypt/live/{PI_URL)/fullchain.pem ~/
```

Once again restart the service and it should now serve on a secure connection.

## Sharing movies and TV shows

I'm old, so I have an archive of ripped DVDs from when they were a thing. I don't watch them that much, but it's nice to have them around, especially as there are a lot of movies and TV shows that are hard to find on streaming services (legally). In the past, I had a Plex server setup, but it was a lot of overhead for something I didn't use much, and would frequently reset the library, or I would change network setups, and the library wouldn't work anymore, etc. I also found Plex's push for commercial versions got overwhelming, and my previous experiments with XBMC found it overly complex for non-technical users. You can install VLC or other apps (for example, our TV has one builtin) that can access media shared via [DLNA](https://www.lifewire.com/what-is-dlna-1847363) or [UPnP](https://nordvpn.com/blog/what-is-upnp/) on pretty much any device, so this time I kept it simple and used miniDLNA [using these instructions](https://pimylifeup.com/raspberrypi-minidlna/). DLNA and UPnP (in particular) can open a lot of security risks, but it's only for local network usage, so I was mostly OK with using it. If I want to watch something stored on the RaspberryPi when not at home, Instead I connect to the relevant network drive, download the file, and watch locally. I tested connecting to the DLNA share from Android, our TV, and macOS, and all worked well.

miniDLNA needs a configuration file at _ /etc/minidlna.conf_. I didn’t add much to it apart from the location of my media files and the network name for the server:

```shell
media_dir=V,/{FILE_PATH}/Movies
media_dir=V,/{FILE_PATH}/TV Shows
friendly_name=raspberrypi
```

I found over time that miniDLNA would fail to start as the external drive that it relies on for media wasn’t mounted yet. Again this took some trial and error to fix, but I ended up adding the following to the default service configuration in the `[Unit]` section:

```shell
[Unit]
After=udisks2.service
```

Which means that miniDLNA waits until the disk service has completed before starting.

I also repeatedly hit permissions issues with miniDNLA accessing the files (though inconsistently), so against my better judgement I switched the service user in _ /lib/systemd/system/minidlna.service_ to root:

```shell
[Service]
Type=forking
User=root
```

This fixed those issues, and as I only access miniDNLA on the internal network, I felt OK with it.

## Remote admin

Sure, accessing the Pi over SSH is fine, but I like an admin UI for quick monitoring or other tasks. I can’t remember where I first heard of it, but [Cockpit](https://cockpit-project.org) fit the bill perfectly.

I installed with:

```shell
sudo apt install cockpit
```

I don’t recall doing much else, so I think the default configuration and service setup worked fine for me.

As Cockpit is an admin tool, it should run over a secure connection, and again I needed to move some lets encrypt files to additional locations using the following commands:

```shell
cat /etc/letsencrypt/live/{PI_DOMAIN}/fullchain.pem >> /etc/cockpit/ws-certs.d/1-my-cert.cert
```

```shell
cat /etc/letsencrypt/live/{PI_DOMAIN}/privkey.pem >> /etc/cockpit/ws-certs.d/1-my-cert.cert
```

You need to do this every time the certificate gets renewed, so again, I’d like to find a way to automate this.

## Pi punch

And that's it for now. It's taken a lot of time and experimentation to get to this point, and now I review the post it doesn't seem like much at all, but that's frequently the way with technology. I've tested the setup(s) at home, in Berlin, and when travelling, and have so far had no issues, variable speeds aside. I am still figuring out the best ways to make everything accessible to my partner, and that's something for future posts. That said I have been using Nextcloud to send files to clients and other external parties, and once I solved the SSL issue, that has also worked well.

---

## [The Differences Between a Service Catalog, Internal Developer Platform, and...](https://dzone.com/articles/the-differences-between-a-service-catalog-internal)

Date: 2022-02-07

Originally published at: https://dzone.com/articles/the-differences-between-a-service-catalog-internal

There are many services and tools to help manage microservices. This post looks at some options to highlight the similarities, differences, and when or why to use one.

---

## [A search for an Evernote replacement](https://medium.com/geekculture/a-sreach-for-an-evernote-replacement-4481322202a6)

Date: 2022-02-06

Originally published at: https://medium.com/geekculture/a-sreach-for-an-evernote-replacement-4481322202a6

I was a happy, loyal, and paying

---

## [The Differences Between a Service Catalog, Internal Developer Platform, and...](https://dzone.com/articles/the-differences-between-a-service-catalog-internal)

Date: 2022-02-06

Originally published at: https://dzone.com/articles/the-differences-between-a-service-catalog-internal

There are many services and tools to help manage microservices. This post looks at some options to highlight the similarities, differences, and when or why to use one.

---

## [An eye on observability for January 2022](https://chronosphere.io/learn/an-eye-on-observability-for-january-2022/)

Date: 2022-01-27

Originally published at: https://chronosphere.io/learn/an-eye-on-observability-for-january-2022/

Welcome to 2022 🥳 and a year that already promises to be as lively and active for Observability.

---

## [Tools to help generate screenshots for your documentation](https://www.knowledgeowl.com/home/toolsforeditingdocsascode)

Date: 2022-01-27

Originally published at: https://www.knowledgeowl.com/home/toolsforeditingdocsascode

Docs as code is an increasingly popular approach for tech writers that follows similar principles for writing that developers follow for writing code. Docs as code typically means writing in markup languages such as markdown, asciidoc, or restructured text. The tools for writing in these markup languages are different from the specialized technical writing tools you might have used before, and again, are often designed for coding or general writing. This post looks at some of the best you can try if considering a switch to docs as code.

---

## [The importance of giving and receiving in communities](https://medium.com/@chrischinchilla/the-importance-of-giving-and-receiving-in-communities-2aaeb10ea86a)

Date: 2022-01-26

Originally published at: https://medium.com/@chrischinchilla/the-importance-of-giving-and-receiving-in-communities-2aaeb10ea86a

2021 was a difficult year for many. That's not to say that 2020 was any

---

## [Reducing negative and biased language in documentation](https://chronosphere.io/learn/reducing-negative-and-biased-language-in-documentation/)

Date: 2022-01-20

Originally published at: https://chronosphere.io/learn/reducing-negative-and-biased-language-in-documentation/

The discussions on what represents negative, biased, and diverse language continue in many open source communities, often sparking heated and strongly opinionated debate. Setting those discussions aside, say you have decided what language you want to increase, decrease, or change in your community. How do you enforce and track those changes?

---

## [Our Favorite DevOps Tools for 2022](https://konghq.com/blog/devops-tools/)

Date: 2022-01-13

Originally published at: https://konghq.com/blog/devops-tools/

“DevOps” merges Development and Operations team functions through practices and tooling, all the while making continuous improvements to applications. Teams that adopt DevOps tools, culture and practices perform better and build faster. Let’s walk through each stage of DevOps and the popular DevOps tools you may want to consider in 2022.

---

## [The Pixel 6. To Google or not to Google?](https://medium.com/@chrischinchilla/the-pixel-6-to-google-or-not-to-google-f3938b718f57)

Date: 2021-12-27

Originally published at: https://medium.com/@chrischinchilla/the-pixel-6-to-google-or-not-to-google-f3938b718f57

I am one of those rare and crazy people that owned the one and only

---

## [What does it take to excel and should you care?](https://medium.com/@chrischinchilla/what-does-it-take-to-excel-and-should-you-care-41872e869d8c)

Date: 2021-12-20

Originally published at: https://medium.com/@chrischinchilla/what-does-it-take-to-excel-and-should-you-care-41872e869d8c

This Weekend I have been thinking about excellence, or what does it mean

---

## [How to use Chronosphere to monitor your GKE Autopilot deployment](https://chronosphere.io/learn/how-to-use-chronosphere-to-monitor-your-gke-autopilot-deployment/)

Date: 2021-12-14

Originally published at: https://chronosphere.io/learn/how-to-use-chronosphere-to-monitor-your-gke-autopilot-deployment/

As big Kubernetes users ourselves, we know that one of the best ways to run Kubernetes is to use Google Kubernetes Engine (GKE). Earlier this year, Google Cloud announced a new mode for running GKE called Autopilot. Google Cloud designed Autopilot to reduce the operational cost of managing clusters, optimize clusters for production, and yield higher workload availability. Autopilot takes a lot of the legwork and complexity out of managing Kubernetes clusters, saving you time and money. But, like all critical infrastructure, you still need a plan for monitoring and observability for the cluster. That’s where Chronosphere comes in.

---

## [Migrating applications and data to a new Mac without using Time Machine](https://medium.com/@chrischinchilla/migrating-applications-and-data-to-a-new-mac-without-using-time-machine-240e1de77892)

Date: 2021-12-12

Originally published at: https://medium.com/@chrischinchilla/migrating-applications-and-data-to-a-new-mac-without-using-time-machine-240e1de77892

I have been trialing a handful of tools and processes recently building

---

## [Migrating applications and data to a new Mac without using Time Machine](https://chrischinchilla.com/blog/2021/2021-12-12-migrating-mac)

Date: 2021-12-12

You want to migrate data to a new Mac but are also interested in using a clean install instead of restoring from a backup to remove any of that unnecessary crud that gathers, especially when you someone like me who constantly installs and uninstalls applications and tools. I have been trialing a handful of tools and processes recently building towards helping with this and now I have a shiny new M1 Pro laptop it seemed a perfect time to see how useful they were. Here’s what I wanted to test and how the process went.

---

You want to migrate data to a new Mac but are also interested in using a clean install instead of restoring from a backup to remove any of that unnecessary crud that gathers, especially when you someone like me who constantly installs and uninstalls applications and tools. I have been trialing a handful of tools and processes recently building towards helping with this and now I have a shiny new M1 Pro laptop it seemed a perfect time to see how useful they were. Here’s what I wanted to test and how the process went.

---

## [Nanowrimo 2021 wrap up and novel status](https://chrischinchilla.com/blog/2021/2021-12-04-nanowrimo-2021)

Date: 2021-12-04

For Nanowrimo (national novel writing month) 2021 I continued my novel from last year. To remind anyone who hasn’t followed my sparse updates on the novel, the novel is a speculative fiction set after a global zombie and human conflict where the two (let’s call them) species coexist in a tense harmony. For Nanowrimo this year, I set myself two targets.

---

For Nanowrimo (national novel writing month) 2021 I continued my novel from last year. To remind anyone who hasn’t followed my sparse updates on the novel, the novel is a speculative fiction set after a global zombie and human conflict where the two (let’s call them) species coexist in a tense harmony. For Nanowrimo this year, I set myself two targets.

---

## [How PagerDuty and Chronosphere work together to help you get alerted faster](https://chronosphere.io/learn/how-pagerduty-and-chronosphere-work-together-to-help-you-get-alerted-faster/)

Date: 2021-11-18

Originally published at: https://chronosphere.io/learn/how-pagerduty-and-chronosphere-work-together-to-help-you-get-alerted-faster/

One of the most important capabilities of an observability platform is alerting. How quickly can you know when something is wrong, so you can rapidly triage and remediate that problem? Chronosphere recently released a new approach to defining alerts called “Monitors,” which gives users more flexibility with alerts and makes them easier to create and manage.

---

## [An eye on observability for November 2021](https://chronosphere.io/learn/an-eye-on-observability-for-november-2021/)

Date: 2021-11-11

Originally published at: https://chronosphere.io/learn/an-eye-on-observability-for-november-2021/

As conference season slowly draws to a close, and we fill that few months between the end of summer and the start of the seemingly never-ending holiday season (hemisphere and region-dependent naturally), there has been a flurry of activity in the observability ecosystem, so it’s time to, err, cast an eye over it 😬.

---

## [Continuous Delivery With the Humanitec Postman Collection](https://humanitec.com/blog/continuous-delivery-with-humanitec-postman-collection)

Date: 2021-11-08

Originally published at: https://humanitec.com/blog/continuous-delivery-with-humanitec-postman-collection

Humanitec provides an API-first way to build your Internal Developer Platform to enable developer environment self-service. This post shows how to use that API with Postman collections to make creating environments even easier.

---

## [Digital tools for boardgames and roleplay games](https://chrischinchilla.com/blog/2021/2021-10-28-games-tools)

Date: 2021-10-28

I endlessly discover cool digital tools, apps, and websites for enhancing board games and roleplay games and needed an excuse to try them. So I wrote a blogpost!

---

I endlessly discover cool digital tools, apps, and websites for enhancing board games and roleplay games and needed an excuse to try them. So I wrote a blogpost!

I am aware that some tools overlap categories, and in those cases, I have tried to put them in a category that makes the most sense.

## A living guide

- I am fully aware that I will continuously discover more and more tools I can add to this list. So check back regularly for updates.
- I will also attempt to convert this list to other formats, including an awesome list and video(s). As I create those, I will add links here.
- If you want to suggest entries and are familiar with GitHub, [then suggest changes here](https://github.com/ChrisChinchilla/chrischinchilla.com/blob/master/_posts/2021/2021-10-28-games-tools.md).

## Character sheets

### MPMB's Character record sheet

When I first moved to Berlin, D&D 5e was in its early years and D&D beyond not such a commonly used tool. So to get around the complex maths involved in creating and maintaining D&D character sheets, we used [MPMB's character sheets][1]. I haven't used it for a few years now, but the project remains popular, highly customisable, and pretty darned epic. It's a large fillable PDF with a lot of JavaScript code behind the scenes that adds variables and calculations to give you everything you need. The file size can end up quite large, and you generally need to use Acrobat (reader is fine) for it to work. Still, with the code open source, and a large community contributing official and unofficial content sources, it's perfect for those of you hitting the limits of the D&D beyond free tier or who like to have offline PDFs instead of a web platform for your gaming.

## Mapmaking

There are so many mapping tools it's hard to evaluate the differences between many of them.

### Inkarnate

Another web-based mapmaking tool, [Inkarnate][2] has reasonable free and paid tiers, allowing for high quality (up to 4k) exports for print. You start with a map style (also limited by tiers) and then create maps with a suite of tools you typically expect in these tools, including brushes, stamps, layers, pens, paintbrushes, text annotations, and much more.

### Wonderdraft

A cross-platform tool for $29.99 (one of the more highly-priced options here), the website for [Wonderdraft][3] is minimal, so it's hard to figure out quite what it offers over and above many of the other tools in this section. One of the main features that jumped out to me was the support for digital pens, making map creation more fluid.

### Dungeondraft

From the same creator as Wonderdraft, [dungeondraft][4] is optimised for creating internal maps and so also includes tools for handling lighting and objects. For those of you using VTTs, there are modules for including maps directly into them.

### Illwinter's Floorplan generator

Available on Steam for about $/€5, I haven't been able to test [Illwinter's](http://www.illwinter.com/floorplan/index.html), but it's a reasonably popular tool amongst my gaming community. It has multiple terrain types, icons, random or fixed generation, lighting, and import and export options.

### Azgaar's fantasy map generator

With an interesting old fashioned map look, [Azgaar's](https://azgaar.github.io/Fantasy-Map-Generator/) focuses on generating entire landmasses complete with geographical features and place names. You can generate world maps based on political regions, religious differences, and more. You can change the style, the colours, and the features included on the map. All in all, it's a great free tool for quickly throwing together a large scale map you can build upon.

### Hex Kit

A small and compact cross-platform desktop application designed to be simple and focus more on "art" than complex features, menus, and tool bars. The main application is a map of hexes and a handful of tools for painting, rotating, and annotating tiles. The main power in Hex Kit is the plethora of custom tilesets you can call upon to use to populate maps. These are all PNG files so that you can create your own.

### DungeonFog

With a handful of pricing tiers, you can create up to 3 maps on [DungeonFog][8] for free.

It lets you create maps with vector tools and thousands of pre-built props and lighting effects. You can add GM notes, export maps and share them with others, controlling what they can see. In addition, to mapmaking tools, it also offers GM notes and a marketplace.

### Worldographer

A cross-platform Java application, [Worldographer][9] works for free, but you need to pay $30 to unlock "power features". As far as I can tell, it is a more traditional hex-based map building tool that can create detailed maps from a global down to a city level. It can autogenerate maps for you.

It's a desktop application, built, I think, in Java, which can make it a little non-native and sluggish, but it's nice to have something that isn't web-based.

### Dungeon Scrawl

If you're looking for something to create old school dungeon maps reminiscent of those found in games from decades ago, then [Dungeon Scrawl][10] is the tool for you. It's browser-based and free (for now) with a clear interface, presets, layers, a variety of drawing tools, and some interesting export options (STL to import into Blender anybody?).

### Campaign Cartographer

Many gaming mapping tools are web-based, and when I saw a good old fashioned desktop application in the form of [Campaign Cartographer][11] I jumped on a bundle deal and was super keen to try it. Well, it's comprehensive, that's for sure, but the interface follows its own paradigms, not those standard in most design applications, which means I frequently find myself pretty stuck and confused about how to do… anything, to be honest. So it sits in my Windows virtual machine (it's Windows only), taunting me. One day I will try it again. One day.

### Mipui

An open-source and registration free collaborative mapping tool (but saved to the "cloud" 🤔 🤷‍♂️), [Mipui](https://www.mipui.net) is simpler and quicker than many other options on this list. It offers strict grid-based "painting" of walls and other scenery and the ability to create read-only versions of maps for players that also hide certain defined elements for the GMs' eyes only.

## Virtual Tabletops

### Roll20

If you're looking at virtual tabletops for playing RPGs online, then you likely know Roll20 and quite possibly use it, so I won't go into too much detail. It supports a bunch of different game systems and includes features such as:

- character sheets that are customisable allow for direct rolling, scripting, and more
- maps with layers, measuring tools, dynamic lighting, and much more
- video, voice, and text chat
- resources for game rules and reference
- game log
- music and sound effects
- automation scripting

It regularly adds features and has a handful of different payment tiers that add different aspects to core features.

Find out more at [http://roll20.net][12].

### Foundry

Placing itself as a "developer-friendly" virtual tabletop, gamers self-host Foundry and their players connect to the running instance. This allows for more control over each instance, but of course, has some technical overhead. It's a one-off payment, with some reasonable system requirements, but nothing that won't put off too many dedicated gamers. It has many features, some of which can be a little daunting, but like any self-hosted software, it depends on how you set things up. These features include:

- Official and community submitted game system and world packs. Game publishers submit some of these as "official" content and are an additional purchase.
- Game worlds that consist of a system and a set of entities in the world such as actors (characters), scenes, and items
- Sound effects and music
- Text chat and game journal
- Maps with layers, annotations, measurements, dynamic lighting and other scenery features
- Dice rolling from character sheet and manual
- combat encounter handling
- rollable table with pre-defined outcomes
- macros, API access, and an extension framework

### Owlbear Rodeo

Aiming to be a much simpler VTT, Owlbear Rodeo doesn't offer a whole suite of game systems or worlds but offers a quick way to get a group together. You create a game, invite people and start adding (basic) graphics and tokens. It has basic audio sharing and a dice roller. Owlbear Rodeo is perfect if you just need somewhere to visualise a game and not much more.

## Audio

### Syrinscape

Providing sound effects, ambience & background music, [Syrinscape][13] ships with a large library of sounds for SciFi, Fantasy, and some other settings, but also lets you create your sounds. In every case there are layers to the sounds, and with a variety of sliders to adjust the levels of certain tracks, there's a lot of customisation available. It isn't so cheap at $10.99 per month, but you can also buy separate packs, but the monthly subscription is kept up to date with all packs.

The application works on all desktop and mobile platforms. If you're running it on a desktop, you have the option to pipe the output into other applications for even more flexibility, especially with online games.

### Tabletop Audio

Voice assistants are a perfect tool for interacting with thematic music. Imagine in the middle of the game shouting, "Hey doodad, more Inn atmosphere", that's the future right there.

[Tabletop audio][14] does just that and is available for Alexa and Google Assistant. It has over 277 compositions that are a mix of music and ambience, some with extra options only open to patreons of the project. I don't think that tabletop audio reacts quite the way I describe above… until now, with the recent launch of "SoundPad", though I am not sure SoundPad is available for voice assistants. So while my dream of conducting some sort of fantasy orchestra with my voice might not be quite realised, it's still pretty cool.

## Miscellaneous toolkits

### The Dhole's House for Call of Cthulhu

Existing since 2014, [the Dhole's house][15] is something of a classic resource for Call of Cthulhu (and now Pulp Cthulhu) players existing of the following tools:

- Pre-generated characters
- Hand out generators
- Dice rollers
- Name generators
- Plot generator

I used it myself to generate a bunch of NPC stats, and it's easy and quick to use.

### Donjon name generator

Another classic tool existing since 2009, [Donjon][16] generates names. Lots and lots of names. Names for D&D, fantasy, SciFi, fiction, and more. If you need a name for a character or NPC, Donjon can generate it for you.

But there's more! Donjon also generates:

- Maps
- World demographies
- Dungeons
- Treasure maps
- Inns
- Towns
- Jobs
- Weather
- Treasure
- And frankly much, much, much more

Yeah, there's a reason Donjon is a classic tool 😅.

### GM Binder

Something of a tool for finding content like DM's guild combined with creation tools for that content.

The creation tool is a dual-pane markdown/preview editor with a handful of custom features for RPG content creation (mostly focussed on D&D), including formatting, page layout snippets, and variables. If you pay for a premium subscription ($6 per month), you can export higher quality PDFs, use and manage more document themes, and a few other features.

I don't see any (direct) monetisation options for content you create, and I am unsure what content discoverability is like, but it's a good start if you want to quickly create content.

### Homebrewery

A free and open-source version of the similar tool from GM Binder (maybe it's the same tool), [homebrewery][17] (as the name suggests) is for creating homebrew content primarily for D&D.

It's a dual-pane markdown and preview editor with some custom syntax, and you can further customise with other web technologies such as HTML and CSS. Tools for pre-filling lists from the player's handbook and tables for things such as new classes are included. When you're finished you can share a link or export to PDF, and while not open source, homebrewery has an active community for making suggestions and reporting issues.

### Fantasy world creator

I am not completely sure if the product is still active, but there's still an active community around it, so if you can find a copy, then it's still useful.

[This physical kit ][18]consists of a series of dry wipe components, including board sections, cards, minis, and aids. These help you quickly prototype game ideas and run games and campaigns with them. Expansions (again, availability may vary) add treasures, an entire GM book, and more.

### Kasson

A mixture of different tools and resources for D&D, Warhammer FRP, and Pathfinder (but mostly D&D). [Kasson][19] includes (and there's a LOT) maps, dice rollers, DM screen, various random generators, maps, articles, session hooks, and so much more. The creator also makes a handful of their own computer games, merchandise, and a few other random things. The navigation is somewhat random, but there's so much content, you're sure to find something useful.

## World creation

### World Anvil

With a variety of paid plans and a free tier (with ads), [World Anvil][20] is a feature-packed tool for managing all aspects of worlds and campaigns you create. The features include:

- Categorised wiki pages
- Maps (file upload, not creation)
- Timelines
- Secrets (wiki pages with permissions)
- Stats
- Images and assets
- Admin tools such as a calendar, to-do lists

You can also choose to make it public and share your creations for others to use.

### Legend Keeper

You can't try [Legend Keeper ][21]without signing up (and paying) for beta access, but from the screenshots and feature list, it's a pretty comprehensive and compelling feature list. At its core is a wiki and atlas with rich text editing, linking, and collaboration. To me, it almost feels like Scrivener (a popular writers tool) for games creators and organisers, but maybe it's too good to be true. One day maybe I will try it and see.

## Scenario creation

### Chronicles of Crime scenario editor

As a mystery-solving scenario-based board game, Chronicles of Crime lends itself to community contributions, and there's [ an official scenario editor][22] for just this. It's Windows-only, and like other entries in this section, there's a degree of complexity involved in creating a scenario for an app-based board game.

### Valkyrie - Mansions of Madness and Descent

Two classics in the world of scenario-based board games from Fantasy Flight, [Valkyrie][23] is an unofficial editor for creating scenarios. It allows you to select tiles and other objects from the games and expansions and does a pretty good job of making the complex process of creating a long scenario as simple as possible.

### Expedition

Another app-driven adventure game, [Expedition][24] is a series of card decks, plus an open-source app for driving scenarios with the cards. It uses a Twine-like custom markup language for defining scenarios, and the vast majority of scenarios are community created. I have even created two myself 😁.

## Online boardgames

### Vassal

Long before all the web-based boardgames platforms that came into their own during the pandemic was Vassal. Starting in 2009, Vassal is an open-source desktop tool (again, I think Java) that you can play with other players live across a network or turn by turn in however you wish. It consists of one core application and downloadable modules created by the community. There's no fee, and as it's open-source, if you find problems or things missing, you can make changes and fix yourself.

### Tabletop simulator

### Board game arena

[1]:    https://www.flapkan.com/
[2]:    https://inkarnate.com/maps/create
[3]:    https://www.wonderdraft.net
[4]:    https://dungeondraft.net
[5]:    http://inkwellideas.com/free-tools/random-city-map-generator
[6]:    http://www.illwinter.com/floorplan/index.html
[7]:    https://azgaar.github.io/Fantasy-Map-Generator
[8]:    https://www.dungeonfog.com
[9]:    https://worldographer.com
[10]:   https://probabletrain.itch.io/dungeon-scrawl
[11]:   https://www.profantasy.com/default.asp
[12]:   http://roll20.net
[13]:   https://syrinscape.com
[14]:   https://tabletopaudio.com
[15]:   http://dholeshouse.org/
[16]:   https://donjon.bin.sh/
[17]:   https://homebrewery.naturalcrit.com
[18]:   https://gamestartstudio.com/products/fantasy-world-creator/
[19]:   https://www.kassoon.com
[20]:   https://www.worldanvil.com/pricing
[21]:   https://www.legendkeeper.com
[22]:   https://luckyduckgames.com/communityeditor
[23]:   https://npbruce.github.io/valkyrie/
[24]:   https://expeditiongame.com

---

## [The open source tracing landscape](https://chronosphere.io/learn/the-open-source-tracing-landscape/)

Date: 2021-10-28

Originally published at: https://chronosphere.io/learn/the-open-source-tracing-landscape/

Distributed tracing tools help you track a request through an application or system that consists of multiple applications, services, and infrastructure. This gives you a deeper understanding of what is happening within the system through  graphical representations of how much time the request took on each step. A span is the building block of any distributed trace, with each component in a service contributing a span to the distributed workflow. There are a handful of well known open source tracing tools, and another handful of lesser known ones. Most work in similar ways, with one or two nuanced differences, and this post walks through most of them to help find the right tracing tool for you.

---

## [Reporting back from Container Days Hamburg](https://chronosphere.io/learn/reporting-back-from-container-days-hamburg/)

Date: 2021-09-22

Originally published at: https://chronosphere.io/learn/reporting-back-from-container-days-hamburg/

Nestled amongst the port of Hamburg, the sound of cranes loading containers of a different kind onto vast cavernous ships, I’m at my first in-person conference in about 18 months. It’s taking place on an old cargo ship, the HMS Bleichen (German), a ship obsoleted by the arrival of containerization and now home to talks about containers of a different kind.

---

## [My audio and video production setup 2021](https://chrischinchilla.com/blog/2021/2021-09-07-my-audio-video-production-setup)

Date: 2021-09-07

I’ve been running podcasts for years, and while I worked on some video courses in the past, over the past year I have invested more time in my audio and video setup, primarily for live-streaming. After months and months of getting It to a point where I am “kind of” happy with it, I thought it was high time I documented it. Partly so others can learn from my setup, and partly so I can keep tabs on it myself.

---

I’ve been running podcasts for years, and while I worked on some video courses in the past, over the past year I have invested more time in my audio and video setup, primarily for live-streaming. After months and months of getting It to a point where I am “kind of” happy with it, I thought it was high time I documented it. Partly so others can learn from my setup, and partly so I can keep tabs on it myself.

## Disclaimer

I spend a lot of time on making videos, and some of the product links here are affiliate links to cover even some of the time and money I have invested. If you don't like affiliate links, but would still like to say thanks, subscribe to my [YouTube](https://www.youtube.com/channel/UCgnrx8qi4qhmN6sBebdDrmg) or [Twitch](https://www.twitch.tv/chrischinchilla) channel, or find [other ways to support me on my website](https://chrischinchilla.com/support/).

## A vs B setup

I am lucky enough to have my own small office/studio, and naturally this is where I do most of my work. But I also need to sometimes do work at home (often interviews with people in the USA), where it’s too late to be in the office, and I’d rather do it home. I have conducted interviews travelling before, and while I’m doing less right now, it’s still like to have the option(s) available.

I call these my “A” and “B” setups. Or the setup that largely stays fixed in the office (A), and the setup that I use at home, or travelling (B). There are some overlaps, but primarily with software.

## Audio

The audio part is somewhat easier, and has been mostly the same hardware for a while, but configured in different ways.

### A setup

{% picture article images/IMG_20210827_103429.jpeg alt="A Blue Yeti mic" %}

{% picture article images/IMG_20210827_103456.jpeg alt="Boom arm" %}

[A Blue Yeti][1], with a foam wind/pop filter. It’s mounted on [a boom arm][2] most of the time, but I do also have a straight mic stand with a Justin (home brand of “[Just Music][3]”, a German music store) reflection filter for more precise pure audio recording to counter the echoing high ceilings of many Berlin rooms.

{% picture article images/IMG_20210827_103526.jpeg alt="Reflection filter" %}

### B setup

{% picture article images/IMG_20210830_071150.jpeg alt="Exjoy camera mic combo" %}

Depending on my mood I sometimes use an [iRig HD 2][4] mounted on a pretty crumby boom arm if I am not using an external camera, or this odd phone holder (more on that later) [mic stand combo thing from Exjoy][5]. My other mic option is a [lav mic from iRig][6]. It’s analogue, so needs a headphone jack, and curiously also needs headphones plugged into its connector, so even though I am often using it with my OnePlus buds for calls, I typically have an audio cable also plugged into it, basically doing nothing.

### Software

{% picture article images/audition.jpg alt="Adobe Audition" %}

For recording (and editing) just me and a mic, I generally use [Adobe Audition][7], I have been experimenting with demos of Ableton and Logic, but not committed to either yet. For recording a mic plus an application or VoIP call, I pretty much always use [Audio Hijack][8], it’s a classic macOS app for a reason. In fact I have something of a chain of Rogue Amoeba software I use for audio and video, including [Farrago][9] (SFX) and [Loopback][10] (audio routing). I know there are open source and free equivalents for both, but especially with Loopback, I found its flexibility and ease of use worth the money. I don’t really use any effects on input aside from some volume overrides, but probably should.

{% picture article images/ra-apps.jpg alt="Farrago, Audio Hijack, and Loopback from Rogue Amoeba" %}

## Video

Ok, this is where things get a bit more complex unsurprisingly. I mix up hardware and software for some obvious reasons, as there’s some software each camera needs, and then there’s software I use no matter what.

### A setup

{% picture article images/IMG_20210827_105508.jpeg alt="Logitech Streamcam" %}

{% picture article images/IMG_20210827_105526.jpeg alt="UTEBIT magic arm" %}

A [Logitech Streamcam][11]. I am still not sure if it's worth the extra over the classic [Logitech C922][12], but there you go, I have it now. It’s mounted on a [UTEBIT magic arm][13] sort of behind my monitor, but I am not completely happy with the placement, as it makes me look a bit too far away. I have tried it in various positions with the same lack of satisfaction, it’s hard to balance the whole “good camera shot” with being able to see your screen, and I am not there yet. I mostly use the camera it as a straight input into an application, but I am starting to experiment more with using the supplied [Logi Capture][14] software for more fine-grained camera control, and then routing that into an application.

{% picture article images/lsc.jpeg alt="Logi Capture" %}

### B setup

{% picture article images/iriun.jpeg alt="Iriun Camera" %}

Naturally at times when I am just having a call that I use the camera built into my laptop, but for recording and streams I actually use my phone camera. Uh huh, my phone camera. The phone is kind of the least relevant part as any modern phone camera is decent, but my current is a One Plus Nord. The in-built camera software does do a lot of annoying auto focusing that can sometimes make my video have this odd kind of “wishy washy” look, but most people don’t notice it. I actually much preferred using my old Essential phone, as the camera software did next to nothing. Ironically everyone complained about the camera software on that phone, and this made it a perfect external camera. There are plethora applications now that let you use a smart phone as an external camera, but mine of choice are [DroidCam OBS][15] (if only recording with OBS) and [Iriun][16] for pretty much everything else. I was suitably impressed with both, to pay for the full versions. Iriun is one of those “Virtual Camera” applications, which means on macOS, you sometimes need to jump through the unsigning hoop to get it to work in some applications.

### Software

OK, this is where it gets complicated. Let’s add more subheadings…

#### Livestreaming

{% picture article images/obs.jpeg alt="Open Broadcast Studio" %}

{% picture article images/restream.jpeg alt="Restream Studio" %}

When it’s just me, [Open Broadcast Studio (OBS)][17], I think I could write a separate post on my OBS setup, so that’s all I’ll say for now 😅. If I have guests then [Restream studio][18], which is web-based. I am not a huge fan of doing things in the browser, but it’s simple for others to join, and gives me enough flexibility for setup, quality, and graphics. I also use it deliver my livestreams (via an RMTP feed) when I use OBS, so it’s multipurpose. It’s not cheap, but worth it, and they often have discount codes.

#### Recording

I vary between Quicktime, [Snagit][19], Logi Capture, and OBS, depending if I want to record a camera, or record multiple cameras, or record camera plus screen share. And quite often depending on the quality I want to record and my mood. I am not entirely satisfied with the video quality of any of these options sometimes, and I am never entirely sure if it’s the camera or the software.

#### Editing

{% picture article images/premiere.jpeg alt="Adobe Premiere" %}

Mostly [Adobe Premiere][20], but sometimes Quicktime or Snagit for something simple. I have tried [Da Vinci Resolve][21], but I couldn’t get on with it, I am too used to Premiere.

## Lighting

{% picture article images/IMG_20210828_122608.jpeg alt="Neweer LED lights" %}

I know lighting is important, and I am late to that party, muddling through for some time. I acquired some cheap office clearance photography lights last year which resulted in reasonable lighting but took up too much space, and annoyed my office mates. I switched to a set of the [Neweer LED desk lamps][22]. I am still getting the setup quite right, and I am especially unhappy with the shadows they throw behind me. I know the techniques to fix this, but I am trying to balance space and convenience with quality 😉. I often add slight bit of warmth to lighting by also just switching on my [Ikea Symfonisk][23] desk lamp.

One of my biggest issues with lighting in the office is that we have a giant window that looks out over Berlins Spree river. It’s a wonderful view, but terrible for consistent lighting, especially as the sun can reflect off the water, and trains passing the nearby railway tracks.

## Other

### Screen annotation and highlighting

To highlight what I am doing on the screen, I use a handful of different apps and setups.

At simplest I increase the zoom level of windows to about 125-150% depending on how they look. This is generally only possible with browser windows or Electron-based applications (which I typically dislike, but in this case brings a positive). With other applications it can be a mix of using the macOS screen zoom, or just not having a very readable interface. Fortunately the main applications I show are browser windows, [Visual Studio Code][24] (Electron-based), and [iTerm][25], which is highly customisable, and I have a profile specifically designed for live-streaming (I should release that 🤔) that increases font size, removes background transparency, and makes things clearer for people to read.

{% picture article images/presentify.jpeg alt="Presentify" %}

I use a small application called “[Presentify][26]” to highlight my cursor, and to annotate the screen (which I do rarely, but it’s nice to have both in the same application).

{% picture article images/keycastr.jpeg alt="Keycastr" %}

I occasionally use another small application called “[KeyCastr][27]” to show the keyboard shortcuts I’m using, but that’s something I use more when recording tutorial videos.

### Control

{% picture article images/IMG_20210625_143818.jpeg alt="Streamdeck Mini" %}

I have a [Streamdeck mini][28] with a bunch of useful shortcuts for OBS, or whatever other application I’m using setup so I can trigger changes without having to use the mouse. If you don’t want to invest in hardware, they also have a pretty good mobile application to do the same.

## That's a wrap!

That's about it for hardware, software, and tools. Making, editing, and distributing videos, podcasts, and livestreams is a whole other discussion that I am not even sure I could put into blog post form, but maybe one day. I've mentioned in places throughout this post what I'd like to change and tweak about my setup, so I plan to revisit and keep this post updated as I do so.

I hope you found this useful and I'd love to hear your comments and setup tips in the comments.

[1]: https://www.amazon.com/gp/product/B00N1YPXW2/ref=as_li_qf_asin_il_tl?ie=UTF8&tag=gregamamma-20&creative=9325&linkCode=as2&creativeASIN=B00N1YPXW2&linkId=b3be1d0a2ece335db24846409e9db7e0

[2]: https://www.amazon.com/gp/product/B089SJGQBH/ref=as_li_qf_asin_il_tl?ie=UTF8&tag=gregamamma-20&creative=9325&linkCode=as2&creativeASIN=B089SJGQBH&linkId=8fdc9b8317dee12c5c72ee9d4e310552

[3]: http://justmusic.de

[4]: https://www.amazon.com/gp/product/B074VF5ZLL/ref=as_li_qf_asin_il_tl?ie=UTF8&tag=gregamamma-20&creative=9325&linkCode=as2&creativeASIN=B074VF5ZLL&linkId=112fc73d273299a778527842f760430a

[5]: https://www.amazon.com/gp/product/B07Z7X4B24/ref=as_li_qf_asin_il_tl?ie=UTF8&tag=gregamamma-20&creative=9325&linkCode=as2&creativeASIN=B07Z7X4B24&linkId=6af51f1c6f701531015420ce0cec3af6

[6]: https://www.amazon.com/gp/product/B016V3663Y/ref=as_li_qf_asin_il_tl?ie=UTF8&tag=gregamamma-20&creative=9325&linkCode=as2&creativeASIN=B016V3663Y&linkId=6e93e9024f32ccdbf50d1ce202126864

[7]: https://www.adobe.com/products/audition.html

[8]: https://rogueamoeba.com/audiohijack/

[9]: https://rogueamoeba.com/farrago/

[10]: https://rogueamoeba.com/loopback/

[11]: https://www.amazon.com/gp/product/B07TZT4Q89/ref=as_li_qf_asin_il_tl?ie=UTF8&tag=gregamamma-20&creative=9325&linkCode=as2&creativeASIN=B07TZT4Q89&linkId=bf7e3dedf4fcc4bcb18d14a6a8447371

[12]: https://www.amazon.com/gp/product/B01LXCDPPK/ref=as_li_qf_asin_il_tl?ie=UTF8&tag=gregamamma-20&creative=9325&linkCode=as2&creativeASIN=B01LXCDPPK&linkId=89d6665d4a8faa4c16677840178d9a2d

[13]: https://www.amazon.com/gp/product/B07H77KB7R/ref=as_li_qf_asin_il_tl?ie=UTF8&tag=gregamamma-20&creative=9325&linkCode=as2&creativeASIN=B07H77KB7R&linkId=5bf2d279aa6549ba67662550d6502bb7

[14]: https://www.logitech.com/en-us/product/capture/

[15]: https://www.dev47apps.com/obs/

[16]: https://iriun.com

[17]: https://obsproject.com

[18]: https://restream.io/studio

[19]: https://www.techsmith.com/screen-capture.html

[20]: https://www.adobe.com/products/premiere.html

[21]: https://www.blackmagicdesign.com/products/davinciresolve/

[22]: https://www.amazon.com/gp/product/B07T8FBZC2/ref=as_li_qf_asin_il_tl?ie=UTF8&tag=gregamamma-20&creative=9325&linkCode=as2&creativeASIN=B07T8FBZC2&linkId=66ade655d70c0c97d780c85b79cc3aac

[23]: https://www.amazon.com/gp/product/B0913K3X5J/ref=as_li_qf_asin_il_tl?ie=UTF8&tag=gregamamma-20&creative=9325&linkCode=as2&creativeASIN=B0913K3X5J&linkId=38db7564e93c969a69ee9e1d7006df5e

[24]: https://code.visualstudio.com

[25]: https://iterm2.com/

[26]: https://presentify.compzets.com/

[27]: https://github.com/keycastr/keycastr

[28]: https://www.amazon.com/gp/product/B07DYRS1WH/ref=as_li_qf_asin_il_tl?ie=UTF8&tag=gregamamma-20&creative=9325&linkCode=as2&creativeASIN=B07DYRS1WH&linkId=290a17131e5a29d4ca5bfc8780cf8f77

---

## [Nextcloud and Kubernetes in the Cloud With Kuma Service Mesh](https://dzone.com/articles/powering-kubernetes-in-the-cloud-with-kuma-service-1)

Date: 2021-09-03

Originally published at: https://dzone.com/articles/powering-kubernetes-in-the-cloud-with-kuma-service-1

Want a powerful, self-hosted personal cloud? Then look no further than Nextcloud running on Kubernetes with a service mesh to add all the help and features you need.

---

## [An eye on observability for August 2021](https://chronosphere.io/learn/an-eye-on-observability-for-august-2021/)

Date: 2021-08-31

Originally published at: https://chronosphere.io/learn/an-eye-on-observability-for-august-2021/

How did you enjoy the first installment of this regular look back at a month in observability? Well, it’s back again, and as August and vacations draw to a close, the amount of news and content to tell you about is increasing. It’s time to get started, and as always, get in touch if you have stories for inclusion.

---

## [An eye on observability for July 2021](https://chronosphere.io/learn/an-eye-on-observability-for-july-2021/)

Date: 2021-08-03

Originally published at: https://chronosphere.io/learn/an-eye-on-observability-for-july-2021/

Welcome to the first installment of a monthly look back at the latest news in observability and the related cloud-native landscape. If you have any stories you think are worth considering, get in touch.

---

## [Open source monitoring and metrics landscape](https://chronosphere.io/learn/open-source-monitoring-landscape/)

Date: 2021-07-22

Originally published at: https://chronosphere.io/learn/open-source-monitoring-landscape/

Metrics and managing and understanding them is an essential part of any modern complex application. As with any active and busy technical ecosystem, there is a proliferation of competing open source monitoring standards. A handful emerges as the most popular solutions. Slowly, the community creates a standard that most projects follow in some way.

---

## [Why your software teams need an internal developer platform](https://techbeacon.com/app-dev-testing/why-your-software-teams-need-internal-developer-platform)

Date: 2021-07-15

Originally published at: https://techbeacon.com/app-dev-testing/why-your-software-teams-need-internal-developer-platform

Companies that are built upon or are building software typically want to move fast and not break things. But how can growing teams allow developers to keep building new features and fixing bugs without operations teams slowing them down with complex and arduous processes?

---

## [How can recording and roll-up rules help your metrics?](https://chronosphere.io/learn/how-can-recording-and-roll-up-rules-help-your-metrics/)

Date: 2021-06-24

Originally published at: https://chronosphere.io/learn/how-can-recording-and-roll-up-rules-help-your-metrics/

If you need to reduce the amount of metrics data stored in your time series database (TSDB) or improve query performance, there are generally two common methods to do so.

---

## [An Introduction to PromQL](https://chronosphere.io/learn/an-introduction-to-promql/)

Date: 2021-05-27

Originally published at: https://chronosphere.io/learn/an-introduction-to-promql/

For metrics stored within Prometheus, the Prometheus Querying Language (PromQL) is the main way to query and retrieve the results you are looking for. Chronosphere supports querying metrics data using PromQL and Graphite functions, but as PromQL is the most popular option we see customers use. PromQL has some differences to other query languages you might have used. Here is an overview guide to get you started.

---

## [KubeCon EU 2021 - Observability and Interoperability take center stage](https://chronosphere.io/learn/kubecon-eu-2021-observability-and-interoperability-take-center-stage/)

Date: 2021-05-20

Originally published at: https://chronosphere.io/learn/kubecon-eu-2021-observability-and-interoperability-take-center-stage/

As many large-scale events start to feel they’re close to “getting back to normal,” this year’s KubeCon EU was the second online, and while it lacked any large announcements, there was plenty of consolidation and maturing of concepts.

---

## [10 great podcasts for software test engineers](https://techbeacon.com/app-dev-testing/10-great-podcasts-software-test-engineers)

Date: 2021-04-20

Originally published at: https://techbeacon.com/app-dev-testing/10-great-podcasts-software-test-engineers

Software development practices change fast. Development teams use an endless stream of new tools, frameworks, and practices, and it’s your job as a test engineer to make sure that no matter what your development teams use or create, everything runs and works reliably.

---

## [The Pros and Cons of GitOps](https://humanitec.com/blog/gitops-pros-and-cons)

Date: 2021-03-03

Originally published at: https://humanitec.com/blog/gitops-pros-and-cons

GitOps takes familiar tools such as Git and Continuous Delivery pipelines to automate infrastructure. The GitOps approach is vendor-neutral, provides a clear history of changes, and allows you to reproduce or roll back deployments. Yet, we can't ignore the problems with this approach: Proliferation of repositories, no help for secrets management, or simultaneous file writes. Let's explore.

---

## [Why Development Teams Should Play Roleplaying Games](https://dzone.com/articles/why-development-teams-should-play-roleplay-games)

Date: 2021-02-25

Originally published at: https://dzone.com/articles/why-development-teams-should-play-roleplay-games

How can playing roleplaying games help development teams work together better? Chris speaks with Karthik Nagarajan to find out.

---

## [Developer Experience - How to Define Good Documentation?](https://humanitec.com/blog/developer-experience-documentation)

Date: 2021-02-10

Originally published at: https://humanitec.com/blog/developer-experience-documentation

When comparing products, you want to decide on their usefulness. Yet, we often forget to evaluate the project's documentation. A project might offer an excellent set of features but might lack easy-to-use documentation. This can have a detrimental effect on the developer experience and your team's efficiency. So, how do you evaluate the developer experience of documentation?

---

## [Scaling your team alongside Kubernetes](https://humanitec.com/blog/scaling-your-team-alongside-kubernetes)

Date: 2021-01-22

Originally published at: https://humanitec.com/blog/scaling-your-team-alongside-kubernetes

Many of you have probably read countless technical articles about scaling application infrastructure and capacity with Kubernetes. This is not one of those posts. Rather, it looks at how and when to implement Kubernetes when your team or the demands on your team grow rapidly.

---

## [Tools to help generate screenshots for your documentation](https://www.knowledgeowl.com/home/screenshot-tool-comparison)

Date: 2021-01-14

Originally published at: https://www.knowledgeowl.com/home/screenshot-tool-comparison

I won’t repeat any famous phrases about how pictures equalling a quantity of words, I think we all understand the potential power of a good visual. Well considered images in documentation can help illustrate a concept, clarify a complex idea, or show a reader what they can expect from undertaking certain steps.

---

## [What's new for documentarians in Snagit 2021](https://medium.com/@chrischinchilla/whats-new-for-documentarians-in-snagit-2021-24ce729fa87e)

Date: 2020-12-18

Originally published at: https://medium.com/@chrischinchilla/whats-new-for-documentarians-in-snagit-2021-24ce729fa87e

I ran a live stream a while back where I looked at new features in

---

## [How to decide on an API that gives your team the best developer experience](https://humanitec.com/blog/api-design-developer-experience)

Date: 2020-12-15

Originally published at: https://humanitec.com/blog/api-design-developer-experience

If you want to build your applications and business on existing APIs and not reinvent all functionality yourself, how do you decide between the plethora of options available? This article helps you make that decision based on the developer experience (DX) you should expect from an API.

---

## [Why GitHub built their own Internal Developer Platform](https://humanitec.com/blog/jason-warner-why-github-built-their-own-internal-developer-platform)

Date: 2020-11-24

Originally published at: https://humanitec.com/blog/jason-warner-why-github-built-their-own-internal-developer-platform

An Internal Developer Platform (IDP) is an essential step for rapidly scaling companies to keep their developers working productively and happily. In this roundtable discussion we speak with Jason Warner, the current CTO of GitHub and previous VP of Engineering for Heroku about how IDPs help teams of that scale build efficiently.

---

## [Why Sport1 built their Internal Developer Platform](https://humanitec.com/blog/why-sport1-built-their-internal-developer-platform)

Date: 2020-11-23

Originally published at: https://humanitec.com/blog/why-sport1-built-their-internal-developer-platform

German broadcaster Sport1 realized they were spending too much time grappling with an outdated deployment process, they decided it was time to build their own flexible Internal Developer Platform. Find out how it changed their development process in our roundtable with Paolo Garri, the director of technology.

---

## [Testing hotfixes to Production without rolling back Staging](https://humanitec.com/blog/testing-hotfixes-to-production-without-rolling-back-staging)

Date: 2020-11-04

Originally published at: https://humanitec.com/blog/testing-hotfixes-to-production-without-rolling-back-staging

A major bug urgently needs fixing in Production, but QA is impossible because Staging is ahead of Prod. This blog post will detail how to clone your Production environment to allow immediate testing before hot-fixing Production.

---

## [How we created a Humanitec driver for Amazon ElastiCache for Redis - A hackathon with Polar Squad](https://humanitec.com/blog/amazon-elasticache-for-redis-polarsquad-hackathon)

Date: 2020-10-23

Originally published at: https://humanitec.com/blog/amazon-elasticache-for-redis-polarsquad-hackathon

At the end of September 2020, participants from Humanitec and Polar Squad met for a small hackathon to see how straightforward it was to create a resource driver for the Humanitec platform so that others can connect their custom infrastructure.

---

## [Why Zalando built their Internal Developer Platform‍](https://humanitec.com/blog/why-zalando-builds-an-own-developer-platform)

Date: 2020-10-12

Originally published at: https://humanitec.com/blog/why-zalando-builds-an-own-developer-platform

An internal developer platform (IDP) is an essential step for rapidly scaling companies to keep their developers working productively and happily. In this roundtable discussion we speak with Jan Löffler who helped build Zalando’s IDP about the problems they were trying to solve and the steps they took.

---

## [An Introduction to Developer Experience (DevEx, DX)](https://humanitec.com/blog/developer-experience)

Date: 2020-10-06

Originally published at: https://humanitec.com/blog/developer-experience

In this article I look mostly at improving the developer experience within a company, and touch upon other aspects where relevant, we have future articles planned to help you improve the DX of the projects you maintain. The goal of this article is to help those in charge of development teams understand what their developers struggle with and complain about and help them do something about it.

---

## [The Weekly Squeak — Tanmai Gopal of Hasura](https://dzone.com/articles/the-weekly-squeak-tanmai-gopal-of-hasura)

Date: 2020-09-23

Originally published at: https://dzone.com/articles/the-weekly-squeak-tanmai-gopal-of-hasura

This Weekly Squeak, I speak with Tanmai Gopal about Hasura, an open source and hosted platform that brings instant GraphQL APIs to your data.

---

## [Version changes to configurations for Kubernetes-ready applications](https://humanitec.com/blog/configuration-version-changes-kubernetes-apps)

Date: 2020-09-21

Originally published at: https://humanitec.com/blog/configuration-version-changes-kubernetes-apps

Your Kubernetes configuration represents environments that are a fundamental part of your application, unyet we generally treat them as less important from our application code. In this post we look at best practices for managing changes to configuration, and how to treat it the way it deserves.

---

## [Creating a Cross-Platform Todo Aggregator with Flutter](https://dzone.com/articles/creating-a-cross-platform-todo-aggregator-with-flu)

Date: 2020-09-20

Originally published at: https://dzone.com/articles/creating-a-cross-platform-todo-aggregator-with-flu

I wanted to create a cross-platform app to aggregate all my todos across various services. I turned to Flutter; was it a good idea? Read on to find out.

---

## [Reducing Support Overload with an Einstein-Powered Chatbot](https://dzone.com/articles/reducing-support-overload-with-an-einstein-powered)

Date: 2020-08-26

Originally published at: https://dzone.com/articles/reducing-support-overload-with-an-einstein-powered

If you're looking to build a chatbot to support a customer base, Einstein from Salesforce might be an option to consider. Chris Ward dives in to see what's possible.

---

## [Sandbox Environments for Testing](https://humanitec.com/blog/sandbox-environments-for-testing)

Date: 2020-08-06

Originally published at: https://humanitec.com/blog/sandbox-environments-for-testing

In this article by Nils Balkow Tychsen, Lead Q&A Engineer at Humanitec, you will learn some use cases for sandboxed environments such as parallel feature development, parallel testing of feature flags, and parallel testing of microservice versions in different combinations.

---

## [Developer Experience Roundtable - Continuous Improvement](https://humanitec.com/blog/developer-experience-roundtable-continuous-improvement-nigel-simpson-erik-muttersbach)

Date: 2020-07-15

Originally published at: https://humanitec.com/blog/developer-experience-roundtable-continuous-improvement-nigel-simpson-erik-muttersbach

A good developer experience is crucial to keep developer teams productive, happy, and focussed on work important to your business aims. In this first roundtable, we get the opinions and experiences from two experts in the field: Nigel Simpson, Director, Enterprise Tech Strategy at a Fortune 100 company, and Erik Muttersbach, CTO at forto (formerly FreightHub), a Berlin logistics startup.

---

## [Ephemeral Environments for Testing](https://humanitec.com/blog/ephemeral-environments-for-testing)

Date: 2020-06-30

Originally published at: https://humanitec.com/blog/ephemeral-environments-for-testing

In this article, we look at ephemeral testing environments, small, discrete, and short-lived testing environments that reflect only the changes you are interested in testing.

---

## [Create a Random Board Game Generator Using Microservices on Heroku](https://dzone.com/articles/-create-a-random-board-game-generator-using-micros)

Date: 2020-06-23

Originally published at: https://dzone.com/articles/-create-a-random-board-game-generator-using-micros

Take a look at using Heroku to host the microservices behind a small bot project the author maintains.

---

## [Continuous Integration (CI) vs. Continuous Delivery (CD) vs. Continuous Deployment (CD)](https://humanitec.com/blog/continuous-integration-vs-continuous-delivery-vs-continuous-deployment)

Date: 2020-06-19

Originally published at: https://humanitec.com/blog/continuous-integration-vs-continuous-delivery-vs-continuous-deployment

Despite sounding similar, continuous integration, delivery, and deployment are subtly different from each other. While they have overlap, they are applicable and useful at different stages of the development process. In this post, we look at what the different terms mean, what benefits they bring to you and your team, and what you need to get started implementing the practice.

---

## [The Benefits and Best Practices of Continuous Delivery](https://humanitec.com/blog/benefits-and-best-practices-of-continuous-delivery)

Date: 2020-06-16

Originally published at: https://humanitec.com/blog/benefits-and-best-practices-of-continuous-delivery

Continuous delivery helps software development teams get their code changes from development to testing, and into the hands of users more quickly. In this post, Chris Ward looks at the benefits and best practices for implementing this practice into your teams.

---

## [Handling Environment Variables with Kubernetes](https://humanitec.com/blog/handling-environment-variables-with-kubernetes)

Date: 2020-06-05

Originally published at: https://humanitec.com/blog/handling-environment-variables-with-kubernetes

Environment variables are a common way for developers to move application and infrastructure configuration into an external source outside of application code. This post shows you the variety of ways Kuberentes helps you create and manage environment variables within kubernetes.

---

## [1 Dev, 3 Teams, 3 Git Pull Request Review Experiences](https://linearb.io/blog/three-git-pull-request-review-strategies/)

Date: 2020-05-19

Originally published at: https://linearb.io/blog/three-git-pull-request-review-strategies/

Software developers submit a pull request (often abbreviated to PR) in their git system like GitHub, GitLab or BitBucket to signal to their teammates or manager that a branch or fork they have been working on is ready for review.

---

## [Measuring Metrics in Open-Source Projects](https://dzone.com/articles/-measuring-metrics-in-open-source-projects)

Date: 2020-05-17

Originally published at: https://dzone.com/articles/-measuring-metrics-in-open-source-projects

As open-source projects grow in use and popularity, many of their maintainers face a challenge to understand how and how many people use their tools.

---

## [GitHub Satellite 2020- Gone Remote, but Not Forgotten](https://dzone.com/articles/-github-satellite-2020-gone-remote-but-not-forgott)

Date: 2020-05-14

Originally published at: https://dzone.com/articles/-github-satellite-2020-gone-remote-but-not-forgott

Another remote event for 2020, but GitHub Satellite still managed to pack some impressive feature announcements, and a good dose of humor in these trying times.

---

## [OpenStack Ussuri - Intelligent Automation](https://dzone.com/articles/-openstack-ussuri-intelligent-automation)

Date: 2020-05-14

Originally published at: https://dzone.com/articles/-openstack-ussuri-intelligent-automation

OpenStack has a new release and it's big. Let's take a look at what Ussuri, the 21st release, has to offer.

---

## [Grafana- The Open Observability Platform](https://dzone.com/articles/-grafana-the-open-observability-platform)

Date: 2020-05-05

Originally published at: https://dzone.com/articles/-grafana-the-open-observability-platform

Chris speaks with Raj Dutt, CEO, and co-founder of Grafana Labs, the company behind the Grafana open source project to find out more about the project and their plans.

---

## [Deploy with kubectl - Hands-on with Kubernetes](https://humanitec.com/blog/deploy-with-kubectl-hands-on-with-kubernetes)

Date: 2020-04-30

Originally published at: https://humanitec.com/blog/deploy-with-kubectl-hands-on-with-kubernetes

Orchestrating an application in Kubernetes can be even in a simple setup pretty complex. In this post, you learn how to architect a Kubernetes-native application and create a first deployment using kubectl.

---

## [The Benefits of Containerization](https://humanitec.com/blog/benefits-of-containerization)

Date: 2020-04-24

Originally published at: https://humanitec.com/blog/benefits-of-containerization

Breaking applications into smaller coupled components like microservices, and running each of those components in containers often go hand in hand. These modern application architecture principles have allowed many businesses and software projects to make regular and rapid changes to running software and scale them to suit changes in demand and approach. In this article, we breakdown what a container is, and the direct benefits they bring to your developer teams and business.

---

## [How to get started with Parent-child pipelines](https://about.gitlab.com/blog/2020/04/24/parent-child-pipelines/)

Date: 2020-04-24

Originally published at: https://about.gitlab.com/blog/2020/04/24/parent-child-pipelines/

We introduced improvements to pipelines to help scale applications and their repo structures more effectively. Here's how they work.

---

## [Ubuntu 20.04 LTS (Focal Fossa)- Enterprise-Ready](https://dzone.com/articles/-ubuntu-2004-lts-focal-fossa-enterprise-ready)

Date: 2020-04-22

Originally published at: https://dzone.com/articles/-ubuntu-2004-lts-focal-fossa-enterprise-ready

Canonical announced the latest Ubuntu release, and as an LTS, it's not packed with new features, but brings many usability, stability, and performance improvements to suit individuals and enterprises alike.

---

## [Cybersecurity During a Pandemic- An Interview With Critical Start](https://dzone.com/articles/-cybersecurity-during-a-pandemic-an-interview-with)

Date: 2020-04-21

Originally published at: https://dzone.com/articles/-cybersecurity-during-a-pandemic-an-interview-with

Chris speaks with Quentin Rhoads-Herrera of CRITICALSTART to discuss cybersecurity in a time of a pandemic.

---

## [Learning to Code With Swift Playgrounds](https://dzone.com/articles/-learning-to-code-with-swift-playgrounds)

Date: 2020-04-01

Originally published at: https://dzone.com/articles/-learning-to-code-with-swift-playgrounds

Swift Playgrounds from Apple is a slick integrated coding education tool — how far does go it to teach one of the hottest languages of the past 5 years?

---

## [How Hedera Hashgraph Is Revolutionizing Distributed Ledgers](https://dzone.com/articles/-how-hedera-hashgraph-is-revolutionizing-distribut)

Date: 2020-03-31

Originally published at: https://dzone.com/articles/-how-hedera-hashgraph-is-revolutionizing-distribut

Many distributed ledgers claim to be better for performance and security. Chris Ward speaks with Hashgraph creator, Dr Leemon Baird, to see if the project holds up.

---

## [6 Interesting Trends from the Latest CNCF Survey](https://dzone.com/articles/-6-interesting-trends-from-the-latest-cncf-survey)

Date: 2020-03-23

Originally published at: https://dzone.com/articles/-6-interesting-trends-from-the-latest-cncf-survey

The Cloud Native Computing Foundation (CNCF) conducted another survey late last year and the results are now out. Here's what's popular in cloud native development.

---

## [Troubleshoot delays with our Code Review Analytics tool](https://about.gitlab.com/blog/2020/03/18/troubleshoot-delays-with-code-review-analytics/)

Date: 2020-03-18

Originally published at: https://about.gitlab.com/blog/2020/03/18/troubleshoot-delays-with-code-review-analytics/

Introduced in GitLab 12.7, Code Review Analytics can help you dig deeper into slow-moving merge requests.

---

## [Make tracking agreements simple with our new Compliance Dashboard](https://about.gitlab.com/blog/2020/03/11/make-tracking-agreements-simple-compliance-dashboard/)

Date: 2020-03-11

Originally published at: https://about.gitlab.com/blog/2020/03/11/make-tracking-agreements-simple-compliance-dashboard/

New in GitLab 12.8, this dashboard helps to simplify the complex process of compliance tracking, right inside GitLab.

---

## [Preaching the API Gospel- An Interview With the API Evangelist, Kin Lane of...](https://dzone.com/articles/-preaching-the-api-gospel-an-interview-with-the-ap)

Date: 2020-03-10

Originally published at: https://dzone.com/articles/-preaching-the-api-gospel-an-interview-with-the-ap

See what API Evangelist, Kin Lane of Postman, has to say about the future of APIs as we continue into 2020.

---

## [The Future of Tech Conferences in the Wake of Coronavirus](https://dzone.com/articles/future-of-tech-conferences-coronavirus)

Date: 2020-03-10

Originally published at: https://dzone.com/articles/future-of-tech-conferences-coronavirus

In the wake of coronavirus — What will this mean for the future of tech conferences when the world goes back to normal?

---

## [Preaching the API Gospel- An Interview With the API Evangelist, Kin Lane of...](https://dzone.com/articles/-preaching-the-api-gospel-an-interview-with-the-ap)

Date: 2020-03-09

Originally published at: https://dzone.com/articles/-preaching-the-api-gospel-an-interview-with-the-ap

See what API Evangelist, Kin Lane of Postman, has to say about the future of APIs as we continue into 2020.

---

## [The Future of Tech Conferences in the Wake of Coronavirus](https://dzone.com/articles/future-of-tech-conferences-coronavirus)

Date: 2020-03-09

Originally published at: https://dzone.com/articles/future-of-tech-conferences-coronavirus

In the wake of coronavirus — What will this mean for the future of tech conferences when the world goes back to normal?

---

## [Talking Uber-Level Monitoring With Martin Mao of M3 and Chronosphere](https://dzone.com/articles/-talking-uber-level-monitoring-with-martin-mao-of)

Date: 2020-02-27

Originally published at: https://dzone.com/articles/-talking-uber-level-monitoring-with-martin-mao-of

Find out why Uber engineers decided to leave Uber and focus on building Chronosphere, the company that enables enterprises to take advantage of M3.

---

## [Automate Task Creation With the TODO Bot](https://dzone.com/articles/-automate-task-creation-with-the-todo-bot)

Date: 2020-02-19

Originally published at: https://dzone.com/articles/-automate-task-creation-with-the-todo-bot

Do you litter your code with "TODO" keywords so you'll remember to come back to them? With this handy GitHub bot, you'll never have to remember again. Maybe.

---

## [Introducing StarlingX 3.0 For Edge Computing and IoT](https://dzone.com/articles/-introducing-starlingx-30-for-edge-computing-and-i)

Date: 2020-02-05

Originally published at: https://dzone.com/articles/-introducing-starlingx-30-for-edge-computing-and-i

Take a look at how StarlingX as an edge computing platform provides support for multiple low-latency use cases as well as a number of useful features.

---

## [Introducing StarlingX 3.0 For Edge Computing and IoT](https://dzone.com/articles/-introducing-starlingx-30-for-edge-computing-and-i)

Date: 2020-02-04

Originally published at: https://dzone.com/articles/-introducing-starlingx-30-for-edge-computing-and-i

Take a look at how StarlingX as an edge computing platform provides support for multiple low-latency use cases as well as a number of useful features.

---

## [Kong API Platform for Multi-Cloud and Hybrid Organizations](https://dzone.com/articles/-kong-api-platform-for-multi-cloud-and-hybrid-orga)

Date: 2020-01-27

Originally published at: https://dzone.com/articles/-kong-api-platform-for-multi-cloud-and-hybrid-orga

Kong has evolved significantly from an open-source API gateway, handling just north-south traffic, to a full cycle API management platform.

---

## [CES 2020 — Highlights for the More Technically Minded](https://dzone.com/articles/-ces-2020-highlights-for-the-more-technically-mind)

Date: 2020-01-15

Originally published at: https://dzone.com/articles/-ces-2020-highlights-for-the-more-technically-mind

Chris Ward is here (a week late) reporting on his favorite announcements from the Consumer electronics show.

---

## [What to Expect in Open-Source Software in the Next 6-12 Months?](https://dzone.com/articles/-what-do-you-predict-will-happen-in-open-source-so)

Date: 2019-12-30

Originally published at: https://dzone.com/articles/-what-do-you-predict-will-happen-in-open-source-so

As the year draws to a close, it’s time to gaze into the crystal command line and see what 2020 might hold.

---

## [Revisiting Desktop Linux- Drowning in the Deep End](https://dzone.com/articles/-revisiting-desktop-linux-drowning-in-the-deep-end)

Date: 2019-12-16

Originally published at: https://dzone.com/articles/-revisiting-desktop-linux-drowning-in-the-deep-end

Embark on the start of a new journey in Linux with our shiny new Dell XPS 13". Let's get started.

---

## [IOST — The Decentralized Internet of Services](https://dzone.com/articles/-iost-the-decentralized-internet-of-services)

Date: 2019-11-25

Originally published at: https://dzone.com/articles/-iost-the-decentralized-internet-of-services

An interview with Terry Wang, co-founder and CEO, Ling from White Matrix who built a web-based IDE for IOST, and Aleksi of Attic labs who build games.

---

## [Multipass and MicroK8s- the Quickest Route to Ubuntu and Kubernetes?](https://dzone.com/articles/-multipass-and-microk8s-the-quickest-route-to-ubun)

Date: 2019-11-20

Originally published at: https://dzone.com/articles/-multipass-and-microk8s-the-quickest-route-to-ubun

Would your Kubernetes-based workflows run better on Multipass and MicroK8s?

---

## [Language and understandable writing](https://kauri.io/article/01db62a1bdf54c4b99a852fe9700e930)

Date: 2019-11-18

Originally published at: https://kauri.io/article/01db62a1bdf54c4b99a852fe9700e930

I appreciate that not everyone who writes documentation is a native English speaker, or even if they are, may not understand the best way to write clearly and concisely. Many native English speakers had our last grammar lesson more than 20 years ago, and have learnt the tips and tricks we now use as professional writers recently. There are three important things to remember to justify the time and effort of making your writing more understandable:

---

## [Documentation structure](https://kauri.io/article/cb1cad8db083475389718cbea3217db2)

Date: 2019-11-14

Originally published at: https://kauri.io/article/cb1cad8db083475389718cbea3217db2

Documentation structure applies to your documentation as a whole, and to each page. Let's start at the top and work down.

---

## [Why write documentation](https://kauri.io/article/203c87d1ee4b4444b0139fe054f28607)

Date: 2019-11-14

Originally published at: https://kauri.io/article/203c87d1ee4b4444b0139fe054f28607

What's one of the first things you look at when you look at using a new project?

---

## [A fullstack dapp for creating unique tradable tokens](https://kauri.io/article/2519d02a7a5244949dc12737817f5798)

Date: 2019-10-17

Originally published at: https://kauri.io/article/2519d02a7a5244949dc12737817f5798

This dapp implements is a Crypto-collectible game built on top of the ERC-721 standard for creating unique tokens.. This tutorial is intended to be followed using the online IDE available at studio.ethereum.org, and selecting the CryptoPizza template.

---

## [A fullstack dapp for creating tokens](https://kauri.io/article/bdd65d6155a74b8aa52672b46b7230a8)

Date: 2019-10-12

Originally published at: https://kauri.io/article/bdd65d6155a74b8aa52672b46b7230a8

This dapp implements the simplest form of a cryptocurrency that uses the ERC-20 standard to define a token you can create and send to others. This tutorial is intended to be followed using the online IDE available at studio.ethereum.org, and selecting the Coin template.

---

## [Create a &quot;Hello World&quot; fullstack dapp](https://kauri.io/article/68fca74301814d09bfcc35e07ff30fbc)

Date: 2019-10-12

Originally published at: https://kauri.io/article/68fca74301814d09bfcc35e07ff30fbc

This dapp implements a Hello World style application that echoes a message passed to the contract to the front end. This tutorial is intended to be followed using the online IDE available at studio.ethereum.org, and selecting the Hello World template.

---

## [Multipass and MicroK8s- the Quickest Route to Ubuntu and Kubernetes?](https://dzone.com/articles/-multipass-and-microk8s-the-quickest-route-to-ubun)

Date: 2019-10-03

Originally published at: https://dzone.com/articles/-multipass-and-microk8s-the-quickest-route-to-ubun

Would your Kubernetes-based workflows run better on Multipass and MicroK8s?

---

## [Stories from KubeCon - Carmine Rimi of Canonical](https://dzone.com/articles/-stories-from-kubecon-carmine-rimi-of-canonical)

Date: 2019-09-18

Originally published at: https://dzone.com/articles/-stories-from-kubecon-carmine-rimi-of-canonical

We're bringing you more from KubeCon with the Product Manager of Kubernetes and AI from Canonical.

---

## [Stories From KubeCon With Jason McGee, CTO, IBM Cloud Platform](https://dzone.com/articles/-stories-from-kubecon-jason-mcgee-cto-ibm-cloud-pl)

Date: 2019-09-05

Originally published at: https://dzone.com/articles/-stories-from-kubecon-jason-mcgee-cto-ibm-cloud-pl

Get it first from IBM Cloud Platform CTO Jason McGee about what IBM Cloud is about, who it's for, and what it offers.

---

## [Stories From KubeCon- IBM announces Razee, a Multi-Cluster Continuous...](https://dzone.com/articles/-stories-from-kubecon-ibm-announces-razee-a-multi)

Date: 2019-09-03

Originally published at: https://dzone.com/articles/-stories-from-kubecon-ibm-announces-razee-a-multi

Stop pushing and start pulling with this new continuous delivery tool for Kubernetes, straight from IBM at KubeCon.

---

## [ETHBerlin 2019 - Decentralized Heatathon](https://kauri.io/article/09019039d2564449a129f7f415b79187)

Date: 2019-08-30

Originally published at: https://kauri.io/article/09019039d2564449a129f7f415b79187

I wasn't at Berlin Blockchain week in 2018, so can't directly compare the two events, but this year seemed busy to me, others mentioned they thought it was quieter. However, the venues used for the events were large and sprawling, so it was hard to get a complete picture of how many attendees there were, but the crowd felt enthusiastic to me. Especially considering the sweltering heat for most of the week.

---

## [Top 5 Resources for Web App Accessibility](https://www.telerik.com/blogs/top-5-resources-web-app-accessibility)

Date: 2019-08-23

Originally published at: https://www.telerik.com/blogs/top-5-resources-web-app-accessibility

Kickstart turning your web pages into accessible web pages. Here are our 5 favorite resources for learning what you need to change and how to implement those changes.

---

## [7 Ways to Make Your Angular App More Accessible](https://www.telerik.com/blogs/7-ways-to-make-your-angular-app-more-accessible)

Date: 2019-08-20

Originally published at: https://www.telerik.com/blogs/7-ways-to-make-your-angular-app-more-accessible

Angular is a popular framework for creating powerful JavaScript applications quickly. However, it doesn’t always create the most accessible applications. In this post we look at ways that anyone can implement to make Angular based applications usable by all.

---

## [Accessibility Regulations You Need to Follow: Section 508](https://www.telerik.com/blogs/accessibility-regulations-you-need-to-follow-section-508)

Date: 2019-08-01

Originally published at: https://www.telerik.com/blogs/accessibility-regulations-you-need-to-follow-section-508

What is Section 508 of the Rehabilitation Act of 1973, and why should you adhere to it when developing your product or services? Learn what you need to know in this article.

---

## [Motor Disabilities and What You Need for Accessibility](https://www.telerik.com/blogs/motor-disabilities-and-what-you-need-for-accessibility)

Date: 2019-07-30

Originally published at: https://www.telerik.com/blogs/motor-disabilities-and-what-you-need-for-accessibility

Designing for accessibility can make your website better for everyone. In this article, we'll define motor disabilities and talk about web development strategies for improving accessibility for users with a motor disability.

---

## [Auditory Disabilities and What You Need for Accessibility](https://www.telerik.com/blogs/auditory-disabilities-and-what-you-need-for-accessibility)

Date: 2019-07-29

Originally published at: https://www.telerik.com/blogs/auditory-disabilities-and-what-you-need-for-accessibility

The web increasingly provides both a rich visual and audio experience. In this article, we'll define auditory disabilities and talk about web development strategies for improving accessibility for users with hearing impairment.

---

## [Vision Disabilities and What You Need for Accessibility](https://www.telerik.com/blogs/vision-disabilities-and-what-you-need-for-accessibility)

Date: 2019-07-23

Originally published at: https://www.telerik.com/blogs/vision-disabilities-and-what-you-need-for-accessibility

In this article, we'll define vision disabilities and talk about web development strategies for improving accessibility for users with visual impairments.

---

## [Bosque- Microsoft’s New Programming Language](https://dzone.com/articles/-bosque-microsofts-new-programming-language)

Date: 2019-07-19

Originally published at: https://dzone.com/articles/-bosque-microsofts-new-programming-language

Check out this great introduction to Microsoft's open-source Bosque language as well as hear from its creator.

---

## [The WCAG: Accessibility Regulations You Need to Know](https://www.telerik.com/blogs/the-wcag-accessibility-regulations-you-need-to-know)

Date: 2019-07-16

Originally published at: https://www.telerik.com/blogs/the-wcag-accessibility-regulations-you-need-to-know

In this era ruled by digital information, it’s vital to make sure that the internet’s vast wealth of knowledge is accessible to as many people as possible. This article explains how adherence to the Web Content Accessibility Guidelines, or WCAG, helps you get closer to that goal.

---

## [The International Accessibility Standards You Need to Follow](https://www.telerik.com/blogs/the-international-accessibility-standards-you-need-to-follow)

Date: 2019-07-11

Originally published at: https://www.telerik.com/blogs/the-international-accessibility-standards-you-need-to-follow

American web accessibility standards are often top of mind for most developers, but the United Nations, European Union and many nations have their own laws and policies. Read more about how to develop international accessibility standards in this blog post.

---

## [Netlify Dev- Test the Netlify Hosting Platform Locally](https://dzone.com/articles/-netlify-dev-test-the-netlify-hosting-platform-loc)

Date: 2019-07-07

Originally published at: https://dzone.com/articles/-netlify-dev-test-the-netlify-hosting-platform-loc

A DZone Zone Leader shares a podcast where he interviews the founder of Netlify and then shows how to use this platform on you local machine.

---

## [Pengwin- Linux Optimized for the Windows Subsystem](https://dzone.com/articles/-pengwin-linux-optimized-for-the-windows-subsystem)

Date: 2019-06-11

Originally published at: https://dzone.com/articles/-pengwin-linux-optimized-for-the-windows-subsystem

Here's a walkthrough of Pengwin, a custom Linux distro built specifically with Windows in mind.

---

## [SecurEth Guidelines - Getting Started](https://kauri.io/article/791ef4c00e924247921e98c95efbdd73)

Date: 2019-06-06

Originally published at: https://kauri.io/article/791ef4c00e924247921e98c95efbdd73

Start with writing a System Description Document. The Development Plan and Preliminary Audit are optional components but quite valuable for new development teams.

---

## [Creating a Serverless Application with KendoReact](https://www.telerik.com/blogs/creating-a-serverless-application-with-kendoreact)

Date: 2019-05-24

Originally published at: https://www.telerik.com/blogs/creating-a-serverless-application-with-kendoreact

In this article, we walk you through creating a serverless application with the Serverless Framework, deploying it to the cloud, and creating a user interface for it using KendoReact.

---

## [Revolutionizing Health Data With Arkhn](https://dzone.com/articles/-revolutionizing-health-data-with-arkhn)

Date: 2019-05-21

Originally published at: https://dzone.com/articles/-revolutionizing-health-data-with-arkhn

A discussion of what the team at Arkhn is doing with health data and the impact they hope it will have.

---

## [Fluree- Blockchain, GraphQL, and More- All in One Database](https://dzone.com/articles/-fluree-blockchain-graphql-and-more-all-in-one-dat)

Date: 2019-05-21

Originally published at: https://dzone.com/articles/-fluree-blockchain-graphql-and-more-all-in-one-dat

Learn more about Fluree and listen to an interview one of our Zone Leaders had with Co-CEO Brian Platz.

---

## [Q and A- Making Open Source More Accessible to Enterprises](https://dzone.com/articles/making-open-source-more-accessible-to-enterprises)

Date: 2019-05-20

Originally published at: https://dzone.com/articles/making-open-source-more-accessible-to-enterprises

In this interview, see what one company's philosophy about open source products and development for enterprise apps holds.

---

## [Revolutionizing Health Data With Arkhn](https://dzone.com/articles/-revolutionizing-health-data-with-arkhn)

Date: 2019-05-20

Originally published at: https://dzone.com/articles/-revolutionizing-health-data-with-arkhn

A discussion of what the team at Arkhn is doing with health data and the impact they hope it will have.

---

## [Mojobot- The World’s First Tangible Coding Robot and Board Game](https://dzone.com/articles/-mojobot-the-worlds-first-tangible-coding-robot-an)

Date: 2019-05-08

Originally published at: https://dzone.com/articles/-mojobot-the-worlds-first-tangible-coding-robot-an

Learning to code with a board game? Sounds too good to be true.

---

## [April 25th 2019 Newsletter](https://kauri.io/article/81555225559743089665e46d2619037a)

Date: 2019-04-26

Originally published at: https://kauri.io/article/81555225559743089665e46d2619037a

Kauri aims to make building with Ethereum as straightforward as existing web 2.0 developer tools and frameworks. To help reach that goal, we are building a content platform for experts in the ecosystem to share their knowledge with those looking to grow theirs.

---

## [Will the Opera web3 wallet drive adoption?](https://kauri.io/article/2cfdfa427d324b57b2afd034f3cfb145)

Date: 2019-04-24

Originally published at: https://kauri.io/article/2cfdfa427d324b57b2afd034f3cfb145

A year or so ago I wanted to replace Google Chrome as my main browser. Why? First I was unsure and uncomfortable with the potential amount of data shared with Google. Second Chrome now reminds me too much of Internet Explorer in the 90s and early 2000s, where certain websites and features would only work in one browser, going against the entire concept of an open internet.

---

## [Google&#39;s Season of Docs - Fostering open source collaboration with technical writers](https://kauri.io/article/b2c15b0fc0ef49dfa4f4656590398d55)

Date: 2019-04-23

Originally published at: https://kauri.io/article/b2c15b0fc0ef49dfa4f4656590398d55

Kauri is passionate about improving developer documentation and experience. At the moment we are working to do this in the Ethereum and Web3 space, in the longer term future we hope to do the same with other open source technologies. We do this with our content platform and helping fund and mentor project documentation improvements. For example, until April 30th we are helping fund documentation improvements to ENS and Plasma Group (components) as part of the Ethereal hackathon.

---

## [OpenStack Stein- Kubernetes and Bare Metal](https://dzone.com/articles/-openstack-stein-kubernetes-and-bare-metal)

Date: 2019-04-23

Originally published at: https://dzone.com/articles/-openstack-stein-kubernetes-and-bare-metal

The 19th release brings improved Kubernetes support, plus enhanced bare metal & network management.

---

## [Removing the Lid on Kata Containers](https://dzone.com/articles/removing-the-lid-on-kata-containers)

Date: 2019-04-18

Originally published at: https://dzone.com/articles/removing-the-lid-on-kata-containers

To find out more about the Kata Containers project, including how they compare to other solutions, and recent developments, I spoke with the team.

---

## [Kauri celebrates 500th post](https://kauri.io/article/de927174d7b54ac2a33d8a37c43f9797)

Date: 2019-04-12

Originally published at: https://kauri.io/article/de927174d7b54ac2a33d8a37c43f9797

Ten days ago Kevin Small posted Visualizing Bitcoin Transactions in 3D and Virtual Reality, making it the 500th post submitted to Kauri. We thought this was a great time to recap and recount some of our and your favorite posts from the past year since Kauri began.

---

## [Reading on Kauri](https://dev2.kauri.io/article/1c08250d4c4f4c4eb84d5c064541fd3c)

Date: 2019-03-28

Originally published at: https://dev2.kauri.io/article/1c08250d4c4f4c4eb84d5c064541fd3c

Reading articles on Kauri is straightforward, but here are a few features we hope make that experience better, and helps improve the reading experience for everyone.

---

## [True Anonymity, Privacy, and SNApps With Simon Harman of Loki](https://dzone.com/articles/true-anonymity-privacy-and-snapps-with-simon-harma)

Date: 2019-03-26

Originally published at: https://dzone.com/articles/true-anonymity-privacy-and-snapps-with-simon-harma

Need to improve privacy and anonymity?

---

## [Peer-to-peer hypermedia with IPFS](https://dev2.kauri.io/article/a6a0de7d0a914259a4613479f8f2d13f)

Date: 2019-03-19

Originally published at: https://dev2.kauri.io/article/a6a0de7d0a914259a4613479f8f2d13f

InterPlanetary File System, also known as IPFS, is a peer to peer media protocol that means to make the web faster, safer, and open sourced. Right now we're in need of a system that has fast performance, continuous access to content, efficient data transfer, easy naming conventions, and low cost. Although IPFS is in its early stages, it can do all of these things.

---

## [Installing IPFS](https://dev2.kauri.io/article/b01b9b7bebcd4ebf80edf021bdd0e232)

Date: 2019-03-19

Originally published at: https://dev2.kauri.io/article/b01b9b7bebcd4ebf80edf021bdd0e232

In this tutorial, we install IPFS and learn its basic commands.

---

## [March 13th - An improved reading and writing experience](https://dev2.kauri.io/article/904ece2aaa764ccb8918c6c0199958cc)

Date: 2019-03-14

Originally published at: https://dev2.kauri.io/article/904ece2aaa764ccb8918c6c0199958cc

Kauri aims to make building with Ethereum as straightforward as existing web 2.0 developer tools and frameworks. To help reach that goal, we are building a content platform for experts in the ecosystem to share their knowledge with those looking to grow theirs.

---

## [Writing on Kauri](https://dev2.kauri.io/article/cc1cefd3523b4faeafc700a44698e43d)

Date: 2019-03-12

Originally published at: https://dev2.kauri.io/article/cc1cefd3523b4faeafc700a44698e43d

Welcome to Kauri, we're excited to help you share your knowledge across the world via the Ethereum ecosystem.

---

## [Developer Relations and Tech Evangelism With Rachel Black of Lisk](https://dzone.com/articles/developer-relations-and-tech-evangelism-with-rache)

Date: 2019-03-12

Originally published at: https://dzone.com/articles/developer-relations-and-tech-evangelism-with-rache

Chris speaks with Lisk's new tech evangelist to find out what the developer experience focussed blockchain project has been up to since summer 2018.

---

## [Smart Contract Utilities with ZeppelinOS - Deploying to Mainnet](https://dev2.kauri.io/article/c6aadc15a87b403ca428602f4d6ea30e)

Date: 2019-03-06

Originally published at: https://dev2.kauri.io/article/c6aadc15a87b403ca428602f4d6ea30e

In previous tutorials, we used our local development environment for testing. This tutorial describes how to change your code so that you can deploy to the Etehreum mainnet.

---

## [Embleema- The Blockchain That Lets You Own Your Health Data](https://dzone.com/articles/embleema-the-blockchain-that-lets-you-own-your-hea)

Date: 2019-02-14

Originally published at: https://dzone.com/articles/embleema-the-blockchain-that-lets-you-own-your-hea

Healthcare generates a lot of data, but most of it isn't available to those generating the data: patients. Learn how one team is using blockchain to address this issue.

---

## [2018 in review](https://medium.com/@chrischinchilla/2018-in-review-9a05967f50cc)

Date: 2019-01-05

Originally published at: https://medium.com/@chrischinchilla/2018-in-review-9a05967f50cc

Slightly late on my yearly roundup, which was the catchphrase of the

---

## [OpenStack Summit Berlin 2018- Running Your Cloud](https://dzone.com/articles/openstack-summit-berlin-2018-running-your-cloud)

Date: 2018-12-13

Originally published at: https://dzone.com/articles/openstack-summit-berlin-2018-running-your-cloud

The latest cloud and DevOps news from Berlin.

---

## [A Year in Review - BlockchainOps Entrepreneur](https://dzone.com/articles/a-year-in-review-blockchainops-entrepreneur)

Date: 2018-12-11

Originally published at: https://dzone.com/articles/a-year-in-review-blockchainops-entrepreneur

What technologies were the most significant in 2018, and which will go to 2019.

---

## [Thoughtworks Technology Radar 19 — Cloud, Chaos, and Cross-Platform](https://dzone.com/articles/thoughtworks-technology-radar-19-cloud-chaos-and-c)

Date: 2018-12-03

Originally published at: https://dzone.com/articles/thoughtworks-technology-radar-19-cloud-chaos-and-c

Zone Leader Chris Ward discusses Thoughtworks technology trends and predictions.

---

## [5G and Alibaba Cloud With Tony Cheng](https://dzone.com/articles/5g-and-alibaba-cloud-with-tony-cheng)

Date: 2018-11-27

Originally published at: https://dzone.com/articles/5g-and-alibaba-cloud-with-tony-cheng

Let's take a look at Alibaba Cloud and their plans for growth in European markets and push towards 5G.

---

## [Our 5G Futures at 5GTechritory](https://dzone.com/articles/our-5g-futures-at-5gtechritory)

Date: 2018-11-12

Originally published at: https://dzone.com/articles/our-5g-futures-at-5gtechritory

Click here to learn more on how 5G is changing the future of connectivity and mobile communication around the globe.

---

## [What is Continuous Integration?](https://www.exoscale.com/syslog/what-is-continuous-integration/)

Date: 2018-11-08

Originally published at: https://www.exoscale.com/syslog/what-is-continuous-integration/

It’s hard to find terms getting more attention in the software world in the last few years than the closely related practices of Continuous Integration(CI) andContinuous Delivery or Continuous Deployment(CD), often referred to in tandem as CI/CD. Organizations across the world, from one-person development shops to multinational corporations, are implementing CI and CD for their software products.

---

## [Blockwatch- The aeternity Blockchain](https://dzone.com/articles/blockwatch-the-aeligternity-blockchain)

Date: 2018-11-02

Originally published at: https://dzone.com/articles/blockwatch-the-aeligternity-blockchain

For those who want to see an application of the still newly-emergent Blockchain technology, check out this review of the aeternity project.

---

## [Secure Yourself for National Cyber Security Awareness Month](https://dzone.com/articles/secure-yourself-for-national-cyber-security-awaren)

Date: 2018-10-24

Originally published at: https://dzone.com/articles/secure-yourself-for-national-cyber-security-awaren

October is National Cyber Security Awareness Month. Check out this post to make sure you are practicing strong security habits.

---

## [GitHub Universe 2018 - Enterprise, Enterprise, Enterprise](https://dzone.com/articles/github-universe-2018-enterprise-enterprise-enterpr)

Date: 2018-10-19

Originally published at: https://dzone.com/articles/github-universe-2018-enterprise-enterprise-enterpr

A DZone Zone Leader heads to GitHub Universe and notes the heavy emphasis on enterprise from the speakers in the keynote address.

---

## [Best Tools for Debugging Distributed Applications](https://dzone.com/articles/best-tools-for-debugging-distributed-applications)

Date: 2018-10-18

Originally published at: https://dzone.com/articles/best-tools-for-debugging-distributed-applications

Take a look at some of the best tools and methods for getting your distributed applications debugged and back in business.

---

## [Creating a Smart Home With Conrad Connect](https://dzone.com/articles/creating-a-smart-home-with-conrad-connect)

Date: 2018-09-27

Originally published at: https://dzone.com/articles/creating-a-smart-home-with-conrad-connect

Want to learn more about creating a smart home with Conrad Connect? Check out this review on using the Conrad Connect to see if you can use it for your next IoT project.

---

## [IFAlicious- Europe&#39;s Consumer Tech Fair Trends](https://dzone.com/articles/ifalicious-europes-consumer-tech-fair-trends)

Date: 2018-09-15

Originally published at: https://dzone.com/articles/ifalicious-europes-consumer-tech-fair-trends

Want to hear what you missed at this yer's IFA event? Check out this post to learn more about Europe's consumer tech fair trends.

---

## [What Apple&#39;s September Announcements Might Mean for Developers](https://dzone.com/articles/what-apples-september-announcements-might-mean-for)

Date: 2018-09-13

Originally published at: https://dzone.com/articles/what-apples-september-announcements-might-mean-for

While Apple announcements are exciting, they're more often user focused than dev focused. Still, we'll do our best to peel back that lid and find out what this means for developers.

---

## [Building Chatbots in React With Botonic](https://dzone.com/articles/building-chatbots-in-react-with-botonic)

Date: 2018-09-09

Originally published at: https://dzone.com/articles/building-chatbots-in-react-with-botonic

Learn how to use the open source and popular React.js framework to create your own chatbot for that app you're developing.

---

## [Afrolynk- African Tech and Entrepreneurship](https://dzone.com/articles/afrolynk-african-tech-and-entrepreneurship)

Date: 2018-09-05

Originally published at: https://dzone.com/articles/afrolynk-african-tech-and-entrepreneurship

Take a look at this developer's reflection on African involvement in technology and the challenges that African entrepreneurs and technologists face.

---

## [eyeo, Adblocker plus and the future of funding](https://dzone.com/articles/eyeo-adblocker-plus-and-the-future-of-funding)

Date: 2018-08-30

Originally published at: https://dzone.com/articles/eyeo-adblocker-plus-and-the-future-of-funding

Since content has been created, companies have been attempting to monetize it. Read about this new way that one ad blocking companie is making money.

---

## [Blockwatch- Ripple, Coil, Codius, and Malta Summit](https://dzone.com/articles/blockwatch-ripple-coil-codius-and-malta-summit)

Date: 2018-08-20

Originally published at: https://dzone.com/articles/blockwatch-ripple-coil-codius-and-malta-summit

In this installment of Blockwatch, check out this latest news on Ripple, Coil, Codius and the Malta Summit. There's a lot happening in blockchain! Click here for more!

---

## [Vale for Spelling, Grammar, Style and Readability Linting](https://dzone.com/articles/vale-for-spelling-grammar-style-and-readability-li)

Date: 2018-08-14

Originally published at: https://dzone.com/articles/vale-for-spelling-grammar-style-and-readability-li

If you've wanted a spell checker or autocorrect that simply does more, check out how this tool is bein used to check for tense and syle as well.

---

## [What Smart Home IoT Platform Should You Use?](https://dzone.com/articles/what-smart-home-iot-platform-should-you-use)

Date: 2018-07-31

Originally published at: https://dzone.com/articles/what-smart-home-iot-platform-should-you-use

Wondering which IoT devices you need for your home? Check out this guide of the different types of IoT platforms to connect the devices in your home!

---

## [Blockwatch- A Week in Berlin Blockchain](https://dzone.com/articles/blockwatch-a-week-in-berlin-blockchain)

Date: 2018-07-27

Originally published at: https://dzone.com/articles/blockwatch-a-week-in-berlin-blockchain

In the past week, Berlin has hosted two high-profile blockchain conferences: DAppCon and the Blockchain Visionaries Summit. Click here for some of the highlights.

---

## [Embracing the Chaos of Chaos Engineering](https://dzone.com/articles/embracing-the-chaos-of-chaos-engineering)

Date: 2018-07-20

Originally published at: https://dzone.com/articles/embracing-the-chaos-of-chaos-engineering

Learn how chaos engineering helps you find seemingly random errors in today's modern, increasingly complex applications.

---

## [What is Artificial Intelligence?](https://blog.codeship.com/what-is-artificial-intelligence/)

Date: 2018-07-19

Originally published at: https://blog.codeship.com/what-is-artificial-intelligence/

Before we begin, let’s get definitions straight — what is artificial intelligence (AI)? Or more specifically, what isn’t it? As you might expect, ask any technical person for a definition of something, and you’ll get a dozen different responses, and at least half of them will be, “It depends.”

---

## [How to Market Blockchain With Consensys and Lisk](https://dzone.com/articles/marketing-blockchain-with-consensys-and-lisk)

Date: 2018-07-18

Originally published at: https://dzone.com/articles/marketing-blockchain-with-consensys-and-lisk

Check out this post to learn more about working with Consensys and Lisk to improve blockchain marketing for new application paradigms.

---

## [Why Programmers Should Play Boardgames](https://dzone.com/articles/why-programmers-should-play-boardgames)

Date: 2018-07-17

Originally published at: https://dzone.com/articles/why-programmers-should-play-boardgames

Close the laptop and break out the dice...after you read this post about how board games can help ease your troubled dev mind.

---

## [Creating Your Own Whimsical Twitter Bot With Tracery](https://dzone.com/articles/creating-your-own-whimsical-twitter-bot-with-trace)

Date: 2018-06-29

Originally published at: https://dzone.com/articles/creating-your-own-whimsical-twitter-bot-with-trace

Read this fun article about how to create a Twitter bot with Tracery.

---

## [What Is Blockchain?](https://blog.codeship.com/what-is-blockchain/)

Date: 2018-06-26

Originally published at: https://blog.codeship.com/what-is-blockchain/

The world and its dog has gone crazy for blockchain (and related technologies, which is a whole other post). The past two years have been a hype roller coaster for the technology with stories of equally insane valuations, technical proposals, media exposure, regulatory nightmares, frauds, and unrealized dreams.

---

## [Discovering the True Meaning of Innovation with Login Festival](https://dzone.com/articles/discovering-the-true-meaning-of-innovation-with-lo)

Date: 2018-06-26

Originally published at: https://dzone.com/articles/discovering-the-true-meaning-of-innovation-with-lo

Check out what we can learn about creativity and innovation from some of the more unorthodox talks given at Login Festival.

---

## [Fostering Open Source at FOSS Backstage](https://dzone.com/articles/fostering-open-source-at-foss-backstage)

Date: 2018-06-19

Originally published at: https://dzone.com/articles/fostering-open-source-at-foss-backstage

Zone Leader Chris Ward give a recap on some of the highlights of the FOSS Backstage Conference, on security, cost, empathy, and more.

---

## [Computational Knowledge With Stephen Wolfram](https://dzone.com/articles/computational-knowledge-with-stephen-wolfram)

Date: 2018-06-14

Originally published at: https://dzone.com/articles/computational-knowledge-with-stephen-wolfram

For decades Wolfram has created tools to help scientists, mathematicians, and programmers get answers. We speak with Stephen about his work and computational computing.

---

## [A guide to the hybrid cloud networking landscape](https://www.exoscale.com/syslog/hybrid-cloud-networking/)

Date: 2018-06-12

Originally published at: https://www.exoscale.com/syslog/hybrid-cloud-networking/

If you are employing cross datacenter or ahybrid cloud infrastructure, then your containers, services, and endpoints need to be able to communicate with each other, preferably in the most straightforward and fastest ways possible. This post showcases some of the options available to you, and how they compare.

---

## [What Can Software Foundations Bring to Your Project?](https://dzone.com/articles/what-can-software-foundations-bring-to-your-projec)

Date: 2018-06-06

Originally published at: https://dzone.com/articles/what-can-software-foundations-bring-to-your-projec

Find out the important roles that software foundations play in providing longevity and structural support for open source projects.

---

## [Customizing Sublime Text for Writers](https://dzone.com/articles/customizing-sublime-text-for-writers)

Date: 2018-05-28

Originally published at: https://dzone.com/articles/customizing-sublime-text-for-writers

Are you using the Sublime Text editor? If so, you may want to rethink this. One man gives his opinion on Sublime and gives several other options you can choose from.

---

## [FOSS Backstage – For Everyone in Open Source](https://dzone.com/articles/foss-backstage-for-everyone-in-open-source)

Date: 2018-05-21

Originally published at: https://dzone.com/articles/foss-backstage-for-everyone-in-open-source

FOSS Backstage is a new conference for open source developers and managers. Find out more information about the conference here.

---

## [Is Quitting Bad Software as Hard as Becoming Vegan?](https://dzone.com/articles/is-quitting-bad-software-as-hard-as-becoming-vegan)

Date: 2018-05-15

Originally published at: https://dzone.com/articles/is-quitting-bad-software-as-hard-as-becoming-vegan

Just how far are you willing to go not to use software that you disagree with? Chris Ward takes a look down the rabbit hole.

---

## [Ethics for Designers and Developers at The First Berlin Ethical Tech Meetup](https://dzone.com/articles/ethics-for-designers-and-developers-at-the-first-b)

Date: 2018-05-14

Originally published at: https://dzone.com/articles/ethics-for-designers-and-developers-at-the-first-b

Trade your developer hat for your philosopher's cap and take a look at the ethics of weaponized tech design and engineering.

---

## [Blueprint: Transferring Customer Support Requests Between Facebook Pages ](https://medium.com/@chrischinchilla/transferring-customer-support-requests-between-facebook-pages-241e23c7000c)

Date: 2018-05-09

Originally published at: https://medium.com/@chrischinchilla/transferring-customer-support-requests-between-facebook-pages-241e23c7000c

Maintaining conversations between multiple channels is a difficult

---

## [News from KubeCon and Cloud Native Con 2018](https://dzone.com/articles/news-from-kubecon-and-cloud-native-con-2018)

Date: 2018-05-07

Originally published at: https://dzone.com/articles/news-from-kubecon-and-cloud-native-con-2018

Straight from KubeCon and Cloud Native Con 2018, here are some of the most exciting announcements from Microsoft, Cloud 66, Bitnami, and others.

---

## [The Promises, Payoff, and Products of Hybrid Clouds](https://dzone.com/articles/the-promises-payoff-and-products-of-hybrid-clouds)

Date: 2018-05-02

Originally published at: https://dzone.com/articles/the-promises-payoff-and-products-of-hybrid-clouds

With more complications than initially expected, public and private cloud infrastructures are quickly giving way to their combination: hybird clouds.

---

## [Ready for Bionic Beaver? What&#39;s New in Ubuntu 18.04](https://dzone.com/articles/ready-for-bionic-beaver-whats-new-in-ubuntu-1804)

Date: 2018-05-01

Originally published at: https://dzone.com/articles/ready-for-bionic-beaver-whats-new-in-ubuntu-1804

This week brought the release of the latest version of Ubuntu - 18.04 - so read up on the details about the newest LTS release.

---

## [Production-Scale Deep Learning With Skymind](https://dzone.com/articles/production-scale-deep-learning-with-skymind)

Date: 2018-04-30

Originally published at: https://dzone.com/articles/production-scale-deep-learning-with-skymind

Skymind combines open-source and custom tooling to create two main toolchains that integrate well with other frequently used tools in the data science tool bag.

---

## [The Promises, Payoff, and Products of Hybrid Clouds](https://blog.codeship.com/the-promises-payoff-and-products-of-hybrid-clouds/)

Date: 2018-04-26

Originally published at: https://blog.codeship.com/the-promises-payoff-and-products-of-hybrid-clouds/

The cloud promised to provide us all flexibility. The opportunity to access infinite resources as and when we need them and pay accordingly. We would no longer have to spend time installing, configuring and maintaining servers; we were promised more time to “just code.”

---

## [Will Linux (Finally) Win the Desktop War Because No One Else Cares?](https://dzone.com/articles/will-linux-finally-win-the-desktop-war-because-no)

Date: 2018-04-13

Originally published at: https://dzone.com/articles/will-linux-finally-win-the-desktop-war-because-no

As Apple and Microsoft lose enthusiasm for their desktop operating systems, will it be time for Linux to shine? Or do Linux enthusiasts even care about winning the desktop war anymore?

---

## [Tokenize All the Things and What Happens Next?](https://dzone.com/articles/tokenize-all-the-things-and-what-happens-next)

Date: 2018-04-12

Originally published at: https://dzone.com/articles/tokenize-all-the-things-and-what-happens-next

Communities and entrepreneurs are excitedly creating crypto-tokens for a wide variety of inane and practical purposes. We look at what this could mean for our future.

---

## [The International Crypto Community Comes to Berlin](https://dzone.com/articles/the-international-crypto-community-comes-to-berlin)

Date: 2018-04-03

Originally published at: https://dzone.com/articles/the-international-crypto-community-comes-to-berlin

Zone Leader Chris Ward looks forward to upcoming C3 Crypto Conference in Berlin which offers keynotes, workshops, and exhibitions on the cryptocurrency ecosystem and underlying blockchain technology.

---

## [Customizing Visual Studio Code for Writing](https://dzone.com/articles/customizing-visual-studio-code-for-writing)

Date: 2018-04-02

Originally published at: https://dzone.com/articles/customizing-visual-studio-code-for-writing

Are you a technical writer or dev who needs to create documentation around your project? Check out these extensions you can integrate into VS Code that can help.

---

## [Do We Need the World&#39;s First Emotional Processing Unit? [Audio]](https://dzone.com/articles/do-we-need-the-worlds-first-emotional-processing-u)

Date: 2018-03-28

Originally published at: https://dzone.com/articles/do-we-need-the-worlds-first-emotional-processing-u

Emoshape has created what they call the first emotional processing unit (EPU) dedicated to understanding and putting a value on human emotions.

---

## [What Is DesignOps?](https://blog.codeship.com/what-is-designops/)

Date: 2018-03-27

Originally published at: https://blog.codeship.com/what-is-designops/

As a writer/tech writer/sometimes developer who dabbles in the odd bit of illustration and design, I have often wondered how teams of artists collaborate.

---

## [SXSW Part 2- Fixing Tech, AI, and Startups](https://dzone.com/articles/sxsw-part-2-fixing-tech-ai-and-startups)

Date: 2018-03-24

Originally published at: https://dzone.com/articles/sxsw-part-2-fixing-tech-ai-and-startups

In Part 2 of this round on SXSW, Chris looks at what people had to say about machine learning, artificial intelligence, and the problems with tech.

---

## [SXSW Part 1- Blockchain and SpaceTech](https://dzone.com/articles/sxsw-part-1-blockchain-and-spacetech)

Date: 2018-03-21

Originally published at: https://dzone.com/articles/sxsw-part-1-blockchain-and-spacetech

We hear promises of how blockchain will revolutionize tech, but most of its applications thus far seem rather mundane. Read on to see what devs are doing to change that.

---

## [Tutorial: Using the Messenger Webview to create richer bot-to-user interactions](https://medium.com/@chrischinchilla/using-the-webview-to-create-richer-bot-to-user-interactions-ed8a789523c6)

Date: 2018-03-16

Originally published at: https://medium.com/@chrischinchilla/using-the-webview-to-create-richer-bot-to-user-interactions-ed8a789523c6

Developers are building many different types of experiences in

---

## [DocFX- The Next Documentation Tool to Consider?](https://dzone.com/articles/docfx-the-next-documentation-tool-to-consider)

Date: 2018-03-11

Originally published at: https://dzone.com/articles/docfx-the-next-documentation-tool-to-consider

In this post, we take a look at a new version of Markdown, DocFX Flavored Markdown, and how it can be used to create documentation for REST APIs.

---

## [An Interview With Brian Gracely on Red Hat&#39;s Acquisition of CoreOS...](https://dzone.com/articles/an-interview-with-brian-gracely-on-red-hats-acqu)

Date: 2018-03-07

Originally published at: https://dzone.com/articles/an-interview-with-brian-gracely-on-red-hats-acqu

Chris Ward interviews OpenShift's product strategy director Brian Gracely about Red Hat's recent announcement of their acquisition of CoreOS.

---

## [Mobile World Congress 2018 - Consolidation and Collaboration](https://dzone.com/articles/mobile-world-congress-2018-consolidation-and-colla)

Date: 2018-03-06

Originally published at: https://dzone.com/articles/mobile-world-congress-2018-consolidation-and-colla

Read about the most exciting developments from this year's Mobile World Congress in Barcelona, like IoT, Google assistant, augmented reality, and artificial intelligence.

---

## [SwitchBot- A Smart Home for Everyone?](https://chrischinchilla.com/blog/2018/2018-03-06-switchbot-a-smart-home-for-everyone)

Date: 2018-03-06

See how SwitchBot is attempting to alter the smart home market with a ready-made solution, and how their approach is working.

---

See how SwitchBot is attempting to alter the smart home market with a ready-made solution, and how their approach is working.


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   <img src="https://www.rss-specifications.com/rss-spec-rss.gif" alt="" style="width: 96px; height: 96;">
   <span style="position: absolute; padding: 32px 15px;">{% comment %}Remark that post_url refers to the *original* post url, not Jekyll's post_url variable. Moreover, planet.rb preprocesses the substitutions with Mustache.{% endcomment %}
      <i>{% if "https://dzone.com/articles/switchbot-a-smart-home-for-everyone" != "" %}<a href="https://dzone.com/articles/switchbot-a-smart-home-for-everyone">Original post</a>{% else %}Original post{% endif %} by {% if "https://twitter.com/poteland" != "" %}<a href="https://twitter.com/poteland">Chris Ward</a>{% else %}Chris Ward{% endif %} &mdash; check out <a href="https://dzone.com">Dzone</a>.</i>
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---

## [An Interview With Brian Gracely on Red Hat&#39;s Acquisition of CoreOS...](https://dzone.com/articles/an-interview-with-richard-gracely-on-red-hats-acqu)

Date: 2018-03-02

Originally published at: https://dzone.com/articles/an-interview-with-richard-gracely-on-red-hats-acqu

Chris Ward interviews OpenShift's product strategy director Brian Gracely about Red Hat's recent announcement of their acquisition of CoreOS.

---

## [Embracing the Chaos of Chaos Engineering](https://blog.codeship.com/embracing-the-chaos-of-chaos-engineering/)

Date: 2018-02-22

Originally published at: https://blog.codeship.com/embracing-the-chaos-of-chaos-engineering/

Modern applications are increasingly growing in complexity. Adding a dizzying amount of moving parts, layers of abstraction, reliance on external systems and distribution that all result in a stack that few truly fully understand.

---

## [AIVA- The Artificial Intelligence Composer](https://dzone.com/articles/aiva-the-artificial-intelligence-composer)

Date: 2018-02-18

Originally published at: https://dzone.com/articles/aiva-the-artificial-intelligence-composer

If you are a dev and an artist, you might be interested to know there's an AI that could help you with your musician's block.

---

## [Lint, Lint and Away! Linters for the English Language](https://dzone.com/articles/lint-lint-and-away-linters-for-the-english-languag)

Date: 2018-02-16

Originally published at: https://dzone.com/articles/lint-lint-and-away-linters-for-the-english-languag

If you've used linters before for your code, then you know how useful they can be. This is where grammar meets technology.

---

## [Blockwatch- What Is a Decentralized Exchange?](https://dzone.com/articles/blockwatch-what-is-a-decentralized-exchange)

Date: 2018-02-08

Originally published at: https://dzone.com/articles/blockwatch-what-is-a-decentralized-exchange

In this article, we tackle this question and take a look at some 'developer friendly' platforms that can be used to work with decentralized exchanges.

---

## [What Will Red Hat Acquiring CoreOS Mean for the Kubernetes Ecosystem?](https://dzone.com/articles/what-will-red-hat-acquiring-coreos-mean-for-the-ku)

Date: 2018-02-07

Originally published at: https://dzone.com/articles/what-will-red-hat-acquiring-coreos-mean-for-the-ku

Now that Red Hat has CoreOS, how will this affect Kubernetes and the rest of the cloud community?

---

## [A Roundup of Managed Kubernetes Platforms](https://blog.codeship.com/a-roundup-of-managed-kubernetes-platforms/)

Date: 2018-02-01

Originally published at: https://blog.codeship.com/a-roundup-of-managed-kubernetes-platforms/

In the race of container orchestrators, Kubernetes is surging ahead. But much like when I wrote my post on Docker hosting, people are often stuck on the step of getting their infrastructure to production. Unlike when I first wrote that, the industry has progressed massively, and as you will see, I found a lot of companies willing to offer you solutions for helping you get Kubernetes into production.

---

## [Optimize Your Cloud Native Infrastructure with Replex.Io [Audio...](https://dzone.com/articles/optimize-your-cloud-native-infrastructure-with-rep)

Date: 2018-01-30

Originally published at: https://dzone.com/articles/optimize-your-cloud-native-infrastructure-with-rep

I spoke with the three founders of replex.io who aim to help you identify infrastructure inefficiencies at every level of a stack.

---

## [Managing Large State in Apache Flink - An Intro to Incremental Checkpointing](https://data-artisans.com/blog/managing-large-state-apache-flink-incremental-checkpointing-overview)

Date: 2018-01-23

Originally published at: https://data-artisans.com/blog/managing-large-state-apache-flink-incremental-checkpointing-overview

The post Managing Large State in Apache Flink®: An Intro to Incremental Checkpointing appeared first on data Artisans.

---

## [Container and Serverless Predictions for 2018 With Lucas Carlson [Audio]](https://dzone.com/articles/container-and-serverless-predictions-for-2018-with)

Date: 2018-01-18

Originally published at: https://dzone.com/articles/container-and-serverless-predictions-for-2018-with

Check out this interview with Automic's Lucas Carlson about 2018 predictions for the container and serverless space, especially Docker.

---

## [Berlin Blockchain Day Panel](https://medium.com/@chrischinchilla/blockwatch-berlin-blockchain-day-panel-22528d94933c)

Date: 2018-01-16

Originally published at: https://medium.com/@chrischinchilla/blockwatch-berlin-blockchain-day-panel-22528d94933c

On a cold Friday December night, with a Christmas market buzzing

---

## [Create Cross-Platform Voice Applications With Jovo](https://dzone.com/articles/create-cross-platform-voice-applications-with-jovo)

Date: 2018-01-14

Originally published at: https://dzone.com/articles/create-cross-platform-voice-applications-with-jovo

Jovo aims to create a development framework that allows you to write code once and deliver to multiple voice platforms, taking out a lot of the extra work.

---

## [How To Size Your Apache Flink Cluster - A Back-of-the-Envelope Calculation](https://data-artisans.com/blog/how-to-size-your-apache-flink-cluster-general-guidelines)

Date: 2018-01-11

Originally published at: https://data-artisans.com/blog/how-to-size-your-apache-flink-cluster-general-guidelines

&nbsp;Hypothetical Hardware Setup

---

## [Distributing Operational Knowledge Across a Team](https://dzone.com/articles/distributing-operational-knowledge-across-a-team)

Date: 2018-01-06

Originally published at: https://dzone.com/articles/distributing-operational-knowledge-across-a-team

If your company sounds like a sports arena or an echo chamber, chances are there is some room for efficiency improvement. Here are some tools to help.

---

## [Apache Flink in 2017 - Year in Review](https://data-artisans.com/blog/apache-flink-in-2017-year-in-review)

Date: 2018-01-04

Originally published at: https://data-artisans.com/blog/apache-flink-in-2017-year-in-review

If you take a look at&nbsp;the resolved issues and enhancements for 2017 on Jira&nbsp;you can see that the community resolved over 1,831 issues and feature additions.

---

## [Adding a CMS to Your Static Site With Netlify CMS](https://dzone.com/articles/adding-a-cms-to-your-static-site-with-netlify-cms)

Date: 2018-01-04

Originally published at: https://dzone.com/articles/adding-a-cms-to-your-static-site-with-netlify-cms

If you're looking for a developer-friendly CMS platform for creating static sites, check out this article on a CMS with a growing community of devs.

---

## [Blockwatch- Berlin Blockchain Day Panel [Podcast]](https://dzone.com/articles/blockwatch-berlin-blockchain-day-panel)

Date: 2017-12-31

Originally published at: https://dzone.com/articles/blockwatch-berlin-blockchain-day-panel

In this 25-minute podcast/panel discussion, four Blockchain luminaries talk about how to bring smart contract ideas to reality.

---

## [Distributing Operational Knowledge Across a Team](https://blog.codeship.com/distributing-operational-knowledge-across-a-team/)

Date: 2017-12-28

Originally published at: https://blog.codeship.com/distributing-operational-knowledge-across-a-team/

I am sure we have all worked (or work) for companies, teams, or clients where communication of internal information is somewhere on the scale between nonexistent and abysmal. Despite constant advances in information storage and communication technology, I’m sure many of you would agree that we are still not any better at communicating with each other. In this post, I will discuss some tooling options to consider, but more important, cover when, why, and how to use them.

---

## [2017 in review](https://chrischinchilla.com/blog/2017/2017-12-27-2017-in-review)

Date: 2017-12-27

I began my round of 2016 with how eventful it was, and 2017 continued to deliver major world events that shook countries, cities and people. Despite this, I had a largely positive year, switching from an employee back to a contractor again, which was a largely positive move. I changed my major outlet from SitePoint to DZone, added a handful of others, wrote a lot of content marketing posts for tech companies, wrote a book and (nearly) finished a video course. On top of all that I travelled to many places, including cities and countries I had never been to before.

---

I began my round of 2016 with how eventful it was, and 2017 continued to deliver major world events that shook countries, cities and people. Despite this, I had a largely positive year, switching from an employee back to a contractor again, which was a largely positive move. I changed my major outlet from SitePoint to DZone, added a handful of others, wrote a lot of content marketing posts for tech companies, wrote a book and (nearly) finished a video course. On top of all that I travelled to many places, including cities and countries I had never been to before.

## Writing

{% assign 2017posts = site.posts | where:"date","2017" | where:"categories","Chris" %}

In 2017, I wrote approximately **{{ 2017posts.size }}** articles, blog posts and tutorials. In addition to this I contributed documentation to at least four major clients and contributed to Apache Flink, Webpack, Kubernetes and Docker amongst other open source projects.

The most popular on my Medium account remained '[A documentation crash course](https://hackernoon.com/a-documentation-crash-course-45006a85c15c#.790b6ze0w)', closely followed by '[Making Atom even more awesome](https://hackernoon.com/making-atom-even-more-awesome-my-setup-e7a89969a876#.s2yhf3joo)', from 2017 it was ['A Switchers Tale - My weeks with Linux'](https://hackernoon.com/a-switchers-tale-my-weeks-with-linux-deededb3b635). Most popular on DZone was ['Teaching Children to Code'](https://dzone.com/articles/teaching-children-to-code). I don't have access to statistics for any of my other outlets, but from 'feeling' I would say that my most popular post for Code Ship was ['A Comparison of Docker GUIs'](https://blog.codeship.com/docker-guis/) and ['Automating Screenshots in Documentation'](https://blog.codeship.com/automating-screenshots-in-documentation/), and on OverOps ['Docker Monitoring: 5 Methods for Monitoring Java Applications in Docker'](https://blog.takipi.com/docker-monitoring-5-methods-for-monitoring-java-applications-in-docker/).

## Video and audio

{% assign 2017podcast = site.posts | where:"type","podcast" %}

In 2017 I experimented with the format of the podcast I began in 2016, eventually settling on a regular mixture of one-on-one interviews and links shows with my co-host, Cate Lawrence, and our most popular episode was an [an interview with Scott Heiferman, founder of Meetup](https://soundcloud.com/gregarious-mammal/scott-heiferman-the-past-present-and-future-of-meeting-people-with-meetup-founder). I also contribute to the monthly podcast for documentarians, The "Write the Docs" podcast, and its most popular episode was xx. Overall, this equals **{{ 2017podcast.size }}** podcast episodes. On the surface, I didn't create too many videos, but have been working on a video course for Manning since April, which is nearly finished.

## Presentations

{% assign 2017events = site.events | where:"date","2017" %} I spoke at, or reported on approximately **{{2017events.size}}** conferences and meetups in 12 countries, not including the roughly 2 a week I attend locally on a regular basis.

## Looking forward to 2018

In all honesty, that later half of 2017 has been so busy, that I haven't given much thought to plans for 2018. A lot of my personal and non-professional projects went on hiatus, and I'm trying to work a little less to spend more time on my gaming and non-fiction ideas. We shall see, hope and dream.

---

## [Habitat from Chef- Build, Deploy, and Manage Your Cloud Services](https://dzone.com/articles/habitat-from-chef-build-deploy-and-manage-your-clo)

Date: 2017-12-27

Originally published at: https://dzone.com/articles/habitat-from-chef-build-deploy-and-manage-your-clo

Chef recently introduced the Habitat tool, bringing Chef's advantages to automation and continuous integration. Learn about the suite of tools that make it possible.

---

## [An Overview of the Kontena Platform](https://dzone.com/articles/an-overview-of-the-kontena-platform)

Date: 2017-12-26

Originally published at: https://dzone.com/articles/an-overview-of-the-kontena-platform

The big question with any paid service is whether the cost justifies the features. Let's break down the Kontena SaaS platform so you can decide.

---

## [An Interview With CircleCI CTO Rob Zuber [Audio]](https://dzone.com/articles/an-interview-with-circleci-cto-rob-zuber)

Date: 2017-12-13

Originally published at: https://dzone.com/articles/an-interview-with-circleci-cto-rob-zuber

CircleCI is becoming the CI tool of choice for developers who want to spend more time coding than managing infrastructure. Listen to Chris Ward speak with the CTO.

---

## [Yow! Conferences, for Australian Developers by Developers](https://dzone.com/articles/yow-conferences-for-australian-developers-by-devel)

Date: 2017-12-06

Originally published at: https://dzone.com/articles/yow-conferences-for-australian-developers-by-devel

Check out this software development conference that's currently catering to devs in Australia, but is soon expanding to Southeast Asia.

---

## [Going Serverless? Compare Your FaaS Options](https://dzone.com/articles/going-serverless-compare-your-faas-options)

Date: 2017-12-05

Originally published at: https://dzone.com/articles/going-serverless-compare-your-faas-options

As serverless's popularity grows, so have the number of FaaS providers. Let's break down what's out there, how they work, and whether they're right for you.

---

## [Creating Augmented Reality and IoT Experiences With Thingworx](https://dzone.com/articles/creating-augmented-reality-and-iot-experiences-wit)

Date: 2017-12-04

Originally published at: https://dzone.com/articles/creating-augmented-reality-and-iot-experiences-wit

Thingworx is a comprehensive SaaS platform for creating AR experiences for Industry 4.0 and IoT-heavy workplaces. Here are some use cases to consider.

---

## [Going Serverless? Compare Your FaaS Options](https://blog.codeship.com/going-serverless-compare-your-faas-options/)

Date: 2017-11-29

Originally published at: https://blog.codeship.com/going-serverless-compare-your-faas-options/

As is typical with new concepts and technologies, the absolute definition of “serverless” or FaaS (Functions as a Service) is broad and undefined. In essence, it is a concept that takes cloud computing and “convenience as a service” to the extreme, spinning up processing power when your application needs it and responding with data.

---

## [Graphcool, the GraphQL Backend Development Framework](https://dzone.com/articles/graphcool-the-graphql-backend-development-framewor)

Date: 2017-11-27

Originally published at: https://dzone.com/articles/graphcool-the-graphql-backend-development-framewor

GraphQL allows you to query data in the data-heavy age. It's backed and used by Facebook, but is new and still has tooling gaps. GraphCool aims to solve this.

---

## [Blockwatch- Tools for Working With Solidity](https://dzone.com/articles/blockwatch-tools-for-working-with-solidity)

Date: 2017-11-18

Originally published at: https://dzone.com/articles/blockwatch-tools-for-working-with-solidity

In this article, we look at languages, IDEs, Wallets, and several other tools that you'll need to work with Solidity and blockchain.

---

## [Ruby logging best practices and tips](https://coralogix.com/log-analytics-blog/ruby-logging-best-practices-tips/)

Date: 2017-11-11

Originally published at: https://coralogix.com/log-analytics-blog/ruby-logging-best-practices-tips/

Ruby is an opinionated language with inbuilt Ruby logging options that will serve the needs of small and basic applications. Whilst there are fewer alternatives to these than say, the JavaScript world, there are a handful, and in this post, I will highlight those that are active (based on age and commit activity) and help you figure out the options for logging your Ruby (and Rails applications).

---

## [What Can Musicians and Programmers Learn From Each Other? [Audio]](https://dzone.com/articles/what-can-musicians-and-programmers-learn-from-each)

Date: 2017-11-10

Originally published at: https://dzone.com/articles/what-can-musicians-and-programmers-learn-from-each

A DZone Zoner Leader and a fellow developer discuss the similarities between playing music and writing code. Listen in on this awesome conversation!

---

## [A Writer&#39;s Guide to Conversational Interfaces](https://dzone.com/articles/a-writers-guide-to-conversational-interfaces)

Date: 2017-11-10

Originally published at: https://dzone.com/articles/a-writers-guide-to-conversational-interfaces

Design for people, but write for ears. Get this and more wisdom in this short writer's guide to creating conversational interfaces that use AI to communicate.

---

## [Complex Event Processing with Flink - An Update on the State of Flink CEP](https://data-artisans.com/blog/complex-event-processing-flink-cep-update)

Date: 2017-11-08

Originally published at: https://data-artisans.com/blog/complex-event-processing-flink-cep-update

In the snippet above I named the individual patterns as:

---

## [Are We All Doomed? Your Role in the Ethics of Tech](https://dzone.com/articles/are-we-all-doomed-your-role-in-the-ethics-of-tech)

Date: 2017-11-06

Originally published at: https://dzone.com/articles/are-we-all-doomed-your-role-in-the-ethics-of-tech

Humans have always loved tech. But we're quite a ways from stone tools, and this new tech raises some interesting ethical conundrums for developers.

---

## [Ukraine, on the edge of something and somewhere](https://medium.com/@chrischinchilla/ukraine-on-the-edge-of-something-and-somewhere-3068ec4db148)

Date: 2017-11-01

Originally published at: https://medium.com/@chrischinchilla/ukraine-on-the-edge-of-something-and-somewhere-3068ec4db148

I am standing inside the exhibitor room of (what claims to be) Eastern

---

## [How to Program a Robot [Interview]](https://dzone.com/articles/how-to-program-a-robot)

Date: 2017-10-27

Originally published at: https://dzone.com/articles/how-to-program-a-robot

Anyone interested in getting started with programming robots should check out this interview. Learn what it takes to program a robot.

---

## [Managing Your Business Apps With Apperian- An Interview With Mark Lorion...](https://dzone.com/articles/managing-your-business-apps-with-apperian-an-inter)

Date: 2017-10-24

Originally published at: https://dzone.com/articles/managing-your-business-apps-with-apperian-an-inter

This interview with Mark Lorion, President and General Manager at Apperian, discusses the company's offerings for business app management.

---

## [The Human Side of Digital Operations](https://www.pagerduty.com/blog/human-side-digital-operations/)

Date: 2017-10-23

Originally published at: https://www.pagerduty.com/blog/human-side-digital-operations/

It’s the morning of February 28, 2017, and vast swathes of the internet are unavailable. From individual sites to services that thousands of others rely on — such as Slack, Quora, GitHub and Trello — many are unavailable. You probably remember the day that ‘human error‘ took down so much of the internet, with broad components of AWS that no longer worked. This isn’t the first time an outage has brought the internet to its knees — but the sheer scale of AWS always means that the impact is felt.

---

## [An Overview of the Kontena Platform](https://blog.codeship.com/an-overview-of-the-kontena-platform/)

Date: 2017-10-19

Originally published at: https://blog.codeship.com/an-overview-of-the-kontena-platform/

Back in my Docker hosting post, I noted that deploying and orchestrating containers live was still a missing step in the Docker workflow for many developers. A handful of complex orchestration tools entered to fill the void, with large cloud companies offering to host your setup for you. In that post, I intentionally avoided tools that sat in the middle of this process by helping you to deploy containers to cloud services, but there are plenty of them, including Docker’s own official cloud service. There is still plenty of opportunity for similar services and less than a month ago, I heard of a new option, Kontena.

---

## [GitHub Universe 2017 - Collaboration and Communication](https://dzone.com/articles/github-universe-2017-collaboration-and-communicati)

Date: 2017-10-16

Originally published at: https://dzone.com/articles/github-universe-2017-collaboration-and-communicati

See how GitHub became a leader in version control; learn about the Discovery tab, and how they help you not only code better, but collaborate and communicate.

---

## [Blockwatch - The 9984 Summit](https://dzone.com/articles/blockwatch-the-9984-summit)

Date: 2017-10-13

Originally published at: https://dzone.com/articles/blockwatch-the-9984-summit

Investing in a country, bringing blockchain to the developing world, and making smart contracts easier are just some of the topics covered today.

---

## [How blockchain will disrupt traditional computing](https://techbeacon.com/how-blockchain-will-disrupt-traditional-computing)

Date: 2017-10-04

Originally published at: https://techbeacon.com/how-blockchain-will-disrupt-traditional-computing

technologies](https://techbeacon.com/tags/blockchain){.markup--anchor

---

## [A Guide to Ubuntu Core and Snaps](https://dzone.com/articles/a-guide-to-ubuntu-core-and-snaps)

Date: 2017-10-03

Originally published at: https://dzone.com/articles/a-guide-to-ubuntu-core-and-snaps

Learn about Ubuntu Core's role in IoT development and how Snaps, as a packaging system, augment Linux, containers, and IoT.

---

## [Thierry Carrez on the Release of OpenStack Pike [Podcast]](https://dzone.com/articles/thierry-carrez-on-the-release-of-openstack-pike)

Date: 2017-10-02

Originally published at: https://dzone.com/articles/thierry-carrez-on-the-release-of-openstack-pike

Listen in on this half-hour podcast interview with OpenStack's release manager, covering how to manage projects with large numbers of contributors.

---

## [Blockwatch- Cryptogovernment and Blockchain Marketing](https://dzone.com/articles/blockwatch-cryptogovernment-and-blockchain-marketi)

Date: 2017-09-28

Originally published at: https://dzone.com/articles/blockwatch-cryptogovernment-and-blockchain-marketi

We take a look at what some countries around the world are doing to promote cryptocurrency, as well as how some innovative companies are using blockchain.

---

## [Node logging best practices and tips](https://coralogix.com/log-analytics-blog/node-logging-best-practices-tips/)

Date: 2017-09-28

Originally published at: https://coralogix.com/log-analytics-blog/node-logging-best-practices-tips/

As is traditional with the JavaScript world, there are a dizzying amount of options for node logging. In this article, I will dig into some of the better and lesser known options to see what’s on offer and help you log better in your Node applications.

---

## [Does GraphQL Reduce the Need for Documentation?](https://dzone.com/articles/does-graphql-reduce-the-need-for-documentation)

Date: 2017-09-26

Originally published at: https://dzone.com/articles/does-graphql-reduce-the-need-for-documentation

With GraphQL and tools like it, do you still need to manually document anything? Or can you fire your tech writers right away? Let's check in a real codebase!

---

## [Does GraphQL Reduce the Need for Documentation?](https://blog.codeship.com/documenting-graphql/)

Date: 2017-09-19

Originally published at: https://blog.codeship.com/documenting-graphql/

Before we begin, note that this post isn’t intended as an introduction to GraphQL. For a beginner’s guide, I suggest Derek Haynes’ Codeship post or howtographql.com.

---

## [Sencha Releases ExtReact, Bringing Their Custom Components to the React...](https://dzone.com/articles/sencha-releases-extreact-bringing-their-custom-com)

Date: 2017-09-18

Originally published at: https://dzone.com/articles/sencha-releases-extreact-bringing-their-custom-com

Learn about Sencha's ExtReact, making cross-platform desktop and mobile components available for the React framework, in this interview.

---

## [IFA Berlin 2017- Full of Smarts](https://dzone.com/articles/ifa-berlin-2017-full-of-smarts)

Date: 2017-09-15

Originally published at: https://dzone.com/articles/ifa-berlin-2017-full-of-smarts

IFA Berlin was an assortment of connected products, robots, and personal assistants. See what the future looks like for development.

---

## [Blockwatch- Demystifying the ICO](https://dzone.com/articles/blockwatch-7th-september-demystifying-the-ico)

Date: 2017-09-08

Originally published at: https://dzone.com/articles/blockwatch-7th-september-demystifying-the-ico

We discuss Initial Coin Offerings, or ICOs, and the impact they're having on the blockchain and cryptocurrency world. Read on for more!

---

## [Data Science in a Box With Dataiku](https://dzone.com/articles/data-science-in-a-box-with-dataiku)

Date: 2017-09-06

Originally published at: https://dzone.com/articles/data-science-in-a-box-with-dataiku

In this article, we explore a new application that makes it easy for devs to play the role of data scientist and interview a PM at the company.

---

## [Bringing Touch Bar Support to the Atom Text Editor](https://dzone.com/articles/bringing-touch-bar-support-to-the-atom-text-editor)

Date: 2017-08-30

Originally published at: https://dzone.com/articles/bringing-touch-bar-support-to-the-atom-text-editor

The MacBook Touch Bar has been notoriously labelled as a useless feature... however, it may have found a home with the Atom Text Editor. Check out these different packages that extend touch bar functionality to Atom.

---

## [Tools and Practices for Documenting Microservices](https://blog.codeship.com/documenting-microservices/)

Date: 2017-08-23

Originally published at: https://blog.codeship.com/documenting-microservices/

I will assume you are at least familiar with the concept of microservices — loosely coupled services that provide discrete solutions to business use cases that you can combine to solve current needs and demand. The architectural pattern has gained popularity over the past years, and although not everyone is completely sure what “doing it right” looks like, it’s a concept that suits modern needs and is here to stay for the foreseeable future.

---

## [Bringing DevOps Practices to Database Administrators [Audio]](https://dzone.com/articles/datical-bringing-devops-practices-to-database-admi)

Date: 2017-08-23

Originally published at: https://dzone.com/articles/datical-bringing-devops-practices-to-database-admi

In this podcast interview, learn how Datical is bringing easy-to-use tools inspired by DevOps practices to the traditionally messy world of enterprise databases.

---

## [How to get started in computer science - A course roundup](https://techbeacon.com/how-get-started-computer-science-course-roundup)

Date: 2017-08-21

Originally published at: https://techbeacon.com/how-get-started-computer-science-course-roundup

On occasion, I have created content for and taught computing subjects to students, ranging from absolute newcomers to computers and coding to professionals wanting to top up their skills. When I first started, options for learning to code were limited, restricted to university and college courses that often assumed some prior knowledge and required commitment, time, and money.

---

## [Pepperdata- Bringing DevOps Practices to the Big Data World [Audio]](https://dzone.com/articles/pepperdata-bringing-devops-practices-to-the-big-da)

Date: 2017-08-18

Originally published at: https://dzone.com/articles/pepperdata-bringing-devops-practices-to-the-big-da

I spoke with Pepperdata CEO Ash Munshi about what the company offers and how their customers save hours from running inefficient processing jobs.

---

## [IndiaStack- Disrupting the Second Most Populous Nation in the World](https://dzone.com/articles/india-stack-disrupting-the-second-most-populous-na)

Date: 2017-08-11

Originally published at: https://dzone.com/articles/india-stack-disrupting-the-second-most-populous-na

While you may not have plans for creating data-driven applications that target the Indian market, the example of a large government creating this platform is interesting.

---

## [Scrimba- A New Way to Teach and Learn Code](https://dzone.com/articles/scrimba-a-new-way-to-teach-and-learn-code)

Date: 2017-08-10

Originally published at: https://dzone.com/articles/scrimba-a-new-way-to-teach-and-learn-code

We take a look at a new educational platform that allows beginning devs to sync up their GitHub accounts and practice their new found development skills.

---

## [Heroku Logging and Coralogix](https://coralogix.com/heroku-logging-coralogix/)

Date: 2017-07-28

Originally published at: https://coralogix.com/heroku-logging-coralogix/

Coralogix released a new addon for Heroku. In this post we cover best Logging practices, how different cloud providers enable them, what makes Heroku logging special, and how Coralogix utilizes Heroku’s approach to provide it’s 3rd generation logging experience.

---

## [Steadily Serving the Web for 12 Years, Liam Crilly From NGINX](https://dzone.com/articles/steadily-serving-the-web-for-12-years-liam-crilly)

Date: 2017-07-26

Originally published at: https://dzone.com/articles/steadily-serving-the-web-for-12-years-liam-crilly

Learn about the history and product range of the popular NGINX web server in this interview with its product management director, Liam Crilly.

---

## [Podcasting 101 - What you need to get started on Mac](https://www.cultofmac.com/482571/getting-started-podcasting-mac/)

Date: 2017-07-26

Originally published at: https://www.cultofmac.com/482571/getting-started-podcasting-mac/

Podcasting is undergoing a renaissance with listeners consuming on-demand shows at unprecedented levels, and creators enjoying surprising levels of success with their work. One thing that sets apart the amateurs from the professionals is good content, but the other is production values. Here are some of the things I’ve learned, along with recommendations on the hardware, software and techniques to get you started podcasting using your Mac.

---

## [What affect is tech having on society? An interview with Yael Eisenstat](https://thenextweb.com/contributors/2017/07/20/affect-tech-society-interview-yael-eisenstat/#.tnw_XBsuxwMl)

Date: 2017-07-21

Originally published at: https://thenextweb.com/contributors/2017/07/20/affect-tech-society-interview-yael-eisenstat/#.tnw_XBsuxwMl

Yael Eisenstat has an interesting past. She ‘came out’ as a long term CIA employee in January 2017 after Donald Trump delivered a poorly received speech in front of the C.I.A. Memorial Wall. She didn’t intend to be sensationalist or release state secrets like some previous ex-secret service employees who revealed their identity, rather she had had enough of Trumps stream of insults to her country and hoped that her actions could make a difference. She has advised vice-presidents and major corporate companies and now works at New York University as an adjunct professor. Whilst at the eccentric and eclectic Tech Open Air in Berlin, I spoke with Yael to discuss technology, its impact on society, and we, or tech companies can and should do about it.

---

## [Becoming the First Cyborgs With Liviu Babitz](https://dzone.com/articles/becoming-the-first-cyborgs-with-liviu-babitz)

Date: 2017-07-21

Originally published at: https://dzone.com/articles/becoming-the-first-cyborgs-with-liviu-babitz

While sci-fi predicted sweeping changes in cyborgs, like limb replacement, the truth probably lies in a smaller start, like embedding sensors in our bodies. Liviu Babitz, Founder of Cyborg Nest, agrees, predicting that we will instead look to add new senses or enhance those we already have in small and subtle ways. Liviu began with a small sensor that vibrates when he is facing north, in itself not the most useful sense to possess, but a step in the right direction to show what could be possible.

---

## [A Comparison of Docker GUIs](https://dzone.com/articles/a-comparison-of-docker-guis)

Date: 2017-07-19

Originally published at: https://dzone.com/articles/a-comparison-of-docker-guis

These graphical user interfaces give you a bunch of different and useful ways to interact with Docker. Read on to learn what each one can do.

---

## [Postman Pro Features Now Free For Smaller Projects](https://dzone.com/articles/postman-pro-features-now-free-for-smaller-projects)

Date: 2017-07-19

Originally published at: https://dzone.com/articles/postman-pro-features-now-free-for-smaller-projects

With the latest update, Postman now allows access to monitoring, documentation, mock servers, and other API features for users of its free version.

---

## [Lucas Carlson of Automic - Taking DevOps Beyond Developers [Audio]](https://dzone.com/articles/lucas-carlson-of-automic-taking-devops-beyond-deve)

Date: 2017-07-18

Originally published at: https://dzone.com/articles/lucas-carlson-of-automic-taking-devops-beyond-deve

Lucan Carlson talks about Automic's campaign to bring DevOps style automation and practices to everyone in a business, regardless of their role.

---

## [Helping Make Open Source Secure, Compliant, and Sustainable With Jeff...](https://dzone.com/articles/helping-make-open-source-secure-compliant-and-sust)

Date: 2017-07-18

Originally published at: https://dzone.com/articles/helping-make-open-source-secure-compliant-and-sust

Flexera Software offers tools for producers and consumers of open source software to help ensure compliance and security of open source software in enterprise.

---

## [Startupbootcamp demo day on transport and energy](https://thenextweb.com/contributors/2017/07/17/startupbootcamp-demo-day-transport-energy/#.tnw_GC3oSW3u)

Date: 2017-07-17

Originally published at: https://thenextweb.com/contributors/2017/07/17/startupbootcamp-demo-day-transport-energy/#.tnw_GC3oSW3u

Around me are dozens of vintage cars in an old warehouse, tucked into a corner of Berlin’s north west. Those into cars are in heaven, dashing around the vast building, snapping photos of shiny vehicles as old as most attendees. I on the other hand head straight to the coffee and snacks.

---

## [A Comparison of Docker GUIs](https://blog.codeship.com/docker-guis/)

Date: 2017-07-12

Originally published at: https://blog.codeship.com/docker-guis/

The Docker API has allowed for a plethora of options for interfacing with Docker, your containers, and images to emerge from CLIs to desktop applications and web-based management tools. I am a fan of graphical user interfaces and thought it was time to survey the current landscape of GUIs for interacting with Docker.

---

## [12 must-listen software engineering podcast episodes](https://techbeacon.com/12-must-listen-software-engineering-podcast-episodes)

Date: 2017-07-11

Originally published at: https://techbeacon.com/12-must-listen-software-engineering-podcast-episodes

I listen to hours of developer-focused podcasts each week covering tech, current affairs, board games, and general geekery. I even started my own podcast, which I have a lot of fun making. Hundreds of developers have written blog posts recommending thousands of different podcast series. There's no shortage of such recommendations for software engineers, so I won't subject you to another one of those lists. Instead, I'll idenfity specific podcast episodes that I think nailed a particular topic and were extremely engaging and fascinating from a developer's or technologist's perspective. For some of them, the interview subject or guest was especially interesting, or a discussion cropped up that was really compelling. For some reason, these episodes were very memorable, and that's why I think each one is worth your time.

---

## [Hyperledger&#39;s Brian Behlendorf- Blockchain for Business](https://dzone.com/articles/hyperledgers-brian-behlendorf-blockchain-for-busin)

Date: 2017-07-07

Originally published at: https://dzone.com/articles/hyperledgers-brian-behlendorf-blockchain-for-busin

Check out a key interview with one of the key developers behind the Apache Web Server about the Hyperledger Foundation, which aims to bring blockchain mainstream.

---

## [Pravin Halady of NodeSource - Enterprise Ready Node.js](https://dzone.com/articles/pravin-halady-of-nodesource-enterprise-ready-nodej)

Date: 2017-07-06

Originally published at: https://dzone.com/articles/pravin-halady-of-nodesource-enterprise-ready-nodej

I sat down with Pravin Halady, product manager at NodeSource, to discuss why enterprise developers might need a safer and more secure version of Node.js and npm and what it's like running a business where your biggest competition is the creator of the product you sell.

---

## [Pioneering Education, BioTech, and Blockchain [Podcast]](https://dzone.com/articles/pioneering-education-biotech-and-blockchain)

Date: 2017-07-01

Originally published at: https://dzone.com/articles/pioneering-education-biotech-and-blockchain

A DZone Zone Leader interviews several startups to see how their developers are shaping the future across several industries.

---

## [Pravin Halady of NodeSource- Enterprise Ready Node.js [Podcast]](https://dzone.com/articles/pravin-halady-of-nodesource-enterprise-ready-nodej)

Date: 2017-06-30

Originally published at: https://dzone.com/articles/pravin-halady-of-nodesource-enterprise-ready-nodej

A DZone Zone Leader interviews a member of the project management team at NodeSource, and discusses the possibilities Node.js and npm bring to businesses.

---

## [Docker Monitoring - 5 Methods for Monitoring Java Applications in Docker](https://blog.takipi.com/docker-monitoring-5-methods-for-monitoring-java-applications-in-docker/)

Date: 2017-06-28

Originally published at: https://blog.takipi.com/docker-monitoring-5-methods-for-monitoring-java-applications-in-docker/

Running applications in containers is an increasingly popular way of maintaining large, distributed stacks that change based on demand. The Java VM heritage makes it an ideal language for container-based infrastructures. With many moving parts and components, monitoring Java applications in containers requires planning and choosing the right tools to monitor the aspects that matter to you.

---

## [HashiCorp Tools Useful for Continuous Integration](https://dzone.com/articles/hashicorp-tools-useful-for-continuous-integration)

Date: 2017-06-26

Originally published at: https://dzone.com/articles/hashicorp-tools-useful-for-continuous-integration

HashiCorp tools have been around and are a standard for their contributions to continuous integration workflows. Learn the basics here.

---

## [Time tracking is made painless and easy with Timing 2 app](https://www.cultofmac.com/482549/how-to-automatically-track-your-time-and-productivity-with-timing-app/)

Date: 2017-06-21

Originally published at: https://www.cultofmac.com/482549/how-to-automatically-track-your-time-and-productivity-with-timing-app/

I recently switched back to freelancing full-time, and whilst I am lucky enough to have clients who don’t ask for precise hourly breakdowns, I have always been intrigued to know how much time I was spending on work tasks, especially those tasks that I didn’t directly bill for.

---

## [HashiCorp Tools Useful for Continuous Integration](https://blog.codeship.com/hashicorp-tools-useful-in-ci/)

Date: 2017-06-20

Originally published at: https://blog.codeship.com/hashicorp-tools-useful-in-ci/

HashiCorp is a company that feels like it’s always been around. Quietly plugging away just out of the limelight working on awesome products and every now and then releasing something groundbreaking that you wondered how you worked without it. I attended a couple of meetups recently that covered HashiCorp tools and felt the time was ripe I dug into all they have to offer a CI workflow.

---

## [Chatting With Chip Childers, CTO of Cloud Foundry](https://dzone.com/articles/chip-childers-cto-of-cloud-foundry)

Date: 2017-06-19

Originally published at: https://dzone.com/articles/chip-childers-cto-of-cloud-foundry

This talk with Cloud Foundry's Chip Childers covers the company's history, its tools, and how organizations are using them in production environments.

---

## [Chatting With Chip Childers, CTO of Cloud Foundry](https://dzone.com/articles/chip-childers-cto-of-cloud-foundry)

Date: 2017-06-19

Originally published at: https://dzone.com/articles/chip-childers-cto-of-cloud-foundry

This talk with Cloud Foundry's Chip Childers covers the company's history, its tools, and how organizations are using them in production environments.

---

## [Screeps: The MMO Sandbox Game for Programmers](https://dzone.com/articles/screeps-the-mmo-sandbox-game-for-programmers)

Date: 2017-06-18

Originally published at: https://dzone.com/articles/screeps-the-mmo-sandbox-game-for-programmers

In this article, we explore a video game that requires players to code in JavaScript in order to make any progress in the game and interact with other players.

---

## [The Huawei P10, a Powerfully Small Package](https://chrischinchilla.com/blog/2017/2017-06-12-huwawei-p10-a-powerful-small-package)

Date: 2017-06-12

Like any modern citizen, I love my smartphone, but I wouldn't describe myself as a power user, my phone is supplemental to my computer, not a replacement for it.

---

Like any modern citizen, I love my smartphone, but I wouldn't describe myself as a power user, my phone is supplemental to my computer, not a replacement for it.

My last phone was a [oneplus one](https://oneplus.net/one), great specs but I always found it too large, I don't wear tight jeans, but I like clothes that fit snuggly, and it always stuck out of my pocket, looking obvious, or worst case, breaking the stitching in my trouser pockets. For a while, I've been looking for a smaller device with good specs, and this was hard to find. Then finally Huawei released the [P10](https://consumer.huawei.com/en/mobile-phones/p10/index.htm) at this year's mobile world congress that matched my requirements, and it didn't take me long to snap one up.

The P10 is clearly designed as an iPhone 7 clone, there have even been times when I mistook it myself, the slightly different button designs and the logo on the back are the only differentiating marks. But hey, the iPhone 7 is a nice looking phone, and thus, so is the p10. a good bezel, thin and has pleasantly rounded corners.

## Specifications

I won't regurgitate the specs for the phone here, head over to [GSM arena](https://www.gsmarena.com/huawei_p10-8514.php) for a full list. In short, it's a decent list, with features I was lacking in my last phone like a fingerprint reader, and NFC. I have experienced no slowness so far and the phone has always been responsive. The build quality is good, with a mixture of brushed metal, glass front and small bands of plastic for binding. It's USB C, which I don't find a major issue on a phone, apart from borrowing friends chargers becomes slightly harder. The European model was available in several colours, but none ever seemed to be available, so I ended up with the black model, where everything is black or dark grey except for a curious band of red around the edge of the power button. The camera stands out as it has dual Leica lenses with manual camera settings in the app, but in all honesty, I haven't noticed a massive difference in quality from the oneplus one yet, and I'm not a massive enough camera buff to care too much about getting ideal settings on every occasion.

The battery life has been sporadic, but on average I get a full day, in contrast, I would often get a day and a half on my oneplus one, but again, a day is enough and I have never been left without enough to get me home.

## Software

When it comes to Huawei devices, the biggest criticism often comes from the [Emotion UI](https://emui.huawei.com) they add on top of Android (which is version 7). Again, it's a strong attempt to make an Android phone look like iOS and the white, horizontal layout of system dialogues is easily confused as iOS on a quick glance. Some of the settings, features, and bundled apps are too much, but others I have found useful, so I am mostly happy with it so far and haven't been game to try installing something more vanilla.

I have had one persistent bug which could be related to Android, or the skin, and that's the WiFi selection dialog constantly crashing when trying to select a network, which is incredibly frustrating. I can fix it by going into another setting, and then back into WiFi selection, but that's not a great solution when you're hurriedly trying to connect to WiFi. One other small gripe is that switching airplane mode off always switches Bluetooth back on, even if it was off beforehand, not a major issue, but I am a control freak, so it annoys me.

## Conclusion

A few minor gripes, and perhaps a slightly inflated price aside, I am so far pleased with the P10, it's well made, fits nicely in my clothing, is light, and feels like something I will be happy to have for a couple of years, hopefully, it won't fall foul to a lack of software fixes and updates as Android advances, since purchase Huawei have issued three system updates, so this looks encouraging.

---

## [Founder of Opera and Vivaldi, Jon Stephenson von Tetzchner [Interview]](https://dzone.com/articles/founder-of-opera-and-vivaldi-jon-stephenson-von-te)

Date: 2017-06-04

Originally published at: https://dzone.com/articles/founder-of-opera-and-vivaldi-jon-stephenson-von-te

The internet pioneer sits down with a DZone Zone Leader and MVB to discuss the process of creating a browser, and why he loves designing browsers.

---

## [Pilosa: A New Kind of Database Index [Interview]](https://dzone.com/articles/pilosa-a-new-kind-of-database-index)

Date: 2017-05-31

Originally published at: https://dzone.com/articles/pilosa-a-new-kind-of-database-index

The open-source Pilosa includes production-tested features, including single and multi-node index support, replication, algorithm plugins, a data importer, and more.

---

## [Paddle Merges With DevMate to Offer macOS Developers a Consolidated Distribution Solution](https://dzone.com/articles/paddle-merges-with-devmate-offering-macos-develope)

Date: 2017-05-29

Originally published at: https://dzone.com/articles/paddle-merges-with-devmate-offering-macos-develope

DevMate has announced a merger with Paddle, bringing macOS developers a way to manage in-app payments and subscriptions, and more.

---

## [Interview With Manish Gupta of Redis Labs](https://dzone.com/articles/interview-with-manish-gupta-of-redis-labs)

Date: 2017-05-27

Originally published at: https://dzone.com/articles/interview-with-manish-gupta-of-redis-labs

Check out an interview with Manish Gupta, Chief Marketing Officer of Redis Labs, about data stores, open source, and more.

---

## [CI Workflows and Bots](https://blog.codeship.com/ci-workflows-and-bots/)

Date: 2017-05-24

Originally published at: https://blog.codeship.com/ci-workflows-and-bots/

Chat bots are everywhere. Suddenly our messaging services are inundated with small automated systems inhabiting spaces in the domain of human-to-human communication. We can now have conversations with bots that help us buy products, book travel, make meetings, solve customer service issues, and much more.

---

## [Mobile and Web App Testing with Sauce Labs](https://dzone.com/articles/mobile-and-web-app-testing-with-sauce-labs)

Date: 2017-05-21

Originally published at: https://dzone.com/articles/mobile-and-web-app-testing-with-sauce-labs

Chris Ward's interview with Sauce Labs takes a look at the acquisition of TestObject automated app testing service, SauceCon, and how to test the Internet of Things.

---

## [Feeling Fabulous With Queer Tech at #UNIT Berlin](https://hackernoon.com/feeling-fabulous-with-queer-tech-at-unit-berlin-8b60b09800e0)

Date: 2017-05-19

Originally published at: https://hackernoon.com/feeling-fabulous-with-queer-tech-at-unit-berlin-8b60b09800e0

\#UNIT runs regular meetups in Berlin aimed at those working in tech who identify as Lesbian, Gay, Bisexual, Transgender, and Intersex (LBGTI), but with an overarching message of providing a space for speakers who you might not always see at more mainstream events. I personally don’t identify as any of these, but I always enjoy the diverse messages and fun atmosphere I hear at the meetups, and this was my second time attending the yearly conference.

---

## [iTake, Bucharest: A Crash Course in Software Craftsmanship](https://dzone.com/articles/itake-bucharest-a-crash-course-in-software-craftsm)

Date: 2017-05-17

Originally published at: https://dzone.com/articles/itake-bucharest-a-crash-course-in-software-craftsm

Read on to see what one DZone Zone Leader learned at the iTake conference, including new perspectives on testing, BDD, security, and mob programming.

---

## [About Ship at Docker](https://dzone.com/articles/about-ship-at-docker)

Date: 2017-05-04

Originally published at: https://dzone.com/articles/about-ship-at-docker

I have been a Docker fan since almost day 1, working for a company that packaged its project to work in containers early-on, writing many blog posts on usage and related tooling, attending meetups here in Berlin and contributing to two code sprints as a mentor. Late last year I gave a talk at LinuxCon in Berlin to see Solomon Hykes (Founder) sat in the front row, a nerve-racking delight.

---

## [A Developers Guide to Better Presentations — Part 1, Stage Craft](https://hackernoon.com/a-developers-guide-to-better-presentations-part-1-stage-craft-36e75853656c)

Date: 2017-04-29

Originally published at: https://hackernoon.com/a-developers-guide-to-better-presentations-part-1-stage-craft-36e75853656c

I am not the best public speaker or presenter, but I give lots and enjoy giving them. I also attend many meetups and conferences and so have built a good repertoire of what works and what doesn’t. I have been planning this post for a while, but after a particularly poor presentation last week from a major technical project disappointed me, I felt motivated to get off my backside and write it. Part 1 (of an undecided number) covers stagecraft and vocal techniques.

---

## [Smarter App Notifications With OpenBack](https://dzone.com/articles/smarter-app-notifications-with-openback)

Date: 2017-04-28

Originally published at: https://dzone.com/articles/smarter-app-notifications-with-openback

Notifications: you probably love them or hate them. I like them when they are useful to me, and this is something that the OpenBack SDK attempts to solve. It offers a framework for you to make your in-app notifications more than annoying notices, but tailoring them to users contexts and allowing them to do more with notifications.

---

## [An Introduction to Speech Synthesis Markup Language](https://dzone.com/articles/an-introduction-to-speech-synthesis-markup-languag)

Date: 2017-04-21

Originally published at: https://dzone.com/articles/an-introduction-to-speech-synthesis-markup-languag

Speech synthesis is a not a new technology — computers have been attempting to speak to us for decades — but with the recent rise of voice-activated appliances, speech synthesis is undergoing a renaissance. At more than one meetup I heard Speech Synthesis Markup Language (SSML) mentioned for modeling computerized speech and thought it warranted further investigation.

---

## [Docker for Windows, Linux, and Mac](https://blog.codeship.com/docker-for-windows-linux-and-mac/)

Date: 2017-04-18

Originally published at: https://blog.codeship.com/docker-for-windows-linux-and-mac/

Released earlier in 2017, Docker’s new native applications for Windows and Mac replaced the older methods for running Docker on Windows and Mac and created a better experience for developers using those platforms.

---

## [Real-Time OCR for Mobile Apps With RTR SDK](https://dzone.com/articles/real-time-ocr-for-mobile-apps-with-rtr-sdk)

Date: 2017-04-17

Originally published at: https://dzone.com/articles/real-time-ocr-for-mobile-apps-with-rtr-sdk

I remember the first time I tried the image recognition technology in the Google translate app, snapping a poster to instantly translate what it said into a language I understood. It was far from perfect, but it was cool, and it showed the potential of what more traditional optical character recognition could be used for.

---

## [Preventing SQL injections in Ruby (and other vulnerabilities)](https://blog.sqreen.io/preventing-sql-injections-in-ruby/)

Date: 2017-04-14

Originally published at: https://blog.sqreen.io/preventing-sql-injections-in-ruby/

Ruby is a wonderful language for beginner coders to start with and scale to large, distributed Web and Desktop applications. It has an accepting and helpful community and strives to keep itself up to date to match the needs of developers.

---

## [The realities and challenges of being a digital nomad](https://envato.com/blog/realities-challenges-digital-nomad/)

Date: 2017-04-11

Originally published at: https://envato.com/blog/realities-challenges-digital-nomad/

You jet around the world, a road and sky warrior armed with a laptop in search of a power socket and decent WiFi. No ties, no responsibilities; work when you need it and when you’re bored, you move on. Sounds perfect, doesn’t it?

---

## [JVM-Free Kotlin With Kotlin/Native](https://dzone.com/articles/jvm-free-kotlin-with-kotlinnative)

Date: 2017-04-11

Originally published at: https://dzone.com/articles/jvm-free-kotlin-with-kotlinnative

I would never call myself a real programmer, but I have a healthy obsession with studying new languages that emerge, especially those that arrive with little baggage and attempt to solve current problems and new use cases. This brought about my explorations in recent years of Swift and Kotlin, both initially aimed to fix issues with the languages traditionally used in their worlds, but rapidly became used in more widespread contexts, and generally, have enthusiastic communities.

---

## [Enterprising Israel](https://dzone.com/articles/enterprising-israel)

Date: 2017-04-04

Originally published at: https://dzone.com/articles/enterprising-israel

Much has been written already about Israel’s incredibly successful and mature tech startup scene, but I was lucky enough to be asked to speak at Codemotion in Israel, so thought I would line up interviews with local entrepreneurs, catch some sun, and enjoy the food that Tel Aviv is famous for (and I wasn’t disappointed on that front). I barely scratched the surface of what the city (and country) has to offer, but I hope you will find those I spoke to interesting and useful.

---

## [Tech Salary Trends in 2017](https://dzone.com/articles/tech-salary-trends-in-2017)

Date: 2017-04-04

Originally published at: https://dzone.com/articles/tech-salary-trends-in-2017

Stack Overflow's 2017 developer survey crossed my desk at the same time as a report on tech wage trends from Dice.com, who I’d never heard of before, but the report echoed many of my own observations, so I read further. It’s only from US data, but again, I have seen similar trends in other countries, so thought I’d share insights with you, in case, you know, you’re looking for a change, or are inquisitive about your worth.

---

## [CeBIT 2017 - Business as Usual](https://dzone.com/articles/cebit-2017-business-as-usual)

Date: 2017-03-28

Originally published at: https://dzone.com/articles/cebit-2017-business-as-usual

I’ve never been to CeBit before, but it’s reasonably well-known on the tech conference circuit for announcements, and as it’s only a two-hour train ride from home, I jumped on a Deutsche Bahn and headed to the Worlds largest fairground in Hannover.

---

## [The Internet of Industrial Things](https://dzone.com/articles/the-internet-of-industrial-things)

Date: 2017-03-21

Originally published at: https://dzone.com/articles/the-internet-of-industrial-things

When most people think about the Internet of Things (IoT), it likely conjures ideas of activity-monitoring wearables like Fitbit or home devices for home security (iSmart), lighting (Hue), and coffee makers (Nespresso Prodigio). It’s a mixed opinion on the success of consumer IoT devices, but IoT is making its biggest impact in the industrial realm, where it’s used to reconcile problems that have plagued workplaces for centuries. Industry can use sensor technology to increase efficiency, improve supply chains, reduce waste and increase safety and speed. Last week, I attended the Connected World event from Bosch and bring a selection of companies and activities in what I will term, “The Internet of Industrial Things” (IoIT).

---

## [Berlin-the blockchain capital of the world?](https://dzone.com/articles/berlin-the-blockchain-capital-of-the-world)

Date: 2017-03-19

Originally published at: https://dzone.com/articles/berlin-the-blockchain-capital-of-the-world

With the UK exiting the European Union, Germany is jostling to become the new FinTech capital of the EU. Frankfurt has the history and established finance industry, but Berlin is more affordable, is larger, and has a more diverse population, looking at challenges from different perspectives. With at least six regular blockchain and cryptocurrency related meetups, founding members of Ethereum and Monax present in the city, and countless cryptocurrency related projects, analysts are beginning to call Berlin “the blockchain capital of the world.” As this year’s FinTech Safary threw the doors of organization and co-working spaces open, I met with a small selection of people involved in the scene to see how true this claim is.

---

## [Docker Secrets Management](https://blog.codeship.com/docker-secrets-management/)

Date: 2017-03-14

Originally published at: https://blog.codeship.com/docker-secrets-management/

I’m sure we’ve all been there. That moment when you realize that important and sensitive access details have leaked online into a public space and potentially rendered your services to unrequited access. With the ever-growing amount of services we depend on for our development stack, the number of sensitive details to remember and track has also increased. To cope with this problem, tools have emerged in the field of “secrets management.” In this post, I am going to look at Docker Secrets, the new secrets management feature available in Docker 1.13 and higher.

---

## [What's Next? Google Announces New Features for its Cloud](https://dzone.com/articles/whats-next-google-announces-new-features-for-its-c)

Date: 2017-03-10

Originally published at: https://dzone.com/articles/whats-next-google-announces-new-features-for-its-c

Cloud Next is Google’s regular conference that covers all their cloud-related products. That’s something of a vague and overarching classification, but I squeezed into the Google office in Berlin to watch a live stream of the event and will get you all up to speed.

---

## [Teaching Children to Code](https://dzone.com/articles/teaching-children-to-code)

Date: 2017-03-09

Originally published at: https://dzone.com/articles/teaching-children-to-code

Two experiences in my life have shaped the way I try to talk about technology. One was over ten years ago when I taught a room full of retirees, long-term unemployed, and recent immigrants basic computer skills. I realized that I could throw many of the subjects I had studied out of the window and that the best way to teach people was to give them a reason to learn. Fast forward to last year (and a subject I wrote previously on SitePoint) when I taught programming to a group of recent Syrian refugees. Again, I had to throw away much of my own learning and preconceptions and think afresh.

---

## [The Highlights of Mobile World Congress 2017](https://dzone.com/articles/the-highlights-of-mobile-world-congress-2017)

Date: 2017-03-04

Originally published at: https://dzone.com/articles/the-highlights-of-mobile-world-congress-2017

There is a lot to see, hear, and discover at Mobile World Congress (MWC) and its many side events. From helping the developing world, to brain imaging, and sensors on seals, these are some of my highlights.

---

## [Mobile World Congress 2017](https://dzone.com/articles/mobile-world-congress-2017)

Date: 2017-03-02

Originally published at: https://dzone.com/articles/mobile-world-congress-2017

2016 was quite a year for technology and its impact on the world. Subconsciously or not, nestled amongst the booths of generic Chinese handsets and app marketing companies were many projects and people at MWC that sought to accomplish something more meaningful. Here are some of the themes and concepts I feel will shape 2017 and 2018.

---

## [Preventing SQL injections in Python (and other vulnerabilities)](https://blog.sqreen.io/preventing-sql-injections-in-python/)

Date: 2017-02-28

Originally published at: https://blog.sqreen.io/preventing-sql-injections-in-python/

Python is a wonderful language, ideal for beginners, and easy to scale up from starter projects to complex applications for data processing and serving dynamic web pages. As you increase complexity in your applications, it can be easy to inadvertently introduce potential problems and vulnerabilities. In this article, I will highlight the easiest to miss that can cause the biggest problems, how to avoid them and tools and services that help you save time doing so.

---

## [Setapp aims to solve the App problem for Macs](https://www.cultofmac.com/467861/setapp-aims-solve-mac-apps-problem/)

Date: 2017-02-23

Originally published at: https://www.cultofmac.com/467861/setapp-aims-solve-mac-apps-problem/

There are currently two major issues and trends with application development. One is users finding your efforts, and the other is then making money when they do.

---

## [A switchers tale - My week(s) with Linux](https://hackernoon.com/a-switchers-tale-my-weeks-with-linux-deededb3b635#.l8uob6tn4)

Date: 2017-02-19

Originally published at: https://hackernoon.com/a-switchers-tale-my-weeks-with-linux-deededb3b635#.l8uob6tn4

After using macOS for over 20 years I was interested to get new perspectives and try other operating systems in my daily work. In this second part, I spend a month with Linux.

---

## [Automating Screenshots in Documentation](https://blog.codeship.com/automating-screenshots-in-documentation/)

Date: 2017-01-31

Originally published at: https://blog.codeship.com/automating-screenshots-in-documentation/

Drawing my short series to a close (we’ve talked about testing code examples in documentation and automating spelling and grammar checks in documentation), let’s cover one of the hardest elements of documentation to create and keep up to publishDate: screenshots.

---

## [Java-Free Android](https://www.sitepoint.com/java-free-android/)

Date: 2017-01-17

Originally published at: https://www.sitepoint.com/java-free-android/

Android finds itself in interesting times. Google has begun creating it’s own ‘premium’ versions of the operating system (OS), Cyanogen have ceased development, and many feel that Android will change name or shape in the near future.

---

## [Build Native Apps in the Browser with Configure.IT](https://www.sitepoint.com/build-native-apps-in-the-browser-with-configure-it/)

Date: 2017-01-17

Originally published at: https://www.sitepoint.com/build-native-apps-in-the-browser-with-configure-it/

Creating a modern and feature-rich mobile app has never been a simple task, but is now more complex than ever. There are a plethora of platforms, programming languages and strategies to consider, and knowing where to start and what path to follow involves understanding and appreciating a lot of interconnected components.

---

## [A switchers tale - My week with Windows](https://hackernoon.com/a-switchers-tale-my-week-with-windows-612ea605291#.o4g70gtyi)

Date: 2017-01-13

Originally published at: https://hackernoon.com/a-switchers-tale-my-week-with-windows-612ea605291#.o4g70gtyi

After using macOS for over 20 years I was interested to get new perspectives and try other operating systems in my daily work. In this first part, I spend a month with Windows.

---

## [Build and program with Sam labs Curious Cars](https://chrischinchilla.com/blog/2017/2017-01-05-build-and-program-with-sam-labs-curious-cars)

Date: 2017-01-05

Last year at IFA I came across a small stall lurking within a gathering of startups. The booth was full of blinking small blocks, motors and switches that aimed to help children learn to code.

---

Last year at IFA I came across a small stall lurking within a gathering of startups. The booth was full of blinking small blocks, motors and switches that aimed to help children learn to code.

Fresh from my experiences and reflections teaching Syrian refugees to code, [I have been pondering the best ways to do so ever since](https://www.sitepoint.com/teaching-programming-whats-the-best-language-for-beginners/). In a series of posts that will cover a variety of projects, and a broader summary post, I intend to look at a variety of different techniques for teaching coding, especially to children.

Let's begin with the company I found myself in front of at IFA, [Sam labs](https://www.samlabs.com/), and their new product, curious cars.

![The Curious Cars box](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/2017-01-05-build-and-program-with-sam-labs-curious-cars-d3fe01c0.jpg)

## Unboxing

Unboxing curious cars is a delight in itself, inside a well designed box is an inlay that shows what component is what, and it's function. Pull out the foam inlay of components and you find a getting started guide.

![Opening box](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/2017-01-05-build-and-program-with-sam-labs-curious-cars-d2bd08d2.jpg)

![Getting started booklet](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/2017-01-05-build-and-program-with-sam-labs-curious-cars-b25ea120.jpg)

But really the best starting point is with the curious cars mobile app (each kit has a different app). The app tells you which components to use and what to do with them, as you connect them together to create a variety of car-based projects.

![Connected blocks](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/2017-01-05-build-and-program-with-sam-labs-curious-cars-c87fd706.jpg)

The app instructs you to turn on components and connect them together (via bluetooth) by dragging your finger from one component to another. Then using the app, or by interacting with the components physically you can see how they respond to each other, for example pressing a switch rotates a motor.

![Using the app](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/2017-01-05-build-and-program-with-sam-labs-curious-cars-9288d6b5.jpg)

After you've completed the first tutorial, you can move onto another, or explore what else is possible with the components.

If you have Lego blocks, you can attach them to sections of the car bodies. This wont affect the extensibility of the blocks, but imagine what else you could make creations look like aside from a car.

The kit costs £149, which puts it out of the price range of a casual toy into a more considered purchase. I'm not sure how this compares to similar 'toys' like more complex lego sets.

## A child's opinion

But what would I know, I am a 35 year old man. I am not Sam's intended audience. To get the opinion of the correct audience, I lent the kit for a week to a friend who had 8 and 11 year old children, in my mind a perfect age range.

He said that his children found the kit easy to understand and use but each child had a different approach to learning. One wanted to understand each step in detail before moving on, and the other wanted to complete everything quickly, and then understand it. This wasn't a problem itself, everyone's different, but a future idea for Sam labs might be to allow for different styles of learning. His second point was that neither of the children where sure what to do next after completing a couple of the cars. Sam labs offer further inspiration points on their website and a desktop application to create your own starting projects, but the connection points could be clearer.

## Does it teach programming?

I wouldn't say that curious cars (I'm uncertain about other Sam products) teaches programming per se, but it teaches concepts such as input/output, connecting logical blocks together, and creativity, so is a good starting point for parents who want to get their children coding in the future.

---

## [2016 in review](https://chrischinchilla.com/blog/2016/2016-12-29-2016-in-review)

Date: 2016-12-29

2016 has been an eventful year in many, many ways. I don't want to dwell on big global topics in this post, but review what I got up to.

---

2016 has been an eventful year in many, many ways. I don't want to dwell on big global topics in this post, but review what I got up to.

## Writing

{% assign 2016posts = site.posts | where:"date","2016" %} In 2016, I wrote approximately {{ 2016posts.size }} articles, blog posts and tutorials.

The most popular on my Medium account was '[A documentation crash course](https://hackernoon.com/a-documentation-crash-course-45006a85c15c#.790b6ze0w)', closely followed by '[Making Atom even more awesome](https://hackernoon.com/making-atom-even-more-awesome-my-setup-e7a89969a876#.s2yhf3joo)' and '[Tech your privilege at the door](https://hackernoon.com/tech-your-privilege-at-the-door-5d8da0c41c6b#.eemgzrjyd)' (which was only published a week ago).

Most popular on my own site was '[Setapp aims to solve the app problem for Macs](https://www.gregariousmammal.com/setapp-aims-to-solve-the-app-problem-for-macs)' and '[Hands on with the Lenovo Yoga book](https://www.gregariousmammal.com/hands-on-with-the-yoga-book)'.

Most popular on SitePoint was '[Create cross-platform applications with Electron](https://www.sitepoint.com/desktop-node-apps-with-electron/)', followed by '[The past, present and future of Swift](https://www.sitepoint.com/the-past-present-and-future-of-swift/)'.

## Video and audio

{% assign 2016media = site.posts | where:"type","podcast" %}

In 2016 I doubled down on my audio and video recording efforts, but it was mostly an exploratory effort, in 2017 I will take it more seriously. Even so I created roughly {{ 2016media.size }} video and audio files, [plus 7 others with SitePoint](https://www.sitepoint.com/premium/users/ChrisWard). The most popular podcast was the '[pitching to the press](https://soundcloud.com/the-weekly-squeak/the-weekly-squeak-6th-august-pitching-your-idea-to-the-press)' episode.

## Presentations

{% assign 2016events = site.events %} I spoke at, or reported on approximately {{2016events.size}} conferences and meetups in 11 countries, not including the roughly 2 a week I attend locally on a regular basis.

## Other activities

What else did I get up to this year?

- I started and nearly finished a book on responsive web design for SitePoint. It should be completed in early 2017. I was also technical editor for a book on Otto for Packt publishing, but as the Otto project was cancelled, so was the book.
- I contributed to two Swift courses for the Flatiron school and CodeFoundry.
- I taught a dozen Syrian refugees to program, and their project was featured in international media.
- I helped fund two projects via the Berlin chapter of the Awesome Foundation.

---

## [Testing Code Examples in Documentation](https://blog.codeship.com/testing-code-examples-in-documentation/)

Date: 2016-12-21

Originally published at: https://blog.codeship.com/testing-code-examples-in-documentation/

In my last post, I covered how to improve the written component of your documentation with automated spell-checking and suggestions for better writing. In this post, I’ll cover the code component of good documentation; trying an example and finding it doesn’t work is a sure-fire way to annoy a reader.

---

## [Tech your privilege at the door](https://hackernoon.com/tech-your-privilege-at-the-door-5d8da0c41c6b#.c32ghdfne)

Date: 2016-12-20

Originally published at: https://hackernoon.com/tech-your-privilege-at-the-door-5d8da0c41c6b#.c32ghdfne

I am a thirty-something white, English speaking male working in tech. I feel like this simultaneously gives me every right and no right to discuss privilege.

---

## [My problems with this time of year](https://chrischinchilla.com/blog/2016/2016-12-11-my-problems-with-this-time-of-year)

Date: 2016-12-11

That time of year is upon us, whether it be Christmas, 'The Holidays', Festivus, or whatever else you decide to call it. It's here, loud, everywhere and in your face.

---

That time of year is upon us, whether it be Christmas, 'The Holidays', Festivus, or whatever else you decide to call it. It's here, loud, everywhere and in your face.

Over the past years and have liked this time of year less and less, with increasing passion, and sick of people calling me 'grumpy', 'a Grinch', 'Scrooge' and other sorted insults, it felt like time to explain my point of view and problems with this time of the year.

## What's it about?

Is it about the birth of Christ? Supposedly, but that's exceptionally tenuous, shoe horned into winter celebrations that already existed in many parts of the world. As American led commercialism took hold, the religious aspects have diminished and specially over the past few years, I've barely noticed them. Which historically speaking is actually more accurate anyway.

Is it about gift giving? This tradition has reasonable pedigree, but what form it takes varies wildy depending on the part of the World. And again, has become blatantly more commercialised in recent years.

Is it about celebrating (or commiserating) Winter and the end of the year? In the Northern hemisphere most definitely, and this motivation makes the most sense, even though we have little contact with the land and harvests anymore to understand certain traditions and dishes we consume. When I lived in Australia, this made much less sense, and in fact I preferred Summer Christmas, as it was more lively.

Whatever the main motivation and reason ([and I recommend this Wikipedia post for more details](https://en.wikipedia.org/wiki/Christmas)), this whole period is mostly about getting together with the ones you love (or feel obliged to associate with), which bring me to my next point.

## Family, family, family

The period makes a lot of sense for family gatherings, but one of my main issues is that it sucks when you don't have much of a family. I come from a single parent, single child family, with all my grandparents dead. This makes things very, very dull. My wife's family isn't much better and is a long, long way away right now. I have other friends in similar situations for a variety of reasons and we all experience the same issue. When everyone around you is banging on about all the family members they have to visit and how tedious it all is, it's incredibly depressing.

As I've got older I have attended a couple of orphans/friends/single adult events, but still plenty of people visit families, and as more people have children, these aren't always possible to organise.

I don't want to come across as a whinger here, so to end on a more constructive note, spare a thought for your single and estranged friends, it's a lonely time for them.

## Forced fun

I fully understand that for a lot of people, work parties, markets etc are an easy way/excuse to enjoy yourself. But personally I find the season used as an excuse or forced reason that you must enjoy yourself, and that gets irksome quickly. Events are full of awkward games and staged events that force you to have fun "because it's Christmas!!!!!" and if you don't take part you're often made to feel like a pariah.

People have fun in different ways and time of year doesn't excuse obnoxious behaviour.

## Money, money, money

I am not the first and won't be the last to comment on the blatant commercialism of the modern festive period. I have mostly boycotted taking part in this in past years (mixed with me often plainly forgetting to buy anything), but again, you are often made to feel like a pariah for not taking part in the humongous cash-fest that is this time of year. There are many reasons people decide not to get involved, don't make people feel awkward for their decision.

## Boredom

In all honesty this is my biggest issue with this time of year and it's a selfish one. I am easily bored and at this time of year most things shut down and people vanish for weeks. This is better in bigger cities full of international people and I have had increasing success inviting other equally bored and lonely people to events I organise during this period, which at least demonstrates there are others who feel the same. I for one will keep making shit happen all year round and screw the season or weather.

## Bah humbug

OK, I'm off to burn another orphan, however you choose to celebrate, commiserate or ignore this time of year, spare a thought for your fellow human and remember that everyone is different, and tolerate that. I think that's what this time of year is actually supposed to be about.

---

## [Improve Documentation by Automating Spelling and Grammar Checks](https://blog.codeship.com/improve-documentation-by-automating-spelling-and-grammar-checks/)

Date: 2016-11-23

Originally published at: https://blog.codeship.com/improve-documentation-by-automating-spelling-and-grammar-checks/

What’s one of the first things you look at when trying a new piece of software? Or after you’ve hit that tempting Download button, what’s your usual next step? I will take a bet that for at least 70 percent of you, it’s the documentation that you check out next.

---

## [Web Summit 2016 - IoT, Learning, Chatbots, Biohacking & More](https://www.sitepoint.com/web-summit-2016-iot-learning-chatbots-biohacking-more/)

Date: 2016-11-16

Originally published at: https://www.sitepoint.com/web-summit-2016-iot-learning-chatbots-biohacking-more/

53,056 people from 166 countries descended on Lisbon for this year’s Web Summit. I’m not sure if this makes it the world’s largest startup event, but it’s damn big. I have attended startup events around the world and have often found them obsessed with nothing but raising money. Whilst the topic was in abundance at Web Summit, it also had enough of something for everyone, with discussions on technology, design, ethics, futurism, and more. If you’re not interested in discussion, but would rather just network and party, you will also have a full schedule.

---

## [Live Blogging Hello Again from Apple](https://chrischinchilla.com/blog/2016/2016-10-27-hello-again-from-apple)

Date: 2016-10-27

I'm sat at an Apple event in Berlin and there's not many people here, which says something about what people feel about Macs vs iPhones, or something. In a week when IBM became one of Apple's biggest clients and Microsoft announced more interesting products. It feels like there is growing disappointment and boredom in what Apple is offering.

---

I'm sat at an Apple event in Berlin and there's not many people here, which says something about what people feel about Macs vs iPhones, or something. In a week when IBM became one of Apple's biggest clients and Microsoft announced more interesting products. It feels like there is growing disappointment and boredom in what Apple is offering.

I recently started a new job and have a work computer budget waiting for me and am wondering what to spend it on. I have been a loyal Mac user since 1997 and the past months have made be wonder if it's time to switch to Windows or Linux, this makes me sad, but the company feels like it's not looking outside enough. 😢

## The event

We begin with the usual opening self-congratulations. Recapping things we already know. The iPhone 7, iOS 10, and updates for Apple TV. These include running Twitter on Apple TV, wow, talk about two companies in need of a future getting together. And I say that as a keen user of both, so what do I know.

Speaking of Twitter, my entire feed at this point is saying, "Get to the point".

Announced was a new unified app called 'TV', that merges all your video content into place, this is actually a nice idea, but a dumb name. The announcements hinted at 'editors', now what does that mean? To me it looks a bit like AndroidTV, which personally I think is a great platform, but with little developed for it.

## And finally the Mac.

We begin with a flashback to 25 years and the first Powerbook, ahh, memories. Then listing all the ground breaking features Apple have added to their laptops.

We got what we predicted and this context relevant tap bar looks nice actually, but as always it will depend how developers use it. There's a larger trackpad, continuing the newer butterfly keyboard design. Apple wants to replace the forced mapping of the old function keys to a much more modern design. It's a small retina strip, has touch ID built it and actually advances the principle of keyboard input always being the fastest input possible. This potentially redefines time honoured keyboard shortcuts, even better, if you can map your own functions to keys, this could be a time saver. You can customise the shortcuts you want to appear, much like the software toolbars, they even wobble when you try to change them.

Adobe took the stage to show that Photoshop (at least) is already taking advantage of the new touch bar. Showing how you can use your two hands together to manipulate images. Designers on Twitter were mentioning that very few designers (and pro users generally) use the trackpad, so how will this fit together in a real studio?

Apple mentioned other applications that are also ready for the touch bar including Sketch, Microsoft Office, and others.

I'm not sure how many users will truly use 'two hands' on the keyboard, but in theory this could make Siri more useful.

The processor is mostly the same as what's in my 2013 model, which is odd, as Apple claim it's faster. It includes 4 thunderbolt 3 ports, which in theory are powerful and flexible, but I will need dongles for older devices running more normal USB ports.

There's also a stripped down version of the Macbook Pro with two thunderbolt 3 ports designed to fill the place of the Macbook Air. This time with retina display, which may be more compelling. There are four models (one is the current Macbook Pro) available at typical pricing ranges for Apple laptops.

## Will I buy one?

I honestly don't know. The new touch bar is interesting, but realistically how much will I use it when I'm sat at my desk with an external screen, keyboard, and mouse. The specs bump is small, my current machine runs OK (still), and if I feel like a change, some of the new Windows machines look compelling, and bar figuring out switching issues, I'm still undecided and will be investigating further than the Apple field for a few weeks yet.

---

## [Hands on with the Lenovo Yoga Book](https://chrischinchilla.com/blog/2016/2016-10-25-hands-on-with-the-yoga-book)

Date: 2016-10-25

When I saw the announcement of the Yoga Book at IFA I was fascinated. A tablet with a proper keyboard, and a graphics tablet that I could doodle and even write on. Sign me up!

---

When I saw the announcement of the Yoga Book at IFA I was fascinated. A tablet with a proper keyboard, and a graphics tablet that I could doodle and even write on. Sign me up!

I placed an order with Lenovo, realising that their online store wasn't as advanced or friendly as others I am used to. I then waited with baited breath, uncertain what I was going to receive, or when it would arrive.

About a month later it showed up and I was happy to see that the package did include a 'live pen' (More on that later), a notebook (More on that later), but unfortunately, a German keyboard layout, as I already mentioned, Lenovo's customer experience is not as great as others.

I've been using the device for a couple of weeks now, at home and on the road, so I thought it was about time I told you all about my experiences with it.

## Physical dimensions

The yoga book is wonderfully light and easy to carry, with a slightly peculiar sticky plastic feel to the casing. It has Lenovo's 'watch band' hinge [seen on other Yoga models](https://blog.lenovo.com/en/blog/yoga-laptop-tough-hinge-test). Open the Yoga book at 'Laptop' angle and the keyboard lights up, open it more than 90° and the keyboard switches off, to become a 'normal' tablet.

<iframe width="560" height="315" src="https://www.youtube.com/embed/O3QSwB02ppE" frameborder="0" allowfullscreen></iframe>

## Tablet

Despite having a near second tablet (i.e. the keyboard) wrapped behind it, it doesn't make reading or browsing on the tablet feel any heavier, but hot palms end up making the haptic back pad grubby quickly, which doesn't affect functionality, but I like things clean. One of my uses for the tablet was to read magazines, comics and other large format books, and I have found the screen crisp and clear enough for me, once I had tweaked settings here and there to suit my preferences. My only complaint would be that thanks to the location of the hinge and the combination design, the volume and power buttons are not where you expect them, located on the top/bottom instead of the sides.

## Keyboard

Most of the complaints levelled against the Yoga Book has been against the 'keyboard', and for not being 'real' or 'normal' enough. The keyboard is actually a flat tablet with the keys lightly etched onto it. This was a strange engineering decision and explains why I ended up with a German layout. People who have seen me using the device have wondered why this is the case and asked why the keyboard couldn't be a completely 'soft' layout.

<iframe width="560" height="315" src="https://www.youtube.com/embed/tU5aw3mfArY" frameborder="0" allowfullscreen></iframe>

It does take getting used to, and Android isn't optimised for physical keyboards, so occasionally struggles to keep up with your typing speed. It does result in frequent small mistakes, but I'm still happy to offset the accuracy with convenience. Personally I ended up switching off the Haptic vibration feedback, and was happy with the fully 'soft' Keyboard. Granted it's an odd idea and despite Lenovo's best attempts, getting the software and hardware to interact takes tweaking, especially when you consider there are settings for the physical and on-screen keyboards. Balancing the custom and Android preferences to get the feeling you want takes effort.

## Graphics tablet

The integrated Wacom tablet is the main unique selling point of the Yoga Book, and was what attracted me to the device. I love technology but still do find doodling and writing on paper often the most fluid way of expressing (initial) ideas. I was hoping that with the handwriting recognition of Evernote (and other tools) I would be able to doodle notes on the tablet and have them ready and searchable, ready for further expansion. Despite my poor handwriting, I was still able to get Evernote to recognise my handwriting, and if my handwriting was better, it would recognise more.

Drawing on the tablet has lag, more so than with a proper graphics tablet, again I think this is more to do with Android or the app you're using than anything inherently wrong the hardware. It's great for rough sketches, but you're unlikely to start and finish a work of art.

<iframe width="560" height="315" src="https://www.youtube.com/embed/6Q2tgXBnQ80" frameborder="0" allowfullscreen></iframe>

You can also add a sheet of paper on top of the tablet, swap out the nib of the pen for a biro insert (3 supplied) and doodle on actual paper which the Yoga Book will detect.

<iframe width="560" height="315" src="https://www.youtube.com/embed/gjofYtyqcf0" frameborder="0" allowfullscreen></iframe>

## Software

One of the other criticisms of the Yoga book has been that whilst the hardware is fascinating, the choice of operating systems (Android and Windows) holds the device back. I have the Android version, mostly because pre-reviews of the device claimed that the CPU and memory would struggle with running Windows.

I was looking for a way to have a small device I could take travelling for most of my work, excluding coding activities or hardcore image/media editing. I briefly had an iPad in my possession, and whilst I found it restricting, there were occasions where (less mainstream) iOS apps are far better than the Android equivalents. For example markdown editing, GitHub usage, and the Adobe mobile apps. Unfortunately on occasion the Yoga Book is let down by Android, and the app ecosystem.

<iframe width="560" height="315" src="https://www.youtube.com/embed/4Z57RLfIF-M" frameborder="0" allowfullscreen></iframe>

I have also found that several apps are unreliable, or don't work at all, most crucial / annoying being that LastPass keeps crashing, but I have also found Twitter inconsistent and that switching screens orientation confuses many apps. This could be due to Lenovo's customisations (e.g. it's multi-window features), or Android's still (sadly) inferior tablet experience.

## A flexible future?

The Yoga Book is chock full of great ideas, but isn't the future of computing devices, yet. With system tweaks that Lenovo may deliver, and finding the write apps for your purpose(s), it could become better in the future. For now I am happy facing the challenges and compromises for a device that does _most_ of what I want and is so portable.

---

## [How I Wrote the Atom Medium Exporter and How You Can Help Make It Better](https://hackernoon.com/how-i-wrote-the-atom-medium-exporter-and-how-you-can-help-make-it-better-9e9e4c401da1#.1d09ezkoj)

Date: 2016-10-18

Originally published at: https://hackernoon.com/how-i-wrote-the-atom-medium-exporter-and-how-you-can-help-make-it-better-9e9e4c401da1#.1d09ezkoj

I recently created a package for the Atom text editor that exports your markdown files to Medium. Find out how I wrote it and how you can help me improve it.

---

## [A documentation crash course for developers](https://hackernoon.com/a-documentation-crash-course-45006a85c15c#.8kqz1lau4)

Date: 2016-10-11

Originally published at: https://hackernoon.com/a-documentation-crash-course-45006a85c15c#.8kqz1lau4

When you've spent a lot of time working on the latest great project, library, service or platform you generally would like people to use it. Whether people find out about you from a presentation, the media, internet search or word of mouth, what's the first aspect of your project that people usually encounter?

---

## [Belgrade to Berlin, it's tech conference season](https://chrischinchilla.com/blog/2016/2016-10-08-from-belgrade-to-berlin)

Date: 2016-10-08

I haven't been to many meetups the past weeks as the beginning of October is traditionally conference season in tech, and as I look back through my Timehop for the past years, pretty much every year around this time I am at a conference.

---

I haven't been to many meetups the past weeks as the beginning of October is traditionally conference season in tech, and as I look back through my [Timehop](https://timehop.com/) for the past years, pretty much every year around this time I am at a conference.

This year has been the turn of Voxxed Belgrade (2nd time) and LinuxCon (also 2nd time). Both very different conferences and great in different ways. I'll tackle chronologically.

## Voxxed Belgrade 2016

Voxxed in Belgrade last year was by far on of my favourite conferences of 2015, if not ever. It was a good size, with good speakers, good audiences and an organising team that took no shortcuts in making sure everyone was having a good time. They even describe it as

> "A good time with some talks in the middle".

I worried that as this year they had grown the speakers, attendee and venue size, it may lose elements of its charm. But not to worry, they excelled themselves again, with a venue that could have felt cold and unfriendly, but was filled with 1000s of Euros of Lego, tables of food and drink, photo walls, arcade games, sponsor booths and more.

They had speakers from all over the World covering a variety of topics, workshops, after hours activities and treated the speakers to a variety of special events including meals, boat, and museum trips.

My own talk could have been better, as I opted for something not too technical, but it was fine, and I have good photos of me on a large stage 😬.

## LinuxCon Berlin 2016

Dublin last year was my first LinuxCon and whilst I celebrate the diversity (and depth) of talks presented, I also found it corporate and it's a big money making activity for the Linux Foundation, which sometimes shows. Being Berlin, it felt slightly less corporate, but the decision was also taken to break up some of the side conferences (e.g. Embedded Linux) to different dates, which made the conference program VERY container heavy. I even joked in my talk that it was 'a container free zone'.

Running a documentation talk at an event like LinuxCon was never going to result in the biggest of crowds, but I got placed in the largest room, which meant slightly awkwardly speaking to about 50 people in a room with a capacity of at least 1500\. However, the talk structure is solidifying nicely and becoming a good talk that gets approved at conferences and contains enough material to make experienced and non-experienced documentarians alike find something useful.

## Links of the 'week'

I haven't had a links post in a couple of weeks, so I have a few to discuss.

### Did Hitler have great designers

Many years ago I was a contributor to an Open Source CRM tool, and as an open source contributor, you are generally a liberal minded individual. I was naively surprised to find the software used by conservative political and pro-life groups. This raised questions in my mind about who does and doesn't use tooling, and [this fascinating article by Tobias Van Schneider bought a lot of those thoughts about your own ethics back to mind](https://medium.com/desk-of-van-schneider/can-good-design-be-bad-design-f76504b8e018).

### Nazi drug abuse

This continuing theme is pure coincidence, but I find articles of possible historic conjecture fascinating. You're never sure how true it is, or what affect it had on anything. I don't even know what [this article](https://www.theguardian.com/books/2016/sep/25/blitzed-norman-ohler-adolf-hitler-nazi-drug-abuse-interview) says about drugs, but still it was a fascinating read and is an extract from a new book.

### Am I Introverted, or just rude

I found [this article by Laura Berger](https://www.nytimes.com/2016/09/25/opinion/sunday/am-i-introverted-or-just-rude.html) an interesting criticism of our growing self-introspection. It does sometimes feel (especially in certain cultures) that we can excuse a lot of bad behaviour with a simple, "Oh that's OK, they're xxx" (Or, "I am xxx"). We have become afraid of questioning forms of bad behaviour in fear of offending a 'special snowflake'. Granted there are people with conditions that help or hinder their behaviour, but as this article discusses, a lot of the time, maybe we're empowering plainly rude people.

### The Decline of Stack Overflow

Stack Overflow is a member of a growing number of sites that we recognise as 'broken' (to a degree), but we don't know what to do about it. [John Sleger's article](https://hackernoon.com/the-decline-of-stack-overflow-7cb69faa575d) is not the first to analyse the site's problems and nor will it be the last, but he offers a good level of detail and examples to illustrate what is wrong, and why. As a tech-educator I cringe at many of the questions and answers that get asked on Stack Overflow, but also wish I knew what could be done to solve what is fundamentally, an issue with people's attitudes. Maybe they should all read the last article.

### The Man who brought you Brexit

You have likely never heard of Sam Knight, and this [Guardian article](https://www.theguardian.com/politics/2016/sep/29/daniel-hannan-the-man-who-brought-you-brexit) will give you a lengthy insight into the man who has been one of the key players and visionaries behind the Brexit concept for decades. It didn't make me feel any better about the current situation, but I received satisfaction from the fact that here was one person on the whole movement who at least had some dedication to the cause.

### Does Cycling contribute to Gentrification

The Guardian has had a lot of articles recently on 'Gentrification', and [this is another in a series](https://www.theguardian.com/cities/2016/oct/05/blame-bike-cycling-contribute-city-gentrification) of good analysis on the topic. Personally, I find the term 'Gentrification' a annoying general term to imply a dislike of change, without being specific about it's meaning. This article sparked a lot of comments on my Facebook post, so make up your own minds.


Chinch out xx

---

## [Developing Add-ons for Enterprise Apps like JIRA](https://www.sitepoint.com/developing-add-ons-for-enterprise-apps-like-jira)

Date: 2016-10-07

Originally published at: https://www.sitepoint.com/developing-add-ons-for-enterprise-apps-like-jira

Since 2008, many developers have focused on building, distributing and selling (or hoping to sell) their efforts in two curated, walled garden stores. The Apple App store and Google Play (and related) stores have helped developers find audiences of billions around the world. It hasn’t all been smooth sailing. Some say the “app store” model has forced a race to the bottom, with prices and developer revenue share reduced, despite such large audiences.

---

## [An Introduction to CoreOS](https://blog.codeship.com/an-introduction-to-coreos/)

Date: 2016-09-22

Originally published at: https://blog.codeship.com/an-introduction-to-coreos/

If you’re reading this blog, then you have a rough idea of what containers are and why you want to use them. Docker has made it easy to experiment with containers, and is slowly making it easier to deploy and manage them in production environments. However, there are a still a lot of gaps in what Docker offers (for free), and others have stepped up to fill them.

---

## [Weekly Squeak, 18th September - Maximum Linkage](https://medium.com/@ChrisChinchilla/weekly-squeak-18th-september-maximum-linkage-396799deae1c#.uhv5n7a1s)

Date: 2016-09-18

Originally published at: https://medium.com/@ChrisChinchilla/weekly-squeak-18th-september-maximum-linkage-396799deae1c#.uhv5n7a1s

This has been a week of me appearing at meetups rather than attending, and I must admit, when I present, I tend to forget what else happened. More of an adrenaline rush than egotism. I hope.

---

## [From the UK Games Expo to Essen](https://chrischinchilla.com/blog/2016/2016-09-16-from-ukge-to-essen)

Date: 2016-09-16

It's been a while since my last update pertaining to the Chip Shop board game. After realising that board games isn't that lucrative of a business, it slipped down my priority list somewhat. I also had a lot of feedback from the UK Games Expo (thanks to Carrie and Tyler for running the booth for me) to process and that took time...

---

It's been a while since my last update pertaining to the Chip Shop board game. After realising that board games isn't that lucrative of a business, it slipped down my priority list somewhat. I also had a lot of feedback from the UK Games Expo (thanks to Carrie and Tyler for running the booth for me) to process and that took time...

I am happy to now announce the release of what I will call, version 0.2 of Chip Shop, complete with a **lot** of changes. The aim to fix balance issues, make components have more of a purpose and make the game feel even more like a game.

The main nugget of feedback was that there was too much money in the game and that turning money into resources was pointless. I have always wanted to ensure that this necessity remained in the game and was trying to figure out a mechanism that made this an essential step for players.

As well as reducing the quantities of money generated from actions I have also reworked the staff cards to work differently. Many criticised the staff cards for being pointless, and with this new mechanic, players must use staff to convert money to resources, and staff are no longer kept by a player, but  used in each turn.

Each player now begins with two 'staff' tokens that each turn they can allocate to squares on the board, with the actions they trigger happening in a later phase.

This makes what I am now calling 'specialists' far more valuable as you can only gain resources by using them.

Personalities are now chosen at the beginning of the game, defining your starting scores and resources, and have one use abilities. There are ways to exchange them throughout the game.

I was always keen to make the products that players are working on secret and struggled to find a mechanism that allowed this whilst not randomly giving players products that were rubbish.

Adding the worker placement mechanism means that players get the chance to look through a product deck, select a card, and add it to their factory, all in secret.

A nice side effect of these mechanism changes is that I was able to remove a lot of rules, concepts and board elements, streamlining the game further. All these changes involved rewriting the [manual](https://chipshopgame.com/manual/), reorganising the board, and planning more play testing sessions.

All existing purchasers of the game can re-download the new version by using the link provided by SnappyCheckout when you first purchased the game. You will need to reprint the game as a lot has changed.

If you're keen to get your own copy, [pay what you feel here](https://chipshopgame.com/buy/). If you want to test the game, I will be at Essen Spiele Messe, drop by booth A109 in hall 4. If you can't make Essen, or afford a copy of the game then [get in touch](/connect/) to arrange a play test.

After Essen, I will start planning the Kickstarter campaign for the boxed version of the game!

---

## [Exploring the Evive - A Book-Sized IoT Device](https://www.sitepoint.com/building-an-all-in-one-book-sized-iot-device-with-evive/)

Date: 2016-09-12

Originally published at: https://www.sitepoint.com/building-an-all-in-one-book-sized-iot-device-with-evive/

The evive aims to reduce the complex tangles of sensors, circuit boards and cables you have covering your workbench. It's a compact, all-in-one small book-sized device capable of reading and outputting a variety of sensor and trigger data. Built in includes power sensors, multiple motor channels, voltmeter probes, and two analog to digital converters. If that's not enough for you, at the heart of the evive is an Arduino Mega offering large expansion possibilities with a mini breadboard, communication module (Wi-Fi, Bluetooth and XBee), IC, SPI and Serial pins.

---

## [Weekly Squeak, 9th September - Apple vs the Prosumer](https://medium.com/@ChrisChinchilla/-b2a90319090f#.2w0ctuqzj)

Date: 2016-09-10

Originally published at: https://medium.com/@ChrisChinchilla/-b2a90319090f#.2w0ctuqzj

In this Weekly Squeak I cover another week in Berlin meetups and after Apples September product announcements, do they no longer like the prosumer?

---

## [Making Atom (even more) awesome — My Setup](https://hackernoon.com/making-atom-even-more-awesome-my-setup-e7a89969a876#.7okd9lrnn)

Date: 2016-08-31

Originally published at: https://hackernoon.com/making-atom-even-more-awesome-my-setup-e7a89969a876#.7okd9lrnn

I spent a long time researching, trying and tweaking text editors. As a cross-platform developer and technical writer (mostly writer these days) I work with different programming languages, document formats and want an editor with particular features, but that is also easy on the eye. Ideally I wanted all the functionality I was looking for in one application, not split between 5.

---

## [Building Your First Blockchain App with Eris](https://www.sitepoint.com/getting-into-blockchain-with-eris/)

Date: 2016-08-29

Originally published at: https://www.sitepoint.com/getting-into-blockchain-with-eris/

A few months ago I was at the Berlin Blockchain awards, and it appears that 'blockchain' is the new buzzword that startups and tech-folk like to throw into everything, without completely understanding the concepts behind it. Whether you believe that blockchain is just a new buzzword for the industry or a truly revolutionary technology, developers are often uncertain of how they can use the blockchain concept in their applications. Eris Industries' solution might make this a bit easier.

---

## [A Beginner’s Guide to the Dockerfile](https://blog.codeship.com/a-beginners-guide-to-the-dockerfile/)

Date: 2016-08-24

Originally published at: https://blog.codeship.com/a-beginners-guide-to-the-dockerfile/

The humble but powerful Dockerfile is the building block of Docker images and containers. In essence, it’s a list of commands the Docker engine runs to assemble the image, and thus instances of images as containers.

---

## [Medium Exporter for Atom](https://chrischinchilla.com/blog/2016/2016-08-24-medium-exporter-for-atom)

Date: 2016-08-24

I love Markdown and I love editing Markdown in Atom. But I also love the exposure that Medium offers, and whilst I admit it has a great editor, I like to be able to write offline and I like having a central repository (i.e. Git) of my work for collaboration, consolidation and other purposes.

---

I love Markdown and I love editing Markdown in Atom. But I also love the exposure that Medium offers, and whilst I admit it has a great editor, I like to be able to write offline and I like having a central repository (i.e. Git) of my work for collaboration, consolidation and other purposes.

It turns out that Medium offer importers for Markdown and HTML in their API and inspired by the [Ulysses](https://www.ulyssesapp.com/) editor (which has a Medium export) I thought it was about time that my favourite editor had the same possibility.

The plugin is in it's early days, but you can find more details on its [Atom package page](https://atom.io/packages/medium-export) or [GitHub](https://github.com/ChrisChinchilla/Medium-Export-for-Atom).

Enjoy!

---

## [Editors Friend for Atom](https://chrischinchilla.com/blog/2016/2016-08-22-editors-friend-for-atom)

Date: 2016-08-22

As a (very) frequent writer and editor I often find myself writing and correcting the same words over and over again. Or in preparation for publishing I have to repeatedly undertake the same steps, such as adding short codes or formatting links.

---

As a (very) frequent writer and editor I often find myself writing and correcting the same words over and over again. Or in preparation for publishing I have to repeatedly undertake the same steps, such as adding short codes or formatting links.

In most cases these tasks are actually a series of search and replaces, so I wondered how these could be incorporated into an Atom plugin to be triggered with one command.

The plugin turned out more complex than I initially thought and is still in development, but you can find more details on the [Atom package page](https://atom.io/packages/editors-friend) or on [GitHub](https://github.com/ChrisChinchilla/Editors-Friend).

---

## [Communist and cultural effects on tech communities](https://thenextweb.com/entrepreneur/2016/08/19/how-communism-still-affects-some-tech-spaces)

Date: 2016-08-20

Originally published at: https://thenextweb.com/entrepreneur/2016/08/19/how-communism-still-affects-some-tech-spaces

This is my second visit to Tirana for the OSCAL conference, an annual celebration of open source technology in Albania's capital. Aside from excellent content, the conference stands out for a couple of reasons. Most attendees and organizers are under 30, and the gender divide is pretty much an even split. Anyone who attends tech-related events in other countries know that this is (sadly) unusual, and I was interested in digging beneath the surface to find out more.

---

## [Video - What’s New in AppCode 2016.2](https://blog.jetbrains.com/objc/2016/07/new-video-whats-new-in-appcode-2016-2/)

Date: 2016-08-02

Originally published at: https://blog.jetbrains.com/objc/2016/07/new-video-whats-new-in-appcode-2016-2/

A video about new features and improvements in AppCode 2016.2 is here!

---

## [An Introduction to Docker for Mac](https://blog.codeship.com/docker-for-mac/)

Date: 2016-07-21

Originally published at: https://blog.codeship.com/docker-for-mac/

Recently out of private beta, Docker’s new native applications aim to replace the current methods for running Docker on Windows and Mac, creating a better experience for developers using those platforms.

---

## [An Introduction to Docker for Mac](https://blog.codeship.com/docker-for-mac/)

Date: 2016-07-21

Originally published at: https://blog.codeship.com/docker-for-mac/

Recently out of private beta, Docker's new native applications aim to replace the current methods for running Docker on Windows and Mac, creating a better experience for developers using those platforms. For the previous solution, Docker Toolbox used VirtualBox to create a small Linux virtual machine that hosted your images and containers. It worked pretty well but could be unreliable at times and required workarounds that sometimes resulted in unexpected outcomes or not working at all.

---

## [Rapid IoT Development with the relayr Android App and SDK](https://www.sitepoint.com/rapid-iot-development-with-the-relayr-android-app-and-sdk/)

Date: 2016-07-06

Originally published at: https://www.sitepoint.com/rapid-iot-development-with-the-relayr-android-app-and-sdk/

relayr is an IoT platform as a service, aiming to help IoT developers centralize and aggregate the data generated by IoT connected devices. By installing their hardware and software SDKs you don't need to worry about specific SDKs and data types generated by various devices, but instead code against the relayr APIs.

---

## [Video - Which Continuous Integration Tools Support Bitbucket?](https://www.sitepoint.com/premium/screencasts/which-continuous-integration-tools-support-bitbucket)

Date: 2016-07-01

Originally published at: https://www.sitepoint.com/premium/screencasts/which-continuous-integration-tools-support-bitbucket

Automate your tools with Bitbucket

---

## [WWhat a Fortnight](https://medium.com/@chrischinchilla/wwhat-a-fortnight-4e6608939452)

Date: 2016-06-25

Originally published at: https://medium.com/@chrischinchilla/wwhat-a-fortnight-4e6608939452

This is the latest editorial from my newsletter, [*subscribe

---

## [Otto - The Next Generation of Vagrant](https://blog.codeship.com/otto-next-generation-vagrant/)

Date: 2016-06-22

Originally published at: https://blog.codeship.com/otto-next-generation-vagrant/

Note that Otto has been decommissioned as of August 19, 2016.

---

## [Otto: The Next Generation of Vagrant](https://blog.codeship.com/otto-next-generation-vagrant/)

Date: 2016-06-22

Originally published at: https://blog.codeship.com/otto-next-generation-vagrant/

Not so long ago, Vagrant was the prime tool that attempted to solve that time-immemorial problem of "it works on my machine." Developers could create shareable Vagrant files to allow coworkers to spin up replica machines for testing code and the interconnecting parts of a typical modern project. Vagrant is far from dead, but it suffers from a couple of long-lasting issues, including the resource footprint of virtual machines created, the speed of sharing files between the host and virtual machine, and the speed of making configuration changes to virtual machines.

---

## [Bitspiration in Warsaw and Brexit {#bitspiration-in-warsaw-and-brexit](https://medium.com/@chrischinchilla/bitspiration-in-warsaw-and-brexit-7236bd7793c6)

Date: 2016-06-11

Originally published at: https://medium.com/@chrischinchilla/bitspiration-in-warsaw-and-brexit-7236bd7793c6

I'm leaving most of this post to the podcast version as I had a co-host

---

## [What Do Apple’s App Store Changes Mean for Developers?](https://www.sitepoint.com/apples-app-store-changes-developers/)

Date: 2016-06-09

Originally published at: https://www.sitepoint.com/apples-app-store-changes-developers/

It's a sobering time to be a mobile developer, with both app and device sales down. Personally, I feel this is just the maturation of a new(ish) industry, and everything will work out eventually. But, noticing major dents in their revenue, the major players are clearly worried.

---

## [The Story of English by Robert McCrum, Robert MacNeil](https://chrischinchilla.com/blog/2016/2016-05-30-the-story-of-english-by-robert-mccrum-robert-macneil)

Date: 2016-05-30

It's taken moving to a non-English speaking country to realize how wide spread and common place the English languages is in the World. This has piqued my interest in learning about the origins of our bastard tongue and how it got to this position.

---

It's taken moving to a non-English speaking country to realize how wide spread and common place the English languages is in the World. This has piqued my interest in learning about the origins of our bastard tongue and how it got to this position.

The book was first written in the 1980s and was most recently revised in 2002, which makes it sometimes sound out of date in style. I would also say that since then English has become even more dominant, and some cultures less resistant to it.

The first half of the book tells the tale(s) of how modern English evolved from a mixture of sources including Latin, French, German and Danish. The second half then follows the trail of a language spreading through a sometimes brutal colonial empire and then through Americas own 'empire', all along the way collecting new influences and evolving.

Full of wonderful insights, anecdotes and stories, highly recommended.

<a  href="https://www.amazon.com/gp/product/0142002313/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0142002313&linkCode=as2&tag=gregamamma-20&linkId=4GCLAKG7TY2PFK3P">Make me a few cents and order a copy here</a>.<img src="https://ir-na.amazon-adsystem.com/e/ir?t=gregamamma-20&l=as2&o=1&a=0142002313" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />

---

## [Generation Xbox: How Videogames Invaded Hollywood, by Jamie Russell](https://chrischinchilla.com/blog/2016/2016-05-30-generation-xbox-how-videogames-invaded-hollywood-by-jamie-russell)

Date: 2016-05-30

I loved this book and couldn't stop reading it, which was a pain as I mostly read before going to sleep. The book takes an era by era look at how the video games and movie industries have tried to collaborate together, and largely failed.

---

I loved this book and couldn't stop reading it, which was a pain as I mostly read before going to sleep. The book takes an era by era look at how the video games and movie industries have tried to collaborate together, and largely failed.

The first few chapters were great research for my Chip Shop board game, covering such infamous tie-ins as ET, Indiana Jones, Tron, and a few you might have forgotten about. It was amazing how recent actual successful movie and game tie-ins were, with Tomb Raider really only being the first in 2001.

If you are a movie or video game fan, I strongly recommend getting hold of a copy of the book to learn about the trials and tribulations of two industries attemtping to understand and work together, but never quite managing to do so.

<a  href="https://www.amazon.com/gp/product/0956507247/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0956507247&linkCode=as2&tag=gregamamma-20&linkId=QJWOILAD45ZYV5EQ">Make me a few cents and buy a copy here</a>.<img src="https://ir-na.amazon-adsystem.com/e/ir?t=gregamamma-20&l=as2&o=1&a=0956507247" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />

---

## [The Offline Coding Challenge, Theoretical Concepts in Videos, and Beginner Coders Wanted](https://hackernoon.com/the-offline-coding-challenge-theoretical-concepts-in-videos-and-beginner-coders-wanted-626674c3fbc9#.25lbm2hfk)

Date: 2016-05-30

Originally published at: https://hackernoon.com/the-offline-coding-challenge-theoretical-concepts-in-videos-and-beginner-coders-wanted-626674c3fbc9#.25lbm2hfk

I recently read <https://www.bfilipek.com/2016/05/coding-without-google.html> about a Developer's workflow before the proliferation of the internet, search engines and developer websites. It reminded me of an idea I had wanted to write about for a while and this blog post prompted me to drag it off my todo list.

---

## [An Introduction to the Docker Trusted Registry](https://blog.codeship.com/docker-trusted-registry/)

Date: 2016-05-25

Originally published at: https://blog.codeship.com/docker-trusted-registry/

Many of us start our Docker journey pulling images from the Docker Hub with the time-honored docker pull command.

---

## [Teaching Programming: What’s the Best Language for Beginners?](https://www.sitepoint.com/teaching-programming-whats-the-best-language-for-beginners/)

Date: 2016-05-25

Originally published at: https://www.sitepoint.com/teaching-programming-whats-the-best-language-for-beginners/

Like many of my age and generation, I started learning to program with BASIC. These were the days when you bought magazines full of pages and pages of code for games or basic applications. You spent hours with your friends painstakingly typing these programs into a computer to find there was a typo, or the game didn’t work, and then giving up. It was more about hanging out with your friends, whilst your parents felt like you were learning something.

---

## [8 Key Announcements for Android Developers at Google IO](https://www.sitepoint.com/8-key-announcements-for-android-developers-at-google-io/)

Date: 2016-05-24

Originally published at: https://www.sitepoint.com/8-key-announcements-for-android-developers-at-google-io/

Another year, another IO. Google made a slew of announcements, from their own foray into the assistant arena, to several curious devices and apps. Few of these have details or any API access for developers, so SitePoint will cover those at a later date. If you’re interested in reading more, I recommend Google’s official IO blog post.

---

## [Create Cross-Platform Desktop Apps with Electron](https://www.sitepoint.com/desktop-node-apps-with-electron/)

Date: 2016-05-23

Originally published at: https://www.sitepoint.com/desktop-node-apps-with-electron/

Call me old-fashioned, but I have always preferred using a desktop app suited to each purpose. I feel that if all I'm going to use is a browser for everything I do, then why have a 'proper' computer? On a practical level, I travel frequently and am generally 'between' internet connectivity or using unstable internet connections, and 'real' applications are typically far better at allowing effective offline working.

---

## [Observations on Albania and Australia in Eurovision](https://medium.com/@ChrisChinchilla/observations-on-albania-and-australia-in-eurovision-b09be9e1c9b9#.pgltgcs8z)

Date: 2016-05-20

Originally published at: https://medium.com/@ChrisChinchilla/observations-on-albania-and-australia-in-eurovision-b09be9e1c9b9#.pgltgcs8z

Last weekend I was back in Tirana for my second OSCAL, an awesome little open source conference that has a massively diverse audience and punches well above it's weight. Whilst in Albania I was conducting some interviews and research for a forthcoming article on the Albanian (likely also including Kosovo) startup and tech scene(s), but more of that later. When I visited Albania last year it was my first trip to a Balkan country and since then I have visited Serbia (twice) and Croatia. Last year, everything was new and novel, this trip I was seeing beyond that into things I might have missed.

---

## [Teaching People to Code — Part 1, Talking to Beginners](https://medium.com/@ChrisChinchilla/teaching-people-to-code-part-1-talking-to-beginners-ff47c44a01f0#.z8v3cc2xc/)

Date: 2016-05-03

Originally published at: https://medium.com/@ChrisChinchilla/teaching-people-to-code-part-1-talking-to-beginners-ff47c44a01f0#.z8v3cc2xc/

Like many of my age and generation, I started learning to program with BASIC. These were the days when you bought magazines full of pages and pages of code for games or basic applications. You spent hours with your friends painstakingly typing these programs in to a computer to find there was a typo, or the game didn't work, and then giving up. It was more about hanging out with your friends, whilst your parents felt like you were learning something.

---

## [A week in Berlin Meetups 29 April](https://medium.com/@ChrisChinchilla/a-week-in-berlin-meetups-29th-april-d392b505a75a#.sgy49u2qy)

Date: 2016-04-29

Originally published at: https://medium.com/@ChrisChinchilla/a-week-in-berlin-meetups-29th-april-d392b505a75a#.sgy49u2qy

Silicon Allee asked me if I would like to contribute some posts to their Medium publication and I thought what better to write than resurrect something I used to do back when I was living in Melbourne. I go to a lot of meetups. I enjoy meeting people, hearing what they're working on and being exposed to new ideas. Writing something about every talk I see each week would take a long time, so instead I will just tell you who I saw, what they spoke about and what you can do to find out more.

---

## [Dependency Management with the Swift Package Manager](https://www.sitepoint.com/introducing-the-swift-package-manager/)

Date: 2016-04-27

Originally published at: https://www.sitepoint.com/introducing-the-swift-package-manager/

Chris Ward looks at the Swift Package Manager, an early-days dependency management utility for Swift.

---

## [A 1001 Crate Cluster with Microsoft Azure](https://crate.io/a/1001-node-crate-cluster-with-microsoft-azure/)

Date: 2016-04-17

Originally published at: https://crate.io/a/1001-node-crate-cluster-with-microsoft-azure/

Crate.io focuses on database simplicity and horizontal scalability. We aim to make scaling your data from millions to billions of records and beyond as simple as possible.

---

## [The Shortlist of Docker Hosting](https://blog.codeship.com/the-shortlist-of-docker-hosting/)

Date: 2016-04-14

Originally published at: https://blog.codeship.com/the-shortlist-of-docker-hosting/

Note that this post has been updated as of October 20, 2016.

---

## [Video - Real World Use Cases of NoSQL Databases](https://www.sitepoint.com/premium/screencasts/real-world-use-cases-of-nosql-databases)

Date: 2016-04-13

Originally published at: https://www.sitepoint.com/premium/screencasts/real-world-use-cases-of-nosql-databases

A modern and flexible alternative to databases

---

## [A Tourist in Your Own City and Handling National Shame](https://medium.com/@chrischinchilla/a-tourist-in-your-own-city-and-handling-national-shame-86c84bb3277c)

Date: 2016-04-06

Originally published at: https://medium.com/@chrischinchilla/a-tourist-in-your-own-city-and-handling-national-shame-86c84bb3277c

I was on holiday last week, so of course have been busy. People staying,

---

## [Managing data storage with block chain and big chain DB](https://www.sitepoint.com/managing-data-storage-with-blockchain-and-bigchaindb/)

Date: 2016-04-06

Originally published at: https://www.sitepoint.com/managing-data-storage-with-blockchain-and-bigchaindb/

There's no denying that whilst Bitcoin's future may be hazy right now, the underlying technology it relies upon -- the Blockchain -- has revolutionized many industries and projects, with more to come.

---

## [The Past, Present and Future of Swift](https://www.sitepoint.com/the-past-present-and-future-of-swift/)

Date: 2016-03-25

Originally published at: https://www.sitepoint.com/the-past-present-and-future-of-swift/

I'm excited about Swift for reasons I will expand upon later, but it's mostly the enthusiasm it has attracted. In less than six months, here are the project's GitHub stats.

---

## [Understanding the Docker Ecosystem](https://blog.codeship.com/understanding-the-docker-ecosystem/)

Date: 2016-03-22

Originally published at: https://blog.codeship.com/understanding-the-docker-ecosystem/

Attend any tech-related event or read any tech-related article over the past 18 months, and you will likely have heard of Docker and have an inkling of what it is and does.

---

## [Physical and Mental Health for Developers](https://hackernoon.com/physical-and-mental-health-for-developers-4706217c7839#.l0vus45n4)

Date: 2016-03-21

Originally published at: https://hackernoon.com/physical-and-mental-health-for-developers-4706217c7839#.l0vus45n4

OK, I'm late again, but this time I have a decent excuse. My Wife has been in Hospital the past week and it has thrown my planning and timing. By pure coincidence, it leads me nicely to the topic I wanted to discuss this installment based on a presentation I have given twice. The topic is physical and mental health for developers.

---

## [Video - Loading and Displaying Images on your Android Interface](https://www.sitepoint.com/premium/tutorials/displaying-images-on-your-android-interface)

Date: 2016-03-13

Originally published at: https://www.sitepoint.com/premium/tutorials/displaying-images-on-your-android-interface

Images enhance any interface and can help engagement and interaction with your users. In this video we will look at how to load and display images from a remote location via an API and the Volley library. We will look at two methods for loading images and how to layout and format images in an interface.

---

## [Print at Home Chip Shop is Released!](https://chrischinchilla.com/blog/2016/2016-03-06-print-at-home-chip-shop-released)

Date: 2016-03-07

Chip Shop has been a labour of love for me over the past two years. It has been through many changes and revisions and isn't yet 100%, but I have always needed to get something live before it becomes a never ending process of 'polishing'.

---

[Chip Shop](https://chipshopgame.com) has been a labour of love for me over the past two years. It has been through many changes and revisions and isn't yet 100%, but I have always needed to get something live before it becomes a never ending process of 'polishing'.

After several play test sessions, I consider the game 'ready enough' to put up for sale and available to the public. It's not complete, there are still a couple of issues with the game that I want to iron out, but I feel that 'releasing' will help me get more players and more feedback on the path to near-perfection.

I also realised that no game is perfect, some of the classics of the industry are flawed, but people still love them, it very much depends on the player(s).

## Next Steps

When I say the game is 'released', I mean that the print at home version is now available. I am taking this step first for a couple of reasons.

### Profile and Finance Raising

Have something available, even in a limited sense, means I can start raising awareness for the game and bringing in limited income to fund future improvements and versions. The [print at home version is pay-what-you-feel (a minimum of $1](https://chipshopgame.com/buy), but that's more the platform than my decision) and I feel that's fair for now. It's more about raising interest that money.

### Constantly Iterating

Continuing my decision to take experiences from software development into board game development, I will use this print at home version of the game to iterate and improve Chip Shop until 'final' release (i.e. the boxed version). All purchasers of the game will receive updates and fixes as I create and release them, be they small or large.

I still intend to take Chip Shop to publishers, or kickstart for a boxed version myself, I am conscious of building some 'buzz' before taking these steps, or these next steps will be a waste of time. This 'soft' release of the print at home version will hopefully help accomplish this.

## What have I Learned?

### (Balanced) Board Games = Maths

Creating a board game was harder than I expected. This may sound like a dumb thing to say, but I was surprised by the amount of mathematical calculations and balances needed to make a 'good' game. Most of the issues I experienced with Chip Shop are from flaws that allowed a player to rapidly gain a lot of points or resources. Even as I player, I never spot these sorts of tactics in games, or I choose to ignore them, focussing more on theme. I know that many players look for these and I thank my play-testers for helping me spot them as I don't think I ever would have. I found that every version of Chip Shop kind of suffered the same problem(s) but I just kept moving them around. I think I am closing these loops holes, but as I say, even 'classic' games share these flaws (some might say tactics).

### Adding Boundaries and Direction

As I said, I generally play games for theme, I don't always play to win. This why I prefer games I can engross myself in and enjoy, no matter what happens. This can involve not playing with too many others that just play to win, but generally the balance is OK. For me, I tend to play along lines of what I consider 'realistic, or 'on theme'. This has manifested itself in the way I created Chip Shop and relates to my last point. I didn't want to restrictions on what players could do and wanted to allow players to choose a path they would like to follow during the game. I realised during play-testing that if I want to encourage players to follow a certain path, then a certain amount of guidance and encouragement might be required to send them in that direction. In short, the game you want to create may not be the game that players end up playing and you either ignore that or force it through game mechanics.

This is an aspect of Chip Shop that I am still smoothing out and it may be better solved with future expansions that players can choose to add or not, I am reluctant to add too many rules and checks right now to prevent making the game to complex.

### Production Process

I wanted to make the game creation process as open as possible, as this is my background and it felt a natural thing to do for me. I am unsure if this was worth it, or at worst, was a distraction. I do intend to package what I have created into a 'game making framework', but I'm unsure how interested people  are in following the steps I have taken. For the software industry, it's a bit too simple and for the games industry, a bit too complex. But this remains to be seen. I have wondered in the past months if I would have achieved something far quicker if I had just stuck to using InDesign to allow for far more rapid and less fiddly iteration on the game. I have found it challenging (so far unsolved) to know how to create the game boards in an open manner.

I invested some time in trying to make Chip Shop playable on tabletop simulators and came to the quick conclusion that these systems are not ready yet and have limited functionality. I hope to return to improving Chip Shop on these platforms soon.

## Buy, Share, Communicate and Play!

If you like the idea(s) behind the game, please buy a copy. If you have comments, please let me know, I want to hear them. If you like the game and want it/me to succeed, share your thoughts on forums and social media. Tell games groups and podcasts about it, tell your friends about it. I promise to try and mention or include everyone who contributes to the game in some way and will also look for a way to offer major contributors kickstarter or publisher discounts when I get to that stage in production.

Most crucially, [play the game and enjoy yourself](https://chipshopgame.com/buy). I think that Chip Shop is a fun, fast and enjoyable game and I hope you share those opinions.

---

## [Are you really a tech company?](https://medium.com/@ChrisChinchilla/are-you-really-a-tech-company-63e7b4ed54d4#.x547tw4zr)

Date: 2016-03-01

Originally published at: https://medium.com/@ChrisChinchilla/are-you-really-a-tech-company-63e7b4ed54d4#.x547tw4zr

I go to a lot of events. Firstly because I get bored easily, but mainly because I like hearing what people are working on and their ideas. I have noticed an increasing amount of companies and events that label themselves as 'tech', and I challenge if they actually are. To me it feels like some older phrases that are slowly dying and losing their meaning.

---

## [Migrating Your Android or iOS App from Parse](https://www.sitepoint.com/migrating-your-android-or-ios-app-from-parse/)

Date: 2016-02-24

Originally published at: https://www.sitepoint.com/migrating-your-android-or-ios-app-from-parse/

Not since the shuttering of Google Reader has there been quite so many outcries of surprise and annoyance amongst tech fans. Facebook's announcement that their popular developer service platform, Parse, will shut in a years time caused ripples of panic amongst developers who rely on it. It's always been a bad idea to be too reliant on a centralized, commercial service as it may not always last for ever. Parse wont be the first or the last to close and it's a good lesson to us all to be flexible.

---

## [Tech Tribes and Being an Outsider Amongst Outsiders](https://hackernoon.com/tech-tribes-and-being-an-outsider-amongst-outsiders-16acef958f7#.5ouxsl6h4)

Date: 2016-02-22

Originally published at: https://hackernoon.com/tech-tribes-and-being-an-outsider-amongst-outsiders-16acef958f7#.5ouxsl6h4

I make no pretense that I am a generalist and get bored quickly. I have written before about how this sometimes makes you feel left out, or worse, an idiot who has wasted their life. I want to explore this topic in more detail, and that of 'tech tribes', that I feel it relates to.

---

## [Video - Preparing Your Android App for Release](https://www.sitepoint.com/premium/screencasts/preparing-your-app-for-the-google-play-store)

Date: 2016-02-21

Originally published at: https://www.sitepoint.com/premium/screencasts/preparing-your-app-for-the-google-play-store

Your app is ready, the next steps are to get it into the Google Play Store for people to download and use. In this video we look at preparing your application for release and creating a listings page for your creation.

---

## [Healthy Travel, Working on the Road and the Inefficiency of Travel](https://hackernoon.com/healthy-travel-working-on-the-road-and-the-inefficiency-of-travel-ab40e43c9298)

Date: 2016-02-14

Originally published at: https://hackernoon.com/healthy-travel-working-on-the-road-and-the-inefficiency-of-travel-ab40e43c9298

I apologise for the delay in this installment of the Weekly Squeak, I let various things get the better of me in the past weeks and am annoyed that I did. First the madness of a series of events, conferences and travel and then I got hit by a crippling cold-flu thing that has made me struggle to get even the work I needed to get done complete, let alone the things I wanted to do. I had a topic I wanted to cover in this post, but I think I will save it for the future and instead talk about some of the questions and issues that have arisen as a consequence of these past weeks.

---

## [Video - Outputting Data to the User Interface](https://www.sitepoint.com/premium/screencasts/outputting-data-to-your-android-app-s-user-interface)

Date: 2016-02-12

Originally published at: https://www.sitepoint.com/premium/screencasts/outputting-data-to-your-android-app-s-user-interface

In this video you'll be building upon previously learned techniques by taking data imported via API and displaying it to the interface. We'll learn how to get into the API data, get it into a usable format, and then once it is properly formatted, attach that data to the interface to make a usable implementation of the API data that, in this example, you are fetching from the Marvel API.

---

## [CR8: A collection of utility scripts for working with Clusters ](https://crate.io/a/cr8-utility-scripts/)

Date: 2016-02-03

Originally published at: https://crate.io/a/cr8-utility-scripts/

Meet Mathias Fußenegger, aka 'Jordi', one of Crate's core engineers and a massive Linux fan.

---

## [CTop: A top tool for Crate Clusters](https://crate.io/a/ctop-top-for-crate-cluster/)

Date: 2016-02-03

Originally published at: https://crate.io/a/ctop-top-for-crate-cluster/

Meet Christian Haudum, aka 'Haudi', one of Crate's integration engineers and a fan of vinyl and dub step.

---

## [Play Testing is Open Again](https://chrischinchilla.com/blog/2016/2016-01-28-playtesting-back-open)

Date: 2016-01-28

After making many changes, some of which I will get around to blogging about soon, play testing for Chip Shop is open again!

---

After making many changes, some of which I will get around to blogging about soon, play testing for Chip Shop is open again!

If you're not already signed up to the testing newsletter, [then join here](https://gregariousmammal.us10.list-manage.com/subscribe?u=a177a7811dd28fcd87829f78f&id=13bd96907c), but this isn't compulsory, it will just keep you up to date.

## Manual
You can access the game manual as [HTML](https://chipshopgame.com/manual/) and [PDF](https://chipshopgame.com/pod/Individual%20pdfs/manual/manual.pdf).

## Print Yourself
You can download PDFs of all the game assets to print yourself, cut out and play.

If you open [this URL](https://chipshopgame.com/pod/), you should find everything you need, split into respective decks, player mats (print one for each player) and the main board (two A4 sheets). You will need some generic tokens and counters for tracking scores, resources etc...

## Tabletop Simulators
I am working hard to get the game 'officially' into several Tabletop Simulators, but for now you can access all the game assets as PNGs and add them yourself. I have only tested this on Tabletop Simulator.

If you open [this URL](https://chipshopgame.com/simulators/tabletop_simulator/), you should find everything you need, split into respective decks (for separate upload), player mats (upload one for each player) and the main board (one A3 sheets). You will need some generic tokens and counters for tracking scores, resources etc...

## Feedback
I want your feedback, here's how you can give it:

- [Email](email:info@gregariousmammal.com)
- [GitHub](https://github.com/GregariousMammal/Chip-Shop/issues/new)
- [Trello](https://trello.com/b/uqiDfGmP/chip-shop-board-game)

Thanks and Enjoy!

---

## [Using Classy to Create Stylesheets for Native iOS Apps](https://www.sitepoint.com/using-classy-to-create-stylesheets-for-native-ios-apps/)

Date: 2016-01-27

Originally published at: https://www.sitepoint.com/using-classy-to-create-stylesheets-for-native-ios-apps/

Classy is an intriguing project hoping to bridge some gaps between designers more used to web or front end projects and app developers. Classy allows for the use of 'CSS-esque' stylesheets to style native iOS app interface components.

---

## [Meetup and Conference Etiquette Revisited](https://medium.com/@ChrisChinchilla/meetup-and-conference-etiquette-revisited-29de1686ec29#.yxd9a5t8s)

Date: 2016-01-24

Originally published at: https://medium.com/@ChrisChinchilla/meetup-and-conference-etiquette-revisited-29de1686ec29#.yxd9a5t8s

I don't have an particular themes from the week I can remember in enough detail to discuss this week, so thought it time I dragged out one of my long term 'topics to discuss'.

---

## [Display Data Sets in InDesign with Porky](https://www.sitepoint.com/indesign-with-porky/)

Date: 2016-01-21

Originally published at: https://www.sitepoint.com/indesign-with-porky/

As a coder of many years, I am a keen believer in writing everything once and being able to use it in multiple places. In the coding world, thanks to open data formats and widely supported APIs we can generally have one central set of content and use it for different applications and use cases, all nicely in sync.

---

## [Celebrity Death, Netflix vs Digital Nomads and Introducing the Enthusiastic Amateur](https://medium.com/@ChrisChinchilla/celebrity-death-netflix-vs-digital-nomads-and-introducing-the-enthusiastic-amateur-52f36fa0182c#.t1cjow8hj)

Date: 2016-01-18

Originally published at: https://medium.com/@ChrisChinchilla/celebrity-death-netflix-vs-digital-nomads-and-introducing-the-enthusiastic-amateur-52f36fa0182c#.t1cjow8hj

It's been quite a week (month, year) for celebrity death and I'm certainly not going to be the first or last to talk about the subject this week. I am going to mostly talk about Bowie, because I was a bigger fan of his work than say, Alan Rickman, but also for other reasons I will come to. Whilst we're here I should also briefly mention the death of John Bradbury, drummer with The Specials. He actually died on December 28th of 2015 and wasn't part of the new 69 club, but was 62\.

---

## [How to auto deploy from GitHub to your server](https://www.sitepoint.com/deploying-from-github-to-a-server/)

Date: 2016-01-15

Originally published at: https://www.sitepoint.com/deploying-from-github-to-a-server/

GitHub, and the Git version control system it's based on, are fantastic tools for managing and collaborating on projects – code-based or otherwise.

---

## [Blink(1), a Programmable Indicator for All Developer Needs](https://www.sitepoint.com/blink1-a-programmable-indicator-for-all-developer-needs/)

Date: 2016-01-12

Originally published at: https://www.sitepoint.com/blink1-a-programmable-indicator-for-all-developer-needs/

Late last summer someone handed me a curious USB device that I popped in my bag and then sat on my shelf until today when I thought it was about time I plugged it into my computer to see what it did.

---

## [Video - Getting to know Volley](https://www.sitepoint.com/premium/screencasts/using-volley-to-communicate-with-external-services-from-your-android-app)

Date: 2016-01-11

Originally published at: https://www.sitepoint.com/premium/screencasts/using-volley-to-communicate-with-external-services-from-your-android-app

Volley, next generation network communications for Android

---

## [Turning Chip Shop into a Board Game](https://chrischinchilla.com/blog/2016/2016-01-09-turning-chip-shop-into-a-board-game)

Date: 2016-01-09

I spent some time this week finishing off a lot of the changes from my last round of playtesting, most of these have resulted in changing Chip Shop from a somewhat random card game with a board (for no particular reason) into a more rounded actual board game.

---

I spent some time this week finishing off a lot of the changes from my last round of playtesting, most of these have resulted in changing Chip Shop from a somewhat random card game with a board (for no particular reason) into a more rounded actual board game.

This took a lot of time to balance the best way to represent concepts, undoing a lot of work I had undertaken and also keeping an eye on how this will affect production of the print on demand and boxed version of the game.

{% picture listings images/screen_board.jpg alt="Testing Screen Ideas" %}

This has resulted in me shrinking the game cards, increasing the size of player boards and consolidating the main board into something usable and with a point.

I'm still finishing updates to the game cards, manual and build processes but will produce a full blog post covering all the changes and new elements soon.

---

## [Estonia-between East West and the World](https://chrischinchilla.com/blog/2016/2016-01-08-estonia-between-eat-west-and-the-world)

Date: 2016-01-08

It seems fitting that as I start piecing together the fragments of interviews and notes gathered over the past months that it has been just over a year since Estonia’s innovative e-Residency program began, which is where my fascination with Estonia began and this story starts.

---

It seems fitting that as I start piecing together the fragments of interviews and notes gathered over the past months that it has been just over a year since Estonia’s innovative e-Residency program began, which is where my fascination with Estonia began and this story starts.

[Read the full article here](https://thenextweb.com/insider/2016/01/08/estonia-between-east-west-and-the-world/).

---

## [Video - Using layout managers to craft awesome Android interfaces](https://www.sitepoint.com/premium/screencasts/layout-managers)

Date: 2016-01-08

Originally published at: https://www.sitepoint.com/premium/screencasts/layout-managers

Using layout managers to craft awesome Android interfaces

---

## [The Next Full Stack Language? Server-side Swift with Perfect](https://www.sitepoint.com/server-side-swift-with-perfect/)

Date: 2016-01-05

Originally published at: https://www.sitepoint.com/server-side-swift-with-perfect/

I will keep re-iterating (for the next 6 months at least) that whilst Swift is not the first language from a commercial company to be open-sourced, the enthusiasm and outcomes so far have been astounding.

---

## [Beginning the Weekly Squeak — Wrapping Up 2015](https://medium.com/@ChrisChinchilla/beginning-the-weekly-squeak-wrapping-up-2015-7c3b09610ad2#.8get9lwmi)

Date: 2015-12-29

Originally published at: https://medium.com/@ChrisChinchilla/beginning-the-weekly-squeak-wrapping-up-2015-7c3b09610ad2#.8get9lwmi

What better way to start my new blog post and podcast of semi-random uttering and opinions than with a round of the year and thoughts that have led me to starting it in the first place.

---

## [Trello Shortcuts for Dash](https://chrischinchilla.com/blog/2015/2015-12-27-trello-shortcuts-dash)

Date: 2015-12-27

I have loved Kapeli's offline documentation browser, Dash for a while now and have been intending to start contributing to it for the best part of 2015.

---

I have loved Kapeli's offline documentation browser, [Dash](https://kapeli.com/dash) for a while now and have been intending to start contributing to it for the best part of 2015.

You can find my first of many contributions in the form of a cheatsheet for Trello's keyboard shortcuts.

Simply search for _Trello_ under the _Cheat Sheets_ section and enjoy!

---

## [A Mind Forever Voyaging: A History of Storytelling in Video Games by Dylan Holmes](https://chrischinchilla.com/blog/2015/2015-12-26-a-mind-forever-voyaging)

Date: 2015-12-26

As part of creating Chip Shop (and future game ideas) I read recommendations on reading about (and playing) various types of games, not just board games.

---

As part of creating Chip Shop (and future game ideas) I read recommendations on reading about (and playing) various types of games, not just board games.

I'll admit that I have generally sucked at modern computer games, but I am still amazed by the storytelling, ideas and visuals in them.

This book was an amazing journey for me, an excuse and way of exploring games that I will likely never be able to play or will be too incompetent to enjoy. It covers classics to modern games, obscure to massive successes and everything in-between.

A highly recommended read for anyone into storytelling of any kind.

<a rel="nofollow" href="https://www.amazon.com/gp/product/1480005754/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1480005754&linkCode=as2&tag=gregamamma-20&linkId=JJXO43YZL6RTHDIG">Buy a copy from Amazon</a><img src="https://ir-na.amazon-adsystem.com/e/ir?t=gregamamma-20&l=as2&o=1&a=1480005754" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> and earn me a few cents to!

---

## [Commodore Amiga: a visual Compendium by Sam Dyer](https://chrischinchilla.com/blog/2015/2015-12-26-commodore-amiga-visual-companion)

Date: 2015-12-26

First, let's get the disclaimers out of the way. I helped Kickstart this book, but that wouldn't necessarily make my review biased...

---

First, let's get the disclaimers out of the way. I helped [Kickstart](https://www.kickstarter.com/projects/2146199819/commodore-amiga-a-visual-commpendium) this book, but that wouldn't necessarily make my review biased...

I loved the Amiga when I was a child anyway, but this was also a perfect research volume for Chip Shop. I have the PDF digital version, but even so, the full page, full colour screen grabs are beautiful and even if you don't read the text it's an enjoyable read.

If you do take the time to read the game, studio and personality descriptions you will uncover great stories from the history of Amiga and it's developers. One of the most memorable aspects of these stories are where people are now. Some companies moved on to bigger and better things, most vanished without a trace, but it was amazing how many personalities who were so (in)famous at the time are now just freelancers. This is one aspect of the industry I have always wanted to attempt to capture in Chip Shop and some of the changes I am working on from play testing will hopefully represent this potential for loyalty or legacy better.

[Buy a copy of the book here](https://www.bitmapbooks.co.uk/collections/all/products/commodore-amiga-a-visual-commpendium).

---

## [2015 in Review, New Languages, Rising Frameworks and More](https://www.sitepoint.com/2015-in-review-new-languages-rising-frameworks-and-more/)

Date: 2015-12-22

Originally published at: https://www.sitepoint.com/2015-in-review-new-languages-rising-frameworks-and-more/

Across the mobile channel in 2015 we had over 3 million views and published just over 160 posts.

---

## [Video - Submitting to the Chrome Store](https://www.sitepoint.com/premium/screencasts/submitting-to-the-chrome-store)

Date: 2015-12-21

Originally published at: https://www.sitepoint.com/premium/screencasts/submitting-to-the-chrome-store

There are quite a lot of specific images and text descriptions required to create a listing page for your app, we detail them here and provide some useful tools to help create them. In this final section we submit our application to the store. You're almost there!

---

## [Video - Interacting with Browser Content](https://www.sitepoint.com/premium/screencasts/interacting-with-browser-content-from-your-chrome-extension)

Date: 2015-12-10

Originally published at: https://www.sitepoint.com/premium/screencasts/interacting-with-browser-content-from-your-chrome-extension

A Chrome extensions prime function is to interact and enhance a users' web pages and in this video we look at how to do this, building our first extension with a combination of HTML and JavaScript. This extension will replace all images in a SitePoint article with images of Super Heroes, bringing even more super powers to your browsing experience.

---

## [iOS and Android Programming with Go](https://www.sitepoint.com/ios-and-android-programming-with-go/)

Date: 2015-12-09

Originally published at: https://www.sitepoint.com/ios-and-android-programming-with-go/

Whilst not a new language, Go has gained a lot of interest over the past two years and the number of bigger name projects utilizing the language is growing rapidly. I wrote an introductory article on the language for SitePoint and came across mentions of mobile support, so thought I’d take a look at the possibilities.

---

## [Further Changes From Play Testing](https://chrischinchilla.com/blog/2015/2015-12-01-further-changes-from-playtest)

Date: 2015-12-06

A few more changes from my first play testing session.

---

A few more changes from my first play testing session.

## Marketing equals
The amount of marketing resources you put into a product will now equal the number of turns it generates profits. This prevents players becoming so much 'victims of history' and becoming burdened with unsuccessful products. This now allows players to have more strategy and make their favourite products from history a success.

## Refining Staff
Continuing from the last changes to staff in Chip Shop, they have been refined further. Firstly I have split staff into two sub-concepts. Generic staff resources now effect how many resources you can have allocated into marketing and R&D departments and they are absorbed when 'upgraded' to a specialist staff card. When these specialist staff members become too costly to maintain, players now have the chance to fire them through one of the new 'income stream' options. Doing so frees the player from ongoing commitments, but the specialist is immediately made available to other players to hire.

## Manual Tweaks
Based on many of these changes it was time to update the manual. This included explicitly mentioning what happens to a product when it is no longer active, re-organizing the resources sections and removing existing examples for now.

---

## [Backing up and restoring Crate databases](https://crate.io/a/backing-up-and-restoring-crate/)

Date: 2015-11-30

Originally published at: https://crate.io/a/backing-up-and-restoring-crate/

Our databases contain valuable and business critical information and whilst there have always been manual ways to create restorable backups of Crate databases, as of version 0.53, we are pleased to announce the 'Snapshots' feature.

---

## [Changes From Play Testing](https://chrischinchilla.com/blog/2015/2015-11-25-changes-from-play-testing)

Date: 2015-11-25

After my first constructive play test session, here is the first wave of changes to the game.

---

After my first constructive play test session, here is the first wave of changes to the game.

## Changing 'Personalities' to 'Staff'
People felt that the word 'Personality' was too strong and placed too much emphasis on the historical figures over the generic staff members. One fantastic idea was that these 'generic' staff cards could become kickstarter backers in the future and thus give people the chance to also be a 'Personality'.

This change also helps clear up the mixed use of the _staff_ resource exchanged for a _personality_ card, they are now both the same.

I am also working on making staff better value, but this change is still in progress.

## Updating 'Bankruptcy' concept
In reality businesses go bankrupt all the time and this doesn't stop their founders starting new ones. As it's easy to run out of money in Chip Shop, players felt there needed to be a better way of allowing players who go bankrupt an opportunity to continue in the game. By allowing bankrupt players to start again but keep their loyalty scores and certain other cards reflects the boom and bust cycles of celebrities in Silicon Valley, so was a simple but effective change.

## Introducing Income Cards / Concept
Following on the last improvement, I have introduced a new concept to the game that is still taking shape. Instead of taking a product build action, players can opt to choose an income stream option. I'm deciding if these are cards, or limited choices that can be chosen, but these income streams include options such as bank loans, investments and staff lay-offs. However the concept develops these will be mixed blessings and a limited supply.

## Money piles for tracking income
I was always a little unclear on how to track how much money and for how long a card brings income to a player. One play tester by chance hit upon the great idea of adding piles of money split into the quantity and number of turns that can be removed each turn. Another simple but effective solution.

## Accessory Tweaks
Whilst players enjoyed the accessory concept, these also felt to expensive, so I have reduced the costs of some and changed rules slightly to make them more worthwhile.

## Much more to come!
There are several other small and large improvements I am working on which I will save for a future post, in the meantime I suggest you don't proceed with playtesting right now, but feel free to help me improve any text or other game concepts in the [game's repository](https://github.com/GregariousMammal/Chip-Shop).

---

## [Video - Activities and Intents, the lego blocks of Android](https://www.sitepoint.com/premium/screencasts/managing-android-interfaces-with-activities-and-intents)

Date: 2015-11-12

Originally published at: https://www.sitepoint.com/premium/screencasts/managing-android-interfaces-with-activities-and-intents

Any Android app that requires even a basic interface will need the basic building blocks of activities and intents to manage interface screens and the flow between them. In this video we look at the different activity types available and how we connect them with intents.

---

## [Simple, Clutter-free Programming with Go](https://chrischinchilla.com/blog/2015/2015-11-11-simple-clutter-free-programming-with-go)

Date: 2015-11-11

GoLang (generally shortened to Go) is the latest language-that-everyone-wants-to-learn-and-use. In this article, I'll provide an introduction to the language, its features, its potential, and whether you should care about Go or not.

---

GoLang (generally shortened to Go) is the latest language-that-everyone-wants-to-learn-and-use. In this article, I'll provide an introduction to the language, its features, its potential, and whether you should care about Go or not.

[Read more](https://www.sitepoint.com/simple-clutter-free-programming-with-go/)

---

## [Video - The Manifest to manage your metadata](https://www.sitepoint.com/premium/screencasts/using-manifest-files-to-manage-your-chrome-extension-s-metadata)

Date: 2015-11-10

Originally published at: https://www.sitepoint.com/premium/screencasts/using-manifest-files-to-manage-your-chrome-extension-s-metadata

A Chrome Extension Manifest file contains important metadata about your extension. From simple aspects like giving it a name and an author, to setting keyboard shortcuts and overriding browser settings. The Manifest file gives life to your code.

---

## [Thoughts on (Play) Testing](https://chrischinchilla.com/blog/2015/2015-11-10-thoughts-on-play-testing)

Date: 2015-11-09

I just had my first play testing session for Chip Shop and returned with lots of feedback. The three players helped me identify a lot of small problems with the game as well as a couple of larger issues that need some refining to make the game work better. None of them so big to break the game, but some important ideas to ponder. Depending on the decisions I make, they may change move the game in a slightly different direction.

---

I just had my first play testing session for Chip Shop and returned with lots of feedback. The three players helped me identify a lot of small problems with the game as well as a couple of larger issues that need some refining to make the game work better. None of them so big to break the game, but some important ideas to ponder. Depending on the decisions I make, they may change move the game in a slightly different direction.

I will revisit these individually in future posts, but for now I wanted to discuss the testing process more generally.

After fifteen years working in software development I am of course highly aware of the importance of the testing process and I was maybe naive to think that testing a board game would be any different.

I was amazed how many fundamental things I overlooked during my own run-throughs of the game and the same has of course happened in software projects I worked on. It often takes a new and un-involved eye to spot things that someone deeply involved with a project never will, some of which are surprisingly obvious and you wonder how you missed them in the first place.

The testing process is easier with software than other products. Software can be tested (largely) automatically, physical products require a constant cycle of production, testing and re-production. I am looking forward to testing the new wave of digital tabletop tools to see how they may be able to assist in the testing process, especially as my game is already created in that realm.

---

## [Video - Super Powered Web Services](https://www.sitepoint.com/premium/screencasts/connecting-your-android-app-to-external-services)

Date: 2015-11-01

Originally published at: https://www.sitepoint.com/premium/screencasts/connecting-your-android-app-to-external-services

No application exists in isolation, in most cases it will frequently need to access external data and services to bring it to life. In this video we look at the principles of connecting to these services. We will cover the basics of APIs, REST and JSON in an Android app and play with some Marvel Super Heroes on the journey.

---

## [WikiMedia Game Jam, T-Shirts, Printing Experiments and so much more](https://chrischinchilla.com/blog/2015/2015-10-26-game-jam-tshirts-printing-and-more)

Date: 2015-10-26

Pushing forward to play testing (which has now begun, more on that later) I have been busy cleaning, tidying and streamlining game components after Essen. Here are some updates...

---

Pushing forward to play testing (which has now begun, more on that later) I have been busy cleaning, tidying and streamlining game components after Essen. Here are some updates...

## Website tweaks and T-Shirts
If you visit the [website](https://chipshopgame.com), you will notice the new typed text intro. This ties in with a T-Shirt I had made for Essen and will be available soon alongside some other merchandise. For the typed text effect, I initially looked at CSS3 options, but none of them worked well with larger amounts of text, so I opted for [Typed.js](https://github.com/mattboldt/typed.js/). I updated template files so that the home page loads one [template](https://github.com/GregariousMammal/Chip-Shop/blob/master/index.html) that includes the JavaScript call, and it's not present on any other page. As you can see from the file, the JavaScript initialisation is simple, setting the html, speed and cursor displayed.

I updated the [cards](https://chipshopgame.com/cards/), [manual and concepts](https://chipshopgame.com/manual/) pages to be more visually appealing. There will be more to come as I plan to have different designs for each section, for example the manual page should look like an old computer manual and the store page should look like an old computer store.

## Manual and Concepts
In preparation for the print versions of the manual and concepts pages (part of the manual) I updated the build script and created latex templates. The [build process](https://github.com/GregariousMammal/Chip-Shop/blob/master/build.sh) for these new pages is simpler than the cards as the manual is just one markdown file and the concepts are generated in a similar way to the game cards, i.e. multiple items on one page of A4. The [Concept](https://github.com/GregariousMammal/Chip-Shop/blob/master/_layouts/concepts.latex) and [Manual](https://github.com/GregariousMammal/Chip-Shop/blob/master/_layouts/manual_print.latex) latex files are simple at the moment, the manual template still needs work to handle page breaks and section numbering correctly.

## Other Print and Card Updates
Lots of small changes here.

- Removed the table layout of costs and scores in preparation for replacing them with icons.
- Added Concepts list to cards, these will be icons in the future.
- Created duplicate versions of many cards, to represent more common events and products.
- I tried to fix a problem with using the custom VT323 font displaying missing symbols. I initially thought it was a Pandoc / LaTeX error but it was due to the font being missing certain common symbols. For the print cards I have reverted to the default font for now and will revisit later.
- Streamlining lots of cards and breaking out text into concepts.
- Probably loads more small changes, if you're interested, then [read the project commit messages here](https://github.com/GregariousMammal/Chip-Shop/commits/master).

### Double Sided Printing
At some point, the playing cards will need to be double sided and with LaTeX, this was straightforward. You amend the document class:

```LaTeX
\documentclass[twoside]{article}
```

Add the page break and what you want to display after it.

```LaTeX
\pagebreak
\begin{flushleft}
  $cardtype$
\end{flushleft}
```

Then I realised that during play testing, not everyone will be able to print double sided cards, so I removed the functionality for now and will return to it later.

## Wikimedia Free Knowledge Game Jam
As a lot of the Chip Shop game components are using information from Wikipedia I thought I would attend a [game jam running this weekend](https://blog.wikimedia.de/2015/09/21/free-knowledge-game-jam/). I wanted to automate a lot of the manual process of creating cards, thinking I could query a Wikipedia API to find all computer products from particular eras and generate placeholder markdown files to flesh out later.

Turns out this wasn't so simple and that all Wiki data is not created equal. I wont go into great detail here, but the process wouldn't be possible without a lot of work, that I deemed not worthwhile at the moment. Still it was fun digging beneath the surface of Wikipedia and seeing how it works.

## Play Testing
IS OPEN! [Get started now](https://gregariousmammal.com/playtesting-chip-shop/).

---

## [Video - Understanding Java and Android](https://www.sitepoint.com/watch-understanding-android-and-java/)

Date: 2015-10-23

Originally published at: https://www.sitepoint.com/watch-understanding-android-and-java/

Android development uses the popular Java programming language. In this video we look at the basics of Java and the additions that Android brings to it.

---

## [Playtesting Chip Shop](https://chrischinchilla.com/blog/2015/2015-10-19-playtesting-chip-shop)

Date: 2015-10-19

Chip Shop is ready for play testing! Find out how to get involved.

---

Chip Shop is ready for play testing! Find out how to get involved.

There are still components missing and a lot of design work yet to happen, but the game is ready enough to start getting feedback from those of you generous enough to help me.

At the moment, unless you live in Berlin and want to meet me at a future play testing session, you need to print and cut out the components yourself. I know this involves some work, so anyone who does help me playtest will receive a thank you and some form of Kickstarter / final product discount.

## Getting the Game components
### The Manual
This is easy and there's no need to print it if you don't want to. [Download the complete manual here](https://chipshopgame.com/pod/pdf/manual/manual.pdf), it needs some work on formatting and page breaks, but is readable and hopefully understandable.

### Game Concepts
The cards mention concepts that are rules of a sort. This is an attempt to reduce the amount of text on each card and will be replaced with icons. You can [find a list of the game concepts here](https://chipshopgame.com/pod/concepts_complete.pdf). You don't need to print them.

### The Game Cards
[Download the 3x3 sheets of game cards here](https://chipshopgame.com/pod/cards_complete.pdf). You will need to cut these out and divide them into respective piles. The card type is on the bottom of each card, but will eventually be double-sided.

## Scoring
The manual notes a scoring board, this doesn't exist yet. For now, just note scores on paper.

## Player Screens
The manual notes player screens, these don't exist yet. You can find another way of hiding what you are working on, or play publicly for now as this may help everyone understand the game.

## Resource Tokens
I can't supply resource tokens as PDF files, if you have any coloured tokens from other games, use those, or perhaps note resources assigned to cards in pencil and erase between test games.

## Feedback
I'm sure you will have loads! I welcome any feedback you have, [send an email here](mailto:chrischinchilla+jwexqhfzdlssfwzneupb@boards.trello.com) with as much detail as possible, images and videos are great to explain something that is hard with words alone.

---

## [Creating PDFs from Markdown with Pandoc and LaTeX](https://www.sitepoint.com/creating-pdfs-from-markdown-with-pandoc-and-latex/)

Date: 2015-09-30

Originally published at: https://www.sitepoint.com/creating-pdfs-from-markdown-with-pandoc-and-latex/

If you've read some of my previous posts on SitePoint or elsewhere, you may know that I'm working on a board game. In the game, called Chip Shop, you get to run a computer company in 1980s America.

---

## [Video - The Evolution of Androids Ecosystem](https://www.sitepoint.com/watch-evolution-androids-ecosystem/)

Date: 2015-09-21

Originally published at: https://www.sitepoint.com/watch-evolution-androids-ecosystem/

In this video I'll outline a history of Android versions, and explain whether we should still support them in our applications and, if so, how.

---

## [How I Became an e-Resident of Estonia](https://www.sitepoint.com/registering-a-business-globally-with-estonias-e-residency/)

Date: 2015-09-16

Originally published at: https://www.sitepoint.com/registering-a-business-globally-with-estonias-e-residency/

I've lived in three countries in my life, and I travel on a regular basis. I wouldn't go as far as to say that we should have global open borders, but there are ways that the life of the new breed of global entrepreneurs could be easier.

---

## [Versioning Large Files with git LFS](https://www.sitepoint.com/versioning-large-files-with-git-lfs/)

Date: 2015-09-11

Originally published at: https://www.sitepoint.com/versioning-large-files-with-git-lfs/

Versioning large files can be problematic with distributed version control systems like Git. Git Large File Storage (or LFS) is a new, open-source extension to Git that aims to improve handling of large files.

---

## [Sustaining and Maintaining your Not-for-Profit](https://chrischinchilla.com/blog/2015/2015-09-09-nfp-handbook)

Date: 2015-09-09

You've had and developed an idea, got it started and hit the ground running with people involved, projects happening and hopefully some outcomes.

---

You've had and developed an idea, got it started and hit the ground running with people involved, projects happening and hopefully some outcomes.

_Now what happens?_

After the initial adrenalin and enthusiasm wears off, just keeping going, growing and knowing what to do next can be one of the most difficult stages in any not-for-profits lifecycle.

## Reviewing where you're at
At regular intervals you should take time to evaluate and review your organisation and those working within it. This doesn't have to be in the form of the formal yearly reviews you may be familiar with from workplaces and large businesses. It can be something informal and casual based around a meal, drinks or other social activity. This kind of review could be part of an Annual General Meeting or help influence it's agenda. You are trying to gain a broad view of the organisation by reviewing at an individual level as well as a strategic overarching level, hopefully building a picture of how every piece of the organisation is working and contributing (or not).

We'll cover this in more detail below, but here are the top broad questions you should be asking at review time:

1. What are we trying to achieve?
2. Are we achieving it?
3. What resources are at our disposal that we're under-utilising?
4. How participatory is our work?
5. How happy is our team?

You may find it useful to refer back to the lean canvas process mentioned on page xxx and assess if it needs revising or updating.

### Individual input
Give everyone working and volunteering with the organisation or project an opportunity to relay their experiences since the last review. Ask for feedback on processes, working with clients and their feelings on progress and outcomes. Everyone should feel comfortable enough to bring concerns they may have up at organisational reviews (mentioned on page xxx). No one should be excluded from criticism as this may help identify solvable issues with people before reaching the final recourse.

Most crucially, ask if people are still enjoying working with the organisation and what their new personal and professional aims and goals are. Identify if they learnt new skills or would like to learn new skills that they can contribute. Take this opportunity to update your personal and organisational asset maps (See page xxx) to reflect gains and losses in your organisational assets and what you may or may not now need or posses.

This same individual feedback should be added to any volunteer or staff exit processes you have. It's important to know what people's opinions of your organisation may be when they leave as you will gain different insights from current staff and volunteers.

### Organisational assessment
Is your organisation still striving to achieve what it set out to do in the ways it intended? Allow everyone to contribute in an open and non-judgemental way to answering this question (see tips on meeting facilitation earlier on page xxx) and if available, have notes from previous reviews or founding statements to use as a comparison point.

### Breaking out of bad habits
As time passes and people within an organisation become more comfortable with each other and their place within an organisation good working habits will develop. Unfortunately so will bad ones that, left unchecked, will infuriate and frustrate people and, at worst, cause them to leave. Seemingly small to begin with, at an organisational level these bad habits can lead to lost time, opportunities and less efficient organisation.

On page xxx we discussed drafting an agreement with all your staff and volunteers that they must agree to when joining the organisation. A list of the potential unacceptable 'bad habits' should be included in this agreement alongside any repercussions from breaching them.

An example of such a bad habit and it's repercussions might be:

> Particular participants regularly turn up late to meetings with small, unimportant excuses. It may be just a few minutes late, but added up over time plus the time that is then spent with that person catching up with what they missed and it can fast become significant.

Some ideas for addressing this challenge include:

- Imposing a two minute lockout rule. Two minutes after the meeting has begun, shut and lock the door, no latecomers admitted.
- Schedule meetings with the assumption that people will be late and allow a ten minute buffer between the scheduled and actual start times. The main problem with this technique is that people will eventually wise up to it and it will become defunct.
- Remove the right to have input or an opinion during a meeting. The offender(s) may only be a passive participant.

If the organisational review is open enough to allow people to speak their mind non-judgementally, these habits should be identified reasonably quickly. Depending on the organisation or the length of time staff have been involved, it may be better for these types of comments to be kept anonymous. A certain level of trust and mutual respect within an organisation is needed before being able to take some comments genuinely un-personally. As you document some of these bad habits, patterns and groupings should appear, helping you identify those recurring habits that are a real problem verses one-off grievances.

#### Tips for anonymous feedback gathering
A very simple method for acquiring anonymous feedback is providing sheets of matching paper for people to write their thoughts upon and provide a box they can place them into. If people are worried about their handwriting being recognised then suggest they submit their opinions typed instead.

### Assessing new opportunities and keeping up with the competition
Whether we like it to admit it or not, many not-for-profit organisations are competing with each other, even those outside of your particular area of interest. Most organisations are competing for mind share and often a share of the cash in people's pockets.

As part of the organisational review process, have attendees bring examples of other organisations, businesses or projects from around the world who may be attempting to accomplish similar or related aims (See page xxx). Assess what they do differently that works or doesn't work or that you may be able to incorporate into your practices. Never rule out the opportunity of collaboration with emerging newcomers in your space or established incumbents. If you are all truly all aiming for the same goals and outcomes, then working together should always be on the agenda and if it isn't, find other collaborators.

By assessing where your organisation and those around you stand you can begin to identify potential new opportunities and ideas your organisation might want to supplement or replace its activities with.

For example:

> You notice that your website is receiving an increasing amount of mobile device traffic and you know that your website currently looks bad on these devices. A staff member mentions a friend working at another not-for-profit who recently created a mobile version of their site and it resulted in extra traffic and donations. This is a strategy you would love to pursue to remain current but you have no budget left for such a website development. Luckily, as part of your discussions with staff you discover that a staff member's partner is a mobile developer and offers to develop a simple mobile site for you in a voluntary capacity.

## Redefining your mission, or 'pivoting'
As a result of this process you may reach the conclusion that it's timely and appropriate for your organisation to change it's main mission or methods of working. Again, there is a phrase for this in the start-up world that nicely sums up what your organisation may need to do, it's 'pivoting'. It essentially means that you have been following a particular path and at a particular point you decide to break away from that path, but are generally still aiming for the same destination.

Let's look at an example from the for-profit start-up world first, one that everyone would have heard of:

> YouTube began in 2005 as a video dating site. The dating side didn't work out but the founders realised they still had a great platform for sharing videos and after stripping out the dating functionality the site gained rapid traction.'

A simple example in the not-for-profit world might be:

> Your organisation is a social enterprise that aims to provide funds to build wells in Africa. To fund these activities you open a café that is initially successful until a rent increase means it starts losing money. After analysing the financials you realise that, instead, running a mail order business from your existing office of coffee beans and accessories is far more profitable and reliable.

The trick with a not-for-profit pivot as opposed to pivoting a for-profit start-up is finding a way to maintain your mission in a different way, whereas a for-profit company can just decide to change its direction completely.

When pivoting or changing your focus remember to take a look at your marketing materials. Will they need to be changed and will they still make sense? Updating them could be a costly process and should be factored into your decision making.

Unless of course you realise you need to change your mission statement or mission. In this case it may be a better option to completely end the organisation (see more on this below xxx), but this must be determined on a case-by-case basis. A rule of thumb may be that if your overarching aim remains the same but you methods for achieving this should change, then seek a mission change. If your overarching aim changes completely then it's probably best to begin a new organisation.

There are legal issues behind changing your organisation's mission that are dependent on your structure and location. Generally it involves amending your constitution and taking a vote from your membership.

## Knowing your worth
Reporting has always been a hot topic in the not-for-profit world and now so more than ever. The abundance of cheap and easy tools that provide statistics about more things than you care to know about have meant that the modern not-for-profit can be drowning in data. This is a good thing isn't it?

Well, to a point. Raw statistics are a quick and easy way of demonstrating interest in your organisation. They are often referred to as 'Quantitative statistics' and are numbers that can be measured, have a scale and which mathematical functions can be performed upon.

Examples of 'raw' statistics that a typical not-for-profit may be recording:

- Website statistics
- Event attendances
- Survey responses
- Social media statistics
- Mailing list numbers
- Donation amounts
- Number of members
- Activities undertaken

However, they only show part of the picture. Maybe one visitor downloaded a pdf from your website, printed it and distributed it to 100 people. There's no real way of knowing for sure that this happened, or that any resulting website traffic or interest was due to this or something unrelated.

This is where analysis can show the other side of statistics to form a more complete picture of your organisation. This may be tying statistics to events or particular people. Or perhaps analysing statistics over a longer period of time to spot patterns and regular variations.

A good rule of thumb with reporting and statistical data is to use it for short-term demonstration of interest in what you were doing, but find long-term qualitative data to show real long term interest, engagement and impact.

For example, in Chris' work establishing Green Renters, the organisation had quality web, email and social statistics that demonstrated that people were interested in what the organisation did. For example:

- An extremely low amount of people only visiting one page on the site and leaving quickly. People arrived, looked at several items of content and stuck around for a while.
- With Facebook and Twitter profiles, the organisation had higher than average engagement and growth statistics.
- A low unsubscribe rate and high level of interaction with email newsletters. i.e. People opened and clicked on links more than the industry average.

However a long-term measure of the organisation's success was that in the time since the organisation started, renters were being spoken about and included more and more in mainstream media and government discussions. Whilst Green Renters couldn't claim complete responsibility for this, it was an indication that the organisation's aims were being realised.

### Tools for Reporting

- Website analytic tools such as: Google Analytics, Crazy Egg and Parsely
- Social Media statistics including: Facebook insights, Twitter Analytics (currently not available in Australia at time of printing), Sprout Social and Hoot suite.
- Mailing list statistics: Depends on your provider but you are interested in knowing subscriber rates, unsubscribe rates, open rates, interaction rates (did anyone click anything) and 'churn' (new subscribers vs unsubscribes).

### Create your 'Definition of done'
As part of better handling your statistics and reporting, it is important you create a yardstick and measurement for knowing when your project (or even organisation) is successful. This may be something simple and tangible such as:

> We aim to build one new community centre a month.

Or perhaps something harder to pin down such as:

> "We aim to raise awareness for <insert cause>."

Whilst the latter is appropriate as a mission statement it doesn't help you define a measurement you can measure your ongoing success and effectiveness against. A better version may be:

> "We will raise awareness for our cause by undertaking two media interviews and promotional events each month."

Thus, as you iterate and improve your processes and systems you know if your changes are helping or hindering the progress towards your aim.

These 'targets' don't need to be concrete outcomes per se, they could be a measurement of people's satisfaction with your services through follow-up surveys, such as:

> "We aim to deliver services with a minimum 75% approval rating from our clients."

Don't let these definitions intimidate you, they don't exist as a method to berate staff with or make you feel inadequate. Rather they are a method for you to know how well your systems and practices are performing and to be able to assess tweaks you make to them.

## Succession planning
Replacing individuals in an organisation is termed 'succession planning'. It can apply at an individual or organisational level, but we'll cover handing on an organisation in more detail later and focus on individual succession here.

In any organisation's development, there will come a time when you need new staff, or old staff are ready to move on and need to be replaced. An organisation should always be more than it's founder and not dependent on them, their knowledge or personality (as discussed in chapter 2 with respect to documenting business systems).

Tools such as CRMs, project management tools and information repositories have already been covered in chapter 2. If your organisation has been following best practise thus far then it should be a reasonably simple task for someone to wrap up their time with the organisation.

There are many tools available to help with this process. In fact, there are almost too many, but the one thing we have learned is that often the biggest hurdle in implementing these tools is not technical, it's institutional.

Examples of key things to ensure you have documented and recorded:

- Meetings had with the contact and outcomes from those meetings.
- Events that contact attended.
- Contributions made by the contact.
- Whether or not the contact is a member of the organisation.
- Is the contact a volunteer or staff member.

If these don't match your organisation or it's activities, make a list of the items of information that are the most important to you. Make sure those are recorded.

Handover notes need to be understandable by anyone coming into the organisation who may not know the original context, situation or relevance. A comment such as:

> "Joe Blogs is great to us so be nice to him"

is not as useful as:

> "Joe Blogs has gone out of his way to help our organisation. He has donated over $10,000 to us, has volunteered at our annual fundraising event and regularly recommends us to his clients. "

Even better is an actual record of the contributions this person made, the events they attended and the clients they referred. If you are using a CRM correctly this should be happening automatically, but at very least a list along with these notes is useful.

Staff and Volunteers need to be on board with the importance of why an organisation should maintain these details. Ensure it is part of training and orientation programs and utilise encouragements (and discouragements) to ensure it is adhered to. In the modern era, data truly is king, this applies to your own internal processes as well as data about those you interact with.

An organisation should be able to change or gain a member of staff and that person should be able to be up and running with their work within half a day of starting and not be wasting their time (and others) by constantly having to ask questions and not know where answers and resources can be found.

## Training and development
Staff and volunteers are an organisations' most valuable asset. Often employees of a charitable organisation are working at below market rates or are volunteering, especially in the early stages of an organisation.

As well as treating staff with respect generally, give them opportunities to develop and improve themselves. This doesn't have to be expensive corporate style training sessions, but can be as simple attending local meetups or events (frequently free or low cost) so they can network with likeminded people and learn new ideas and skills. These events can often be great opportunities for spreading the word, so make sure you send people along with flyers or business cards.

It could be allowing daily time to read relevant blogs and listen to podcasts. Another idea is to allow staff time off to talk at conferences and other events. This is not only good for them, but spreads the name of your organisation.

Allowing people to grow, learn and expand their horizons can result in many positive outcomes for your organisations. External activities and discussions and breaking the sometimes monotonous flow of office work can lead to stronger teams. The most likely potential outcome is the generation of new ideas. There have been many examples of the intersections of disciplines generating innovation, from the Renaissance to companies such as 3M, FedEx, Google and Lonely Planet allowing staff free days to work on their own ideas.

### Resources to find events, networking opportunities and stay current

- [thefetch.com](https://thefetch.com) A weekly newsletter for events and thoughts
- [connectingup.org](https://connectingup.org)  Conferences, Webinars and other resources for non-profits and their interactions with technology
- [nten.org](https://nten.org) The global equivalent of ConnectingUp
- [meetup.com](https://meetup.com) A global resource of community organised events covering a wide variety of topics
- [socialtraders.com.au](https://socialtraders.com.au) A ground breaking organisation that provides a variety of resources for social entrepreneurs
- [bethkanter.org“](https://bethkanter.org“) Beth's blog is a fantastic resource for nonprofits wishing to leverage data and networks.

## Organisational and personal health
Driven and passionate individuals have a tendency to exploit themselves and to allow themselves to be exploited. There is also a slight attitude that permeates through the not-for-profit sector and that is a feeling of self-righteousness. Often people are doing great things of great benefit to many, but one can still be balanced whilst doing this.

Whatever the reasons behind it, how many times have you stayed back working late on a task or project, casting aside family or other personal commitments? There are of course times when this is truly needed, aid organisations working with a crisis for example. But a lot of the time, does that task really need to be completed at 8pm? Regularly needing to work late on tasks can be an indication that your organisation needs more staff, is taking on too much, needs to re-focus or is just poorly managed. Tired and exhausted staff are not productive staff and will rapidly burn out, become bitter and potentially leave, wasting more of your time.

Constantly consciously encourage people to work normal hours, take regular screen and desk breaks and proper lunch breaks (not at their desk). Encourage (maybe force) staff to take holidays regularly and if you're willing to go one extra step, encourage power naps. There is a lot of [evidence](https://www.youtube.com/user/AsapSCIENCE?feature=watch) to show that short naps, especially in the afternoon can rejuvenate and energise people and make those final few hours of the day more than a slow creep to 5pm.

Most importantly, ensure that you do not develop a culture of 'overtime as a norm', with people awkwardly waiting for the first person to leave to know it's now OK to go home. It may seem that enforcing these policies will mean you have less person hours to spend on work, but generally rested, refreshed staff accomplish far more in far less time and will be more loyal.

## Letting go of dead wood
People are often your biggest and best assets, willing to take the plunge, get involved and spread the word about your good work. But occasionally they can be a liability and bring your organisation down. If it becomes evident that staff or volunteers (even well meaning ones) are hindering and not helping your organisations aims and are still involved just because you don't want offend them, in the long run it's better for everybody to let them know professionally and pleasantly as soon as you can that it may be better if they were no longer involved with the organisation.

## Admitting you're wrong
We all make mistakes. Often in the heat of the moment, decisions are made and actions are taken that upon reflection, were not the best plan of action. That's OK. People will understand, especially if your heart was in the right place and it seemed like a good idea at the time. What isn't a good idea, however, is lying or attempting to cover your tracks, if you are in the public spotlight in the slightest, the chances are this will be uncovered eventually. Find an appropriate avenue (that matches the mistake) to constructively and authentically acknowledge your mistake and apologise and explain how you will prevent similar mistakes happening in the future.

There are some existing examples of this in the not-for-profit sector, Engineers Without Borders in Canada created a [site full of them after realising the power of admitting their own mistakes](admittingfailure.com).

Running a largely 'open' organisation has generally positive outcomes. But open can also means exposed, bear this in mind in relation to the above advice.

For example, many people are sceptical about how some not-for-profits spend money. If your financial records are publicly available then a determined analyst with a particular agenda may represent this information in ways that you never considered. Twisting decisions made to represent their desired agenda and not the real reasoning behind it. These cases are rare, but you may need to be prepared to answer and justify decisions you made.

## Sustaining a community
During the scaling phase of an organisation, you're likely (and hopefully) going to gain followers, supporters, volunteers and an extended network of people who know of, understand and value your work. To sustain an organisation or project, these people - your 'community' - will become a valuable asset and should be engaged effectively. In addition to being able to undertake some of your work, especially in the marketing, social media and awareness raising areas, they can also become a strong justification and manifestation of your cause itself.

The Australian Organisation GetUp is a great example (getup.org.au). They have run many campaigns in this style by motivating large groups of individuals to achieve a particular campaign's aims, such as:

- Organising 15,000 volunteers to hand out party independent 'how to vote' cards in two general elections
- Rallied their community on many occasions to fund prime time TV ads for many diverse topics and campaigns.

A global equivalent to GetUp is Avaaz, who work in similar ways. Many of their successes have involved raising the profile of struggles in developing nations to the developed world and International media. Some of their successes include:

- Gaining 1.6 Million signatures towards reforming Brazil's political system and making it easier for people to have their voices heard.
- Gaining 80,000 signatures to ensure the safety of local translators employed in the Afghanistan conflict by the British government.

Both GetUp and Avaaz achieve a lot of their success by allowing and encouraging their communities to undertake a lot of their work for them. The numbers they get behind a cause represent it's importance and the publics opinion on it far better that staff members simply lobbying on an issue they claim is 'important'.

The Open Source community generally is a great example of sustaining a community through effective usage of appropriate tools. Many participants from around the globe are involved with crafting and promoting products, often in their spare time. For example:

- The vast majority of websites run on a system called 'Apache' on top of the operating system 'Linux'. Both of these are open source and contributed to by several hundred contributors in all corners of the globe.
- The most popular mobile operating system in the world, Android is fundamentally (not completely, but lets not go into details here!) open source.

The open source community relies heavily on a variety of tools for controlling the quality of contributions and determining what will make it into the final product. There is often a handful of people who are the gatekeepers for these processes, but the vast majority of the community is self-sustaining and motivating through sheer enthusiasm for what they do.

In order for a community to grow and sustain itself there are several important factors to bear in mind, they mainly boil down to treating and running your community in some of the many ways we have proposed you run your organisation.

Trust your community enough to give it the space and freedom to grow in the way it wants to, not the way you want it to. It's an overused word, but very relevant in this case, _empower_ your community to run itself, to a point. There need to be some boundaries that will be dictated by your audience and issues. Language and attitudes that work in a youth community may not work in a community of domestic violence survivors, for example. However, try not to tell people what they can and can't do. Instead, suggest what is appropriate and acceptable and allow the community to self-manage what they feel is right and wrong. It makes your community feel more involved, saves your staff and volunteers work and also relinquishes your organisations' liability for comments that may be made. There will be occasions were you need to step in to arbitrate libellous or other potentially criminal comments, but generally you should step back.

The same applies to the tools you use and set up for your community to use. Keep their features as open and simple as possible, step back and see what your community uses, creates and then demands. This is a far more effective process than spending a long period of time developing a suite of features that no one ends up using, it easy to add and amend later.

For example:

> Twitter initially created a very simple service with only a handful of tools. The '@' symbol to indicate you want to get someone's attention and the '#' symbol. That's it. There was never any definition of what the '#' symbol should be used for, but over time is has become used for everything from a rallying call, to pseudo-chat room to conference conversations. Twitter is a perfect example of creating something, stepping back, seeing what your community does with and then improving based on that.

If you need some ideas to get you started, then we would suggest that at minimum your community probably wants somewhere to discuss. This can even be as simple as comments on posts on your website, even a forum can be a step too far and a lot of work to manage.

Bear in mind that you don't need to create these community tools from scratch or set your own up either. Unless you have good reason (chiefly privacy) most existing social networks offer many of the community organising tools you will need and you have access to their wider network if you wish.

If you would rather not use an existing social network, you still don't need to start from scratch. There are many open source tools to help you create a suite of community organising tools, many of which will integrate well with your existing online presence.

Examples of these are:

- [buddypress.org](https://buddypress.org) A plug-in for Wordpress sites that provides groups, messaging, profiles and more.
- [drupal.org/project/og](https://drupal.org/project/og) Organic Groups is a Drupal Module that adds groups, messaging, subscriptions and much more.

As your community grows, and depending on how central it is to your work, you may need to bring on board one or more members of staff to manage your community(s) or make it part of someone else's role. This person(s) helps encourage and regulate the community, but it should still from a distance obeying many of the principles above. This is especially true with association or club type organisations. One of your main activities is community management, so this work may be intrinsically part of many of your staff.

## Coping with haters
The asset-based approach outlined in Chapter x on Resilience is your best bet for ensuring harmony across divisions. However, if you are opinionated and passionate, you are likely to offend people who will also want to make their opinions and thoughts heard. If you are giving your community a platform and space to express opinions, you can expect counter expressions. These can range from 'trolling' (The act of deliberately making offensive comments to elicit a reaction) social media and website comments, to public bad-mouthing,  threats of physical harm and legal/legislative pressure.

Depending on the manifestation of the hate, the methods to cope with and counteract it can vary, but many can be resolved by having a strong and empowered community to help you through. For example, instead of deleting or banning an offensive comment, trust your community enough to let them handle it. Often demonstrating the power and opinions of your community in support of your ideas can be a very strong message to haters that vindictive or inappropriate comments are not accepted by the community, and actually prove a reinforcing method for sustaining your community!. .

On the rare occasion something illegal or concerning happens in your community look into and fully understand the legal support and rights you have to help you through the issue. Make sure you have records, screenshots and any others logs that may be useful. Again, enlisting the power of your community and supporters to demonstrate the support for your organisation and ideas may even help encourage reforms to legislation.

## When to ask for help
There will be times in your organisation's existence when you hit rock bottom. It may not be time to end completely (we will cover that below), but for financial or other reasons it's close to impossible for you to undertake any more work.

Honesty is always the best policy, you will gain respect in the long-run even if in the short-term it feels like you may be about to lose some. Often we live in a world of assumption, assuming that our supporters have noticed we're in trouble and supporters assuming all is well.

Similarly to admitting you've made a mistake, issue a statement on the most appropriate medium(s) for your organisation addressing the following points:

- What kind of trouble the organisation is in.
- What you plan to do or not to do in the future to prevent the mistake(s) happening again.
- How it got to where it is now
- What you need

It's also worth bearing in mind that sometimes the best time to ask for non-donor financial help, for example bank loans, is when you don't need it. You're more likely to be approved and more able to pay it back. A cash injection at the right time in your growth cycle could be just the thing needed.

## Ending it all
Perhaps one of the hardest challenges for any organisation, especially a not-for-profit organisation, is knowing when to cease operating.

There is an adage in the startup community that we in the not-for-profit space could do to embrace.

> "It's OK to fail."

In fact, sometimes it's the best option available to you, your organisation and everyone involved. Your energy and drive may be better spent on new projects that are pursuing similar or better aims.

There are positive reasons it may be time to end an organisation or project. Perhaps you've achieved your aims? This can often be hard for passionate, driven people to recognise and acknowledge as pursuing them and the constant work along the way can form a very large part of their life. Removing that part of your life and all the social connections that come with it can be daunting. Often in the lifespan of an organisation those involved with it will gain skills and experiences and perhaps become involved in other organisations or projects that better achieve your aims than the original. Again, this is a good thing and whilst it means that it's time for the original organisation to wrap up, your aims are still being pursued.

There may be negative reasons behind an organisation ending and this will be a sad event. Perhaps your organisation has run out of money or has got into debt and can no longer continue. There may be irreconcilable differences in the personalities or the running of an organisation and it's easier to start again. Saddest of all is the realisation that a cause or battle you had been fighting for is lost and that for the time being it is a waste of everyone's time and energy pursuing the cause.

In this case it's important that loose ends are wrapped up and that everyone gets fair chance to decompress. Hire a professional facilitator to help you through this process if it's difficult or painful.

Whatever the reasons, there are effective and useful ways to end an organisation to make sure that your time wasn't wasted, that future individuals may benefit from what you learnt and that everyone feels some kind of 'closure'.

You've likely achieved great things during the organisations life span, so try not to end on a completely negative note. Throw a party, invite your wider networks and have a celebration of what was. Those involved with the organisation are likely all still good friends, so plan to get together once in a while to discuss what everyone has been up to.

### The Legalities
There are certain legalities that need to be taken care of when you decide to close the doors on your organisation. A lot of the detail depends on what was written into your original constitution or bylaws, but guidelines are generally found with your regulatory authority, such as your State's Consumer Affairs department or Office of Fair Trading or, if relevant to you, ASIC / ACNC.

Be sure to read, understand and think about the implications of the wind-up clauses in your constitution. They may have been written some time ago and not looked at since. You will need to take care of your assets and liabilities fully as well as notifying any relevant parties involved in office renting, utilities and other services. Aside from these main and obvious services that will need to be notified, also take the time to go through anything else that may need to be dealt with. This could include:

- Clients
- Suppliers
- Media
- Website hosts
- Newsletter subscribers
- Social Media profiles

If you have been following our advice so far, you hopefully have all of these and their contact details recorded so it wont be hard to accomplish! You can use this as an opportunity to remind people of your accomplishments and what's happening next.

Before commencing any legal procedures, you should notify members and, depending on your organisational structure, you may need to take a vote of the board or members to get their opinion and permission to wrap up.

### Preserving the legacy
If you were able to keep your organisation as open as possible throughout it's lifespan (see page xxx) it shouldn't be too much work to open up your organisations learning's and resources over the years so that others may utilise them.

Depending on the work your organisation undertook, you may need to anonymise or exclude sensitive data and details, but generally we would encourage you to open everything that helped and hindered your organisation, this might include:

- Grant applications
- Budgets plans
- Strategic reviews
- AGM agendas and minutes
- Statistics and reports
- Marketing materials

You might also want to include specific advice and resources that were useful to you, such as:

- Event management
- Fundraising tips
- Testimonials and anecdotes

We would recommend you release these materials under Creative commons attribution licenses so that your organisation will be acknowledged for any resources that are utilised by others in the future.

---

## [Video - Structuring an Android Project](https://www.sitepoint.com/watch-structuring-an-android-project/)

Date: 2015-09-09

Originally published at: https://www.sitepoint.com/watch-structuring-an-android-project/

When a project is created in Android Studio it contains several auto-generated files containing skeleton code for our project. In this video we look at what function these files perform and when and why we would edit them.

---

## [Video - A Tour of Android Studio](https://www.sitepoint.com/watch-a-tour-of-android-studio/)

Date: 2015-09-04

Originally published at: https://www.sitepoint.com/watch-a-tour-of-android-studio/

Android Studio is now the official IDE for Android development. In this video we look at how to download and install it, tour the interface and look at some of the tools and features it offers.

---

## [Running Crate on Linux and Windows with Azure](https://crate.io/a/azure-documentation/)

Date: 2015-08-13

Originally published at: https://crate.io/a/azure-documentation/

We have had requests from many of you about the potential of running Crate on Azure cloud hosting and/or Windows. Whilst this was always possible with some exploration, we now have official documentation.

---

## [Creating a Game with Markdown, Pandoc, Latex and PDFJam](https://chrischinchilla.com/blog/2015/2015-08-11-creating-a-game-with-markdown-pandoc-latex-and-pdfjam)

Date: 2015-08-11

The main reason for a lack of small posts on the progress of Chip Shop is that behind the scenes we have been working on some large stumbling blocks to push the game towards play testing. We wanted to focus on getting those completed over all else.

---

The main reason for a lack of small posts on the progress of Chip Shop is that behind the scenes we have been working on some large stumbling blocks to push the game towards play testing. We wanted to focus on getting those completed over all else.

## New and Improved Cards

We have added a lot of [new cards](https://chipshopgame.com/cards/) but also spent time fleshing out the existing ones with flavour text, images, legal information and removing as much extraneous text as possible. I have always wanted the game to be as un-reliant on text as possible to allow for simpler translation and understanding for non-English speakers. This is hard work and the process is not complete, but we're getting there. We have accomplished this through the '[concepts](https://chipshopgame.com/manual/)' concept(!) and eventually these will be replaced with icons.

## Printing Cards

I set myself a challenge with Chip Shop to 'code' the game. This was because I am a coder but was also because I wanted the source of the game to be as open as possible and it seemed the best approach. This has meant that some steps have taken more time than if had used a more conventional approach, but I hope in the long run it will make everything easier and more collaborative.

The hardest part of this process so far has been how to generate a printable sheet of cards for players, i.e. a 3 x 3 grid of cards on an A4 sheet.

As I found people on the Internet wanting accomplish something similar and I couldn't get the complete answer, I'd like to share the details of the games production process with you... This will get technical!

## It all begins with Markdown

This isn't the first Chip Shop post that mentions that the base of all the cards are Markdown files and you can see them in [GitHub here](https://github.com/GregariousMammal/Chip-Shop/tree/master/_cards). Each card is formed of a title, description and a set of fields, not all of which are used now.

## The Build Script

After consideration a bash script that I run locally seemed the best option for now. There are better methods, but it works and I can improve the process later, transferring it to a Continuous Integration or Git Hooks.

[View the bash script on GitHub](https://github.com/GregariousMammal/Chip-Shop/blob/master/build.sh).

Let's step through this script:

### Getting Setup

```bash
bundle install
bundle update

rm -dfr _site
rm -dfr pod
```

The Chip Chop website is powered by [Jekyll](https://jekyllrb.com) and these commands ensure that all of the ruby dependencies Jekyll needs to build the website are up-to-date and we remove any existing website and print on demand folders.

### Build the website

```bash
jekyll build
mkdir -p pod/pdf/cards
```

Next we build the website and create a folder for the print on demand version of the cards.

### Generating PDFs from Markdown

```bash
for filename in _cards/*.md; do
  echo $filename
  pandoc --from=markdown+yaml_metadata_block --template _layouts/cards.latex -o pod/pdf/cards/"$(basename "$filename" .md)".pdf --latex-engine=xelatex $filename
done
```

Then the script processes every markdown file in the _\_cards_ directory ensuring that the markdown [front matter](https://jekyllrb.com/docs/frontmatter/) fields are observed (used for the game scores, costs and other meta data), using the _cards.latex_ template (we'll look at that later) and outputs a PDF with an appropriate name.

Finally:

```bash
pdfjam pod/pdf/cards/*.pdf --no-landscape --frame true --nup 3x3 --suffix complete --outfile ./cards.pdf
mv cards pod/cards_complete.pdf
```

I use [pdfjam](https://www2.warwick.ac.uk/fac/sci/statistics/staff/academic-research/firth/software/pdfjam/) (after research it seemed the best option) to create a 3x3 9up document of all the card pdfs in one printable document. pdfjam gives an error if you don't output into it's working directory, so then I move the file to where I actually want it (hopefully that's solveable).

And that's it, we have a website and printable PDFs of the game cards.

![Cards 9up](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/images/9up-cards.png)

### The Latex file

A lot of the more complex magic for generating the card files from [Pandoc](https://pandoc.org/) takes place in a [latex](https://www.latex-project.org/) template.

[View the latex template on GitHub](https://github.com/GregariousMammal/Chip-Shop/blob/master/_layouts/cards.latex).

Latex is new to me, but this isn't complex so far. I'll explain what I changed or is needed to make the cards work.

```latex
\usepackage[paperheight=9.0cm,paperwidth=5.7cm,margin=0.5cm]{geometry}
\usepackage{multicol}
\usepackage{amsthm,amsmath,amssymb}
\usepackage{graphicx}
\graphicspath{{cards}}
\usepackage{float}
\usepackage[utf8]{inputenc}
\usepackage{fontspec}
\setmainfont{VT323}
```

We need a certain page size and will use columns later on for the costs and scores of the cards. We are using graphics and custom fonts, so we also need those [packages](https://en.wikibooks.org/wiki/LaTeX/Package_Reference).

We're attempting to create a simple layout that is clear and uncluttered. Here's how we accomplished it:

```latex
\begin{document}
  \begin{flushright}
    {$title$}
  \end{flushright}
  $if(image)$
  \begin{figure}[H]
    \centering
    \includegraphics[height=2cm]{$image$}
  \end{figure}
  $endif$
  \begin{flushleft}
    \scriptsize{$body$}
  \end{flushleft}
  \scriptsize
  \begin{tabular}{ l l }
    Costs & Scores \\
    $if(staffcost)$ Staff: {$staffcost$} $endif$ & $if(loyaltyscore)$ Loyalty: {$loyaltyscore$} $endif$ \\
    $if(rdcost)$ RandD: {$rdcost$} $endif$ & $if(profitscore)$ Profit: {$profitscore$} for {$profitlength$} turns $endif$ \\
    $if(marketingcost)$ Marketing: {$marketingcost$} $endif$ & $if(longevityscore)$ Longevity: {$longevityscore$} $endif$ \\
    $if(longevitycost)$ Longevity: {$longevitycost$} $endif$ &  \\
    $if(moneycost)$ Money: {$moneycost$} $endif$ &
  \end{tabular}
  \begin{flushleft}
    $if(specialscore)$
    Special: {$specialscore$}
    $endif$
  \end{flushleft}
  \begin{center}
    $if(legal)$
    \tiny{$legal$}
    $endif$
  \end{center}
\end{document}
```

A lot of the above is reasonably self explanatory for anyone used to code or markup. We're creating the elements of the card, aligning them, setting font sizes and checking if there are values before outputting them so the card doesn't end up with empty fields. The costs and score values are in a two column layout. We resize the image to a particular size and centre it.

![Single Card](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/images/single-card.png)

I run the build script with:

```bash
./build.sh
```

As there is a lot of image and PDF processing it takes about 5-10 minutes. I then have a separate script that deploys these folders to a web server.

## What's next

This process has taken me a while to get right, but it is now good enough to move forwards and finesse the process and layouts after playtesting.

Next I need to:

-   Create PDF generation for the print-on-demand and premium versions and the different quality settings they will need.
-   Include dependency installation in the scrips so others can use them easily.

Any questions or comments let me know!

---

## [Video - Understanding Android Differences](https://www.sitepoint.com/video-understanding-android-differences/)

Date: 2015-08-11

Originally published at: https://www.sitepoint.com/video-understanding-android-differences/

In this video we'll look at understanding the differences between Android devices, system versions and the components that comprise the Android Operating System.

---

## [Open Source Presentation Tools - Are We There Yet?](https://www.sitepoint.com/open-source-presentation/)

Date: 2015-07-29

Originally published at: https://www.sitepoint.com/open-source-presentation/

Powerpoint and Keynote are powerful, but also a dead-end for your data. I shows-off the growing power and flexibility of open source presentation tools.

---

## [Crate adds Unicast host discovery via DNS and the AWS EC2 API](https://crate.io/blog/crate-unicast-host-discovery-dns-aws/)

Date: 2015-07-28

Originally published at: https://crate.io/blog/crate-unicast-host-discovery-dns-aws/

A well functioning Crate cluster relies on its nodes being able to utilize service discovery to become aware of each other.

---

## [Goodbye Drupal, Hello Jekyll](https://chrischinchilla.com/blog/2015/2015-07-09-goodbye-drupal-hello-jekyll)

Date: 2015-07-09

Sorry for the lack of updates in a while. There have been two main reasons for this, other commitments kept me busy and I've been reworking a lot of the technology stack that powers Chip Shop. I'd like to tell you more about updates to the later.

---

Sorry for the lack of updates in a while. There have been two main reasons for this, other commitments kept me busy and I've been reworking a lot of the technology stack that powers Chip Shop. I'd like to tell you more about updates to the later.

I have been a [Drupal](https://drupal.org) developer for many years. I have contributed to core, to documentation, run meetups and code sprints and developed almost exclusively in Drupal for over seven years. Therefore when it came to developing web applications for my own projects, Drupal always seemed to be the obvious choice for me.

Whilst Drupal certainly has its place, for me, with my own personal projects, I am turning my back on using the platform. At the moment I want to focus primarily on content, with some loose and simple features. I had too many frustrating sessions with Drupal where I would have spent hours working on some new content, layout and CSS and then want to deploy it from my local machine live. _Then the fun would begin_. I would frequently spend as much time trying to package new changes into features or deployable nuggets of code than I did on making the changes in the first place. This was inefficient, time consuming, frustrating and would destroy my creativity.

Over the past year I have been getting enthusiastic about [Markdown](https://en.wikipedia.org/wiki/Markdown) and it seemed to me a perfect way to almost be able to write once and repurpose in multiple outputs. You can read some of my previous posts on how I have been moving in this direction and something like [Jekyll](https://jekyllrb.com) and static site generators is an obvious destination.

I can theoretically write, push the change and it's live. In reality there are one or two more steps, but they are trivial and I could remove them permanently after maybe an hour of configuration.

So I decided it was time to migrate the Drupal site of Chip Shop to Jekyll and that's what's been keeping me busy the past month or so. It was largely an easy process, for example, the theming took me about 4 hours, far less time than with Drupal. The bigger complexities were recreating the PDF generation I need for the print output of the game, but I will save that for future post. I will look to move the main [Gregarious Mammal](https://gregariousmammal.com) website to Jekyll at some point and as part of this I need to figure out how to export the old Drupal content to Markdown files, that's why the Chip Shop production blog is just this one post right now.

To get more insight into how I set up the structure of the game, I recommend you dig around the [GitHub](https://github.com/GregariousMammal/Chip-Shop) repository and I will explain much more of it over the next months.

In summary, after a few months working behind the scenes there will be more updates happening far quicker now as I work towards a play testing release.

---

## [Crate.IO - A born global champion](https://crate.io/blog/born-global-champion/)

Date: 2015-07-02

Originally published at: https://crate.io/blog/born-global-champion/

In June Crate.IO was chosen by the Austrian Federal Chamber of Commerce (WKO) to compete in the Born Global Champion challenge and received the reward. The Chamber of Commerce thereby officially recognizes Crate.IO for its

---

## [Crate drivers available for Laravel](https://crate.io/blog/crate-driver-available-for-laravel/)

Date: 2015-06-19

Originally published at: https://crate.io/blog/crate-driver-available-for-laravel/

One of the best things about being an open source community is the unexpected contributions that appear.

---

## [Understanding databases for distributed Docker applications.](https://chrischinchilla.com/blog/2015/2015-06-01-understanding-databases-for-distributd-docker-applicaitons)

Date: 2015-06-01

---

[Read more](/)

---

## [Adding Accessories](https://chrischinchilla.com/blog/2015/2015-05-16-adding-accessories)

Date: 2015-05-16

Sorry for the lack of updates, I have been traveling with work the past few weeks.

---

Sorry for the lack of updates, I have been traveling with work the past few weeks.

However, I have managed to find the time to start adding accessories to the [product cards](/cards). Accessories are smaller products that can be attached to other products, even other players' products. They represent things like mice, keyboards and a plethora of others.

Generally they are small cost and small return, but let you take advantage of other products for cheap wins. There are more to come, I am currently researching what was actually released in the 80s.

---

## [Review of The Circle by David Eggers](https://chrischinchilla.com/blog/2015/2015-05-16-review-of-the-circle-david-eggers)

Date: 2015-05-16

I have been wanting to read this as part of my research into dystopian fiction for my One day the World Ended project and I have mixed opinions on this book.

---

I have been wanting to read this as part of my research into dystopian fiction for my One day the World Ended project and I have mixed opinions on this book.

I loved the concept and it's scarily close. Whilst reading some of the book I was in NYC and it seemed even closer to reality.

However, the pacing of the book was odd, it had a lot of padding and then the 'dramatic conclusion' is about twenty pages. Some of the writing is a bit trashy to, comparisons to Brave New World are not deserved. It also felt like the dystopian future wasn't really that bad, maybe that was the point.

In conclusion, worth reading, but not as great or as sinister as I hoped. [Want to earn me a few cents? Buy a copy on Amazon](https://www.amazon.com/gp/product/0345807294/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0345807294&linkCode=as2&tag=gregamamma-20&linkId=7MKEL7DXN5C4HJ3R)<img alt="" border="0" height="1" src="https://ir-na.amazon-adsystem.com/e/ir?t=gregamamma-20&l=as2&o=1&a=0345807294" style="border:none !important; margin:0px !important;" width="1" />

---

## [Running and creating Crate databases with Mesos](https://crate.io/blog/managing-crate-with-mesos/)

Date: 2015-05-13

Originally published at: https://crate.io/blog/managing-crate-with-mesos/

Apache Mesos is a fantastic tool for abstracting CPU, memory, storage, and other compute resources away from machines (physical or virtual). This lets you program against your datacenter like it's a single pool of resources.

---

## [New Cards, the Berlin Computer Spiele Museum and representing Failure](https://chrischinchilla.com/blog/2015/2015-04-27-new-cards-berlin-computer-spiele-museum-and-representing-failure)

Date: 2015-04-27

Over the weekend thanks to Berlin Games Week I attended the <a href="https://www.computerspielemuseum.de/" target="_blank">Berlin Computer Spiele Museum</a> for free. It was a small exhibition but great research for Chip Shop and the visit combined with several other events during the week inspired me to work on some of the product cards on Sunday.

---

Over the weekend thanks to [Berlin Games Week](https://www.gamesweekberlin.com/) I attended the <a href="https://www.computerspielemuseum.de/" target="_blank">Berlin Computer Spiele Museum</a> for free. It was a small exhibition but great research for Chip Shop and the visit combined with several other events during the week inspired me to work on some of the product cards on Sunday.

Interestingly this included working on cards for several products that were either failures or were never released commercially. I wondered how these should be represented in the game and opted for negative scores. There is a mechanic in the game that means players always have to draw new products, so it's unlikely that many of these products will ever be built, but they might.

New cards added include:<ul><li>[The Arcadia 2001](/card/product/arcadia-2001)</li><li>[The Entex Adventure Vision](/card/product/entex-adventure-vision)</li><li>[The Mattel Intellivision II](/card/product/mattel-intellivision-ii)</li><li>[The Magnavox Odyssey 3](/card/product/magnavox-odyssey-3)</li><li>[The Ultravision](/card/product/ultravision)</li><li>[The Atari Mindlink](/card/product/atari-mindlink)</li><li>[The Halcyon](/card/product/halcyon)</li><li>[The Vectrex](/card/product/vectrex)</li><li>[The Colecovision](/card/product/colecovision)</li><li>[The TI-99](/card/product/ti-99)</li></ul>

---

## [Adding Accessories](https://chrischinchilla.com/blog/2015/2015-04-21-first-outing-chip-shop-and-writing-about-jesus)

Date: 2015-04-21

Last week I presented Chip Shop at an event here in Berlin. I was woefully unprepared and just had my laptop, showing a few screens and telling people about the idea.

---

Last week I presented [Chip Shop](https://chipshopgame.com) at an event here in Berlin. I was woefully unprepared and just had my laptop, showing a few screens and telling people about the idea.

Despite that, I got some really good feedback on the game idea, the mechanics and story behind the game. It motivated me to get more done quickly and get some physical prototypes as soon as possible. People also suggested events and places I could test and promote the game at when I am ready, good to know that there is a healthy game scene locally for me to make use of and get involved with.

For the next installment of "[One Day the World Ended](https://onedaytheworldended.com)" I am working on the story of when Jesus sues humanity. This is loosely based around an idea I had ten years ago and have been carrying around in my head ever since, but updated to fit the structure of this work. I have dived into the text with little planning (spot a theme here?) deciding I will undertake the Historical accuracy research later. One of the strangest challenges with this is knowing how to refer to Jesus in the middle of sentences and how to put 'him' across as a character. It's been an interesting challenge and one I am enjoying, hopefully I wont offend _too_ many people.

---

## [Running out of Resources, Defining the Factory and Accessories](https://chrischinchilla.com/blog/2015/2015-04-12-running-out-of-resources-defining-the-factory-and-accessories)

Date: 2015-04-12

This week I have added rules to the 'Playing the Game' section of the manual to cover the following:

---

This week I have added rules to the '[Playing the Game](/manual/playing-game)' section of the manual to cover the following:

- How and when products pass from being private in a player's factory to being public in the general playing area.
- What happens when players run out of certain resources.

I added a [game concept to cover accessories](/content/accessory) (keyboards, mice etc).

Finally, I am speaking at the Berlin Game Scene's <a href="https://www.meetup.com/BerlinGameScene/events/220863773/" target="_blank">Talk & Play event next week</a> about Chip Shop, so I have been preparing for that.

---

## [Organise your Browser Tabs with OneTab](https://chrischinchilla.com/blog/2015/2015-04-11-organise-your-browser-tabs-with-onetab)

Date: 2015-04-11

One of the main perils of the modern world is there is far too much to distract us. So many interesting blog posts to read, events to attend, crap-we-don't-need to buy and other assorted diamonds from the internet. I'm sure several days into the working week we look at our browser and find 20+ tabs open, all eating up memory and so cluttered you can't even remember what is what anymore.

---

One of the main perils of the modern world is there is far too much to distract us. So many interesting blog posts to read, events to attend, crap-we-don't-need to buy and other assorted diamonds from the internet. I'm sure several days into the working week we look at our browser and find 20+ tabs open, all eating up memory and so cluttered you can't even remember what is what anymore.

So we dutifully bookmark them and close them all, resolute in the knowledge that one day we will revisit and action them. This is how worked until I discovered the wonder that is OneTab, a browser extension for Chrome and Firefox. Simply click the handy OneTab browser button bar in any open window and all of the open tabs within it will be added into the OneTab window in handy groupings per window. All of these can be opened, moved, exported and deleted individually, but will stay until you are ready to open them again.

This is one of the reasons I like OneTab so much, the browser tabs stay as a visual reminder without cluttering your screen or memory real estate. I can even compartment my life into work tabs, personal tabs, to-do tabs etc.

Download from <a target="_blank" href="https://www.one-tab.com/">www.one-tab.com</a>

---

## [Manual organised and consolidated](https://chrischinchilla.com/blog/2015/2015-04-06-manual-organised-and-consolidated)

Date: 2015-04-06

I spent today drawing together the disparate parts of the game manual and concepts into something more cohesive and readable, it can be found here. I used the Drupal module <a href="https://drupal.org/project/menu_block" target="_blank">Menu Block</a> so that the manual can be organised as pages and sub pages (with associated menu links) and the structure then shows correctly. This will enable me to add and edit more in the future and everything will fit together nicely.

---

I spent today drawing together the disparate parts of the game manual and concepts into something more cohesive and readable, it can be found [here](/manual). I used the Drupal module <a href="https://drupal.org/project/menu_block" target="_blank">Menu Block</a> so that the manual can be organised as pages and sub pages (with associated menu links) and the structure then shows correctly. This will enable me to add and edit more in the future and everything will fit together nicely.

---

## [How Voipstudio searches Multiple Cloud Systems with Crate.IO](https://crate.io/blog/how-voipstudio-searches-multiple-cloud-systems-with-crate/)

Date: 2015-03-27

Originally published at: https://crate.io/blog/how-voipstudio-searches-multiple-cloud-systems-with-crate/

The VoIPstudio Telecom system is a unique cloud system running on a large amount of servers in a wide variety of locations. Each data center has two basic roles: storing data in real-time and backup for other locations in the system.

---

## [Dockers 2nd holiday in Berlin](https://crate.io/a/docker-2nd-birthday-berlin/)

Date: 2015-03-25

Originally published at: https://crate.io/a/docker-2nd-birthday-berlin/

Docker is currently one of the most spoken about tech projects right now and it's hard to believe that it's only two years old. As part of the celebrations, the Docker team decided to host more than a dozen open-source-a-thon parties around the World. Not only to help people learn how to contribute to the project, but also donating $50 for every contribution to the Oceanic Society.

---

## [Add your suggestions to "What Came Next"](https://chrischinchilla.com/blog/2015/2015-03-22-add-your-suggestions-to-what-came-next)

Date: 2015-03-22

One Day the World Ended is designed to be an open source and collaborative work of fiction. Most of this will come later when I have more material ready, but <a href="https://github.com/ChrisChinchilla/One-Day-the-World-Ended-Jekyll" target="_blank">the code of the website is on GitHub</a> and you're more than free to issue pull requests if you want to.

---

One Day the World Ended is designed to be an open source and collaborative work of fiction. Most of this will come later when I have more material ready, but <a href="https://github.com/ChrisChinchilla/One-Day-the-World-Ended-Jekyll" target="_blank">the code of the website is on GitHub</a> and you're more than free to issue pull requests if you want to.

At the moment there's one part of the work where you can contribute and I welcome your ideas, this is for the "<a href="https://onedaytheworldended.com/whatnext/" target="_blank">What happens next</a>" section of the introduction. This is a list of ideas about Worlds that replace our old one after its end. I will accept all reasonable and non-spam ideas and attempt to write a story based on your idea at some point in the future.

If you're technically minded you can create a pull request against this page. If not, but you are happy to create a GitHub account, you can <a href="https://github.com/ChrisChinchilla/One-Day-the-World-Ended-Jekyll/blob/master/_posts/2015-03-22-what-came-next.md" target="_blank">directly edit the page here</a> and that will create a version of the page with your idea that I can consider. If you have an idea, but all of this makes no sense whatsoever, then [connect with me](/connect) and I will also consider your suggestion.

---

## [Confessions of the Game Doctor, Bill Kunkell](https://chrischinchilla.com/blog/2015/2015-03-22-confessions-of-the-game-doctor-bill-kunkell)

Date: 2015-03-22

Bill Kunkell helped create "Electronic Games Magazine" in 1981,  the first magazine dedicated to video games. It seemed a great research resource for Chip Shop to get some anecdotes and atmosphere for the era.

---

Bill Kunkell helped create "Electronic Games Magazine" in 1981,  the first magazine dedicated to video games. It seemed a great research resource for Chip Shop to get some anecdotes and atmosphere for the era.

Being born in 1981, I remember the 80s, but not in any great detail, my first real memory being the fall of the Berlin Wall in 1989. Hence I am aware of the hedonism of the era, but sometimes reading about it is still a surprise.

It would be hard to imagine computer journalists of the present having access to the same level of expense accounts and celebrity status as those of the 80s. This makes for some entertaining stories about parties, substance consumption and working in an industry in its infancy.

There are many tales of working on the magazine, convincing advertisers, interactions with famous personalities and the difficulties with capturing the spirit of a game in print in the 80s.

I struggle to know how I would replicate a lot of this 'feeling' in the game, but it's something I will consider over time. What I would most like to capture for the game is that pioneering spirit when everything was unknown, unproven and uncertain. Legal cases were the first of their kind as were some products and markets. Companies came and went quickly and I feel this essence is something I would most like to try and capture through the event and personality cards in Chip Shop.

An easy and entertaining read for anyone with an interest in early gaming History. [Earn me a few cents and buy a copy from Amazon here](https://www.amazon.com/gp/product/0964384892/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0964384892&linkCode=as2&tag=gregamamma-20&linkId=UV752FMMUFJII2JQ)<img alt="" border="0" height="1" src="https://ir-na.amazon-adsystem.com/e/ir?t=gregamamma-20&l=as2&o=1&a=0964384892" style="border:none !important; margin:0px !important;" width="1" />

---

## [Battle Royale, Koushun Takami](https://chrischinchilla.com/blog/2015/2015-03-12-battle-royale-koushun-takami)

Date: 2015-03-12

In my continued efforts to read as mazy works of dystopian fiction as possible, next on my list was Battle Royale. On a side note, are there many works of purely utopian fiction? Or would that not sell? Back to the east Asian republic. Set in the non-too-distant future, a large Asian empire now rules over an undefined area, full of social control, aggression and suppression. Once a term a class of school children are chosen to compete in a battle to the death on an abandoned island with no hope of escape and only one survivor. It's never completely clear why this happens and what the government gets out of it, but that doesn't matter too much.

---

In my continued efforts to read as mazy works of dystopian fiction as possible, next on my list was Battle Royale. On a side note, are there many works of purely utopian fiction? Or would that not sell? Back to the east Asian republic. Set in the non-too-distant future, a large Asian empire now rules over an undefined area, full of social control, aggression and suppression. Once a term a class of school children are chosen to compete in a battle to the death on an abandoned island with no hope of escape and only one survivor. It's never completely clear why this happens and what the government gets out of it, but that doesn't matter too much.

Initially the book is slightly hard to read, firstly due to it being translated and secondly due to the littering of cultural references you're unsure if you're missing due to being lost in translation or if they are intentionally misleading. The violence is sometimes grim, but its bearable, only crossing the line a handful of times. That said, I found it far easier to read during the day than before going to bed.

Eventually you settle into the style and it becomes a riveting read, especially the last section of the book as it draws to a conclusion.

There are several twists I didn't see coming and plenty of exploration of the human psyche and the pointlessness of totalitarianism to keep you hooked if you are not a lover of the violent aspects.

All in all, worth pushing through some of the odd language for a highly focussed work of dystopian shlock.

[Want to earn me a few cents? Then buy a copy of the book on Amazon. ](https://www.amazon.com/gp/product/1421527723/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1421527723&linkCode=as2&tag=gregamamma-20&linkId=ANPGF5DGA4HJTLZB)<img alt="" border="0" height="1" src="https://ir-na.amazon-adsystem.com/e/ir?t=gregamamma-20&l=as2&o=1&a=1421527723" style="border:none !important; margin:0px !important;" width="1" />

---

## [Regional Focus, 'Concepts' and opening up to you](https://chrischinchilla.com/blog/2015/2015-03-08-regional-focus-concepts-and-opening-up-to-you)

Date: 2015-03-08

A few small updates in this blog post, however, they have a large impact on the game.

---

A few small updates in this blog post, however, they have a large impact on the game.

## Regional Focus
As much as it pains me (being a Sega fan boy), this initial edition of the game is US only and thus, there will be no Nintendo, Sega or other Japanese products and personalities represented. They will of course be added at a later date, but I need to focus for now.

## Game concepts
In an effort to make the game as accessible as possible for non-English speakers and allow for easier translation I have started adding re-usable 'game concepts'. Thus instead of having complex and inconsistent lines of text on cards, I am attempting to create a lexicon of terms that can be used when needed in the game. I have achieved this through creating nodes for each concept ([See them here](/manual/concepts)) and then used the [Node Embed module](https://www.drupal.org/project/node_embed) to allow the embedding of these concepts anywhere in text fields that allow it. Then using Drupal's view modes I can set the way these embedded nodes are displayed. At the moment it's just a linked title, but in the long run there will also be an icon (or perhaps only an icon).

## Opening up Card Creation
In an effort to (soon) allow others to create cards in the game I started adding guidance on what each field means to the game and what sorts of values to enter. Along side this I have tried to clean the node form with Drupal's [Conditional Fields module](https://www.drupal.org/project/conditional_fields), only showing relevant fields based on the value of other fields, instead of everything at once.

A lot of this was inspired by a talk I saw by [Paul Cutsinger](https://twitter.com/PaulCutsinger) at Mobile World Congress covering creating community in your games. It was aimed at computer game developers, but a lot still applied and I wanted to start paying close attention to allowing 'fans' of the game to be involved. I will also soon start posting these production blog posts in other formats and on to other platforms.

---

## [Mobile World Congress 2015](https://www.sitepoint.com/mobile-world-congress-2015-roundup/)

Date: 2015-03-06

Originally published at: https://www.sitepoint.com/mobile-world-congress-2015-roundup/

The mobile monolith that is Mobile World Congress is over for another year. I was lucky enough to get hold of a press pass and decided to spend the week in Barcelona. Soaking up the warmer weather, joining the 90,000 other attendees and preparing for the bombardment of marketing mumbo jumbo to unearth some gems for developers.

---

## [Book Review - Phoenix: The Fall & Rise of Videogames by Leonard Herman](https://chrischinchilla.com/blog/2015/2015-02-28-book-review-phoenix-the-fall-and-rise-of-videogames)

Date: 2015-02-28

I picked this book up as part of a book bundle somewhere, but escapes me with one right now. It's timing was perfect as research for the development of Chip Shop as it covers the history of video games from 1970 up to the year 2000.

---

I picked this book up as part of a book bundle somewhere, but escapes me with one right now. It's timing was perfect as research for the development of Chip Shop as it covers the history of video games from 1970 up to the year 2000.

The writing quality is average, which is typical of this style of book written by an (obvious) enthusiast. Each year gets its own chapter and occasionally reads like a collection of essays as topics are sometimes repeated in different chapters.

In terms of content, the book is phenomenal. I think you would struggle to find a more comprehensive overview of the period and the products, people and events that were part of it. There was lots I already knew, but I also gleaned many new potential products and events for the game that will keep me in development work for quite some time. The book flows well and you can clearly follow the development of companies and products over time as well as the actions that led to them. This narrative especially has helped me get some great ideas for the feeling of the era and thus the game. What was especially clear was the speed of change. A company could be making billions one year and nearly bankrupt the next, representing that in the game is something that needs work. I have also started thinking how I could represent the licensing that happens between companies for games and accessories.

If you are a fan of video games from any era since their inception then consider picking up a copy and lose yourself in a wonderful history lesson.

[Buy a copy here from Amazon](https://www.amazon.com/gp/product/0964384825/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0964384825&linkCode=as2&tag=gregamamma-20&linkId=LR4PZBSD5ERXULIE)<img alt="" border="0" height="1" src="https://ir-na.amazon-adsystem.com/e/ir?t=gregamamma-20&l=as2&o=1&a=0964384825" style="border:none !important; margin:0px !important;" width="1" /> and earn me a few cents to!

---

## [New Cards, The Benefits of Reading out Loud, Switching to Jekyll and more](https://chrischinchilla.com/blog/2015/2015-02-21-new-cards-the-benefits-of-reading-out-loud-switching-to-jekyll-and-more)

Date: 2015-02-21

This week has been a fervent flurry of activity as I prepare for <a href="/its-all-change-again" target="_blank">starting my new job next week</a>.

---

This week has been a fervent flurry of activity as I prepare for <a href="/its-all-change-again" target="_blank">starting my new job next week</a>.

So, here's what I've been up to.<h3 id="chip-shop-new-design">Chip Shop new design</h3>

The <a href="https://chipshopgame.com/" target="_blank">Chip Shop website</a> has the beginnings of a new design that is supposed to represent an 80s retro computer, well sort of, I'm sure you will get the point. The site is also now generally responsive, but unfortunately I need to tweak a few things to get the custom fonts rendering on mobile. I also wanted to ensure that the introductory page of the website explained what the project actually was a little better.<h3 id="new-chip-shop-cards">New Chip Shop cards</h3>

I have added a lot of <a href="https://chipshopgame.com/cards" target="_blank">new event cards</a> this week, all of which are based upon relevant occurrences to the industry in the 80s. Again, these cards are very bare bones at the moment, but hopefully you will see where they are going.<h3 id="one-day-the-world-ends-switches-to-jekyll">One Day the World Ends switches to Jekyll</h3>

As outlined in <a href="/creating-perfect-tech-and-writing-stack" target="_blank">this post</a> I had initially started developing the <a href="https://onedaytheworldended.com/introduction/" target="_blank">website for the ODTWE project</a> in Ruby on Rails as I wanted to learn the language. However, with my time now being more precious I want to keep things simple for now and develop that site full in the future. So, I have switched the site to <a href="https://jekyllrb.com" target="_blank">Jekyll</a> for now, the infamous static site generator. This fits very well with my writing workflow from Scrivener, exported to Markdown and then straight into a site deployment. As I start adding new features and media content, the project may out grow Jekyll, but it works well for now. I was able to migrate the site in less than two hours, which shows how simple it is.<h3 id="the-benefits-of-reading-out-loud">The benefits of reading out loud</h3>

On Sunday I read a draft of a new chapter from <a href="https://onedaytheworldended.com/" target="_blank">One Day the World Ended</a> at a spoken word night in Leipzig. I have always found reading out loud an effective (if nerve racking) method for getting a reaction and the feeling of a piece. As a result of this reading I noticed a few errors, areas that needed expansion, areas that needed reducing and areas that didn't make sense to anyone but me. Expect this chapter, that covers the story of Alf online soon.<h3 id="merging-in-the-chris-chinchilla-blog">Merging in the Chris Chinchilla blog</h3>

Again, as a result of starting a new job, I eventually did decide to merge my Chris Chinchilla AngularJS site into a section of this site. I will continue development of this site in the background and rerelease it when ready. As a result of merging my personal blog I added some static pages such as how to <a href="/contact" target="_blank">contact me</a> and my <a href="/hire-me" target="_blank">work experience</a>, I still feel these are slightly out of place, but they will do for now. Finally I added links to some of my main social profiles, I will be re-adding more as well as my old social aggregate feed page soon.<h3 id="bootstrap-vs-drupal-breakpoints">Bootstrap vs Drupal Breakpoints</h3>

As a consequence of a lot of the changes mentioned in the last paragraph I decided to take the opportunity to fix several layout issues, specifically regarding responsive issues. This became something of a nightmare, especially on deployment. I had been using the <a href="https://www.drupal.org/project/context_breakpoint" target="_blank">context breakpoint</a> module to hide and show blocks at various breakpoints. The module seemed promising, but proved very unreliable and inconsistent and I finally decided to just disable it. Instead I opted to use the <a href="https://getbootstrap.com/css/#responsive-utilities" target="_blank">Bootstrap responsive utilities</a> and implement the responsive layout with Bootstrap functionality instead of Drupal. This is often an issue when using complex technology stacks, various components fight against each other and can hinder you instead of help you. Whilst I feel like I have wasted way too much time on battling this particular point of contrition, I now feel far better placed having identified and removed it.

This will likely be the last technology updates for a while and I will be focussing more on content creation. I am well aware of several usability and design issues still present in the sites, but content is a greater priority for me over the coming months.

---

## [Finovate 2015, The Part Mobile is Playing in Fintech](https://www.sitepoint.com/finovate-2015-part-mobile-playing-fintech/)

Date: 2015-02-17

Originally published at: https://www.sitepoint.com/finovate-2015-part-mobile-playing-fintech/

The financial sector is an industry ripe for technical disruption. It is well-financed, has many multifaceted requirements and the vast majority of us need its services on a regular basis. The last couple of years have created a plethora of startups and product offerings to service the financial sector and the financial needs of consumers. It even has its own buzzword, 'FinTech', to really prove it has arrived.

---

## [It's all change, again](https://chrischinchilla.com/blog/2015/2015-02-16-its-all-change-again)

Date: 2015-02-16

My plan for 2015 was to spend another few months working on my various projects and then start looking for new full-time work opportunities. In the past month I made a few casual enquires to get an idea of what might be out there and ended up getting quite a few offers very quickly. Many of these I considered but weren&#39;t compelling or different enough (from past work roles) to be worth putting a hold on my own projects.

---

My plan for 2015 was to spend another few months working on my various projects and then start looking for new full-time work opportunities. In the past month I made a few casual enquires to get an idea of what might be out there and ended up getting quite a few offers very quickly. Many of these I considered but weren&#39;t compelling or different enough (from past work roles) to be worth putting a hold on my own projects.

Then came an offer that was unexpected and was too good an opportunity to refuse. The kind of role that I have been looking to move into for some time. I am taking on the role of Developer Advocate for Austrian startup, <a href="https://crate.io" target="_blank">crate.io</a>. I will be working from their new Berlin office and it will be my job to focus on talking to and helping developers work with the product around Europe. I get to travel, talk cool tech and be fairly self-motivated, which is perfect for me. I will also have to move to Berlin, which isn&#39;t bad either.

This does mean that I will be a lot busier and have less time for the projects I have been working on, projects I still want to continue and finish. So my current priority before starting the job is simplifying and consolidating a lot of the tech side so I can focus on creating content instead of constantly tweaking tech. A lot of the initial decisions I made were so I could learn new languages and techniques for work skills. This is less of a necessity now and just getting on with things is more crucial. That&#39;s not to say that I wont produce some ideas using new languages and concepts, just not my main sites or non-technical projects.

So far I have merged the <a href="/writing/lean-traveller">Lean Traveller</a> site into my main Gregarious Mammal site as this is a topic I am likely to be writing a lot more about over the coming months. I am considering merging my <a href="/writing/chris-chinchilla">personal blog</a> to, but there are a couple of page elements in the site such as personal contact details and the &#39;hire me&#39; page that I&#39;m not sure will completely work merged.

Over the coming months I am going to focus on creating one chapter of &#39;<a href="https://onedaytheworldended.com/" target="_blank">One Day the World Ended</a>&#39; a month and at least a section (whatever that quite means) of <a href="https://chipshopgame.com" target="_blank">Chip Shop</a> a month. I am also creating pages for each project on how others can <a href="/get-involved">get involved</a>, at least then it means I may not have to undertake every task that is needed.

---

## [Payment and Production blocks, Favicons and more](https://chrischinchilla.com/blog/2015/2015-02-14-payment-and-production-blocks-favicons-and-more)

Date: 2015-02-14

Quite a lot of small updates, tweaks and additions to the various Gregarious Mammal sites, here they are.

---

Quite a lot of small updates, tweaks and additions to the various Gregarious Mammal sites, here they are.

### Contribution blocks
If you like what I am doing and the projects I am undertaking, you can contribute what you feel to the projects. At the moment I am taking PayPal and BitCoin. I want to add more payment options as soon as possible but there are few payment processors that support 'pay what you feel' models, they all require actual 'products'. You may also notice some Amazon referral links to items I am reading / watching for research. Everything is welcome and all helps.

### Trello / Production update blocks
You will now notice a small block in the bottom left that shows the latest Trello cards I have moved to 'done' for the relevant project. I used a customised version of the [Trello Views Backend module](https://www.drupal.org/project/trello_views_backend) and [Trello](https://www.drupal.org/project/trello) module. A bonus of setting this up means that I don't have to mention every single update I make in blog posts and it ensures that I put all tasks to do into Trello. In the future I may add recent git commits, but I'm not sure if that's necessary.

### Sidebar tweaks
As a consequence of adding several blocks to the main sidebar I decided to tidy its width and size. It's now much tidier, but still needs some more work.

### Article pages
For some reason, article titles were missing on page layouts, so I brought them back and tweaked the layouts of other fields to fit.

### Favicons
The Chip Shop and Gregarious Mammal websites now have favicons! Bow to their awesomeness.

### Mailing list blocks
You can sign up to mailing lists! I don't think that needs any more explanation, but does mean I need to start writing some email newsletters.

### The Lean Traveller merged into Gregarious Mammal
For various reasons (some to be announced in my next blog post) I decided to merge the Lean Traveller site / blog into the Gregarious Mammal site as a writing section only. I came to the conclusion that at this point the blog is just a blog and maintaining a second site was a waist of my time. This way I can focus on the content and polishing the main Gregarious Mammal site instead of another (similar) site.

---

## [One Day the World Ended intro is online](https://chrischinchilla.com/blog/2015/2015-02-03-one-day-the-world-ended-intro-is-online)

Date: 2015-02-03

After some polishing, planning and technical tweaking the text version of my work of fiction is now online.

---

After some polishing, planning and technical tweaking the text version of my work of fiction is now online.

This introduction aims to set the ground for the two main sections of the story, before the end of the world and what happens next. Each section is comprised of several parts and each of these could be stories that branch off in the future.

Enjoy reading what's there right now and there will be more to follow soon.

---

## [Review of The Iron Heel by Jack London](https://chrischinchilla.com/blog/2015/2015-02-03-review-of-the-iron-heel-by-jack-london)

Date: 2015-02-03

As part of my research in projects odtwe I have been reading some classics of utopian and dystopian fiction. Most recently I completed Jack London's The Iron Heel.

---

As part of my research in projects odtwe I have been reading some classics of utopian and dystopian fiction. Most recently I completed Jack London's The Iron Heel.

Reading thorough the reviews on [GoodReads](https://www.goodreads.com/book/show/929783.The_Iron_Heel), you can likely see that this novel of capitalist dystopia surpassed by utopian ideals splits opinion.

Published in 1908, it's considered to be the first 'dystopian novel' and is very much of its time. About 60% of the book is a Socialist vs Capitalist diatribe wrapped in a loose plot. Then the last part of the book covers the violent struggle of the 'people' against the 'The Iron Heel'. The narrative is the diaries of one of the characters with several footnotes of the discoverer of the diaries, who is looking back on them from the distant future.

It is said that the 'The Iron Heel' influenced 1984 and Player Piano (Vonnegut) so I was keen to read it. Not necessarily the best dystopian fiction I have ever read, but I found it compelling enough and enjoyable in places, more educational than entertainment.

---

## [Creating the 'Perfect' Tech and Writing Stack](https://chrischinchilla.com/blog/2015/2015-01-28-creating-the-perfect-tech-and-writing-stack)

Date: 2015-01-28

Yesterday I came up with the most phenomenal idea of how to get my writing workflow, ideas for ODTWE and tech stack in ‘perfect’ combination. Well, in theory (unsurprisingly).

---

Yesterday I came up with the most phenomenal idea of how to get my writing workflow, ideas for ODTWE and tech stack in ‘perfect’ combination. Well, in theory (unsurprisingly).

My intention with the ODTWE project is to have the <a href="https://rubyonrails.org/" target="_blank">Ruby on Rails</a> site as a repository of the content, perhaps with the bidding and payment functionality added on top, though this is yet to be decided. I want to have each story available in a variety of media formats, including text, audio and images. I was planning to host each of these media formats in places that are ideal for them and that will give me extra exposure such as <a href="https://youtube.com" target="_blank">YouTube</a>, <a href="https://SoundCloud.com" target="_blank">SoundCloud</a> and <a href="https://Deviantart.com" target="_blank">Deviantart</a>. Then the RoR WebApp would assemble these pieces into each story and add on any extra information and functionality.

The missing part was what to do with the text. Ever since starting with <a href="https://sitepoint.com/mobile" target="_blank">SitePoint</a>, I have become an increasing convert to writing with <a href="https://en.wikipedia.org/wiki/Markdown" target="_blank">Markdown</a>, I find it cleaner and easier to work with. So far I have been using <a href="https://www.literatureandlatte.com/scrivener.php" target="_blank">Scrivener</a> for my long form writing and whilst I love it for research, gathering ideas and ‘traditional’ writing, I have found it lacking in online delivery of content. If Literature and Latte would open up an extension framework, I would write one to achieve what I want and be exceptionally happy.

I then looked into the plethora of static page site generators such as <a href="https://jekyllrb.com/" target="_blank">Jekyll</a> and wondered how I could get my content out of Scrivener into a GitHub repo (Or DropBox) without too much effort. I noticed Scivener’s sync feature that lets you compile files into an external folder and after some tweaking, this was a good starting point.

Next I looked into a wide variety of options for integrating static markdown files into the RoR WebApp and found many possibilities, too many to get my head round. It then got me thinking that if the main stumbling point on getting the markdown files into the WebApp was that somewhere along the way I needed to give each story an ID value to handle voting and payment features, what if I outsourced all of those, to <a href="https://www.patreon.com/" target="_blank">Patreon</a> for example.

At this point, my mind imploded as I tried to balance all the potential options open to me. So, in the meantime I have decided to keep following a more ‘lean’ path and not get too distracted by creating the ‘perfect’ stack and instead just release the writing I have in a basic way (i.e. HTML files), returning to this issue at a later date once I know if it’s worth it or not.

That’s it really, I felt like sharing my thoughts in case anyone had any ideas.

---

## [Review of "Triumph of the Nerds" and "Kobold Guide to Board Game Design"](https://chrischinchilla.com/blog/2015/2015-01-26-review-of-triumph-of-the-nerds-and-kobold-guide-to-board-game-design)

Date: 2015-01-26

Continuing my reviews of research I have just finished the classic "Kobold Guide to Board Game Design<img alt="" border="0" height="1" src="https://ir-na.amazon-adsystem.com/e/ir?t=gregamamma-20&l=as2&o=1&a=1936781042" style="border:none !important; margin:0px !important;" width="1" />" and can highly recommend it as a good overview of board game design advice. It is a collection of essays more than an end-to-end guide, so some essays will hold more relevance with you than others. However I picked up enough nuggets of advice to make it a worthwhile purchase and have a long list of 'todos. it includes essays from some stalwarts of the industry such as <a href="https://en.wikipedia.org/wiki/Richard_Garfield" target="_blank">Richard Garfield</a> and <a href="https://en.wikipedia.org/wiki/Steve_Jackson_(US_game_designer)" target="_blank">Steve Jackson</a> (who created large parts of my childhood) and is divided into sections of the design process. One of the encouraging outcomes of reading the book was realising that I am currently on track and already doing a lot of what was recommended, but also realised I have a long way to go yet!

---

Continuing my reviews of research I have just finished the classic "[Kobold Guide to Board Game Design](https://www.amazon.com/gp/product/1936781042/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1936781042&linkCode=as2&tag=gregamamma-20&linkId=VDVDMXBCCS3P2NGS)<img alt="" border="0" height="1" src="https://ir-na.amazon-adsystem.com/e/ir?t=gregamamma-20&l=as2&o=1&a=1936781042" style="border:none !important; margin:0px !important;" width="1" />" and can highly recommend it as a good overview of board game design advice. It is a collection of essays more than an end-to-end guide, so some essays will hold more relevance with you than others. However I picked up enough nuggets of advice to make it a worthwhile purchase and have a long list of 'todos. it includes essays from some stalwarts of the industry such as <a href="https://en.wikipedia.org/wiki/Richard_Garfield" target="_blank">Richard Garfield</a> and <a href="https://en.wikipedia.org/wiki/Steve_Jackson_(US_game_designer)" target="_blank">Steve Jackson</a> (who created large parts of my childhood) and is divided into sections of the design process. One of the encouraging outcomes of reading the book was realising that I am currently on track and already doing a lot of what was recommended, but also realised I have a long way to go yet!

Secondly, I watched <a href="https://en.wikipedia.org/wiki/Robert_X._Cringely" target="_blank">Robert Cringley</a>'s classic [Triumph of the Nerds](https://www.amazon.com/gp/product/B00006FXQO/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B00006FXQO&linkCode=as2&tag=gregamamma-20&linkId=ZM325WH7XR4LG47D)<img alt="" border="0" height="1" src="https://ir-na.amazon-adsystem.com/e/ir?t=gregamamma-20&l=as2&o=1&a=B00006FXQO" style="border:none !important; margin:0px !important;" width="1" /> documentary. This came out in the 90s and was largely a recap of the computer industry from the mid 70s to early 90s, perfect research! It has a cheesy delivery, but once you get beyond that Cringley has some incredible guests and interviewees from the era (Bill Gates and Steve Jobs two name but two). There were some fascinating stories and insights, some of which I had never heard, and it gave me a great feeling for the era. Moving beyond the relevance to Chip Shop, what fascinated me more is that it finishes in 1995 and within a few years the scene had changed yet again, especially with the return of Steve Jobs to Apple. This is not unusual, [Pirates of Silicon Valley](https://www.amazon.com/gp/product/B0009NSCS0/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B0009NSCS0&linkCode=as2&tag=gregamamma-20&linkId=W47PD74R76ZHXD3Z)<img alt="" border="0" height="1" src="https://ir-na.amazon-adsystem.com/e/ir?t=gregamamma-20&l=as2&o=1&a=B0009NSCS0" style="border:none !important; margin:0px !important;" width="1" /> ends at the same time and in the same situation.

---

## [Production Updates 26th January](https://chrischinchilla.com/blog/2015/2015-01-26-production-updates-26th-january)

Date: 2015-01-26

Last week I spent time on creating some of the common elements that can be found across all of the Gregarious Mammal sites, this includes:<ul><li>Creative Commons notice</li><li>Mailing List</li><li>Financially contributing to projects</li><li>Git and version information</li></ul>

---

Last week I spent time on creating some of the common elements that can be found across all of the Gregarious Mammal sites, this includes:<ul><li>Creative Commons notice</li><li>Mailing List</li><li>Financially contributing to projects</li><li>Git and version information</li></ul>

The first two are complete and live, hopefully you can see them to the left. The second two are still in progress. I also fixed some layout issues, but they are not all live yet. So far, those built have been built as Drupal modules using a simple custom module and the <a href="https://www.drupal.org/project/mailchimp" target="_blank">mailchimp</a> module respectively. I decided to make them Drupal modules because for the time being, they will only be displayed on the Drupal sites, if this changes, I may rearchitect them. The later two will also be custom module,s but they're not finished yet, more detail when they are.

---

## [Android version available on Google Play](https://chrischinchilla.com/blog/2015/2015-01-26-android-version-available-on-google-play)

Date: 2015-01-26

Somehow I forgot to post this here...

---

Somehow I forgot to post this here...

The Android version of <a href="https://play.google.com/store/apps/details?id=gregariousmammal.com.answersagainsthumanity" target="_blank">Answers Against Humanity is available on Google Play</a> now. And already attracting lovers and haters. :)

---

## [iOS Version on GitHub](https://chrischinchilla.com/blog/2015/2015-01-26-ios-version-on-github)

Date: 2015-01-26

I have completed the iOS version of Answers Against Humanity, it is currently in the App Store submission process, but I am thinking it might be rejected due to the content.

---

I have completed the iOS version of Answers Against Humanity, it is currently in the App Store submission process, but I am thinking it might be rejected due to the content.

In the meantime, if you have Xcode and developer knowledge, you can <a href="https://github.com/ChrisChinchilla/Answers-Against-Humanity" target="_blank">download the swift code here from Github</a>.

I found the iOS development harder than the Android version, which has traditionally not been the case. My main stumbling blocks were understanding Auto Layout and that parsing JSON in Swift is still  something of a challenge. Overall coding with Swift is enjoyable, but it's constant change means that tutorials are often missing or are inaccurate by the time you read them.

---

## [Currently Looking for Opportunities](https://chrischinchilla.com/blog/2015/2015-01-20-currently-looking-for-opportunities)

Date: 2015-01-20

I am currently open to opportunities for full-time and part-time work. Ideally with an enterprising startup or with a larger agency or internal development team.

---

I am currently open to opportunities for full-time and part-time work. Ideally with an enterprising startup or with a larger agency or internal development team.

I am keen to build my general programming skills in some of the new languages I have been learning recently. My years of experience organising user groups, training days and managing small developer teams also makes me suitable for Developer Evangelist or Documentation roles.

# Why Me?
Whilst I have been a programmer for many years, I consider myself a generalist. For a while I worried that this was a negative, but I think it is time I acknowledged it and embraced it, finding an opportunity that welcomes my broad skills and experiences.

Here are some of my achievements:
- I have been a guitarist in a band that had 4 top 40 UK singles and toured the World. Songs I helped write were named as some of the best songs of the 00s by several respected publications.
- I have lived in three countries and in each one sought to become an active member of the community.
- I started a charity that worked with a niche audience and was the first to do so. We received several awards and widespread media recognition.
- I started and ran several technical meet-up groups in Melbourne and increased their membership and profile whilst involved with them.
- I am currently working on three personal projects, all of which embrace new ideas and techniques in novel ways.

I enjoy work and feel like I contribute a lot to any place or project I am involved with. I work well in teams as a member or leader and am not reluctant to contribute ideas and opinions.

# What am I looking for?
## Developer roles
Much of my experience has been in PHP, but as a programmer of over ten years who has at the least had exposure to other languages, I feel that I can make a go of any language thrown at me. Any gaps in my knowledge I am happy to learn and my years of practical application mean that I at least know the best way to achieve something. Needing only to ascertain how that is most effectively accomplished in a language or platform.

## Developer Evangelist
I am a technical guy, but I know how to talk to people and have plenty of experience with talking tech. Be this with developers, designers, business and marketing folk or acting as a liaison between them all. In fact this is something I love to do. One of the driving forces present in most of my working life has been figuring out ways to best explain complex topics to everyone at a level they will appreciate. One of my most memorable experiences was teaching basic computing to retirees and recent migrants. Seeing how 'real' beginners actually get to grips with a computer and how intimidated they can feel was a paradigm shift in my thinking. I'm not a sales person, but if you have a product or service that I believe in, I have a proven record in making people want to try it to.

## Technical Documentation
This is similar to the role above in some ways, but in a more concentrated form. My experience and ability to explain technical terms at a level required, plus my experience with writing, editing and training would make me well suited to technical documentation.

## Something Else
I am always up for (and relish) a challenge. Have you got a role that you think might suit me, then [please let me know](mailto:chriswhward@gmail.com) and I will be happy to discuss.

---

## [New Categories added](https://chrischinchilla.com/blog/2015/2015-01-16-new-categories-added)

Date: 2015-01-16

I added a set of new categories and related resources to the Lean Traveller site yesterday including Communication, travel and some resources under archiving.

---

I added a set of new categories and related resources to the Lean Traveller site yesterday including [Communication](https://theleantraveller.com/communication), [travel](https://theleantraveller.com/travel) and some resources under [archiving](https://theleantraveller.com/archiving).

I reorganised the category structure somewhat and updated my Scrivener project set up to reflect these changes and better move forward with new topics and those in progress.

The site is still a bit messy whilst I figure out quite what the direction I want to take it is, appropriately, I'm running things in a Lean and Agile way.

I spent some time thinking about a slogan and then gave up until I've addressed the thoughts above.

Next week I am having a design and coding week so will finally be getting round to implementing some much needed features in the site.

---

## [Illustrating One Day the World Ended](https://chrischinchilla.com/blog/2015/2015-01-14-illustrating-one-day-the-world-ended)

Date: 2015-01-14

After visiting the Tate Modern over Christmas and seeing these two images (I've forgotten the artist):

---

After visiting the Tate Modern over Christmas and seeing these two images (I've forgotten the artist):

![Illustrated Book](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/tate_image_1.jpeg)

![Illustrated Book](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/tate_image_1.jpeg)

I came up with the idea of having illustrations accompanying the text in ODTWE. I'm not the best illustrator, but enjoy drawing and have been pondering on what form these illustrations could take and looking into inspiration for them.

So today I took a trip to the monthly free day at [Leipzig's Museum of Modern Art](https://www.mdbk.de/) to get some ideas and inspiration.

Here are my notes and visual doodling:

![Visual Doodling](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/odtwe_image_idea_1.jpg)

![Visual Doodling](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/odtwe_image_idea_2.jpg)

I doubt you can read or see much there, so here are some of my ideas summarised.<ul><li>Various images of recurring themes in images of Jesus such as Stigmata, a Crown of Thorns, a Beard, a Forlorn look, his robe and bare feet. Occasionally you see a halo, wounds in his side and blood.</li><li>Explorations on different styles I could experiment with such as Grotesque, Exaggeration, Over Simplification, Vague shapes, Rigidity, Collage and Abstraction.</li></ul>

Overall I want images that not only match the themes and stories but have an element of me and the current era and culture in them. To me this currently means:<ul><li>Uncertainty</li><li>Distance</li><li>The Enemy Within</li></ul>

But I'm not sure if any of those concepts suit the style of the text.

These are just ideas right now and I have a few other paths to investigate.

---

## [Research Update](https://chrischinchilla.com/blog/2015/2015-01-13-research-update)

Date: 2015-01-13

I spent Christmas undertaking some more general board game theory and computer history research, this has been helped by a slew of book bundles over the last month covering the topic.

---

I spent Christmas undertaking some more general board game theory and computer history research, this has been helped by a slew of book bundles over the last month covering the topic.

First I read [this post on Tuts+ covering Board Game Design](https://gamedevelopment.tutsplus.com/articles/how-to-learn-board-game-design-and-development--gamedev-11607). It was a good introductory read and the main points I took note of were the following.

> You should also try writing rules for how character stats should be generated, or how certain card types should work.

And

> One of the most useful game pieces in Settlers of Catan is the reference card which tells you how much each game element costs. Without the reference card, Catan would be a much slower game, especially if one or more people had never played before.

Both of which I have turned into future 'To Dos'.

I have started reading the [Kobold Guide to Board Game Design](https://www.koboldpress.com/k/front-page10553.php#.VLTVoSciHJ4) and am about half way through, having picked up a bunch of good advice already, expect a full review soon.

Finally, in the Computer History field, I read "[Videogames: In the Beginning](https://www.amazon.com/Videogames-Beginning-Ralph-H-Baer/dp/0964384817)" by Ralph H. Baer, the Grand Father of Video Games. I had read many criticisms of the book (and Ralph), many of which were valid, but I still got a lot of valuable flavour history for the game. One of the main criticisms of the book and of Ralph is that he helped create some groundbreaking inventions many years ago and has never really stopped going on about them ever since. He is quite bitter about his place in History and spends the vast majority of his life pursuing legal battles and patent claims agains similar ideas. That aside, the book also repeats itself a lot and gets a little tedious in places. Thankfully it was a very quick and easy read and has given me plenty of ideas for events and characters in the game.

---

## [Site Design Ideas](https://chrischinchilla.com/blog/2015/2015-01-12-site-design-ideas)

Date: 2015-01-12

I have started building the site for the "One Day the World Ended" project in Ruby on Rails and thus needed some designs. Here are my rough ones so far.

---

I have started building the site for the "One Day the World Ended" project in Ruby on Rails and thus needed some designs. Here are my rough ones so far.

I doubt you can really see this, but it shows a typographical heavy white text on a black background with fixed header and footer for navigation.

![ODTWE idea](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/images/odtwe_site_1.jpg)

![ODTWE idea](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/images/odtwe_site_2.jpg)

This is the crowdfunding toolbar when readers can vote and bid on the stories they want to read.

---

## [What’s it all about - Inspirations, Voice, Style and Structure](https://chrischinchilla.com/blog/2015/2015-01-12-whats-it-all-about-inspirations-voice-style-and-structure)

Date: 2015-01-12

I guess most of its stylistic inspiration comes from Kurt Vonnegut and to a lesser extent surreal dark British comedy such as Douglas Adams. It is about the end of the world, but that isn't the point, it's just a vehicle. The fact that the world is ending isn't relevant, it's merely a surreal vehicle to explore elements of the human condition. Wow, that last sentence sounded pretentious!

---

I guess most of its stylistic inspiration comes from Kurt Vonnegut and to a lesser extent surreal dark British comedy such as Douglas Adams. It is about the end of the world, but that isn't the point, it's just a vehicle. The fact that the world is ending isn't relevant, it's merely a surreal vehicle to explore elements of the human condition. Wow, that last sentence sounded pretentious!

Dismissing this major and significant event is intentional and draws inspiration from a strange book that I read some time ago (title forgotten) about a group of walking, talking dogs arriving in New York. Initially they were a novelty, but rapidly became 'yesterdays news' and I feel that this is sadly accurate for a lot of potentially major events in humanity. Most of us would have moved on to the next issue within a week and not really know what to do aside from what we normally do.

## Structure
As with everything I undertake, I am also using this 'book' as a method to try and explore new structures, ideas and financing models embracing open source ideals. The way the 'book' (lets call it 'work of fiction' from now on) will work is this.

I (currently) have two overarching chapters, one is about the lead up to the end of the world and the other is about what happens next. In each of these chapters, several stories, occurrences and ideas are mentioned in passing. Each of these could have a chapter linked to them and I have already written some of them, with more planned. Each of these subsequent stories also contain passing mentions that could lead to other stories.

The plan is that people can choose their own path through the interconnected stories and characters, which could grow indefinitely. I will create the initial batch of these stories for free, but at some point in the near future I will add a crowdfunding element. If you want a particular story written then you are able to bid for that to happen. Details are still being considered, but I'm calling it "Crowdfunded-Choose-Your-Own-Adventure". For now.

Accompanying each story will also be different media versions, including illustrations, readings, live performances and more.

## Voice and Style
As this is already an odd topic and method of delivery I am also taking quite a liberal and adventurous approach to the writing style. It will switch between narrative perspectives, it will be littered with broken sentences and passing words to create a particularly surreal style (very Vonnegut-esque) and I will be unashamedly breaking grammar rules to make it sound how I want the work to sound.

I think it is English in feeling and voice, without being specifically based anywhere. There will be focus on mundanity and petty bureaucracy, bored and frustrated people and seemingly uninteresting minutiae.

## What’s next?
I have the first overarching chapter nearly finished and the second started and I have several of the off-shoot stories written. The website is nearly ready and within the next month something will hopefully be online for first readings.

I'm looking forward to the End of the World and I hope you will enjoy it to.

---

## [Projects Site Redevelopment Complete](https://chrischinchilla.com/blog/2015/2015-01-10-projects-site-redevelopment-complete)

Date: 2015-01-10

I have just finished getting in place the basic structures behind the sites for my new projects and redeveloping my older sites accordingly.

---

I have just finished getting in place the basic structures behind the sites for my new projects and redeveloping my older sites accordingly.

The main reason behind this was that in the next couple of months I want to start looking for work again and was conscious of topping up my programming and tech skills with a real project. However each project also had it's own requirements in a site and I wanted to investigate more ideal solutions for each one instead of just doing everything in Drupal like I usually do.

Along the way I have attempted to improve my knowledge of many associated skills and techniques such as LESS, SASS, Headless Drupal, Swift, Java, Responsive Design, DevOps and much more.

The Gregarious Mammal CMS built in Drupal is the central repository for most projects content and some CRM data. The Lean Traveler, Chip Shop and centralised production blog all utilise Drupal's domain module to effectively serve different areas of the site under different domains from one installation. As they are all basically content driven sites, this seemed the most effective solution as apart from layout and some features, they are all fairly similar sites.

Next up is my personal site. This could have been undertaken in the same method as above, but as it's a very simple site it seemed an ideal opportunity to try something new. Content is still housed and served from the Central CMS, but through a restful API into a JavaScript Application. For the JavaScript Application I settled on AngularJS, mainly because it had the most documentation and seemed most in demand in the jobs market. To build the initial application I used Yeoman and I will be experimenting much more with it in the future, it's very simple right now.

For the 'One Day the World Ended' project I again opted for something a little different. I have wanted to learn Ruby on Rails for a very long time and as the project doesn't share much with the other projects and will require some different features in the near future, it seemed a good candidate. It will pull in the projects production blog from the central CMS.

This enables all of the various pieces to do what they are good at and gives me a great basis to experiment and learn in the future. I didn't really encounter many problems accomplishing this plan as everything is quite simple right now, just the expected hurdles of learning something new. Any more specific details and tips will be covered in the future, including the configuration if various tools I used.

---

## [Dec 19th Updates, refining concepts](https://chrischinchilla.com/blog/2015/2015-01-10-dec-19th-updates-refining-concepts)

Date: 2015-01-10

This update is more behind the scenes updates I'm afraid, I have been working on the product release and event cards, making very good progress. However I am currently using real names in the cards and I have no clearance for any of them, that will be a big task in the new year, but for now it's easier to just keep them private. Sorry, but the research has been a lot of fun, follow the twitter feed to see a few highlights.

---

This update is more behind the scenes updates I'm afraid, I have been working on the product release and event cards, making very good progress. However I am currently using real names in the cards and I have no clearance for any of them, that will be a big task in the new year, but for now it's easier to just keep them private. Sorry, but the research has been a lot of fun, follow the twitter feed to see a few highlights.

Some of the other issues I have been wrestling with this week:

## Expanding reach of the game

Initially I was restricting the game to only home computers and add other models in expansions. I have decided to expand this to consoles and (some) business machines from the outset. This is mainly because their stories are too interlinked in terms of events, companies and development.

## Profits per Turn vs Longevity

I was always a bit vague on the relations between profit and longevity, I have now clarified this. Longevity is the lasting impact. For example the original IBM PC did not last a long time, but its creation led to the IBM clone market, which had a massive lasting impact. Profit is the amount of money each turn after building a product. The number of turns is reflective of the historical short term popularity of the release.

## Unsuccessful products

History is littered with unsuccessful products and I want to include many of them in the game, however, why would anyone want to build any of these? I'm contemplating setting a rule that forces players to pick one release every turn, but I'm not yet sure.

## Business Strategy

Currently the game has marketing as the sole reflection of non-technical inputs into a product. However, we all know that business acumen is also a major player in the life of a company and how could this be reflected? In some ways, this is the players, but should there also be a resource cost that you can invest into?

## Representing Products with many models

Whilst researching potential models for product cards I came across a lot of products that were basically just small improvements on previous models. Instead of having half a dozen very similar product cards I have instead introduced the 'New Version' card that enables you to build a quick interim product based on an existing product.

## Card Layout

I have added a field for tech specs to products. This is no more than nostalgic flavour text, but hey, that's what geeks are likely to love. :)

## Beginnings of Business Model ideas

I haven't given much thought to the way the game will make money yet, my main ideas have been a freemium / open source style model. The only further step I've taken in figuring this out is only offering the ability for players to access print quality versions of cards if they sign up.

See you in the new year!

---

## [2014 Review, Niches-Become Mainstream](https://www.sitepoint.com/2014-review-niches-become-mainstream/)

Date: 2014-12-11

Originally published at: https://www.sitepoint.com/2014-review-niches-become-mainstream/

2014 was quite a year, especially for technology and how it affects everyone. Here are some of my highlights, lowlights and observations on the year and how it maybe affected developers.

---

## [7 CRM Options Compatible with Drupal](https://www.sitepoint.com/7-crm-options-compatible-drupal/)

Date: 2014-12-10

Originally published at: https://www.sitepoint.com/7-crm-options-compatible-drupal/

I love Drupal and end up undertaking most of my programming projects with it. I have been using it for so long that I find it far easier to push out projects with Drupal than with anything else, despite it's infamous learning curve.

---

## [Dec 5th updates: Manual, concepts, design and more!](https://chrischinchilla.com/blog/2014/2014-12-05-dec-5th-updates-manual-concepts-design-and-more)

Date: 2014-12-05

Chip Shop has had quite a busy week and I have a few updates to tell you about.

---

Chip Shop has had quite a busy week and I have a few updates to tell you about.
<h2>New Website Design</h2>
I’ve redesigned the website slightly and there will be much more to follow, it’s something of an ‘evolving’ site. A lot of the design change are due to me keeping an eye on how the game will grow and progress over time.

<h2>Amended Core Concepts</h2>
Whilst working on the manual and some initial cards for the game I realised I had hit a bit of an issue with representing real world History in the game. I was trying to make products and events as accurately as possible but became rapidly unstuck attempting to somehow represent products that cost millions of dollars to produce and attempting to keep the numbers as historically accurate as possible. I also got stuck figuring how to represent the differing sizes of companies that have produced computers in the 80s, for example a stalwart like IBM vs a small team that emerges such as Amiga. In the end I decided on abstracting concepts and just using the costs on product cards to represent many of the factors I was attempting to include.

Now there is ‘money’ (of no specific denomination) which can be spent on resources (that are all the same) and these resources can be distributed amongst product costs as players see fit.

This keeps the game much simpler and allows me to move the game through eras and setting without having to constantly adjust for regional currencies or changes in monetary value over the decades.

<h2>Game Manual</h2>
I have started working through writing the manual for the game as this helped me identify what steps I needed to undertake next in development. You can start reading it by clicking through the pages on the right <— under the manual heading. It’s not fully written yet, but hopefully you’ll start to get the idea of how the game will work.

<h2>First cards</h2>
I have started creating some cards as part of the products deck. In my mind they are ready for publishing here, but as they currently use real product names I need to decide wether I start contact license holders or just make up my own parody names.

<h2>Twitter Hash Tag</h2>
Every project needs a twitter hash tag, I’ve set ours as [#chipshopbg](https://https://twitter.com/hashtag/chipshopbg?f=realtime). In it I will be posting various bits and pieces from my research or other quick thoughts that will build towards these blogposts. For convenience, there is a block showing you latest tweets over on the left <—-.

<h2>Design Mockups</h2>

Attached below are some files for card, score board, factory place mats and player screens.

---

## [Hands on with Lollipop](https://chrischinchilla.com/blog/2014/2014-12-04-hands-on-with-lollipop)

Date: 2014-12-04

I've had Lollipop (Android 5) on my phone for about ten days now, so it seemed like a good time to report back on my feelings and experiences with this new, 'material design' laden Operating System.

---

I've had Lollipop (Android 5) on my phone for about ten days now, so it seemed like a good time to report back on my feelings and experiences with this new, 'material design' laden Operating System.

I received Lollipop early and due to the nature of Google's rollout strategy I have probably received a version buggier than others, for example, my Nexus 7 is yet to update. It is rough around the edges, but lets take a dig around.

## Material Design
Speaking of Lollipop's new design, I personally like it. It's animated enough, but not excessive, screen elements are crisp, text is clearer and somehow it feels like there is more information available in less space. When opening an app that hasn't yet embraced a refresh, it stands out, and not always in a positive way. How the new design paradigm is handled varies from app to app, but generally it's a positive step. My main criticism is that my Nexus 5 is stuck using the Google Now launcher and I wish I could switch it for the default launcher. On the subject of launchers, whilst the rest of vanilla Android is now looking quite slick, the default launcher is long overdue a lick of paint.

## Notifications / Settings pane
I am loving the new notifications design and it's development has caused me to disable other notifications tweak apps I previously used such as <a href="https://play.google.com/store/apps/details?id=com.greatbytes.activenotifications&hl=en" target="_blank">Dynamic Notifications</a> and <a href="https://play.google.com/store/apps/details?id=com.squanda.swoop.app" target="_blank">Snowball</a>.

![Android Lollipop notifications and quick-settings pane](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/images/notscreen.jpg)

This are the two sides of the new look notifications and settings panes. I mostly like the compactness of this new layout, apart from one minor annoying omission. There is no longer a quick way of seeing what wifi networks are available, the icon here only switches wifi on and off. It's consistent, but does mean if you want to disconnect from a previous wifi network that you have inadvertently joined, you have to delve into the settings proper.

## Notifications modes and the slow irrelevance of the power button
Lets deal with the power button first and possibly one of the more controversial Lollipop changes that may end up as Android's 'Start Menu' and eventually return. All the power button now does is turn the phone on and off. As we have already seen, Airplane mode is now accessed via the drop down settings menu, and silent mode, well it's been split in two. Android's new official way is to use notification modes.

![Android Lollipop notification-mode controls](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/images/notmode.jpg)

With these modes you can set what levels (all, priority and none) notifications can disturb you when the phone is in each mode. It's not quite a silent mode, but if you do want to access the 'old style' silent mode you hold the volume down button until it hits silent, so it's there, but not as convenient.

## Power Management
Battery life on my Nexus 5 seems to be the same as before, but it's other, more subtle changes that are the real difference, especially power management assistant apps that now seem to be broken.

Many have had some issue with the new battery usage screen.

![Android Lollipop battery-usage screen](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/images/battery.png)

Instead of showing you the percentage use of an app overall, it shows you the battery use of each app as part of what is remaining. I still don't completely understand it myself...

Lollipop ships with a Battery saver mode that can be set to trigger at a particular percentage, but what it actually does is a bit of a mystery to me! I used to use combinations of <a href="https://play.google.com/store/apps/details?id=com.tryagent" target="_blank">Agent</a> and <a href="https://play.google.com/store/apps/details?id=com.ijinshan.kbatterydoctor_en&hl=en" target="_blank">Battery Doctor</a> to achieve the same results and it was very clear what they were doing. With Lollipop all that seems to change is red bands get added to the top and bottom of the screen and auto-sync is disabled. Battery life is prolonged, but it could be prolonged more. It seems that Lollipop has disallowed 3rd party apps on unrooted devices from disabling mobile data, much in the same vein to previous versions of Android disallowing switching airplane mode. This is a bit of a pain for many apps and we shall see what plays out.

## Miscellaneous Losses and Gains
### Lock Screen Widgets
I used these occasionally, but Lollipops new notifications largely replaces them.

### Flashlight
Hear the cries of all the Android flashlight developers as there's now one built into Lollipop.

## Conclusion
All in all I like the direction of Lollipop and Material Design, but it is still rather rough around the edges and I am not the only one to think this, even Google has staggered it's roll out far more than it typically would. It does still feel like a beta to me, no major issues, but lots of strange occurrences that have no real explanation, source or pattern. This has all meant that market share of Lollipop has grown a lot slower than other recent Android versions.

---

## [Costs and Card concepts Refined](https://chrischinchilla.com/blog/2014/2014-11-26-costs-and-card-concepts-refined)

Date: 2014-11-26

Just a small update, with a much larger one coming next week.

---

Just a small update, with a much larger one coming next week.

I have updated and refined the [costs](/manual/costs) and [card](/manual/cards) concepts of the game. I have also started drafting a manual which ties together the game into a sort or logic and creating the system that I will use (and the public in the future) to create cards.

All of that will be reported back on next week!

---

## [Core game concepts introduced](https://chrischinchilla.com/blog/2014/2014-11-20-core-game-concepts-introduced)

Date: 2014-11-20

Along side getting the Chip Shop website online (needing a lot more work of course!) I have started defining the core game concepts, i.e. what you are aiming to do in the the game and what components will help you achieve this. I have also spent some time trawling through 80s US computer history pulling out products, personalities and events that will form the game cards.

---

Along side getting the Chip Shop website online (needing a lot more work of course!) I have started defining the core game concepts, i.e. what you are aiming to do in the the game and what components will help you achieve this. I have also spent some time trawling through 80s US computer history pulling out products, personalities and events that will form the game cards.

Read more on the <a href="https://chipshopgame.com/" target="_blank">Chip Shop website</a>.

Next up:<ul><li>Sketching drafts of some of the components</li><li>Researching game creation concepts and communities</li><li>Creating cards</li><li>Improving website and designs</li><li>Starting to contact people from 80s computer history who might like to appear in the game.</li></ul>

---

## [The Lean Traveller alpha launches](https://chrischinchilla.com/blog/2014/2014-11-20-the-lean-traveller-alpha-launches)

Date: 2014-11-20

I have just rolled it the first incarnation of <a href="https://theleantraveller.com/" target="_blank">The Lean Traveller</a>, with the first of the topics we will be covering, '<a href="https://theleantraveller.com/money" target="_blank">Money</a>'.

---

I have just rolled it the first incarnation of <a href="https://theleantraveller.com/" target="_blank">The Lean Traveller</a>, with the first of the topics we will be covering, '<a href="https://theleantraveller.com/money" target="_blank">Money</a>'.

We have the beginnings of a theme and structure, but there's much more to come in the next month:<ul><li>Adding images</li><li>Ratings and Cost comparisons</li><li>More Content</li><li>Project Management workflow behind the scenes for handling contacting services we cover.</li><li>More topics and content</li></ul>

This was a reasonably easy initial rollout, the only complications being that we are utilising Drupal's<a href="https://www.drupal.org/project/domain" target="_blank"> Domain module</a> to handle centralising content amongst all our project sites whilst also feeding it out to the appropriate project site. This has required some fiddling, but we have got there now!

---

## [Answers Against Humanity](https://chrischinchilla.com/blog/2014/2014-11-20-answers-against-humanity)

Date: 2014-11-20

Are you looking for smart answers to dumb questions? Then you might enjoy 'Answers Against Humanity', based on that 'award' winning game, Cards Against Humanity.

---

Are you looking for smart answers to dumb questions? Then you might enjoy 'Answers Against Humanity', based on that 'award' winning game, Cards Against Humanity.

Code is available on [iOS](https://github.com/ChrisChinchilla/Answers-Against-Humanity) and [Android](https://github.com/ChrisChinchilla/AnswersAgainstHumanity), but you'll only find it in the [Google Play Store](https://play.google.com/store/apps/details?id=gregariousmammal.com.answersagainsthumanity) as Apple said it was:

> Too dumb

for their store.

---

## [Wovn.io](https://chrischinchilla.com/blog/2014/2014-11-17-wovn-io)

Date: 2014-11-17

Now I live in a non-english speaking country, not only am I far more understanding of non-english speakers in English speaking countries, but I am also more conscious of providing content in multiple languages. The first point is something I would like to revisit in a future post, but for now lets look at a new option for providing content in different languages.

---

Now I live in a non-english speaking country, not only am I far more understanding of non-english speakers in English speaking countries, but I am also more conscious of providing content in multiple languages. The first point is something I would like to revisit in a future post, but for now lets look at a new option for providing content in different languages.

I met the team from [wovn.io](https://wovn.io) at TechCrunch Disrupt and whilst I know it's by far not the only option for proving translations, I am always keen to give new things a whirl and here we are.

Wovn.io aims to be incredibly easy to use, so easy to use, that is has very little documentation, all you need to do is add a small line of code into the head section of your website.

![wovn.io javascript](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/wovn_1.png)

I thought I would try Wovn out with our new [Lean Traveller](https://theleantraveller.com) website, so pasted the code in to see what happened.

Almost instantly the pages of the website appeared in the control panel. From here you can then opt to 'machine translate' or 'pro translate' the page. The professional option gives you a quote for using a 'professional' translator, but it's hard to know what the quality will be. I opted for the machine translation version, which entails selecting your language and clicking the button.

![Translation Options](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/wovn_2.png)

Now, if you refresh the web page, you will see the below:

![Translation toggle](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/wovn_3.png)

And here is my page in German:

![Page in German](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/wovn_4.png)

## Is the translation any good?
My German isn't quite good enough to completely tell, but I tried running it through a few other translation engines and the results aren't too bad. Of course a human is always better and the fact that you can opt into either is a good idea.

## What's missing?
The main features that are missing for me, is the lack of SEO, i.e. You can't create new pages on your site from the translation. This is perfectly understandable, how could wovn create pages on your website. In my opinion, due to its 'on the fly', dynamic nature, wovn is aimed more at one page and simple sites, such as startups and portfolio sites. We are using Drupal for our sites and it has its own functionality for translation which is more suited to creating site maps and growing, structured sites.

If you are looking for something quick and easy for your site, with the options of providing better translations at a later date then wovn is a great option and I look forward to seeing what is added in the future.

---

## [Documize](https://chrischinchilla.com/blog/2014/2014-11-17-documize)

Date: 2014-11-17

With a variety of our projects we have been looking into methods of how to provide easy and open access to documents produced that most people could understand how to edit and contribute.

---

With a variety of our projects we have been looking into methods of how to provide easy and open access to documents produced that most people could understand how to edit and contribute.

Initially editable pages inside a CMS or Wiki seem like a good idea, but HTML is still unfamiliar to many. Whilst you may end up with quality content, depending on your CMS setup you often end up with messy HTML output that someone needs to tidy up after a contribution.

Despite their flaws, Word processors are still the most familiar writing tool to many, but despite strides in the right direction, their output is not great for display on the web.

I started thinking about how to somehow allow people to use Word (or equivalent) to edit a document and for that document to automatically publish itself online. I did some initial research into the possibility of working with the Google Docs API to pull documents online and that's till an option I may look into at a later date.

Then at <a href="https://techcrunch.com/event-type/disrupt/" target="_blank">TechCrunch Disrupt</a>, I came across <a href="https://www.documize.com" target="_blank">Documize</a>, who are working on a service to create user friendly wiki pages from Word documents. Here's my initial feelings on the offering and how it may fit into what I was trying to achieve.

Here's the overall dashboard for your content:<figure>[[{"type":"media","view_mode":"media_large","fid":"28","attributes":{"alt":"","class":"media-image","height":"212","width":"480"}}]]</figure>

Here we have created a 'site' with some placeholder text, this is a container for our content. The next interface element that interests us the most is the green 'arrow' upload icon.<figure>[[{"type":"media","view_mode":"media_large","fid":"29","attributes":{"alt":"","class":"media-image","height":"226","width":"480"}}]]</figure>

Here we select our word file and upload it for processing. Reasonably quickly a wiki page of the document is created. Here's the original Word document:<figure>[[{"type":"media","view_mode":"media_large","fid":"30","attributes":{"alt":"","class":"media-image","height":"348","width":"480"}}]]</figure>

And here's the Documize version:<figure>[[{"type":"media","view_mode":"media_large","fid":"31","attributes":{"alt":"","class":"media-image","height":"288","width":"480"}}]]</figure>

As you can see, not a completely accurate representation, but I'm sure that will improve over time and as many images in Word documents are embedded or hosted locally to the document, I would image that would be hard to reproduce. You can see that documize has noticed our document structure on the right hand side and the small icons you see to the right of "Introductions" allow for inline editing of each section as can be seen here:<figure>[[{"type":"media","view_mode":"media_large","fid":"32","attributes":{"alt":"","class":"media-image","height":"197","width":"480"}}]]</figure>

Currently directly from Documize's interface you can also export the document edits back out to word and print.<h2 id="whatsmissing">What's missing?</h2>

This is an early beta release, so is not likely to be complete, but in my mind there are several features missing for what I am trying to accomplish.

There's not much I can do with the documents outside of Documize, I would like some form of view only web publish ability, either through an embeddable option, or through Documize directly.

I would love to see an ability to 'watch' a folder instead of having to upload every file, Dropbox or Skydrive integration would be amazing.

I am assuming that Documize's intention is to create something for internal usage, which contradicts some of my points above. If this is the case then some sort of role and workflow system will be needed for sharing document editing.

---

## [Creating Your First Site with Drupal 8](https://chrischinchilla.com/blog/2014/2014-10-27-creating-your-first-site-with-drupal-8)

Date: 2014-10-27

We have been hearing about Drupal 8 for quite a while now and it&rsquo;s sounding increasingly exciting and close. After DrupalCon Amsterdam I was keen to get my hands dirtier with Drupal 8 and try building a website with it.

---

We have been hearing about Drupal 8 for quite a while now and it&rsquo;s sounding increasingly exciting and close. After DrupalCon Amsterdam I was keen to get my hands dirtier with Drupal 8 and try building a website with it.

I decided to use a practical example as that&rsquo;s generally a better approach than messing around with a fake idea. I decided to try and use the redevelopment of my Wife&rsquo;s site, &ldquo;A Travelling Cook&rdquo;, as it is a simple site, so seemed like a good case study.<h2>&nbsp;</h2><h2 id="installation">Installation</h2>

Installation of Drupal 8 is much the same as before, however you do need mod_rewrite enabled. The installer doesn&rsquo;t directly mention this, but post-installation will fail if you don&rsquo;t. Installation is somewhat easier, as you can now use a database user with the correct permissions and databases are all created for you.

You will need to duplicate additional files as part of the installation process, so pay attention to the instruction screens. Interestingly, the traditional &lsquo;sites&rsquo; folder and its subfolders can be used as we are all used to, but don&rsquo;t need to be, you can actually now add things to the top level of Drupal. I&rsquo;m not entirely sure how I feel about this yet, or how this will affect many of our existing deployment strategies.<h2>&nbsp;</h2><h2 id="multisite">Multisite</h2>

If you want to use multisite, you have to add entries to the &lsquo;sites/sites.php&rsquo; folder for the multisite folders to be recognised, there are examples in the folder.<h2>&nbsp;</h2><h2 id="initialimpressions">Initial Impressions</h2>

Initially, nothing will look that different really, admin sections are slightly reorganised and you have a new admin menu, but if you have been using Drupal for a while, it will look fairly familiar.<h2>&nbsp;</h2><h2 id="settingupcontenttypes">Setting Up Content Types</h2>

This is a pretty similar process to Drupal 7, some differences, but you should be able to figure out what&rsquo;s what. There are a few more field types built in, such as &lsquo;Entity Reference&rsquo;, which makes sense for Drupal. There is also now an inbuilt option for managing node edit forms, another great &lsquo;out of the box&rsquo; new feature.<h2>&nbsp;</h2><h2 id="modulesmodulesmodules">Modules, Modules, Modules</h2>

This is unfortunately where I came unstuck and (spoiler alert) had to give up the adventure. Whilst there are several D8 versions of modules available, such as Drush and Devel (and of course several useful modules in core), but there were too many others just not yet available. For example:<ul><li>I needed to import 90 items of content, the current site is in Blogger, which doesn&rsquo;t give you database access so I couldn&rsquo;t use Migrate module, well, not without all sorts of additional intermediary steps. A Drupal 8 version of feeds is in development, but encourages you to not use it yet and has limited options right now.</li><li>If you want to make a live production site, then several modules that are useful for SEO and general user-friendliness are not yet available, such as Path Auto and Google Analytics.</li></ul><h2>&nbsp;</h2><h2 id="problems">Problems</h2>

I did get a lot of unusual errors, most of which could be fixed through file and database cache clears, but they weren&rsquo;t always clear as to the reason.&nbsp;

<span style="line-height: 1.538em;">If you move or rename the location of your site, you will find that Drupal 8&rsquo;s new Configuration Management features might cause your entire site to break as it can no longer find the locations for the configuration files it expects. So make sure you change the paths in the site&rsquo;s settings file.

There is also an error that may or may not occur if you update Drupal 8 core. Somewhere along the way, the &lsquo;classy&rsquo; theme became the base theme for many other themes and if it&rsquo;s not enabled before the upgrade, your site will break. I found by commenting out certain lines in core I could get things working sufficiently that I could enable it, uncomment the lines and get back to normality.<h2>&nbsp;</h2><h2 id="conclusion-notreadyforlivesites">Conclusion - Not Ready for Live Sites</h2>

I&rsquo;m sure anyone could have told me this, but still, it was interesting to try. Whilst Drupal 8 is now stable enough for experimentation or Developer playground sites, if you&rsquo;re trying to create a site that non-technical folks and end users will use and enjoy, it is not ready.

Some of this is down to instability, but it&rsquo;s also the age old issue that new versions of Drupal always have, the lack of necessary modules. The inclusion of some of these in core makes things somewhat easier, but there are still a few that I think every site needs before I can happily use Drupal 8 in the wild.

---

## [Hands on With Yosemite](https://chrischinchilla.com/blog/2014/2014-10-27-hands-on-with-yosemite)

Date: 2014-10-27

I have been Macs for a very long time, since the dark days of the mid 90s and the days of <a href="https://en.wikipedia.org/wiki/Macintosh_Performa" target="_blank">Performas</a>, <a href="https://en.wikipedia.org/wiki/System_7" target="_blank">System 7</a> and unremarkable CEOs. I have been through the massive change to OS X and processor changes from <a href="https://en.wikipedia.org/wiki/Motorola_68000" target="_blank">68000</a> the series to <a href="https://en.wikipedia.org/wiki/PowerPC" target="_blank">PowerPC</a> and then to Intel.

---

I have been Macs for a very long time, since the dark days of the mid 90s and the days of <a href="https://en.wikipedia.org/wiki/Macintosh_Performa" target="_blank">Performas</a>, <a href="https://en.wikipedia.org/wiki/System_7" target="_blank">System 7</a> and unremarkable CEOs. I have been through the massive change to OS X and processor changes from <a href="https://en.wikipedia.org/wiki/Motorola_68000" target="_blank">68000</a> the series to <a href="https://en.wikipedia.org/wiki/PowerPC" target="_blank">PowerPC</a> and then to Intel.

Last years Mavericks release was (in my opinion) a reasonably solid release, nothing groundbreaking but it worked well for me. Yosemite brings a lot of new changes and paradigm shifts, probably the greatest number in a Mac OS X release since the first one.

There have been many posts on whats new in Yosemite and I won't bother to post them all here, just the ones I have noticed or strike me the most. There are a lot underpinning technical changes that I welcome, such as the resurrection of Extensions and opening up many of the APIs that only Apple has been able to utilise for most of OS X's lifespan. Many of these are yet to be taken advantage of my developers and will become increasingly useful over time.<h2 id="installing">Installing</h2>

Since the switch to installation via the App Store, it's generally been a pretty simple and uncomplicated process. In the past I used to occasionally do a clean system folder install to reset my Mac and give it a breath of fresh air. This option seems to be no longer available, it's either upgrade in place or start from a completely new slate.<h2 id="today">Today</h2>

Notifications, dashboards and other miscellaneous summary screens are not to everyones liking, but I personally love them. Thus, the new combined Today/Notifications side bar makes me very happy. Again, this will be a work in progress as developers add new functionality (now they can!) but my main call at the moment is for customisation, for example:<ul><li>The stocks ticker doesn't find all non-US stocks, there are people outside of the USA.</li><li>I would like to be able to make the World Clock widget digital, quickly glancing at three analogue clocks and their values is not easy.</li></ul>
<h2 id="visualchanges">Visual Changes</h2>

It's the visual changes I'm not completely convinced by, and neither are many others. I have a retina screen and it's certainly better looking on that than my non-retina external screen. However, I am still finding it rather garish, almost comic looking. Similar points have been made about earlier versions of Mac OS X and I'm sure I will get used to it, but still.

I would like to be able to change the application switcher and Dock background, I find the new one a little garish.

I have tried turning on the 'reduce transparency' option, but found that made the UI especially ugly in places.

On the more positive side, here are a few of the new visual changes I really like:<ul><li>The new behaviour of the window maximise widget, that makes a window full stress. It surprised me on first usage, but now I really like it.</li><li>When transparent items overlay the right sort of items, it looks great.</li><li>I like the new calendar, but I wish it were possible to hide the new right hand side pane if you so wished.</li><li>The new look Apple Mail is growing on me.</li></ul>
<h2 id="whatbroke">What Broke</h2>

So far nothing seems to be completely unfunctional, even the stalwarts that usually break such as older versions of Adobe and Microsoft software. The only part of my workflow that really broke was Homebrew and thus all the tools associated with that. There are a few articles online that claim pulling from <a href="https://brew.sh/" target="_blank">Homebrew</a> repository will fix this. It didn't work for me, but as Homebrew is so containerised anyway, I had no real issue with just removing it and reinstalling it, in fact I wanted to have a clean out of Homebrew, node etc anyway.
<h2 id="whatsnext">What’s next</h2>

I need to buy an old iPhone for testing purposes, so I'm looking forward to trying some of the integration options there, especially making phone calls, which is something I have wanted out of the box (there are 3rd party options) for a long time.

I am really looking forward to many of the services and applications I use updating for Yosemite, it may even be a good programming exercise for me to try updating some of them myself.

I have been an avid <a href="www.alfredapp.com/" target="_blank">Alfred</a> fan for a very long time, but will give the new Spotlight a spin soon.

---

## [Techcrunch Disrupt 2014](https://www.sitepoint.com/techcrunch-disrupt-2014/)

Date: 2014-10-24

Originally published at: https://www.sitepoint.com/techcrunch-disrupt-2014/

Before spending seven years in Melbourne and then moving to Germany, I lived and grew up in London. I am one of London's rarities, a real, born-and-bred, bona fide Londoner. In fact I am actually a Cockney -- and one of the last!

---

## [Setting up your Mac with Vagrant and Puphpet for Drupal Development](https://chrischinchilla.com/blog/2014/2014-10-14-setting-up-your-mac-with-vagrant-and-puphpet-for-drupal-development)

Date: 2014-10-14

I&#39;m always a bit behind with development trends, mainly because working for yourself or small businesses, you rarely have the luxury of spare time to experiment and tend to<span class="Apple-converted-space">&nbsp; stick with what you have to get the job done.

---

I&#39;m always a bit behind with development trends, mainly because working for yourself or small businesses, you rarely have the luxury of spare time to experiment and tend to<span class="Apple-converted-space">&nbsp; stick with what you have to get the job done.

For a couple of reasons I wanted to finally try some sort of new development setup and thought it was high time to look into a <a href="https://www.vagrantup.com/" target="_blank">Vagrant</a> style setup. These reasons were:<ul class="ul1"><li class="li3">I have a little more spare time</li><li class="li3">I am about to embark on a bunch of new development projects</li><li class="li3">I don&#39;t like having redundant extensions littered around my computer</li><li class="li3">I anticipated the updating my Mac would probably break my fairly highly tuned development setup, so it seemed a good time to prevent this happening again</li><li class="li3">I like to learn :)</li></ul>I have only really just got settled into using Homebrew and love it, so I was slightly sad to be using it less, but it will still get used for other tasks. I am (currently) predominately a Drupal developer, so this will be slightly skewed to that sort of setup, but you may still glean some other more general tips from the steps that worked for me. I like to use GUIs and neatly packaged options as much as possible, so I will often take myself down those paths.<h2>Installing Vagrant</h2>

I ended up following the instructions found on <a href="https://www.sourabhbajaj.com/mac-setup/Vagrant/README.html" target="_blank">Sourabh Bajajs Mac OS X setup guide</a> as it utilised Homebrew (sort of) and added a Vagrant GUI, which all made me very happy.

&nbsp;<h2>Installing and setting up Puppet</h2><p class="p1">Installing Vagrant was a pretty easy step, but after this I was a little stumped as to next best steps and was still only partially understanding what it was I was really aiming for. I knew that Puppet was the next step but didn&#39;t really know where to start. I had seen <a href="https://github.com/alehkot/druphpet" target="_blank">Druphpet</a> mentioned at <a href="https://www.sitepoint.com/drupalcon-amsterdam-2014-report/" target="_blank">DrupalCon Amsterdam</a> and thought this would be a good place to start, especially as I had a lot of trouble getting <a href="https://puphpet.com/" target="_blank">Puphpet</a> (which Druphpet is based upon) to work, mainly due to an Ubuntu problem it seems. After installing Composer (with Homebrew of course!) Druphpet worked fine, but I found that (personally) it installed a lot of things I didn&#39;t really need.<p class="p1">After a lot of trial and error, I ended up taking Druphpets <code>config.yaml</code> file, customising it to my needs and then pasting it back into Puphpet to get the zip file that I needed and that worked perfectly.<p class="p1"><a href="https://gist.github.com/ChrisChinchilla/5b8cf016e3cfdb5616d1" target="_blank">You can find my config.yaml file here</a>.<p class="p1">One of the other issues I found, and I&#39;m not entirely sure what is &#39;best practise&#39; here, was where to download my Puphpet zip file to. This is important, because when you create your Vagrant box based upon it, it needs to know where to find it and if it moves, the creation process will fail. So I recommend you move the folder to its permanent home before setting up your Vagrant box. For me, I have placed them alongside my Virtual Machines.<p class="p1">As I installed Vagrant Manager, all I really need to now do each time I want to start developing is fire up my Vagrant box from the handy menu item.<p class="p4"><img alt="Image" height="239" src="https://dl.dropboxusercontent.com/u/431865/Screenshot%202014-10-14%2016.04.55.png" width="320" /><h2>Database and Host connections</h2><p class="p1">Most configuration happens within the <code>config.yaml</code> file, which I really love and it appeals to my sense of &#39;containerising&#39; where I undertake my work. However, you will still need to setup your hosts file (<code>/etc/hosts</code>) so your Mac knows where to find site urls you enter into your browser, in my case it looks like this (The IP seems to be standard with Vagrant, but it may be different for you):<img alt="Image" height="197" src="https://dl.dropboxusercontent.com/u/431865/Screenshot%202014-10-14%2016.07.07.png" width="447" /><p class="p1">Following my love of GUIs, I use <a href="https://www.sequelpro.com/" target="_blank">SequelPro</a> for database management and as you are effectively connecting to another server, you can no longer use a standard &#39;Localhost&#39; connection to connect to your database. I found <a href="https://coderwall.com/p/yzwqvg" target="_blank">this Coderwall post</a> a good start for me, but make sure you use your own details of course. Now my SequelPro connection settings look like this:<p class="p4"><img alt="Image" height="524" src="https://dl.dropboxusercontent.com/u/431865/Screenshot%202014-10-14%2016.14.07.png" width="469" />All that remains is to import your databases and existing code. Code is really easy thanks to the Vagrant shared folder and all you will probably need to do is move it from the old location to the new.<h2>Cleaning Up</h2><p class="p1">I hate having duplicate versions of things lying around on my computer, so next step for me (once I was sure I had copies of everything) was removing all my old copies of MySQL, PHP etc. If you have been using Homebrew, you can probably just brew remove everything, any other extensions you may have installed I will have to leave up to you. If you&#39;re especially pedantic like me (and have been moving your Mac setup from one machine to another for over a decade), digging around hidden folders you&#39;re likely to find remnants of config files, binaries and other miscellany, I took a chance and deleted anything I found, but I&#39;ll leave that up you!<p class="p1">I would love to be able to remove Mac OS Xs built in PHP and Apache, but I haven&#39;t figured out if that&#39;s possible yet.<h2>Next Steps</h2><p class="p1">I use <a href="https://www.digitalocean.com" target="_blank">Digital Ocean</a> for hosting, which you can <a href="https://www.digitalocean.com/community/tutorials/how-to-use-digitalocean-as-your-provider-in-vagrant-on-an-ubuntu-12-10-vps" target="_blank">theoretically push your Vagrant boxes</a> straight to for production (I think) and it&#39;s these next steps I want to investigate more, i.e., Deployments etc. I gather this is the domain of tools such as <a href="https://www.docker.com/" target="_blank">Docker</a> and <a href="https://www.ansible.com/home" target="_blank">Ansible</a>, but I&#39;m still figuring that out.<h2>Bonus! Get rid of 20gb of Windows installs</h2><p class="p1">As part of my explorations I came across <a href="https://github.com/xdissent/ievms" target="_blank">this awesome tool for testing with Internet Explorer</a> on non-Windows machines. It&#39;s not based on Vagrant, but is VM based, so thought I would throw it in to the mix and it enabled me to delete my 20gb Windows 8 Virtualbox that I used just for Internet Explorer. That made me very happy, however you will still end up with about 5gb of disk space consumed.

---

## [DrupalCon Amsterdam Report](https://www.sitepoint.com/drupalcon-amsterdam-2014-report/)

Date: 2014-10-11

Originally published at: https://www.sitepoint.com/drupalcon-amsterdam-2014-report/

As has been the pattern of many recent DrupalCons and Camps, DrupalCon Amsterdam 2014 was all about Drupal 8 and the changes that it's bringing to the platform and community.

---

## [Apple's Special Event - New iPhones](https://www.sitepoint.com/apples-special-event-new-iphones/)

Date: 2014-09-09

Originally published at: https://www.sitepoint.com/apples-special-event-new-iphones/

Today Apple held one of its signature events in its home town of Cupertino, California, announcing a new range of iPhones, a long-awaited wearable device, and a new payment system.

---

## [Degrowth 2014 - Cultural Agency, potentials and limits of current civic movement](https://chrischinchilla.com/blog/2014/2014-09-07-degrowth-2014-cultural-agency-potentials-and-limits-of-current-civic-movement)

Date: 2014-09-07

A valid discussion, but what will the limitations and potentials be.

---

## How the change we have been discussing can actually happen?

A valid discussion, but what will the limitations and potentials be.

**[Friederike Habermann](https://www.leuphana.de/nage-tagung/programm/referierende/friederike-habermann.html)**

As an economist, she has always been interested in alternative economies for many decades. She mentions that sometimes it's hard to live the principles you preach in everyday life, more-so than in other alternative lifestyles. Demonstrations don't work in the long term, they are to make your demands but in the long run you need to show why the common people should change.

**Leonidas Martin**

Is a proponent of '[artivism](https://artisticactivism.org/)' (Art meets Activism). Political change isn't all that is needed, in fact many don't understand or appreciate this. Political is the application of a change that is required or demanded. He likes to try and demonstrate what 'The Good Life' means outside of Capitalism is. An example was running a party in an Employment office to demonstrate the potential 'positivity' of this time and the system's flaws.

**Micha Narberhaus, [Smart CSOs](https://www.smart-csos.org/)**

Was motivated by attending many inspirational discussions but there was never a follow up discussion on 'where next' and 'how'. The research project started to bring together people from NGOs and grass roots organisations from many different sources, but with a focus on people who have the energy to actually do _something_. The aim over the past three years is to have a more structured, 'professional' space.

Many of the global, large scale movements that started around ten years ago have found more success in moving to the local scale and engagement with the population directly.

Civil society and NGOs need to be careful about how it portrays and enacts the assumed opinions of the people it purports to represent. Sometimes they can end up mis-representing opinions due to their own agendas, limitations or misunderstanding.

Has the term 'movement' become overused and misused? When has a movement turned into something else and vice-versa.

Transformation always comes over time anyway, does it need to be forced so much?

How can you appeal to the common persons perspective with concepts that are abstract or hard to understand. For example making your own food verses refugee issues. There can be external factors that push issues over the edge into decisive action. For example the long-running anti-nuclear campaign suddenly had success post-Fukishima.

---

## [Degrowth 2014 - Degrowth and history, Economics, sustainability, power](https://chrischinchilla.com/blog/2014/2014-09-07-degrowth-2014-degrowth-and-history-economics-sustainability-power)

Date: 2014-09-07

Growth is always a goal in many countries, statistics appear everywhere and it's always discussed. Even small reductions in GDP are met with bitter disappointment, it's become one of the most important measures in the modern era.

---

## The Hegemony of Growth

Growth is always a goal in many countries, statistics appear everywhere and it's always discussed. Even small reductions in GDP are met with bitter disappointment, it's become one of the most important measures in the modern era.

**But why? Where did this obsession come from?**

There are surprisingly few discussions or resources on when and why this did happen. Previously there were disparate measures of production or measures of territorial expansion. Even in the times of the Industrial Revolution, the constant measuring of long term growth was not undertaken. The usage of the words for 'Growth' (In many languages) has only started happening after WWII. Most existing studies focus on national studies, but to truly understand it's rise, you must look internationally and the relations between nations.

### GDP as a measure

The claim is that GDP is an adequate measure of the value of a complete economy and it's participants, it becomes a universal understood number, or has it?

### Growth as a Panacea

Growth will fix all our challenges in our society. This idea starts in the 50s as a reaction to Post War, Cold War and European recovery factors. Countries in the OECD set targets that became more and more unattainable and levelled off.

### Growth as Endless

There was an assumption that it could continue for ever if there were the right policies, structures etc.

### Growth as a universal yardstick

'Growth' also means that everything else is OK. Social-Wellbeing, Progress, Development, Modernity, National Power and Prestige. These were all counters to the devastation nations felt after WWII and helped them resurrect the idea of progress. As Growth is 'good', there can never be enough, it can never stop and it will always be OK.

## Gross Domestic Problem: The Politics of GDP

Many people speak about GDP without really understanding what it is or why the measure it. It was created initially in the 30s by Franklin Rosevelt so he had a measure of if his policies were successful. The first report was issued in 1937 and it was used to measure if the American economy could afford to enter WWII. This was the first time an economist was used to plan a war, unlike Germany who planned their war through soldiers.

During the cold war GDP was almost a weapon used against the Soviets, the CIA used it to disprove anything that came out of the East. In 1989 the East even admitted defeat and said "Your number is better than ours" and we enter GDP's phase as the be-all-and-end-all of measurements with the World Bank and IMF running training sessions with countries on how to measure GDP. The Americans even wanted to celebrate GDP as the "Greatest invention of the 20th Century" as it had created a level playing field... Great?

In the past ten years we start to enter a new era that has realised the GDP doesn't tell you everything, it has actually betrayed us and discussions began around terms such as 'Gross Happiness Product'.

Even the inventor of GDP gave warnings about the misuse of his term and what it may lead to if followed blindly. He assumed that after WWII, GDP would stop being used, it was a war time measure in his mind. He thought that every generation should redefine their measure of GDP, as every generation would have different visions and circumstances, but no one listened.

European politics has enforced certain targets and measures around how member states should measure and adhere to GDP. In [2010 a new paper was issued](https://www.nber.org/papers/w15639) saying that countries in debt could be exempt, this was then [debunked by a 19 year old](https://www.bbc.com/news/magazine-22223190), despite the damage it had caused.

GDP originally never included certain measures such as prostitution, gambling and drugs. [Until recently](https://www.google.com/search?q=sex+drugs+and+gdp&ie=utf-8&oe=utf-8&aq=t&gws_rd=ssl)! With countries so desperate to show some form of growth, they got into ridiculous levels of detail about how to measure this.

Even the current head of the World Bank has criticised GDP, which has been blown out of proportion and he was forced to redact his statements.

The Chinese however are looking into measuring environmental factors, is withdrawing GDP as a measure and looking into other measurements. Africa is much the same and is looking into moving on from GDP. These areas are areas with vast workforces and resources so they may end up challenging our paradigms.

## Sustainable Development

The Growth of Humanity influences our discussions on growth as we have only met our limits to geographical expansion in around 1100\. Economic Growth allies very closely with the world energy consumption.

Sustainable Development aims to make it possible for many people to live as well as possible for as long as possible.

Everything starts to exponentially grow in the 1950s as do the differences between people and parts of the world.

Potential challenges and solutions are often incompatible, unpopular or contradictory, i.e. Redistribution is unpopular and often just amongst those who have already.

Three development models are introduced in the 1970s, Northern Industrial Model, Stationary Economy, New International Economic Order, many of these visit concepts we are discussing now.

Many have agreed that Sustainable Development is what should be undertaken, but few actually do it. A model for Sustainable Development was proposed in 1979 from the OECD, [The declaration of Anticipatory Environmental policies](https://acts.oecd.org/Instruments/ShowInstrumentView.aspx?InstrumentID=67&Lang=en&Book=False). Again, this was proposed in 1984 ([The OECD International Conference on Environment and Economics](https://acts.oecd.org/Instruments/ShowInstrumentView.aspx?InstrumentID=68&Lang=en&Book=False)). There was also [The World Conservation strategy](https://portals.iucn.org/library/efiles/documents/WCS-004.pdf) issued in 1980 by the IUCN and the [Brundtland commission](https://en.wikipedia.org/wiki/Brundtland_Commission) that had eight open meetings looking more at poverty. These meetings looked at some complex and important issues but the final results were someway downplayed and sanitised in order to ensure that people would actually read the report. It was even rejected by some NGOs, Environmentalists and Third World nations, but they tended to focus on particular aspects. It did lead to the Rio conference in 1992, Agenda 21 and in some ways, the [Millennium development goals](https://www.un.org/millenniumgoals/) and the [People's Health Charter](https://www.phmovement.org/en/resources/charters/peopleshealth).

---

## [Degrowth 2014 - Friday Keynotes](https://chrischinchilla.com/blog/2014/2014-09-07-degrowth-2014-friday-keynotes)

Date: 2014-09-07

Michelle Bauens, the P2P Foundation The Nutrient dense project is a global community of farmers and civic scientists who believe that putting nutrients into the soil it will improve food growth rates. These projects will often receive no funding, so they have mutualised their research and practices. This knowledge and information is shareable and escapes the commodity model. This is the production of commons, not capital.

---

## The Transition to a Sustainable Commons Society in Ecuador and beyond

**Michelle Bauens, the [P2P Foundation](https://p2pfoundation.net/)** The [Nutrient dense project](https://nutrientdenseproject.com/) is a global community of farmers and civic scientists who believe that putting nutrients into the soil it will improve food growth rates. These projects will often receive no funding, so they have mutualised their research and practices. This knowledge and information is shareable and escapes the commodity model. This is the production of commons, not capital.

How do these people make a living? Some are funded by academia, some by the marketing economy. In the capitalist economy a vast percentage of the cost of an item is 'dead money', that factors in the cost of transport, IP and redundancy. If you can cut out these factors, costs can reduce. He suggests dividing between light and heavy products with items sourced globally and locally respectively.

Often in the open source community its participants are working for traditional capitalist companies to fund their work, sometimes the workplace is funding the work.

He is proposing the Commons Reprocity license or the P2P license claiming that 'traditional' open licenses (i.e. GPL) often encourage capitalist policies.

Another example of the mismatch is Bitcoin, it is P2P but follows capitalist, scarify models to make it work. There are elements of Degrowth thought, but not completely matching.

His closing example shows that the open knowledge community is nothing new. Early monks shared knowledge amongst their networks to sustain what was being lost at the end of the Roman Empire. Many comparisons could be drawn with current groups and situations.

## Economy of Liberation, Solidarity Economy and Good Living (bon-viver)

**Euclides André Mance, Solidarity Economy Brasil** People bring networks and exchange systems between each other as this is how they operate. Sometimes forced, sometimes out of choice but symbolic values are created between people and society.

**Three factors of capitalist economy** _Creating a value and profit through exploitation, or a 'product'_ This product creates money * The market creates opportunity through symbolic values

This creates a circle, which the final point above feeding the first etc. And we all have agreed on these inherent values from a state level. The Capitalist system has its own system of rules that it expects the state to follow and if it doesn't, or something goes wrong, the system breaks. It relies on exploitation, supply, demand and inherent redundancy. To maintain the system, credit is needed and all the systems around it, such as inflation, lending, the market etc.

**Why do workers subject themselves to this?** They have needs which are supplied by the market and they need to remain in the system to keep satisfying their needs.

**What are the alternatives?** Despite opposition, protests and movements, they are still reliant on and feeding the capitalist economy and the problem they are fighting against. Cooperative and collaborative networks can help, but they need to be horizontal and also help each other, bypassing the capitalist system as much as possible.

Alongside these alternatives there needs to be solidarity, autonomy, time for creative pursuits and 'bon-viver'. We don't need to take steps backwards, but work with technology that we now have to achieve these aims. There are technologies that do not suit the 'Solidarity' or Degrowth ideals and these should be no longer used. These are often items we don't really need and are constrained to using items only available from capitalist businesses.

The exchange of knowledge needs to be reorganised, knowledge and the power behind it is extremely important. Liberation cannot happen by yourself or for yourself, it needs to be with common ideals and with aid of the communities around you. This reflowing of power will slowly debase the capitalist system.

_Apologies, this seemed to be a hard presentation for the translators and I missed a few concepts, so the above may be a little vague._

---

## [Degrowth 2014 - ShareEconomy, P2P, Transition Town - What do they share?](https://chrischinchilla.com/blog/2014/2014-09-07-degrowth-2014-shareeconomy-p2p-transition-town-what-do-they-share)

Date: 2014-09-07

We are looking at what these models and projects share in common and what is different between them and why.

---

We are looking at what these models and projects share in common and what is different between them and why.

**Astrid Lorenzen from [Hamburg FabLab](https://www.fablab-hamburg.org/).**

One project created a lab in a public park where people could create their own mobile phones, it was a popular project and demonstrated that people have an interest in knowing what goes into what they own. It appealed to a broad audience in Hamburg and was widely reported upon.

[XYZ Bike](https://www.xyzcargo.com/) that people can create and assemble themselves.

The Fab Lab is encouraging people to make their own 3d printers instead of buying them, so that people understand how they work and what they do.

**Benjamin Tincq from [OuiShare](https://ouishare.net/en)**

The Share economy is an appealing concept that can be found across the media though the different terms can be confusing, i.e. Collaborative Consumption, Share Economy, Crowd Funding etc. They allow for transactions between individuals which is attractive to many. Other less well known ideas are '

<pumpipumpi>' these are stickers you can stick on your mailbox to show what items you have available to your neighbours, low-tech and easy. There are few common ideologies in this field at the moment, there are monetary models, non-monetary, digital, non-digital.</pumpipumpi>

The new space for the sharing economy to investigate is collaborative production, moving beyond collaborative consumption, for example [The People's Supermarket](https://thepeoplessupermarket.org/).

Bike sharing schemes, Co-Working spaces all help reduce travel impacts on the environment. Also the [WikiSpeed](https://wikispeed.org/) open source car that aims to be as efficient as possible through agile production methods.

**Tony Greenham from the [New Economics Foundation](https://www.neweconomics.org/people/entry/tony-greenham) and [Transition Network](https://www.transitionnetwork.org/)**

Trying to summarise the Transition network is hard as everywhere is different and that's a good thing. It's a bottom up approach that doesn't follow any particular template and can appear quite ad-hoc to outside observers. Its main focus is on relocalising economies, encouraging enterprise and regaining control over local communities. One of the successes of Transition movement in Totnes is that it is playful, celebratory and doesn't take itself too seriously, i.e., creating a 21 Totnes pound note.

Many of the Transition projects start with food and go from there, it's an obvious first step that people can identify with, food sharing, farmers markets , etc.

A great transport example is one from [Bristol in the UK](https://www.thebristolbikeproject.org/) where old bike parts are refurbished into new bikes. Workers are from poorer backgrounds who learn new skills and gain experience. This then spreads bike usage and all the positive affects of that.

[Brixton energy](https://brixtonenergy.co.uk/) is a scheme that has been installing communal solar panels onto social housing that can be cheap enough for many to buy into, even if it's a small amount.

**P2P, B2B, B2C, are they united?**

They all share mutualise resources between individuals (or collections of individuals in the case of businesses). These resources may be tangible or intangible. These may cross over, for example Businesses sharing resources to then share with consumers.

**General Questions / Answers**

There needs to be more time allowed and research to see what potential these various projects can accomplish. One particular point of interest is into how some could be owned by their users, i.e. through crowd funding you own a share of the start-up, or _Equity crowd-funding_.

Many of these projects (especially the more commercial ones) need to be careful of becoming to capitalistically motivated or swayed / influenced by capitalist funders or other 'negative' outside parties. An alternative to funding to keep a project sustained is users contributing back their time, for maintenance for example.

Discussions on land use and ownership come up a lot in the sharing economy, especially transition towns. However, no one has got any concrete policies or frameworks for this quite yet, there are a few existing alternative financial models for land tax around the globe.

---

## [Degrowth 2014 - Technological solutions for a degrowth society](https://chrischinchilla.com/blog/2014/2014-09-07-degrowth-2014-technological-solutions-for-a-degrowth-society)

Date: 2014-09-07

It's refreshing to hear someone (unsurprisingly an engineer) mention that the Degrowth movement could do with more practical projects and methodologies to run alongside the theoretical discussions.

---

## The OAE Project: Open Data and Open Source software for a sustainable economy

It's refreshing to hear someone (unsurprisingly an engineer) mention that the Degrowth movement could do with more practical projects and methodologies to run alongside the theoretical discussions.

The [OAE](https://www.openaltraeconomia.it/software.html#web) project aimed to intersect Ecological/Socio-Economic, Legal and Green Tech concepts and values. The project's expected outcomes were to provide up-to-date data in common and standard formats for the consortium that OAE is a part of. This would enable it's participants to keep up to date, access and find what they need and utilise the data in activities and projects.

There is an [Open Data deployment scheme](https://5stardata.info/) proposed by Tim Berners-Lee that the team tried to follow.

The data was linked to merge disparate sources into something more useful and relevant, matching source relationships. The data was then presented in an a method that developers would understand and could utilise. This enabled the team to create web and mobile apps that an end-user could utilise.

## Technology from a Degrowth perspective

Humans have always created tools to make our lives easier and work with our environment. Shifting our reliability from ourselves to powering tools with fossil fuels allowed us to do much more, but it of course has had repercussions that are parasitic. The crux of the debate is evaluation of the viability of technology, it's potential verses it's sustainability. **Is it in balance?**

From a Degrowth perspective, many are somewhat opposed to technology whilst others consider it an ally. '[Convivial Tools](https://www.google.com/search?q=convivial+technologies&ie=utf-8&oe=utf-8&aq=t&gws_rd=ssl#newwindow=1&q=convivial+tools)' are decentralised, reversible and democratically controllable. They should serve the community and meet its needs and ends.

### A specific example - Climate engineering

[Climate engineering](https://en.wikipedia.org/wiki/Climate_engineering) looks at methods for potentially counteracting (inevitable) climate change. These include concepts such as space mirrors, cloud seeding, radiation management, reflective aerosols, [Stratospheric aerosol injection](https://en.wikipedia.org/wiki/Stratospheric_sulfate_aerosols_(geoengineering)) (SAI) and many other ideas that seem somewhat scary and far-fetched.

- **Is SAI viable?** It's fossil fuel based, needs to be flown and is an unpredictable form of pollution. It doesn't address all affects of Climate Change, but does it tackle enough?
- **Is SAI convivial?** It's not decentralised and there are currently no institutions that regulate SAI. Broad agreement on values and ends are also not agreed and we potentially give the power to change the climate to people(s).

So, SAI has to be discarded from Degrowth. Large-scale replanting of forests partially meets the criteria.

## Towards a Methodological Luddism for ICTs

Technology has always been a part of the problem of growth, so how can it be part of Degrowth? What do we want?

Firstly we need to disconnect the idea that technology is the answer to everything and that its neutral. However technology has helped facilitate simple broadcasting, communication, facilitation and discussion. On the other hand there are many divides between people in and within countries, based upon class, age and generations. There are also risks associated with liberty, freedom, corporate and government lobbying and a lack of in-depth knowledge about how tools work. Even Open Source has sometimes been appropriated by private enterprise, Open SSL, PHP, Apache for example.

Of course, not all of the above apply to all technologies, they have to be systematically evaluated for their function, social impacts etc.

The argument is not against technology, but that its real use and value should be questioned more.

---

## [Degrowth 2014 - Wednesday Keynotes](https://chrischinchilla.com/blog/2014/2014-09-07-degrowth-2014-wednesday-keynotes)

Date: 2014-09-07

Konstantatos Haris of the Harokopio University of Athens is a member of Syriza and Political scientist in the department of Geography. He states that Geography and History are also factors as well as different political and socio-economic structures. There are commonalities amongst many Southern European countries that need to be addressed today.

---

## Facing the current crisis: Critique and Resistance

**Konstantatos Haris of the Harokopio University of Athens** is a member of [Syriza](https://en.wikipedia.org/wiki/Coalition_of_the_Radical_Left) and Political scientist in the department of Geography. He states that Geography and History are also factors as well as different political and socio-economic structures. There are commonalities amongst many Southern European countries that need to be addressed today.

Whilst a lot of attention has been paid to the neo-liberalisation of economies in the 70s and 80s, not enough has been paid to environmental and resource factors, there is no 'one reason'. Neo-Liberalism has always set out to remove politics from economics and many feel it's too late to turn back to the 'golden age of capitalism' now. This has also led to a widespread alienation towards politics, rise of corruption and the growth of the far right.

### The problem - Aggressive neo-liberalism

- A double devaluation of labour and environmental commons
- Catastrophic consequences of austerity on the environment
- Competitiveness, productivity, extroversion, investment stimulation and employment opportunities
- The 'poor sell cheap', this gives new opportunities for capital, tourism and resource extraction
- Privatisation of services and resources

#### The old solution - Progressive productivism

- Frequently from left-leaning, socialist and progressive groups
- Based on well established and known theories
- This is a long-standing attachment to post-war growth ideals from the left
- Reconstruction should be taken over by the 'people', re-nationalisation. The nation state is the ideal
- The ideal still tends to ignore environmental factors, extraction is still considered a positive

#### The new solution - Socio-Ecological Transformation

- These ideas have come from the anti-globalisation movements, the squares and indigenous peoples
- They propose meaningful alternatives to democracy, new non-hierarchical, horizontal organisational structures
- Examples are worker cooperatives, social enterprise, solidarity initiatives, open source, Collaborative Consumption and alternative currencies

The 'orthodox' left claims that these experiments lack the critical mass necessary to make real change and cannot seriously challenge the system. However these 'experiments' have helped provide immediate aid to those most in need and this bottom-up approach is possibly helping make the change for those who it really matters to.

#### Conclusion - A unique political opportunity

There is a rising de-legitimisation of dominant capitalist structures, increasingly challenged and opposed. They are empowering their participants and helping them take part in the political system and 'economy'. The European South may be an ideal place to test many of the Degrowth theories as they are challenging that they need to follow what everyone else does. Many feel they have nothing to lose and need a change, they are ready to 'Take the Power back'. If successful, it may even spread from the South to the European North.

## Between doom and Utopia

**Barbara Muraca from the University of Jena**.

### Growth from magic wand to poison

So far Growth has helped create prosperity, reduced poverty, created employment, tax has paid for Government services, Political stability and less social conflict. However it needs to constantly accelerate to keep going, if it slows or stops, there is disaster. Of course there are limits to this growth and this promise can not hold for ever. Not only environmental limits but also social, creating needs and competition amongst the population is necessary. There is now an attitude of 'growth at any cost'. This has caused debt, speculation, exploitation and expansion risks (e.g. Fracking) and an intensification of the pace of life and a reduction in happiness and well-being.

### Degrowth is a destiny?

Growth will stop and if growth based societies do stop there will be crisis and destabilisation. This enforced adaption to a shrinking economy may lead to a necessary return to localisation and family based services. However this could lead to a re-feudalisation of society with a lack of balance in the division of work between genders etc. It will also reduce academic, arts and cultural pursuits.

### Degrowth as a project for social transformation

Degrowth is not about 'coping', 'Your recession is not our degrowth', it's a complete radical transformation of institutions. Degrowth could help be a bridge between the North and the South, capitalists and anti-capitalists etc.

### Degrowth as a concrete utopia

There is no room for wishful thinking, Degrowth aims to anticipate what is really possible based on existing potential and tendencies. It then encourages and nurtures these potentials without blind (or militant) optimism.

### Transforming the Social Imaginary

This will need to take place at a Structural and Institutional level, but also amongst societies shared ideals, visions and values. This redefining of values may also mean shifting the meaning of basic values such as 'freedom','autonomy', 'inequality', 'discrimination' and 'exploitation'.

### Rethinking space and relations

Our current urban vs rural relations are based around production mechanisms, this is quite inefficient. There are already many projects challenging this around the world, the next stage is taking Collaborative Consumption to Collaborative Production. We can learn from poorer countries / people, how are they organising their structures and planning. Other examples of projects already doing this are the Open Source and Commons movements.

### Education of desire and the project of Autonomy

Do these small scale experiments need to be scaled? What is our real need? 'Things' or control and autonomy over our lives?

---

## [Degrowth 2014 - What?! An introduction](https://chrischinchilla.com/blog/2014/2014-09-07-degrowth-2014-what-an-introduction)

Date: 2014-09-07

Despite attending the conference, not everyone will fully understand what 'Degrowth' is, or the multitude of related terms that will be mentioned during the conference. Thankfully the first session on the schedule is ideally suited for getting your knowledge up to scratch.

---

Despite attending the conference, not everyone will fully understand what 'Degrowth' is, or the multitude of related terms that will be mentioned during the conference. Thankfully the first session on the schedule is ideally suited for getting your knowledge up to scratch.

Judging by audience responses to the question "What is Degrowth?" there isn't a concrete definition yet, but one is needed to make the term more understandable to the wider world. Currently 'Degrowth' is more of an intersection of several concepts, we need to be clearer with our vocabulary to emphasise 'different', not 'less'.

'Degrowth' was first mentioned as a term by [Gorz](https://en.wikipedia.org/wiki/Andr%C3%A9_Gorz) and later by [Roegen](https://en.wikipedia.org/wiki/Nicholas_Georgescu-Roegen) and [Grinevald](https://fr.wikipedia.org/wiki/Jacques_Grinevald) in the 1970s

Degrowth lost some interest in 80s and 90s due to the prevailing neo-liberal thoughts of the era. It re-entered the public's interest in the 00s especially around Europe and Latin America in some of the more traditionally activist countries and those worst hit by the Global Financial crisis.

Leipzig is 4th international conference on Degrowth, and now the term is being mentioned in mainstream media, academic courses and articles.

Let's break apart the vocabulary apart a little...

**The Limits of Growth**

- _Growth is uneconomic_ : Costs are increasing faster than wealth as is inequality and the distribution of wealth.
- _Growth is unjust_: Commodification of the world and services, unequal access to resources, it is subsidised by unpaid and low cost labour and does not increase happiness.
- _Growth is Ecologically unsustainable_: There is correlation between GDP and Co2 emissions, dematerialisation of economies is not happening and technology cannot solve all our problems.
- _Growth is coming to an end_: There are diminishing marginal returns, an exhaustion of technological innovations, limits between demand and supply, limited natural resources and increasing debt in nations and institutions.

**Degrowth as Autonomy**

This has different meanings with different writers. In summary it means that limitations should be a choice and not an external imperative or pressure, there is an emphasis on collective self-limitations.

**Degrowth as Repoliticisation**

Degrowth has come to be a word used by politics to give backing and consensus to sustainable development, which is not always a good thing. It has also lead to the politicising and debunking of science, i.e. climate change.

**Degrowth and Capitalism**

Growth is an imperative for capitalism, for technical, economic and socio-political reasons. Frequently capitalists will say that there will be a trickle down to everyone eventually if we continue to grow. Degrowth tries to imagine a non-capitalist society.

**Proposals for a Degrowth Transition**

- _Grassroots economies_
- _Welfare institutions without growth_: Job guarantees, basic and ceiling income, work-sharing.
- _Money and credit institutions_: Community and alternative currencies, public money, debt audits of spending.
- _The politics of such a transition_: Uncivil and civil practises, a slow leak into parliamentary politics, taking part in social movements.
- _[Nowtopias](https://www.google.com/search?q=nowtopia&ie=utf-8&oe=utf-8&aq=t&gws_rd=ssl)_ - Transition towns, Collaborative consumption, share schemes etc.

**Future research proposals**

- The impossibility of dematerialisation
- Entry of developed economies into systemic stagnation
- Abandonment of growth will revive politics and democracy (no proof, but we think/hope!)

---

## [Toast(mastering), PHP and Bike Riding in Leipzig](https://chrischinchilla.com/blog/2014/2014-09-01-toastmastering-php-and-bike-riding-in-leipzig)

Date: 2014-09-01

<p class="p1"><span style="line-height: 1.538em;">Phew, quite a week! I started throwing myself into a few meetups in Leipzig and learnt a great many things about the event culture here (and other things) that I would like to share with you&hellip;<p class="p1"><strong><span style="line-height: 1.538em;">Toastmasters, Leipzig Chapter</strong><br /><span style="line-height: 1.538em;">I have never been to a <a href="https://www.toastmasters.org/" target="_blank">Toastmasters</a> event before, mainly because I&rsquo;ve never been invited, but also because I had always assumed it wouldn&rsquo;t quite suit me.&nbsp;<span style="line-height: 1.538em;"><a href="https://reports.toastmasters.org/findaclub/searchresults.cfm?Country=Germany&amp;State=&amp;City=Leipzig" target="_blank">Leipzig has two chapters</a>, one German and one English, unsurprisingly I went to the English one and they were pleased to have a native speaker to lend a hand.<p class="p1"><span style="line-height: 1.538em;">Toastmasters in an International organisation that through its network of clubs helps develop people&rsquo;s presentation and public speaking skills. I&rsquo;ve always been slightly suspicious of these &lsquo;chapter&rsquo; type organisations, mainly because they&rsquo;re quite American in style and that always rubs an Englishman the wrong way. But also because I&rsquo;ve have often felt uncomfortable with bureaucracy and extraneous formality.<p class="p1"><span style="line-height: 1.538em;">However as the evening progressed I started to realise the benefits of some of these formalities and started to like them. I have plenty of public speaking experience and whilst I&rsquo;m not always great at it, I have the confidence to just do it without much thought. Not everyone does though and the enforced formalities about how proceedings should run, constructive feedback and a course structure (optional) help encourage and develop those who lack confidence to just plunge in the deep end.<p class="p1"><span style="line-height: 1.538em;">I don&rsquo;t know enough about how German associations are legally run, but it seems to me that Toastmasters chapters are run on very US/UK lines so it was also an interesting insight into the inner workings of an organisation.<p class="p1"><span style="line-height: 1.538em;"><strong>Leipzig PHP User Group</strong><br /><span style="line-height: 1.538em;">One of my general observations about events here is how late they start, I wonder if that in Melbourne meet up groups where what people did between work and others things and that here they are people&rsquo;s main event of the evening. So often an event wont start until 8/8:30 which is taking a slight adjustment for me.<p class="p1"><span style="line-height: 1.538em;">The group was a little different from a group meet up in Melbourne, smaller (of course) but more casual. There were no formal talks but more of a casual discussion around PHP news and then the topic of the month, Project Management. Keeping up with the discussion was a lot of work for me, but I quite enjoyed it and people made me feel welcome.<p class="p1"><a href="https://phpugl.de" target="_blank"><span style="line-height: 1.538em;">phpugl.de</a><p class="p1"><span style="line-height: 1.538em;"><strong>BUND Harvest bike ride</strong><br /><span style="line-height: 1.538em;">The <a href="https://www.bund.net/" target="_blank">BUND</a> is the German branch of Friends of the Earth and in Leipzig runs a lot of land protection programs. I went on a fairly epic bike ride with them around some of their sites which also had lots and lots of fruit (mainly Apple and Plum) trees. Even better, we were invited to take as much fruit as we liked from them. Interestingly, several of these cites were owned by the city so were public access for people to pick fruit to. Again I had a couple of interesting broken German discussions learning about the first day of school, Allotments (Small gardens) and much more.<p class="p1"><span style="line-height: 1.538em;"><a href="https://www.flickr.com/photos/chrischinchilla/sets/72157646641788879/" target="_blank">See photos of the ride here</a>.

---

<p class="p1"><span style="line-height: 1.538em;">Phew, quite a week! I started throwing myself into a few meetups in Leipzig and learnt a great many things about the event culture here (and other things) that I would like to share with you&hellip;<p class="p1"><strong><span style="line-height: 1.538em;">Toastmasters, Leipzig Chapter</strong><br /><span style="line-height: 1.538em;">I have never been to a <a href="https://www.toastmasters.org/" target="_blank">Toastmasters</a> event before, mainly because I&rsquo;ve never been invited, but also because I had always assumed it wouldn&rsquo;t quite suit me.&nbsp;<span style="line-height: 1.538em;"><a href="https://reports.toastmasters.org/findaclub/searchresults.cfm?Country=Germany&amp;State=&amp;City=Leipzig" target="_blank">Leipzig has two chapters</a>, one German and one English, unsurprisingly I went to the English one and they were pleased to have a native speaker to lend a hand.<p class="p1"><span style="line-height: 1.538em;">Toastmasters in an International organisation that through its network of clubs helps develop people&rsquo;s presentation and public speaking skills. I&rsquo;ve always been slightly suspicious of these &lsquo;chapter&rsquo; type organisations, mainly because they&rsquo;re quite American in style and that always rubs an Englishman the wrong way. But also because I&rsquo;ve have often felt uncomfortable with bureaucracy and extraneous formality.<p class="p1"><span style="line-height: 1.538em;">However as the evening progressed I started to realise the benefits of some of these formalities and started to like them. I have plenty of public speaking experience and whilst I&rsquo;m not always great at it, I have the confidence to just do it without much thought. Not everyone does though and the enforced formalities about how proceedings should run, constructive feedback and a course structure (optional) help encourage and develop those who lack confidence to just plunge in the deep end.<p class="p1"><span style="line-height: 1.538em;">I don&rsquo;t know enough about how German associations are legally run, but it seems to me that Toastmasters chapters are run on very US/UK lines so it was also an interesting insight into the inner workings of an organisation.<p class="p1"><span style="line-height: 1.538em;"><strong>Leipzig PHP User Group</strong><br /><span style="line-height: 1.538em;">One of my general observations about events here is how late they start, I wonder if that in Melbourne meet up groups where what people did between work and others things and that here they are people&rsquo;s main event of the evening. So often an event wont start until 8/8:30 which is taking a slight adjustment for me.<p class="p1"><span style="line-height: 1.538em;">The group was a little different from a group meet up in Melbourne, smaller (of course) but more casual. There were no formal talks but more of a casual discussion around PHP news and then the topic of the month, Project Management. Keeping up with the discussion was a lot of work for me, but I quite enjoyed it and people made me feel welcome.<p class="p1"><a href="https://phpugl.de" target="_blank"><span style="line-height: 1.538em;">phpugl.de</a><p class="p1"><span style="line-height: 1.538em;"><strong>BUND Harvest bike ride</strong><br /><span style="line-height: 1.538em;">The <a href="https://www.bund.net/" target="_blank">BUND</a> is the German branch of Friends of the Earth and in Leipzig runs a lot of land protection programs. I went on a fairly epic bike ride with them around some of their sites which also had lots and lots of fruit (mainly Apple and Plum) trees. Even better, we were invited to take as much fruit as we liked from them. Interestingly, several of these cites were owned by the city so were public access for people to pick fruit to. Again I had a couple of interesting broken German discussions learning about the first day of school, Allotments (Small gardens) and much more.<p class="p1"><span style="line-height: 1.538em;"><a href="https://www.flickr.com/photos/chrischinchilla/sets/72157646641788879/" target="_blank">See photos of the ride here</a>.

---

## [Update on The Lean and Agile Nonprofit](https://chrischinchilla.com/blog/2014/2014-08-29-update-on-the-lean-and-agile-nonprofit)

Date: 2014-08-29

A little while back I announced my intention to write a book on some techniques and ideas incorporating Lean and Agile methodologies into the&nbsp;not-for-profit&nbsp;sector. I made some good headway but it became fairly apparent to me quite quickly that maybe I didn&#39;t have quite enough material (right now) to produce a complete book. Well as luck would have it I met up with highly experienced not-for-profit consultant, Donnie Maclurcan and he mentioned his &#39;Not-for-Profit Handbook&#39; project that he was struggling to find the time to finish.

---

A little while back I announced my intention to write a book on some techniques and ideas incorporating Lean and Agile methodologies into the&nbsp;not-for-profit&nbsp;sector. I made some good headway but it became fairly apparent to me quite quickly that maybe I didn&#39;t have quite enough material (right now) to produce a complete book. Well as luck would have it I met up with highly experienced not-for-profit consultant, Donnie Maclurcan and he mentioned his &#39;Not-for-Profit Handbook&#39; project that he was struggling to find the time to finish.

To cut a long story short we decided to collaborate, with me incorporating my lean and agile ideas (and several others) into the book and us co-authoring the book together.

Here&#39;s an update on what we&#39;ve done so far&hellip;

I joined Donnie in Ashland, Oregon and for six days we worked intensively on the book and have now managed to:<ul><li>Draft the preface and three of the book&rsquo;s five substantive chapters</li><li>Incorporate notes from Donnie&rsquo;s six years of not-for-profit consultancy in Australia</li><li>Incorporate notes from my initial &#39;Lean and Agile nonprofit&#39; ideas</li><li>Develop a basic website,&nbsp;<a href="https://notforprofithandbook.org">notforprofithandbook.org</a>, including a first draft of the tools referenced in the book at&nbsp;<a href="https://notforprofithandbook.com/toolbox/">notforprofithandbook.com/toolbox/</a> (we&rsquo;ll be updating the design, content and formatting of the site over the coming months)</li></ul>

A Big thanks to Stephen Couling, Francis Le, AJ Tennant, Jennifer Hinton, Sarah Reibstein and Camile Duran for assistance with editing.

At this stage we&rsquo;re on track for launch by December, and look forward to getting this to you in time for the festive season!

This doesn&#39;t mean that the &#39;Lean and Agile nonprofit&#39; project is over, this is just the beginning!

&nbsp;

---

## [Subtle signs you're not from round here](https://chrischinchilla.com/blog/2014/2014-08-27-subtle-signs-youre-not-from-round-here)

Date: 2014-08-27

I've been in Germany for a couple of months now and of course there the obvious signs you're not a local when you open your mouth.

---

I've been in Germany for a couple of months now and of course there the obvious signs you're not a local when you open your mouth.

Here are couple of other subtle ones I'm noticing:
<ul><li>I'm so used to putting my left foot down on the curbside when stopping on my bike I can't stop now I'm riding on the right. Hardly anyone else does that.</li><li>Germans wear their wedding rings on their right hands, we wear them on the left.</li></ul>

This list will update over time, keep checking back!

---

## [US Small city travels](https://chrischinchilla.com/blog/2014/2014-08-13-us-small-city-travels)

Date: 2014-08-13

<p class="p1"><em>The more I come to USA, the less I understand it, in fact I could say, the less I like it.</em>Before we explore that further, I had to leave Germany first&hellip;Leipzig airport has a couple of positives and negatives being a small airport&hellip;The main negative is you can&rsquo;t seem to online check-in to international flights that originate from there, but on the flip side, check in and security takes about ten minutes.I&rsquo;ve been in Australia so long that I had forgotten (or it&rsquo;s changed?) that Europe to America flights don&rsquo;t server free alcohol, ah well&hellip;&nbsp;Sadly in Chicago I didn&rsquo;t have quite enough time to get into the city so stayed in the airport which was an extremely busty and stressful airport. It also had atrocious wifi, no shops before checkin and confirmed the typical American stereotype of having no phone stores.&nbsp;Still, got my first beer and burger in :)Back to America&hellip;I guess this was my first trip where I left the major cities (ignoring Portland last year) behind and you fast realise that smaller town America is a whole different world. I&rsquo;m about to make some general sweeping statements that are based on my experience, they may be right or wrong, but they&rsquo;re based on my experiences.Firstly is the massive noticeable difference between the &lsquo;haves&rsquo; and the &lsquo;have-nots&rsquo;. This is not an original observation but it&rsquo;s increasingly noticeable and very confronting to outsiders. Especially in downtown areas and &lsquo;ghettos&rsquo;, there are frequent groups of people who really look like they need help and aren&rsquo;t receiving any (as far as one can tell). Then a block away you will find expensive restaurants, shops or homes that flaunt their exclusivity. Of course you will find these extremes in every country, but it is especially noticeable and when you are aware of America&rsquo;s social security system and attitudes towards private enterprise it&rsquo;s repercussions are very clear.Secondly is the assumption that you drive. Again, this is not unique to America, but much more of an issue. In both Minneapolis and Providence I struggled to find any decent (or affordable) supermarkets in the central areas, they were all in the suburbs in giant malls. This continues into general life where riding on public transport or not having a car available for other trips is considered very odd, even for tourists. Take Providence, I know it&rsquo;s a small city, but there was one grocery and liquor store in the entire downtown area, which were both overpriced.It also seems that visiting America&rsquo;s smaller cities in August (much like many other cities in the world) is a bad idea as they&rsquo;re half empty and lots is closed.Now to get more specific&hellip;&nbsp;&nbsp;<h2>Minneapolis</h2>

---

<p class="p1"><em>The more I come to USA, the less I understand it, in fact I could say, the less I like it.</em>Before we explore that further, I had to leave Germany first&hellip;Leipzig airport has a couple of positives and negatives being a small airport&hellip;The main negative is you can&rsquo;t seem to online check-in to international flights that originate from there, but on the flip side, check in and security takes about ten minutes.I&rsquo;ve been in Australia so long that I had forgotten (or it&rsquo;s changed?) that Europe to America flights don&rsquo;t server free alcohol, ah well&hellip;&nbsp;Sadly in Chicago I didn&rsquo;t have quite enough time to get into the city so stayed in the airport which was an extremely busty and stressful airport. It also had atrocious wifi, no shops before checkin and confirmed the typical American stereotype of having no phone stores.&nbsp;Still, got my first beer and burger in :)Back to America&hellip;I guess this was my first trip where I left the major cities (ignoring Portland last year) behind and you fast realise that smaller town America is a whole different world. I&rsquo;m about to make some general sweeping statements that are based on my experience, they may be right or wrong, but they&rsquo;re based on my experiences.Firstly is the massive noticeable difference between the &lsquo;haves&rsquo; and the &lsquo;have-nots&rsquo;. This is not an original observation but it&rsquo;s increasingly noticeable and very confronting to outsiders. Especially in downtown areas and &lsquo;ghettos&rsquo;, there are frequent groups of people who really look like they need help and aren&rsquo;t receiving any (as far as one can tell). Then a block away you will find expensive restaurants, shops or homes that flaunt their exclusivity. Of course you will find these extremes in every country, but it is especially noticeable and when you are aware of America&rsquo;s social security system and attitudes towards private enterprise it&rsquo;s repercussions are very clear.Secondly is the assumption that you drive. Again, this is not unique to America, but much more of an issue. In both Minneapolis and Providence I struggled to find any decent (or affordable) supermarkets in the central areas, they were all in the suburbs in giant malls. This continues into general life where riding on public transport or not having a car available for other trips is considered very odd, even for tourists. Take Providence, I know it&rsquo;s a small city, but there was one grocery and liquor store in the entire downtown area, which were both overpriced.It also seems that visiting America&rsquo;s smaller cities in August (much like many other cities in the world) is a bad idea as they&rsquo;re half empty and lots is closed.Now to get more specific&hellip;&nbsp;&nbsp;<h2>Minneapolis</h2>

I had a great time in Minneapolis and hung out with some good people in good bars, but I wasn&rsquo;t able to quite pin the city down. If you were to ask me &ldquo;What sums up Minneapolis?&rdquo; I&rsquo;m not sure what my answer would be. Visually it was a fairly typical looking old industrial city spread across the Mississippi with buildings slowly being transformed into other uses. Residents of the city seemed to be obsessed with Paris and my accent which was kind of enjoyable, especially when we went to a British bar and I think people thought I was part of the entertainment. The Drupal community was pretty amazing for a town of it&#39;s size, they have three meet ups a month (talks, mentoring and social) and can run a camp that attracts a couple of hundred people.They also have a great logo, which of course, is all that matters.<strong>Photos</strong> - <a href="https://www.flickr.com/photos/chrischinchilla/sets/72157645992885650/"><span class="s2">https://www.flickr.com/photos/chrischinchilla/sets/72157645992885650/</a>&nbsp;<p class="p1">&nbsp;<h2>Providence</h2>

I only really came to Providence for one reason and that was to visit some HP Lovecraft related sites and I certainly got that off my bucket list.You can see my photos here (<a href="https://www.flickr.com/photos/chrischinchilla/sets/72157646353083476/"><span class="s2">https://www.flickr.com/photos/chrischinchilla/sets/72157646353083476/</a>) which loosely follows this (<a href="https://www.hplovecraft.com/creation/sites/rhode.aspx"><span class="s2">https://www.hplovecraft.com/creation/sites/rhode.aspx</a>) but also goes further to. Many of the sites are just houses and fictional locations, so differentiating one from the other is difficult, I more took pictures for atmosphere and some of the crazy large houses just for the hell of it. It may not mean a lot to you just looking through my photos, but still, it was pretty cool for me.I also visited his grave which you&rsquo;re not allowed to take photos of and pretty much has its own security guard as the grave attracts over 60% of the cemetery&rsquo;s visitors. He told me tales of people having sex at the grave side, midnight break-ins and the various items he finds on the stone. These negatives aside, he had bothered to do his research on Lovecraft and seemed to enjoy that fact that this pauper in his time had ended up becoming so infamous.I&rsquo;m not sure what it was like in Lovecraft&rsquo;s time, but the area he spent time in is now a fairly wealthy area with an Ivy league college, thus a very attractive part of the city and in stark contrast to many other areas of the city, which is often a bit of a dump. During his time it was experiencing a bad recession and it seems that the city is just pulling itself out of the mess created by the GFC, so in some ways has a similar(ish) vibe to the 20s at the moment, well, so I thought anyway.&nbsp;<em>More to follow&hellip;</em>

---

## [Initial impressions of Leipzig and Germany](https://chrischinchilla.com/blog/2014/2014-07-29-initial-impressions-of-leipzig-and-germany)

Date: 2014-07-29

So, we're coming up to our first month living in Leipzig (and Germany), so I think I can now start to give some initial impressions. Especially as now we are moving out of 'Holiday' mode and into 'Work' mode.

---

So, we're coming up to our first month living in Leipzig (and Germany), so I think I can now start to give some initial impressions. Especially as now we are moving out of 'Holiday' mode and into 'Work' mode.

You can find my continually growing photo gallery of <a href="https://www.flickr.com/photos/chrischinchilla/sets/72157646005686102/" target="_blank">miscellaneous Leipzig pictures here</a>.
<h2>Co-working, tech scene, start-ups etc.…</h2>

Leipzig is a smaller city than Melbourne (or Berlin, or London), so all of the above were always going to be a little less active. I may have been somewhat naive about what I was going to find and how much I was going to find happening here. In fact, that was half the point of moving, to find the space to get involved with kick-starting or encouraging the scenes. I haven't thrown myself right into organising new events yet (despite having loads of ideas) as I want to get the lay of the land a little more first and not step on people's toes.

I tried a couple of the co-working spaces here (I will create a list on my <a href="https://theleantraveller.com" target="_blank">Lean Traveller project</a> soon) and have settled on one for the time being. They have all been very pleasant spaces, but quite different from Melbourne co-working. They are smaller and less frantic, I'm wondering if everyone is on Holidays because at the moment some of them are so quiet I wonder how they make enough money. Less distractions to get work done though!

So far I have discovered a handful of tech meet-ups and am helping get the <a href="https://groups.drupal.org/node/150534" target="_blank">Leipzig Drupal group</a> re-started, there is also a reasonably active <a href="codefor.de/leipzig/index.html" target="_blank">Open Knowledge group</a> (as part of Code for Germany) and a <a href="https://leipzigjs.github.io/" target="_blank">LeipzigJS</a> group. I would like to get more happening, but am planning the best course of action at the moment.

I've been given a few start-ups to look into, but haven't yet, so will report back on those soon, I would think that Leipzig's proximity to Berlin means that many relocate, but hopefully I'm wrong.
<h2>Board games and bike riding</h2>

I was assuming that board games would be popular here and whilst I'm still digging beneath the surface, last week I attended my first board game night last week, discovering that many seem to run on the same day(!).

Again, I was slightly naive about how easy playing a German board game with German people, in German would be. Fortunately many games come with English rules, but you miss the subtleties of interacting with others. I will try some other groups this week and again, I am wondering about the potential of organising games nights in English.

I hadn't started looking into bike riding groups yet, but seeing the popularity of cycling generally, I was assuming there would be some. As luck would have it, Critical Mass rode right past me on Friday night and it was as busy as the one in Melbourne, so that looks encouraging. As an aside, can I just say how civilised riding with a hat is.
<h2>General</h2>

So, general impressions. Leipzig is growing on me, but I still haven't quite figured it out. It constantly feels half empty, which in some ways it is, it's population is still rebuilding after many years of neglect and boom/bust cycles. There are so many empty buildings all over the town (many being rebuilt) and it's never really _that_ busy (by my standards). In some ways this is great, relaxing, peaceful and un-stressful, but in other ways I constantly feel like I'm missing something somewhere. Leipzig does like to socialise though and at night, many of the seemingly missing people emerge into bars, venues and events. Again, this could be due to Summer.

Another noticeable thing is people's age. Judging by the number of 90s, Goth and over 30s nights, Leipzig has a youth that is slightly older, well, it's my age, 30 something. This is not a bad thing, but just an observation!

---

## [The User Experience behind always listening devices](https://www.sitepoint.com/user-experience-behind-always-listening-devices/)

Date: 2014-07-20

Originally published at: https://www.sitepoint.com/user-experience-behind-always-listening-devices/

A couple of months ago I watched the movies 'Her' and 'Computer Chess'.

---

## [Global Space Odyssey, Leipzig 2014](https://chrischinchilla.com/blog/2014/2014-07-12-global-space-odyssey-leipzig-2014)

Date: 2014-07-12

I just took part in my first rally in Leipzig (and Germany), The '<a href="https://www.gso-le.de/" target="_blank">Global Space Odyssey</a>', representing refugee rights this year. I'm not sure if this is how every rally in Germany happens, I doubt it is, I think this was something special that happens on a yearly basis as local news and social media was awash with reports on the event.

---

Wow!

I just took part in my first rally in Leipzig (and Germany), The '<a href="https://www.gso-le.de/" target="_blank">Global Space Odyssey</a>', representing refugee rights this year. I'm not sure if this is how every rally in Germany happens, I doubt it is, I think this was something special that happens on a yearly basis as local news and social media was awash with reports on the event.

I'll tell you more...

I turned up at the start location and noticed it was a street, not a square as I was expecting. There were also a lot of organisers and several trucks lined up along the street. I remember attending the Notting Hill carnival and recognise a sound system truck when I see one, this is when I started suspecting I was in for something a little different.

<a href="https://mapsengine.google.com/map/u/0/edit?mid=zGFGp3OsMpWk.kXhKzDpUgve4" target="_blank">The plan was a big one</a>, parade (or rather, _dance_) through the streets for about 2 1/2 hours, have a small rally in a park, then continue further and have a big party at the end.

There were roughly 8 trucks playing different genres of music from techno and dub to punk and Goth (including live bands). It made the whole affair like a travelling festival and you could shuffle yourself backwards and forwards between trucks. I once played something like this myself and my God was it fun.

It seemed like chaos, with people on/with bikes flying everywhere, dancing, drinking and a lot of fun being had. In fact it was well organised with officials dashing backwards and forwards checking roads were blocked as they were passed. Greeting observers and pre-warning revellers to hide glass bottles (which were banned for some reason) from approaching police patrols. Considering the length and size, the organisational effort was _impressive_.

I think the route was chosen intentionally to pass through areas that had high migrant populations and the party atmosphere was a great way of attracting their attention to the fact that not everyone is against them and encouraging them to get involved. Not everyone understands or wants to be involved with political speeches, everyone understands how to party.

I had a fantastic time and if more political rallies and demos happened in this manner I think they would be far more successful in not preaching to the converted. It would involve far more work on each occasion, but maybe less, more effective actions could be more productive.
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---

## [Bye bye Melbourne. Hallo Leipzig.](https://chrischinchilla.com/blog/2014/2014-07-12-bye-bye-melbourne-hallo-leipzig)

Date: 2014-07-12

In the past ten days I finally made the second overseas move of my life. This time from Melbourne to Leipzig.

---

In the past ten days I finally made the second overseas move of my life. This time from Melbourne to Leipzig.

It was a different period in my life from the last move as I was no longer a single man with a suitcase and a guitar. I had a wife, an ageing cat and an entire house of stuff to deal with.

But first, Melbourne.

Melbourne has been a great home to me for the past 7 1/2 years. I have met many people who were involved with many things, and I consider it my second home after wherever I happen to be living. I will likely return at some point in the future. Some of the things that at first attracted me to Melbourne have changed, or my attitudes to them have changed. I would like to thank all the various groups who looked after me over the years from the music scene to tech crowds, to the activist and sustainability crowds, to the bike fun crew and the role-play and board game groups. And of course all the many friends I have made and met over the years, many of whom I intended to stay in touch with.

I feel like I have been in Melbourne (and Australia) at one of the best periods in it’s recent history (Late 2006 to early 2014). A time of creativity, positive disruption, new thinking and change. All new things finally become the mainstream and/or fade away and I feel like it was a good time to move on to new pastures and adventures, at least for a little while. ’Cos Melbourne, I do luv ya.

I could write post after post about my thoughts on Melbourne/Australia and advice for the future, but who’s got the time and I think it could all be summarised in one succinct and blunt statement.<blockquote>

Melbourne/Australia, take your head out of your arse a bit more and everything will be just fine.</blockquote>

The moving itself was fairly painless all things considered but took a very long time and we have learned many, many things that surprised us along the way. I intend to start pouring a lot of these learnings into a new blog, “<a href="https://gregariousmammal.com/lean-traveller" target="_blank">The Lean Traveller</a>” as I feel that people would benefit from a lot of the work we put into the process and I want to continue living my new stripped back lifestyle to make moving around in the future far easier.

We had quite a strange final few days in Melbourne as the house slowly emptied of items and utilities were disconnected. As we had both lived in the property for many years it was peculiar to watch this happen and it certainly confused our cat who was constantly finding spaces he could never access before. In some ways the house was a little bit of a representation of our lives in Melbourne. Affordable, full of happy memories, but in need of some love and time to move on.

Our flights were fine, long and arduous as always, but painless really. Many of our worries were unfounded, our long stopover in Frankfurt was fun and we had no problems whatsoever with immigration (in fact they didn’t seem to care about us in the slightest). However, our problems started when we left Frankfurt for Leipzig, especially with regards to our cat, who was on different flights and we were supposed to collect in Frankfurt to take on board our final flight.

Despite having spoken to many people prior about the whole process in Australia and in Germany it seemed that all the advice we had been given was wrong. Not only incorrect, but contradictory and in some cases, not even possible. Bear in mind we had also paid quite a lot of money at this point to.

We ended up having to leave our cat in Frankfurt for an extra night and making a rush mission to bring him home the next day by train. Suffice it to say, complaint letters are being fervently prepared.

My Wife also managed to lose her phone in Frankfurt, well, we think on the plane there. You would like to think that if you do something like this that the airlines you pay a tonne of money to would make it easy to resolve your problem. Hell no. Lost property involves a phone line that rarely gets answered, several web site pages that contradict themselves and don’t get you anywhere and taking to forums to find a hidden email address that still leads you in circles. After nearly a week we still have absolutely no idea if her phone is even being looked for!

Since arriving we had to face yet further bureaucratic delights from dealing with things not completely right with our apartment (and getting used to living in an Apartment block generally), the postal service and many other things. On reflection none of these experiences (major and minor) are any better or worse than what they would have been in Melbourne. They are mostly due to small cultural differences and our massive language barrier, being a tourist and living in a foreign country are two very different things. No language class or phrase book prepares you for the kinds of conversations you are going to need to have and this dents your confidence and impetuous to resolve problems.

Now, enough of the negative, what of the positive aspects of our experience so far in Leipzig? Well we have a great apartment, recently renovated, clean and plenty of storage. it’s also about 5 minutes walk from the city centre and the public transport hub, this also means it’s noisy, but we’re getting used to it.

Whilst I now realise that many of the things I liked to get involved with in in Melbourne will be harder due to language barriers. And that’s fair enough, I shouldn’t expect others to have to speak in English, just because of me. Leipzig seems like a buzzing town for events and there has been plenty to keep me entertained. Even after a week I’ve found music, history, activist, theatre and social events a plenty and look forward to exploring more. Considering that the population here is a sixth of Melbourne, people are very gregarious to support so many events.

I am feeling relaxed and excited and it’s all positive from here on… Hopefully!

---

## [Leads, musicians gear and technical gubbins for sale / free](https://chrischinchilla.com/blog/2014/2014-06-14-leads-musicians-gear-and-technical-gubbins-for-sale-free)

Date: 2014-06-14

Not a post I would usually share, but it seemed the easiest way of getting everything in one place. A bunch of stuff that might appeal to musicians, technical people etc etc&hellip;

---

Not a post I would usually share, but it seemed the easiest way of getting everything in one place. A bunch of stuff that might appeal to musicians, technical people etc etc&hellip;

Would rather get something for each item, but at this point in time I need to clear them out, so&hellip;

We have:<ul><li>Telstra Elite Next G Network mobile modem</li><li><del>2 x 6 way power boards</del></li><li><del>4 x 4 way power boards</del></li><li>4 x Extension cords, maybe 5m</li><li><del>Dunlop guitar polish</del></li><li>Soft guitar bag</li><li>Sure BG1.1 which I think works&hellip;</li><li>5 x Apple Australian plugs (The ones that fit onto iOS device or laptop power leads)</li><li><del>A Arduino Wii Chuck adapter</del></li><li>3 x USB extender leads</li><li>2 x Phono leads</li><li>2 x phone line lead (Maybe a metre?)</li><li>1 x phono to mini jack lead</li><li>1 x mini jack to car tape player adapter</li><li>1 x mini jack stereo lead (old school beige Apple one)</li><li><del>Set of straplocks</del></li><li><del>1 x 3/4 inch to mini jack splitter, i.e plug in 2 3/4 jacks to 1 mini jack</del></li><li><del>2 x phono lead extender (female to female)</del></li><li><del>1 x mini to 3/4 stereo jack adapter</del></li><li><del>1 x mini to 3/4 mono jack adapter</del></li><li><del>1 x mini jack to tiny jack (!) adapter</del></li><li>iPad (non lightening) VGA adapter</li><li><del>2 x Guitar leads</del></li><li><del>1 x Magna Cart (https://www.officeworks.com.au/shop/officeworks/magna-cart-folding-hand-truck-owmagna)</del></li></ul>

Phew!

---

## [Public records, MVP, Drupal in India and mobile entrepreneurs](https://chrischinchilla.com/blog/2014/2014-05-18-public-records-mvp-drupal-in-india-and-mobile-entrepreneurs)

Date: 2014-05-17

<p class="p1"><span style="line-height: 1.538em;">It&rsquo;s been a busy week and I haven&rsquo;t quite found the time for a daily blog, so instead, lets have a quick weekly round up&hellip;<p class="p1"><span style="line-height: 1.538em;">On Monday I went to Mobile Mondays, <a href="https://www.eventbrite.com.au/e/momomay-mobile-entrepreneur-and-startup-success-secrets-may-12-6pm-tickets-11398538335" target="_blank">a session on entrepreneurs and startups</a><span style="line-height: 1.538em;">. It was the usual slightly random feel that MoMoMelb often has. I found most of the speakers a little too forthright, telling you how good they all were rather than what they offered. Most interesting of the night was Brad Birchall of <a href="https://www.google.com.au/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=1&amp;cad=rja&amp;uact=8&amp;ved=0CCwQFjAA&amp;url=http%3A%2F%2Fwww.seeracloud.com%2F&amp;ei=V_Z3U-_fJMLplAW-koCYBA&amp;usg=AFQjCNE2Y4i0sHPjfUFMf_8Z6358MTtGgw&amp;sig2=8L3j4nDBYSMJTkLYMUthcQ&amp;bvm=bv.66917471,d.dGI" target="_blank">Seera</a> (a competency framework for recruitment), but generally I couldn&rsquo;t quite figure what a lot of them actually did and why mobile was relevant.<p class="p1"><span style="line-height: 1.538em;">Tuesday was Drupal Melbourne. Stuart Clarke gave a talk on <a href="https://www.slideshare.net/deciphered/building-on-a-commons-base-sustainable-distro-based-development" target="_blank">maintaining a Drupal distribution</a> which is worth a read if you do that sort of thing. Our main speaker of the night was a visitor from India, Anoop John, who I also met up with later in the week. His presentation on <a href="https://www.slideshare.net/zyxware/drupal-in-india" target="_blank">Drupal in India</a><span style="line-height: 1.538em;">&nbsp;was a fascinating insight into an emerging country in the Drupal ecosystem as well as the world generally. I was also given a present for my help with the meet ups over the past years, which was very nice. :)<p class="p1"><span style="line-height: 1.538em;">Wednesday was a <a href="https://www.eventbrite.com/e/product-anonymous-may-14-mvp-tickets-10598537511" target="_blank">special session for the typically intimate Product Anonymous</a>, with a very large turnout, different venue and sponsorship. The subject was &lsquo;Minimum Viable Product&rsquo; (MVP) with speakers from Adioso, Seek, 99 Designs, Geoplex and hosted (admirably) by Jock Busuttil, Founder of Product People. It was a great session and I picked up some great advice that I will be applying to the Lean and Agile nonprofit project.<p class="p1"><span style="line-height: 1.538em;">At a slight tangent, on Saturday I went to the <a href="https://prov.vic.gov.au/" target="_blank">Public Records of Victoria</a> (PROV) open day and feel it&rsquo;s worth mentioning here. I found it fascinating that we still have so many paper records, in fact just 1% of Victoria&rsquo;s records have been digitised. So my fears of losing all of our records and output due to a lack of a compatible reading device in the distant future are far from being realised. Amongst many other things, I also learnt that PROV is a world leader in electronic record management and has advised the world through the <a href="https://prov.vic.gov.au/government/vers" target="_blank">VERS</a><span style="line-height: 1.538em;">&nbsp;standard. Finally I learnt about the <a href="https://en.wikipedia.org/wiki/Genealogical_Society_of_Utah" target="_blank">Genealogical Society of Utah</a><span style="line-height: 1.538em;">&nbsp;who are a branch of The Church of Jesus Christ of Latter-day Saints and perform a massive amount of support&nbsp; for records offices all around the world through their FamilySearch brand.

---

<p class="p1"><span style="line-height: 1.538em;">It&rsquo;s been a busy week and I haven&rsquo;t quite found the time for a daily blog, so instead, lets have a quick weekly round up&hellip;<p class="p1"><span style="line-height: 1.538em;">On Monday I went to Mobile Mondays, <a href="https://www.eventbrite.com.au/e/momomay-mobile-entrepreneur-and-startup-success-secrets-may-12-6pm-tickets-11398538335" target="_blank">a session on entrepreneurs and startups</a><span style="line-height: 1.538em;">. It was the usual slightly random feel that MoMoMelb often has. I found most of the speakers a little too forthright, telling you how good they all were rather than what they offered. Most interesting of the night was Brad Birchall of <a href="https://www.google.com.au/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=1&amp;cad=rja&amp;uact=8&amp;ved=0CCwQFjAA&amp;url=http%3A%2F%2Fwww.seeracloud.com%2F&amp;ei=V_Z3U-_fJMLplAW-koCYBA&amp;usg=AFQjCNE2Y4i0sHPjfUFMf_8Z6358MTtGgw&amp;sig2=8L3j4nDBYSMJTkLYMUthcQ&amp;bvm=bv.66917471,d.dGI" target="_blank">Seera</a> (a competency framework for recruitment), but generally I couldn&rsquo;t quite figure what a lot of them actually did and why mobile was relevant.<p class="p1"><span style="line-height: 1.538em;">Tuesday was Drupal Melbourne. Stuart Clarke gave a talk on <a href="https://www.slideshare.net/deciphered/building-on-a-commons-base-sustainable-distro-based-development" target="_blank">maintaining a Drupal distribution</a> which is worth a read if you do that sort of thing. Our main speaker of the night was a visitor from India, Anoop John, who I also met up with later in the week. His presentation on <a href="https://www.slideshare.net/zyxware/drupal-in-india" target="_blank">Drupal in India</a><span style="line-height: 1.538em;">&nbsp;was a fascinating insight into an emerging country in the Drupal ecosystem as well as the world generally. I was also given a present for my help with the meet ups over the past years, which was very nice. :)<p class="p1"><span style="line-height: 1.538em;">Wednesday was a <a href="https://www.eventbrite.com/e/product-anonymous-may-14-mvp-tickets-10598537511" target="_blank">special session for the typically intimate Product Anonymous</a>, with a very large turnout, different venue and sponsorship. The subject was &lsquo;Minimum Viable Product&rsquo; (MVP) with speakers from Adioso, Seek, 99 Designs, Geoplex and hosted (admirably) by Jock Busuttil, Founder of Product People. It was a great session and I picked up some great advice that I will be applying to the Lean and Agile nonprofit project.<p class="p1"><span style="line-height: 1.538em;">At a slight tangent, on Saturday I went to the <a href="https://prov.vic.gov.au/" target="_blank">Public Records of Victoria</a> (PROV) open day and feel it&rsquo;s worth mentioning here. I found it fascinating that we still have so many paper records, in fact just 1% of Victoria&rsquo;s records have been digitised. So my fears of losing all of our records and output due to a lack of a compatible reading device in the distant future are far from being realised. Amongst many other things, I also learnt that PROV is a world leader in electronic record management and has advised the world through the <a href="https://prov.vic.gov.au/government/vers" target="_blank">VERS</a><span style="line-height: 1.538em;">&nbsp;standard. Finally I learnt about the <a href="https://en.wikipedia.org/wiki/Genealogical_Society_of_Utah" target="_blank">Genealogical Society of Utah</a><span style="line-height: 1.538em;">&nbsp;who are a branch of The Church of Jesus Christ of Latter-day Saints and perform a massive amount of support&nbsp; for records offices all around the world through their FamilySearch brand.

---

## [Launch of Startup Victoria](https://chrischinchilla.com/blog/2014/2014-04-30-launch-of-startup-victoria)

Date: 2014-04-29

There was a panel discussion at tonight's launch but it was really all about launching Victoria's peak body for startups, entrepreneurs and founders tonight and the packed room was very much in drinking and talking mode.

---

There was a panel discussion at tonight's launch but it was really all about launching Victoria's peak body for startups, entrepreneurs and founders tonight and the packed room was very much in drinking and talking mode.

That there is enough happening in the Melbourne and Victorian startup scene to warrant a peak body is fantastic and it's great to know that the state Government along side several corporates are backing Startup Victoria.

Join in April or May and get membership for $99, which includes a plethora of freebies as well as supporting Victoria's great ideas.

<a href="https://startupvictoria.com.au/" target="_blank">startupvictoria.com.au</a>

---

## [The mobile platforms to watch in 2014](https://www.sitepoint.com/mobile-platforms-watch-2014/)

Date: 2014-04-29

Originally published at: https://www.sitepoint.com/mobile-platforms-watch-2014/

With an average global combined market share of 85-95%, iOS and Android are by far the dominant players in the mobile operating system space. So why bother looking into or developing on any other platforms?

---

## [Startup Health Tech - April 2014](https://chrischinchilla.com/blog/2014/2014-04-17-startup-health-tech-april-2014)

Date: 2014-04-17

I have dabbled with a little bit of work in the tech/health scene and always knew that Melbourne generally had a large and healthy medical ‘industry’, but I had no idea that the Startup space was so large! Tonight’s event was held at the brand new Royal Children’s Hospital, which was very shiny, new and welcoming. The crowd was a good mix of clinicians, technical folk and business folk and there were quite a few speakers, so I’ll get on with telling you about them all in my usual very brief manner.

---

I have dabbled with a little bit of work in the tech/health scene and always knew that Melbourne generally had a large and healthy medical ‘industry’, but I had no idea that the Startup space was so large! Tonight’s event was held at the brand new Royal Children’s Hospital, which was very shiny, new and welcoming. The crowd was a good mix of clinicians, technical folk and business folk and there were quite a few speakers, so I’ll get on with telling you about them all in my usual very brief manner.

**Introductions - Dr Mike O’Brien, Head of Paediatric Urological Surgery - Royal Children's Hospital**<br />Mike’s introduction was generally around how the various groups mentioned above can all collaborate together and some examples from around the world on how this has worked and what issues it could fix.<ul><li class="p3"><a href="https://www.google.com.au/search?q=Virginia+mason+quality+equation&oq=Virginia+mason+quality+equation&aqs=chrome..69i57.200j0j7&sourceid=chrome&es_sm=91&ie=UTF-8" target="_blank">The Virginia mason quality equation</a></li><li class="p3"><a href="https://grattan.edu.au/publications/reports/post/controlling-costly-care-a-billion-dollar-hospital-opportunity/" target="_blank">The Grattan institute report on reducing costly health care</a></li></ul><p class="p3">Patient centred care is much like UX, but often there is no breathing space to think or plan properly in health care. But we are keen on working together, we are keen on good ideas. <p class="p3"> <p class="p3">**Mohinder Jaimangal (Director, Curve Tomorrow) & Joanne Boag ( IP/Commercialisation - Murdoch Childrens Research Institute)  **<br />The project took place at the The Victorian Clinical Genetics Services (VCGS) trials centre.<p class="p3">Healthcare is generally a low tech environment, punctuated with high technology instruments but low ICT. <p class="p3">Mohinder started as a robotics engineer, but it didn't happen quite as he expected, moved into other areas and finally came back into robotics from a health perspective, using existing platforms. Being embedded in research institute has helped really work on effective products. <p class="p3"><a href="https://www.curvetomorrow.com/portfolio/project-extended/" target="_blank">Sonny movement</a> is the result, a product to help children with Cerebral Palsy by helping physios measure their movement. <p class="p3">One main lesson from the project was about allowing the extra time required for regulations, ethics etc… It's a new space, so many road blocks. <p class="p4"> <p class="p3">**Lean health care - Dr Pieter Peach**<p class="p3">A talk about applying lean methodologies to Healthcare. Failing fast can be difficult in health care, but it can be possible to test assumptions and learn from them. <ul><li class="p3">The problem is the issue, not the solution. Focus on solving it, not fudging what you have into it. </li><li class="p3">Automation can certainly help in Healthcare</li><li class="p3">Combat the resistance to change, unless it has good reason. </li><li class="p3">Simple questions, patient feedback etc can be easily applied in Healthcare.</li><li class="p3">Waste is of no value to customers/patients. </li></ul><p class="p4"> <p class="p3">**Capturing footprints - Phil Goebel **<ul><li class="p3">A talk about the Quantified self (QS) and it's application in Healthcare, a great talk in fact…</li><li class="p3">A common image presented is the vitruvian man, Da Vinci tried to quantify humanity with maths, now it's gadgets instead. </li><li class="p3">Health tracking isn't necessarily new, but now it's easier to do and easier to track multiple data points and identify relationships. </li><li class="p3">Methodology is what did you learn, noting other variables. More about providing tools, not we are right, off you go. </li><li class="p3">Problems include standardised data and competition and comparison between various platforms. Privacy, Ownership and what do you want to share. Will consumers accept cost benefit. </li><li class="p3">An unrelated case study - Disney magic band. How can QS be used to make outcomes better, how to delight patients. </li><li class="p3">Reacting to predictions and prevention, instead of patients coming when there's a problem and reacting to that. </li><li class="p3">Currently building sensors into wheel frames to detect gait that may affect a fall. </li></ul><p class="p3"> <p class="p3">**Andrew Yap - Clinician Entrepreneur **<br />Entrepreneurship starts with a problem. For Andrew is was the pager, he hates it. Not enough information to make decisions and time is wasted, but you need to define the real problem. Forty minutes wasted a day, smart phones also don't solve the problem due to connectivity, governance, change. <p class="p3">Had an idea, thought I'd be rich, someone would steal it, it's easy... But then what. <span class="s1" style="line-height: 1.538em;">Take it slower, meet, learn, decide. Meet the customer, who isn't always who you think. Partner with others, DIY... Give the idea away.

---

## [What do you know - April 2014](https://chrischinchilla.com/blog/2014/2014-04-07-what-do-you-know-april-2014)

Date: 2014-04-07

Another great 'What do you know' session from <a href="https://www.google.com.au/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=0CCwQFjAA&url=http%3A%2F%2Fwww.webdirections.org%2F&ei=yw5CU5rLDcmdkgWC4oDoCA&usg=AFQjCNFVeqPXVmE57AS0EUr3fdd42psoPA&sig2=HXz7xVEu8XhKCcZjXcFpTg&bvm=bv.64125504,d.dGI" target="_blank">Web Directions</a>, lots of short talks, lots of short descriptions...

---

Another great 'What do you know' session from <a href="https://www.google.com.au/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=0CCwQFjAA&url=http%3A%2F%2Fwww.webdirections.org%2F&ei=yw5CU5rLDcmdkgWC4oDoCA&usg=AFQjCNFVeqPXVmE57AS0EUr3fdd42psoPA&sig2=HXz7xVEu8XhKCcZjXcFpTg&bvm=bv.64125504,d.dGI" target="_blank">Web Directions</a>, lots of short talks, lots of short descriptions...

**Matt Allen - A 'good' recruiter**

Advice on how to make yourself more appealing to recruiters.<ul><li>Personalise letters, make yourself standard. Spelling and we'll written.</li><li>Don't need to say all you do on a cv, or way back. Again, tweak, personalise, and make most relevant for role.</li><li>Don't apply for all roles, two or three on the go at any one time.</li><li>Code tests are often quite easy, teach it like you are teaching.</li><li>What do you want to do next?</li><li>Why have you applied, give good answers</li><li>Don't say your last employer was crap</li><li>Attitude over aptitude.</li></ul>

**Tammy Butow - She hacks**

Advice on running groups as well as an overview of engaging women in the tech industry and She Hacks.

Ask questions on sign ups from meetup group, reading responses to surveys. Export that data from for further analysis. In Girl Geek Dinners case it has been revealing, often open ended and varied.

Next event -  <a href="https://www.shehacks.io/" target="_blank">she makes</a>, 11th Oct

**Deciding when What you know is wrong - Peter Wilson**

Changing and moving on, learning. Things you know can become wrong with new techniques and practices emerging.. act like you're always going live, you will make the right decision. Reread old code and articles. Don't work in a vacuum and embrace change.

**Pact - Beth skurrie**

Moving away from large monolithic code bases into micro chunks. Throw away the integration tests, they can slow things down. Probably best you take a look at <a href="https://github.com/realestate-com-au/pact" style="line-height: 1.538em;" target="_blank">Pact's GitHub</a> for more details.

**Maurio Visic, a faster web**

Web is slow because of what we added to it... The visual additions of Netscape and the demands and extras we added, css, web fonts, images etc... slow sites impact conversion rates. To help use Web speed tests, <a href="https://www.google.com.au/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&cad=rja&uact=8&ved=0CDcQFjAA&url=http%3A%2F%2Fdeveloper.yahoo.com%2Fyslow%2F&ei=n_xBU6TJFsPdkgW83YGQCg&usg=AFQjCNFmoZ-gRFU3niH49DI2h8-FUZixJw&sig2=SPrxxye93EmvU94f84B-gw&bvm=bv.64125504,d.dGI" target="_blank">Yslow</a>, <a href="https://www.webpagetest.org/" target="_blank">webpagetests</a>, google etc... Start working on it now.

**Innovating the open source business model, Shane from Silverstripe**

Both client and developers want more for less. All open source communities say their advantage is the size of their community, the amount of modules they have and that everyone is using it. That's what the others say... So Silverstripe do the opposite. Open Source vs proprietary, how do you differentiate, that's the new argument. Personally, Silverstripe seem to offer similar things to other communities really, do they support developers who don't work for them? Warranties etc aren't anything new. premium support etc.

**Typescript**

Typed JavaScript. Good JavaScript generator. Classes, vars, semicolons. Nesting. <a href="https://www.typescriptlang.org/" target="_blank">www.typescriptlang.org</a>

**Bikeshedding - Drew from reactive**

Clients often miss the big details and focus on small things like logo and colours. You need to feel the confidence to say "I know what I'm doing, I'm an expert". Websites are hard projects. Why do clients do this? A loss of control, scared,  they don't understand what's going on, help them through the process.

**Webgl - Alex mackey**

3d content onto web pages, take a look at <a href="https://www.simpleisbest.co.uk/" target="_blank">Alex's blog</a> for more details.

**Design by community - Dimitri**

Don't design at people. Be brave and democratic and Involve people. Give them clear tasks and timeliness on what to do. Take discussions piece by piece, remain focused. Pick passionate users and people with opinions. codesign, not committee, you can say no.

**Windows Phone - Lars Klint**

Awesome things about Windows Phone: Mixradio, cameras, Nokia... custom Uri mappings for settings. Lots of Google features out of the box, audio, codes, make you rich...

---

## [Win a ticket to CiviCon San Francisco 2014](https://chrischinchilla.com/blog/2014/2014-03-22-win-a-ticket-to-civicon-san-francisco-2014)

Date: 2014-03-22

My new tech collective, Gregarious Mammal is a proud sponsor of the next <a href="https://sf2014.civicrm.org/" target="_blank">CivCon in San Francisco</a>&nbsp;on the 24-25th April&nbsp;and as a sponsor we have a free ticket that we wont be able to utilise, so we&#39;re giving it away!

---

My new tech collective, Gregarious Mammal is a proud sponsor of the next <a href="https://sf2014.civicrm.org/" target="_blank">CivCon in San Francisco</a>&nbsp;on the 24-25th April&nbsp;and as a sponsor we have a free ticket that we wont be able to utilise, so we&#39;re giving it away!

Simply email <a href="https://mailto:support@gregariousmammal.com">support@gregariousmammal.com</a> and the first in will win it!

---

## [Melbourne Mobile March 2014](https://chrischinchilla.com/blog/2014/2014-03-19-melbourne-mobile-march-2014)

Date: 2014-03-19

We had two local and two international speakers this month&hellip;

---

We had two local and two international speakers this month&hellip;

Andrew Grieve from Google talks about converting your Chrome web apps into mobile apps with Apache Cordova<iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/MFu8-NlQ1tk" width="560"></iframe>

Next Stefan Stölzle from Sencha discussed using <a href="https://www.sencha.com/blog/building-a-tizen-app-with-sencha-touch/" target="_blank">Sencha with Tizen</a>

Richard Collins from Canonical talks about Ubuntu Phone and Ubuntu Touch<br /><iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/90xcwK1sbQg" width="560"></iframe>

And finally Tommy Williams showed the awesomeness behind <a href="https://blog.devgeeks.org/post/79964971393/appium-talk-at-melbourne-mobile" target="_blank">Appium.io for functional testing your mobile apps</a>.

---

## [Evolve SMS](https://chrischinchilla.com/blog/2014/2014-03-17-evolve-sms)

Date: 2014-03-17

One of the peculiar aspects of Android is that theoretically, everything is replaceable. This includes phone features, which initially seems odd, the fact that you can replace your phone dialler with something else.

---

One of the peculiar aspects of Android is that theoretically, everything is replaceable. This includes phone features, which initially seems odd, the fact that you can replace your phone dialler with something else.

Generally I've found the default apps fine for calls and sms, but since Google's move to Hangouts to replace the sms app and it's seeming (but unfulfilled, yet) promise to consolidate all communication into one app, which whilst pretty, is infuriating slow.

I took this as an opportunity to replace my sms app and started looking around and trying many of the options.

I found most either, ugly, buggy or just over feature heavy for what I needed, but have eventually settled on a relative new comer, evolve sms.

It's lean, but with extra features that can be enabled if you need them. It is holo like enough, but with its own sense of style to (which also means it has an annoying tendency to ignore some visual settings such as text highlighting and notification settings from other 3rd party apps) but that aside it's stable and comes with a bunch of generally useful features such as quick preview popups and quick message access.

It also has a bunch of extra features that can be unlocked outside of the free version if you want to take those extra steps and updates stability and features regularly. 

<a href="https://play.google.com/store/apps/details?id=com.klinker.android.evolve_sms" target="_blank">Download Evolve SMS from the Play Store</a>

---

## [Cloud UX - Dude where's my file?](https://www.sitepoint.com/cloud-ux/)

Date: 2014-03-10

Originally published at: https://www.sitepoint.com/cloud-ux/

The old paradigms in software design have been on life support for a long time.

---

## [Dash - documentation browser for Mac](https://chrischinchilla.com/blog/2014/2014-03-03-dash-documentation-browser-for-mac)

Date: 2014-03-03

Every now and then along comes a piece of software that just does pretty much everything right, one of these is Dash.

---

Every now and then along comes a piece of software that just does pretty much everything right, one of these is Dash.

Ok, it's a documentation browser for developers, so has a limited appeal, but it's makers have really thought through a lot of it's configuration and layout. Why would you need this? Can't you just go online for documentation? Well, yes you can, but sometimes you're not online and if you're like me, sometimes you just like an app.

Why is it awesome?<ul><li>It has heaps of documentation sets (that I need) including PHP, Drupal, MySQL, CSS, Twig, Smarty and many more.</li><li>It integrates with heaps of other tools in my workflow such as Alfred, Sublime, XCode and many more, allowing for instant lookup to functions.</li><li>It has a great layout that can be switched between a standard app and a HUD style display.</li><li>Alongside searching any documentation you've downloaded it also searches Google and Stack Overflow for your query.</li><li>It doesn't bug you to pay for an unlocker, but if you love the app (and I do) it's only $20.</li></ul>

It's simple, but so well executed.

<a href="https://kapeli.com/dash" target="_blank">kapeli.com/dash</a>

---

## [Melbourne KMLF Feb 2014](https://chrischinchilla.com/blog/2014/2014-02-27-melbourne-kmlf-feb-2014)

Date: 2014-02-27

I&rsquo;ve been attending the <a href="https://www.meetup.com/Melbourne-KMLF/events/142133462/"  target="_blank">Knowledge Management Melbourne</a> sessions without still being entirely clear what a Knowledge manager actually is, but I find the topics they present interesting and relevant, so&hellip;

---

I&rsquo;ve been attending the <a href="https://www.meetup.com/Melbourne-KMLF/events/142133462/"  target="_blank">Knowledge Management Melbourne</a> sessions without still being entirely clear what a Knowledge manager actually is, but I find the topics they present interesting and relevant, so&hellip;

Tonight&rsquo;s topic was a paratactical session on facilitation techniques, which is something I undertake occasionally so was interested in hearing some ideas and suggestions.

These were both techniques from Thiaga (<a href="https://www.thiagi.com" ><span class="s2">www.thiagi.com</a>).

First was &lsquo;Reverse brainstorming&rsquo;, where instead of focusing on the positive, solution based approach to breaking out an idea, you look backwards, so for example instead of brainstorming &ldquo;How will we get senior management buy in?&rdquo;, we brainstormed &ldquo;How will we not get senior management buy in?&rdquo;. This was a good technique for engaging people who are hard to engage as it&rsquo;s fun and get people saying things that maybe they always really wanted to say.

This then led to the next exercise, which is &rsquo;35&rsquo; a sorting and prioritising exercise. Take the previous negative outcomes, reverse them, then write them onto cards and get your audience to swap them weigh each other 5 times, discussing how they would rate the point from 1-7. Finally, add up the scores on the back of each card and this gives a good indication of what needs to be prioritised.

Well, that&rsquo;s the summary anyway&hellip;

---

## [Product Anonymous Feb 2014 - API management](https://chrischinchilla.com/blog/2014/2014-02-21-product-anonymous-feb-2014-api-management)

Date: 2014-02-20

This was a great <a href="https://productanonymous.com/" target="_blank">Product Anonymous</a> session with <a href="https://au.linkedin.com/pub/jason-cormier/15/131/744" target="_blank">Jason Corimor</a> of <a href="https://www.mashery.com/" target="_blank">Mashery</a> that covered the business and commercialisation of using APIs, I intend to expand on a few of these topics in the future, so will touch upon them here.

---

This was a great <a href="https://productanonymous.com/" target="_blank">Product Anonymous</a> session with <a href="https://au.linkedin.com/pub/jason-cormier/15/131/744" target="_blank">Jason Corimor</a> of <a href="https://www.mashery.com/" target="_blank">Mashery</a> that covered the business and commercialisation of using APIs, I intend to expand on a few of these topics in the future, so will touch upon them here.

Jason likens discussing APIs with businesses to discussing websites a decades ago, people know what they are, kind of what they’re for and think they want it, but aren’t 100% sure why. Currently discussions around APIs are had with IT departments, when really they should start to be had with business and product owners, thus getting a different perspective and leading to new opportunities.

Mashery has an API management product that sits on top of your web services and helps provide detailed management and analytics for your API and it’s clients / users. As is typical with commercial APIs, this is handled through a key that sets your level of access.

Throughout the session we discussed various aspects of API implementation and the possible outcomes of opening up your data to external sources, these include.<ul><li class="p1">Gives you the potential to get feedback on your business and processes from external eyes.</li><li class="p1">How to protect against being too open and revealing too much.</li><li class="p1">How to handle changes in your API policies and plans, see Twitter (badly handled) and Google (typically well handled). This also relates to handling depreciation and redundancy of api functions.</li><li class="p1">By utilising standards with APIs no explanation is needed for custom functions, a development team can just take the data source and create with it.</li><li class="p1">How to prevent scraping, this is often caused by not making it easy in the first place.</li><li class="p1">Don't rely on an API. Be clear on what the arrangement is with a supplier/client. Think of it like a product, not a solution.</li></ul>

We also had a quick discussion on Hackathons, this is a topic I want to explore much more in the future, but very briefly.<ul><li class="p1">The resulting products are not always the outcome, it's about revealing things and the experience people get from the focus for learning or solving problems. </li><li class="p1">Don't just have to be digital. </li></ul>

---

## [Lovecraft and John Harrison return](https://chrischinchilla.com/blog/2014/2014-02-20-lovecraft-and-john-harrison-return)

Date: 2014-02-20

I have the fantastic opportunity to represent two of my favourite non-tech talks from last year, I&#39;m back at Laneway Learning to present my &quot;<a href="/cosmic-horror-hp-lovecraft">Cosmic Horror &amp; HP Lovecraft talk</a>&quot; on March 5th, you can <a href="https://melbourne.lanewaylearning.com/classes/cosmic-horror-and-hp-lovecraft/?utm_content=buffer21da4&amp;utm_medium=social&amp;utm_source=twitter.com&amp;utm_campaign=buffer" target="_blank">book in at the Laneway Learning website</a>. I&#39;m also presenting a segment of my &quot;<a href="/mapping-and-why-your-view-world-wrong">Mapping and why your view of the world is wrong</a>&quot; talk at <a href="https://thelaborastory.com/" target="_blank">The Laborastory</a> about John Harrison on the 1st April.

---

I have the fantastic opportunity to represent two of my favourite non-tech talks from last year, I&#39;m back at Laneway Learning to present my &quot;<a href="/cosmic-horror-hp-lovecraft">Cosmic Horror &amp; HP Lovecraft talk</a>&quot; on March 5th, you can <a href="https://melbourne.lanewaylearning.com/classes/cosmic-horror-and-hp-lovecraft/?utm_content=buffer21da4&amp;utm_medium=social&amp;utm_source=twitter.com&amp;utm_campaign=buffer" target="_blank">book in at the Laneway Learning website</a>. I&#39;m also presenting a segment of my &quot;<a href="/mapping-and-why-your-view-world-wrong">Mapping and why your view of the world is wrong</a>&quot; talk at <a href="https://thelaborastory.com/" target="_blank">The Laborastory</a> about John Harrison on the 1st April.

I hope to see you there!

---

## [Melbourne Mobile February 2014](https://chrischinchilla.com/blog/2014/2014-02-18-melbourne-mobile-february-2014)

Date: 2014-02-18

<p class="p1"><span style="line-height: 1.538em;">A strange session tonight as we had a last minute cancellation, this coupled with the typical business session audience, i.e. High RSVP, high no-show, meant it was a quiet and quick evening.<p class="p1"><span style="line-height: 1.538em;">Andrew Skinner confessed to not being a confident public speaker, however this didn&#39;t detract from his high quality, high content presentation. The presentation covered getting client / internal team buy in for developing apps and Andrew drew from his years of experience working with some high profile clients and projects. His practical take homes was an explanation of Business canvases for developing business models and how to use them.<br /><em><span style="line-height: 1.538em;">Connect with Andrew via LinkedIn - <span class="s2" style="line-height: 1.538em;"><a href="https://au.linkedin.com/in/andy2307" style="line-height: 1.538em;">https://au.linkedin.com/in/andy2307</a></em><p class="p1"><span style="line-height: 1.538em;">Cameron Burns took a very different approach, being from a marketing background, throwing away his planned talk and just seeing what the audience were interested in. He covered sources of funding, choices of development stacks, using remote development teams, marketing plans for your apps and much much more in a quick fire sequence of tips and advice.<br /><em><span style="line-height: 1.538em;">Connect with Cameron via LinkedIn - https://au.linkedin.com/pub/cameron-burns/21/71/629</em>

---

<p class="p1"><span style="line-height: 1.538em;">A strange session tonight as we had a last minute cancellation, this coupled with the typical business session audience, i.e. High RSVP, high no-show, meant it was a quiet and quick evening.<p class="p1"><span style="line-height: 1.538em;">Andrew Skinner confessed to not being a confident public speaker, however this didn&#39;t detract from his high quality, high content presentation. The presentation covered getting client / internal team buy in for developing apps and Andrew drew from his years of experience working with some high profile clients and projects. His practical take homes was an explanation of Business canvases for developing business models and how to use them.<br /><em><span style="line-height: 1.538em;">Connect with Andrew via LinkedIn - <span class="s2" style="line-height: 1.538em;"><a href="https://au.linkedin.com/in/andy2307" style="line-height: 1.538em;">https://au.linkedin.com/in/andy2307</a></em><p class="p1"><span style="line-height: 1.538em;">Cameron Burns took a very different approach, being from a marketing background, throwing away his planned talk and just seeing what the audience were interested in. He covered sources of funding, choices of development stacks, using remote development teams, marketing plans for your apps and much much more in a quick fire sequence of tips and advice.<br /><em><span style="line-height: 1.538em;">Connect with Cameron via LinkedIn - https://au.linkedin.com/pub/cameron-burns/21/71/629</em>

---

## [eLance big idea Melbourne](https://chrischinchilla.com/blog/2014/2014-02-01-elance-big-idea-melbourne)

Date: 2014-02-01

This was a strange event for a couple of reasons, firstly it didn't run very smoothly with lots of minor technical issues and delays that made the event run very long and late, with the main event not really starting until 8pm after a 6:30 start. Secondly the pitches (I saw, see later) were generally a little unsure and not in the traditional pitch style, I spent a lot of time thinking 'and...?', it was never very clear why the pitchers were pitching, what did they want to win for, what did they need the money for? A lot of the pitches had references to 'how awesome' eLance was, feeling more like a pitch for eLance than their own products some of the time.

---

This was a strange event for a couple of reasons, firstly it didn't run very smoothly with lots of minor technical issues and delays that made the event run very long and late, with the main event not really starting until 8pm after a 6:30 start. Secondly the pitches (I saw, see later) were generally a little unsure and not in the traditional pitch style, I spent a lot of time thinking 'and...?', it was never very clear why the pitchers were pitching, what did they want to win for, what did they need the money for? A lot of the pitches had references to 'how awesome' eLance was, feeling more like a pitch for eLance than their own products some of the time.

The evening began with a talk from '<a href="https://foundrmag.com/" target="_blank">Foundr</a>' magazine founder, Nathan Chan. It was a good talk about founding the magazine and founding an idea generally, full of great advice, but in the theme of the evening it went on way too long and no one gave Nathan any indication of this.

Down to the pitches I saw, with things running so late, I left halfway through sadly.

**Swyft pay**

Australia has a lot of payment processors and related services and it wasn't completely clear what Swyft pay's point of difference was, despite a presentation chock full of information, which felt more like a feature tour than a pitch. It seems to be aimed at 'tradies' (Australian slang for plumbers, builders etc) who generally operate on a cash and paper economy. Swyft Pay offers Invoicing, quoting, paying etc through a website and mobile app. Whilst I have a lot of experience with payment systems, I have no experience of this sector, so maybe it will appeal to them.<br /><a href="https://www.swyftpay.com" target="_blank"><span style="line-height: 1.538em;">www.swyftpay.com</a>

**Servomate**

Despite a pitch that ended up being a premade video (isn't that cheating?) that thoroughly covered why petrol prices vary and how much comparison services help consumers, it still wasn't clear to me what made Servomate different from the many other similar services, or how they would make money.

_Can't seem to find a URL._

**Buzz movie makers (Eventual winner)**

By far the best quality pitch of the evening, and it was actually a pitch, i.e. here's the issue, here's how we solve it, here's what we need. Buzz teaches kids movie making thorough interactive workshops, and tutorials, thus also teaching them imagination, technical skills etc. I would have thought that many services like this existed already, but I am assured they don't, so congratulations on their win.

<a href="https://www.buzzmoviemakers.com.au" target="_blank">www.buzzmoviemakers.com.au</a>

---

## [Lean Startup Melbourne Jan 2014](https://chrischinchilla.com/blog/2014/2014-01-29-lean-startup-melbourne-jan-2014)

Date: 2014-01-29

This was a great session with a myriad of conflicting opinions and points of few, that always sparks a good debate :)</div>&nbsp;</div>First up a great set of introductory resources for startup founders from Scott Handsaker, with a lot of new initiatives arriving in Melbourne. His slides will be available on the <a href="https://www.meetup.com/Lean-Startup-Melbourne/events/160212272/" target="_blank">event&#39;s meetup page</a>.</div>&nbsp;</div>Secondly was a very constructive talk on outsourcing that actually gave some great constructive advice on best practise in this sometimes thorny field. Advice covered finding, briefing and using outsourced workers as well as more details on creating a brief, making sure they follow it and how to evaluate their work coping with time differences and other infrastructure and culture differences. Finally, in a nice positive twist, the speaker recommend being generous and encourage to your workers.&nbsp;</div>&nbsp;</div>Final came a panel with a mixed bag of local and international entrepreneurs, Susan Wu, Leni Mayo and Brendan Lewis. They discussed the Melbourne startup ecosystem and how it compares with others around the world, especially in the UK and US. Here&rsquo;s a few tidbits I garnered and remembered to write down.</div>&nbsp;</div><ul><li>People only look for success, not necessarily actions when weighing up the impact of startups and/or a city. Connections and support for these startups are equally as important.</li><li>Those individuals and organisations who are successful should give back.</li><li>London had been a recent case study of government encouraging growth through backing and legislation, but London scale is vastly larger than Melbourne.</li><li>Melbourne&#39;s lack of size and geography makes us look more outward, also our lack of plan B if you fail, there are no massive employers Like Google or Apple who will value you.</li><li>Australia is too full of safe investors, non risky investing.</li><li>Lean and tech startups aren&#39;t the only startups in Melbourne, there are many others participating in different scenes such as medical.&nbsp;</li></ul>

---

This was a great session with a myriad of conflicting opinions and points of few, that always sparks a good debate :)</div>&nbsp;</div>First up a great set of introductory resources for startup founders from Scott Handsaker, with a lot of new initiatives arriving in Melbourne. His slides will be available on the <a href="https://www.meetup.com/Lean-Startup-Melbourne/events/160212272/" target="_blank">event&#39;s meetup page</a>.</div>&nbsp;</div>Secondly was a very constructive talk on outsourcing that actually gave some great constructive advice on best practise in this sometimes thorny field. Advice covered finding, briefing and using outsourced workers as well as more details on creating a brief, making sure they follow it and how to evaluate their work coping with time differences and other infrastructure and culture differences. Finally, in a nice positive twist, the speaker recommend being generous and encourage to your workers.&nbsp;</div>&nbsp;</div>Final came a panel with a mixed bag of local and international entrepreneurs, Susan Wu, Leni Mayo and Brendan Lewis. They discussed the Melbourne startup ecosystem and how it compares with others around the world, especially in the UK and US. Here&rsquo;s a few tidbits I garnered and remembered to write down.</div>&nbsp;</div><ul><li>People only look for success, not necessarily actions when weighing up the impact of startups and/or a city. Connections and support for these startups are equally as important.</li><li>Those individuals and organisations who are successful should give back.</li><li>London had been a recent case study of government encouraging growth through backing and legislation, but London scale is vastly larger than Melbourne.</li><li>Melbourne&#39;s lack of size and geography makes us look more outward, also our lack of plan B if you fail, there are no massive employers Like Google or Apple who will value you.</li><li>Australia is too full of safe investors, non risky investing.</li><li>Lean and tech startups aren&#39;t the only startups in Melbourne, there are many others participating in different scenes such as medical.&nbsp;</li></ul>

---

## [Feature-zilla! Will Featureful Kill Usable on the Web?](https://www.sitepoint.com/featureful-vs-usable/)

Date: 2014-01-23

Originally published at: https://www.sitepoint.com/featureful-vs-usable/

When did you last use the references feature in Microsoft Word?

---

## [Computer Human Interaction](https://chrischinchilla.com/blog/2014/2014-01-14-computer-human-interaction)

Date: 2014-01-14

<p class="p1"><span style="line-height: 1.538em;">Over the weekend I saw <a href="https://www.imdb.com/title/tt1798709/" target="_blank">Her</a>&nbsp;and <a href="https://www.imdb.com/title/tt2007360/" target="_blank">Computer chess</a>, very different films about technology that were delivered in very different ways, but there were several similar threads running in them that got me thinking, these similarities were&hellip;<p class="p1"><span style="line-height: 1.538em;">They ended up not being about what I was expecting and (more seriously), they were about the interactions of computers with humans, albeit at very different ends of the spectrum.<p class="p1"><span style="line-height: 1.538em;">At one end, the amateur made Computer Chess dealt with the early days of computers interacting with humans (taking place in the 70s), in the film the programers are seen playing out the moves that the computer programs suggested, with the computers effectively playing &lsquo;each other&rsquo;. The concept of the computer playing a human is still seen as a crazy idea and the computer winning, even crazier. In fact, one of the plot twists is that a particular chess program, actually performs better against an &lsquo;unpredictable&rsquo; human instead of a &#39;predictable&#39; computer.<p class="p1"><span style="line-height: 1.538em;">At the complete other end of this is Her, a film that I equally loved and/or hated depending if it was satirical or not. In Her, most are seen in almost completely subversive relationships with their technology, entrusting just about everything to them. It was a reality that wasn&rsquo;t too far in the future from our own, but the scariest thing about it was how self absorbed everyone was, even away from their technology, all they did was talk about themselves and their problems. Again, I&rsquo;m not sure if this was intentional satire or just an americanisation, but it showed just how comfortable people were with having their technology interact with them.<p class="p1"><span style="line-height: 1.538em;">This got me thinking about &lsquo;Computer Human Interaction&rsquo; as opposed to the more traditional &lsquo;Human Computer Interaction&rsquo;. Of course, for as long as we&rsquo;ve been interacting with computers they&rsquo;ve been interacting with us,&nbsp; but as we have more services and products like Siri or Google now that pre-empt us and often are the initiator of an interaction, we need to think about new paradigms for those interactions that are helpful, but not creepy.<p class="p1"><span style="line-height: 1.538em;">Interesting times.

---

<p class="p1"><span style="line-height: 1.538em;">Over the weekend I saw <a href="https://www.imdb.com/title/tt1798709/" target="_blank">Her</a>&nbsp;and <a href="https://www.imdb.com/title/tt2007360/" target="_blank">Computer chess</a>, very different films about technology that were delivered in very different ways, but there were several similar threads running in them that got me thinking, these similarities were&hellip;<p class="p1"><span style="line-height: 1.538em;">They ended up not being about what I was expecting and (more seriously), they were about the interactions of computers with humans, albeit at very different ends of the spectrum.<p class="p1"><span style="line-height: 1.538em;">At one end, the amateur made Computer Chess dealt with the early days of computers interacting with humans (taking place in the 70s), in the film the programers are seen playing out the moves that the computer programs suggested, with the computers effectively playing &lsquo;each other&rsquo;. The concept of the computer playing a human is still seen as a crazy idea and the computer winning, even crazier. In fact, one of the plot twists is that a particular chess program, actually performs better against an &lsquo;unpredictable&rsquo; human instead of a &#39;predictable&#39; computer.<p class="p1"><span style="line-height: 1.538em;">At the complete other end of this is Her, a film that I equally loved and/or hated depending if it was satirical or not. In Her, most are seen in almost completely subversive relationships with their technology, entrusting just about everything to them. It was a reality that wasn&rsquo;t too far in the future from our own, but the scariest thing about it was how self absorbed everyone was, even away from their technology, all they did was talk about themselves and their problems. Again, I&rsquo;m not sure if this was intentional satire or just an americanisation, but it showed just how comfortable people were with having their technology interact with them.<p class="p1"><span style="line-height: 1.538em;">This got me thinking about &lsquo;Computer Human Interaction&rsquo; as opposed to the more traditional &lsquo;Human Computer Interaction&rsquo;. Of course, for as long as we&rsquo;ve been interacting with computers they&rsquo;ve been interacting with us,&nbsp; but as we have more services and products like Siri or Google now that pre-empt us and often are the initiator of an interaction, we need to think about new paradigms for those interactions that are helpful, but not creepy.<p class="p1"><span style="line-height: 1.538em;">Interesting times.

---

## [2013 in review](https://chrischinchilla.com/blog/2014/2014-01-01-2013-in-review)

Date: 2014-01-01

<span style="line-height: 1.538em;">For many, 2013 has been an intense and not always good year, but personally it&#39;s been pretty good and I&#39;m looking forward to building upon the foundations from this year into 2014. Here&#39;s some reflections and highlights for you all to enjoy/endure.

---

<span style="line-height: 1.538em;">For many, 2013 has been an intense and not always good year, but personally it&#39;s been pretty good and I&#39;m looking forward to building upon the foundations from this year into 2014. Here&#39;s some reflections and highlights for you all to enjoy/endure.

<strong>Travels</strong><br />I spent a lot of time travelling this year, to conferences and Holidays, this included three DrupalCons in Sydney, <a href="https://www.flickr.com/photos/chrischinchilla/sets/72157633727019662/" target="_blank">Portland</a> and Prague, CiviCon in London, several trips to Canberra for <a href="https://www.flickr.com/photos/chrischinchilla/sets/72157635219192536/" target="_blank">DrupalGov</a> and for the hell of it, trips to Germany, Denmark, <a href="https://www.flickr.com/photos/chrischinchilla/sets/72157632945085500/" target="_blank">Adelaide</a>, <a href="https://www.flickr.com/photos/chrischinchilla/sets/72157639222045265/">North QLD</a>, The Yarra Valley and many, many more local trips. This I really enjoyed, it felt a little like touring again, but slightly more constructive. Highlights of these trips would be the white round churches on Bornholm, DrupalCon Portland and hanging out with old friends in London, but really it&#39;s been a most excellent year for travels.

Take a look at <a href="https://www.flickr.com/photos/chrischinchilla/" target="_blank">my Flickr page</a> for pictures of at least some of these ventures.

<strong>Getting my opinions heard</strong><br />I&#39;ve been lucky to be slowly moving up the blogging and speaking ladder with slots and posts with <a href="https://code13.webdirections.org/" target="_blank">Web Directions Code</a>, <a href="https://london2013.civicrm.org/" target="_blank">CiviCon</a>, <a href="https://drupalact.org.au/events/drupalgov-canberra-2013" target="_blank">DrupalGov</a>, <a href="https://www.meetup.com/devops-melbourne/" target="_blank">Melbourne DevOps</a>, <a href="https://www.melbournegeeks.com/" target="_blank">Melbourne Geek night</a>, <a href="https://www.meetup.com/The-Melbourne-NetSquared-Meetup-Group/" target="_blank">Melbourne Net Squared</a> and a <a href="https://www.slideshare.net/chrischinchilla" target="_blank">few others</a> dotted around. On the blogging front I got my own personal blog updated more regularly, had <a href="https://blog.thefetch.com/2013/08/03/the-golden-rules-of-meetup-etiquette/" target="_blank">a guest post with the Fetch</a> and next year will be writing a monthly article for Sitepoint, helping me build one of my main aims for 2014, to get my opinions heard even more.

<strong>Work</strong><br /><a href="https://greenrenters.org" target="_blank">Green Renters</a> had a fantastic year, bucking the trend of the sustainability sector to have one of it&#39;s most successful years, however I have now wound down my involvement in the organisation to a very minor capacity and moving into 2014, <a href="https://greenrenters.org/news/time-new-lease" target="_blank">we are looking to evolve or pass on the organisation</a>, it seems best to do this on a high, rather than a low. After getting back from holiday I left Moat media/Go1, which was a shame as it was a great little &#39;gang&#39;, but after our merger my role was changed and it just didn&#39;t seem right anymore and time to move on. Initially, I was worried and slightly disappointed with the lack of interest in me being available for work again, I have never undertaken all the &#39;extra curricular&#39; activities I undertake for any particular gain, but one likes to feel that they will be recognised and appreciated when you need something back. My concerns were unfounded as within two weeks I had been offered three jobs and was in the enviable position of trying to decide which offer to take, eventually opting for working with the Monthly, which I am very much looking forward to throwing myself into in 2014.

<strong>Personal</strong><br />Cate and I celebrated our 5th wedding anniversary in <a href="https://www.flickr.com/photos/chrischinchilla/sets/72157639223045595/" target="_blank">Hamburg</a> and we&rsquo;ve had an up and down year, with working together causing extra stresses that we are now both looking forward to being less of an issue in 2014 and getting our relationship back onto a more personal than professional track. On other fronts I have been getting back into board games and roleplaying in a big way, finding it a great way to relax after staring at a screen all day and <a href="https://boardgamegeek.com/user/ChrisChinchilla" target="_blank">building a small collection slowly</a> (And <a href="https://www.flickr.com/photos/chrischinchilla/sets/72157634741140380/" target="_blank">PAX</a> was fantastic). Musically I put the drums behind me and got back to guitar which I have really enjoyed and especially keep an eye out for the activities of The Gallant Trees, with the new 4 piece line up sounding awesome. At the same time, I feel like being quite a busy year I have maybe lost touch with a few friends and family and that&#39;s something I&#39;d liek to try and address in 2014.

<strong>Around me</strong><br />Well, 2013 hasn&#39;t exactly been fantastic politically, ethically, environmentally, economically or much else really, so why am I so positive and cheerful? Well, personally it has been a pretty good year and I feel that I am in a good position to do something about some of the shit happening (and about to happen) in 2014, which makes me feel at least energised if not entirely positive.

So all in all (and I&#39;m sure I missed something) 2013 was fantastic for me, roll on 2014 which I intend to make as great at 2013 times about 10.

---

## [Meet the data owners: VicRoads](https://chrischinchilla.com/blog/2013/2013-12-15-meet-the-data-owners-vicroads)

Date: 2013-12-15

I've been learning to drive (again) recently, with an aim to finally actually take my driving test, I'm also a keen (legal) cyclist… None of this has any real bearing on me deciding to attend tonight's event, that was more to do with my fascination in knowing about and understanding the various data sets that are available from our government agencies.

---

I've been learning to drive (again) recently, with an aim to finally actually take my driving test, I'm also a keen (legal) cyclist… None of this has any real bearing on me deciding to attend tonight's event, that was more to do with my fascination in knowing about and understanding the various data sets that are available from our government agencies. 

There was a slightly strange feeling in the air that is always present when those from ‘old school’ government agencies or business present in front of more entrepreneurial or activist audiences, and wow, did all the speakers have some rather ominous job titles that were sometimes six words long. 

_I digress._

VicRoads produces and releases 17 (mainly spatial) data sets and I struggled to find a concrete location on their website where they could all be found. I also wasn’t entirely sure which were free or paid for, these include : Road crash statistics (collected through the police who have to collect a staggering 70-80 statistics per incident), assets and infrastructure, traffic volume, travel times and many more.

I got a little confused during the breakout sessions as it actually seems that VicRoads don’t monitor as many roads as we may think, there are different classes of roads (relating to size, surfacing etc) and they only monitor roads above a certain class (the ones below are monitored by local councils) and there are also differences between rural and metropolitan road networks.

This highlights some of the major issues with data, access to it and trying to utilise it. The overlaps, gaps and how to know where to go to find the various pieces of the puzzle you are trying to assemble, which then introduces inconsistencies and differing measurement levels.

Some of the real life applications of these data sets are travel time estimates, planning for major holiday and event traffic increases and productivity / livability planning based around traffic levels.

Some issues pertaining to VicRoads and their data sets relate to privacy and licensing issues over particular data sets not being available for public consumption and with VicRoads being tax payer funded, they are not able to create data sets and APIs to suite niche requirements that aren’t in the public interest.

<a href="https://www.meetup.com/Datahack-Melbourne/events/152600552/" target="_blank">meetup.com/Datahack-Melbourne/events/152600552</a>

---

## [Joomla! Day Polo shirt](https://chrischinchilla.com/blog/2013/2013-12-10-joomla-day-polo-shirt)

Date: 2013-12-10

Joomla! Day Melbourne 2013 polo shirt, very nice but a little large for me.

---

Joomla! Day Melbourne 2013 polo shirt, very nice but a little large for me.

---

## [KendoUI T-Shirt](https://chrischinchilla.com/blog/2013/2013-12-10-kendoui-t-shirt)

Date: 2013-12-10

---

Pretty cool logo :)

---

## [OSDC Towel](https://chrischinchilla.com/blog/2013/2013-12-10-osdc-towel)

Date: 2013-12-10

I love this towel, but being white it gets dirty very quickly, so not really sure what to do with it...

---

I love this towel, but being white it gets dirty very quickly, so not really sure what to do with it...

---

## [What people want from websites](https://chrischinchilla.com/blog/2013/2013-12-05-what-people-want-from-websites)

Date: 2013-12-05

I've been sitting on the post for a while, a series of (comical) screen shots on what different people want from a website during it's design process. You may recognise some...

---

I've been sitting on the post for a while, a series of (comical) screen shots on what different people want from a website during it's design process. You may recognise some...

![what people want from websites - sales](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/whatpeoplewantfromwebsites-sales.png)

![what people want from websites - team](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/whatpeoplewantfromwebsites-team.png)

![what people want from websites - vis](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/whatpeoplewantfromwebsites-vis.png)

---

## [Lean Startup Melbourne - Future Trends and Innovation in Melbourne Startups](https://chrischinchilla.com/blog/2013/2013-11-25-lean-startup-melbourne-future-trends-and-innovation-in-melbourne-startups)

Date: 2013-11-25

November has been a great month for meet-ups, perhaps everyone wrapping up for the year is making organisers up the ante.

---

November has been a great month for meet-ups, perhaps everyone wrapping up for the year is making organisers up the ante.

**Google glass / Wearables**

This is the first time i've really seen a Google Glass in the flesh and they do look a bit odd and distracting. The developer world is now growing and open. It provides a chronological view and you have to talk or touch to do things,  so not as intrusive? It still looks a little unresponsive and i'd love to know what it doesn't look like projected onto a  screen. Future applications could include replacing actions that require more than one hand, such as warehouses. There were discussions over copyright and constant filming and social appropriate. I asked about the possibility for distraction, eyes always darting around, but the speaker asked back, what about cab drivers, they have multiple screens in front of them. It beeps to alert but won't display if you are driving.

**Lab on a chip**

Miniaturising labs for cost and convenience, some already exist, pregnancy test, glucose,  some blood tests. Future applications could include DNA sequencing, Personal health monitoring, Water contamination and monitoring, On chip desalination (low throughput). How to monetise this and get over Security and privacy concerns.<br /><a href="https://en.wikipedia.org/wiki/Lab-on-a-chip" target="_blank">en.wikipedia.org/wiki/Lab-on-a-chip</a>

**Lifx**

You may have heard of these fantastic lightbulbs that are controllable by a mobile app and part of the 'internet of things', they did rather well on <a href="https://www.kickstarter.com/projects/limemouse/lifx-the-light-bulb-reinvented" target="_blank">Kickstarter</a>. You can control Colour and brightness, set up Grouping, scenes and more.

These are now possible due to components being cheaper/smaller, smart phone proliferation and open apis now for many devices and technologies. There are so many potential applications and integrations for Lifx (one of mine was entertainment lighting), they are also yet to figure out the best way to handle security and power consumption. They also work with a normal switch(!) and are about $80 each.<br /><a href="https://lifx.co/" target="_blank">lifx.co</a>

**Tomcar **

I have no interest in cars, but some good points were made on how to run and manage a lean manufacturing company.<ul><li>Having no money and no idea will help you not worry about how hard and expensive it is.</li><li>Lack of legacy infrastructure helps</li><li>Dealers make more money (effectively) than manufacturers. </li><li>Leverage  modern supply chain</li><li>If you have tools and production line you feel compelled to use it. </li><li>Ford and sloan. One model verses customisation</li><li>Tomcar has an after market for extras, i.e. an app store</li><li>Find where you can get free marketing</li><li>Not currently street legal </li><li>Create a strong self interest to maintain integrity in supply chain.</li></ul>

<a href="https://www.tomcar.com.au/" target="_blank">www.tomcar.com.au</a>

iPhone case with bottle opener. Also kickstarted, but a lot simpler. All products are 3d printed (which have been around since 70s, so longer than you may expect), this helps with constant iteration and customisation (Annex also sells model files on Shapeways to aid customers who want one off customisations). Piracy control still an open issue to be tackled.<br /><a href="https://www.annexproducts.com/" target="_blank">www.annexproducts.com</a>

---

## [Creative vs Commons](https://chrischinchilla.com/blog/2013/2013-11-25-creative-vs-commons)

Date: 2013-11-24

With&hellip;&nbsp;Cory Doctorow, Melbourne Writers Festival Director Lisa Dempster and Peter Williams of the Deloitte Centre for the Edge. A main presentation, followed by a panel discussion, which I haven&#39;t really covered here and got interesting just as it was ending.

---

With&hellip;&nbsp;Cory Doctorow, Melbourne Writers Festival Director Lisa Dempster and Peter Williams of the Deloitte Centre for the Edge. A main presentation, followed by a panel discussion, which I haven&#39;t really covered here and got interesting just as it was ending.

<strong>Cory Doctorow&#39;s three laws</strong><ul><li>If there&#39;s a law that takes away your right to do things with something you&#39;ve bought it&#39;s not in your interests. But generally not in the interests of publishers to (?). These laws don&#39;t prevent piracy, they are broken eventually technically.&nbsp;Libraries locked to a delivery platform are bad for customer but also creator. Often DRM is agreed to in distribution agreements and they can&#39;t be changed.&nbsp;There are laws in place describing how media with locks should be handled international, Australia has these laws due to US free trade agreement.</li><li>Law two, obscurity is biggest problem for creatives, not piracy. Being well loved doesn&#39;t mean you can make a living. There are a limited amount of methods to make money out of your&nbsp; creative / media output. There are now more intermediaries than there were before (if you follow one path) or more options in some regards. More media output than ever before.&nbsp;Go your own way,&nbsp; use new channels or a combination. Some old world contracts still have outdated clauses or horrible 360 contracts. However, more people succeeding on their own pushed up value of potential contracts. This is why they seek recompense in other ways such as Laws currently being considered that may reduce content out to allow for piratcy monitoring. Reducing the potential for creative output and exposure.</li><li>Third rule.&nbsp; Information doesn&#39;t want to be free, but people do. A conceptual model that makes a device lie to you is a bad thing, i.e. Sony copy protect discs that hide files and make changes, hiding the fact it&#39;s preventing you from doing things. Also,&nbsp; think about body computers like defribulators. This also applies to the internet, making swabs of it disappear at a whim.&nbsp;Three strikes rule. Bad as internet delivers a wide variety of benefits to people,&nbsp; cutting it off can stop all of these benefits.</li></ul>

<a href="https://www.slv.vic.gov.au/event/creative-versus-commons" target="_blank">www.slv.vic.gov.au/event/creative-versus-commons</a>

---

## [Melbourne Geek night Nov 2013](https://chrischinchilla.com/blog/2013/2013-11-21-melbourne-geek-night-nov-2013)

Date: 2013-11-21

It seems as the year draws to an end, we&#39;re having some of the best talks! Damn Christmas&hellip;

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It seems as the year draws to an end, we&#39;re having some of the best talks! Damn Christmas&hellip;

<strong>Web for TV, Sam Buckley</strong><br />Smart TV&#39;s don&#39;t do anything well. 33% of Australians have one only 5% browse the web on them, but a high amount for app type functionality.<br />Distance between viewer and device is an issue? Also interfaces are unattractive, lack of know how, not enough content, slow speed.<br />There&#39;s a lack of UX on TV(!) and the Internet is still a very text input reliant, with input devices still needing a lot of thought and work It&#39;s a lean back experience, with even more device sizing issues

<em>Should we worry about it?</em><ul><li>TV media type in media queries not even supported by most TV&#39;s Feature queries are the future path, or dirty user agent sniffing</li><li>Still... Be prepared for it. Design for large screens, distance and vertical scrolling vs wide screen, especially with a remote. Bear in mind performance and use simple navigation</li><li>Look at <a href="https://developers.google.com/tv/android/docs/gtv_android_patterns" target="_blank">Google TV design documents</a> and <a href="https://www.bbc.co.uk/gel/tv/device-considerations/designing-for-tv/introduction" target="_blank">BBC</a> for more detail</li><li>Good examples apple TV, xbox 1, steam big picture</li><li>Prepare for new input devices -&nbsp; gesture, voice, biometrics</li></ul>

&nbsp;

<strong>A dose of CSS animations and transitions! Jayden Seric</strong><br />Are animations relevant in a business sense, are they still a bit tacky?

<em>Tools to make creating animations an transitions really easy:</em><ul><li><a href="https://sass-lang.com/" target="_blank">Sass</a></li><li><a href="https://bourbon.io/" target="_blank">Bourbon</a></li><li><a href="https://daneden.me/animate/" target="_blank">animate.css</a></li></ul>

The difference between animations and transitions (filling in vs keyframes)

Two other nuggets that came out of the talk and made me feel really old in Tech terms&hellip; Flash is now considered old?! and the phrase&nbsp;&quot;It&#39;s only a Google away&quot;.

<strong>Where&#39;s my jet pack, Nic Hodges</strong><br />A fascinating talk that&#39;s a little hard to summarise, so I might just whack in a bunch of links and points for thought&hellip;

The future we didn&#39;t imagine From a cultural perspective.<ul><li>Innovation doesn&#39;t come in big leaps, but small steps. This is ok.</li><li>We&#39;re not leaning into the future - creating a focus for innovation (space race, the year 2000)</li><li>Not much vision beyond now, determinate optimism</li><li>Were losing positive inefficiencies things that happened due to efficient restructuring, universities as an example, what&#39;s the real benefit.</li><li>Be aware of disruption</li><li>We&#39;re returning to a peer to peer culture from small to large and back again. Mobility and multiplicity</li><li><a href="https://en.wikipedia.org/wiki/Freeman_Dyson" target="_blank">Freeman dyson</a></li><li><a href="https://cir.ca/" target="_blank">circa</a></li><li><a href="https://en.wikipedia.org/wiki/Howard_H._Aiken"  target="_blank">Howard Aiken</a></li><li><a href="https://web.mit.edu/comm-forum/forums/gutenberg_parenthesis.html"  target="_blank">Thomas pettitt</a></li><li><a href="https://www.rushkoff.com/"  target="_blank">Douglas rushkoff</a></li></ul>

---

## [Granite Leadership breakfast - Vendor Management & Quality of Delivery](https://chrischinchilla.com/blog/2013/2013-11-20-granite-leadership-breakfast-vendor-management-and-quality-of-delivery)

Date: 2013-11-20

First up, I find it strange how different sectors describe the same things with different names and have the same problems. It&#39;s simultaneously refreshing and depressing that small and large organisations have exactly the same problems with their projects.

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First up, I find it strange how different sectors describe the same things with different names and have the same problems. It&#39;s simultaneously refreshing and depressing that small and large organisations have exactly the same problems with their projects.

<strong>Small or large, what is the fundamental problem?</strong><br />&nbsp;

<em>Here&#39;s my bullet point thoughts on the breakfast</em><ul><li>Vendor management = project management etc</li><li>Deliver more that you promise, not the other way around</li><li>Beware of a lack of skills on customer side</li><li>Get yes in writing</li><li>Involvement from all, agile principles</li><li>Uniqueness of supplier and contractors, even if requirements are the same</li><li>Document the need for any specialists</li><li>What do vendors get out of a project,&nbsp; treat them as partners. Understand your Vendor, their strengths and weaknesses.</li><li>What role does a contract have in a project?&nbsp; A stick, a backup, legalise, scope of project? Or are they too meaningless and vague.</li><li>Measurements, but also what actions will happen as a result of certain measurements.</li><li>What is the chain of command</li><li>Have key kpis in contracts</li><li>What is the internal hiring process and ethics of vendors,&nbsp; especially if relying on a resident specialist.</li><li>Spend some time with those who will be working on you project.</li><li>Ask for pieces of the project, screenshots, tests</li></ul>

---

## [Drupal Melbourne Meetup Nov 2013](https://chrischinchilla.com/blog/2013/2013-11-20-drupal-melbourne-meetup-nov-2013)

Date: 2013-11-20

A great session tonight with two case studies from local Drupal shops...

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A great session tonight with two case studies from local Drupal shops...

**ACCA and content hubs from Monkii**

<a href="https://www.monkii.com.au" target="_blank">Monkii</a> work strongly with UX personas, building profiles of potential users before embarking on web projects, with the relaunch of the <a href="https://www.accaonline.org.au/" target="_blank">ACCA</a> site, content hubs were built to suit explorers and first timers to sites,  they have a rough idea of what they are looking for, but only broadly.

Here's an example - <a href="https://www.accaonline.org.au/learn" target="_blank"> www.accaonline.org.au/learn</a>

They help guide a site visitor to where you want them to go and utilise 'meta' content types for highlighting 'real content'.

On a technical level the site uses:<ul><li>Custom colours through the colorfield modules, this is to allow content editors to create colour schemes per section.</li><li>Dynamic style sheets that are loaded as and when needed</li><li>View modes, which I feel are underused</li><li>Masonry modules to allow for the reflowing layout</li></ul>

**Equiem/@rialto - Digital strategy for a building**

The basic premise of the project was giving a way that their buildings could offer 'something else' to stand out from the crowd of other office buildings in the city. Retaining tenants through community and bridging disconnect. Not really anything similar at the time, a useful tool for others.

_Features include:_
<ul><li>Loyalty club</li><li>Time of day based promotions</li><li>Reseller functionality</li><li>Items that are available now, multiple retailers.</li><li>Skill sharing</li><li>News</li></ul>

All carried out with a variety of contributed modules and customisation, perhaps to be revisited another time.

<a href="https://atrialto.com/" target="_blank">atrialto.com</a>

---

## [So, I quit my job. What's next?](https://chrischinchilla.com/blog/2013/2013-11-15-so-i-quit-my-job-whats-next)

Date: 2013-11-15

<p class="p1"><span style="line-height: 1.538em;">A few weeks ago I quit my job, I&rsquo;d been there for two years but it was no longer right for me anymore.<p class="p1"><span style="line-height: 1.538em;">I&rsquo;m not one to rest on my laurels, so what&rsquo;s next? After a process of figuring out who I am and what I want to do, quite a lot is on the horizon, allow me to introduce you to some of the potentials&hellip;<p class="p1"><span style="line-height: 1.538em;"><strong>Wrapping up my involvement in Green Renters</strong><br /><span style="line-height: 1.538em;">This has been something that Cate and I have been trying to do for a while and we realised it needed more focussed work than we initially thought and we&rsquo;re weighing up quite what shape this will take, if you&rsquo;re interested in knowing more about that, <a href="https://greenrenters.org/news/time-new-lease" target="_blank">read this blog post</a>.<p class="p1"><strong><span style="line-height: 1.538em;">Starting a new cooperative organisation</strong><br /><span style="line-height: 1.538em;">The shape that this will (possibly) completely take is yet to be decided, but I&rsquo;m resurrecting and changing an old tag line from my past and starting a new Community development and Technology co-operative business called &ldquo;Large Gregarious Mammal&rdquo;, if you&rsquo;re interested in that or want in, <a href="https://largegregariousmammal.com/content/introducing-large-gregarious-mammal#overlay-context=" target="_blank">see this blog post</a>.<p class="p1"><strong style="line-height: 1.538em;">Writing more</strong><br /><span style="line-height: 1.538em;">Wether it be on the very blog or on other more established publications, I want to write more&hellip; About technology, ideas, other people&rsquo;s ideas and&hellip; My book&hellip;<p class="p1"><strong><span style="line-height: 1.538em;">The Lean Agile nonprofit</strong><br /><span style="line-height: 1.538em;">I&rsquo;ve mentioned this before, but I&rsquo;m stepping up working on my timely and needed (at this time) volume (but also consultancy, blog etc&hellip;) on applying lean and agile methodology to the non profit world. <a href="https://theleanagilenonprofit.com/" target="_blank">Follow those exploits here</a>.<p class="p1"><span style="line-height: 1.538em;"><strong>Tools for Changemakers</strong><br /><span style="line-height: 1.538em;">Inspired by the reception from my sessions as part of the Chagnemakers Festival I have decided to turn it into an ongoing project, not only more such sessions, but also a website resource that will weigh up and review tools suitable for Changemakers.<br /><a href="https://toolsforchangemakers.com" target="_blank">toolsforchangemakers.com</a><p class="p1">Or I might just get a job&hellip;

---

<p class="p1"><span style="line-height: 1.538em;">A few weeks ago I quit my job, I&rsquo;d been there for two years but it was no longer right for me anymore.<p class="p1"><span style="line-height: 1.538em;">I&rsquo;m not one to rest on my laurels, so what&rsquo;s next? After a process of figuring out who I am and what I want to do, quite a lot is on the horizon, allow me to introduce you to some of the potentials&hellip;<p class="p1"><span style="line-height: 1.538em;"><strong>Wrapping up my involvement in Green Renters</strong><br /><span style="line-height: 1.538em;">This has been something that Cate and I have been trying to do for a while and we realised it needed more focussed work than we initially thought and we&rsquo;re weighing up quite what shape this will take, if you&rsquo;re interested in knowing more about that, <a href="https://greenrenters.org/news/time-new-lease" target="_blank">read this blog post</a>.<p class="p1"><strong><span style="line-height: 1.538em;">Starting a new cooperative organisation</strong><br /><span style="line-height: 1.538em;">The shape that this will (possibly) completely take is yet to be decided, but I&rsquo;m resurrecting and changing an old tag line from my past and starting a new Community development and Technology co-operative business called &ldquo;Large Gregarious Mammal&rdquo;, if you&rsquo;re interested in that or want in, <a href="https://largegregariousmammal.com/content/introducing-large-gregarious-mammal#overlay-context=" target="_blank">see this blog post</a>.<p class="p1"><strong style="line-height: 1.538em;">Writing more</strong><br /><span style="line-height: 1.538em;">Wether it be on the very blog or on other more established publications, I want to write more&hellip; About technology, ideas, other people&rsquo;s ideas and&hellip; My book&hellip;<p class="p1"><strong><span style="line-height: 1.538em;">The Lean Agile nonprofit</strong><br /><span style="line-height: 1.538em;">I&rsquo;ve mentioned this before, but I&rsquo;m stepping up working on my timely and needed (at this time) volume (but also consultancy, blog etc&hellip;) on applying lean and agile methodology to the non profit world. <a href="https://theleanagilenonprofit.com/" target="_blank">Follow those exploits here</a>.<p class="p1"><span style="line-height: 1.538em;"><strong>Tools for Changemakers</strong><br /><span style="line-height: 1.538em;">Inspired by the reception from my sessions as part of the Chagnemakers Festival I have decided to turn it into an ongoing project, not only more such sessions, but also a website resource that will weigh up and review tools suitable for Changemakers.<br /><a href="https://toolsforchangemakers.com" target="_blank">toolsforchangemakers.com</a><p class="p1">Or I might just get a job&hellip;

---

## [Lean Startup Melbourne - Jon Teo](https://chrischinchilla.com/blog/2013/2013-11-01-lean-startup-melbourne-jon-teo)

Date: 2013-11-01

Jonathan Teo (originally from Sydney) from General Catalyst Partners, a leading VC firm in Silicon Valley. Jonathan has personally led early-stage investments in 3 of the hottest companies of recent years including Twitter, Instagram and SnapChat, so a body of great knowledge.

---

Jonathan Teo (originally from Sydney) from General Catalyst Partners, a leading VC firm in Silicon Valley. Jonathan has personally led early-stage investments in 3 of the hottest companies of recent years including Twitter, Instagram and SnapChat, so a body of great knowledge.

<span style="line-height: 1.538em;">He went from tech work to growth strategy for tech companies, he commented that venture capital success is often just from good connections, which is interesting and does it say that location is important?&nbsp;Other nuggets of advice he imparted:<ul><li class="p1">There is no golden bullet or formula, strange because so many think there is and that is the line often sold, despite most honest people in the industry never say there is!&nbsp;</li><li class="p1"><span style="line-height: 1.538em;">Quality and consistency of the engagement with apps. Engagement, retention, regular use.&nbsp;</li><li class="p1"><span style="line-height: 1.538em;">Great advice on long term financial planning and that large amounts of initial are not always good. Play the long game, don&#39;t go for funding if you don&#39;t need to. Identify and understand who you need to speak to. Crowd funding is good for testing and initial funding, especillay when there is a physical product.&nbsp;<span style="line-height: 1.538em;">Focus on funding source that suits you and your audience.&nbsp;</li><li class="p1"><span style="line-height: 1.538em;">Cost and value of a startup is based on cost per of user the service.&nbsp;</li><li class="p1"><span style="line-height: 1.538em;">Differences between the USA and Australia, confidence verses passion and energy. Australia comes together as a community more so founders can focus on ideas and not the annoying beuracracy.&nbsp;</li><li class="p1"><span style="line-height: 1.538em;">The team is important, how you feel and trust founders as a lot is initially on trust. Most common reason to pass on funding is due to team. most common point missing is founders who are unaware of reality of running a business. Arrogance unless proven or rooted in reality.&nbsp;</li><li class="p1">Outside of the USA, if you&#39;re building a consumer product, you should be focusing on China as it&#39;s the only one with a large enough audience.&nbsp;</li></ul><p class="p1"><span style="line-height: 1.538em;">​And finally his f<span style="line-height: 1.538em;">ive year ideas on funding and ideas:<ul><li class="p1"><span style="line-height: 1.538em;">Convergence between hardware and software.</li><li class="p1"><span style="line-height: 1.538em;">Niche audiences with less common threads.</li><li class="p1"><span style="line-height: 1.538em;">Alternative payment.</li><li class="p1"><span style="line-height: 1.538em;">Extremely connected.</li><li class="p1"><span style="line-height: 1.538em;">Social impact and feeling more human.</li><li class="p1"><span style="line-height: 1.538em;">Easy distribution.&nbsp;</li></ul>

---

## [HealthHack Melbourne 2013](https://chrischinchilla.com/blog/2013/2013-10-30-healthhack-melbourne-2013)

Date: 2013-10-30

<p class="p1">I feel slightly cheeky writing much about the event as I didn&rsquo;t really end up doing very much and felt somewhat humbled and embarrassed by the other attendees.<p class="p1">Anyway, to start at the beginning.<p class="p1">HealthHack 2013 was a weekend hackfest solving problems that medical researchers face. HealthHack brought together medical researchers, bioinformaticians, software developers, data analysts, data visualisers and designers. Together, they created new software tools to analyse, visualise and communicate data.<p class="p1">Organised by a great team in a very welcoming atmosphere it was a surprisingly well attended event considering the niche topic.&nbsp;Read about the weekend and the winners here - <span class="s2"><a href="https://healthhackmelb.com">healthhackmelb.com</a><p class="p1">I turned up on Friday night and enjoyed being very well fed and watered and finally got to meet <a href="https://twitter.com/FCTweedie"><span class="s2">@FCTweedie</a> in the flesh after much mutual twitter stalking.<p class="p1">I listened to the problem statements and must admit it was all a little over my head. I come from a technical background and despite having studied &lsquo;proper programming&rsquo; at University it has been a very long time since I really did any and I realise my web work is very light really. Also the technical scientific nature of the problems was a little out of my depth, I vaguely understand what things like DNA are, but when it comes to reporting, analysing and visualising them, way out of my comfort zone.<p class="p1"><span style="line-height: 1.538em;">Still, I found one talk spoke to me at a level I could understand, which was about visualising the quality of academic papers on particular subjects. Working a lot within content management systems, this seemed like an ideal fit to my skills, so I joined the team. However, mixing with a bunch of far superior programmers to me, it was immediately obvious that they had far more complex (and probably more appropriate) solutions in mind and I was a little lost again&hellip;<p class="p1"><span style="line-height: 1.538em;">I meandered around for a bit watching what people where up to and went to see if the organisers needed any help, they didn&rsquo;t, but were incredibly nice to me about everything and we had a very interesting chat about Hack events in general, but I think that&rsquo;s a discussion for another blog post.<p class="p1"><span style="line-height: 1.538em;">Great stuff and congratulations to all involved.

---

<p class="p1">I feel slightly cheeky writing much about the event as I didn&rsquo;t really end up doing very much and felt somewhat humbled and embarrassed by the other attendees.<p class="p1">Anyway, to start at the beginning.<p class="p1">HealthHack 2013 was a weekend hackfest solving problems that medical researchers face. HealthHack brought together medical researchers, bioinformaticians, software developers, data analysts, data visualisers and designers. Together, they created new software tools to analyse, visualise and communicate data.<p class="p1">Organised by a great team in a very welcoming atmosphere it was a surprisingly well attended event considering the niche topic.&nbsp;Read about the weekend and the winners here - <span class="s2"><a href="https://healthhackmelb.com">healthhackmelb.com</a><p class="p1">I turned up on Friday night and enjoyed being very well fed and watered and finally got to meet <a href="https://twitter.com/FCTweedie"><span class="s2">@FCTweedie</a> in the flesh after much mutual twitter stalking.<p class="p1">I listened to the problem statements and must admit it was all a little over my head. I come from a technical background and despite having studied &lsquo;proper programming&rsquo; at University it has been a very long time since I really did any and I realise my web work is very light really. Also the technical scientific nature of the problems was a little out of my depth, I vaguely understand what things like DNA are, but when it comes to reporting, analysing and visualising them, way out of my comfort zone.<p class="p1"><span style="line-height: 1.538em;">Still, I found one talk spoke to me at a level I could understand, which was about visualising the quality of academic papers on particular subjects. Working a lot within content management systems, this seemed like an ideal fit to my skills, so I joined the team. However, mixing with a bunch of far superior programmers to me, it was immediately obvious that they had far more complex (and probably more appropriate) solutions in mind and I was a little lost again&hellip;<p class="p1"><span style="line-height: 1.538em;">I meandered around for a bit watching what people where up to and went to see if the organisers needed any help, they didn&rsquo;t, but were incredibly nice to me about everything and we had a very interesting chat about Hack events in general, but I think that&rsquo;s a discussion for another blog post.<p class="p1"><span style="line-height: 1.538em;">Great stuff and congratulations to all involved.

---

## [Publishing the Open Access Way](https://chrischinchilla.com/blog/2013/2013-10-30-publishing-the-open-access-way)

Date: 2013-10-30

<p class="p1"><span style="line-height: 1.538em;">As part of RMIT&rsquo;s sessions in Open Access week I toddled down to &ldquo;Publishing the Open Access Way: The Change in Business Thinking Towards Open Access&rdquo; and a slightly small crowd&hellip; I&rsquo;m a little behind with blog posts, so this will again, be a little bit of a collection of items with some opinions and thoughts.<p class="p1"><span style="line-height: 1.538em;">The speakers and talks were<p class="p1"><b style="line-height: 1.538em;">Dr Adrian Danks - Senses of cinema</b><br /><span style="line-height: 1.538em;">A quarterly academic journal around cinema culture and commentary. To me it&rsquo;s approach seemed fairly conventional. Their open nature means not Peer reviewed. Their 4th largest&nbsp; audience is Australia, which seems to be a constant, many Australian creative organisations have to be successful overseas to make it at home. Dependent on funding bodies, how does this affect the open nature? Is it any better than an advertiser really?<p class="p1"><b style="line-height: 1.538em;">Philip Dearman - Communication, Politics &amp; Culture</b><br /><span style="line-height: 1.538em;">An open access journal, I think the title pretty much tells you what the content is. Seems like some publications just become free because they have no other options or are forced to. Again, the journal is backed by Academia anyway, so it doesn&rsquo;t have quite the same restraints others may have.&nbsp;<p class="p1"><b style="line-height: 1.538em;">Debbie Dickinson - The conversation</b><span style="line-height: 1.538em;">&nbsp;<br /><span style="line-height: 1.538em;">The Conversation is fairly well known, again with some academic backing, but seemingly looking into wider sustainable sources of funding and life. Some of the Conversations interesting features and approaches are republishing their content,&nbsp; sharing is positively encouraged leading to strong worldwide access.<p class="p1"><a href="https://www.rmit.edu.au/library/oaw" target="_blank">www.rmit.edu.au/library/oaw</a>

---

<p class="p1"><span style="line-height: 1.538em;">As part of RMIT&rsquo;s sessions in Open Access week I toddled down to &ldquo;Publishing the Open Access Way: The Change in Business Thinking Towards Open Access&rdquo; and a slightly small crowd&hellip; I&rsquo;m a little behind with blog posts, so this will again, be a little bit of a collection of items with some opinions and thoughts.<p class="p1"><span style="line-height: 1.538em;">The speakers and talks were<p class="p1"><b style="line-height: 1.538em;">Dr Adrian Danks - Senses of cinema</b><br /><span style="line-height: 1.538em;">A quarterly academic journal around cinema culture and commentary. To me it&rsquo;s approach seemed fairly conventional. Their open nature means not Peer reviewed. Their 4th largest&nbsp; audience is Australia, which seems to be a constant, many Australian creative organisations have to be successful overseas to make it at home. Dependent on funding bodies, how does this affect the open nature? Is it any better than an advertiser really?<p class="p1"><b style="line-height: 1.538em;">Philip Dearman - Communication, Politics &amp; Culture</b><br /><span style="line-height: 1.538em;">An open access journal, I think the title pretty much tells you what the content is. Seems like some publications just become free because they have no other options or are forced to. Again, the journal is backed by Academia anyway, so it doesn&rsquo;t have quite the same restraints others may have.&nbsp;<p class="p1"><b style="line-height: 1.538em;">Debbie Dickinson - The conversation</b><span style="line-height: 1.538em;">&nbsp;<br /><span style="line-height: 1.538em;">The Conversation is fairly well known, again with some academic backing, but seemingly looking into wider sustainable sources of funding and life. Some of the Conversations interesting features and approaches are republishing their content,&nbsp; sharing is positively encouraged leading to strong worldwide access.<p class="p1"><a href="https://www.rmit.edu.au/library/oaw" target="_blank">www.rmit.edu.au/library/oaw</a>

---

## [Submit your site building session ideas for DrupalSouth](https://chrischinchilla.com/blog/2013/2013-10-21-submit-your-site-building-session-ideas-for-drupalsouth)

Date: 2013-10-21

I am excited to be the track chair for site building at DrupalSouth in Wellington next year and it&#39;s time to get your session proposals in!

---

I am excited to be the track chair for site building at DrupalSouth in Wellington next year and it&#39;s time to get your session proposals in!

Site building is the glue that pieces together a Drupal site and everyone has their favourite tools, tips and techniques for achieving requirements. I am also considering sessions around tools and techniques for content editors in this track and am up for hearing some wild ideas from new voices, so don&#39;t be afraid to submit a session idea no matter who you are or how new you may be to Drupal.

Here are some ideas to get you started&hellip;<ul><li>Best Practices. The tools and modules that allow you to best create and maintain your Drupal site.</li><li>Build Better. Building better Drupal sites with contributed modules and distributions.</li><li>Key Concepts. The foundations of Drupal site building and contributed modules.</li><li>Optimisation. How to improve the performance of your site from within Drupal&rsquo;s admin tools and contributed modules.</li><li>Sharing and Integration. Sharing content and integrating external data with your Drupal site.</li></ul>

Got an idea? Ready to submit, here&#39;s where you need to go - <a href="https://drupalsouth2014.drupal.org.nz/speakers/conference-tracks#sb" target="_blank">drupalsouth2014.drupal.org.nz/speakers/conference-tracks#sb</a>

---

## [Travel tips](https://chrischinchilla.com/blog/2013/2013-10-17-travel-tips)

Date: 2013-10-16

An ever growing miscellaneous list of travel tips and thoughts that occur to me. These are about travel itself, not my actual travels.<ul><li>After flying international, getting low cost flights for remainder of the journey isn&#39;t worth it.</li><li><span style="line-height: 1.538em;">Don&#39;t always go for the cheapest option for transfers etc, often not worth it the long run.</li><li><span style="line-height: 1.538em;">British airports suck and so do most of the associated services, they have some of the worst customer service around.</li><li><span style="line-height: 1.538em;">Going off the beaten track is worthwhile.</li><li><span style="line-height: 1.538em;">Hotels are the past, airbnb is the future.</li><li><span style="line-height: 1.538em;">Being an English speaker is an amazing luxury when traveling.</li><li><span style="line-height: 1.538em;">There is a gap in the market for a decent travelers sim card with good data. <a href="https://www.lebara.com.au/" target="_blank">Lebra</a>, and <a href="https://uros.com/" target="_blank">Uros</a> come close, but still not quite, please let me know if you know of anything better available in Australia.</li><li><span style="line-height: 1.538em;">Is it me or do airlines not want to give away add much alcohol as they used to?</li><li><span style="line-height: 1.538em;">One travel power adapter is rarely enough.&nbsp;</li></ul>

---

An ever growing miscellaneous list of travel tips and thoughts that occur to me. These are about travel itself, not my actual travels.<ul><li>After flying international, getting low cost flights for remainder of the journey isn&#39;t worth it.</li><li><span style="line-height: 1.538em;">Don&#39;t always go for the cheapest option for transfers etc, often not worth it the long run.</li><li><span style="line-height: 1.538em;">British airports suck and so do most of the associated services, they have some of the worst customer service around.</li><li><span style="line-height: 1.538em;">Going off the beaten track is worthwhile.</li><li><span style="line-height: 1.538em;">Hotels are the past, airbnb is the future.</li><li><span style="line-height: 1.538em;">Being an English speaker is an amazing luxury when traveling.</li><li><span style="line-height: 1.538em;">There is a gap in the market for a decent travelers sim card with good data. <a href="https://www.lebara.com.au/" target="_blank">Lebra</a>, and <a href="https://uros.com/" target="_blank">Uros</a> come close, but still not quite, please let me know if you know of anything better available in Australia.</li><li><span style="line-height: 1.538em;">Is it me or do airlines not want to give away add much alcohol as they used to?</li><li><span style="line-height: 1.538em;">One travel power adapter is rarely enough.&nbsp;</li></ul>

---

## [Today Google told me my flight was delayed before my airline.](https://chrischinchilla.com/blog/2013/2013-09-21-today-google-told-me-my-flight-was-delayed-before-my-airline)

Date: 2013-09-20

<p class="p1">I am travelling on a three stage international flight today, it has a few hours stopover in each transit location, but that&#39;s little enough time that on upset can throw the whole flight out of whack.<p class="p1">I woke up this morning to see Google Now telling me that my first flight from Melbourne to Sydney had been delayed (I love big data and personally don&#39;t rely mind what services now about me, as long as I am aware) by two hours, which would mean I would miss my second and longest flight leg. I checked my emails, nothing from Virgin, no SMSs either. I checked the flight statuses on their website, which confirmed that my flight had been delayed (I&#39;m intrigued to know how you know a flight is going to be delayed in advance, but that&#39;s another discussion), so rang their customer service line to see what was going on.<p class="p1">After a bit of fathing about, which I always seem to get with Virgin customer service, it often takes three explanations to make them understand what you&#39;re talking about, I was informed that I had been moved to a flight an hour earlier. Still no emails or SMS regarding this, so what if I hadn&#39;t had rung?<p class="p1">I was still a little unsure about the change, but I figured there&#39;s certainly no harm in getting to the airport early, so left aiming for the earlier flight anyway.<p class="p1">Finally at a little over 2.5 hours before my new (unconfirmed) flight I finally received a phone call telling me to call Virgin about a flight change, so after ringing their customer services line and more fathing about, it was confirmed again that I had had my flight changed.<p class="p1">I am lucky to live close to the airport and I am also lucky that I have technology telling me my every move before I even know it myself, but what if I had been living a fair way out and wasn&#39;t so connected? Is three hours notice really enough time to get to the airport and checkin to an international flight on time? I guess this is a sign of when automated internal systems can fail.

---

<p class="p1">I am travelling on a three stage international flight today, it has a few hours stopover in each transit location, but that&#39;s little enough time that on upset can throw the whole flight out of whack.<p class="p1">I woke up this morning to see Google Now telling me that my first flight from Melbourne to Sydney had been delayed (I love big data and personally don&#39;t rely mind what services now about me, as long as I am aware) by two hours, which would mean I would miss my second and longest flight leg. I checked my emails, nothing from Virgin, no SMSs either. I checked the flight statuses on their website, which confirmed that my flight had been delayed (I&#39;m intrigued to know how you know a flight is going to be delayed in advance, but that&#39;s another discussion), so rang their customer service line to see what was going on.<p class="p1">After a bit of fathing about, which I always seem to get with Virgin customer service, it often takes three explanations to make them understand what you&#39;re talking about, I was informed that I had been moved to a flight an hour earlier. Still no emails or SMS regarding this, so what if I hadn&#39;t had rung?<p class="p1">I was still a little unsure about the change, but I figured there&#39;s certainly no harm in getting to the airport early, so left aiming for the earlier flight anyway.<p class="p1">Finally at a little over 2.5 hours before my new (unconfirmed) flight I finally received a phone call telling me to call Virgin about a flight change, so after ringing their customer services line and more fathing about, it was confirmed again that I had had my flight changed.<p class="p1">I am lucky to live close to the airport and I am also lucky that I have technology telling me my every move before I even know it myself, but what if I had been living a fair way out and wasn&#39;t so connected? Is three hours notice really enough time to get to the airport and checkin to an international flight on time? I guess this is a sign of when automated internal systems can fail.

---

## [Melbourne Geek night, September 2013](https://chrischinchilla.com/blog/2013/2013-09-20-melbourne-geek-night-september-2013)

Date: 2013-09-20

<p align="left">The speaker line ups and topics keep getting better for the Melbourne geek nights and tonight is no expection.<p align="left"><strong>Ophelie Lechat from Flippa talking about &quot;Tackling the scary content marketing beast&quot;</strong><br />I&#39;ve been doing some of this myself recently, so it was interesting to hear some more in depth on te topic from a commercial perpective, here&rsquo;s what I got out of the session:<ul><li>Content isn&rsquo;t just a blog</li><li>Have editorial calendars</li><li>Content strategy and marketing are best friends as the discipline helps attract seo and web traffic, this in turn reduces demand on customer support and partnerships. good for engagement.</li><li>Assess what content you already have. If it&#39;s not content it may be existing skills or assets.</li><li>Writing for your site can be empowering for team members</li><li>Don&rsquo;t be afraid of ghost and hired writers.</li><li>Decide what will you talk about and don&#39;t just talk to and about yourself. Identify what others don&#39;t do or do badly.</li><li>ebooks of collections of posts are a great marketing idea.</li><li>What to write about - questions that need answering, searches on your site. What conversations are people having elsewhere? If you get stuck, write an outline first.</li><li>Keep your content as short as possible, focus, end with engagement, what do users/readers want?</li></ul>

---

<p align="left">The speaker line ups and topics keep getting better for the Melbourne geek nights and tonight is no expection.<p align="left"><strong>Ophelie Lechat from Flippa talking about &quot;Tackling the scary content marketing beast&quot;</strong><br />I&#39;ve been doing some of this myself recently, so it was interesting to hear some more in depth on te topic from a commercial perpective, here&rsquo;s what I got out of the session:<ul><li>Content isn&rsquo;t just a blog</li><li>Have editorial calendars</li><li>Content strategy and marketing are best friends as the discipline helps attract seo and web traffic, this in turn reduces demand on customer support and partnerships. good for engagement.</li><li>Assess what content you already have. If it&#39;s not content it may be existing skills or assets.</li><li>Writing for your site can be empowering for team members</li><li>Don&rsquo;t be afraid of ghost and hired writers.</li><li>Decide what will you talk about and don&#39;t just talk to and about yourself. Identify what others don&#39;t do or do badly.</li><li>ebooks of collections of posts are a great marketing idea.</li><li>What to write about - questions that need answering, searches on your site. What conversations are people having elsewhere? If you get stuck, write an outline first.</li><li>Keep your content as short as possible, focus, end with engagement, what do users/readers want?</li></ul>

&nbsp;

<strong>Steve Sammartino, Serial startup guy talking about &quot;The End of Demographics&quot;</strong><br />This was an interesting presentation around the modern word of consumer advertsing an dpurchasing, I wasn&rsquo;t completely convinced by all of what was said, but still.

Some concepts were&hellip; Are stats and reporting tired trends, remove the word &lsquo;consumer&rsquo; and we are humans. We are no longer exclusively in circles of production and consumption. we can have what we want now (really?). Media doesn&#39;t shape our minds anymore (really?).

It&#39;s not technology anymore, it&#39;s connections. We are now wider spread with disposable technology. Fragmentation is a good thing for choice and new chances and entrants. Frequency has replaced proximity. And to finalise&hellip; big data is simpler than it sounds!

&nbsp;

<strong>Megan Dell from MYOB treating us to a repeat of the talk she did at UX Australia about &quot;Weekly user testing&quot;</strong><ul><li>Bring your customers in to watch and test and don&#39;t cancel the habits you create.</li><li>How to recruit potential tester - not email surveys, conventional surveys didn&#39;t work well either as you may not record details that are needed and then it&#39;s too late. A dedicated person (intern) helped as did just doing it yourself, exploiting your existing relationships and just asking people.</li><li>Undertaking tests &ndash; Be prepared to travel to clients, get a wide gamut of people and tests, be ready to go for whenever there&rsquo;s a potential.</li><li>Have a rough plan and how people can add to it. Have a process to handle the process.</li></ul>

---

## [BitCoin Melbourne meetup Sep 2013](https://chrischinchilla.com/blog/2013/2013-09-15-bitcoin-melbourne-meetup-sep-2013)

Date: 2013-09-15

There was a slightly strange feeling to this meet up, in some ways it felt a little insular (I guess those who are actively involved with BitCoin are a small and intriguing community), but it could also just be because it was for once a crowd of folks I didn't recognise. There was an underlying feeling of "Everything old is bad" and "Everything new is good", which isn't always completely true or as black and white as that. I find Bitcoin interesting technically and as a concept, if you think about the history of money, then bitcoin is no different really, it's an agreement to trust that a concept has a mutual value between people. The money we use everyday is no different from BitCoin really, it's just decentralised. This could be an entire post in itself, so take a read of <a href="https://en.wikipedia.org/wiki/History_of_money" target="_blank">Wikipedia's History of Money article</a>. Back to tonight, which contained several interesting discussions:<ul><li>BitCoin Point of sale units - These are emerging in a couple of places, such as <a href="https://www.theguardian.com/technology/shortcuts/2013/jun/23/britains-first-bitcoin-pub" target="_blank">pubs in the UK</a>, but also soon to arrive here thanks to Mikey Nelson.</li><li>How useful BitCoin could be for foreign travel and exchange</li><li>A Bitcoin association is being founded in Australia</li><li>The BitCoin ATM, a <a href="https://lamassu.is/" target="_blank">Lamasu</a></li><li>If you want BitCoins to be accepted in certain stores, then ask for it, if more ask, the more chance it will happen.</li><li>Apparently Elsternwick high st may be attempting a street wide acceptance of BitCoin.</li></ul> Interested in knowing more, then join the Melbourne BitCoin meet up - <a href="https://www.meetup.com/BitcoinMelbourne" target="_blank">meetup.com/BitcoinMelbourne</a>

---

There was a slightly strange feeling to this meet up, in some ways it felt a little insular (I guess those who are actively involved with BitCoin are a small and intriguing community), but it could also just be because it was for once a crowd of folks I didn't recognise. There was an underlying feeling of "Everything old is bad" and "Everything new is good", which isn't always completely true or as black and white as that. I find Bitcoin interesting technically and as a concept, if you think about the history of money, then bitcoin is no different really, it's an agreement to trust that a concept has a mutual value between people. The money we use everyday is no different from BitCoin really, it's just decentralised. This could be an entire post in itself, so take a read of <a href="https://en.wikipedia.org/wiki/History_of_money" target="_blank">Wikipedia's History of Money article</a>. Back to tonight, which contained several interesting discussions:<ul><li>BitCoin Point of sale units - These are emerging in a couple of places, such as <a href="https://www.theguardian.com/technology/shortcuts/2013/jun/23/britains-first-bitcoin-pub" target="_blank">pubs in the UK</a>, but also soon to arrive here thanks to Mikey Nelson.</li><li>How useful BitCoin could be for foreign travel and exchange</li><li>A Bitcoin association is being founded in Australia</li><li>The BitCoin ATM, a <a href="https://lamassu.is/" target="_blank">Lamasu</a></li><li>If you want BitCoins to be accepted in certain stores, then ask for it, if more ask, the more chance it will happen.</li><li>Apparently Elsternwick high st may be attempting a street wide acceptance of BitCoin.</li></ul> Interested in knowing more, then join the Melbourne BitCoin meet up - <a href="https://www.meetup.com/BitcoinMelbourne" target="_blank">meetup.com/BitcoinMelbourne</a>

---

## [Agile YOW! Night Melbourne - Dave Thomas - Sept 2013](https://chrischinchilla.com/blog/2013/2013-09-11-agile-yow-night-melbourne-dave-thomas-sept-2013)

Date: 2013-09-11

There seem to be more events not running free catering, is this due to a lack of sponsors or a change to methodology? A thought to ponder on…

---

There seem to be more events not running free catering, is this due to a lack of sponsors or a change to methodology? A thought to ponder on…

This was what Dave called an "unplugged event" that contained some home truths from teams and businesses, so with respect for Dave, I will leave them out. I like his rawness. What follows is basically a list of tips I collected throughout the presentation:<ul><li>How to convince a business to go agile without implying it just means cheaper and faster. </li><li>With many large product companies agile is something they're trying, not a way of life. It's hard on leaders and hard to sustain.</li><li>Identify who can say yes and no to requirements and who can make timely decisions that may be wrong. </li><li>Respect remote teams, treat them as part of yours and get to know them.</li><li>Have specialists, but not people who think they are special and ruin a group dynamic. </li><li>Technical ladders are needed to allow due progression of tech folks without losing them to management. </li><li>Encourage staff to come to events and learn. </li><li>Have a product culture. Continuous improvement instead of quickly out the door. </li><li>Are they up for a true agile, continual integration culture,  it's not just putting teams in scrum. </li><li>Put everything in the backlog to feed all other systems. </li><li>Let product owners worry about big picture and everyone else worry about their areas. </li><li>If there are no acceptance criteria, tear up the story card. How can you measure it? </li><li>Envision your projects fully before commencing them.</li><li>Reduce the fear of developers giving estimates, but story points will scare people as not being formal enough. </li><li>Try <a href="https://en.wikipedia.org/wiki/Planning_poker" target="_blank">planning poker</a>/wide  band Delphi. </li><li><span style="line-height: 1.538em;">Try "Extreme design" </li><li>Refactoring is nigh on impossible in larger projects,  it's basically rewriting. </li><li>Dave doesn't like dependencies and frameworks. Object oriented programming Introduces complexity.</li><li>Feeds can be better and easier than apis. Learn about queries.</li><li>Scripting can help getting things done quicker. </li><li>Simple loose coupling between components. </li><li>It's ok to use and try different tools and languages. </li><li>Think outside the box.</li></ul>

Phew, find out more about<a href="https://www.davethomas.net/" target="_blank"> Dave Thomas here</a>.

---

## [Drupal Melbourne meetup, Sep 2013](https://chrischinchilla.com/blog/2013/2013-09-11-drupal-melbourne-meetup-sep-2013)

Date: 2013-09-11

<b>Drupal 8 won't kill your kittens - Lee Rowland</b><br />There have been a lot of discussions around changes in the Drupal core team and that many old names are leaving for a variety of reasons, however there have been many new people coming on board and any community should be able to move on from it's originators. I'm currently going through the same process myself right now with Green Renters and it can be a difficult but worthwhile process. This was a  great oversight of what is new in D8, watch presentation<br />Remember Lee's final words… _"We will accept any help"_<br /><a href="https://previousnext.com.au/blog/drupal-8-wont-kill-your-kittens" target="_blank">See the presentation here</a>

---

<b>Drupal 8 won't kill your kittens - Lee Rowland</b><br />There have been a lot of discussions around changes in the Drupal core team and that many old names are leaving for a variety of reasons, however there have been many new people coming on board and any community should be able to move on from it's originators. I'm currently going through the same process myself right now with Green Renters and it can be a difficult but worthwhile process. This was a  great oversight of what is new in D8, watch presentation<br />Remember Lee's final words… _"We will accept any help"_<br /><a href="https://previousnext.com.au/blog/drupal-8-wont-kill-your-kittens" target="_blank">See the presentation here</a>

<b>Twig: Drupal theming in the future - <a href="https://heydon.com.au/" target="_blank">Gordon Heydon</a></b><br />Twig is to be the third Drupal theming engine and it's largely taken from Symfony alongside a few other components. It strips a lot of extraneous php code from templates. Have a read about <a href="https://twig.sensiolabs.org/" target="_blank">Twig generally here</a> and <a href="https://drupal.org/node/2008464" target="_blank">Drupal's Twig implementation here</a>.

A subtext of all of this is about making Drupal less specialised and specific, is this needed? Does it take away the uniqueness, will it help bring more into the mainstream? That all remains to be seen…

---

## [Mobile Mondays Melbourne Sept 2013](https://chrischinchilla.com/blog/2013/2013-09-11-mobile-mondays-melbourne-sept-2013)

Date: 2013-09-11

<a href="https://www.facebook.com/MobileMondayMelbourne" target="_blank">Mobile Mondays Melbourne</a> has been running for 8 years, which in the tech event space makes it something of an elderly character and with the plethora of new events happening around town all the time, I have had the increasing feeling that some of these older events are wondering how to keep themselves relevant.

---

<a href="https://www.facebook.com/MobileMondayMelbourne" target="_blank">Mobile Mondays Melbourne</a> has been running for 8 years, which in the tech event space makes it something of an elderly character and with the plethora of new events happening around town all the time, I have had the increasing feeling that some of these older events are wondering how to keep themselves relevant.

One of MoMo's big advantages is it's international ubiquity, I met several people who knew the event from other countries and thus thought it would be a reliable event to come to to meet new like minded folks. The organisers were pushing hard the facts that they were looking to maintain more communication between attendees inbetween events and that they might start charging for events in the future. Both of these are challenging prospects, even for very large and popular events, but an increasing trend that I have noticed over the past few months. I'm yet to decide what I think about that.

Anyway, down to the actual event, which this month was 'Responsive design', a topic that to me seems almost a little old now and I'm surprised that MoMoMelb hadn't covered it before. MoMoMelb has always had more of a business / marketing focus to it and in some respects it was good to hear about how responsive is sold to clients as opposed to just how it is implemented, but at times during the talks, it did feel a little too much.

All in all, a slightly odd night, but enough nuggets of intrigue to make it a good night out.

---

## [What do you know Sep 2013](https://chrischinchilla.com/blog/2013/2013-09-05-what-do-you-know-sep-2013)

Date: 2013-09-05

The Web Directions - <a href="https://wdyk-melb-sept13.eventbrite.com/" target="_blank">What do you know events</a> are always a fun night and tonight was no exception with many running 'jokes' about some of the appalling policy decisions just announced by the coalition that will affect our industry, one which has been a boom area for Australia, but largely unrecognised on the larger national scale. Anyway, enough of Politics, what were the talks? Bear in mind there were 10, so this will be very brief...

---

The Web Directions - <a href="https://wdyk-melb-sept13.eventbrite.com/" target="_blank">What do you know events</a> are always a fun night and tonight was no exception with many running 'jokes' about some of the appalling policy decisions just announced by the coalition that will affect our industry, one which has been a boom area for Australia, but largely unrecognised on the larger national scale. Anyway, enough of Politics, what were the talks? Bear in mind there were 10, so this will be very brief...

**"How to make a mobile app in 5 minutes"**<br />This was an Apache Cordova talk, which is what I did at the last what do you know event, <a href="https://au.linkedin.com/in/bbirch" target="_blank">Ben Birch</a> did an admirable job despite the lack of Internet connection, but is it me, or does the initial set-up for Cordova get more complex with each version?.<br /><a href="https://cordova.apache.org/" target="_blank">cordova.apache.org</a>

**"Decoding data"**<br />What you can and can't learn from analytics. Asking the right questions, context and numbers aren't everything. Ask users and test again and again.

**"Projects vs products"**<br />A very funny presentation full of 90s images and references. It made the comparison of one night stands vs relationships and the short term verses long term lifecycle between projects and products.

**"Backbone.js"**<br />An overview of how complex single page apps can be, covering memory, organising,  rendering views and the learning curve of Backbone.<br /><a href="https://backbonejs.org/" target="_blank">backbonejs.org</a>

**"It's not all about me"**<br />How to make sure it's not all about you when designing UX experiences. This includes peer review, changing the paradigm that the client is always right with justifications. Immerse yourself in the project and step outside into the environment it will be used in.

**"Web rtc"**<br />An "Iceberg like topic" that is about real time communication between devices directly. There is money to be made from handling the hard stuff in the process for someone willing to give it a go. Imparted the benefits of the BlackBerry browser especially for Cordova wrapped apps.<br /><a href="https://www.webrtc.org/" target="_blank">webrtc.org</a>

**"Digest cycles in single page apps"**<br />For complex and expensive application coding (this was a little over my head).

**"Lo there shall be no slides"**<br />Talking about presenting and where acting and interaction design cross over. How dull conference presentations can be and this is the original interactive experience. People like to see humans and how you are like them. Test your presentations and it's OK to fuck up...

**"Go"**<br />Fast and familiar. Compared to JavaScript and Ruby.<br /><a href="https://golang.org" target="_blank">golang.org</a>

**"Community"**<br />A talk I've seen <a href="https://twitter.com/pat" target="_blank">Pat</a> do before about the fundamentals of community. Participate. How to participate. Leadership without being in charge and dumping all on them. Be welcome, value people and make that them feel like they belong and equal and welcome.

Phew!

---

## [Drupal for Education and elearning, book review](https://chrischinchilla.com/blog/2013/2013-08-30-drupal-for-education-and-elearning-book-review)

Date: 2013-08-30

Drupal for Education and elearning by James G Robertson and Bill Fitzgerald

---

**Drupal for Education and elearning by James G Robertson and Bill Fitzgerald**

One of the commonalities with packt's Drupal titles is that whilst covering a variety of themes, they often include a lot of basic material that is included in all titles. This makes the titles great for those looking to cover a particular theme or topic from start to finish, but for those looking for more depth (or reviewing titles) you will spend some time reading through familiar territory such as installing, modules, site maintenance etc. On one hand covering the basics each time enables the writers to put topics in  appropriate context for their audience, but on the other, it was could be a nice idea to sell smaller titles stripped down to the basics that only cover completely relevant topics.

Anyway, enough of that tanget.

"Drupal for Education and elearning" is basically a title that describes how to configure several modules to best appeal to a school audience, in this case blogs, groups, submitting assessments and presenting multimedia content, often tied into what you might want to do this and how it potentially ties into a school program. It does this by introducing modules such as views, organic groups, media and concepts such as fields, display modes, entities and relationships.

The book also delves into some more complex topics such as PHP snippets and command line interactions that feel a little forced in for good measure, but they do at least hint at the future potential of your website.

All in all a great introductory guide for those in education looking to explore Drupal who aren't afraid of delving into the deep end after some brief paddling.

---

## [NetSquared meetup Aug 2013](https://chrischinchilla.com/blog/2013/2013-08-30-netsquared-meetup-aug-2013)

Date: 2013-08-29

One of the things that frustrates me the most in the non profit sector is the lack of collaboration between organisations and the duplication that often occurs instead.

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One of the things that frustrates me the most in the non profit sector is the lack of collaboration between organisations and the duplication that often occurs instead.

Sophie Bartho from <a href="https://www.1dollarday.org/" target="_blank">One dollar day</a> explained her idea for helping Fundraising by for one day encouraging people to give one dollar to charity (in this case, Save the children). The organisation got to a point where they couldn't do all the work they wanted to undertake and didn't want to clutter the already cluttered landscape more.

She outlined that the process of joining groups hasn't been easy combating brands, egos, agendas, mission creep, governance and slices of pie, requiring revisiting why were doing it and what we were trying to achieve time and time again.

Sophie then shared her personal beliefs that were very insightful, but I couldn't get them all down fast enough, so keep an eye on the event page for a forthcoming video - <a href="https://www.meetup.com/The-Melbourne-NetSquared-Meetup-Group/events/132090712/" target="_blank">www.meetup.com/The-Melbourne-NetSquared-Meetup-Group/events/132090712/</a>

---

## [TedxUniMelb 28th Aug 2013](https://chrischinchilla.com/blog/2013/2013-08-28-tedxunimelb-28th-aug-2013)

Date: 2013-08-28

The <a href="https://www.ted.com/tedx" target="_blank">tedx</a> model is a slightly strange one, fraught with as many positives as negatives for organisers, however it does create a fascinating ecosystem around the world. Tonight had a packed room, but was unfortunately fraught with technical issues and joins several other local tedx events around Melbourne.

---

The <a href="https://www.ted.com/tedx" target="_blank">tedx</a> model is a slightly strange one, fraught with as many positives as negatives for organisers, however it does create a fascinating ecosystem around the world. Tonight had a packed room, but was unfortunately fraught with technical issues and joins several other local tedx events around Melbourne.

**Viv Benjamin, Oaktree foundation**

The nerd in me thought it was nice to hear a reference to the original meaning  of '<a href="https://en.wikipedia.org/wiki/Ubuntu" target="_blank">Ubuntu</a>'. This was a sobering but inspiring presentation around issues of poverty,  injustice but also robbing people of identity and their respect. Viv managed to encourage all attendees to stand and participate in a clap of agreement on ending global poverty. A reminder that Kevin Rudd signed on to end global poverty, unyet we are cutting aid budgets. Despite how we may all feel, we are actually on target, cutting global poverty five years early (target was 2020), I would be interested to know how this is defined as a target. Be proud to solve world problems and be able to tell the generation after you that you were part of it.

<a href="https://theoaktree.org/" target="_blank">theoaktree.org</a>

**Tom Amos, Sidekicker**

A good follow up talk about prompting yourself to ask yourself "am I following my passion?" and not just saying you are living your dream. After deciding he was too lazy to be a professional golfer, Tom became an accountant before starting SideKicker. His talk had a subtext of agile and lean thinking without using the actual jargon. His advice is doing what you love and ignoring the haters and people who give you bad advice, if you want recognition and don't notice the time you are putting in, you're probably doing what you love. Second piece of advice is to work with great people and people you like. Don't just fail, but look at why you failed, otherwise you're wasting time.

<a href="https://www.sidekicker.com.au/" target="_blank">sidekicker.com.au</a>

Then I left in the Interval, sorry!

<a href="https://union.unimelb.edu.au/clubs/tedxunimelb" target="_blank">union.unimelb.edu.au/clubs/tedxunimelb</a>

---

## [Security and design thinking](https://chrischinchilla.com/blog/2013/2013-08-28-security-and-design-thinking)

Date: 2013-08-27

Tuesday was a productive day capped by two intriguing events. A stupendously early breakfast session with <a href="https://www.graniteconsulting.com.au/" target="_blank">Granite consulting</a> at their networking breakfasts, with Dan Weis of <a href="https://kiandra.com.au/" target="_blank">Kiandra IT</a> covering 'Security and Real World Threats' and the <a href="https://uxmelbourne.org/category/movie-nights/" target="_blank">UX Melbourne movie night</a> covering 'Lean UX' with Jeff Gothelf.

---

Tuesday was a productive day capped by two intriguing events. A stupendously early breakfast session with <a href="https://www.graniteconsulting.com.au/" target="_blank">Granite consulting</a> at their networking breakfasts, with Dan Weis of <a href="https://kiandra.com.au/" target="_blank">Kiandra IT</a> covering 'Security and Real World Threats' and the <a href="https://uxmelbourne.org/category/movie-nights/" target="_blank">UX Melbourne movie night</a> covering 'Lean UX' with Jeff Gothelf.

Despite the early start I found the longer discussion format of the morning session a great opportunity to fully explore a topic in far more depth than is usually allowed. With a topic such as computer security it was a great morning wake up call covering topics such as man in the middle, denial of service, hacker tricks and resources and what we should all be doing to prevent becoming victims.

Horse Bazaar was packed when I arrived for the UX movie night, though I'm not sure who was there for the event and who was there for happy hour as there were a few confused faces when the film started. The movie was a <a href="https://uxmelbourne.org/2013/07/jeff-gothelf/" target="_blank">recording of one of Jeff's talks</a>, covering better communication of and demystifying what we all do in our work. There were some great insights, but my main concern with such discussions is always the practical application of concepts in the real world, especially within agency contexts and inflexible clients.

---

## [DrupalGov and Canberra 2013](https://chrischinchilla.com/blog/2013/2013-08-25-drupalgov-2013-canberra)

Date: 2013-08-25

An event that can be as specific as an event for the use of Drupal within government demonstrates a growing interest in Drupal (and maybe openness generally) within government and its great that such an event can attract nearly 150 people.

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An event that can be as specific as an event for the use of Drupal within government demonstrates a growing interest in Drupal (and maybe openness generally) within government and its great that such an event can attract nearly 150 people.

Myself, Martin Schwall and Chris Dubrow ran our own session on using CRMs within government which went pretty smoothly and well, <a href="https://www.slideshare.net/chrischinchilla/extend-drupal-with-a-crm-drupalgov-2013" target="_blank">you can see slides here</a> and we received good feedback.

My other highlights of the day were <a href="https://lanyrd.com/2013/drupalgov/scmgxz/" target="_blank">Martin Ollman's talk on content workflows</a> where I learnt about a bunch of very useful modules I had somehow never heard of including <a href="https://drupal.org/project/maestro" target="_blank">Maestro</a>, <a href="https://drupal.org/project/save_draft" target="_blank">Save Draft</a>, <a href="https://drupal.org/project/media_update" target="_blank">Media Update</a>.

I also found <a href="https://lanyrd.com/2013/drupalgov/scmgxy/" target="_blank">Mr Snow</a> and <a href="https://lanyrd.com/2013/drupalgov/scmgxt/" target="_blank">Sean Moss</a>'s talks on different sides of the big data ingest, marking, semantics, querying and displaying methods fascinating and again learnt about many modules and resources I had never heard of before such as <a href="https://biointel.org/" target="_blank">biointel.org</a>, <a href="https://www.geonames.org/" target="_blank">GeoNames</a>, <a href="https://www.alchemyapi.com/" target="_blank">Alchemy API</a> and <a href="https://drupal.org/node/574624" target="_blank">Drupal RDF</a>.

<a href="https://lanyrd.com/2013/drupalgov/scmgyp/" target="_blank">Christopher Biggin's very practical discussion</a> on quick tools and tips for creating more accessible sites equally threw up some great discussion and tips such as <a href="https://captiontube.appspot.com/" target="_blank">CaptionTube</a> and <a href="https://www.w3.org/TR/wai-aria/roles" target="_blank">WAI Aria Roles</a>.

At some point in the evening we decamped to Canberra's infamous <a href="https://www.visitcanberra.com.au/Things-to-do-and-see/Food-and-wine/Breweries/Business-Details-Page.aspx?ID=9002555&Title=Wig+and+Pen+English+Pub+and+Brewery" target="_blank">Wig and Pen</a>, some of the best craft beer in Australia and an evening of many tales and antics.

The next day was blessed with unexpecdalty pleasant weather, so I naughtily skipped the code sprint for a day out and about, visiting the Canberra <a href="https://www.cdscc.nasa.gov/" target="_blank">Deep Space Communication Complex</a>. It was fascinating and it's amazing how outdated space technology now looks despite where it took us and still takes us. Just think, the entire computing power behind the moon landings is now probably in your pocket, they were still running around with ticker tape readings.

The Gibraltar waterfalls were stunning and I had a great scramble around enjoying the invigorating sunshine.

As always Canberra, you're great to visit. :-)

See more photos on my <a href="https://www.flickr.com/photos/chrischinchilla/sets/72157635219192536/" target="_blank">Flickr page</a>.

---

## [Silicon Beach drinks, 15th August](https://chrischinchilla.com/blog/2013/2013-08-15-silicon-beach-drinks-15th-august)

Date: 2013-08-15

One of the challenges of my new attempt to blog about all the events I attend is that some events are hard to write about there and then on the spot. Networking events being one of them, you can't keep whipping out a notebook/tablet to jot down conversations and, well, you may not find anything you want to write about.

---

One of the challenges of my new attempt to blog about all the events I attend is that some events are hard to write about there and then on the spot. Networking events being one of them, you can't keep whipping out a notebook/tablet to jot down conversations and, well, you may not find anything you want to write about.

Still, a challenge is a challenge…

Silicon Beach has been running for quite a while and despite a declining audience due to many other similar events now and their decision to cut sponsored bar (see my <a href="https://blog.thefetch.com/2013/08/03/the-golden-rules-of-meetup-etiquette/" target="_blank">Fetch post on Meetup etiquette</a> folks!), however they are still running with attendance enviable to most groups and some would say, better quality audiences now.

Who did I meet… Well.

A Telstra project manager who gave me some insights into their recent profit reports…

Some folks from <a href="https://www.edenexchange.com/" target="_blank">edenexchange.com</a> an entrepreneurs and funding marketplace.

An Investment Analyst from Australian Super. This isn't the first time I've met someone from 'old school' financial advice at a startup event, interesting to see the space becoming far more mainstream.

Some folks from <a href="https://www.appster.com.au/" target="_blank">Appster</a> a mobile application development company. We talked development techniques and hoping to get someone for a future <a href="https://www.meetup.com/Melbournemobile" target="_blank">Melbourne Mobile</a> session.

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## [Drupal Melbourne meetup, Aug 13th 2013](https://chrischinchilla.com/blog/2013/2013-08-14-drupal-melbourne-meetup-aug-13th-2013)

Date: 2013-08-14

Three presentations tonight, followed by usual natters at the lovely Last Jar afterwards.

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Three presentations tonight, followed by usual natters at the lovely Last Jar afterwards.

<a href="https://www.meetup.com/drupalmelbourne" target="_blank">www.meetup.com/drupalmelbourne</a>

**WF tools FTW - <a href="https://davehall.com.au/" target="_blank">Dave Hall</a>**

WF tools are about improving the Drupal deployment workflow. After having done a Drupal devops talks myself recently, I know Drupal already possess better tools than most CMSs, but that doesn't stop developers from constantly trying to improve them. Enough from me, just watch Dave as this was presented through a Google Hangout and thus recorded to YouTube. Looks very helpful for syndication to.

<a href="https://www.youtube.com/watch?v=f48VfoVrW5k&feature=youtu.be" target="_blank">www.youtube.com/watch?v=f48VfoVrW5k&feature=youtu.be</a>

**Rick de beor - building maps in Drupal**

There are many map modules in Drupal, so which one is best? Start with the requirements you really need and features needed and try to stick to them. Sometimes you even need a map to navigate the map options. Start your journey with this discussion post that was the base of Rick's talk.

<a href="https://flink.com.au/tips-tricks/27-reasons-not-to-use-google-maps" target="_blank">flink.com.au/tips-tricks/27-reasons-not-to-use-google-maps</a>

**Simon Hobbs - creating ctools plugins**

Panels is a common Drupal module used to layout your site or pages visually. Ctools is the underlying framework that it and several other modules uses. Simons presentation was a discussion on how to create the different types of plugins that can be plugged in to ctools to extend panels functionality. These plugins will help aid the content creators work by creating custom functionality that they will regularly use for their work and simplify their workflow.

<a href="https://ygerasimov.com/ctools-plugins-system" target="_blank">ygerasimov.com/ctools-plugins-system</a>

Other items I bookmarked thanks to discussions at the session:<ul><li>Font Awesome - Fonts for Bootstrap: <a href="https://fortawesome.github.io/Font-Awesome/" target="_blank">fortawesome.github.io/Font-Awesome</a></li><li>Aurora - FireFox Beta channel: <a href="https://www.mozilla.org/en-US/firefox/channel/" target="_blank">www.mozilla.org/en-US/firefox/channel</a></li><li>Leaflet Map Library: <a href="https://leafletjs.com/" target="_blank">leafletjs.com</a></li><li>Using MapBox tiles in Drupal Views: <a href="https://drupal.org/project/leaflet_mapbox" target="_blank">drupal.org/project/leaflet_mapbox</a></li><li>Top Shelf Modules - Crowd funding development: <a href="https://topshelfmodules.com/" target="_blank">topshelfmodules.com</a></li></ul>

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## [Angelcube pitch night, Aug 12th 2013](https://chrischinchilla.com/blog/2013/2013-08-13-angelcube-pitch-night-aug-12th-2013)

Date: 2013-08-13

I love pitch events, I love hearing ideas good and bad and watching people's passion in what they do… This will be the first I attempt to summarise and my first attempt at live blogging, of sorts.

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I love pitch events, I love hearing ideas good and bad and watching people's passion in what they do… This will be the first I attempt to summarise and my first attempt at live blogging, of sorts.

<a href="https://www.angelcube.com/" target="_blank">Angelcube</a> is a 'long' established Australian startup incubator offering mentorships, networks and funding for aspiring startups. It already feels a bit like the Australian (Melbourne?) startup scene  is on the verge of jumping the shark if it hasn't already, but still, no harm in people trying.

**OutTrippin**<br>Opening introductions contains the sentence, "It's like 99designs for travel"… Oh dear. Experts get to pitch you ideas around your next trip for $79, including travel tips, logistics. It's aimed particularly (for now) at Honeymooners and FIFA travellers. Experts are chose from a selection of existing well know travel bloggers, 189 on board right now. Sounds interesting, not sure if i'd have a use for it really, my travel plans (based upon booking a trip right now) are usually drawn from necessity, cost and practicality, not recommendations completely.<br>[battletrip.co](https://battletrip.co/)

**C8Apps**<br>Somehow merging sports fantasy sports and casual gaming mechanisms into mobile apps. I'm no expert in this field, but surely there must have been a lot of competition in this field? It seems way too obvious, computer games in this field have existed for years, it would have seemed an obvious move to mobile. Also, not sure if I missed something, but not entirely sure how they are making the money they claim to be making.<br>[c8apps.com](https://c8apps.com/)

**OziRig**<br>Providing camera support equipment (tripods, foleys, audio etc) at a far cheaper rate by removing distribution, retail etc. It kind of feels like they're just ripping off designs and remaking it, cutting out R&D. Not a new idea of course, but feels kind of dirty and maybe watch out for calls from legal departments…<br>[ozirig.com.au](https://www.coinjar.io/)

**CoinJar**<br>Coinjar is a bit coin wallet, something that could do with somewhat of an overhaul in terms of user experience to take it into the masses. It involves two products, one to pay for BitCoins, one to spend them, all of them in a friendly professional looking user experience. All of the products will be accessible through APIs, so also offering a development platform. They also offer an online payment method of acquiring BitCoins, which is not something i have seen offered before.<br>[coinjar.io](https://www.coinjar.io/)

**etaskr**<br>A crowdsourcing marketplace for tasks, but internally for enterprises and large businesses. Leveraging all those hidden skills within organisations that are often overlooked and not noticed. Seems like a great idea, but not something I'm likely to use any time soon, working for small organisations. There could also be some issues with cross departmental cost and profit centres.<br>[etaskr.com](https://etaskr.com/)

**Tablo Publishing**<br>A self publishing platform that handles publishing and distribution into stores. Speaking as an ex digital publisher, this is certainly a fantastic idea. It offers layout and typography tools. Not cheap, but posses an impressive feature list with a lot of promise. It will also allow for importing of existing titles created on other platforms.<br>[tablo.com.au](https://habit21app.com/)

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## [Avoiding problems with your Drupal project](https://chrischinchilla.com/blog/2013/2013-08-03-avoiding-problems-with-your-drupal-project)

Date: 2013-08-03

Over the past year I've been slowly building a list of gotchas, mistaken assumptions and potential slip ups that have hit projects I've been involved with several times, or seemed so blindingly obvious after the moment that they just had to be documented. This is one of the many articles I have that may grow over time as I discover more useful tidbits.

---

Over the past year I've been slowly building a list of gotchas, mistaken assumptions and potential slip ups that have hit projects I've been involved with several times, or seemed so blindingly obvious after the moment that they just had to be documented. This is one of the many articles I have that may grow over time as I discover more useful tidbits.

Some of these are more generic to suit any website development project whilst others are very specific to Drupal based projects, which is the main platform projects I'm involved with utilise, I'll try to mark those as we go.

## Assumptions
### Get to know industry more
As web developers we are often called to work on projects in industries that we know absolutely nothing about and whilst we may make lengthy business analyses about our clients, often some really obvious assumptions can be overlooked. For example we recently worked on a site for an engineering supplier, treating it like a standard ecommerce site, but of course, who would drop by a site and on a whim depart with several thousand for a complex, custom and site specific piece of machinery.

Get to know not only a clients business, but also their world, the terminology they use, the slang, common practises that seem extremely obvious to them and perhaps even more crucially for what we do... The browsers they use.

## Servers
Is the setup for the web servers being used throughout the project for local development, testing and production the same? If not, what are the differences, will these affect anything you're doing? Who is responsible for maintaining and backing up these servers?

## Design
Here's a great post on designing for Drupal, learning to better understand it's structure so it doesn't obstruct what you do.

[www.chapterthree.com/blog/nica_lorber/design_drupal_template_approach](https://www.chapterthree.com/blog/nica_lorber/design_drupal_template_approach)

## Development
These aren't necessarily in any particular order, but are various pointers picked up along the way.

### Listings of events
If creating listings of events, the default sort order of most content listings will be the date created, but of course, events have their own date component and the chances are that a site will need to order events in a particular way such as the order they are occurring in or vice versa.

### Views list sorting
Often listings created in Drupal views will default to alphabetical or date created order, however, quite often clients will have a very particular order they are expecting or anticipating listings to be in, such as importance or department. So before building listings, ensure you ask a client what ordering they are expecting, or even better, give them the ability to order them themselves, through access to views or something like the draggable views module.

### Views listings will probably need editable introductions
Views is a great way to create listings of content, but generally a client will require that these listings have some kind of explanation or context for site visitors. You could give content administrators access to the view and allow them to amend header text or instead, create pages with context or panels to display the view as a block and the introductory text a normal node and this easily part of the editorial workflow.

### Typekit problems with Internet Explorer 8 and lower
We've noticed this on several sites that utilise TypeKit, when Internet Explorer 8 and below renders many fonts all in italics. I wont bother explaining it all here, but take a look at the link below.

<a href="https://drupal.org/node/1936340" style="line-height: 1.538em;">drupal.org/node/1936340</a>

### WYSIWYGs
'What You See Is What You Get' editors are a popular and convenient way of editing content but are prone to many configuration issues and assumptions from all sides, with developers wanting to limit what clients can do and clients wanting to do as much as possible. The real nitty gritty of this may vary from project to project, but here's a few features we've found clients always want and expect, so save yourself some hassle by just setting them up in the first place, unless you have a very good reason not to (with all of these there are several ways to achieve them, I shall leave the preferred implementation up to you).<ul><li>The ability to upload files inline into a WYSIWYG, not upload separately and enter a file's path, but directly uploading a file, adding a link and everything to work.</li><li>Much like above, the ability to upload images directly into a WYSIWYG. When allowing this functionality you will need to think about file sizes, image sizes, image layouts and many other factors. This may all seem like a lot of work, but content editors will want to be able to edit content the way they want to and it's up to you to find a way that can be accommodated stably, once you've got it right once, it can generally be rolled out across all projects.</li><li>Content editors expect to be able to create links to external content content internal to the site, so when setting up links within a WYSIWYG, try adding the facility to be able to link easily to internal site content, preferably though some sort of picker or autocomplete widget.</li><li>Don't allow  tags in your WYSIWYG fields.</li></ul>

### Forms
Do forms have email recipients? Who should they be?

### Spam protection
All forms will probably need some form of spam protection, probably best for your future sanity to just enable it on all forms in some way.

### Email templates
User registrations, store orders, password changes etc. all send emails, the contents and look of those emails may not suit a client, make sure they've all been gone through and changed accordingly.

### Some other useful resources_<ul><li>www.webdevchecklist.com</li></ul>
## Going Live
### SSL / Certificates
If your site requires any secure areas, don't forget to set up SSL certificates, enable secure urls where needed and test that everything still works once it's all in place.

### DNS Changes
When sites go live they will generally need some DNS changes to happen at some point, so make sure you allow enough time for these to propagate through the web. Equally, make sure that all versions of the website address work as expected, 'www.', non www and any subdomains.

### Caching
Most would know that caching should be enabled once a site goes into production, but not wanting to go into masses of details on caching techniques, there are a few pitfalls. Firstly, tell clients what caching is, how it works and why it's used. Frequently (using default caching options in Drupal) clients will be confused when adding new content or making small layout changes and wondering why it isn't showing immediately. Perhaps consider custom hooks to clear content caches when adding new content or simply providing a button for content editors to do it themselves, again, making them aware of the implications of doing so.

### Cron
Don't forget to turn cron on. Also, test what happens when cron does run, do expected things happen and do unexpected things not happen?

### Turn off environment indicator
Were you using the Drupal environment indicator module during development? I would recommend you turn it off on production sites as clients constantly wonder what the coloured bar is doing there.

### Using external services?
Things like newsletters, logging services etc. You may have been using test email addresses and settings, don't forget to switch them to the real account details.

### Time Zones
Are your timezones set correctly for the main site, subsites, user accounts etc?

## Security
### Change your administrator usernames
Usernames like 'admin', 'administrator' etc are not secure usernames for powerful admin accounts and will be easily guessed by automated hacking systems. Change them as soon as you can.

### Be careful of hostnames in MYSQL grant statements
Generally it's too easy to just create MySQL users who can access your database server from anywhere, if you want to be extremely cautious, these can be locked to only access from specificic places, domains or IP addresses, <a href="https://dev.mysql.com/doc/refman/5.5/en/account-names.html" target="_blank">see more details here</a>.

## Some other useful resources
<ul><li>[www.zivtech.com/blog/impending-drupal-site-launch-use-list](https://www.zivtech.com/blog/impending-drupal-site-launch-use-list)</li></ul>

---

## [Power your mobile presence with Drupal](https://chrischinchilla.com/blog/2013/2013-07-12-power-your-mobile-presence-with-drupal)

Date: 2013-07-12

<p class="p1">Drupal has a plethora of ways to power your mobile apps and websites, including:<ol class="ol1"><li class="li1">Responsive design</li><li class="li1">Offline storage</li><li class="li1">Integration with frameworks such as PhoneGap and Titanium Appcelerator</li><li class="li1">Utilising services to feed apps data</li><li class="li1">And much more</li></ol><p class="p1">This session will touch upon these various options, looking at when they are relevant, their complexity, their advantages and disadvantages, arming you with a toolbox for the next time a client asks for a mobile site or app.

---

<p class="p1">Drupal has a plethora of ways to power your mobile apps and websites, including:<ol class="ol1"><li class="li1">Responsive design</li><li class="li1">Offline storage</li><li class="li1">Integration with frameworks such as PhoneGap and Titanium Appcelerator</li><li class="li1">Utilising services to feed apps data</li><li class="li1">And much more</li></ol><p class="p1">This session will touch upon these various options, looking at when they are relevant, their complexity, their advantages and disadvantages, arming you with a toolbox for the next time a client asks for a mobile site or app.

<iframe allowfullscreen="" frameborder="0" height="356" marginheight="0" marginwidth="0" mozallowfullscreen="" scrolling="no" src="https://www.slideshare.net/slideshow/embed_code/24326966" style="border:1px solid #CCC;border-width:1px 1px 0;margin-bottom:5px" webkitallowfullscreen="" width="427"></iframe><div style="margin-bottom:5px"><strong><a href="https://www.slideshare.net/chrischinchilla/power-your-mobile-app-with-drupal" target="_blank" title="Power your mobile app with Drupal - Melbourne Mobile, July 2013">Power your mobile app with Drupal - Melbourne Mobile, July 2013</a> </strong> from <strong><a href="https://www.slideshare.net/chrischinchilla" target="_blank">Chris Chinchilla</a></strong></div>

---

## [The lean and agile non profit](https://chrischinchilla.com/blog/2013/2013-07-04-the-lean-and-agile-non-profit)

Date: 2013-07-04

I&#39;m working on a book/presentation/series of workshops/who knows what covering integrating lean and agile practices into a non-profit or social enterprise. As a sub set of that will also be &quot;What the non-profit world can learn from the tech world and vice versa&quot;.

---

I&#39;m working on a book/presentation/series of workshops/who knows what covering integrating lean and agile practices into a non-profit or social enterprise. As a sub set of that will also be &quot;What the non-profit world can learn from the tech world and vice versa&quot;.

It&#39;s still taking shape, it&#39;s still to be completely defined, but that&#39;s the plan.

Watch this space and leave any comments and thoughts in the comments below.

---

## [clarity, context and how to understand each other better](https://chrischinchilla.com/blog/2013/2013-07-02-clarity-context-and-how-to-understand-each-other-better)

Date: 2013-07-02

Developer says to designer &quot;blah blah blah&quot;</div>Client says to developer &quot;blah blah blah&quot;</div>Project manager says to developer and designer &quot;blah blah blah&quot;</div>&nbsp;</div>And so it goes.</div>&nbsp;</div>A lot of the time we don&#39;t understand each other in our projects due to a lack of clarity, explanations, context and assumptions on all sides that go continually unchecked.</div>&nbsp;</div>How can we all understand each other much better, reducing heart ache, money wasted, time spent, mental and physical violence?</div>&nbsp;</div>Let&#39;s figure it out and end the session much happier.</div>

---

Developer says to designer &quot;blah blah blah&quot;</div>Client says to developer &quot;blah blah blah&quot;</div>Project manager says to developer and designer &quot;blah blah blah&quot;</div>&nbsp;</div>And so it goes.</div>&nbsp;</div>A lot of the time we don&#39;t understand each other in our projects due to a lack of clarity, explanations, context and assumptions on all sides that go continually unchecked.</div>&nbsp;</div>How can we all understand each other much better, reducing heart ache, money wasted, time spent, mental and physical violence?</div>&nbsp;</div>Let&#39;s figure it out and end the session much happier.</div>

---

## [CiviCRM Cookbook, Tony Horrocks](https://chrischinchilla.com/blog/2013/2013-06-21-civicrm-cookbook-tony-horrocks)

Date: 2013-06-21

CiviCRM like many open source tools is a blank canvas and a set of paints that different implementers will take in many different ways based on their myriad uses and requirements.

---

CiviCRM like many open source tools is a blank canvas and a set of paints that different implementers will take in many different ways based on their myriad uses and requirements.

This is why the cookbook concept always works so well, most implementers, developers and users will carry around their own sets of recipes, tips and tricks to accomplish particular results that may or may not be anything like someone else's.

Tony Horrocks has done a great job bringing together many of these into one easy to read volume, sitting alongside the official manual as more of a "how to" rather than a "what is". Some of the recipes I am familiar with, others I am not, which is always a great outcome that has you reaching for the "to try" list. Some I think I may even be responsible for, but hey, it is a community!

There are times when you wish a recipe would go just that little bit further, it leaves you asking "yes and...", but there are generally plenty of links to further resources.

Whilst they are my platforms of choice, I feel that the almost overly exclusive focus on a Mac and Drupal may alienate a few people and there are a couple of places where I wonder if the advice really is the easiest or best.

All in all its a great book and whilst some of the information within it isn't new, often targeting an audience through more mainstream and approachable means is often the best way to bring a topic out of the niche and into the foreground, so let's hope the book achieves just that for the writer and the CiviCRM community.

<a href="https://www.packtpub.com/civicrm-cookbook/book" target="_blank">Buy the book from Packt here</a>

---

## [The lean and agile non profit](https://chrischinchilla.com/blog/2013/2013-05-13-the-lean-and-agile-non-profit)

Date: 2013-05-13

&nbsp;<p class="p1">What can the non-profit sector learn from from the tech sector and vice versa?<p class="p1"><span style="line-height: 1.538em;">Two sectors that are traditionally diametrically diverse, one moves slowly and is resistant to change, the other moves quickly, keeping up with trends and developments, constantly evolving to meet new needs and requirements.<ul><li class="p1"><span style="line-height: 1.538em;">However in the changing global landscape, both need to be more efficient, different, offer extra value and change their ways of working.</li><li class="p1"><span style="line-height: 1.538em;">What can each sector learn from the other? What are some work practices that could benefit each?</li><li class="p1"><span style="line-height: 1.538em;">We look at some practical examples of each sector to lead a valuable discussion.</li></ul>

---

&nbsp;<p class="p1">What can the non-profit sector learn from from the tech sector and vice versa?<p class="p1"><span style="line-height: 1.538em;">Two sectors that are traditionally diametrically diverse, one moves slowly and is resistant to change, the other moves quickly, keeping up with trends and developments, constantly evolving to meet new needs and requirements.<ul><li class="p1"><span style="line-height: 1.538em;">However in the changing global landscape, both need to be more efficient, different, offer extra value and change their ways of working.</li><li class="p1"><span style="line-height: 1.538em;">What can each sector learn from the other? What are some work practices that could benefit each?</li><li class="p1"><span style="line-height: 1.538em;">We look at some practical examples of each sector to lead a valuable discussion.</li></ul>

---

## [Featurefull vs Usable](https://chrischinchilla.com/blog/2013/2013-05-04-featurefull-vs-usable)

Date: 2013-05-04

I've been having some thoughts recently on the paths that many open source projects seem to follow and who they are really designed for, the developer or the users?

---

I've been having some thoughts recently on the paths that many open source projects seem to follow and who they are really designed for, the developer or the users?

As always, this is work in progress and I'd be happy to maybe do a presentation on this at some point...

_Do we focus too much on cramming features into open source projects, instead of paying attention to making our products/projects something that people will genuinely want to use and enjoy using?_

_Does the desire for programmatic academic prowess outweigh the desire to polish and make things actually usable?_

_Are we trying to make software we want people to use or just please our egos and feelings of a job well done?_

_Or is it that we simply don't have the resources to accomplish the polish found in some commercial products and relying on progress generally being made by volunteers means we get what they want to work on, not what may actually be needed._

**What are your thoughts?**

Image from <a href="https://thecollegestartup.com/" target="_blank">thecollegestartup.com</a>

---

## [My New housemate](https://chrischinchilla.com/blog/2013/2013-05-04-my-new-housemate)

Date: 2013-05-04

He must works nights as I rarely see him, we've never spent a night together, just watching TV or anything like that, but he must have a set in his room, and a penchant for cheesy old horror films, because sometimes in the middle of the night I hear odd muffled shrieks and yells coming from his room.

---

He must works nights as I rarely see him, we've never spent a night together, just watching TV or anything like that, but he must have a set in his room, and a penchant for cheesy old horror films, because sometimes in the middle of the night I hear odd muffled shrieks and yells coming from his room.

I think he throws out meat or something in the bins at the front of the house, there's always foxes sniffing and lurking around since he moved in, well at least I think they're foxes, they're quite large.

He can't stand hawkers, especially  religious ones, once he opened the door to a Mormon, screamed and slammed the door straight into the poor guys face. I know they're annoying but it was a bit of an over reaction.

Sometimes when we're both in during the day he always wants the curtains shut, I don't mind too much but it would be  nice to have a bit of daylight coming in sometimes.

I can't place his accent, it's sort of Eastern European I think, but with a dignified, educated twinge, makes me wonder what's he's doing living in Ringwood.

I think he's using a fake name, post turns up addressed to a variety of odd names like 'Rad Luca' and 'Ron Tufaes', aways in dusty envelopes written with red ink in a frantic scrawl.

He never seems to eat, well, not with me around at least. All he has in the fridge are these homemade dark red 'protein shakes' as he calls them. The only time I ever saw him eat anything it was a red raw steak, he said the shakes were 'unavailable'.

Despite his immaculate appearance he never seems to wash or touch water in any way. It means he never does the washing or anything like that, I don't  really mind as he never really makes any mess. maybe he's got some sort of hygiene shyness complex or something.

He keeps the strangest company, a few men and women just like him have been round the house and they hang on to his every word. They all dress the same, like New Romantics crossed with Goths. They all speak in hushed tones and stop the instant I enter the room. About once a months a really hairy guy comes round and once this massive hulk of a guy turned up, he had to duck through all the door ways. He had this piercing through his neck and looked like he'd been in some serious fights, scars all over him.

I'm sure once or twice I've caught him in my room whilst I was asleep, but whenever I think its happened I can never quite remember the next day, everything is always a bit hazy.

---

## [Price on Application with Ubercart 3 and Views](https://chrischinchilla.com/blog/2013/2013-05-04-price-on-application-with-ubercart-3-and-views)

Date: 2013-05-04

A few weeks back I needed to create an ability for certain products in Ubercart to be available for 'price on application', there were a few modules floating around that pertained to do this, but none seemed to work in Drupal 7, so I racked my brain on how to accomplish this as simply as possible and came up with something quite tidy...

---

A few weeks back I needed to create an ability for certain products in Ubercart to be available for 'price on application', there were a few modules floating around that pertained to do this, but none seemed to work in Drupal 7, so I racked my brain on how to accomplish this as simply as possible and came up with something quite tidy...

I created a field on the product content type where content editors could enter the text to be displayed instead of a price, in my case, called 'field_price_on_application'.

In my case I had a view that displayed the various product options in a right hand bar, but hopefully the same principles may apply for other display options. Within the view I added fields for the sell price and the price on application text, but hid them from display.

Finally, I created a custom text field, which by default displays the price on application text and in the 'no results' section displays the sell price and anything else you want to display. This basically means that the field will display the price on application if there is one, but the price instead, if one is set.

![Ubercart Views fields hidden from display](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/poa-1.png)

![Ubercart Views custom text field configuration](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/poa-2.png)

![Ubercart product displaying price-on-application text](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/poa-3.png)

![Ubercart product displaying its standard price](https://jkiudypxrctjskezxyfy.supabase.co/storage/v1/object/public/images/articles/poa-4.png)

---

## [Nexus 4 – The Android iPhone and that's ok](https://chrischinchilla.com/blog/2013/2013-04-28-nexus-4-the-android-iphone-and-thats-ok)

Date: 2013-04-28

I decided to upgrade my Samsung S2 to a Nexus 4, there were several reasons for this...<ul><li>I dropped the S2 on a rock and it had a large hairline crack in the screen, not that bad but noticeable.</li><li>I rooted the phone and installed Cyanogen Mod, it ran really well until recently, and a stable version of 4.2 looks like it was never gong to happen.</li><li>I came into some money and thought I'd treat myself</li></ul>

---

I decided to upgrade my Samsung S2 to a Nexus 4, there were several reasons for this...<ul><li>I dropped the S2 on a rock and it had a large hairline crack in the screen, not that bad but noticeable.</li><li>I rooted the phone and installed Cyanogen Mod, it ran really well until recently, and a stable version of 4.2 looks like it was never gong to happen.</li><li>I came into some money and thought I'd treat myself</li></ul>

So why is this review entitled "The Android iPhone", well some of the reasons some people like the android platform is its flexibility. Therefore it's a strange choice with the Nexus 4 to have an iPhone style sim card slot that requires a silly 'tool' and a non-removable battery.

I didn't realise how many features and settings I had become reliant on that were actually Cyanogen Mod features, things such as being able to change lock screen shortcuts, remove battery status from the top nav bar, changing the number of home screens and a few other features to.

Still after a few days I realised most of these could be done without or replaced with other apps and I started realising the positive aspects of the nexus 4.

Firstly, the screen is incredibly sharp, crisp and clear. I've never been greatly convinced by retina displays or their equivalent but after a few days with this screen it's hard to look at another phone.

Its fast and snappy, everything seems to be running faster, even data reliant tasks, I've only had a handful of occasions when it feels laggy.

The battery life is generally phenomenal. I've had days when I've tethered into it, listened to music, made calls and a bunch of other things and still had 30% left by the end of the day.

I really like the build of the phone to, its solid without being metallic, a nice fit, not too heavy and the rubber sides add a nice comfortable feel when holding it. I'm still getting used to the side power/lock button, generally its not an issue, but can be a bit of a fiddle when trying to do something like end a phone call.

In summary, my initial concerns and grievances ended up turning into positives and perhaps the complete flexibility I had with my s2 led to inconsistency and unreliability. Now the slight locked down compromise is actually much more liberating and just works.

---

## [Talking at Web Directions Code](https://chrischinchilla.com/blog/2013/2013-04-20-talking-at-web-directions-code)

Date: 2013-04-19

I am honoured, happy and excited to have been asked to speak at a Web Directions event, <a href="https://code13melb.webdirections.org/" target="_blank">Web Directions Code</a>, here in Melbourne on the 2nd and 3rd of May.

---

I am honoured, happy and excited to have been asked to speak at a Web Directions event, <a href="https://code13melb.webdirections.org/" target="_blank">Web Directions Code</a>, here in Melbourne on the 2nd and 3rd of May.

I am talking on how to debug and test your mobile web apps, somehow squeezing all I know into 15 minutes, it&#39;s going to be fun!

---

## [Take your drupal sites offline](https://chrischinchilla.com/blog/2013/2013-03-12-take-your-drupal-sites-offline)

Date: 2013-03-12

Take your Drupal sites offline with HTML 5 AppCache and turn it into a webapp, perhaps with something like PhoneGap.

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Take your Drupal sites offline with HTML 5 AppCache and turn it into a webapp, perhaps with something like PhoneGap.

<iframe allowfullscreen="" frameborder="0" height="356" marginheight="0" marginwidth="0" mozallowfullscreen="" scrolling="no" src="https://www.slideshare.net/slideshow/embed_code/17141240" style="border:1px solid #CCC;border-width:1px 1px 0;margin-bottom:5px" webkitallowfullscreen="" width="427"></iframe><div style="margin-bottom:5px"><strong><a href="https://www.slideshare.net/chrischinchilla/take-your-drupal-sites-offline" target="_blank" title="Take your drupal sites offline">Take your drupal sites offline</a> </strong> from <strong><a href="https://www.slideshare.net/chrischinchilla" target="_blank">Chris Chinchilla</a></strong></div>

---

## [How long did that website really take to make?](https://chrischinchilla.com/blog/2013/2013-01-21-how-long-did-that-website-really-take-to-make)

Date: 2013-01-21

That snazzy website your looking at took a while to make didn't it? What do you reckon? Maybe it took the developers a few months to make. Perhaps its taken them a few years of iterative development to create and perfect something more complex.

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That snazzy website your looking at took a while to make didn't it? What do you reckon? Maybe it took the developers a few months to make. Perhaps its taken them a few years of iterative development to create and perfect something more complex.

But what about everything else you're using, ever given any thought on how long they all took to make?

Did you know that php, the language behind many sites you view was a year in the making before its initial release, mysql, the database engine that holds the data behind most sites has a near twenty year history. The initial versions of HTML and DNS were also a couple of years in the making and most of the web browsers you use have histories running back to the 90s.

In more recent history, Drupal and WordPress have both been in existance for nearly 12 years and even HTML 5 and CSS 3, the current cutting edge tools we have available to us have been in development for several years.

So next time you're browsing that site full of cute cat pictures, connecting with old friends, shopping online or sharing what you just ate for breakfast, remember there's nearly 30 years of work behind what you're looking at. show some appreciation.

Image taken from <a href="https://en.wikipedia.org/wiki/History_of_the_Internet" target="_blank">here</a>, which is a fascinating read.

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## [Talking CiviCRM at Joomla!Day Melbourne, 20th Jan](https://chrischinchilla.com/blog/2013/2013-01-14-talking-civicrm-at-joomladay-melbourne-20th-jan)

Date: 2013-01-13

Completing the tricefta of talking about <a href="https://civicrm.org" target="_blank">CiviCRM</a> at every user group for every platform it&#39;s available on in Melbourne, I&#39;m talking about CiviCRM and <a href="https://joomla.org" target="_blank">Joomla!</a> at this weekend&#39;s <a href="https://melbourne.joomladay.org.au/" target="_blank">Joomla!Day</a>.

---

Completing the tricefta of talking about <a href="https://civicrm.org" target="_blank">CiviCRM</a> at every user group for every platform it&#39;s available on in Melbourne, I&#39;m talking about CiviCRM and <a href="https://joomla.org" target="_blank">Joomla!</a> at this weekend&#39;s <a href="https://melbourne.joomladay.org.au/" target="_blank">Joomla!Day</a>.

it will be a brief features overview on CiviCRM and how it integrates with Joomla!. I&#39;m talking on the 20th of January at 10am. See you there!

---

## [InSync](https://chrischinchilla.com/blog/2013/2013-01-13-insync)

Date: 2013-01-13

Someone recently put me on to <a href="https://www.insynchq.com/" target="_blank">insync</a>, a new way to use <a href="https://drive.google.com" target="_blank">Google drive</a>. I've had two main issues with Google's drive application:<ol><li>That it will only work with one Google account (with three active ones, that's not very helpful).</li><li>That when you open a file in finder/explorer it opens up a browser, which seems a rather pointless user of a desktop application.</li></ol>

---

Someone recently put me on to <a href="https://www.insynchq.com/" target="_blank">insync</a>, a new way to use <a href="https://drive.google.com" target="_blank">Google drive</a>. I've had two main issues with Google's drive application:<ol><li>That it will only work with one Google account (with three active ones, that's not very helpful).</li><li>That when you open a file in finder/explorer it opens up a browser, which seems a rather pointless user of a desktop application.</li></ol>

Insync solves both of these issues, allowing multiple accounts and also doing a fantastic conversion on the fly, opening documents in your office application of choice. Formatting can sometimes be a little strange in the opened documents and I've no idea what would happen if you tried to collaborate on a document at once.

Insync also has mobile apps available, but as for some reason (android at least) they have support for multiple drive accounts, it's rendered somewhat pointless.

<a href="https://www.insynchq.com/" target="_blank">www.insynchq.com</a>

---

## [Buffer - Social sharing](https://chrischinchilla.com/blog/2013/2013-01-06-buffer-social-sharing)

Date: 2013-01-06

I've been using buffer for ages, but not got around to writing anything about it, so now I met appear to be following the pack somewhat.

---

I've been using buffer for ages, but not got around to writing anything about it, so now I met appear to be following the pack somewhat.

I go through phases of having time to read through news and blogs, generally with a few days between opportunities. So I'll find a bunch of articles and links I want to share across one or more social networks but don't really want to share, say 20 at once. Enter buffer. It allows you to 'buffer' (or post immediately) several social shares across your networks and even set the times they should go out for maximum effect or just some space in between.

It currently works with Facebook (personal and pages), twitter, LinkedIn and app.net, provides analytics on your posts, has some pretty solid mobile apps and browser plugins and is free for a limited amount of posts and accounts that should suit most non social media professionals, I like it so much I might even upgrade to premium despite not needing to.

<a href="https://bufferapp.com" target="_blank">bufferapp.com</a>

---

## [Extending Drupal with a CRM talk at Drupal Melbourne meetup 8th Jan](https://chrischinchilla.com/blog/2013/2013-01-04-extending-drupal-with-a-crm-talk-at-drupal-melbourne-meetup-8th-jan)

Date: 2013-01-03

I&#39;ll be delivering the new improved version 2 of my &#39;<a href="/presentation/extending-drupal-crm">Extending Drupal with a CRM</a>&#39; talk at <a href="https://www.meetup.com/drupalmelbourne/events/97620592/comments/143010552/" target="_blank">Drupal Melbourne&#39;s inaugural meetup for 2013 on the 8th Jan</a>. It will be new and improved with a tour through integrating external commercial CRMs with Drupal, Drupal native CRM tools and more pictures of cats.

---

I&#39;ll be delivering the new improved version 2 of my &#39;<a href="/presentation/extending-drupal-crm">Extending Drupal with a CRM</a>&#39; talk at <a href="https://www.meetup.com/drupalmelbourne/events/97620592/comments/143010552/" target="_blank">Drupal Melbourne&#39;s inaugural meetup for 2013 on the 8th Jan</a>. It will be new and improved with a tour through integrating external commercial CRMs with Drupal, Drupal native CRM tools and more pictures of cats.

So see you there for great talks and a beer afterwards :)

---

## [Extending Drupal with a CRM](https://chrischinchilla.com/blog/2013/2013-01-02-extending-drupal-with-a-crm)

Date: 2013-01-02

A CRM (Contact Relationship Manager or Constituent Relationship Manager depending on your sector) is a fantastic way to take your Drupal installation further and streamline your business practises.

---

A CRM (Contact Relationship Manager or Constituent Relationship Manager depending on your sector) is a fantastic way to take your Drupal installation further and streamline your business practises.

We look at integration existing external CRMs with Drupal such as Salesforce and Blackbaud as well as more native options such as Red Hen and CiviCRM. The talk contains explanations, examples, case studies, pictures of cats and much more.

&nbsp;

---

## [Creating campaigns with Drupal and CiviCRM](https://chrischinchilla.com/blog/2013/2013-01-02-creating-campaigns-with-drupal-and-civicrm)

Date: 2013-01-02

<span style="line-height: 1.538em;">In this sessions we look at utilising a variety of Drupal modules, tools and techniques to create standalone campaigns for your non-profits (or company&#39;s) site. These could be sub sites, micro-sites or pages with a different look and feel.

---

<span style="line-height: 1.538em;">In this sessions we look at utilising a variety of Drupal modules, tools and techniques to create standalone campaigns for your non-profits (or company&#39;s) site. These could be sub sites, micro-sites or pages with a different look and feel.

<span style="line-height: 1.538em;">The sessions will cover changing layout and design, accepting donations, displaying different menus and much more.

---

## [2013 New Years resolutions](https://chrischinchilla.com/blog/2013/2013-01-01-2013-new-years-resolutions)

Date: 2013-01-01

2012 has been a big year, equal good and bad, extremely busy moments and dull moments to. I&#39;ve been to umpteen conferences, meetups and worked on about a dozen projects. Green renters stated the year really well, but dropped off massively after July, as did many other sustainability organisations and that was a hard hit for us.

---

2012 has been a big year, equal good and bad, extremely busy moments and dull moments to. I&#39;ve been to umpteen conferences, meetups and worked on about a dozen projects. Green renters stated the year really well, but dropped off massively after July, as did many other sustainability organisations and that was a hard hit for us.

Because it&#39;s been such an intense year, I&#39;ve learnt a lot about what is and isn&#39;t working for me mentally and physically, so for the first time in a while, I&#39;ve decided to make some new years resolutions.

Here they are...<ul><li style="margin-left: 18pt;">I&#39;m going to start to blogging again. I have too many things to say that aren&#39;t possible to encompass in social media updates.</li><li style="margin-left: 18pt;">I&#39;m going to ramp up my public speaking. For similar reasons to the above, but also because I enjoy it.</li><li style="margin-left: 18pt;">I&#39;m going to do more for me (and my wife). We&#39;ve both spent a lot of our own personal time, money and energy on philanthropic projects over the past couple of years and we&#39;re both exhausted. We&rsquo;re going to spend more time doing things we want and enjoying ourselves.</li><li style="margin-left: 18pt;">Have more down time. For some reason, not being busy freaks me out, I intend to spend more time resting my brain and getting a few of those personal to dos ticked off.</li><li style="margin-left: 18pt;">I&#39;m going to try to be less uptight. This isn&#39;t the first time I&#39;ve said this in my life, but it&#39;s impacting on my physical and mental well being and I need to make a considered effort to change this.</li><li style="margin-left: 18pt;">Grab opportunities. This is a lesser one as I already do this reasonably well, but there have been some times in the past year when I really wish I have spent so much time worrying about things and gone for it.</li></ul>

That&#39;s it for now, let&#39;s see how I go...

---

## [Drupal 7 webform cookbook](https://chrischinchilla.com/blog/2012/2012-08-09-drupal-7-webform-cookbook)

Date: 2012-08-08

Webform is a module that has equal parts lovers and haters... On one hand it makes creating complex forms with no technical knowledge extremely easy. On the other a lot of it's functionality is handled in a 'non-Drupal' way, although this has got somewhat better recently.

---

Webform is a module that has equal parts lovers and haters... On one hand it makes creating complex forms with no technical knowledge extremely easy. On the other a lot of it's functionality is handled in a 'non-Drupal' way, although this has got somewhat better recently.

A book covering just one module (and related) is always going to be a tough job, and Vernon Denny does a mixed job, covering a lot of theoretical form design and best practices that most would probably feel is out of place in a 'technical' book, but is actually extremely helpful and valid, putting some context and explanation behind why Webform does certain things a certain way. There is also a reasonable amount of padding though, with repetition around how to do certain standard Drupal tasks and adding on some Webform extension modules that feel a little superfluous to what is currently being discussed. I guess you have to assume no knowledge for your readers, but at times, there's way too many concepts going on at once that will probably put off a beginner reader who just wants to create forms, not learn theming or module development.

The negatives aside, the books thoroughness also prepares any reader for creating some complex forms, with conditional fields, submissions processing, submissions actions, the presentation Of data, spam protection, listings of some useful webform extensions and how to cope with some of the more common webform 'gotchas'. All topics are handled in a clear, concise, but detailed manner, exposing the power of the webform module and showing any current users of services such as Google forms or survey monkey the potential they're missing.<p class="p5"><a href="https://www.packtpub.com/drupal-7-webform-popular-contributed-modules-cookbook/book" target="_blank">Purchase from Packt publishing here</a>.

---

## [Drupal 7 Multi-sites configuration - Matt Butcher](https://chrischinchilla.com/blog/2012/2012-06-25-drupal-7-multi-sites-configuration-from-packt-publishing)

Date: 2012-06-25

<a href="https://www.packtpub.com/news/new-drupal-mini-books" target="_blank">Part of Packt publishing's new _Mini Drupal series_</a>

---

<a href="https://www.packtpub.com/news/new-drupal-mini-books" target="_blank">Part of Packt publishing's new _Mini Drupal series_</a>

Drupal's Multi sites functionality is one of those hidden little gems that few people know about, use or, to be blunt, need, but is fantastic never the less. I used it quite happily for many years blissfully unaware of how to use it completely properly, but loving the tidiness of having one codebase hosting several sites. Whilst it is a powerful and pitfall laden features, it's also not terribly complicated to set up and utilise, so I was wondering how one would fill an entire book with the subject, even a 'mini-book'.

A lot of the book is actually full of beginner to intermediate descriptions on how to install and configure drupal, from more typical methods (MySQL, Virtual hosts etc.) to utilising Vagrant profiles more automated pushing out of virtual machines for local site testing. I'd heard of the later before but hadn't really tried it and now after seeing how easy it is I'm encouraged and enthused to try the method properly. Whilst reading about the different methods of installing and setting up Drupal is interesting, sticking to just one method and exploring it in detail might have been a better and less disconcerting approach.

The book delves into more behind the scenes and less obvious configuration options for sites, such as modifying settings.php directly, sharing settings files and how best to install and update themes and modules in a multi site setting. Also helpfully covered are some of the gotchas you might miss in a multi site configuration such as Favicons, robots.txt and upgrading core and modules.

Finally it lists a collection of helpful modules that you may or may not have heard of and may or may not find useful, again, not all relevant to multi-site configurations but helpful integration type modules ideal for bringing everything together with external sites and services.

All in all a book with some helpful nuggets, but lacking in some more in-depth exploration of the intended subject.</div>

---

## [MySamaris flyer](https://chrischinchilla.com/blog/2012/2012-06-03-mysamaris-flyer)

Date: 2012-06-03

I know it's kind of tacky, but this flyer attracted my attention at <a href="https://www.ntenonline.org/eweb/DynamicPage.aspx?webcode=NTCSessionsCurrent" target="_blank">NTC12</a> and I thought it was kind of clever... If a waist of dimes that I'm sure the homeless folks of San Francisco would have appreciated...

---

I know it's kind of tacky, but this flyer attracted my attention at <a href="https://www.ntenonline.org/eweb/DynamicPage.aspx?webcode=NTCSessionsCurrent" target="_blank">NTC12</a> and I thought it was kind of clever... If a waist of dimes that I'm sure the homeless folks of San Francisco would have appreciated...

<a href="https://www.mysamaris.com/" target="_blank">www.mysamaris.com</a>

---

## [Thoughts from the NTC 2012 / San Francisco](https://chrischinchilla.com/blog/2012/2012-04-09-thoughts-from-the-ntc-2012-san-francisco)

Date: 2012-04-09

As is usual from my blog posts, this may or may not grow as I remember things&hellip;<ul><li>The visual discrepancy between rich and poor in San Francisco is extremely stark<ul><li>Add to that, the gap between white/Asian and black/Latino is even more noticeable.</li></ul></li><li>A lot of the Not-For-Profit sector seems obsessed with money and how to make it.</li><li>The tipping culture is weird&hellip; In that people don&#39;t tip because they want to, but because they feel obliged to. Which makes tipping and the divvying up of bills an awkward and bizarrely scientific process to watch.</li><li>Americans table manners, especially the way they treat servers, are peculiar&hellip; Perhaps related to above.</li><li>Sales people very open and friendly, I assume because they want to sell you something. On the other hand, Customer service, especially civil service, quite unforgiving and unhelpful.</li><li>A lot of things in Australia aren&#39;t as expensive as people think. Especially food and fuel.</li><li>Conferences in Australia are a lot more multi-cultural, with more people from overseas and we&#39;re more interested in those from overseas.</li></ul>

---

As is usual from my blog posts, this may or may not grow as I remember things&hellip;<ul><li>The visual discrepancy between rich and poor in San Francisco is extremely stark<ul><li>Add to that, the gap between white/Asian and black/Latino is even more noticeable.</li></ul></li><li>A lot of the Not-For-Profit sector seems obsessed with money and how to make it.</li><li>The tipping culture is weird&hellip; In that people don&#39;t tip because they want to, but because they feel obliged to. Which makes tipping and the divvying up of bills an awkward and bizarrely scientific process to watch.</li><li>Americans table manners, especially the way they treat servers, are peculiar&hellip; Perhaps related to above.</li><li>Sales people very open and friendly, I assume because they want to sell you something. On the other hand, Customer service, especially civil service, quite unforgiving and unhelpful.</li><li>A lot of things in Australia aren&#39;t as expensive as people think. Especially food and fuel.</li><li>Conferences in Australia are a lot more multi-cultural, with more people from overseas and we&#39;re more interested in those from overseas.</li></ul>

---

## [My Social Media strategy advice](https://chrischinchilla.com/blog/2012/2012-04-08-my-social-media-strategy-advice)

Date: 2012-04-08

Here's a quote/analogy I've been using for a while to overarchingly describe a strategy for engaging on social media that I've found helpful and descriptive.

---

Here's a quote/analogy I've been using for a while to overarchingly describe a strategy for engaging on social media that I've found helpful and descriptive.

> If you walk into a bar and all you do is stand on the bar, screaming and shouting about yourself, would you expect anyone to engage with you? It's the same with social media…

In follow up to that and the issue of privacy, here's another analogy.

> If you then started telling everyone where your keys were, your movements for the day, where your valuables were, your fears and weaknesses and a bunch of other personal details. You would expect some repercussions.

---

## [Evernote](https://chrischinchilla.com/blog/2012/2012-03-15-evernote)

Date: 2012-03-15

It's simple, updates regularly, synchronises between devices almost seamlessly and for the most part it's free! <a href="https://www.evernote.com" target="_blank">www.evernote.com</a>

---

It's simple, updates regularly, synchronises between devices almost seamlessly and for the most part it's free! <a href="https://www.evernote.com" target="_blank">www.evernote.com</a>

---

## [Making the CiviEvent iCal feed show all events](https://chrischinchilla.com/blog/2011/2011-12-04-making-the-civievent-ical-feed-show-all-events)

Date: 2011-12-04

With Green Renters we find the iCal feed from CiviEvent (part of CiviCRM) invaluable to keep track of events and workshops we have coming up, generally we use the feed pulled into our personal iCal and Google calendars for internal organising, currently the feeds aren't available to anyone outside of staff.

---

With [Green Renters](https://greenrenters.org) we find the iCal feed from CiviEvent (part of [CiviCRM](https://civicrm.org)) invaluable to keep track of events and workshops we have coming up, generally we use the feed pulled into our personal iCal and Google calendars for internal organising, currently the feeds aren't available to anyone outside of staff.

We also have a variety of views feeds on our website pulling CiviEvents into several places based on various parameters, basically we have several things that need to be confirmed before we want events going live into public pages onto the website for people to view and register. Also, sometimes we have private events, that are only for a select group of people and not for the public to register. However, we would still like then to show up in our calendars so we know they're coming up, we usually do this through marking events as 'not active' or 'not public'.

CiviEvent's default way of handling iCal feeds is to only show events that are public and active and I've been scratching around trying to fathom how to override this so we could get the information we need and continue working as we do.

In the end, it was one of those stupidly simple solutions that takes advantage of [CiviCRMs php function override](https://wiki.civicrm.org/confluence/display/CRMDOC40/Directories) features, simply copy the '_sites/all/civicrm/CRM/Event/BAO/Event.php_' file into your custom php folder, in our case '_sites/drupal_site_folder/custom_php_folder/CRM/Event/BAO/Event.php_'.

Then around line 754, depending on your CiviCRM version, find

```text

  <em>WHERE civicrm_event.is_active = 1</em>
</div>


  <em>AND civicrm_event.is_public = 1</em>
</div>


  <em>AND (is_template = 0 OR is_template IS NULL)</em>
</div>


</div>

delete the lines</div>


  <pre style="border-style: initial; border-color: initial; ">

</pre>
  <div style="border-style: initial; border-color: initial; ">
</div>
  <div style="border-style: initial; border-color: initial; ">
  <em>WHERE civicrm_event.is_active = 1</em>
</div>
  <div style="border-style: initial; border-color: initial; ">
  <em>AND civicrm_event.is_public = 1</em>
</div>
  <div style="border-style: initial; border-color: initial; ">
  <em>AND</em>
</div>
</div>


</div>
```

Save the file. Make sure the Custom PHP path is set in _/civicrm/admin/setting/path?reset=1_ and all should be well and your iCal feed will be showing ALL events... Just make sure you don't share it with all and sundry...

---

## [Hands on with Lion, 10.7 - Installing](https://chrischinchilla.com/blog/2011/2011-09-28-hands-on-with-lion-10-7-installing)

Date: 2011-09-28

I love living on the cutting edge, many times to my detriment, but it never ceases to dissuade me. So after a brief delay due to being away from home and nowhere near a backup drive (which, of course, is essential before a major system upgrade!) it was time to get my hands dirty.

---

I love living on the cutting edge, many times to my detriment, but it never ceases to dissuade me. So after a brief delay due to being away from home and nowhere near a backup drive (which, of course, is essential before a major system upgrade!) it was time to get my hands dirty.

One of the major criticisms of <a href="https://www.apple.com/au/macosx/what-is/" target="_blank">Lion</a> has been the loss of control and the somewhat excessive wrapping in cotton wool of users. I personally have no problem with the replacement of physical media with a download, I have a small but growing collection of unwanted OS CDs and am very happy to not add to it. The download was relatively swift and trouble free and fortunately the installer gave me time to finish what I was doing before just restarting on me.

I let the installer run for reasonable period of time and nothing much seemed to happen, with the process seemingly freezing at around 33 minutes remaining with no real feedback as to what was happening. After some googling it seemed that a few people had experienced the same problem, with no definite solution. After digging into the installer logs I noticed several error messages relating to issues creating folders, so took the reasonable (and never a bad thing to do anyway) step of repairing permissions, several times. Still the installer seemingly hung at 33 minutes remaining, again with no feedback, so I delved into the logs once more. Nothing of note appeared in the error logs, but switching into 'all messages' mode I noticed something interesting. One of the options missing from the lion installer menus is the traditional disk utility and it appears the whole time the installer was 'hanging' it was actually checking/repairing the hard drive, which taking into account larger disks and any problems that may need fixing, could take some time... As indeed it was. So after waiting a little while, the installer finally completed and I was up and running with lion.

In summary, in Apples attempts to conceal as much of the internal processes to users as possible, and in their over assumptions that everyone's set up and situation is the same, this experience proves that occasionally a little more information is not only needed but necessary to those with enquiring minds.

_More to follow..._

---

## [London Civicon 2011](https://chrischinchilla.com/blog/2011/2011-08-26-london-civicon-2011)

Date: 2011-08-26

At the time of writing this website isn't quite finished and maybe you can't quite tell that I love <a href="https://www.civicrm.org" target="_blank">civicrm</a>. I won't go into too much detail of why and what it is now, best you do a bit of searching and find that out for yourself.

---

At the time of writing this website isn't quite finished and maybe you can't quite tell that I love <a href="https://www.civicrm.org" target="_blank">civicrm</a>. I won't go into too much detail of why and what it is now, best you do a bit of searching and find that out for yourself.

Sadly I couldn't really spare the money or time to go to londons <a href="https://london2011.drupal.org/" target="_blank">drupalcon</a>, despite being in town at the time, but fortunately, running along side was the one day <a href="https://london2011.civicrm.org" target="_blank">civicon</a>, dedicated to civicrm. Here's my thoughts on the conference...

I attended sessions on <a href="https://en.flossmanuals.net/civicrm/ch056_what-is-civiengage/" target="_blank">civiengage</a>, <a href="https://civicrm.org/civicase" target="_blank">civicase</a>, Ajax and civicrm, <a href="https://civicrm.org/blogs/mbriney/civimobile-concept" target="_blank">a mobile interface for civicrm</a>, <a href="https://civicrm.org/API_version_3" target="_blank">civicrm's API</a> and a little bit more. The mobile session was the highlight, showcasing the beginnings of an amazing simple mobile interface that would be perfect for event registrations, face to face signups and many other applications. Personally I would have liked a few more intermediate sessions, but the balance of beginner and advanced sessions allowed for a really good mix of developers, users and systems admins in attendees. It was also fantastic to hear so many different accents and see a reasonable gender balance.

Civicon was a testament to the users of civicrm itself and the communities of people that use and develop for it. Primarily a system used by the community and not-for-profit sectors the attendees and speakers were very representative of this and thus were able to talk at a relevant level and cover topics that the vast majority would be interested in and would be applicable.

I left feeling excited, keen to be involved more and keen to explore the enormous potential of civicrm more.

---

## [Drinking control ad](https://chrischinchilla.com/blog/2011/2011-08-15-drinking-control-ad)

Date: 2011-08-15

I've sometimes been critical of drinking control ads in the past, generally wondering how effective they really are, but I really liked this one I found in a London toilet.

---

I've sometimes been critical of drinking control ads in the past, generally wondering how effective they really are, but I really liked this one I found in a London toilet.

Why do I like it? Well:

- It's well designed and laid out
- The pint of water imitates some beer brands and marketing
- The main slogan is a good play on words that may hopefully attract the people the ad is aimed at
- The secondary slogan is also slightly clever, even though it's been echoed before.

---

## [Norwich](https://chrischinchilla.com/blog/2011/2011-08-15-norwich)

Date: 2011-08-15

After two weeks with staying with family, we were pretty desperate to get to <a href="https://en.wikipedia.org/wiki/Norwich">Norwich</a> and hang out with friends and kick back for a few days. Hence our enthusiasm on the journey there, punctuated by the discovery of a ridiculously cheap pub whilst transferring in Peterborough, that turned from a relaxing drink to a last minute mad dash to catch a train.

---

After two weeks with staying with family, we were pretty desperate to get to <a href="https://en.wikipedia.org/wiki/Norwich">Norwich</a> and hang out with friends and kick back for a few days. Hence our enthusiasm on the journey there, punctuated by the discovery of a ridiculously cheap pub whilst transferring in Peterborough, that turned from a relaxing drink to a last minute mad dash to catch a train.

Norwich and Norfolk generally has quite a reputation for eccentric characters and odd behaviour, it could be said to be the "Tasmania of England", I think you'll get what I mean by that... However, aforementioned eccentric characters are more of an enjoyable novelty than a concern and we spent many a casual hour spotting individuals that were "normal for Norfolk", as the locals put it.

Another thing Norfolk seems to possess in droves is local ales and fortunately one of the friends we were staying with shares my passion and took great delight in showing us his favourite local watering holes including one of the best pubs I've ever been to, '<a href="https://fatcattap.co.uk/" target="_blank">The Fat Cat brewery tap</a>', which was oozing with good drinks, reasonable prices, friendly staff and a great atmosphere. For drinks to take home and enjoy was the equally excellent <a href="https://www.norfolksquarebrewery.co.uk/" target="_blank">Two Brewers</a> bottle store, breweries my taste buds can personally vouch for include (Or the ones I remember):<ul><li><a href="https://wolfbrewery.com" target="_blank">Wolf brewery</a></li><li><a href="https://norfolksquarebrewery.co.uk" target="_blank"> Two brewers</a></li></ul>

Drinking aside, we had a great few days chatting and enjoying our friends company, especially at the infamous <a href="https://www.thebellevuepub.com/" target="_blank">Bellevue</a> pub quiz, one of the most imaginative and fun quiz I've ever participated in, with sculpture and various quick fire fun rounds. The compare was great fun in an erratic way, the pub was vibrant and to top it all off, we came second.

Alongside the standard UK high street fayre, Norwich has a healthy (at least it looked that way) plethora of small niche shops including an old fashioned toy store, piled high with games, toys and nic-nacks that would please all ages. Heaps and heaps of charity shops and second hand stores and a market that nestled amongst the greasy spoon and tat stalls I found several stalls serving delicacies, including a vegan baker and an Australian trained barrista who helped sate my caffeine addiction.

One afternoon we took a 4 hour boat trip into the <a href="https://en.wikipedia.org/wiki/The_Broads" target="_blank">Norfolk broads</a>, and whilst they may not be the most attractive waterways I've traversed, we were lucky to spot a few rarely seen birds including several Kingfishers, Cormorants, Grebes and Herons. It was also an interesting testament to old English towns and their relationship with heavy industry and trade in the past, businesses that are now far beyond their heydays, but at one point were the backbone of British enterprise and cities would undergo such transformations to their natural landscapes to ensure that they could trade most efficiently. This isn't to say that I necessarily agree with these actions, but still, you can't help but be fascinated.

The problem was, with all this fun going on we slightly forgot to visit any of the sustainability and community organisations we had noted... That said, we did make a couple of observations and there's no harm in listing the places we meant to visit is there?<ul><li><a href="https://www.norwich.gov.uk/webapps/atoz/service_page.asp?id=1134" target="_blank">Norwich City council</a> has several separate waste collections, separating food waste, paper, other recyclables and all other waste.</li><li><a href="https://www.greenhousetrust.co.uk/" target="_blank">The Green House</a></li><li><a href="https://www.alls-fair.co.uk/" target="_blank">Alls Fair</a></li><li><a href="https://www.greenparty.org.uk/localsites/norwich/" target="_blank">The Greens</a></li><li><a href="https://www.slowfoodnorwich.org.uk/" target="_blank">Slow food Norwich</a></li></ul>

---

## [Skegness wind farm](https://chrischinchilla.com/blog/2011/2011-08-11-skegness-wind-farm)

Date: 2011-08-11

The <a href="https://www.skegnesspier.co.uk/windfarm.html" target="_blank">Skegness Wind farm</a> as you can see from the photos, they've located a wind farm in the sea, a great way to reduce NIMBYism.

---

The <a href="https://www.skegnesspier.co.uk/windfarm.html" target="_blank">Skegness Wind farm</a> as you can see from the photos, they've located a wind farm in the sea, a great way to reduce NIMBYism.

---

## [Joomla to Drupal import](https://chrischinchilla.com/blog/2011/2011-08-10-joomla-to-drupal-import)

Date: 2011-08-10

I generally find that in the process of migrating a website to a new system or framework, importing and moving data is the most fraught, frustrating and troublesome part of the process. If you're moving content from a vanilla installation to another vanilla installation you might be in luck, but really, what are the chances of that?

---

I generally find that in the process of migrating a website to a new system or framework, importing and moving data is the most fraught, frustrating and troublesome part of the process. If you're moving content from a vanilla installation to another vanilla installation you might be in luck, but really, what are the chances of that?

I long ago decided to merge a joomla 1.5 site I have into a new site I was setting up in drupal 7, the content that needed to come across was:<ul><li><a href="https://www.virtuemart.net/" target="_blank">virtuemart</a> products into <a href="https://www.ubercart.org/" target="_blank">ubercart</a> and theoretically, order records</li><li>several hundred articles written by a dozen different authors, most with media</li><li>aforementioned authors' user records</li></ul>

I have to admit that for the products, as there were less than a dozen, I just reentered them all manually, fairly painless and I wasn't too fussed about transferring customer and order records as No-one has ever used the feature particulary widely anyway.

Next came attempting to move the articles into drupal nodes, and this was the most fraught and the primary reason for the post, a place for me to remember for future reference and advice for anyone else attempting the task. I wasn't attempting anything particularly complicated matching various fields to cck values, taxonomy or anything like that.

I've always struggled to find joomla components or modules that I like (one of the many reasons for moving the site to drupal) and exporting is no exception. Most of the export modules only export in XML, which I'm not averse to, but I feel more comfortable manipulating csv files in excel than XML files. There is <a href="https://www.jix.com.au" target="_blank">jix</a>, but I can't get my head around what on earth you're supposed to do with it, so I actually ended up just doing a csv database dump out of phpmyadmin, make sure you check the "include headers" box when you export.

One piece of advice with regards to csv files and manipulating them. Whilst excel does a fair job in presenting and manipulating the data, it's a shocker when it comes to re-saving the csv. I'm mot completely sure what it does, but whenever I try to import an excel csv file into any kind of open source web system, it hardly ever works. So once you've done any manipulation, I recommend opening the csv in open office and re-saving, or just use open office in the first place of course! Also make sure that you check any options along the lines of  "enclose fields with....", especially if your export contains HTML values, which it probably does.

For importing the data into drupal 7 I used the <a href="https://drupal.org/project/feeds" target="_blank">feeds</a> module as <a href="https://drupal.org/project/node_import" target="_blank">node import</a> isn't yet  ported to drupal 7. This is a fairly solid module and I didn't have any major issues with it per se, my main gripe would be I wish you could also import data into the "updated" field, but that's not a deal breaker.

Through trial and error of several import jobs, here a few nuggets of advice for making your imports easier.

Dates from joomla will need to be converte into unix time stamps, I found <a href="https://stackoverflow.com/questions/1703505/excel-date-to-unix-timestamp" target="_blank">this helpful stack overflow post</a> that explains how to do that and of course, using a spreadsheet, that job can be automated.

Joomla breaks it's intro/summary text and body text fields into two separate fields and assembles them together when displaying content. If you want both these values to be imported into a nodes body field, you will need to do some concatenation wizardy in a spreadsheet.

I had to bulk update user Ids in a spreadsheet I order to reflect the matching Ids in drupal, this was a fairly longwinded process and after messing up the resulting csv after some weird encoding export issue, I ended up abandoning importing user Ids.

So all is left is to delete all the various columns you're not bothered about importing, load up your csv file into feeds and hopefully watch that blue bar fly across the screen. If it all goes wrong fortunately the module has a handy feature for deleting the last import and you can start again.

---

## [Lincolnshire](https://chrischinchilla.com/blog/2011/2011-08-01-lincolnshire)

Date: 2011-08-01

It's amazing what you can find in the country with a little digging...

---

It's amazing what you can find in the country with a little digging...

We've been quite busy tucked away in this little corner on the English countryside known as <a href="https://en.wikipedia.org/wiki/Horncastle,_Lincolnshire" target="_blank">Horncastle</a>, which has a surprising amount of notable past residents, including <a href="https://en.wikipedia.org/wiki/Joseph_Banks" target="_blank">Joseph Banks</a>, for all my Australian and scientific readers.

Aside from catching up with a little freelance and <a href="https://www.greenrenters.org" target="_blank">Green Renters</a> work, finally getting round to setting up my <a href="https://www.drupal.org" target="_blank">Drupal</a> development environment after 2 years of attempting to do so (<a href="https://drupal.org/project/features" target="_blank">Features</a>, <a href="https://git-scm.com/" target="_blank">Git</a>, Mac OS X Apache and all sorts of other wizardry, with a few pains along the way) we've had quite a few unexpected antics.

## Music and Trivia
For it's size, Horncastle has a surprisingly good social scene and so far we've made it to an open Mic night at the infamous <a href="https://www.oldnickstavern.co.uk/" target="_blank">Old Nics</a> (run by a couple who have also run pubs and musical venues in Melbourne for another twist of coincidence) where my Dad made a typical embarrassment of himself and I jumped up on the drums for a blues jam and proceeded to play them badly. We also made it to a pub quiz, in which (typically) we didn't know the answers to many questions, made up stupid answers and came last. Whilst these sorts of activities in larger cities and towns are a great place for new arrivals to meet and get to know people, so far we've found that in a small town they are the haunt of staunch regulars who almost look upon newbies as a worrying threat, still it beats watching TV.

{% picture listings images/painting.jpg alt="Painting Signs" %}

## Alternative community
I'll admit we didn't spend much time looking into any kind of political or sustainability type groups or events round Horncastle, but we quickly and easily found a fair bit in <a href="https://en.wikipedia.org/wiki/Lincoln,_England" target="_blank">Lincoln</a>, which is a relatively burgeoning <a href="https://www.lincoln.ac.uk/home/" target="_blank">University</a> town and has a fair history behind it (nearly 2,000 years). Firstly we were lucky enough to be in town on Critical mass Friday, it was a small but dedicated turn out, but not having any bikes with us, we sent them on their merry way without us. Sunday was when we really had a good dig beneath the cobbled surface at a skills sharing day organised by the <a href="https://lincolnundergroundcollective.wordpress.com" target="_blank">LUC</a> (Lincoln Underground Collective). For a new group, organising a debut event, who only started organising it two months ago, it was a fantastic event, with a great turnout where we learnt a lot about activism in the UK and others learnt a lot about activism in Australia, <a href="https://lincolnundergroundcollective.files.wordpress.com/2011/07/skish-program.pdf" target="_blank">take a look at the program</a> for some of the topics covered and groups involved, I may talk about some of them in more detail in the future.

{% picture listings images/critcalmasslincoln.jpg alt="Painting Signs" %}

{% picture listings images/lincoln.jpg alt="Painting Signs" %}

{% picture listings images/lincolncheese.jpg alt="Painting Signs" %}

{% picture listings images/lincolnbeer.jpg alt="Painting Signs" %}

## Beer and food
I have been making the most of the good exchange rate (for the $AU) and enjoying many pints of good old fashioned, locally brewed real ale. So far I have enjoyed <a href="https://www.springhead.co.uk/the-leveller" target="_blank">The Leveller</a>, <a href="https://www.ratebeer.com/beer/idle-dog/96833/" target="_blank">Idle dog</a>, <a href="https://www.beermad.org.uk/cgi-bin/show_brewery_info.cgi?cookie=refresh&id=4249" target="_blank">Idle Landlord</a> and more that I've forgotten about :-/ It's great to see the real ale and micro-brewery industry in the UK experiencing a renaissance much like back in Australia, if you're interested in knowing more, make sure you take a look at the work of <a href="https://www.camra.org.uk/" target="_blank">CAMRA</a> (Campaign for real ale). Food has been as average as always in the UK, it varies greatly depending where you go and what you're willing to pay. We've had a very average roast, an awesome picnic, some delicious cakes and a few homemade treats along the way.

## Skegness
<a href="https://en.wikipedia.org/wiki/Skegness" target="_blank">Skegness</a> is the epitome of 'Traditional' English seaside towns, representing almost perfectly the bad and good elements of such places. To say it's 'cheap & cheerful' is an understatement, £1 shops, tacky souvenir shops, fatty unhealthy restaurants, donkey rides, a pier, amusement arcades and the list goes on! Not wishing to cause offense, but the general populace and visitors to Skegness fall into a lot of bad stereotypes, being overweight, badly dressed and relentlessly talking about holidays in Spain, the plethora of chav comedy characters recently makes it hard to sometimes keep a straight face when confronted with such an onslaught. There were also heaps of elderly people (The town was voted top place to retire in 2005) in electric wheelchairs and scooters, shop mobility seems to be a thriving business in Skegness.

{% picture listings images/skegg_fc.jpg alt="Painting Signs" %}

{% picture listings images/skeg1.jpg alt="Painting Signs" %}

With the shear amount of tack on show we really needed some respite and that came in the form of the awesomely unexpected <a href="https://churchfarmvillage.org.uk/" target="_blank">Church farm museum</a>, a beautiful and tranquil respite from the town's main drag.

## Links and resources
<ul><li><a href="https://www.seagullrecycling.org.uk" target="_blank">Seagull recycling and eco centre</a>: I tried to visit this, but hadn't made an appointment and they wouldn't let me look round.</li><li><a href="https://hillholtwood.com" target="_blank">Hill Holt wood</a></li><li><a href="https://lincolnbig.liftshare.com" target="_blank">Lincoln car share</a></li><li><a href="https://www.skegnesspier.co.uk/windfarm.html" target="_blank">Skegness Wind farm</a>: You can see this in my photos, they've located a wind farm in the sea, a great way to reduce NIMBYism</li></ul>

---

## [Chinese receipts](https://chrischinchilla.com/blog/2011/2011-07-25-chinese-receipts)

Date: 2011-07-25

I kept noticing these silver scratch panels on some receipts in china and assumed they were just some form of official symbol but it turns out there actually a cunning behavioural change policy on behalf of the Chinese government.

---

I kept noticing these silver scratch panels on some receipts in china and assumed they were just some form of official symbol but it turns out there actually a cunning behavioural change policy on behalf of the Chinese government.

It turns out that a lot of Chinese businesses try to dodge paying tax as asking for receipts isn&#39;t common practise and then there is no record of what has been sold and thus no record of what tax should be paid.

So the government added these scratch panels to receipts, they are in fact a game for the public to play where they can potentially win small amounts of money, thus encouraging people to ask for a receipt.

Simple, but seemingly effective.

---

## [Beijing](https://chrischinchilla.com/blog/2011/2011-07-25-beijing)

Date: 2011-07-25

China is one crazy country. Even before we left Australia, <a href="https://www.google.co.uk/url?sa=t&source=web&cd=1&ved=0CD0QFjAA&url=http%3A%2F%2Fwww.airchina.com%2F&rct=j&q=air%20china&ei=Em8tTsH-H4fOhAfM2bmqCw&usg=AFQjCNGNWJqlHZ88hV2xYX6QjMI1QzFf1Q&cad=rja" target="_blank">air china</a> gave us a taste of the break neck speed 'efficiency' some of the Chinese like to operate on.

---

China is one crazy country. Even before we left Australia, <a href="https://www.google.co.uk/url?sa=t&source=web&cd=1&ved=0CD0QFjAA&url=http%3A%2F%2Fwww.airchina.com%2F&rct=j&q=air%20china&ei=Em8tTsH-H4fOhAfM2bmqCw&usg=AFQjCNGNWJqlHZ88hV2xYX6QjMI1QzFf1Q&cad=rja" target="_blank">air china</a> gave us a taste of the break neck speed 'efficiency' some of the Chinese like to operate on.

On air china there seems little regard for people or their requirements, rather getting food service out the way as soon as possible when you board and then (for longer flights) as late as possible before you disembark. The Staff are curt and treat any requests more like invonvenieces to their schedule than opportunities for customer service. Our outbound flight had on demand entertainment, but no instructions as to how to operate it, with most people giving up and a program guide that seemed to lack a foothold in reality. On our outbound flight, entertainment was preprogrammed onto shared screens with an odd mix of tv shows and films. Perhaps the worst thing about the flights, was the god awful turbulence. Australian and Chinese airspace can be a little rough, but Jesus, I have never felt so sick and/or nervous on a flight in my life and through all this, the crew insist on still attempting to serve food and don't seem to care wether the 'fasten seat belts' sign is on or not, allowing passengers to amble around the cabin even in high turbulence. Personally I think it may have been because for a long haul flight the plane was incredibly small and thus more susceptible to turbulence, but who knows why. Food was passable, bland, but not horrible and sadly crew seemed reluctant to dish out too many free drinks, vanished the back of the plane as much as possible. Still it was cheap!

Personally I far preferred Beijing to Shanghai, for a variety of reasons I guess. It is far more interesting and appealing for tourists. Whilst there are many people hassling you on the streets, they tended to only be in several places, not everywhere you went and those that did were generally less in your face and hassled everyone, Chinese and foreigner. We got to catch up with my old friend, which was awesome in it's own right, but also helped guide us around and explain things a little more.

With three days we only managed to get round to a few sights including the <a href="https://en.wikipedia.org/wiki/798_Art_Zone" target="_blank">789 arts zone</a>, an old electronics factory chock full of contemporary arts practices that shows chinas so far generally untapped potential for cutting edge arts. We visited the <a href="https://www.china.org.cn/english/features/museums/129054.htm" target="_blank">police museum</a> which was an intriguing insight into the enforcery wing of chinas political attitudes as well as the slightly odd (to western sensibilities) overly positive and unquestioning attitude to their activities and execution. We visited <a href="https://en.wikipedia.org/wiki/Tiananmen_Square" target="_blank">Tiananmen square</a>, our first exposure to the stupendous scale that china does things, past and present. It is the wordls largest public square, and whilst it's a little drab and concrete saturated (Beijing has many green spaces, but most seem to be out of bounds and just for decoration), flanked by several large modern buildings and dynasty era gates, it's impressive.

We also made it to the frankly indescribable <a href="https://en.wikipedia.org/wiki/Forbidden_City" target="_blank">forbidden city</a>, well at least some of it. The forbidden city was the emperors residence for centuries and stands testament to the shear opulence, greed and disparateness from their people that many of the emperors subscribed to. It is exactly what the name suggests, an entire city, perhaps comparable (maybe slightly smaller) to the Vatican. I find it hard to judge the age of ancient Chinese buildings and relics and the fact that they seem to constantly touch up and repair older edifices with modern materials doesn't help. The forbidden city is gardens, museums, squares, streets, buildings and more besides, its size boggling the mind of most westerners, even our largest cities are really nothing on some Asian cities.

Food was quite variable and inconsistent, but we struggled to find anything particular similar to dishes you would find back home. From an extremely tasty and cheap street side restaurant to a bland food court eatery, to a Chinese muslim restaurant with dishes you would never expect to see on Chinese menus such as bread and chickpeas to restaurant with a strange tasting selection of dishes with a setting that felt like we had wander onto a secluded Mediterranean rooftop.

I find china, I guess specifically Beijing (and bear in mind that our exposure to the Chinese populace has generally been limited to relatively wealthy city dwellers) an extremely intriguing and increasingly appealing place. I can understand why many are drawn to attitudes of the country and people. It feels like a country where things are happening and moving forwards, a place of positive change and increasingly positive attitudes. It feels like people are generally proud of their country, it's achievements and their parts in it. An attractive and seductive attitude after many years spent in western cities that are becoming increasingly complacent, negative and fractured.

However china also scares me. The massive amount of people and their increasing levels of consumption freaks me out no end, the population strive towards a certain style of lifestyle they have witnessed from afar for decades and frankly who can blame them, but to meet that increasing desire will be a challenge for them, everyone else on the planet and the planet itself. On a small scale the Chinese population have a hotchpotch of contradictory environmental practices from flinging a ridiculous amount of litter left, right and centre, to slowly being encouraged to recycle and bring their own chopsticks to restaurants, to having a culture of over ordering food to cooking with just about every part of many creatures and plants. On a larger scale the Chinese government are big investors in many behavioral and infrastructure programs, but I still couldn't help almost agreeing with tony abbots statement along the lines that "anything Australia does in reducing carbon emissions is eclipsed by whatever china does or doesn't do", but if everyone, everywhere in the world adopted that attitude we would never get anywhere of achieve anything.

A fascinating visit to a fascinating place that just I was starting to get into the swing of it's rhythms and pulse, it was time to leave. Intimidating at times, overwhelming, hard to handle and understand, but highly recommended if you're up for a challenge.

---

## [Doug and Julie](https://chrischinchilla.com/blog/2010/2010-12-13-doug-and-julie)

Date: 2010-12-13

Take a listen (or read) to a light hearted and 'cheesy' romantic (and slightly explicit) short story I recently wrote about Doug, who bored in his office cubicle, fantasies about Julie...

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Take a listen (or read) to a light hearted and 'cheesy' romantic (and slightly explicit) short story I recently wrote about Doug, who bored in his office cubicle, fantasies about Julie...

<object height="81" width="100%"><param name="movie" value="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F7997281&amp;show_comments=false&amp;auto_play=false&amp;color=D7DBDA" /><param name="allowscriptaccess" value="always" /><embed allowscriptaccess="always" height="81" mce_src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F7997281&amp;show_comments=false&amp;auto_play=false&amp;color=D7DBDA" src="https://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F7997281&amp;show_comments=false&amp;auto_play=false&amp;color=D7DBDA" type="application/x-shockwave-flash" width="100%"></embed></object>

Doug stared at Julie across the office, watching her stretch to reach the top shelves to put away July's paid invoices. He watched her as she stretched, struggling to reach, the heels and arches of her stockinged feet exposed, escaping from their shoe encasement, as she finally managed to ease the file home, nestled amongst the dozens of other identical grey lever arch files.

She rested back onto her feet, wiggled as she pulled her charcoal skirt down to a more appropriate level from halfway up her thighs to just below her knees and adjusted her wrinkled rayon blouse from a crumpled mess around her midriff. She puffed a sigh or relief and click clacked across the silent office back to her desk.

Doug glanced longingly from the blank spreadsheet on his flickering computer screen back to Julie, inanely tapped at his keyboard, rested his face in his hands and sighed. He remembered his high school years and all the rejections. He'd never had any luck with women, why? He was a nice guy, wasn't bad looking, reasonably intelligent, and yet they just weren't interested in him, he'd heard "I like you as a friend but..." so many times he'd lost count. Despite always trying to do everything the right way, the way the movies told you was the way women wanted. He would set up candlelit dinners, picnics in the park and romantic outings. He would listen to them intensively, hang onto their every word, be full of empathy and express genuine interest in all subjects they cared to discuss. But he would always be rejected, there would always be a reason or there would always be another guy in their lives who was the subject of their affections.

So why bother with Julie? It would be the same all over again, the same anticipation, effort and rejection... Well... it might be different this time.

The familiar click clack of Julie's heels startled him out of his daydreams and his eyes followed her across the office and she headed towards the photocopy room, it's hum and glow calling to all.

He thought about striding into the copier room and locking the door behind him. He thought of twirling Julie around and declaring his feelings for her. She would gasp, clutch her hand to her bosom and swoon backwards, declaring her mutual feelings and desire for him. He would then grasp her close to him, hold her tight and kiss her passionately. A long kiss, the kind of kiss that leaves you breathless but your whole body craving and desiring for more. Through passionate embraces and increased kisses she would then whisper in his ear, "take me Doug, take me". She would untangle her peroxide blonde hair from the tight bun she kept it imprisoned in and let it tumble around her shoulders as Doug would plant kiss after kiss along her neck and work his way to her shoulders as she undid her white blouse and slipped it off, allowing it to drop to the floor in a crumpled pile. She would unzip her tight charcoal skirt and pull it down her legs to her ankles, step out of it in one swift, graceful and sensual move, removing her heels and rolling her tan coloured tights down her smooth, shapely legs to reveal her beautifully manicured toes, resplendent in neon pink nail polish. Julie would pull Doug towards her and stare into his eyes, hers full of lust as she undid button after button on his light blue pastel shirt, caressing his manly chest as she slid it over his shoulders, running her acrylic nails over inch after inch of his tense torso and down towards his waste. Crouching down she would whip out his belt, letting it's buckle clatter to the floor. Feeling the tension in his trousers, she would unzip, and running her hands down his thighs, remove them, Doug more aroused than ever. Doug would now pull Julie close to him, their breathing becoming heavier and more laden with pleasure, he would recommence kissing her shoulders, moving his lips and hands to reach around her back and remove the clasp of her black Kmart bra in one swift and subtle move. As the bra tumbled to the floor he would bend over to caress her pert pink breasts, cupping them in his hands and fondling until her nipples were aroused and erect. Moving down her shuddering stomach he covered her with more and more kisses until he reached her nylon love heart covered g-string. At this moment Julie would stop him and remove his bonds boxer shorts revealing his throbbing male pride. In between strokes of his pulsating penis she slowly slid her g-string down her legs to reveal a beautifully groomed Brazilian. "Take me Doug, take me!" Julie would now shout, glorious in her nakedness as she pulled herself up onto the warm, glowing photocopier, spreading her legs for Doug to make wild, noisy, sweaty love to her causing the copier to rattle and thud against the wall of the room. Workers from the office would be banging on the locked door, wanting to know what was going on, but they wouldn't care, he would shout Julie's name and she would shout his, 'Doug! Doug! Doug!".

"Doug!" The abruptness of the word made him wake from his pleasurable day dream and judder into reality, the stark face of his boss bringing him slap bang into the grimness of his life.

"Doug, have you finished those sale figures yet?"

"Oh, yes, sorry, err, nearly finished, err..."

"Well make sure you do Doug, I need them by the end of the day."

Doug turned back to his computer screen and stared again at the unfinished spreadsheet, it contained one word, repeated twenty times, 'Julie'. He rifled the papers on his desk and was once again distracted by the clickety clack of Julie's heels as she left the photocopy room burdened with piles of paper. Of course Doug thought about sex, that was perfectly natural, but at heart he was really a romantic old fool. He would take Julie out every weekend, they would go to the city, to art galleries and trendy bars, talk for hours about everything and nothing, laughing, smiling and finishing each others sentences all day long. Staring deeply into each others eyes, he would tell her how beautiful she was and she would giggle looking embarrassed, but pleasantly flattered. He would hold her hand in his, clutch it tightly and tell her in sincere tones that he loved her, she would pause dramatically for a brief and heart stopping second and reciprocate, they would kiss and lock in an embrace that felt like it should never end.

Who was he kidding, none if it would happen, Julie wouldn't be interested in him, he had no chance, she barely even acknowledged his existence, he was crazy. Doug returned to his spreadsheet and attempted to focus on what was in front of him, the stark reality and truth of his life. He heard a click clack move across the office and end behind him.

"Doug..." He paused, unsure how to react.

"Yes Julie?" He stammered.

"Doug, do you have last months sales figures? Could you email them to me?"

"Oh, yes, sure Julie..."

"Thanks, Doug."

"No worries..." She turned to leave, he stammered, she spun back round to face him.

"Yes, Doug?"

"What?" he replied, hesitantly.

"You looked like you were about to say something."

"Me? Oh, no, nothing Julie." She turned to leave again, what was the point in saying anything to her about they way he felt, he knew what the answer would be. It would just be another embarrassing moment in his life, another thing to live down, another failure... Well, maybe...

"Julie." Doug confidently said, his face breaking into a smile.

"Yes Doug?" Julie said, turning to face him a third time, her face still a pristine mask of lip gloss and foundation.

"Julie, I just wondered if, well, err, you'd like to come to a movie with me on Friday night?"

---

## [How Much Milk is too Much?](https://chrischinchilla.com/blog/2010/2010-09-14-how-much-milk-is-too-much)

Date: 2010-09-14

Coffee is a very personal business.

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Coffee is a very personal business.

My own personal journey started fairly late in life, coffee culture in England (where I spent most of my adult life) being somewhat behind Australia's. Up until several years ago the main coffee I drank was some form of frothy monster from Starbucks, full of caramel, copious amounts of milk and very little coffee flavour. Then I spent some time in Italy and was introduced to a far more simple way of enjoying coffee, pure, plain and uncluttered. Just dark, hot and strong coffee in the form of an espresso, or maybe with a dash of milk in the form of a macciatto. From then on I generally only ever drank black coffee as I always felt if the coffee was good enough, it didn't need anything else muddying it's flavour. I'm even a fan of many Italian's source of disdain, that most American brewed filter coffee, found in diners the length and breadth of the United States.

Now, coming to Australia and the occasions I fancy milk in my coffee and I'm out and about, I tend to delve into the world of flat whites, finding the ever-popular latte far too milky for my tastes. Whilst most cafes worth bothering about clearly distinguish between lattes and flat whites I frequently come across baristas who don't actually seem to do anything different between the two varieties and my flat whites seem to just be a sea of milk with a vague coffee taste lurking somewhere. So the question is...

> What is the difference between a flat white and a latte? Is there an official difference, or is it purely personal?

According to Wikipedia and it's strangely fascinating coffee pages, a flat white is made by pouring about 120ml of milk over a 30ml espresso shot and a latte? Well, now it gets very confusing. 'Latte' means different things in different countries, whereas a 'flat white' is uniquely Australian / New Zealand and as far as I can tell is actually quite similar to an Italian latte. 'Officially' an Australian latte is about 235ml of milk poured over a 30ml espresso shot, so the coffee is diluted to nearly twice the level of a flat white. So according to the numbers there shouldn't really be any way of a barista 'mixing up' a flat white and a latte as it's all based on cup size. Who knows what it is that makes some flat whites taste so milky, it must be more down to the quality of the coffee beans served or purely the care put into making the coffee. Or maybe it's just me...

As I said at the  beginning, coffee is a very personal business.

---

## [One and Me](https://chrischinchilla.com/blog/2010/2010-09-14-one-and-me)

Date: 2010-09-14

According to a list I read some years ago, I regularly use several words in my lexicon that are considered 'old fashioned'. As that list was published nearly ten years ago and I'm still using most of those words, my language must be increasingly old fashioned.

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According to a list I read some years ago, I regularly use several words in my lexicon that are considered 'old fashioned'. As that list was published nearly ten years ago and I'm still using most of those words, my language must be increasingly old fashioned.

There is however, one old fashioned word that has fallen into disuse and out of favour that I feel really needs and begs for reintroduction. Especially in this social and over personality focussed modernity we inhabit, where fewer and fewer words are used in an attempt to convey a combined meaning, motivation and voice. All without confusing or offending a reader or listener. There is one word who's reintroduction I feel could solve more arguments (or stop them happening in the first place) and create more sense and clarity than innumerate amounts of emoticons, footnotes and explanations.

It is a very small and simple word that needs a new lease of life. A word that needs to be resurrected from it's upper class, literary associations and given a chance to help solve some very modern problems. That word is 'one'.

I refer of course to the 'royal one', the much maligned gender neutral pronoun of the English language. Still widely used in many other languages it is generally considered overly formal in English and avoided by most to prevent appearing 'posh' or pretentious. However I've lost track of the number of conversations I've had with my wife that have teetered on the edge of arguments because I've said something like (and purely hypothetical, I don't have these kinds of discussions... much) "If you eat chips, you will get fat", which she will immediately take personal offense to, when in fact I was just making an independent observation on the fat content of chips. What I really should have said was, "If one eats chips, one will get fat" which has no ambiguity and very little potential to cause offense to anyone, except perhaps, chips.

With so many people so easily offended these days by the most off-the-cuff comments that are so regularly taken as personal attacks, the reintroduction of 'one' would take great strides towards clearing up an awful lot of mess and confusions, especially in the ultimate off-the-cuff world of the social network updates, it would facilitate separating general comments from genuine personal comments directed at particular people.

So reclaim 'one' from it's lofty echelons and put away those vague, confusion causing second person plurals. Don't be afraid of letting it litter your statements and conversations, spreading it's conciseness and clarity wherever it goes.

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## [Ember Swift - The New project](https://chrischinchilla.com/blog/2010/2010-01-03-ember-swift-the-new-project)

Date: 2010-01-03

'Concept albums' generally raise the heckles of most rock music reviewers, and an album that contains an 'artistic statement' emblazoned on it's inside front cover in two different languages even more so. It seems that Ember Swift travelled to China in 2007 and felt an unnerving feeling of having been there before, of deja vu and of an unusual one-ness and comfortable familiarity, thus creating the urge and need to write an album about her experiences.

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'Concept albums' generally raise the heckles of most rock music reviewers, and an album that contains an 'artistic statement' emblazoned on it's inside front cover in two different languages even more so. It seems that Ember Swift travelled to China in 2007 and felt an unnerving feeling of having been there before, of deja vu and of an unusual one-ness and comfortable familiarity, thus creating the urge and need to write an album about her experiences.

A lot of The New Project is horrendously cheesy, full of reverb laden drum machine beats, vocoders, swirling synths, deep bass, Spanish guitar arpeggios, whispered harmonies and spoken passages, resembling an ethereal 80's pop blend. The lyrics are generally in English, with the occasional interjection of Chinese, which of course always has to be accompanied by some sort of Chinese sounding musical instrument playing a vaguely Chinese melody. Several of the songs are more bearable like the jazzy reggae 'Float' and the swing tinged 'What were you thinking', but for the most part the album sounds rather dated and middle of the road, smacking of jumping on a cultural bandwagon for no particular reason. This is the problem with concepts and artistic statements accompanying albums, it creates a lot to live up to and a lot of potential for ridicule, with most 'concept' albums generally sounding rather similar in style and bland, listeners would probably be more likely to tolerate what they are listening to if it wasn't elevated to an (over) important artistic experiment with airs of complexity and originality that simply aren't there.

Interestingly the album was partly funded by the Canada Council for the arts. Arts councils seem to be renowned for funding projects like this, should they be using taxpayer's money in such ways to fund projects that are felt to be culturally necessary by bureaucrats but are usually critically and commercially weak.

Published in Inpress

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## [Lightning Bolt - Thornbury Theatre](https://chrischinchilla.com/blog/2010/2010-01-03-lightning-bolt-thornbury-theatre)

Date: 2010-01-03

The Thornbury Theatre is one of a growing number of old community centres and theatres around Melbourne that are being turned over from their traditional purpose into the hands of the youth to do what they will with, usually using their opulent interiors to host events that the original attendees would probably greatly object to.

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The Thornbury Theatre is one of a growing number of old community centres and theatres around Melbourne that are being turned over from their traditional purpose into the hands of the youth to do what they will with, usually using their opulent interiors to host events that the original attendees would probably greatly object to.

It's a perfect venue for Lightning Bolt to play, a venue so unsuited to them in size and decor it's almost perfect in it's imperfection. If you don't already know, the band do pretty much everything completely differently from everyone else. They ignore the stage, setting up just in front of it, similarly rejecting the PA, plugging vocals, drums and bass into a variety of amplifiers set up just behind them. The crowd gathers in a circle around them, miraculously managing to not knock any gear or band members flying despite the constant frantic pushing, shoving and crowd surfing. Some are lucky to grab prime spots literally on top of the band, others invade the typically out of bounds stage to gain a high view, others push a table blocking access to a balcony and stream upwards to gain a view over the crowds whilst the rest of us just hover in the emptiness left by everyone else and watch the crowd flow in every direction possible instead of the band. Despite the messy noisy chaos everyone is in exceedingly good spirits, security are bemused, standing back and just allowing band and crowd to do what they want, the bar staff are loving it, constantly diving into the seething mass of bodies and dodging landing crowd surfers to grab glasses and bottles (yes, glass here, not of your plastic crap) and emerging grinning, running to their colleagues and chattering enthusiastically.It's hard to comment on a band's performance in much detail when they can't be seen for the entirety of a gig, but for a two-piece they produce an exceedingly large amount of riff-laden noise, conjuring sounds reminiscent of un-oiled industrial machinery grinding against itself, with the semblance of a tune and structure lurking enough within the cacophony to maintain some semblance of music. Lightning Bolt break just about every rule in the book but do it with such tenacity, conviction, energy and positive attitude, there are no ill words to be heard.

Published in Inpress

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## [Diamond Sea, Fire Santa Rosa Fire, I Heart Hiroshima - The Northcote Social Club](https://chrischinchilla.com/blog/2010/2010-01-03-diamond-sea-fire-santa-rosa-fire-i-heart-hiroshima-the-northcote-social-club)

Date: 2010-01-03

A lot is being said about the Diamond Sea around Melbourne and a lot is being whispered about them in front of the stage tonight. What's wrong with them? Is it the bad and overly loud mix, their seeming lack of acknowledgement of the audience or something else that is reducing their usually sparkling and lively show into a rather dull and listless experience with every song melding into the next with very little dynamics.

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A lot is being said about the Diamond Sea around Melbourne and a lot is being whispered about them in front of the stage tonight. What's wrong with them? Is it the bad and overly loud mix, their seeming lack of acknowledgement of the audience or something else that is reducing their usually sparkling and lively show into a rather dull and listless experience with every song melding into the next with very little dynamics.

'Fire! Santa Rosa, Fire!' are part of a growing plethora of bands with annoying partial and disjointed sentence names that feel like they've been chosen just to be awkward and hip rather than any other reason. Their set starts well, especially after the dirge of The Diamond Sea's set, with some bright, well arranged tunes filled with a multitude of interesting instruments and counter melodies, especially in the grainy vocals of lead singer 'Caitlin'. Un yet, again, after a few songs something isn't gelling with the crowd, unhelped by guitarist 'Dave's' rather random, lengthy, bizarre and frankly annoying inter-song ramblings that result in an increasing amount of heckling throughout the set.

Thankfully after a rocky start to the night (or perhaps just fans who had no time for anything else), 'I Heart Hiroshima' do not fail to disappoint, suddenly the venue is full and everyone is piled together at the front of the stage. Even before the band start playing it is clear that they are far more experienced and aware of the importance of putting on a show that any other band on tonight's bill. Their recorded dynamic is reproduced live almost flawlessly, it is punchy and beautifully distinct, every guitar note, beat and vocal rings and fills the venue with almost perfect clarity. Each band member occupies the stage in their own way. Susie on vocals and drums is dominant on stage centre, she does most of the talking and is the most noticeable, Matt on guitar and vocals has a shabby charm, his face generally obscured by lank blonde hair, but occasionally his face appears from beneath to reveal a cheeky smile, finally Cameron on occasional vocals and guitar cowers in the stage's dark spots, looking apologetic for his presence. The band has an astonishingly loyal fan base, even in 'new' songs, most know all the words and when the end of the set arrives, no one will let the band leave, stomping and shouting until they return for an unplanned encore, a perfect representation of the band's wonderful dedication to delivering their music, surprised and humbled of their success.

Published in Inpress

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## [The Rip - I Heart Hiroshima](https://chrischinchilla.com/blog/2010/2010-01-03-the-rip-i-heart-hiroshima)

Date: 2010-01-03

Some of the best musical dynamics are created by three-pieces, anyone with half an ounce of musical talent can add sound to the silences with a lot of overdriven noise. Creating a full and interesting sound with the amount of instruments a three piece can potentially play, now that's a real challenge, especially when you stick to pretty much one guitar sound and use overdubs sparingly.It's a talent that a lot of bands from Brisbane seem to possess and have formed into a sound that 'I heart Hiroshima' were one of the first to perfect and popularise in recent times, so it's refreshing to see and hear that several years, one album and extensive touring later, they're still doing it exceedingly well. 'The Rip' is their second album, clocking in at just under 45 minutes, it's a concise, snappy and 'agitated', a wonderfully descriptive description of the album taken from their own press release (a rarity indeed) that sums up the up-and-down dynamics of the songs, like a complex cocktail with many subtle undercurrents that needs a good 'agitating' before serving. A well planned and arranged blend of precise percussion that forms the core of what gives 'I Heart Hiroshima' their sparkling dynamic, no straight and simple rock beats plodding along for three minutes. Layered on top are chugging fuzzy rhythm guitars, chiming, almost keyboard like lead guitars, alternated lead vocal duties, each band member adding their own personality to each track and any vocalist who can make 'yup' contain (seemingly) so much frustrated meaning in 'Got Out' deserves special mention. 'The Rip' is not-so-much beautifully, but appropriately produced in glorious lo-fi by none other than Andy Gill (formerly Gang of Four) who were one of the principal bands to hone this sparse, stripped back genre of music the first time around, so an almost ideal pairing of past and present to create an almost flawless alternative-pop record.

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Some of the best musical dynamics are created by three-pieces, anyone with half an ounce of musical talent can add sound to the silences with a lot of overdriven noise. Creating a full and interesting sound with the amount of instruments a three piece can potentially play, now that's a real challenge, especially when you stick to pretty much one guitar sound and use overdubs sparingly.It's a talent that a lot of bands from Brisbane seem to possess and have formed into a sound that 'I heart Hiroshima' were one of the first to perfect and popularise in recent times, so it's refreshing to see and hear that several years, one album and extensive touring later, they're still doing it exceedingly well. 'The Rip' is their second album, clocking in at just under 45 minutes, it's a concise, snappy and 'agitated', a wonderfully descriptive description of the album taken from their own press release (a rarity indeed) that sums up the up-and-down dynamics of the songs, like a complex cocktail with many subtle undercurrents that needs a good 'agitating' before serving. A well planned and arranged blend of precise percussion that forms the core of what gives 'I Heart Hiroshima' their sparkling dynamic, no straight and simple rock beats plodding along for three minutes. Layered on top are chugging fuzzy rhythm guitars, chiming, almost keyboard like lead guitars, alternated lead vocal duties, each band member adding their own personality to each track and any vocalist who can make 'yup' contain (seemingly) so much frustrated meaning in 'Got Out' deserves special mention. 'The Rip' is not-so-much beautifully, but appropriately produced in glorious lo-fi by none other than Andy Gill (formerly Gang of Four) who were one of the principal bands to hone this sparse, stripped back genre of music the first time around, so an almost ideal pairing of past and present to create an almost flawless alternative-pop record.

Published in Inpress

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## [Mammal - Vol2 Systematic / Automatic](https://chrischinchilla.com/blog/2010/2010-01-03-mammal-vol2-systematic-automatic)

Date: 2010-01-03

Live albums are always a dangerous affair, many will question releasing one at all, why not a proper studio album, is it a stop gap, a lack of interest or commitment from band or label? Quite often it's more because live albums simply don't sound very good, the quality is shoddy, the playing lax and the whole atmosphere is lost when listening on your home stereo. Fortunately for a hardcore-punk / Metal-ish band like Mammal with an infamously high quality live show, they're usually so damn tight and technically skilled that at least two of the concerns voiced are met, the sound quality is better than some studio based recordings, whoever captured the performance deserves congratulations. The audience sounds large-ish and seems to be enjoying themselves, screaming between and during songs, however some of the inter song introductions from front man Ezekiel Ox should have possibly been left out, being cringely cheesy in places, e.g. 'Sometimes you look around yourself and all is not to your liking, Mammal does this toî, said in a strong Australian accent loses some of it's bite when heard on record, that live, in the midst of a sweaty, raucous show would have been an awesome call to arms.The album also comes with a live DVD which, whilst the technical quality of the video doesn't match the quality of the live audio, goes some way to improving the atmosphere, actually seeing limbs flailing around on and off stage giving a little more atmosphere, though a lingering taste of cheese does unfortunately still hang slightly in the air, which is often a potential problem with a band that takes themselves seriously, it may not always come off that way post event.As a release, 'Vol2 Systematic / Automatic' is a gamble, will it connect with their fan base as the band's press realise so confidently claims? Are fans willing to buy something that they attended anyway, or will they consider it a somewhat flagrant attempt to make money out of them? Mammal like breaking rules, doing things their own way and taking a chance, so from their perspective, it will be a gamble worth taking.

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Live albums are always a dangerous affair, many will question releasing one at all, why not a proper studio album, is it a stop gap, a lack of interest or commitment from band or label? Quite often it's more because live albums simply don't sound very good, the quality is shoddy, the playing lax and the whole atmosphere is lost when listening on your home stereo. Fortunately for a hardcore-punk / Metal-ish band like Mammal with an infamously high quality live show, they're usually so damn tight and technically skilled that at least two of the concerns voiced are met, the sound quality is better than some studio based recordings, whoever captured the performance deserves congratulations. The audience sounds large-ish and seems to be enjoying themselves, screaming between and during songs, however some of the inter song introductions from front man Ezekiel Ox should have possibly been left out, being cringely cheesy in places, e.g. 'Sometimes you look around yourself and all is not to your liking, Mammal does this toî, said in a strong Australian accent loses some of it's bite when heard on record, that live, in the midst of a sweaty, raucous show would have been an awesome call to arms.The album also comes with a live DVD which, whilst the technical quality of the video doesn't match the quality of the live audio, goes some way to improving the atmosphere, actually seeing limbs flailing around on and off stage giving a little more atmosphere, though a lingering taste of cheese does unfortunately still hang slightly in the air, which is often a potential problem with a band that takes themselves seriously, it may not always come off that way post event.As a release, 'Vol2 Systematic / Automatic' is a gamble, will it connect with their fan base as the band's press realise so confidently claims? Are fans willing to buy something that they attended anyway, or will they consider it a somewhat flagrant attempt to make money out of them? Mammal like breaking rules, doing things their own way and taking a chance, so from their perspective, it will be a gamble worth taking.

Published in Inpress

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## [Jamie T - HiFi](https://chrischinchilla.com/blog/2010/2010-01-03-jamie-t-hifi)

Date: 2010-01-03

Somewhere along the way in the past few years of his rapid rise, Jamie T has transformed from a charming cheeky London chappy playing anywhere that would take him with only his trusty acoustic bass as company into a cockier (but still fairly charming) world travelling, eternally casual superstar. His past awkward and apologetic inter song banter replaced with the trusty How are you doing insert town name? and I'm going to need help on the next one, you guys ready?.His wordy chatty, monologue, cockney, dylanesque  songs are now packed out by a full and loud band that look like they were found ablimg South London streets, the key and complex lyrics sometimes getting somewhat lost in the noise. His newer material which is less original but more suited to a band follows a current trend in British music, attempting to make every song a  jagged youth anthem.

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Somewhere along the way in the past few years of his rapid rise, Jamie T has transformed from a charming cheeky London chappy playing anywhere that would take him with only his trusty acoustic bass as company into a cockier (but still fairly charming) world travelling, eternally casual superstar. His past awkward and apologetic inter song banter replaced with the trusty How are you doing insert town name? and I'm going to need help on the next one, you guys ready?.His wordy chatty, monologue, cockney, dylanesque  songs are now packed out by a full and loud band that look like they were found ablimg South London streets, the key and complex lyrics sometimes getting somewhat lost in the noise. His newer material which is less original but more suited to a band follows a current trend in British music, attempting to make every song a  jagged youth anthem.

What turned this eccentric, gnarly looking, shy super-busker (for want of a better phrase) into such an  international star? Whatever it was has pretty much the entire crowd in the palm of his hands, not singing, but shouting extremely loudly along with every word of every song, even the 'new' ones, actually drowning the sound from the stage at some points. Most of the crowd are surprised with their own reaction and with each other, and most of the band are equally as surprised with the reaction they are receiving, that even on the other side of the world from sunny Wimbledon the songs hit home so much into such a varied crowd, in age, culture and creed.For a two night sold out headline show, Jamie plays a short 45 minute set, perhaps the sign of an artist exposed to stardom slightly too soon, on the plus side it means everyone gets to hear all the songs they wanted to and go home with no regrets and nothing lacking from a night of screeching ecstatically at full volume.

Published in Inpress

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## [Does it offend you, yeah? - Billboard](https://chrischinchilla.com/blog/2010/2010-01-03-does-it-offend-you-yeah-billboard)

Date: 2010-01-03

'Does it Offend you, yeah?' lively blend of electro Indie rock bombards Billboard and the tightly packed boisterous Wednesday night crowd, not letting up for one minute or allowing a second of breathing space for the crowd or the band.

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Noise! Noise! Noise!

'Does it Offend you, yeah?' lively blend of electro Indie rock bombards Billboard and the tightly packed boisterous Wednesday night crowd, not letting up for one minute or allowing a second of breathing space for the crowd or the band.

The live 'Does it offend you, yeah?' experience varies slightly from their recorded output, which is crisp, clear and bouncy with well-defined beats and melodies. Whereas the live show is such a huge solid slab of cacophony that it's often hard to figure out where on earth the multitude of noises overwhelming your ears are being generated from. Not that it matters much, the vast majority of the venue are finding it hard to resist the beats and charisma of the band as shambolic front man, James Rushing leads his better dressed and sharper band through a set of modern alternative anthems interspersed with extraneous swearing and random anecdotes that do nothing to lower his cheeky London (well, actually Reading, but close enough) charm.

The band are infamous for staging memorable live shows and fortunately tonight fails to disappoint with no lack of action on stage either. Deserving special mention is Bass Player Chloe Duveaux, she maybe no larger than her instrument and is a women of few words, but the way she flings herself around her corner stage territory is captivating, her playing solid, consistent and unwavering throughout. 'Does it offend you, yeah?î are a nightmare for venue security, actively encouraging stage invasions and mass audience participation, unimpressed looking security guards have no choice but to stand by and watch as James announces 'I'm off for a fag, so you can sing this one', thus opening the flood gates for approximately a dozen drunk teenagers who think they can sing to take to the stage and over excitably flaunt their 'stuff'. A handful of crowd surfers and attempted stage invasions later, the night draws to a close and the crowd elatedly piles out into the cold night, the onset of tinnitus ringing in their ears.

Published in Inpress

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## [The Spoils - Toff in Town](https://chrischinchilla.com/blog/2010/2010-01-03-the-spoils-toff-in-town)

Date: 2010-01-03

Someone once said that the reason Melbourne produces so many dark, melancholic and moody bands is due to being 'stranded in a paradise at the end of the Earth, isolated from the rest of the world'. Which is possibly why so many musicians, the Spoils included, run off to seek fame and fortune elsewhere, but does gallivanting off in far-flung shores, acquiring fame and fortune change their music at all?The musicians, and they are real and proper skilful musicians capable of playing just about anything and making it seem astonishingly simple, that make up the Spoils are as varied and diverse as their audience, young, old(er), dressed like 19th Century gentlemen, dressed like American cowboys (and looking a little like Earl Hickey) and a little of everything in between. The Toff is a perfect venue for tonight's show, the venue is quiet, not empty, but full of an appreciative and attentative audience, the high-fidelity sound system installed allowing everyone to concentrate on all the nuances, subtleties and weaving melodies in the music. During the faster and more abrasive songs, the crowd begins to move and sway, but generally they are relaxed, leaning, crouching or seated, eyes fixed firmly forward, taking it all in and enjoying the skills and talents of the band to construct such absorbing melodies and rhythms.Tonight's show is a mixture of celebration and commiserations; it is the launch of their third album ('The Crook, the cloak and the maiden'), the final show with their saxophonist and two weeks before the band depart for another lengthy European jaunt, including their seemingly second home of France.<br>A band like the Spoils are an epitome of Melbourne (and Australian) bands, astounding musicians, hard working, professional, productive and full of universal appeal unyet in their home town they are playing a venue the size of the Toff (i.e. small) and have to constantly embark on lengthy and expensive tours to amass any kind of fan base or money. Bearing that in mind, looks like the melancholic, downbeat music of frustrated Melbourne musicians sunning themselves in the glorious summer heat wont be changing any time soon.

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Someone once said that the reason Melbourne produces so many dark, melancholic and moody bands is due to being 'stranded in a paradise at the end of the Earth, isolated from the rest of the world'. Which is possibly why so many musicians, the Spoils included, run off to seek fame and fortune elsewhere, but does gallivanting off in far-flung shores, acquiring fame and fortune change their music at all?The musicians, and they are real and proper skilful musicians capable of playing just about anything and making it seem astonishingly simple, that make up the Spoils are as varied and diverse as their audience, young, old(er), dressed like 19th Century gentlemen, dressed like American cowboys (and looking a little like Earl Hickey) and a little of everything in between. The Toff is a perfect venue for tonight's show, the venue is quiet, not empty, but full of an appreciative and attentative audience, the high-fidelity sound system installed allowing everyone to concentrate on all the nuances, subtleties and weaving melodies in the music. During the faster and more abrasive songs, the crowd begins to move and sway, but generally they are relaxed, leaning, crouching or seated, eyes fixed firmly forward, taking it all in and enjoying the skills and talents of the band to construct such absorbing melodies and rhythms.Tonight's show is a mixture of celebration and commiserations; it is the launch of their third album ('The Crook, the cloak and the maiden'), the final show with their saxophonist and two weeks before the band depart for another lengthy European jaunt, including their seemingly second home of France.<br>A band like the Spoils are an epitome of Melbourne (and Australian) bands, astounding musicians, hard working, professional, productive and full of universal appeal unyet in their home town they are playing a venue the size of the Toff (i.e. small) and have to constantly embark on lengthy and expensive tours to amass any kind of fan base or money. Bearing that in mind, looks like the melancholic, downbeat music of frustrated Melbourne musicians sunning themselves in the glorious summer heat wont be changing any time soon.

Published in Inpress

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## [Los Valentines - Cities of Gold](https://chrischinchilla.com/blog/2010/2010-01-03-los-valentines-cities-of-gold)

Date: 2010-01-03

What's going on in Sydney? Are there copious amounts of young men mating with drum machines, synthesizers and 80's dropouts? The city seems to be spawning a lot of electro bands recently that generally favour epic, fantastical sounding names and presentation.

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What's going on in Sydney? Are there copious amounts of young men mating with drum machines, synthesizers and 80's dropouts? The city seems to be spawning a lot of electro bands recently that generally favour epic, fantastical sounding names and presentation.

Los Valentinos have described their current release as 'Conquistadisco', which, frankly, is a brilliant if somewhat tongue-in-cheek sounding genre but sadly there's few discernable Latin overtones bar one Spanish song title (with English translation!). There are few undercurrents of indigenous struggle against powerful oppressive invading forces, no long lost secretive advanced civilizations, no gold, no cocoa, no smallpox (thankfully) and no sign of point for creating a 'new' genre. However there are a couple of songs that 'could' be about Latin America, though it's always kind of hard to tell quite what bands of this ilk are actually on about.

What we do have is a tight, concise and danceable album full of Epic swirling synths, reverb laden vocals and walls of sound floating vaguely above solid beats that regurgitates a lot of techniques, sounds, styles and attitudes that have been heard a fair bit before, most of them a while ago. Tracks on this album will have rooms packed full of gaudy hoodie wearing, glo-stick shaking kids dancing quite happily to seizure inducing light shows across the land. But bluntly is there any room left in the genre for yet another band and album that may be competent does little that is new or original in a cramped market.

Published in Inpress

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## [The Currency - The Currency](https://chrischinchilla.com/blog/2010/2010-01-03-the-currency-the-currency)

Date: 2010-01-03

Unless listless inmates around the world have been ganging together and forming bands, 'Convict-Core' could only really come from Australia and it would be safe to assume that it would sound like something of a mish-mash of the influences upon Australia's history. With these assumptions in hand The Currency's mix of high octane Celtic folk blended with Anglo Punk will come as no surprise. The Currency's live shows are legendary, it takes very little time for crowds to be pulled into the melodic maelstrom, grabbing friends and strangers and pulling them into a frenzied mosh pit of flailing limbs and hair, booze flowing freely in all directions. Whilst this debut album lacks the pure energy of the band's awesome live shows, the inter-twinning battling flutes, fiddles, mandolins and a plethora of other instruments will cause embarrassing toe-tapping, head jiggling and humming on public transport or at your workplace. The energy of the music aside, the stories contained within the songs are enticing and compelling, whilst there may not always be a conventional narrative, you pay attention to and follow the lyrics. By sticking to edgier themes of Australian life such as drought, workers rights, colonialism, the struggles of a young nation and tales of woe and regret The Currency manage to inject just enough 'Australiana' into their lyrics without sounding cringworthy or potentially alienating a global audience, maintaining an edgy, dangerous, dark and brooding brand of folk music to drown your sorrows to with beer, whisky and dancing until the early hours of the morning. Don't buy one copy, buy several and send one to anyone you know overseas and hopefully we'll inform the rest of the world that we're not just a nation of bleached-blonde surfers.

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Unless listless inmates around the world have been ganging together and forming bands, 'Convict-Core' could only really come from Australia and it would be safe to assume that it would sound like something of a mish-mash of the influences upon Australia's history. With these assumptions in hand The Currency's mix of high octane Celtic folk blended with Anglo Punk will come as no surprise. The Currency's live shows are legendary, it takes very little time for crowds to be pulled into the melodic maelstrom, grabbing friends and strangers and pulling them into a frenzied mosh pit of flailing limbs and hair, booze flowing freely in all directions. Whilst this debut album lacks the pure energy of the band's awesome live shows, the inter-twinning battling flutes, fiddles, mandolins and a plethora of other instruments will cause embarrassing toe-tapping, head jiggling and humming on public transport or at your workplace. The energy of the music aside, the stories contained within the songs are enticing and compelling, whilst there may not always be a conventional narrative, you pay attention to and follow the lyrics. By sticking to edgier themes of Australian life such as drought, workers rights, colonialism, the struggles of a young nation and tales of woe and regret The Currency manage to inject just enough 'Australiana' into their lyrics without sounding cringworthy or potentially alienating a global audience, maintaining an edgy, dangerous, dark and brooding brand of folk music to drown your sorrows to with beer, whisky and dancing until the early hours of the morning. Don't buy one copy, buy several and send one to anyone you know overseas and hopefully we'll inform the rest of the world that we're not just a nation of bleached-blonde surfers.

Published in Inpress

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## [Bones, Damn Terran, Will Stoker and the Embers - The Tote](https://chrischinchilla.com/blog/2010/2010-01-03-bones-damn-terran-will-stoker-and-the-embers-the-tote)

Date: 2010-01-03

Bones are an archetypal Melbourne band, all skinny men, tight trousers, cool looking guitars and discordant noise. There's dozens of them out there pounding the boards at Inner city venues night in and night out, but Bones posses a little extra 'Je ne sais quoi' to raise them above the rest of the throng. In amongst the messy noise and jagged edges are some amazing harmonies and crazy off beat guitar riffs that are so surprising they make you sit up, take notice and even start to smile.Damn Terrain are a man down, their bass player 'sucksî (according to the band's singer and guitarist) and despite their best efforts it notices. Both remaining members are putting in 110% to fill in the gaps but it still doesn't quite grab the crowd who begin drifting out to smoke and hang around the Tote's (now saved!) jukebox.There's something about bands from Western Australia, whether due to geographical frustrations or the lack of anything better to do, WA bands are typically extremely proficient, tight, professional and possess amazing stage presences, Will Stoker and the Embers do nothing to dispel this stereotype. The band have a strange dynamic, Will Stoker looking like a cross between Jeff Buckley and David Boreanaz but with crazier hair, eccentrically dressed he is the classic image of an Art school student. The rest of the band however are all out hard rockers through and through, long hair, amp stacks, black clothes and lumberjack shirts. You can imagine the band starting out, meeting this enigmatic front man and all saying, 'he's crazy but it might just work'. The gamble was a good one because Will Stoker & the Embers are an extremely unique act, the combination of hard rock and eccentricity creating an awesome and entrancing bravado as Will flings himself around the venue through a sequence of bizarre dance moves, leg wobbling and posing, backed by a band as solid and loud as they come. The crowd is mesmerised, they barely move, captivated by the spectacle before them, a show possessing quality that usually has come a long way.

---

Bones are an archetypal Melbourne band, all skinny men, tight trousers, cool looking guitars and discordant noise. There's dozens of them out there pounding the boards at Inner city venues night in and night out, but Bones posses a little extra 'Je ne sais quoi' to raise them above the rest of the throng. In amongst the messy noise and jagged edges are some amazing harmonies and crazy off beat guitar riffs that are so surprising they make you sit up, take notice and even start to smile.Damn Terrain are a man down, their bass player 'sucksî (according to the band's singer and guitarist) and despite their best efforts it notices. Both remaining members are putting in 110% to fill in the gaps but it still doesn't quite grab the crowd who begin drifting out to smoke and hang around the Tote's (now saved!) jukebox.There's something about bands from Western Australia, whether due to geographical frustrations or the lack of anything better to do, WA bands are typically extremely proficient, tight, professional and possess amazing stage presences, Will Stoker and the Embers do nothing to dispel this stereotype. The band have a strange dynamic, Will Stoker looking like a cross between Jeff Buckley and David Boreanaz but with crazier hair, eccentrically dressed he is the classic image of an Art school student. The rest of the band however are all out hard rockers through and through, long hair, amp stacks, black clothes and lumberjack shirts. You can imagine the band starting out, meeting this enigmatic front man and all saying, 'he's crazy but it might just work'. The gamble was a good one because Will Stoker & the Embers are an extremely unique act, the combination of hard rock and eccentricity creating an awesome and entrancing bravado as Will flings himself around the venue through a sequence of bizarre dance moves, leg wobbling and posing, backed by a band as solid and loud as they come. The crowd is mesmerised, they barely move, captivated by the spectacle before them, a show possessing quality that usually has come a long way.

Published in Inpress

---

## [Grafton Primary - The East Brunswick Club](https://chrischinchilla.com/blog/2010/2010-01-03-grafton-primary-the-east-brunswick-club)

Date: 2010-01-03

Grafton Primary possesses an eclectic fan base, drawing in an increasing amount of musical sub genres, uniting them for fleeting moments in one room. Taking up centre ground are the chattering fashionistas, eyeing each other up and comparing clothing brands. Bang in front of the stage are an unruly bunch of mainstream-esque dance fans, jostling for space, hassling photographers and generally annoying most around them. Hanging around at the back are groups of lesbian punks and lurking in dark corners are gaggles of old school 80's Goths, the breadth and contradictory nature of the bands fan base also sums up the band and their music. An equally strange combination of retro electro, dark layered moods and modern rhythmic aggression is executed with flawless precision, perfectly suiting our era's obsession of regurgitating the past into gleaned pastiches.

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Grafton Primary posses an eclectic fan base, drawing in an increasing amount of musical sub genres, uniting them for fleeting moments in one room. Taking up centre ground are the chattering fashionistas, eyeing each other up and comparing clothing brands. Bang in front of the stage are an unruly bunch of mainstream-esque dance fans, jostling for space, hassling photographers and generally annoying most around them. Hanging around at the back are groups of lesbian punks and lurking in dark corners are gaggles of old school 80's Goths, the breadth and contradictory nature of the bands fan base also sums up the band and their music. An equally strange combination of retro electro, dark layered moods and modern rhythmic aggression is executed with flawless precision, perfectly suiting our era's obsession of regurgitating the past into gleaned pastiches.

Grafton Primary's presentation is also impeccable; the band adorned with gang style tattoos around their eyes, fantasy feral hairstyles and a suite of jerky dance moves creating something of a freakish and surreal stage presence. The band's crew (who number more than the band) also deserve special attention, creating an spectacular visual and lighting show full of sweeping logos, fractals, archive footage, strobes and stage smoke. This is complimented by a slickly engineered live sound which is far better in quality than the band's recorded output, without which the Grafton Primary live set would be a lot less memorable and a lot less of an experience.

One of the biggest surprises with Electro bands is how a small amount of people can actually generate so much noise in the first place. Most of the bloops, bleeps, pulses and synth sweeps in Grafton primary being generated by one band member (Benjamin Garden), his eyes constantly fixated on some dial, button or key, erratically darting from one gadget to another. Grafton Primary also gain extra kudos for having a live drummer, a feat often hard to pull off with music so precise, Robbie Mudrazija's beats as carefully executed and unwavering as his stage mannerisms and constant stick twirling. Joshua Garden provides perfect vocals for the musical style, a straining vocal delivery full of bravado and all the right dramatic emphases, it doesn't matter that most of the lyrics are pure nonsense, everyone's too busy dancing anyway.

Published in Inpress

---

## [Covers of the Future](https://chrischinchilla.com/blog/2009/2009-12-27-covers-of-the-future)

Date: 2009-12-27

I'm old enough to remember the great laments aired when vinyl started to die it's still ensuing slow death, how would musicians and their artists still be able to shrink their exquisite works of art down from a whopping 12" to XX CD inlays. Well, unsurprisingly they coped, they managed, they learnt new tricks and still created a mixed bag of wondrous masterpieces and piles of crap. There have been some classic Album covers that I feel wouldn't have even worked on vinyl. Radioheads' 'OK Computer' is one example, pop out the CD holder and you find a wealth of extra art lurking beneath the surface. Not forgetting cardboard covers, flexipacks and a wealth of DIY efforts that were far simplified by the smaller size of a CD. CD bodies themselves also offer an extra surface for artwork that previously never existed, not to mention those more adventurous musicians who add bonus material through the extended CD format.

---

I'm old enough to remember the great laments aired when vinyl started to die it's still ensuing slow death, how would musicians and their artists still be able to shrink their exquisite works of art down from a whopping 12" to XX CD inlays. Well, unsurprisingly they coped, they managed, they learnt new tricks and still created a mixed bag of wondrous masterpieces and piles of crap. There have been some classic Album covers that I feel wouldn't have even worked on vinyl. Radioheads' 'OK Computer' is one example, pop out the CD holder and you find a wealth of extra art lurking beneath the surface. Not forgetting cardboard covers, flexipacks and a wealth of DIY efforts that were far simplified by the smaller size of a CD. CD bodies themselves also offer an extra surface for artwork that previously never existed, not to mention those more adventurous musicians who add bonus material through the extended CD format.

Fast forward twenty years and we're going through the same debate and unnecessary laments again, as physical music releases are starting to die a slow and painful death, artists and musicians are once more wondering what will happen to their ever important artwork. Lets face it, on shelves and even virtual shelves, it is often artwork that tempts the casual browser to buy your product and not one of the thousands of other options surrounding it, artwork is needed to grab peoples attention and draw them in. Perhaps a couple of years ago when the vast majority of music downloads were illegal, either ripped from borrowed CD's or found lurking on file sharing networks, artwork would tend to become separated from the music and most wouldn't care about it. Now with increased disc space to cope with megabytes of artwork files, and most crucially, portable music players with larger colour screens, digital music artwork is experiencing a rapid and overdue renaissance and has by no means killed the need for artwork.

However as far as I can see, there are a few challenges and potentials with this new and exciting medium that may or may not have been written about, but you've got this far, so you might as well continue.

The main challenge is how to cope with artwork that could be viewed in glorious full size colour, potentially even larger that 12" vinyl on some fancy 27" computer screen, but also make it clear and recognisable at something as small as 64 x 64 pixels. Complex and intricate artwork could no longer be suitable in all digital situations, with clear and concise artwork the flavour of the day.

One feature digital artwork offers that has not previously been possible is the ability to attach images to individual tracks instead of album wide. With each track potentially having it's own artwork, this opens up a wealth of interesting creative ideas, reinforcing the refocussing that downloadable music has already caused, from albums to tracks.

There are a lot of people out there who love liner notes, spending time perusing lyrics, studying production notes and the bunches of random photos generally found filling up CD booklets. There are others who couldn't give two stuffs about what guitars the band played and what sunglasses they were wearing whilst touring Japan, considering the booklet an annoying waste of paper that means you can't close the Jewell case properly. Thankfully a lot of musicians who have embraced digital downloads are already providing links to optional liner notes and with the advent of new technologies such as iTunes LP (ironic title) it could be that artists can choose to charge a little extra if fans want to buy album related material or not.

For budding musicians out there keen to jump on the next bandwagon before the music industry hijacks it, how does one go about attaching digital artwork to your music? Well, thankfully it requires no extra tools or hours than those already employed in making traditional artwork, in fact even less, as you don't have to worry about printing it any more. Once artwork has been created in your favourite image editor (further support the legal open source revolution by using GIMP) it's generally a case of pasting or attaching the image files (dependent on what you use to create your music files) to the information window on your tracks, i.e. the same place where you enter artist and track names.

**So what are you waiting for?**

If it's that easy, don't just paste some shrunk down version of your CD release's artwork that looks crappy and unintelligible into your digital releases. Sit down, think, let your creative juices flow, have some fun and work out a few novel ideas, legal music downloads have empowered musicians to easily get their music out to fans who have been surprisingly quick and accepting of the format. Don't just make your downloadable tracks direct rips of physical releases, make them different, unique and worth paying for, give a little back, your fans deserve it.

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## [Rules of the Road](https://chrischinchilla.com/blog/2009/2009-04-28-rules-of-the-road-null)

Date: 2009-04-28

A license is not required to ride a bike on Melbourne's (and most other cities in the world as far as I know) streets and sometimes knowing quite what you are allowed and not allowed to do or indeed what others should be doing around you is difficult to ascertain.

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A license is not required to ride a bike on Melbourne's (and most other cities in the world as far as I know) streets and sometimes knowing quite what you are allowed and not allowed to do or indeed what others should be doing around you is difficult to ascertain.

The fact is that when you are on a bike you should be obeying the rules of the road, but a lot of rules and regulations are squarely aimed at car drivers and if you haven't taken a license test, how are you supposed to know what they are anyway?

Here are a few rules and regulations that directly affect cyclists, so you can be aware of your rights and responsibilities.

## Keep to the left
You should keep to the left of the lane, if the road is too narrow or clogged with traffic then you are perfectly within your rights to take the lane completely, a generally touted figure is to keep a metre from the curbside. Cyclists are also allowed to overtake on the left of a vehicle, but not if the vehicle is indicating or turning left.

## Riding together
Often a subject of confusion, you are allowed to ride two abreast and a third cyclist is even allowed to overtake, so car drivers put away those horns.

## Bike lanes and paths
Another common grey area, this one even surprised me. If there is a bike path or lane present, you are obliged to use it if practical. Cars are also obliged to give way to cyclists in lanes and paths.

## Hook turns
Whilst not completely required for cyclists, at major intersections where trams are present it will assist your safety and visibility if you take a hook turn instead of a 'normal' one.

## Traffic signs
Cyclists are required to obey traffic lights, stop signs and give way signs, failing to do so is an infringement and could result in a fine.

## Opening Doors?
Speaking from experience, being hit by a car door is unpleasant, opening a car door into traffic is also illegal. The law states 'A person must not cause a hazard to any person or vehicle by opening the door of a vehicle?' a fact that will surprise many cyclists and car drivers alike. However, it does mean that if you are hit, you are well within your rights to take down details, claim any damages and if necessary, report the incident to the Police.

## Compulsory accessories

- A warning device such as a bell or horn.
- An approved helmet.
- At night a white front light and red back light.

## Traffic Fines

- Disobeying traffic lights : $220
- No Helmet : $55
- No Lights : $55
- Riding on a footpath or other non-approved path : $55

In fact, cyclists are subject to the same fines as car drivers, so if you're very unlucky or not careful you could find yourself hit with a very unusual fine.

So bearing all of this in mind, why do so many cyclists seem to break these rules, putting themselves into danger, trouble and giving so many of us law abiding cyclists a bad name? I thought I'd do a little probing and try to understand why so many carry a chip on their shoulders about sharing the road and don't try to ride harmoniously with every other user of our public roads and footpaths.

A common reason for jumping red lights given by many cyclists is momentum. Unlike a car, it's is human endeavour and effort that propels your vehicle, stopping at red lights reverses all of the momentum you've just built up, starting up again can be a lot of effort. This is a fair point, but in my personal opinion, not completely valid and generally bought up by those who like to travel particularly fast or who have fixed wheel (i.e. one gear) bikes, utilising gears properly (as with a car) makes stopping and starting a fairly simple process. Yes, traffic lights are damned annoying, but they generally exist for a good reason and not obeying them could endanger you and others, ignoring the recurring issue that you will also potentially infuriate other road users, increasing cyclist animosity. Of course there are also those lights that simply don't trigger for cyclists, in those cases then you really have no option than to jump them or cross on the pedestrian crossing.

It does sadly seem that many cyclists suffer something of a superiority complex, taking the fact that they're 'doing their bit for the planet' as a carte blanche do what they like on the roads. Then there's the rebellious attitude that accompanies a lot of cyclists, the attitude that initially drives you to rebuke the four-wheeled majority and take to two wheels carries on into just doing what you damn like. Whatever your opinion or attitude, there are rules in place for a reason, if you don't agree with that reason or feel you are inappropriately represented or covered by regulations and rules then flaunting them isn't necessarily the best approach. One person breaking a rule because they feel justified or safer (which may have unforseen repercussions) in doing so achieves nothing, taking your complaints through official channels and making more intelligent larger scale protests through lobby groups (some listed below) or attending related public events can achieve better results.

<a href=https://www.bv.com.au>www.bv.com.au</a>

<a href=https://www.vicroads.vic.gov.au/Home/BicyclesPedestrians>www.vicroads.vic.gov.au/Home/BicyclesPedestrians</a>

<a href=https://www.austroads.com.au/abc>www.austroads.com.au/abc</a>

<a href=https://www.melbournecyclist.com/forum/topics/rule-breaking-cyclists>www.melbournecyclist.com/forum/topics/rule-breaking-cyclists</a>

Published in Aduki

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## [Australian Festivals](https://chrischinchilla.com/blog/2009/2009-04-28-australian-festivals)

Date: 2009-04-28

I finally got my fist experience(s) of Australian festivals this summer, albeit a gentle one-day only festival introduction and I hate to say I wasn't greatly impressed.

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I finally got my fist experience(s) of Australian festivals this summer, albeit a gentle one-day only festival introduction and I hate to say I wasn't greatly impressed.

Whilst most of my festival encounters were a couple of years ago and who knows what might have changed since then I have been to festivals all over Europe so have a fair amount of experience in the matter, from a performer, staff and punter's perspective.

My biggest problem with Australian festivals (and this based purely on my experiences because I gather they may not be wholly representative) is the sheer amount of red tape, bureaucratic nonsense and instructions doled out left, right and centre. I have never witnessed so many pointless regulations, signs, metal fences, wristbands, passes, policies and (arrogant) people in high-vis jackets in one place and I come from the UK, (apparently) home of the bureaucrat. What's more, most of these systems in place seem fairly ineffective in enforcing whatever it was they were there to enforce in the first place, and seem to all be focussed in the wrong places, allowing other 'illicit' activities to continue un-abated.

For example at Big Day Out there were countless 'drinking pens', where those of us above drinking age had to be herded into by aggressive and rude security guards who ignored you and treated you like dumb animals in order to carry out the natural combination of consuming alcohol and watching music (as long as you don't mind watching music through a fence). However, once inside there were very few security to be seen and seemingly any sort of behaviour was acceptable. I can understand why you want to prevent the sale / consumption of alcohol to minors but there are simpler and more productive ways than this, it just creates bottlenecks and concentrations of drunk idiots and an increased feeling of lack of worth, patronisation and lack of trust.

Likewise at this years Laneway festival tremendous amounts of people power, instructions, signage and omnipresent metal fencing went into ferrying people in an out if areas around the city, most of which could be easily ignored and bypassed if you lost yourself in a stream of people. There also seemed to be no thought of the fact that there might be a lot of people trying to get in and out of small places at the same time, leading to ridiculous queues, near miss crushes, disappointed crowds and a lot of chaos. Once again, the entire infrastructure was concentrated into too fewer spaces; there were plenty of unhelpful security telling you that you couldn't take water into stage areas, but very few maps, signs, timetables or useful information. Also, whoever thought of running Laneway festival on the same day and in the same area as Chinese New Year celebrations deserves the sack.

Sadly this bureaucratic over regulation of everything seems to be steadily rising in Australia, un yet half the time no one who enforces it seems to notice that it is rarely actually effective, it annoys and alienates a lot of people, who left to their own devices, will do the right thing (and those who are intent on doing the wrong thing will probably do it anyway) and fundamentally it takes the fun out of experiences. So before we all turn into drones, robots and rule abiding automatons remember to question, live on the edge and have a little fun. With a good dose of sense, good humour and compassion for your fellow human beings thrown in of course.

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## [Derelict London - Paul Talling](https://chrischinchilla.com/blog/2009/2009-04-28-derelict-london-paul-talling)

Date: 2009-04-28

I find this small collection of images documenting London's derelict underbelly appealing for two reasons. I know the author from his days as an Indie label 'boss' and the fact that he turned to a successful sideline in snapping pictures of abandoned buildings is fascinating. Secondly a lot of the subjects within the book are familiar to me, sometimes in the same state as within the book and sometimes in their previous non-dilapidated state.

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I find this small collection of images documenting London's derelict underbelly appealing for two reasons. I know the author from his days as an Indie label 'boss' and the fact that he turned to a successful sideline in snapping pictures of abandoned buildings is fascinating. Secondly a lot of the subjects within the book are familiar to me, sometimes in the same state as within the book and sometimes in their previous non-dilapidated state.

My own connections aside this is a great little book of fascinating images of abandoned buildings, wasteland and other images of London's abandoned side. The (small) physical size of the book makes some of the images annoyingly small when really this should be a coffee table sized book, but that's more than likely a Publishers decision.

The descriptions accompanying each photo give an insight into the mind of the author, full of references to London football teams and amusing anecdotes to reveal a side of London that you either didn't know about or much like the subjects, had forgotten about.

[www.derelictlondon.com](https://www.derelictlondon.com)

---

## [The Slow Guide to Melbourne](https://chrischinchilla.com/blog/2009/2009-04-28-the-slow-guide-to-melbourne-null)

Date: 2009-04-28

<a href=https://www.slowguides.com.au>www.slowguides.com.au</a>

---

<a href=https://www.slowguides.com.au>www.slowguides.com.au</a>

'Slow' is an increasingly popular worldwide movement encouraging us to all, well, slow down. To take time out from our increasingly (and frequently self inflicted) hectic lives to appreciate what is around us, to take time to notice little things that were previously unnoticed, investigate places un-investigated, try new experiences and treat the world in a different, more relaxed and inquisitive manner.

Affirm Press's 'Slow Guides' to Melbourne and Sydney are the first (of hopefully many) in a series of handbooks to an alternative way of enjoying your favourite city. This review will focus on the Melbourne edition as it's where I live and the city I know best.

The guide is beautifully produced with a uniform mellowing combination of black, white and green throughout the book accompanying some finely crafted text, beautiful photos and illustrations. I've not lived in Melbourne for that long, so a lot of the places and experiences mentioned were new and surprising to me, but my wife has been here over ten years and most still surprised her, so there's your proof that we all spend far too much time rushing around like headless chickens, so that we need a book to tell us how to really discover our home city.

Some of my favourite snippets and factoid from the book include :

- Final confirmation that the Keith Haring-esque painting nears the Tote in Collingwood is actually an original Keith Haring.
- The old Melways tour of Melbourne to discover which buildings have come and gone since the edition was published.
- A very long list of unique (and generally free) views of Melbourne.
- The best places to indulge some of your more under-appreciated senses, such as smell.
- Why the visually appealing tiles outside of so many Melbourne pubs are at they height they are. (You wont touch them ever again?)

This is an easy and inspiring read, perfect to pop in your bag or even squeeze into a large pocket as you wander the streets with nothing in particular to do, but be warned, the book could cause some contradictory behaviour as you rush to leave work or study as rapidly as possible to get out into the big wide world and soak up some of the wonderful experiences mentioned.

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## [Apocalypse-ish](https://chrischinchilla.com/blog/2009/2009-04-28-apocalypse-ish)

Date: 2009-04-28

I&#39;ve been intending to write this for months, but never quite got around to it, a theme that will run through this article? I was also quite proud of the piece and was hoping I might be able to get it published, but alas, no joy in that area and as I say above, it&#39;s content is long overdue.

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I&#39;ve been intending to write this for months, but never quite got around to it, a theme that will run through this article? I was also quite proud of the piece and was hoping I might be able to get it published, but alas, no joy in that area and as I say above, it&#39;s content is long overdue.

As some of you may or may not know, I&#39;ve been attempting to write a book for the best part of a year, I never quite made it past the research stage but have learnt about many fascinating things along the way.

The book was intended to be a fictional and modern reworking of Revelations, not an original concept I know, but I&#39;d done my research to achieve as much accuracy as possible and was intending to place the narrative in the modern equivalent of a biblical chronicler, our incessant and omnipresent media.

It looks increasingly like the book will never get written though, firstly due to time constraints and secondly due to one of the constants in my life, the fact that frequently when I make predictions, they come true. I was intending to use the book to pre-empt the collapse of the &#39;Western Empire&#39;, through equivalent modern catastrophes and during my time wasting the past few months, this seems to be happening and I feel the book will be, or is, too late.

Because lets face it, over the past 18 months it&#39;s been feeling a bit &#39;end of days&#39; hasn&#39;t it? Financial Collapse, Environmental crisis, natural disaster after natural disaster, you&#39;d be forgiven for feeling somewhat nihilistic.

Or are things really any worse than they&#39;ve ever been? In times like these it&#39;s important to take a step back and look at things constructively, history does indeed repeat itself, even if outside of living memory. One of the most important phrases to note of recent times is &#39;the worst xxx since records began&#39;, because generally accurate historical records have only existed for around 200 years and even in humanities minute history, that is an incredibly short time span. Who are we to say there weren&#39;t ravaging bushfires 400 years ago, or tsunamis that destroyed cities 500 years ago? In fact we&#39;re almost certain there were, so why do we hold our own era in such high esteem and think that what we&#39;re experiencing is so unique?

In regards to the financial crisis I feel it is important to look into one of the eras of history that most fascinates me, the Romans. A strong, powerful and dominant empire that spread over and influenced a large area and amount of people, we still feel its effects today. It lasted nearly 1000 years, a vast amount of time when compared to the paltry few centuries of the current Anglo/American/Colonial empire that is slowly drawing to a close. When the Roman Empire finally limped to it&#39;s messy end, the world surrounding it was shaken by a sudden vacuum, the collapse of trade and economies plunged the western and Mediterranean regions into the bleak dark ages. It took time, but people finally got over it, humanity bounced back, the Phoenix rose from the flames, we moved on, forgot about it and got back to the dull normality of everyday life.

The Human race has a remarkable capacity to change, adapt and survive, that&#39;s why we&#39;re still here. Whilst it sometimes seems hard to imagine your average lethargic modern Joe competing in a Darwinian survival of the fittest, we probably will and we&#39;ll probably make it fine out the other side of whatever faces us.

I feel another book coming on?

Unless of course another species beats us in the race of the fittest?<br />Or mother nature reminds us really how strong she is?<br />Or we blow ourselves up?<br />Or we poison ourselves and our atmosphere?

In which case no one will care if I finish the book anyway.

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## [Umberto Eco - The Island of the Day Before](https://chrischinchilla.com/blog/2009/2009-04-28-umberto-eco-the-island-of-the-day-before)

Date: 2009-04-28

Umberto Eco is often a difficult read, he has a tendency to take a really good (semi-fictional) plot and wrap in a lot of intellectual posturing that can become annoying and fundamentally far too distracting to continue reading. I am well aware of his vices and whilst I frequently have no idea what he is talking about I still really enjoying reading his books and would even list him as one of my favourite authors. The Island of the Day before is perhaps one of Umberto Eco's easiest reads with a fairly simple plot by his standards and enough beautifully written descriptions and prose to cope with a relatively small amount of intellectual discussion. The story tells of a young noble in the 17th century who gets abandoned on a mysterious ship in an unknown location and his (and the western world's) coming to grips with discovering new worlds, sciences and cultures whilst attempting to cling on to the familiar, mystical and old world. A wonderful read with a lead character that you will love, despise, support and become frustrated with throughout the book.

---

Umberto Eco is often a difficult read, he has a tendency to take a really good (semi-fictional) plot and wrap in a lot of intellectual posturing that can become annoying and fundamentally far too distracting to continue reading. I am well aware of his vices and whilst I frequently have no idea what he is talking about I still really enjoying reading his books and would even list him as one of my favourite authors. The Island of the Day before is perhaps one of Umberto Eco's easiest reads with a fairly simple plot by his standards and enough beautifully written descriptions and prose to cope with a relatively small amount of intellectual discussion. The story tells of a young noble in the 17th century who gets abandoned on a mysterious ship in an unknown location and his (and the western world's) coming to grips with discovering new worlds, sciences and cultures whilst attempting to cling on to the familiar, mystical and old world. A wonderful read with a lead character that you will love, despise, support and become frustrated with throughout the book.

<a href=https://www.umbertoeco.com>www.umbertoeco.com</a>

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## [Richard Dawkins - The God Delusion](https://chrischinchilla.com/blog/2009/2009-04-28-richard-dawkins-the-god-delusion)

Date: 2009-04-28

Whilst I do not believe in God by any means and would certainly describe myself as an Atheist, my biggest issue with 'The God Delusion' is what Richard Dawkins would describe as his 'Devout Atheism'. The fervour and passion he writes with is almost on a par with that of a religion devotees and thus at times is equally as awkward to digest. Perhaps it could also be due to a conditioning of our modern world he describes, in that we feel awkward discussing religious topics in public, in case we offend someone around us, even when reading the book I found myself occasionally hiding the title in front of possible 'religious types' in case I offended them. The book is generally easy to read and full of intriguing, interesting and thought provoking topics and nuggets of information only occasionally wandering into intellectual territory that may be lost on some readers.

---

Whilst I do not believe in God by any means and would certainly describe myself as an Atheist, my biggest issue with 'The God Delusion' is what Richard Dawkins would describe as his 'Devout Atheism'. The fervour and passion he writes with is almost on a par with that of a religion devotees and thus at times is equally as awkward to digest. Perhaps it could also be due to a conditioning of our modern world he describes, in that we feel awkward discussing religious topics in public, in case we offend someone around us, even when reading the book I found myself occasionally hiding the title in front of possible 'religious types' in case I offended them. The book is generally easy to read and full of intriguing, interesting and thought provoking topics and nuggets of information only occasionally wandering into intellectual territory that may be lost on some readers.

<a href=https://www.richarddawkins.net>www.richarddawkins.net</a>

---

## [Michael Franti - The Prince of Wales](https://chrischinchilla.com/blog/2009/2009-04-28-michael-franti-the-prince-of-wales)

Date: 2009-04-28

Michael Franti appears to be something of an institution in Australia, possessing a modicum of  popularity in most of the world but verging on something else on our far flung shores, acting like a shaman and appointed leader for the current or reformed hippies, crusties and ferrals. It takes a rare talent and presence to grasp the crowd in the palm of your hand and inspire them into singing  along with every word you utter, to have them clapping and dancing to every beat from the opening notes and first word of your first song, and appropriately, that first word was 'hello' in several languages. To then keep the vast majority of the crowd hanging on to every word you say, responding to every local reference, dancing and screaming on demand and spontaneously for the entire set in some kind of cult-like fervor with hidden subconscious messages flowing through the crowd  is an even larger achievement, Michael Franti manages it with the greatest of ease and this is only an acoustic set!The set is bursting with simple and effective songs about peace, love and understanding, covering politics, community and harmony, no-one is left out, every race and subculture is mentioned for good measure in Franti's rapid fire lyrics, perfect topics for a full-to-the-brim venue on the seaside with the evening feeling a little like a holiday camp with Michael Franti as chief red coat leading proceedings.Some would accuse Michael Franti of verging on the cheesy side and of producing the occasional cringe on the more discerning music fan's face. Cast your aspersions and cynicisms aside, for a performer who produces such warm fuzzy feel good feelings, for a performer that creates music that makes everyone feel good and leave their problems aside, Michael Franti can't be faulted.

---

Michael Franti appears to be something of an institution in Australia, possessing a modicum of  popularity in most of the world but verging on something else on our far flung shores, acting like a shaman and appointed leader for the current or reformed hippies, crusties and ferrals. It takes a rare talent and presence to grasp the crowd in the palm of your hand and inspire them into singing  along with every word you utter, to have them clapping and dancing to every beat from the opening notes and first word of your first song, and appropriately, that first word was 'hello' in several languages. To then keep the vast majority of the crowd hanging on to every word you say, responding to every local reference, dancing and screaming on demand and spontaneously for the entire set in some kind of cult-like fervor with hidden subconscious messages flowing through the crowd  is an even larger achievement, Michael Franti manages it with the greatest of ease and this is only an acoustic set!The set is bursting with simple and effective songs about peace, love and understanding, covering politics, community and harmony, no-one is left out, every race and subculture is mentioned for good measure in Franti's rapid fire lyrics, perfect topics for a full-to-the-brim venue on the seaside with the evening feeling a little like a holiday camp with Michael Franti as chief red coat leading proceedings.Some would accuse Michael Franti of verging on the cheesy side and of producing the occasional cringe on the more discerning music fan's face. Cast your aspersions and cynicisms aside, for a performer who produces such warm fuzzy feel good feelings, for a performer that creates music that makes everyone feel good and leave their problems aside, Michael Franti can't be faulted.

Published in Inpress

---

## [The Stranglers - The Palace](https://chrischinchilla.com/blog/2009/2009-04-28-the-stranglers-the-palace)

Date: 2009-04-28

For a band with a career that has spanned nearly 30 years, The Stranglers look in remarkably good shape. Despite the drugs, the changes in musical direction, losing their original singer, losing their original singer's replacement, the good albums and the frankly abysmal albums, the band are still standing strong with some of their original line up and a back catalogue full of catchy and familiar songs. Most importantly, the band looks damn good on stage, resplendent in uniform black. Bassist JJ Burnell is built like a tank, the veins on his neck showing above a tight muscle hugging t-shirt as he pumps out his familiar 'barracuda bass' sound. 'New' recruit Baz Warne on guitar and vocals provides more than enough spit and bile necessary to deliver the songs of the Stranglers, whilst, cool as ever, Dave Greenfield delivers some of the most memorable and recognisable keyboard lines from the 70's and 80's one handed as he sups his way through the contents of a personal bar. Most notably, The Stranglers stage show is so un-complicated for a band of their size, no road crew constantly adjusting things, no constant swapping of guitars, no fathing about, just tune after tune delivered with a consistent high energy and professionalism.

---

For a band with a career that has spanned nearly 30 years, The Stranglers look in remarkably good shape. Despite the drugs, the changes in musical direction, losing their original singer, losing their original singer's replacement, the good albums and the frankly abysmal albums, the band are still standing strong with some of their original line up and a back catalogue full of catchy and familiar songs. Most importantly, the band looks damn good on stage, resplendent in uniform black. Bassist JJ Burnell is built like a tank, the veins on his neck showing above a tight muscle hugging t-shirt as he pumps out his familiar 'barracuda bass' sound. 'New' recruit Baz Warne on guitar and vocals provides more than enough spit and bile necessary to deliver the songs of the Stranglers, whilst, cool as ever, Dave Greenfield delivers some of the most memorable and recognisable keyboard lines from the 70's and 80's one handed as he sups his way through the contents of a personal bar. Most notably, The Stranglers stage show is so un-complicated for a band of their size, no road crew constantly adjusting things, no constant swapping of guitars, no fathing about, just tune after tune delivered with a consistent high energy and professionalism.

The stranglers are one of those long lasting bands with a plethora of songs you forgot about, as opening riff follows opening chord, seas of faces in the crowd smile in recognition, singing and bobbing along (the crowd is generally a little too old for dancing). The songs not only span decades, but musical fads and trends, from earlier sparse and aggressive Punk numbers, to disco tinged crowd pleasers and keyboard heavy ballads to remind of the come down from the hedonistic 80's, always tinged with that element of bleakness counterpointed with optimism that the Stranglers inject into their music. Not only illustrating the world around them, but also documenting the band's own journey through the music business and its pitfalls. This is predominately a hits tour, fortunately (or unfortunately) the more embarrassing and misguided concept album tracks from the bands down period are omitted from the set, so those wishing to hear "The Men in Black" were sorely disappointed, but the rest of us enjoyed a night in the company of music that has accompanied at least part of most people's lives under 30 and played by some of the coolest middle-aged men around.

Published in Inpress

---

## [The Hives - The Forum](https://chrischinchilla.com/blog/2009/2009-04-28-the-hives-the-forum)

Date: 2009-04-28

The Hives are past masters at staging a rock show, working their way through all of the tricks in 'Rock Live shows for beginners', the vast majority of 'Rock live shows for intermediates' and making fair headway into the advanced volume. Even before the band take to the stage we have subdued red lighting, a vast backdrop and a tremendous amount of 'milking it' as the crowd gets rowdier awaiting the band's emergence.

---

The Hives are past masters at staging a rock show, working their way through all of the tricks in 'Rock Live shows for beginners', the vast majority of 'Rock live shows for intermediates' and making fair headway into the advanced volume. Even before the band take to the stage we have subdued red lighting, a vast backdrop and a tremendous amount of 'milking it' as the crowd gets rowdier awaiting the band's emergence.

Finally five figures emerge resplendent in splendid matching black and white (ubiquitous when it comes to the Hives) 'college' style blazers and ties and crash straight into an opening salvo of pure pop-punk Rock & Roll fun.The Holiday spirit is in the air and the unique 'inside-outside' dÈcor of the Forum create a festival atmosphere as the crowd slowly lets themselves slip into the grip of the Hives, or to be more precise, the vice like hold of the charismatic and instantly likeable (and simultaneously dislikeable) front man Pelle. His repartee and inter song banter is legendary for it's humorous self glorification all delivered in faux American drawl and tonight is no disappointment with lines such as "You'll do anything I tell you to won't you?", "I'm so hot, aren't I?" and "I am the rock and roll preacher here to exorcise your musical demons".

Whilst Pele is an amazing front man he would be nothing without the solid backing of the remaining four members of the band providing frantic drum beats and an awesome dynamic of jagged guitars for him and the majority of the rest of the room to jump, dance, scissor kick and scream along to. It's an easy formula, simple chord progressions, catchy riffs, heaps of energy, shed loads of enthusiasm, piles of fun and a good healthy dose of audience interaction that may be frowned upon by many 'discerning' musos but is a guarantee of a memorable gig for all concerned and an eleventh hour contender for gig of the year in 2008.

Published in Inpress

---

## [A Short History of Byzantium - John Julius Norwich](https://chrischinchilla.com/blog/2009/2009-04-28-a-short-history-of-byzantium-john-julius-norwich)

Date: 2009-04-28

The Byzantine Empire was a long forgot segment of Mediterranean History that seems to be undergoing something of a rediscovery recently. I'm unsure why it's history seemed to slip down the back of the rhetorical sofa as it's certainly a most tumultuous and colourful history full of victory, disaster, insane characters, powerful characters and the usual battles, religious turmoil and tales that accompany any medieval history. This is a summarised version of John Julius Norwich's three volume Byzantine history and he does a remarkable job of covering a thousand years of history in a clear, concise and engaging manner, never dull, never losing momentum and with a pace almost worthy of fiction as you look forward to reading further to see what happens next.

---

The Byzantine Empire was a long forgot segment of Mediterranean History that seems to be undergoing something of a rediscovery recently. I'm unsure why it's history seemed to slip down the back of the rhetorical sofa as it's certainly a most tumultuous and colourful history full of victory, disaster, insane characters, powerful characters and the usual battles, religious turmoil and tales that accompany any medieval history. This is a summarised version of John Julius Norwich's three volume Byzantine history and he does a remarkable job of covering a thousand years of history in a clear, concise and engaging manner, never dull, never losing momentum and with a pace almost worthy of fiction as you look forward to reading further to see what happens next.

<a href=https://www.johnjuliusnorwich.com>www.johnjuliusnorwich.com</a>

---

## [Jesus is Coming](https://chrischinchilla.com/blog/2009/2009-04-28-jesus-is-coming)

Date: 2009-04-28

So I guess you'll just have to wait

---

Jesus is coming

On the train

He'll be late

So I guess you'll just have to wait

---

## [On Death](https://chrischinchilla.com/blog/2009/2009-02-08-on-death)

Date: 2009-02-08

My Nan died recently so for obvious reasons I've been thinking about Death a fair bit. Death in the family has never been something that has emotionally bothered me a great deal, probably due to me having a small family, my Mum dying at a young age and being brought up to celebrate life, not spen time mourning things that cannot be changed. The things that do bother me about death is the vulture like swooping of various parties after the event and the sudden deconstruction of someone's life. I feel very awkward discussing estates, possessions, value and legalities, to me it feels disrespectful. One of my earliest memories of this is after the funeral of my Mum's Dad when all the family descended on his house to divvy up the possessions with gleams in their eyes. I know all these things have to be discussed and sorted out, but everyone seems to so keen to bring the issue up whilst assuring you they're very sorry about what happened, much like in the antiques roadshow when you know all everyone is waiting to find out from the experts is an items 'insurance value'.

---

My Nan died recently so for obvious reasons I've been thinking about Death a fair bit. Death in the family has never been something that has emotionally bothered me a great deal, probably due to me having a small family, my Mum dying at a young age and being brought up to celebrate life, not spen time mourning things that cannot be changed. The things that do bother me about death is the vulture like swooping of various parties after the event and the sudden deconstruction of someone's life. I feel very awkward discussing estates, possessions, value and legalities, to me it feels disrespectful. One of my earliest memories of this is after the funeral of my Mum's Dad when all the family descended on his house to divvy up the possessions with gleams in their eyes. I know all these things have to be discussed and sorted out, but everyone seems to so keen to bring the issue up whilst assuring you they're very sorry about what happened, much like in the antiques roadshow when you know all everyone is waiting to find out from the experts is an items 'insurance value'.

Perhaps the thing that concerns me most about death is more of a personal, selfish thing, which after all (taking a slight diversion) is what grief really is anyway, you feel sorry for yourself, not for the person who has died. I have always been concerned about my legacy, about being important, famous, leaving a mark on the world, something to be remembered by, about making a difference in my life. The most harrowing thing that has haunted me over the past few days is how by going through a deceased family member's house and reducing most o ftheir life into black bags. 87 years of life and really you have no choice but to take apart their life in a brief amount of time and give it away or sell it, unless you really have the luxury of filling your home with the contents of another. It freaks me out to think that the same might happen to my life in the future, all that effort, time and hard work taken apart in an instant.

---

## [The rules of the road - Cycling article](https://chrischinchilla.com/blog/2009/2009-01-26-the-rules-of-the-road-cycling-article)

Date: 2009-01-26

Rules of the road<br>Chris Chinchilla<br><br>A license is not required to ride a bike on Melbourne's (and most other cities in the world as far as I know) streets and sometimes knowing quite what you are allowed and not allowed to do or indeed what others should be doing around you is difficult to ascertain.<br>The fact is that when you are on a bike you should be obeying the rules of the road, but a lot of rules and regulations are squarely aimed at car drivers and if you haven't taken a license test, how are you supposed to know what they are anyway?<br><br>Here are a few rules and regulations that directly affect cyclists, so you can be aware of your rights and responsibilities.<br><br><b>Keep to the left</b><br>You should keep to the left of the lane, if the road is too narrow or clogged with traffic then you are perfectly within your rights to take the lane completely, a generally touted figure is to keep a metre from the curbside. Cyclists are also allowed to overtake on the left of a vehicle, but not if the vehicle is indicating or turning left. <br><br><b>Riding together</b><br>Often a subject of confusion, you are allowed to ride two abreast and a third cyclist is even allowed to overtake, so car drivers put away those horns.<br><br><b>Bike lanes and paths</b><br>Another common grey area, this one even surprised me. If there is a bike path or lane present, you are obliged to use it if practical. Cars are also obliged to give way to cyclists in lanes and paths.<br><br><b>Hook turns</b><br>Whilst not completely required for cyclists, at major intersections where trams are present it will assist your safety and visibility if you take a hook turn instead of a 'normal' one.<br><br><b>Traffic signs</b><br>Cyclists are required to obey traffic lights, stop signs and give way signs, failing to do so is an infringement and could result in a fine.<br><br><b>Opening Doors?</b><br>Speaking from experience, being hit by a car door is unpleasant, opening a car door into traffic is also illegal. The law states 'A person must not cause a hazard to any person or vehicle by opening the door of a vehicle?' a fact that will surprise many cyclists and car drivers alike. However, it does mean that if you are hit, you are well within your rights to take down details, claim any damages and if necessary, report the incident to the Police.<br><br><b>Compulsory accessories</b><br>A warning device such as a bell or horn.<br>An approved helmet.<br>At night a white front light and red back light.<br><br><b>Traffic Fines</b><br>Disobeying traffic lights : $220<br>No Helmet : $55<br>No Lights : $55<br>Riding on a footpath or other non-approved path : $55<br><br>In fact, cyclists are subject to the same fines as car drivers, so if you're very unlucky or not careful you could find yourself hit with a very unusual fine.<br><br><br>So bearing all of this in mind, why do so many cyclists seem to break these rules, putting themselves into danger, trouble and giving so many of us law abiding cyclists a bad name? I thought I'd do a little probing and try to understand why so many carry a chip on their shoulders about sharing the road and don't try to ride harmoniously with every other user of our public roads and footpaths.<br><br>A common reason for jumping red lights given by many cyclists is momentum. Unlike a car, it's is human endeavour and effort that propels your vehicle, stopping at red lights reverses all of the momentum you've just built up, starting up again can be a lot of effort. This is a fair point, but in my personal opinion, not completely valid and generally bought up by those who like to travel particularly fast or who have fixed wheel (i.e. one gear) bikes, utilising gears properly (as with a car) makes stopping and starting a fairly simple process. Yes, traffic lights are damned annoying, but they generally exist for a good reason and not obeying them could endanger you and others, ignoring the recurring issue that you will also potentially infuriate other road users, increasing cyclist animosity. Of course there are also those lights that simply don't trigger for cyclists, in those cases then you really have no option than to jump them or cross on the pedestrian crossing.<br><br>It does sadly seem that many cyclists suffer something of a superiority complex, taking the fact that they're 'doing their bit for the planet' as a carte blanche do what they like on the roads. Then there's the rebellious attitude that accompanies a lot of cyclists, the attitude that initially drives you to rebuke the four-wheeled majority and take to two wheels carries on into just doing what you damn like. Whatever your opinion or attitude, there are rules in place for a reason, if you don't agree with that reason or feel you are inappropriately represented or covered by regulations and rules then flaunting them isn't necessarily the best approach. One person breaking a rule because they feel justified or safer (which may have unforseen repercussions) in doing so achieves nothing, taking your complaints through official channels and making more intelligent larger scale protests through lobby groups (some listed below) or attending related public events can achieve better results.<br><br><br><br>www.bv.com.au<br>www.vicroads.vic.gov.au/Home/BicyclesPedestrians<br>www.austroads.com.au/abc<br><br>www.melbournecyclist.com/forum/topics/rule-breaking-cyclists<br>

---

Rules of the road<br>Chris Chinchilla<br><br>A license is not required to ride a bike on Melbourne's (and most other cities in the world as far as I know) streets and sometimes knowing quite what you are allowed and not allowed to do or indeed what others should be doing around you is difficult to ascertain.<br>The fact is that when you are on a bike you should be obeying the rules of the road, but a lot of rules and regulations are squarely aimed at car drivers and if you haven't taken a license test, how are you supposed to know what they are anyway?<br><br>Here are a few rules and regulations that directly affect cyclists, so you can be aware of your rights and responsibilities.<br><br><b>Keep to the left</b><br>You should keep to the left of the lane, if the road is too narrow or clogged with traffic then you are perfectly within your rights to take the lane completely, a generally touted figure is to keep a metre from the curbside. Cyclists are also allowed to overtake on the left of a vehicle, but not if the vehicle is indicating or turning left. <br><br><b>Riding together</b><br>Often a subject of confusion, you are allowed to ride two abreast and a third cyclist is even allowed to overtake, so car drivers put away those horns.<br><br><b>Bike lanes and paths</b><br>Another common grey area, this one even surprised me. If there is a bike path or lane present, you are obliged to use it if practical. Cars are also obliged to give way to cyclists in lanes and paths.<br><br><b>Hook turns</b><br>Whilst not completely required for cyclists, at major intersections where trams are present it will assist your safety and visibility if you take a hook turn instead of a 'normal' one.<br><br><b>Traffic signs</b><br>Cyclists are required to obey traffic lights, stop signs and give way signs, failing to do so is an infringement and could result in a fine.<br><br><b>Opening Doors?</b><br>Speaking from experience, being hit by a car door is unpleasant, opening a car door into traffic is also illegal. The law states 'A person must not cause a hazard to any person or vehicle by opening the door of a vehicle?' a fact that will surprise many cyclists and car drivers alike. However, it does mean that if you are hit, you are well within your rights to take down details, claim any damages and if necessary, report the incident to the Police.<br><br><b>Compulsory accessories</b><br>A warning device such as a bell or horn.<br>An approved helmet.<br>At night a white front light and red back light.<br><br><b>Traffic Fines</b><br>Disobeying traffic lights : $220<br>No Helmet : $55<br>No Lights : $55<br>Riding on a footpath or other non-approved path : $55<br><br>In fact, cyclists are subject to the same fines as car drivers, so if you're very unlucky or not careful you could find yourself hit with a very unusual fine.<br><br><br>So bearing all of this in mind, why do so many cyclists seem to break these rules, putting themselves into danger, trouble and giving so many of us law abiding cyclists a bad name? I thought I'd do a little probing and try to understand why so many carry a chip on their shoulders about sharing the road and don't try to ride harmoniously with every other user of our public roads and footpaths.<br><br>A common reason for jumping red lights given by many cyclists is momentum. Unlike a car, it's is human endeavour and effort that propels your vehicle, stopping at red lights reverses all of the momentum you've just built up, starting up again can be a lot of effort. This is a fair point, but in my personal opinion, not completely valid and generally bought up by those who like to travel particularly fast or who have fixed wheel (i.e. one gear) bikes, utilising gears properly (as with a car) makes stopping and starting a fairly simple process. Yes, traffic lights are damned annoying, but they generally exist for a good reason and not obeying them could endanger you and others, ignoring the recurring issue that you will also potentially infuriate other road users, increasing cyclist animosity. Of course there are also those lights that simply don't trigger for cyclists, in those cases then you really have no option than to jump them or cross on the pedestrian crossing.<br><br>It does sadly seem that many cyclists suffer something of a superiority complex, taking the fact that they're 'doing their bit for the planet' as a carte blanche do what they like on the roads. Then there's the rebellious attitude that accompanies a lot of cyclists, the attitude that initially drives you to rebuke the four-wheeled majority and take to two wheels carries on into just doing what you damn like. Whatever your opinion or attitude, there are rules in place for a reason, if you don't agree with that reason or feel you are inappropriately represented or covered by regulations and rules then flaunting them isn't necessarily the best approach. One person breaking a rule because they feel justified or safer (which may have unforseen repercussions) in doing so achieves nothing, taking your complaints through official channels and making more intelligent larger scale protests through lobby groups (some listed below) or attending related public events can achieve better results.<br><br><br><br>www.bv.com.au<br>www.vicroads.vic.gov.au/Home/BicyclesPedestrians<br>www.austroads.com.au/abc<br><br>www.melbournecyclist.com/forum/topics/rule-breaking-cyclists<br>


Published in Aduki

---

## [The Slow Guide to Melbourne - Book review](https://chrischinchilla.com/blog/2009/2009-01-26-the-slow-guide-to-melbourne-book-review)

Date: 2009-01-26

'Slow' is an increasingly popular worldwide movement encouraging us to all, well, slow down. To take time out from our increasingly (and frequently self inflicted) hectic lives to appreciate what is around us, to take time to notice little things that were previously unnoticed, investigate places un-investigated, try new experiences and treat the world in a different, more relaxed and inquisitive manner.

---

'Slow' is an increasingly popular worldwide movement encouraging us to all, well, slow down. To take time out from our increasingly (and frequently self inflicted) hectic lives to appreciate what is around us, to take time to notice little things that were previously unnoticed, investigate places un-investigated, try new experiences and treat the world in a different, more relaxed and inquisitive manner.

Affirm Press's 'Slow Guides' to Melbourne and Sydney are the first (of hopefully many) in a series of handbooks to an alternative way of enjoying your favourite city. This review will focus on the Melbourne edition as it's where I live and the city I know best.

The guide is beautifully produced with a uniform mellowing combination of black, white and green throughout the book accompanying some finely crafted text, beautiful photos and illustrations. I've not lived in Melbourne for that long, so a lot of the places and experiences mentioned were new and surprising to me, but my wife has been here over ten years and most still surprised her, so there's your proof that we all spend far too much time rushing around like headless chickens, so that we need a book to tell us how to really discover our home city.

Some of my favourite snippets and factoid from the book include :

Final confirmation that the Keith Haring-esque painting nears the Tote in Collingwood is actually an original Keith Haring.

The old Melways tour of Melbourne to discover which buildings have come and gone since the edition was published.

A very long list of unique (and generally free) views of Melbourne.

The best places to indulge some of your more under-appreciated senses, such as smell.

Why the visually appealing tiles outside of so many Melbourne pubs are at they height they are. (You wont touch them ever again?)

This is an easy and inspiring read, perfect to pop in your bag or even squeeze into a large pocket as you wander the streets with nothing in particular to do, but be warned, the book could cause some contradictory behaviour as you rush to leave work or study as rapidly as possible to get out into the big wide world and soak up some of the wonderful experiences mentioned.

Published in Aduki

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## [Look who's Toxic, The Amazing Phillips's Sisters / Tucker B's, Spod - The Northcote Social Club](https://chrischinchilla.com/blog/2008/2008-12-30-look-whos-toxic-the-amazing-phillipss-sisters-tucker-bs-spod-the-northcote-social-club)

Date: 2008-12-30

Friday night gigs need to start earlier to pull in the punters and keep them awake, bar a few overly enthusiastic members of the crowd, most of those hanging around the Northcote Social Club band room are looking like they'd rather be in bed and the support band's job is a tough one to extract any sort of enthusiasm or energy.

---

Friday night gigs need to start earlier to pull in the punters and keep them awake, bar a few overly enthusiastic members of the crowd, most of those hanging around the Northcote Social Club band room are looking like they'd rather be in bed and the support band's job is a tough one to extract any sort of enthusiasm or energy.

'Look Who's Toxicî start well with a flurry of fast and frantic songs about the life of rock and roll nerds, themes such as ninjas, junk food, fictional creatures and Fetuses. A few songs descend into rather dirge like territory but several punkier numbers stand out, there are some awesome bass lines and two drum machine led white-boy-hip-hop tunes wake up the audience enough to draw some shouting and bootie shaking.

INSERT BAND NAME HERE(!) try stupendously hard to arouse the crowd, taking to the stage in matching Wizards costumes, complete with pointy hats, capes and grey beards. Most of the set feels like it's improvised, the band don't hide the fact that no one really knows what's going on particularly well, but all the members are extremely accomplished musicians and manage to pull off a set of erratic hard rock that some bands would struggle to deliver.<br>A lot has been said about Spod and for anyone's first experience everything he pulls out of the hat is new and unexpected. First on stage are 'The Orsumettesî, Spod's all girl dance troop who's skimpy dresses and vaguely sensual dancing guarantees that at least some members of the crowd start paying attention. Then on bounds the man himself resplendent in a suit and bow tie that doesn't quite fit, not that it matters, as during the next few thumping, crashing, blooping songs he proceeds to remove most of it anyway. Spod's songs fall into three camps, the noisy electro ones, with thumping drum beats, lots of noises generated from an assortment of gadgets and unbelievably energetic vocals, The more anthemic guitar based songs (accompanied by 'The Orsumatorsî) and then those that straddle the two camps, shakily just about managing to keep a foot in each. Spod's songs are great feats of arrangement, listening to the lyrics, the tunes and hooks, there is a lot more thought in them than may immediately appear, however it is the stage show that makes the night a memorable experience, rousing even the sleepiest audience into full on party mode. Streamers, party poppers, confetti, striping, dancing, 'cheerleading' and a whole lot of love make for one of the most enjoyable and memorable gigs of the year. Go Spod!

Published in InPress

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## [Random Sunday - Creative Writing (poem)](https://chrischinchilla.com/blog/2008/2008-12-30-random-sunday-creative-writing-poem)

Date: 2008-12-30

Let down the wall, try not to use a piano, you'll amaze yourself.

---

Let down the wall, try not to use a piano, you'll amaze yourself.

Take care to keep them straight; whilst not easy it's within reach.

Run mobile discos, but it's pointless my guru told me.

All you need is cash and the girls like it, I never realised it would become a cliché.

Some of them have bits of me, evidently the line to use next time.

Rubbing away the planets and playing rhythm guitar, the 90's were a good idea.

Fantasies of eyes on stalks and by coincidence we rode a scooter.

Ah well, let them.

On their return they were History, the best thing really.

Electronic pop signed, and shampoo gave me a job she admits.

I'll design ties for Bloomingdales, giving the meal a miss.

The truth is, in essence becoming more complex.

Gold spawned a kind of gritty voice in my mind, only to remerge smirking.

The boys found the day laminated, just like the film.

Published in Velveteen Zine

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## [Text Talk one](https://chrischinchilla.com/blog/2008/2008-12-30-text-talk-one-creative-writing-poem)

Date: 2008-12-30

_A poem written completely in predictive text_

---

_A poem written completely in predictive text_

Fancied damaged boy any box or coy Cox kiss lips as they lisp.

Awake, cycle, be late and laud Kate.

Wall walk, tall talk, the next newt goes for God's loud love by Jove.

The tie vies for kid's lies, lids off with odd Ned picking and shaking his sibling in the lame land lane.

If he goes in, I'm gone home, good.

Gas has, ice had, water waves and rates save.

Jesus jests while pests rests.

For eons the doors shut in situ, waiting, waving their dues for ever.

---

## [The Jacks, Assassination Collective, Actor/Model, Shooting at Unarmed Men - Pony](https://chrischinchilla.com/blog/2008/2008-12-30-the-jacks-assassination-collective-actor-model-shooting-at-unarmed-men-pony)

Date: 2008-12-29

Cup eve is a strange night of the year, everyone feels obliged to go out and enjoy themselves but haven't quite got over the weekend yet.<br><br>The Jacks play an uncomplicated rock-a-billy punk crossover and certainly look the part, resplendent in turned up jeans, shirts, t-shirts, low-slung guitars and tattoos aplenty. The music's not complicated, there's no messing around, no confusion over what to expect and an awesome start to the night.<br><br>Assassination Collective take to the stage in their usual shambolic glory, trying to fit 7 members on any stage is hard, nigh on impossible at a venue like Pony. The band compromise by bringing their awesome loud and raucous sound into the audience, the rotating vocalists bounding around the venue shaking everyone out of their holiday lethargy.<br><br>Actor / Model are an odd choice on the bill, their mellower sound sandwiched between several louder and more frantic bands. A couple of songs in the set drag a little, wandering into meandering instrumentals that feel extraneous to what are generally catchy and interesting numbers.<br><br>Shooting at Unarmed Men's gig schedule has been somewhat sporadic and random over the past year, a situation that beautifully summarises the band's music. One of the tightest three-pieces in Melbourne the songs are definitely punchy, catchy and well crafted, but full to the brim of tangents, suddenly flying from one random part to another without notice or prediction, a refreshing change from a sea of predictable bands. The audience tonight are just as unpredictable with some of the most bizarre heckles anyone (including front man John Chaplet who's probably experienced a fair few) has heard in a long time being shouted, screamed, sung and hollered throughout the entire set. Despite this Shooting at Unarmed Men pull off a brilliant set, somewhat enhanced by the situation, airing new songs, playing some old favourites and reminding Melbourne that despite their absence, they are still a musical force to be reckoned with.

---

Cup eve is a strange night of the year, everyone feels obliged to go out and enjoy themselves but haven't quite got over the weekend yet.<br><br>The Jacks play an uncomplicated rock-a-billy punk crossover and certainly look the part, resplendent in turned up jeans, shirts, t-shirts, low-slung guitars and tattoos aplenty. The music's not complicated, there's no messing around, no confusion over what to expect and an awesome start to the night.<br><br>Assassination Collective take to the stage in their usual shambolic glory, trying to fit 7 members on any stage is hard, nigh on impossible at a venue like Pony. The band compromise by bringing their awesome loud and raucous sound into the audience, the rotating vocalists bounding around the venue shaking everyone out of their holiday lethargy.<br><br>Actor / Model are an odd choice on the bill, their mellower sound sandwiched between several louder and more frantic bands. A couple of songs in the set drag a little, wandering into meandering instrumentals that feel extraneous to what are generally catchy and interesting numbers.<br><br>Shooting at Unarmed Men's gig schedule has been somewhat sporadic and random over the past year, a situation that beautifully summarises the band's music. One of the tightest three-pieces in Melbourne the songs are definitely punchy, catchy and well crafted, but full to the brim of tangents, suddenly flying from one random part to another without notice or prediction, a refreshing change from a sea of predictable bands. The audience tonight are just as unpredictable with some of the most bizarre heckles anyone (including front man John Chaplet who's probably experienced a fair few) has heard in a long time being shouted, screamed, sung and hollered throughout the entire set. Despite this Shooting at Unarmed Men pull off a brilliant set, somewhat enhanced by the situation, airing new songs, playing some old favourites and reminding Melbourne that despite their absence, they are still a musical force to be reckoned with.


Published in InPress

---

## [Human Powered Cycles - Cycling article](https://chrischinchilla.com/blog/2008/2008-12-30-human-powered-cycles-cycling-article)

Date: 2008-12-29

As a cyclist you encounter so much stress, grief and abuse you at least hope that when you enter a bike shop you will be greeted by a friendly and supportive face. However even this isn't always the case as some cycle shop staff can be rude, patronising and unfriendly, especially to new and keen cyclists. So what a refreshing change it was when I set foot into Human Powered Cycles in Brunswick, not only friendly and approachable, but also passionate and with a big heart, lets have a few words with them.<br><br><b>Top Maintenance Tips</b><br>Keep your bike regularly maintained, oil the chain and wheels, keep all moving parts clean and basically just keep an eye on everything.<br>Make sure your light's batteries are not running out, especially on your back light as you may not always notice it's strength. On a related issue, don't buy two back lights to save money, this will confuse other traffic and could endanger you.<br>When adjusting gears don't rely on playing with the High and Low adjusters on the gear cluster, try adjusting the gear wire instead.<br><br>If you want to learn more about cycle maintenance then conveniently Human Powered offer some very competitively priced classes and rates for their own work, even providing courtesy bikes whilst yours is being fixed.<br><br><b>Top Riding Tips</b><br>Get a bike that fits you properly!<br>Don't hug the kerb and keep weaving in and out between packed cars, stay out in the road and stick to the same spot.<br>Don't ride timidly, assert yourself and be confident.<br>Obey the rules of the road, if you don't know them, learn them.<br><br>Human Powered's business has been sufficiently successful over the past seven years that they have been able to fund a program for recent Immigrants, providing bikes and cycling lessons, a quite unique scheme that you can help with by donating any old bikes you no longer require.<br><br>I asked the guys what they thought of some of the current issues that affect cyclists in Melbourne.<br><br><b>Why do you think that so many motorists in Melbourne are so 'bad' and have so little respect for Cyclists? </b><br>I feel that unlike many European cities motorists in Australia have priority, if they hit a non-motor vehicle then the victim is in the wrong. Perhaps this leads the attitude of motorists here, they feel they are always in the right. Generally most motorists get annoyed with pedestrians and cyclists because they slow them down. At the same time I dislike certain cyclists who abuse the rules of the road, annoying other users doesn't help, it will simply lead to more motorists disliking cyclists and treating us all with disdain and mistrust.<br><br><b>Do you think that if Cyclists paid a road tax we would be treated with more respect and get better facilities? </b><br>This is actually somewhat of a myth, the tax that motorists pay mainly goes into accident prevention / cure and then general administration costs of the tax. Cyclists have very little impact on council property and we pay for this with rates anyway. In fact, encouraging cyclists is in the interests of councils it leads to less wear and tear and increased health benefits.<br><br><b>What would help the future of cycling? </b><br>More education for all road users and more promotion of cycling as a viable and positive method of transport, both of these would hopefully lead to a change in attitudes.<br><br>Human Powered is a great self sufficient operation like so many in the inner suburbs, right down to their wonderfully informative website, their workshop computers running Linux and Bees in the backyard on the banks of the Merri. They are soon moving to commercial prosperity, hopefully it wont change the nature of the business.<br><br>38 Harrison St<br>Brunswick East<br>90296504<br><br>Soon moving to :<br>563 High Street<br>Thornbury<br><br>On the 1st December, drop by for opening specials!<br><br><a href=https://www.humanpowered.com.au target=î_blankî> www.humanpowered.com.au </a><br><br>The guys at Human Powered Cycles are so nice they've also offered anyone who mentioned Aduki a 10% discount.<

---

As a cyclist you encounter so much stress, grief and abuse you at least hope that when you enter a bike shop you will be greeted by a friendly and supportive face. However even this isn't always the case as some cycle shop staff can be rude, patronising and unfriendly, especially to new and keen cyclists. So what a refreshing change it was when I set foot into Human Powered Cycles in Brunswick, not only friendly and approachable, but also passionate and with a big heart, lets have a few words with them.<br><br><b>Top Maintenance Tips</b><br>Keep your bike regularly maintained, oil the chain and wheels, keep all moving parts clean and basically just keep an eye on everything.<br>Make sure your light's batteries are not running out, especially on your back light as you may not always notice it's strength. On a related issue, don't buy two back lights to save money, this will confuse other traffic and could endanger you.<br>When adjusting gears don't rely on playing with the High and Low adjusters on the gear cluster, try adjusting the gear wire instead.<br><br>If you want to learn more about cycle maintenance then conveniently Human Powered offer some very competitively priced classes and rates for their own work, even providing courtesy bikes whilst yours is being fixed.<br><br><b>Top Riding Tips</b><br>Get a bike that fits you properly!<br>Don't hug the kerb and keep weaving in and out between packed cars, stay out in the road and stick to the same spot.<br>Don't ride timidly, assert yourself and be confident.<br>Obey the rules of the road, if you don't know them, learn them.<br><br>Human Powered's business has been sufficiently successful over the past seven years that they have been able to fund a program for recent Immigrants, providing bikes and cycling lessons, a quite unique scheme that you can help with by donating any old bikes you no longer require.<br><br>I asked the guys what they thought of some of the current issues that affect cyclists in Melbourne.<br><br><b>Why do you think that so many motorists in Melbourne are so 'bad' and have so little respect for Cyclists? </b><br>I feel that unlike many European cities motorists in Australia have priority, if they hit a non-motor vehicle then the victim is in the wrong. Perhaps this leads the attitude of motorists here, they feel they are always in the right. Generally most motorists get annoyed with pedestrians and cyclists because they slow them down. At the same time I dislike certain cyclists who abuse the rules of the road, annoying other users doesn't help, it will simply lead to more motorists disliking cyclists and treating us all with disdain and mistrust.<br><br><b>Do you think that if Cyclists paid a road tax we would be treated with more respect and get better facilities? </b><br>This is actually somewhat of a myth, the tax that motorists pay mainly goes into accident prevention / cure and then general administration costs of the tax. Cyclists have very little impact on council property and we pay for this with rates anyway. In fact, encouraging cyclists is in the interests of councils it leads to less wear and tear and increased health benefits.<br><br><b>What would help the future of cycling? </b><br>More education for all road users and more promotion of cycling as a viable and positive method of transport, both of these would hopefully lead to a change in attitudes.<br><br>Human Powered is a great self sufficient operation like so many in the inner suburbs, right down to their wonderfully informative website, their workshop computers running Linux and Bees in the backyard on the banks of the Merri. They are soon moving to commercial prosperity, hopefully it wont change the nature of the business.<br><br>38 Harrison St<br>Brunswick East<br>90296504<br><br>Soon moving to :<br>563 High Street<br>Thornbury<br><br>On the 1st December, drop by for opening specials!<br><br><a href=https://www.humanpowered.com.au target=î_blankî> www.humanpowered.com.au </a><br><br>The guys at Human Powered Cycles are so nice they've also offered anyone who mentioned Aduki a 10% discount.<


Published in Aduki

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## [Steph Brett, Miss Little, Howl at the Moon  - The Empress](https://chrischinchilla.com/blog/2008/2008-12-29-steph-brett-miss-little-howl-at-the-moon-the-empress)

Date: 2008-12-29

Steph Brett possesses a peculiar quality rarely found in singer-songwriters but one that delights and ensures an audience firmly on your side. Technically she is not brilliant, she fumbles chords, awkwardly plays with the microphone and even manages to pull the jack plate out of her guitar towards the end of her set. Un yet there is a vibrancy and character in her silky, caramel voice and personality, an understated charm that wins through every problem and technical hitch, as an example, to counter the lack of electrics in her guitar, the last song becomes acapella, with most of the audience providing hand claps for the duration.

---

Steph Brett possesses a peculiar quality rarely found in singer-songwriters but one that delights and ensures an audience firmly on your side. Technically she is not brilliant, she fumbles chords, awkwardly plays with the microphone and even manages to pull the jack plate out of her guitar towards the end of her set. Un yet there is a vibrancy and character in her silky, caramel voice and personality, an understated charm that wins through every problem and technical hitch, as an example, to counter the lack of electrics in her guitar, the last song becomes acapella, with most of the audience providing hand claps for the duration.

Miss Little is an artist at the complete opposite end of the spectrum. She is slick, extremely well rehearsed, with a set of highly arranged material and obviously brimming with musical ability. She is just too spick and span, there seems to be a lack of feeling in her music, the set feels more like a tour through the various effects she can implement and utilise than an emotional journey. The vocoder, the loop station, the multiple keyboards all start to get a little dull and sadly the music drifts into the background.

Howl at the Moon live somewhere between the two support acts, they are certainly well rehearsed and after playing an abundance of shows in recent months, the band is a well-oiled machine. Howl at the Moon's songs are full to bursting point with wonderful dynamics and arrangements, all instruments compliment each other superbly. Ladie Dee Supplies a bed of strumming full chords, her voice cutting clearly through, possessing pain, pleasure and experience in abundance, you feel and believe what she sings. Matt S peppers the solid chord bed with haunting guitar licks and melodies wether they be jagged, melodic, discordant, beautiful or somewhere in-between. Mark and Mike on bass and drums round of the illustrious package, providing a cohesive and rock-solid rhythm section, something hard to do in this genre of music, the temptation to be as Scuzzy and loose as the guitars and vocals. It's a set the audience isn't ready to finish, but sadly the restrictions of Friday night licensing draw proceedings to an early close and the venue empties after enjoying some truly great music.

Published in InPress

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## [City Life - Creative writing (Prose)](https://chrischinchilla.com/blog/2008/2008-12-29-city-life-creative-writing-prose)

Date: 2008-12-29

Applecore<br>Broken Door<br>Commercial crap<br>Cat flap<br>High crime<br>Sign of the times<br>Night clubs<br>Seedy pubs<br>Rubbish bin<br>Collecting tin<br>Bus stop<br>Bent cop<br>Run down school<br>Drunken fool<br>Paedophile<br>Give us a smile<br>Traffic jam<br>Bang bang<br>Road work<br>Office jerk<br>Broken homes<br>Millennium dome<br>Drug dealer<br>Office cleaner<br>Broken bottle<br>Full throttle<br>Boarded up shops<br>Office blocks<br>Social life<br>Beaten up wife<br>Dodgy bloke<br>Being broke<br>Sick on the ground<br>Too much sound<br>Political shit<br>Hypocrite<br><br>City life, don't you just love it<br>

---

Applecore<br>Broken Door<br>Commercial crap<br>Cat flap<br>High crime<br>Sign of the times<br>Night clubs<br>Seedy pubs<br>Rubbish bin<br>Collecting tin<br>Bus stop<br>Bent cop<br>Run down school<br>Drunken fool<br>Paedophile<br>Give us a smile<br>Traffic jam<br>Bang bang<br>Road work<br>Office jerk<br>Broken homes<br>Millennium dome<br>Drug dealer<br>Office cleaner<br>Broken bottle<br>Full throttle<br>Boarded up shops<br>Office blocks<br>Social life<br>Beaten up wife<br>Dodgy bloke<br>Being broke<br>Sick on the ground<br>Too much sound<br>Political shit<br>Hypocrite<br><br>City life, don't you just love it<br>


Published in Fly Magazine Feb 2005

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## [Rome & Jerusalem, The Clash of ancient Civilisations - Martin Goodman](https://chrischinchilla.com/blog/2008/2008-10-27-rome-and-jerusalem-the-clash-of-ancient-civilisations-martin-goodman)

Date: 2008-10-27

This book took me a very long time to read, months in fact, the topic is a weighty one, not hard to understand or absorb, just one that can only be digested in short sittings. It deals with the long running conflict between Rome and Jerusalem, dating back to the latter years of BC and effectively (through recurring anti Semitism) running until now. However this book deals with events primarily up to 4th Century AD and the collapse of the Roman Empire in the West, including the fascinating reign of Constantine who took the Roman Empire from abusing Christians, to spreading their word and simultaneously alienating even more in the Jewish world.A fascinating read, but not for the faint hearted or those expecting to learn more on the subject any time soon.

---

This book took me a very long time to read, months in fact, the topic is a weighty one, not hard to understand or absorb, just one that can only be digested in short sittings. It deals with the long running conflict between Rome and Jerusalem, dating back to the latter years of BC and effectively (through recurring anti Semitism) running until now. However this book deals with events primarily up to 4th Century AD and the collapse of the Roman Empire in the West, including the fascinating reign of Constantine who took the Roman Empire from abusing Christians, to spreading their word and simultaneously alienating even more in the Jewish world.A fascinating read, but not for the faint hearted or those expecting to learn more on the subject any time soon.

---

## [Mark Steiner, Rowland S Howard - The Toff in Town](https://chrischinchilla.com/blog/2008/2008-10-27-mark-steiner-rowland-s-howard-the-toff-in-town)

Date: 2008-10-27

Its always amazing to see the backing bands of jet setting solo artists, a group of musicians who at the drop of a hat can just pick up a set of songs and play them like they've been playing them all their lives.  Most of Mark's set tonight is of fairly melancholic plodding numbers with an alt-country twinge, all reverb laden guitars and low booming vocals, very reminiscent of the headliners former outfit. The skill of the musicians around him brings out Mark's songs, lifting them from a middle of the road rut they could easily fall into. Towards the end of the set Mark takes a strange change in direction and adds in some 'novelty' songs that don't sit well in the mix, like someone trying to tell jokes who just isn't funny, it makes the audience squirm and exchange awkward glances, they weren't necessary and Mark loses a little kudos for doing it.

---

Its always amazing to see the backing bands of jet setting solo artists, a group of musicians who at the drop of a hat can just pick up a set of songs and play them like they've been playing them all their lives.  Most of Mark's set tonight is of fairly melancholic plodding numbers with an alt-country twinge, all reverb laden guitars and low booming vocals, very reminiscent of the headliners former outfit. The skill of the musicians around him brings out Mark's songs, lifting them from a middle of the road rut they could easily fall into. Towards the end of the set Mark takes a strange change in direction and adds in some 'novelty' songs that don't sit well in the mix, like someone trying to tell jokes who just isn't funny, it makes the audience squirm and exchange awkward glances, they weren't necessary and Mark loses a little kudos for doing it.

Perhaps Rowland S Howard is a little too complacent of his (seemingly) slowly dwindling but extremely loyal fan base, taking far too long to get very little equipment ready and finally sauntering onto stage constantly chewing gum and looking a little unimpressed with something-or-other. A thin and haggard figure he bashes his guitar and voice through a set of slow and pretty depressing material but most in the half full Toff hang on to every word and ringing note, warped in appreciation and devotion. His guitar sound live is a little different from on record and is a very familiar one, a Fender Jaguar and a Musicman amp drenched in reverb, a sound that has been copied directly or indirectly by many guitarists in Melbourne, influencing a generation of musicians and bands. Rowland is living proof that you don't have to be a brilliant guitarist or singer to be successful or influential, just do something a little different and people will hopefully follow eventually, through all stages of your career.

Published in InPress

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## [The Zombie State - Melbourne University](https://chrischinchilla.com/blog/2008/2008-10-27-the-zombie-state-melbourne-university)

Date: 2008-10-27

The Zombie State's tagline is 'Melbourne finds itself in the grip of the vengeful dead. Who will stand and fight?. Not wanting to give too much away, this is somewhat misleading and doesn't quite allude to what the play is really 'about'. For student theatre this is a big budget production, a high quality nightmare corridor with two plastic booths stage front form the set for most of the production, with many door ways providing ample opportunity for the cast to appear from in a disconcerting way.Technically the production is ambitious. When action is taking place in either of the booths the sound quality takes on a shrill, claustrophobic character. Some scenes also happen backstage with video cameras streaming footage onto two large screens at the front of the stage, an interesting and novel method that causes a few (apparent) technical problems with microphones malfunctioning causing sections of dialogue to be inaudible.

---

The Zombie State's tagline is 'Melbourne finds itself in the grip of the vengeful dead. Who will stand and fight?. Not wanting to give too much away, this is somewhat misleading and doesn't quite allude to what the play is really 'about'. For student theatre this is a big budget production, a high quality nightmare corridor with two plastic booths stage front form the set for most of the production, with many door ways providing ample opportunity for the cast to appear from in a disconcerting way.Technically the production is ambitious. When action is taking place in either of the booths the sound quality takes on a shrill, claustrophobic character. Some scenes also happen backstage with video cameras streaming footage onto two large screens at the front of the stage, an interesting and novel method that causes a few (apparent) technical problems with microphones malfunctioning causing sections of dialogue to be inaudible.

There is no real 'star' in the production, the cast including a Prime Minister called 'Kevin', his four secretaries (all dressed identically), a Dentist, a Doctor, a Nurse, a Teacher, a Cleaner / International Student, a Taxi driver and a bar tender. Locations include the Casino, a retail outlet, the 2021 big ideas conference, a nightclub and a pier. Are you starting to get the idea? Perhaps if I casually mention that the 'zombies' in question may not be quite what you initially expect (though they are 'traditionally' made up) and that the 'brains' they crave may not quite involve ripping off someone's skull.

It's a skeptical production, the humour veering wildly between being too subtle and nepotistic to being so starkly obvious a cringe may tremor on your face. It's a very contemporary and topical script, The program mentions that it's conception began around 2004/5, there must have been a certain amount of updating in recent months as unless the Fortune Teller character's powers were real some elements of the script calls upon events that have occurred very recently.

A bold and adventurous project and worth a visit, just don't expect a stage version of Night of the Living Dead, well, not the zombified kind anyway?

Published in Unpublished

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## [Rubber Records 20th Birthday - Northcote Town Hall](https://chrischinchilla.com/blog/2008/2008-10-27-rubber-records-20th-birthday-northcote-town-hall)

Date: 2008-10-27

Entering a gig and feeling young compared to the majority of the audience is an increasingly rare experience for some reviewers and tonight's Rubber Records 20th Birthday Party ranks highly in one of those experiences. Most of the acts on tonight's impressive bill had their heydays in the 90's, so again, if you weren't in Australia in the 90's a lot of the cultural reference points may be somewhat lost on you. With nearly twenty bands across two rooms there's a lot to pack in and as almost expected at such ambitious affairs, everything's running late. The Grapes play a set of nice melodic tunes with Sherry Rich on acoustic guitar proving smooth vocals with a hint of living and Ashley Naylor on electric guitar adding a little too much fret board noddling to the point of distraction. Heading into the main room The Casanovas are on earlier than expected and thus playing to less people than expected, their old school Oz-Rock landing upon the ears of a half full room, new songs are aired and go down well, but the audience isn't quite ready to commit to any of the crowd surfing or head banging that perhaps the band needs to be fully appreciated. Hot Little hands are by far the youngest and (perhaps because of their youth) most vibrant band on tonight's bill, the band and their fans looking completely out of place amongst the throngs of aging rockers. Their music is fresh, different and the highlight of the night. Even take to the stage looking like a bunch of everyone's favourite ('cool') uncles, the purveyors of highly successful alternative rock in the 90's; it takes the band a little while to warm up. Their music lacks the edge it used to possess but most of the rapidly filling room are enjoying reliving their youth and when the band are joined by Vince from the Underground Lovers proceedings really move up a notch, once a few special guests are reeled out it really feels like a party! Codrazine end the night, the entire band resplendent in a highly appropriate uniform of black, the band are a more downbeat end to the night, but were something of a labour of love for the owners of Rubber Records and with the band recently announcing something of a reunion planned, an upbeat joining of past and future for the label.

---

Entering a gig and feeling young compared to the majority of the audience is an increasingly rare experience for some reviewers and tonight's Rubber Records 20th Birthday Party ranks highly in one of those experiences. Most of the acts on tonight's impressive bill had their heydays in the 90's, so again, if you weren't in Australia in the 90's a lot of the cultural reference points may be somewhat lost on you. With nearly twenty bands across two rooms there's a lot to pack in and as almost expected at such ambitious affairs, everything's running late. The Grapes play a set of nice melodic tunes with Sherry Rich on acoustic guitar proving smooth vocals with a hint of living and Ashley Naylor on electric guitar adding a little too much fret board noddling to the point of distraction. Heading into the main room The Casanovas are on earlier than expected and thus playing to less people than expected, their old school Oz-Rock landing upon the ears of a half full room, new songs are aired and go down well, but the audience isn't quite ready to commit to any of the crowd surfing or head banging that perhaps the band needs to be fully appreciated. Hot Little hands are by far the youngest and (perhaps because of their youth) most vibrant band on tonight's bill, the band and their fans looking completely out of place amongst the throngs of aging rockers. Their music is fresh, different and the highlight of the night. Even take to the stage looking like a bunch of everyone's favourite ('cool') uncles, the purveyors of highly successful alternative rock in the 90's; it takes the band a little while to warm up. Their music lacks the edge it used to possess but most of the rapidly filling room are enjoying reliving their youth and when the band are joined by Vince from the Underground Lovers proceedings really move up a notch, once a few special guests are reeled out it really feels like a party! Codrazine end the night, the entire band resplendent in a highly appropriate uniform of black, the band are a more downbeat end to the night, but were something of a labour of love for the owners of Rubber Records and with the band recently announcing something of a reunion planned, an upbeat joining of past and future for the label.

Published in InPress

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## [Dr Invisiablo, Assassination Collective - The Old Bar](https://chrischinchilla.com/blog/2008/2008-10-27-dr-invisiablo-assassination-collective-the-old-bar)

Date: 2008-10-27

Dr Invisiablo either play incredibly complex music and make it look ridiculously simple or they play incredibly simple music and give the impression that it's incredibly complex. Either way their blend of highly arranged Punk-Pop-Hard-Rock is highly effective with all members firing on full cylinders, drummer Adam Pedretti particularly intimidating the audience with his ability to let rip insanely amazing drum patterns with ease. Tonight is only a two band bill so Dr Invisiablo have plenty of time to show us what their made of and at no time during their set (not even with an Elvis cover) do they detour into dullsville, supplying this quiet Wednesday night with a band worth keeping an eye on.<br>The Assassination Collective remain one of the nosiest, shambolic and chaotic bands in Melbourne but have been uncharacteristically quiet of late, presumably with a raft of 'other commitments' getting in the way of shows. Or perhaps taking time out to observe the new government in order to craft a fresh batch of charged political anthems regarding the 'change'. This month long residency gives the band an opportunity to showcase a handful of new numbers as well as let rip with a few old favourites. The 'Collective' in the bands name is appropriately descriptive of what to expect at a show, all members (Excluding Simon on Bass) swapping and interchanging instruments every few songs, injecting an element of differing character into each line up and song. It also leads to a slightly messy set as booze and confusion reigns supreme, resulting in the impression that no one is really sure what is supposed to happen next and equally that no one really cares as long as there's some noise and alcohol involved. The most enjoyable thing about an Assassination collective show is that for a most random looking bunch of individuals, for the amount of noise they make, for the amount of screaming and shouting, for the amount of gear and band members, for the amount of Politics and social commentary in their songs, is that they manage to get any gigs at all, but thank God they do, Melbourne needs them.

---

Dr Invisiablo either play incredibly complex music and make it look ridiculously simple or they play incredibly simple music and give the impression that it's incredibly complex. Either way their blend of highly arranged Punk-Pop-Hard-Rock is highly effective with all members firing on full cylinders, drummer Adam Pedretti particularly intimidating the audience with his ability to let rip insanely amazing drum patterns with ease. Tonight is only a two band bill so Dr Invisiablo have plenty of time to show us what their made of and at no time during their set (not even with an Elvis cover) do they detour into dullsville, supplying this quiet Wednesday night with a band worth keeping an eye on.<br>The Assassination Collective remain one of the nosiest, shambolic and chaotic bands in Melbourne but have been uncharacteristically quiet of late, presumably with a raft of 'other commitments' getting in the way of shows. Or perhaps taking time out to observe the new government in order to craft a fresh batch of charged political anthems regarding the 'change'. This month long residency gives the band an opportunity to showcase a handful of new numbers as well as let rip with a few old favourites. The 'Collective' in the bands name is appropriately descriptive of what to expect at a show, all members (Excluding Simon on Bass) swapping and interchanging instruments every few songs, injecting an element of differing character into each line up and song. It also leads to a slightly messy set as booze and confusion reigns supreme, resulting in the impression that no one is really sure what is supposed to happen next and equally that no one really cares as long as there's some noise and alcohol involved. The most enjoyable thing about an Assassination collective show is that for a most random looking bunch of individuals, for the amount of noise they make, for the amount of screaming and shouting, for the amount of gear and band members, for the amount of Politics and social commentary in their songs, is that they manage to get any gigs at all, but thank God they do, Melbourne needs them.

Published in InPress

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## [1421 - Gavin Menzies](https://chrischinchilla.com/blog/2008/2008-10-27-1421-gavin-menzies)

Date: 2008-10-27

Living within the European focussed world view that many of us have had instilled into us from an early age it is often hard to forget that there are and were highly developed civilisations besides the Europeans, and the Europeans weren't necessarily always the first to achieve or discover things. In 1421 Gavin Menzies sets out a believable hypothesis that the first nation to 'discover' and 'chart' the rest of the world outside of their own locality was the Chinese and not those who we're led to believe such as Columbus and Magellan. He also sets out many pieces of evidence to show that China had a tremendous level of contact and influence on many nations around the world including the Aboriginals, Maori, Native Americans, African nations and more. The final strand of his hypothesis goes on to show that the European explorers were actually in possession of Chinese maps before they set out into the 'unknown'. Perhaps the most fascinating elements of the book is realising how advanced the Chinese were, long before the rest of the world, in terms of technology, trade and attitude (there are no cases of Chinese slaughtering native races for no reason) and the shear scale of their operations, showing that the Chinese wielding massive power and potential is nothing new. The fact that China has only recently come out of the self imposed insularity it commenced in 1421 (thus drawing to a close it's exploration and trading empires) makes this a very current and apt book. Gavin Menzies style is extremely enthusiastic, he is clearly passionate about his subject, he repeats himself a lot and his somewhat amateurish writing style sometimes grates, some waffling aside though, this is a truly fascinating read that makes you question a lot of what we believe and hold true in European society.

---

Living within the European focussed world view that many of us have had instilled into us from an early age it is often hard to forget that there are and were highly developed civilisations besides the Europeans, and the Europeans weren't necessarily always the first to achieve or discover things. In 1421 Gavin Menzies sets out a believable hypothesis that the first nation to 'discover' and 'chart' the rest of the world outside of their own locality was the Chinese and not those who we're led to believe such as Columbus and Magellan. He also sets out many pieces of evidence to show that China had a tremendous level of contact and influence on many nations around the world including the Aboriginals, Maori, Native Americans, African nations and more. The final strand of his hypothesis goes on to show that the European explorers were actually in possession of Chinese maps before they set out into the 'unknown'. Perhaps the most fascinating elements of the book is realising how advanced the Chinese were, long before the rest of the world, in terms of technology, trade and attitude (there are no cases of Chinese slaughtering native races for no reason) and the shear scale of their operations, showing that the Chinese wielding massive power and potential is nothing new. The fact that China has only recently come out of the self imposed insularity it commenced in 1421 (thus drawing to a close it's exploration and trading empires) makes this a very current and apt book. Gavin Menzies style is extremely enthusiastic, he is clearly passionate about his subject, he repeats himself a lot and his somewhat amateurish writing style sometimes grates, some waffling aside though, this is a truly fascinating read that makes you question a lot of what we believe and hold true in European society.

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## [Are We Valued](https://chrischinchilla.com/blog/2008/2008-10-27-are-we-valued)

Date: 2008-10-27

Cycling is experiencing a worldwide renaissance and Melbourne is no exception with sales of bikes out stripping cars by a scale of six. Wether it be environmental, health or practical reasons, cyclists are rapidly becoming a consumer and user group large enough to start making some demands. So here's a short wish list to make any keen Melbourne cyclists life a little better, and frankly, in these days of environmental crisis, a little more valued in the part we play in doing the world a favour.

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Cycling is experiencing a worldwide renaissance and Melbourne is no exception with sales of bikes out stripping cars by a scale of six. Wether it be environmental, health or practical reasons, cyclists are rapidly becoming a consumer and user group large enough to start making some demands. So here's a short wish list to make any keen Melbourne cyclists life a little better, and frankly, in these days of environmental crisis, a little more valued in the part we play in doing the world a favour.

An important issue to tackle first and foremost is tax. A common point made when Cyclists make too many demands is that we pay no road tax (and very little on vehicles and supplies) and thus shouldn't be entitled to very much. True, a fair point, but if you also consider the little impact cyclists have on road surfaces, the extremely low numbers of injured people we inflict upon our health system and the reduced amount of wide and varied support workers and facilities required to stop car drivers killing each other, the argument starts to collapse somewhat. I'm also of the opinion that most cyclists would not be adverse to paying a small road tax if it meant that facilities and resources would be improved, a licensing requirement could also lead to safer and less reckless cyclists and perhaps more understanding motorists.

Starting with the simpler to implement.

One of the downfalls of riding on the far left of the road is that is where you generally find the worst quality of road surface, the pot holes, utility access covers, bumps, creases, broken glass and those stupid cobble stones that seem to be favoured by Yarra City council. I swear I'm getting RSI or a muscle strain from constantly absorbing the horrendous surfaces on my journeys, not to mention the damage it does to my bike. As I don't often ride on the middle of the road I'm unsure if the surface quality is any better, but surely road surfacing is a pretty basic requirement and task of councils?

Now, you've got a great city trip out planned, jump on your bike, arrive swiftly at your destination and look for somewhere to lock (or park) your bike. Hard isn't it? Another of the pitfalls of the increasing popularity of cycling is the corresponding difficulty in finding somewhere to safely 'park'. There are plans afoot to begin implementing the 'parking systems' found in other cities around the world that include bike lockers and showers in some areas of the city, but don't hold your breath. Personally, with a large framed bike and a (essential) D-Lock I find the omnipresent metal semi circles dotted around completely impractical, especially with more than one bike sharing. Personal opinions aside, there are simply not enough of these 'hoops' in many areas, with cyclists resorting to lamp posts, rails and other assorted solid urban ornaments, potentially annoying and inconveniencing pedestrians, especially those with buggies and wheelchairs. Fortunately Melbourne doesn't have particularly strict laws governing this practise, if it did, there would be a lot of cyclists with minor criminal charges and legally cut padlocks. It would not be very hard or expensive to install more compact bike parks (Personally I think straight poles are most practical) and a few of the more complex systems, after all we still find space to increase the amount of car parks in our cities. Again, if a small parking fee is incentive to motivate our councils to do the right thing, then I don't think many cyclists would object.

A more complex and demanding request is the re-timing of traffic lights. Melbourne's traffic lights give undue priority to motorists. Pedestrians (with some sets far worse than others) generally have to wait for ridiculous amounts of time to be allowed to finally cross, where they then have to frantically dash across before the lights change in a space of time that most fit youthful people have difficulty in meeting, let alone elderly or disabled. All this whilst cars sit there impatiently waiting for you to cross so they can continue upon there way, frequently not even waiting for you, dangerously cutting you off whilst crossing. It's a similar situation for cyclists, generally the timing of traffic lights (at a cyclists average speed) is insufficient time to cross safely, especially if you commence crossing just as the green light begins to change, it's a dangerous and panic filled dash across major intersections as cars begin to rev their engines and hurtle towards you. Another issue is the triggering of smaller light sets, how often have you sat at a red light with seemingly nothing happening? This is because some lights (especially at night) are triggered by the size or weight of a vehicle not met by a bike, on many occasions have I sat like an idiot until finally giving up and crossing at the pedestrian lights. It may be a complex, but not unreasonable request to benefit and include everyone who uses them.

What about when the worst happens and you or your bike encounter a problem? General house insurance cover aside, there are a few specialist insurance companies for cyclists that cover damage to you or your bike such as (intriguingly) the RACV and CycleSafe, including road side assist cover. Plans that cover theft of bikes are a little harder to find with CycleSafe being the main contender. So what if your bike is stolen? Fortunately (one really shitty bike with the lock worth more than the bike aside) I have never been a victim of bike theft, but I know many who have, and many who have had annoying experience of dealing with the authorities in such situations. Fair enough, most bikes are not as worth as much as cars, but as a prime mode of transport it's equally as frustrating to make do without it. On a related issue, have you ever tried ringing work to tell them your bike has broken down? My basic point around these issues is being taken seriously, we are doing our part to help the planet, we don't demand much, but to be taken seriously (and valued) in times of distress is a fair request.

So do you agree? Any other issues you have with cycling in our fair city? What can we do to get something done? Contacting VicRoads is a good starting point to have roads fixed and cleaned (www.vicroads.vic.gov.au), apparently they're actually pretty efficient! Join Bicycle Victoria (www.bv.com.au), not only do they rally other groups for improvements, but they'll also help point you in the right direction of where to go for guidance. Local councils are good places to start to get problems solved and if you are interested to find out how much your local council spends on cyclists then take a look at BIXE (www.bixe.com.au).

In summary, if you have a problem and believe in something, don't just take it, do something about it!

Published in Aduki

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## [JPod - Douglas Coupland](https://chrischinchilla.com/blog/2008/2008-10-27-jpod-douglas-coupland)

Date: 2008-10-27

Perhaps the closest reference point to Douglas Coupland for those of you unfamiliar with his work is Kurt Vonnegut, a reference point that I'm sure Douglas Coupland hears frequently. If you're unfamiliar with either's work then I guess the best description would be, 'different' or maybe 'hyper real', characters sort of shamble through in a state of confusion that no one else suffers from with odd occurrences happening to them that no one else considers odd. JPod is a book about and aimed at Geeks, there are a lot of references in the text to computers, Geek culture and attitudes that may be lost on those unfamiliar with them, whilst this wont detract from the plot, Jokes will certainly be missed. JPod also makes a habit of inserting lots of random pages into the book, some relevant, some a complete waste of tree, for example over 60 pages filled with numbers involved in games that the characters play with each other whilst at work, a nice character building device, but a waste of paper. A funny and easy read (this took me a week and I don't have a lot of time to read in my life) full of accurate and amusing observations, but one that will be lost on many people.

---

Perhaps the closest reference point to Douglas Coupland for those of you unfamiliar with his work is Kurt Vonnegut, a reference point that I'm sure Douglas Coupland hears frequently. If you're unfamiliar with either's work then I guess the best description would be, 'different' or maybe 'hyper real', characters sort of shamble through in a state of confusion that no one else suffers from with odd occurrences happening to them that no one else considers odd. JPod is a book about and aimed at Geeks, there are a lot of references in the text to computers, Geek culture and attitudes that may be lost on those unfamiliar with them, whilst this wont detract from the plot, Jokes will certainly be missed. JPod also makes a habit of inserting lots of random pages into the book, some relevant, some a complete waste of tree, for example over 60 pages filled with numbers involved in games that the characters play with each other whilst at work, a nice character building device, but a waste of paper. A funny and easy read (this took me a week and I don't have a lot of time to read in my life) full of accurate and amusing observations, but one that will be lost on many people.

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## [Psychopaths and Cyclepaths](https://chrischinchilla.com/blog/2008/2008-10-27-psychopaths-and-cyclepaths)

Date: 2008-10-27

One bright sunny day I stepped out on to Sydney rd in Brunswick to be greeted by a surprising and pleasurable sight, no cars! It was Moreland Council's first Cyclovia, with one of Melbourne's busiest, cramped and most hectic roads open only to bikes, pedestrians and public transport for several hours.

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One bright sunny day I stepped out on to Sydney rd in Brunswick to be greeted by a surprising and pleasurable sight, no cars! It was Moreland Council's first [Cyclovia](www.cyclovia.org), with one of Melbourne's busiest, cramped and most hectic roads open only to bikes, pedestrians and public transport for several hours.

The previous night I had cycled up Sydney road into the wild lands of Coburg experiencing a more typical journey including reckless drivers attempting to take my life, hollers, shouts, honks and other utterances from individuals who's idea of a good night out is to drive round the streets in their cars all night.

I have spent time in many countries apparently inhabited by some of the worst drivers such as Paris, Rome and New York and can confidently say that the drivers of Melbourne are the worst I have experienced in the world. They are reckless, rude, lack consideration, posses no respect and are highly dangerous to share a road with. Sadly all of these qualities are generally shared with Melbourne's other road users and pedestrians, most lack respect for anyone else they share public thoroughfares with, everyone's in a hurry to go nowhere as fast as possible.

I can't speak for other major Australian Cities, but Melbourne is currently experiencing a boom in numbers of Cyclists, I get strangely excited (but also slightly and selfishly annoyed in equal measures) by the queues of cyclists I now encounter on my journeys, despite the fact that they of course are still vastly outweighed by the numbers of car drivers. Whilst many local councils are endeavouring to aid and encourage cyclists, Melbourne's streets surfaces are also some of the worst I have encountered in the world, they are uneven, bumpy, pitted with pot holes and usually littered with the remnants of broken bottles and numerous car crashes, with generally the worst conditions found on the far left of the road, where most cyclists (should) be found.

What is the source of Australia's obsession and love affair with the car and when and why did it become so insidious a part of culture? In these days of rising petrol prices, climate change and supposed ecological consideration what does society actually have to do to convince those for whom their car is not just a mode of transport but also their life and their culture, to actually abandon them? National travel is understandable, Australia is unique in its vast distances of nothingness between major cities, and it's massive tracts of disparate and sprawling remote communities where car driving really is essential. The recent troubles for the Government illustrate this point, the general gas guzzling populace seem unaware and unwilling to accept that fossil fuels are running out, but still expect their leaders to pull of some kind of magic trick to make the issue go away without making any kind of lifestyle sacrifice. Whilst Public transport is far from perfect is it really necessary to drive four wheel drives, Utes (with nothing in the back) and massive farm jeeps in the inner city? Do your kids really need to be ferried backwards and forth between school and home? I'm sure we can all think of many ways that everyone (ourselves included) could be less lazy and do something to help each other in the long term.

But it's not all bad news, Melbourne has a buzzing cycling 'scene' to suit every keen two wheeler from the absolute beginner wobbling along the street holding up traffic to the hardcore fixed wheel, one gear, crumpler wearing 'Urban Cyclists'. On Winter Solstice I found myself in the midst of a forty strong throng of riders cycling en masse through the CBD and out into Docklands, holding up traffic, listening to mobile sound systems and enjoying a companionship and comradery that is simply not possible from within the confines of an enclosed tin can on wheels. The experience was only marred by the lonely journey home when I sorely missed the reassurance found from within a group of like minded individuals, the previously stunned car drivers were now back to their usual exploits of honking, speeding and endangering my life.

Buy your bike from the wonderful bike co-op at CERES in Brunswick (www.thebikeshed.org.au) or from one of the many independent bike retailers around town, find helpful tips and route planners at VicRoads (www.vicroads.vic.gov.au/Home/BicyclesPedestrians) and Bike Victoria (www.bv.com.au) and when you're ready for taking your riding one stage further why not try attending such events as Bike Polo (www.urbanbicyclist.org), group bike rides (www.bikefun.org) or the infamous Critical Mass (www.criticalmass.org.au).

My Dad always used to (and indeed still does) say that the bike was the single most important and revolutionary invention of the past few centuries, I'm not sure if I completely agree with that statement, but one thing is for certain in my mind, for a remarkably cheap, convenient, fast (I always beat my girlfriend back home when she catches Public Transport), healthy and clean method of transport, nothing beats the bicycle, so what are you waiting for? Get on your Bike!

Published in Aduki

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## [Where to Ride - Book Review](https://chrischinchilla.com/blog/2008/2008-10-27-where-to-ride-book-review)

Date: 2008-10-27

It's hard to effectively review a guide to cycle paths in South East Queensland when you're stuck in Melbourne with no chance of attempting them anytime soon. The guide produced by Bicycling Australia is exceptionally well produced and thought out with ring bound easy to clean laminated pages for those journeys where your hands spend more time fiddling with oily parts than on the handlebars. There are 47 rides spread across Brisbane, the Gold Coast and the Sunshine Coast to keep you busy for many months to come, all with detailed guides to road surfaces, terrain types, distances and a difficulty rating.

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It's hard to effectively review a guide to cycle paths in South East Queensland when you're stuck in Melbourne with no chance of attempting them anytime soon. The guide produced by Bicycling Australia is exceptionally well produced and thought out with ring bound easy to clean laminated pages for those journeys where your hands spend more time fiddling with oily parts than on the handlebars. There are 47 rides spread across Brisbane, the Gold Coast and the Sunshine Coast to keep you busy for many months to come, all with detailed guides to road surfaces, terrain types, distances and a difficulty rating.

Each ride is well documented, rated and illustrated with guides to local facilities and features including the distance between significant points on the route, the steepness of any uphill (or downhill) struggles. Routes are fully explained detailing landmarks, directions and anecdotes to guide you along your pedal powered way. It's evident that the writers of the guide have fully researched each route carefully noting anything that might be of interest or of use to any budding cyclist. A notes section at the back of this conveniently sized tome tops off the near perfect package, I only wished I had the opportunity to attempt some of them!

Published in Aduki

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## [Chris TT - Interview](https://chrischinchilla.com/blog/2008/2008-01-10-chris-tt-interview)

Date: 2008-10-01

Hey Mr C, how you? Yes, it's been too long, I'm very well thank-you. I've Mainly been finishing Capital, releasing the 'This Gun' EP and trying to get my live gigging self shipshape for next year. Had a struggle with lineups and lack of rehearsal time but it's coming together now and it'll be an ace year.

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Hey Mr C, how you? Yes, it's been too long, I'm very well thank-you. I've Mainly been finishing Capital, releasing the 'This Gun' EP and trying to get my live gigging self shipshape for next year. Had a struggle with lineups and lack of rehearsal time but it's coming together now and it'll be an ace year.

**Blair's gone, Howard is gone, Bush is going to go, is the world changing or are we just replacing like with like still?**

It's not massive change but it still counts - it's not like-for-like either. I'm optimistic about the USA and pessimistic about the UK. I think Cameron's got a real shot, especially as weeks go by and Brown continues to stumble. But also Barack Obama may make a real go of it against Hilary and one of them will be President - will be fascinating to see if Brown is renewed by a Liberal Democrat POTUS - especially now Oz has gone a bit to the left as well. And with amazing stuff going on in Latin America as well.

**What issues are bothering you at the moment?**

The end of privacy, the ownership of information and ID Cards, Technology versus reduced consumption. Cultural stagnation and the alienation of our youth, Immigration as well (being strongly for the free movement of people). I'm struggling with the hope that climate change will bring about an end to market economics and the awareness that it will hurt the pooorest, while the powerful inevitably escape wallets intact.

**Does politics still have a place in music and does it still have a place in yours?**

Yes and yes, though I like the pattern of separating issue-based songs into their own releases, so they don't cloud the 'proper' albums. So there may be a '9 More Red Songs' in the future, or '9 Green Songs' since that word has been as exploited and devalued as 'red'. I've also got a pile of dark love songs mounting up too.

I have mixed feelings in retrospect about '9 Red Songs' because twits who've not listened to it, or don't know or understand me, now feel qualified to comment on my politics. Once you've said something as harsh and overt as 'Huntsman' or 'Preaching', you can never unsay it. It's impossible to reclaim your ambiguity. I've learned the value of

people not knowing where I stand!

**Is it hard to consistently write songs with some sort of core meaning, not just random rubbish strung together.**

No, writing songs is the easiest bit of being in the music industry. It's everything else that's hard. The starting point for a lot of my songs is identical to the starting point to a short story - ie. an idea in a notebook. Either that or almost the whole song comes in one go.

**How long or hard is your songwriting process?**

Getting about 3/4 of the way through is easy, then the structure and the last few lines kill me. Often I'll literally be doing final vocals that afternoon and still tweaking the last line or two over lunch.

**Do you prefer solo or band shows?**

Right now, when we get it right, band shows are where it's at. I'd like to play hard and get out there with really ace touring alt-rock bands. Again, I feel a bit tied to my legacy that I'm a 'songwriter' when folks who've known me a bit longer know I want it loud and electric and can do that pretty well. I keep getting suggestions of songwriters to tour with when I'm thinking ffs I should be on the road with Sebadoh or Future Of The Left or Forward Russia!.

Lifelong, it'll end up being acoustic or quiet, because it's so much simpler. I was hoping the acoustic folk world would have noticed me more by now, because that's where I'll be heading for an audience later on!

**Who do you rate at the moment?**

Future Of The Left, The State Of Georgia (Georgia from The Research), The Enemy, Eugene McGuinness, Shy Child, Sam Isaac, loads of stuff.

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## [Melbourne's 2am Lockout](https://chrischinchilla.com/blog/2008/2008-08-25-melbournes-2am-lockout-null)

Date: 2008-08-25

In another example of Western governments unable to comprehend why their populations are dead set on destroying themselves in a wave of hedonism or violence, and instead of attempting to understand the motivations behind this they instead restrict them every way possible with an ever increasing amount of legislation. In its infinite wisdom the Victorian state government has decided to follow Queensland and introduce a 2am lockout in the CBD in an effort to curb late night violence.

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In another example of Western governments unable to comprehend why their populations are dead set on destroying themselves in a wave of hedonism or violence, and instead of attempting to understand the motivations behind this they instead restrict them every way possible with an ever increasing amount of legislation. In its infinite wisdom the Victorian state government has decided to follow Queensland and introduce a 2am lockout in the CBD in an effort to curb late night violence.

Melbourne is currently a busy and thriving late night location and a large contingent of inner city venue owners and promoters organised a large-scale campaign and protest to attempt to counter the new measures. Measures that the Police, who have to handle these aggressive drunks, are against, and measures that will push drinkers into the inner suburbs that will not be able to cope with the increase in numbers.

The peak attendance looked around 2000 as we moved from a party in the park towards the steps of Parliament, an encouraging number but a shame that proper protests do not attract these numbers, only when peoples drinking time is threatened. It was a ramshackle crowd comprising old school hardcore protesters, crustiest, punks, indie kids, fashionistas and even a fair smattering of 'normal people'. Banners were a curious affair; the 'official' placards constituted a minority amongst the home made efforts with pastiches to infamous Rock logos, neon signs and the intriguingly contradictory 'More Police, less Policy' and 'Victoria is becoming a police State'. After the obligatory speakers with mounted Police overseeing the growing throng blocking one of the busiest traffic corners in Melbourne's CBD (A refreshing situation and one I embraced) the mass returned to party mode and re-established themselves back at the park for 'celebrations' that continued for who knows how long.

As an interesting footnote, a few days later it was announce that after court proceedings around 100 venues in Melbourne's affected areas had been exempted from the lockout, initially many celebrated, but take a look beneath the surface of the news and it seems that most of the exempted venues are strip clubs and tab / Pokier (gambling) venues, the very places that cause a lot of the violence in the first place, and of course the infamous Crown Casino has been exempted as always, despite being infamous for it's high ambulance call out rate.

So lets get some discussion started, why do think people have this obsession to beat each other? What can be done about it? Do these measures help at all? What could help?

Published in Unpublished

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## [Kisschasey - The Palace](https://chrischinchilla.com/blog/2008/2008-08-25-kisschasey-the-palace)

Date: 2008-08-25

Kids are looking younger, reviewers are feeling older, fake ID's are getting better or a combination of all of the above, but the extremely enthusiastic crowd at The Palace tonight looks exceedingly youthful and full of vim, vigour and exuberance.<br>The Getaway Plan's guitarist has an uncanny and highly skilled knack of playing his guitar extraordinarily frantically whilst giving the impression that it's stuck to him, his black plank barely moving a millimetre from his body. The band are obviously flavour of the month amongst the kids as for a first on band they have an impressively large and receptive crowd for their contemporary blend of Pop, Rock and 'Metal-lite', arms are in the air, bodies are pulsating and it's not even 9pm.<br>The Donnas are the odd band out on tonight's bill, the most experienced and proficient band of the night, they describe themselves as stuck in the middle of a (pleasant) 'Man Sandwich'. However they are also completely different musically from the rest of the line up, their American style Pop-Punk-Rock standing starkly aside from The Getaway Plan and Kisschassy, an odd choice of support, they are also the only non-local band and it shows. The crowd like them, but don't love them, enthusiasm wanes and their American sheen and excessively flattering inter song patter jars with a fair few in the crowd, it feels a little forced and possibly even somewhat fake. The sceptical in the crowd are equally matched by the faithful and as the set reaches its close a random pair of knickers finds its way onto the stage, bemusing the band and confusing the crowd as everyone ponders that near impossible process once more.<br>On the other side of the Melbourne man sandwich comes Kisschassy, and boy do they put on a good show. The lights are in full swing, the band sound and look great, everyone's into the music and emotions are running high. Whether the band would describe themselves or their music as 'Emo' or whatever that cursed word even means is unsure, but we have a room brimming with youthful abandon, everywhere you look lyrics are being mouthed along with, lyrics chock full of connotations from across the emotional spectrum, song after song of angst ridden rock charges these kids full of hormones and adrenalin, kids who feel they or the world around them has issues that are being ignored, a generation sold, sold to, given everything, given nothing, tested, restricted, tossed around and emotionally neglected, this is their music and they show it.

---

Kids are looking younger, reviewers are feeling older, fake ID's are getting better or a combination of all of the above, but the extremely enthusiastic crowd at The Palace tonight looks exceedingly youthful and full of vim, vigour and exuberance.<br>The Getaway Plan's guitarist has an uncanny and highly skilled knack of playing his guitar extraordinarily frantically whilst giving the impression that it's stuck to him, his black plank barely moving a millimetre from his body. The band are obviously flavour of the month amongst the kids as for a first on band they have an impressively large and receptive crowd for their contemporary blend of Pop, Rock and 'Metal-lite', arms are in the air, bodies are pulsating and it's not even 9pm.<br>The Donnas are the odd band out on tonight's bill, the most experienced and proficient band of the night, they describe themselves as stuck in the middle of a (pleasant) 'Man Sandwich'. However they are also completely different musically from the rest of the line up, their American style Pop-Punk-Rock standing starkly aside from The Getaway Plan and Kisschassy, an odd choice of support, they are also the only non-local band and it shows. The crowd like them, but don't love them, enthusiasm wanes and their American sheen and excessively flattering inter song patter jars with a fair few in the crowd, it feels a little forced and possibly even somewhat fake. The sceptical in the crowd are equally matched by the faithful and as the set reaches its close a random pair of knickers finds its way onto the stage, bemusing the band and confusing the crowd as everyone ponders that near impossible process once more.<br>On the other side of the Melbourne man sandwich comes Kisschassy, and boy do they put on a good show. The lights are in full swing, the band sound and look great, everyone's into the music and emotions are running high. Whether the band would describe themselves or their music as 'Emo' or whatever that cursed word even means is unsure, but we have a room brimming with youthful abandon, everywhere you look lyrics are being mouthed along with, lyrics chock full of connotations from across the emotional spectrum, song after song of angst ridden rock charges these kids full of hormones and adrenalin, kids who feel they or the world around them has issues that are being ignored, a generation sold, sold to, given everything, given nothing, tested, restricted, tossed around and emotionally neglected, this is their music and they show it.

Published in InPress

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## [Pikelet - Manchester Lane](https://chrischinchilla.com/blog/2008/2008-08-25-pikelet-manchester-lane)

Date: 2008-08-25

A bitterly cold winter's Sunday is a hard night to stage a gig and expect a crowd to venture out into the wild winds. However Manchester Lane seems to be everyone's perfect choice to evade the inclement weather outside, there is a constant to-ing and fro-ing of waiting staff from the Kitchen, the bar is busy with clanking glasses and the venue is nigh on full with an enthusiastic and appreciative audience chatting in these highly civilised surrounds. Laura Jean and the Eden Land Band more appear on stage quietly and collectively than take to it, a motley collective of bass, drums, violin, clarinet and a pair of legs dangling behind the stage's vast grand piano. Despite Laura's protestations to life being hard as a 'Folk' musician and quips about confidence issues, (apparently unbeknown to her) she has the room in the palm of her hands, with all sat staring at her attentively, hanging on to every breathy vocal, every luscious intertwining melody and haunting hook. The set is a hypnotic series of beautiful arrangements, crescendos rising, harmonies building and falling, a seemingly complex patchwork of brilliantly played instruments by permanently bemused but skilled musicians.<br>Pikelet is and has always been hard to place, her solo shows can take some getting used to, as she sets up songs and builds to sometimes ear splittingly layered musical peaks through an ingenious combination of gadgets and dusty old instruments. The thought of her with a backing band is a tempting one, an opportunity to take her involved arrangements and spread them out between other musicians, leading to more spacious and fluid songs. However her backing band tonight is not the anticipated stage full of people with a plethora of instruments but two lanky fellows, one on a drum kit of sorts and the other behind an increasing array of gizmos, instruments and sounds. When the 'band' takes the opportunity to really kick in suddenly Pikelet's songs come vibrantly alive with a renewed groove and freshness that can only be added by a gang of musicians gelling toether. These opportunities are few with the majority of the set simply Pikelet, her intriguing methods of accompanying herself and her strange stage manner. The moments when she is most engaging and her talent for witty melodies really shines through are when it really is just her, a powerful solo voice, a solo instrument, her unique phrasing and her eccentrically haunting songs.

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A bitterly cold winter's Sunday is a hard night to stage a gig and expect a crowd to venture out into the wild winds. However Manchester Lane seems to be everyone's perfect choice to evade the inclement weather outside, there is a constant to-ing and fro-ing of waiting staff from the Kitchen, the bar is busy with clanking glasses and the venue is nigh on full with an enthusiastic and appreciative audience chatting in these highly civilised surrounds. Laura Jean and the Eden Land Band more appear on stage quietly and collectively than take to it, a motley collective of bass, drums, violin, clarinet and a pair of legs dangling behind the stage's vast grand piano. Despite Laura's protestations to life being hard as a 'Folk' musician and quips about confidence issues, (apparently unbeknown to her) she has the room in the palm of her hands, with all sat staring at her attentively, hanging on to every breathy vocal, every luscious intertwining melody and haunting hook. The set is a hypnotic series of beautiful arrangements, crescendos rising, harmonies building and falling, a seemingly complex patchwork of brilliantly played instruments by permanently bemused but skilled musicians.<br>Pikelet is and has always been hard to place, her solo shows can take some getting used to, as she sets up songs and builds to sometimes ear splittingly layered musical peaks through an ingenious combination of gadgets and dusty old instruments. The thought of her with a backing band is a tempting one, an opportunity to take her involved arrangements and spread them out between other musicians, leading to more spacious and fluid songs. However her backing band tonight is not the anticipated stage full of people with a plethora of instruments but two lanky fellows, one on a drum kit of sorts and the other behind an increasing array of gizmos, instruments and sounds. When the 'band' takes the opportunity to really kick in suddenly Pikelet's songs come vibrantly alive with a renewed groove and freshness that can only be added by a gang of musicians gelling toether. These opportunities are few with the majority of the set simply Pikelet, her intriguing methods of accompanying herself and her strange stage manner. The moments when she is most engaging and her talent for witty melodies really shines through are when it really is just her, a powerful solo voice, a solo instrument, her unique phrasing and her eccentrically haunting songs.

Published in InPress

---

## [The Fratellis - Hi Fi Bar](https://chrischinchilla.com/blog/2008/2008-08-25-the-fratellis-hi-fi-bar)

Date: 2008-08-25

Whilst descending the Hifi's mysterious winding staircase The Shake up grab you with an immeasurable charm, a distant beat and melody that draws the listener in, causing an urge to push to the front of the milling crowds and discover the band who are creating such a loud, catchy and cohesive sound. The big surprise is that the band are only a three piece, the bigger and more pleasant surprise is that the venue is nigh on full, appreciating the band's efforts and not just idly killing time before the headline act take to the stage.<br>After the ubiquitous fiddling and fathing from an international band's road crew (how many times do you need to tune the same guitar?) the Fratellis suddenly appear on stage and bask in an instant wave of admiration from a highly enthusiastic audience who have obviously been waiting a long time for the band to finally get here. The first striking thing about the band is how much heavier they sound live than on their albums. Live renditions of tracks from 'Costello Music' have gained an extra depth and grunt that was never present on the recorded versions. Newer material from 'Here we Stand' pushes the band further into epic rock territory with more sweeping chord changes, guitar solos and sing-a-long choruses. The second striking thing about the Fratellis is how well known their material is, it even surprises the band, giving special mention to the fact that they have never encountered an audience that knows the words to all of their songs, old and new. Looking around the venue, at least 50% of the venue is mouthing along to nearly every word of nearly every song. The entire gig is an enjoyable and pleasurable experience, the crowd are here to appreciate the music not fling themselves about the venue in the direction of the stage, no one is pissed off, no one is angry, there are no conflicts, no run ins with security, just a great night of music from a band proving themselves to be a lot greater and possesing more longevity than anyone ever expected.

---

Whilst descending the Hifi's mysterious winding staircase The Shake up grab you with an immeasurable charm, a distant beat and melody that draws the listener in, causing an urge to push to the front of the milling crowds and discover the band who are creating such a loud, catchy and cohesive sound. The big surprise is that the band are only a three piece, the bigger and more pleasant surprise is that the venue is nigh on full, appreciating the band's efforts and not just idly killing time before the headline act take to the stage.<br>After the ubiquitous fiddling and fathing from an international band's road crew (how many times do you need to tune the same guitar?) the Fratellis suddenly appear on stage and bask in an instant wave of admiration from a highly enthusiastic audience who have obviously been waiting a long time for the band to finally get here. The first striking thing about the band is how much heavier they sound live than on their albums. Live renditions of tracks from 'Costello Music' have gained an extra depth and grunt that was never present on the recorded versions. Newer material from 'Here we Stand' pushes the band further into epic rock territory with more sweeping chord changes, guitar solos and sing-a-long choruses. The second striking thing about the Fratellis is how well known their material is, it even surprises the band, giving special mention to the fact that they have never encountered an audience that knows the words to all of their songs, old and new. Looking around the venue, at least 50% of the venue is mouthing along to nearly every word of nearly every song. The entire gig is an enjoyable and pleasurable experience, the crowd are here to appreciate the music not fling themselves about the venue in the direction of the stage, no one is pissed off, no one is angry, there are no conflicts, no run ins with security, just a great night of music from a band proving themselves to be a lot greater and possesing more longevity than anyone ever expected.

Published in InPress

---

## [Sebastien Bach - The Palace](https://chrischinchilla.com/blog/2008/2008-08-25-sebastien-bach-the-palace)

Date: 2008-08-25

Sebastian Bach represents everything good and / or bad about heavy rock depending on your point of view. He and his band tick all the anticipated and expected boxes, long flowing curly locks, tight (and for some members, stripy) jeans, sleeveless vests, stupendous Marshall stacks and some on stage moves straight out of 'Rock moves 101'. The crowd is equally suited to the band, resplendent in a sea of metal band T-Shirts, VB cans, Devil hands and increasingly drunken swaying.

---

Sebastian Bach represents everything good and / or bad about heavy rock depending on your point of view. He and his band tick all the anticipated and expected boxes, long flowing curly locks, tight (and for some members, stripy) jeans, sleeveless vests, stupendous Marshall stacks and some on stage moves straight out of 'Rock moves 101'. The crowd is equally suited to the band, resplendent in a sea of metal band T-Shirts, VB cans, Devil hands and increasingly drunken swaying.

The music is more of what you'd expect from the former front man of Skid Row, chugging heavy rock plain and simple, no complications, no fancy arrangements or experimental passages, verse, chorus, verse, chorus, searing instrumental and stop. The lyrics are equally straight forward, songs about being yourself and flying a finger to the 'man', drinking, Rock & Roll, Chicks, driving cars and bikes very fast and a little bit of sub religious clap-trap thrown in for good measure, brimming with cheesy lines and the occasional cringe inducing pun.

For all his Metal mischief Sebastian has a great band around him who keep the show rocking along in fine form throwing in some synchronized guitar moves, posing on monitors and plenty of head banging action. The man himself is an intriguing character, he talks a lot to the audience and initially it seems phony, but this is a man who never shuts up anywhere else in his life. His (horrendous) website is full of interviews, website widgets, plugs, posts, comments, back comments, thoughts, ideas, all posted by Sebastian. So when this ubiquitous and self-confessed media whore says "We love you Melbourne! God damn all the chicks are so hot here!" we may not all feel particularly special or unique, but at least we all feel he's being sincere. To prove the point the crowd all seem to love him, hanging on to every last one of his screaming words, greeting him with cheers and plenty of good old-fashioned crowd surfing, marvelous!

Oh, and for those who like to keep lists on these sorts of things, yes, he did play some Skid Row.

Published in InPress

---

## [Rocket Science - The East Brunswick Club](https://chrischinchilla.com/blog/2008/2008-05-27-rocket-science-the-east-brunswick-club)

Date: 2008-05-27

Sailors and Swines show little care that they are first act on the bill tonight, playing to a half full room of waifs and strays. Their blend of edgy, disjointed, noisy angst ridden rock grabs your attention and hits you right between the eyes like a brightly coloured brick. Some of the band's material is a little samey but they are young, new, fresh, exciting and perform the audience wake up role admirably.I Heart Hiroshima posses that care free attitude so common in bands from Queensland, they saunter on to stage, fiddle around a bit, start with no sort of introductions and progress through their set like they were just hanging out in your front room on a summer evening. The songs are bright, generally cheery and brimming with sparse arrangements of catchy melodies and deliciously captivating contrasting harmonies. A fair chunk of the crowd have turned up for I Heart Hiroshima and are joyfully jumping in front of the stage, shouting eager calls of support and praise for a band they all embrace with wide open arms.The problem for any older, mature and well-established band in booking such young and vibrant supports is then living up to the standard and energy just set. Rocket Science, recently received back into the Melbourne Music scene with a welcoming smile and a firm handshake, give it a good go, but don't quite make it. Maybe it's tiredness after a nationwide tour, maybe it's complacency after such an easy career reestablishment, or maybe it's just because their fans are now teetering on the edge of an age where they don't dance anymore. Whatever it is, something doesn't feel quite right, it feels as if the infamously boisterous front man, Roman, is going through the motions somewhat and not quite feeling the motivation behind what he's doing, whilst the rest of the band barely move, rooted to the spot for most of the set. Presence aside the band still firmly retain the solid and fat Rock sound they are renowned for, pushing out countless and relentless riffs, licks and slick chords. It's unclear from the audience response and overheard comments if the crowd are glad the band are back and a going concern, or are just pleased to hear a few old favourites they grew up with, but we all hope that Rocket Science keep packing out venues around the land whilst fans make their minds up.

---

Sailors and Swines show little care that they are first act on the bill tonight, playing to a half full room of waifs and strays. Their blend of edgy, disjointed, noisy angst ridden rock grabs your attention and hits you right between the eyes like a brightly coloured brick. Some of the band's material is a little samey but they are young, new, fresh, exciting and perform the audience wake up role admirably.I Heart Hiroshima posses that care free attitude so common in bands from Queensland, they saunter on to stage, fiddle around a bit, start with no sort of introductions and progress through their set like they were just hanging out in your front room on a summer evening. The songs are bright, generally cheery and brimming with sparse arrangements of catchy melodies and deliciously captivating contrasting harmonies. A fair chunk of the crowd have turned up for I Heart Hiroshima and are joyfully jumping in front of the stage, shouting eager calls of support and praise for a band they all embrace with wide open arms.The problem for any older, mature and well-established band in booking such young and vibrant supports is then living up to the standard and energy just set. Rocket Science, recently received back into the Melbourne Music scene with a welcoming smile and a firm handshake, give it a good go, but don't quite make it. Maybe it's tiredness after a nationwide tour, maybe it's complacency after such an easy career reestablishment, or maybe it's just because their fans are now teetering on the edge of an age where they don't dance anymore. Whatever it is, something doesn't feel quite right, it feels as if the infamously boisterous front man, Roman, is going through the motions somewhat and not quite feeling the motivation behind what he's doing, whilst the rest of the band barely move, rooted to the spot for most of the set. Presence aside the band still firmly retain the solid and fat Rock sound they are renowned for, pushing out countless and relentless riffs, licks and slick chords. It's unclear from the audience response and overheard comments if the crowd are glad the band are back and a going concern, or are just pleased to hear a few old favourites they grew up with, but we all hope that Rocket Science keep packing out venues around the land whilst fans make their minds up.

Published in Inpress

---

## [City Life - Creative Writing](https://chrischinchilla.com/blog/2008/2008-05-26-city-life-creative-writing)

Date: 2008-05-26

- City life, don't you just love it

---

- Applecore
- Broken Door
- Commercial crap
- Cat flap
- High crime
- Sign of the times
- Night clubs
- Seedy pubs
- Rubbish bin
- Collecting tin
- Bus stop
- Bent cop
- Run down school
- Drunken fool
- Paedophile
- Give us a smile
- Traffic jam
- Bang bang
- Road work
- Office jerk
- Broken homes
- Millennium dome
- Drug dealer
- Office cleaner
- Broken bottle
- Full throttle
- Boarded up shops
- Office blocks
- Social life
- Beaten up wife
- Dodgy bloke
- Being broke
- Sick on the ground
- Too much sound
- Political shit
- Hypocrite
- City life, don't you just love it

Published in Fly Magazine

---

## [Dancing on the Edge - Creative Writing](https://chrischinchilla.com/blog/2008/2008-05-26-dancing-on-the-edge-creative-writing)

Date: 2008-05-25

I'm dancing on the edge of normality, waggling my arse at the people inside and loving every minute.

---

I'm dancing on the edge of normality, waggling my arse at the people inside and loving every minute.

The faces stare back at me, they don't understand, they don't see, what it's like, to be me.

---

## [Dream - Creative Writing / Dream](https://chrischinchilla.com/blog/2008/2008-05-26-dream-creative-writing-dream)

Date: 2008-05-25

Cate and I got a bus, the 160 that used to run from Catford to Sidcup, we got off the bus near where I used to live, on the south circular, which was near where it used to go, but slightly off route. We got off the bus and all the shops were exactly as I remembered, as we walked down the road (which was a major street for traffic) we came across a fruit orchard, trees of apples, plums, gooseberries and more, I kept trying to take photos of the fruit and Cate kept getting in the way saying 'stop that! Take a picture of me!î As we wandered through the forest we came across a normal looking house, although there was no indication of being so, we instantly knew it was a tourist attraction and went inside.

---

Cate and I got a bus, the 160 that used to run from Catford to Sidcup, we got off the bus near where I used to live, on the south circular, which was near where it used to go, but slightly off route. We got off the bus and all the shops were exactly as I remembered, as we walked down the road (which was a major street for traffic) we came across a fruit orchard, trees of apples, plums, gooseberries and more, I kept trying to take photos of the fruit and Cate kept getting in the way saying 'stop that! Take a picture of me!î As we wandered through the forest we came across a normal looking house, although there was no indication of being so, we instantly knew it was a tourist attraction and went inside.

We walked down a hallway and found it fascinating how authentic the house was, there was a dummy of an old lady in one room so when we entered another room upstairs I thought there was another dummy so cheekily waved at it, I was shocked when it answered back, it turned out there was an old couple in the room. We sat down with the couple and were amazed how realistic they were, I showed Cate the view from the window, which was of a typical English winter scene, there were Christmas cards and Christmas TV was on.

At some point Cate left the room with the old lady and I was left with the old man and someone else, a middle aged Australian man, maybe my cousin. He was asking the old man for directions but was referring to a Melways (A Melbourne Street Directory) and I kept saying, 'that's no use were in London, and I know where we are anyway'. I got fed up with the situation so went to find Cate, at this point I realised I had been naked for the whole conversation, it didn't seem to have bothered anyone but I thought it was time I put them back on. When I was trying to find Cate she seemed to have become the same person as the old lady as I kept shouting 'Nan' and 'Cate' interchangeably. They both reappeared eventually and the old couple kissed which I thought was cute but suddenly I switched viewpoint to Cate's and witnessed a gruesome domestic violence, the old man was beating the lady with a hammer. So we hurried out of the house and suddenly we both became Richard and hyacinth from 'keeping up appearancesî, panically entering their familiar car and hyacinth was frantically kissing Richard, repeating his name over and over again, happy to know that he would never do that to her.

Then I see the bucket's next-door neighbours walking down the same forest, past the same house but they don't go inside. Emit discovers a massive human sized rabbit warren, he looks inside announcing that there is a DIY wine cellar, so they continue walking.

At this point I am myself again and arrive in a clearing, which I know to be Hampton court even though I know it isn't. There are four large buildings either side of a very large clearing. In the distance I see Cameron (The singer from a band called 'Baseball', I had been writing a review of them) coming towards me, dressed in tight Jeans, vest and pink leg warmers, I know what he is planning and about to do. As he comes toward us (me and some unknown people) police start to appear and come towards us, he starts doing gymnastics and we encircle him to prevent the police stopping him, we all move together as he moves, the police give up and join in, everyone is clapping and laughing as am I, then I wake up.

---

## [Touche - Creative Writing](https://chrischinchilla.com/blog/2008/2008-05-26-touche-creative-writing)

Date: 2008-05-25

Megalomaniac had death at the press of a button, he'd declared war on the rest of the world and he wasn't backing down now. The world hadn't taken him seriously, hadn't met his demands, he'd have to show the world fear and harm.

---

Megalomaniac had death at the press of a button, he'd declared war on the rest of the world and he wasn't backing down now. The world hadn't taken him seriously, hadn't met his demands, he'd have to show the world fear and harm.

Head of a multinational, fifth richest man on earth, it was never enough, he always wanted more, needed to be the best, wanted everyone to call him sir.Sod ethics and morality, everyone else is dirt.

With money from his lies, he pointed warheads to the skies, buried himself out of harms way and gave the world a chance.

No one paid attention to this voice shouting loud and mankind met its greatest fear, the mushroom cloud.

He stayed underground and waited for the dust to clear; he had done what he said he would and showed the world fear.

Now they knew he was serious, he meant what he said, they wouldn't stop him, and all would kneel before him and hail him as their god. He would be the greatest, have total control, no one would touch him, and no one would dare.

So he left his safe haven to claim what was his.

The sun's rays hit his eyes and he surveyed his prize.

His ambition drained away, nothing but the grey and dust of rubble remained.

No sound, no movement, nothing.

In his rush for power and glory he had not stopped to think. He had achieved ultimate power, held the world to ransom, but there was no one left to pay.

He wandered his deserted kingdom for five desperate days, desperately seeking something.

A voice came from the wilderness, floating on the breeze.

He confronted its source and told it to obey.

'Don't you know who I am?'

'Don't you know what I have done?'

'why don't you bow before me, why don't you quake with fear?'

'Don't you know who I am?'

The voice pressed a knife to his throat and looked deep into his eyes, it said,

'Yes, I know who you are and what you have done, and I don't give a damn. You're powerless now, just a man like me.'

'I have one thing I want to tell you one thing to say before I bring you to your knees, Touché.'

---

## [Text Talk one - Creative Writing](https://chrischinchilla.com/blog/2008/2008-05-26-text-talk-one-creative-writing)

Date: 2008-05-25

Fancied damaged boy any box or coy Cox kiss lips as they lisp.

---

Fancied damaged boy any box or coy Cox kiss lips as they lisp.

Awake, cycle, be late and laud Kate.

Wall walk, tall talk, the next newt goes for God's loud love by Jove.

The tie vies for kid's lies, lids off with odd Ned picking and shaking his sibling in the lame land lane.

If he goes in, I'm gone home, good.

Gas has, ice had, water waves and rates save.

Jesus jests while pests rests.

For eons the doors shut in situ, waiting, waving their dues for ever.

---

## [Long Distance Call - Creative Writing (Sketch)](https://chrischinchilla.com/blog/2008/2008-05-26-long-distance-call-creative-writing-sketch)

Date: 2008-05-25

_Phone on table, centre stage. Phone rings._

---

_Phone on table, centre stage. Phone rings._

X : <i>(Enters from Stage L, Answers phone)</i> Hello?<br />Y : Hello.

X : Who's this?

Y : Oh yes, sorry, God here. How are you?

X : Fine thanks.

Y : Good. Is life alright?

X : Yeah, no complaints.

Y : No faults or problems, or complaints?

X : No, not really, none that I can think of.

Y : Good, marvellous. Ok, goodbye then.

X : Bye.

<i>Phone down, X leaves the stage at Stage L.</i>

---

## [Let it Out - Creative Writing](https://chrischinchilla.com/blog/2008/2008-05-25-let-it-out-creative-writing)

Date: 2008-05-25

Tell me what the matter is, I really want to know.

---

Tell me what the matter is, I really want to know.

Don't keep it to yourself; you've got to let it go.

Don't tell me it's not important, I really do care.

Don't tell me another time, lay your burden bare.

Don't sit there feeling sorry with your head against the wall.

Talk to me, relate, and forget about it all.

---

## [Actor/Model, Bachelor of Arts, Die Die Die! - Revolver](https://chrischinchilla.com/blog/2008/2008-04-29-actor-model-bachelor-of-arts-die-die-die-revolver)

Date: 2008-04-29

There's an odd and intriguing dynamic within Actor/Model, Karen on guitar and keyboards and Phil on drums seem to spend a vast proportion of the set staring at Ricky on guitar and vocals, giving the general impression that he's the only one who has any idea what's going on. The band have a foot firmly planted in early to mid 90's Indie but are unashamed to admit to it, hammering through a set of meandering guitar noises underpinned by awesome fat and fuzzy keyboard sounds.Bachelor of Arts are on fire tonight and have been steadily improving over the past few months transforming from an interesting three piece into a devastatingly tight unit that now seem to have really found their motivation and sound. Every member of the band seems to play just the right thing in the right place, wonderfully complementing each other and creating spectacular sparse works of musical art.

---

There's an odd and intriguing dynamic within Actor/Model, Karen on guitar and keyboards and Phil on drums seem to spend a vast proportion of the set staring at Ricky on guitar and vocals, giving the general impression that he's the only one who has any idea what's going on. The band have a foot firmly planted in early to mid 90's Indie but are unashamed to admit to it, hammering through a set of meandering guitar noises underpinned by awesome fat and fuzzy keyboard sounds.Bachelor of Arts are on fire tonight and have been steadily improving over the past few months transforming from an interesting three piece into a devastatingly tight unit that now seem to have really found their motivation and sound. Every member of the band seems to play just the right thing in the right place, wonderfully complementing each other and creating spectacular sparse works of musical art.

Die Die Die have come a long way in the past few years, in physical kilometres and in terms of their musical career and style. From playing fast, frantic fuzzy noise to Kiwi expats in the toilet circuit venues around the world to progressing several rungs up the venue ladder, playing well-structured and catchy tunes to appreciative crowds from all nations. The most fascinating thing about Die Die Die is their affect on the audience, the band have actually slowed down over the years unyet their fans retain an unnerving urge to bound around like mental idiots from the start of the set until the very final note, even in Revolver's stuffy and sleep inducing environs. The band have an undying indie approach and attitude, still placing microphones facing each other in a kind of semi-combatant / semi-comradely attitude, still jumping into the audience at any opportunity and still full of a down to Earth love of their music with no pretension, no superiority complex and no less love of what they do and who they do it for.

Published in Inpress

---

## [The Prester Quest - Nicholas Jubber](https://chrischinchilla.com/blog/2008/2008-04-29-the-prester-quest-nicholas-jubber)

Date: 2008-04-29

The prester quest is a story of two men's present day retracing of a journey from Italy to Ethiopia made by a Papal Emissary in 1177. His mission to deliver a letter to a supposedly (and widely believed to be) real King of a fantastical Christian land in the heart of Islamic lands. I read a similar 'retracing the steps' book (Victoria Clarks, The Wayfarers) about a year ago, which was an amazing read, so this book had a lot to live up to. It starts slowly and doesn't really get going until about a quarter of a way through the book, the author's slightly facetious tone initially rather annoying and patronizing. However once the plot and journey kicks in the book is a gripping read full of interesting facts, observations and experiences from History and their eventful journey across several countries, continents and cultures.

---

The prester quest is a story of two men's present day retracing of a journey from Italy to Ethiopia made by a Papal Emissary in 1177. His mission to deliver a letter to a supposedly (and widely believed to be) real King of a fantastical Christian land in the heart of Islamic lands. I read a similar 'retracing the steps' book (Victoria Clarks, The Wayfarers) about a year ago, which was an amazing read, so this book had a lot to live up to. It starts slowly and doesn't really get going until about a quarter of a way through the book, the author's slightly facetious tone initially rather annoying and patronizing. However once the plot and journey kicks in the book is a gripping read full of interesting facts, observations and experiences from History and their eventful journey across several countries, continents and cultures.

<a  href="https://www.amazon.com/gp/product/0385607024/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0385607024&linkCode=as2&tag=gregamamma-20&linkId=0a2245ead297fd42289a7543456dbd4a">Help me make a few cents, and order a copy here</a>.<img src="//ir-na.amazon-adsystem.com/e/ir?t=gregamamma-20&l=am2&o=1&a=0385607024" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />

---

## [Young & Restless, Dardanelles, The Galvatrons, Cassette Kids, Flamingo Crash, Reptiles - The Corner](https://chrischinchilla.com/blog/2008/2008-04-28-young-and-restless-dardanelles-the-galvatrons-cassette-kids-flamingo-crash-reptiles-the-corner)

Date: 2008-04-28

Whoever named tonight's event 'Uh Huh' should be given a gentle slap round the face for concocting such an uninspiring name for such an inspiring line up. The Corner is sadly sparser than expected tonight but those of us present are up for a full on (especially with no mind numbingly annoying and boring lengthy sound checks) night of cutting edge Rock and Roll in the company of some of the hottest and most vibrant bands in the Country.

---

Whoever named tonight's event 'Uh Huh' should be given a gentle slap round the face for concocting such an uninspiring name for such an inspiring line up. The Corner is sadly sparser than expected tonight but those of us present are up for a full on (especially with no mind numbingly annoying and boring lengthy sound checks) night of cutting edge Rock and Roll in the company of some of the hottest and most vibrant bands in the Country.

Reptiles are a big fuzzy mess, lank and greasy hair covers front man Em's face as he growls indiscernible vocals over distortion laden guitar and bass lines. The crowd are already down the front of The Corner's smaller stage slowly finding their dancing feet and oiling work weary joints with alcohol.

After a refreshingly short interlude the much-hyped Galvatrons take to the stage and open their Hair Metal set with a song about robots to a sea of amused and confused faces. Are they for real? Are they serious? Some much needed and essential heavy guitar is lacking in tonight's bass heavy mix but with a keyboard sound that continually gives the impression the band are about to launch into a Van Halen song and several 'Emo-lite' songs (such as forthcoming EP lead track 'When we were Kids') the band are probably set for vast commercial success and to hark the dawning of a comeback for 80's Metal (Shudder).

Back to the other stage where Cassette Kids change the mood completely with a brilliant set of energetic, passionate and ingeniously arranged songs. Jacob is the most solid drummer you'll find this side of a drum machine, The two Daniels on bass and guitar conjure completely unique and amazing sounds out of their instruments whilst Katrina stalks the stage delivering her vocals in a fit of passion so intense she nearly disrobes herself in the process.

Dardanelles pull off yet another amazing set improving more with every performance, tonight the band are not only slick and tight, they also seem incredibly happy and composed, passing the feeling on to their audience and generating a chilled calm and serenity in the venue that results in an en-masse demand for an encore that sadly has to be refused.

At this stage in proceedings Flamingo Crash have a tremendous amount of momentum to maintain and despite a solid set of skilfully played amiable pop songs, an awesome moustachioed front man and a tremendous amount of guts the band don't quite manage to pull off the unfortunate responsibility placed upon their shoulders as audience members shuffle their feet and check their watches in anticipation of tonight's headliners.

Young and Restless is the perfect band to headline such a night of musical magnificence, possessing constituent parts of all the bands on tonight's bill. Passionate live performances, awesome guitar sounds and a great attitude to what they do and how to treat an audience, a great end to an amazing night and a true testament to contemporary Australian music.

Published in Inpress

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## [TV for Cats, Skull Squadron, Radiant City - The Tote](https://chrischinchilla.com/blog/2008/2008-04-28-tv-for-cats-skull-squadron-radiant-city-the-tote)

Date: 2008-04-28

Playing Rock & Roll with a drum machine is a tough task, trying to maintain passion, emotion and flexibility within the confines of a machines rigid confine. Whilst TV for Cats aren't the most engaging band to watch, their lack of human backline doesn't notice and musically they are as flexible and fluid as any band with a sweaty skin pounder in the back row. The tunes are bright, edgy and catchy, with ingenious arrangements and musical tricks scattered throughout their set.

---

Playing Rock & Roll with a drum machine is a tough task, trying to maintain passion, emotion and flexibility within the confines of a machines rigid confine. Whilst TV for Cats aren't the most engaging band to watch, their lack of human backline doesn't notice and musically they are as flexible and fluid as any band with a sweaty skin pounder in the back row. The tunes are bright, edgy and catchy, with ingenious arrangements and musical tricks scattered throughout their set.

Skull squadron have braved the journey down from Sydney for a Thursday night at the Tote and are shoe gaze in the good old dictionary definition of the word. David's vocals are lost in seas of effects and reverb that occasionally verge on the side of ear splittingly harsh but generally generate a warming sea of undulating music that carries through the entire set. Not to everyone's taste but walk the walk and talk the talk of the genre there most definitely within.

Radiant city are a rarity, a two-piece instrumental band whom mange to avoid self-indulgence. Buried just beneath the waves of noise and layers of effects are some cracking riffs and awesome melodies, no mean feat considering there's only two men making them. By no means virtuosos, Brad Marshall and Andrew McLaughlin pull off exceptional experiments with harmony, rhythm and arrangement whilst still giving the impression that it's not all that impressive really and anyone could do it. Another thing that sets the band apart from most instrumental groups is their catchy and upbeat songs; despite the lack of vocal melody these guys write songs that actually stick in your head. Steering well clear of yet another common clichÈ, these guys also appear to be enjoying themselves on stage, which is after all what it's all supposed to be about.

Published in NULL

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## [Baseball - Missing Link](https://chrischinchilla.com/blog/2008/2008-04-28-baseball-missing-link)

Date: 2008-04-28

Allow me the indulgence of stepping outside the traditional third person / present tense to make an observation on context, situation and assumption. Once I saw Cameron (lead singer of Baseball) sat at a tram stop, his usual crazy haired self, decked in the un official uniform of Melbourne musicians, tight jeans, singlet and Dunlop volleys. Outside of his element people were avoiding him, labelling him as one those 'crazies' and best ignored or stared at. In his element fronting a rock band all eyes are upon him again but this time there is no doubt about what this crazy haired man is here for.

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Allow me the indulgence of stepping outside the traditional third person / present tense to make an observation on context, situation and assumption. Once I saw Cameron (lead singer of Baseball) sat at a tram stop, his usual crazy haired self, decked in the un official uniform of Melbourne musicians, tight jeans, singlet and Dunlop volleys. Outside of his element people were avoiding him, labelling him as one those 'crazies' and best ignored or stared at. In his element fronting a rock band all eyes are upon him again but this time there is no doubt about what this crazy haired man is here for.

This afternoon Baseball are on fire, the band typically soak themselves in too much reverb when playing 'normal' venues, but on Missing Link's shop floor, with a tiny PA, fuzzy vocals and a direct closeness that you can't avoid we witness one of their best shows. Baseball are a band who have hit upon that much sought after magical formula of concocting songs that are loud, musically and rhythmically interesting, lyrically meaningful but also fun to dance like a nutter to.The band are all amazing at what they do, Drums, bass and guitar are all fantastically arranged and thought out, but it's hard to describe Baseball without mentioning Cameron once more. He is an intense musician and it is hard to keep your eyes off of him, whether it's as he lithely crashes into the audience, so close you can see and smell his sweat, or as he fiddles and screams into the microphone, legs so wide apart he might topple backwards at any moment.The band have finally released their debut album (Animal Kingdom) if it possesses half the passion, adrenalin and great songs present in their live show then we're all in for yet more treats from the Baseball camp.

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## [Henry Rollins - Comedy Theatre](https://chrischinchilla.com/blog/2008/2008-04-28-henry-rollins-comedy-theatre)

Date: 2008-04-28

One man talking solidly for three hours with no breaks and only taking one drink the entire time is a pretty intense experience for all involved, especially when one of those is Henry Rollins. He stands rigid in one spot, legs arched, tense, constantly looking as if he's about to leap into a fight. He covers topics from war and politics to loving music and sex, never elitist and never patronising. He tries hard to remain down to Earth and on the side of the common man, at times I find this hard to believe, for example he continually mentions his 'Utilitarian hovel' unyet lets slip that it has 3 bathrooms. Also whilst I whole heartedly support his 'Live every day as your last' attitude and his encouragement to seek, accept and grasp all opportunities, he is Henry Rollins and in a lot better place to be offered and act upon opportunities than many. Don't let me paint the show in a bad light however as this is a truly informative and inspiring show full of observations, anecdotes and intelligent witticisms on the state of the world. He is engaging, never wandering even slightly close to boredom and maintains an equal level of passion and energy throughout his entire set. I know little of Henry Rollins career but after discovering such a like minded soul who shares so many similar beliefs and motivations I shall be digging more into his past, present and future, hoping to be further roused and renewed in my own ventures.

---

One man talking solidly for three hours with no breaks and only taking one drink the entire time is a pretty intense experience for all involved, especially when one of those is Henry Rollins. He stands rigid in one spot, legs arched, tense, constantly looking as if he's about to leap into a fight. He covers topics from war and politics to loving music and sex, never elitist and never patronising. He tries hard to remain down to Earth and on the side of the common man, at times I find this hard to believe, for example he continually mentions his 'Utilitarian hovel' unyet lets slip that it has 3 bathrooms. Also whilst I whole heartedly support his 'Live every day as your last' attitude and his encouragement to seek, accept and grasp all opportunities, he is Henry Rollins and in a lot better place to be offered and act upon opportunities than many. Don't let me paint the show in a bad light however as this is a truly informative and inspiring show full of observations, anecdotes and intelligent witticisms on the state of the world. He is engaging, never wandering even slightly close to boredom and maintains an equal level of passion and energy throughout his entire set. I know little of Henry Rollins career but after discovering such a like minded soul who shares so many similar beliefs and motivations I shall be digging more into his past, present and future, hoping to be further roused and renewed in my own ventures.

Published in Arcady

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## [The Knockouts, Gentle Ben and his Sensitive side, 6ft Hick - Ding Dong Lounge](https://chrischinchilla.com/blog/2008/2008-04-28-the-knockouts-gentle-ben-and-his-sensitive-side-6ft-hick-ding-dong-lounge)

Date: 2008-04-28

The Knockouts are straight ahead psychobilly rock and roll, feeling slightly stifled but warming up towards the end of the set. Strangely similar in delivery to old Ska band, the Selecter, their material is fairly paint by numbers, simple and uncomplicated conjuring images of Smokey bars in the American deep south, surrounded by far too much leather and cigarette smoke if it hasn't been banned yet?

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The Knockouts are straight ahead psychobilly rock and roll, feeling slightly stifled but warming up towards the end of the set. Strangely similar in delivery to old Ska band, the Selecter, their material is fairly paint by numbers, simple and uncomplicated conjuring images of Smokey bars in the American deep south, surrounded by far too much leather and cigarette smoke if it hasn't been banned yet?

Gentle Ben and his sensitive side features Ben from 6ft hick on lead vocals showing his, well, unsurprisingly, sensitive side. Only the hardcore 6ft Hick Fans (or the hardcore Ben fans, who knows) are really into the set, down in front of the stage, gently bobbing away, which is a great shame, because all the tough nuts behind them filling up on beer and talking too loudly are missing a set of diverse and finely crafted songs. A freaky and schizophrenic combination of Pulp, Razorlight and Nick Cave, the set reveals a fine songsmith who can actually sing very well, managing to form some wonderfully dark and sparse songs that reveal a slightly softer side, but still not exactly sensitive with lyrics such as 'I'll see you in the Car parkî showing the Ben that everyone knows and loves lurking just beneath the surface of his red silk shirt.

If you have any doubt whether the spirit of rock and roll is dead, suffocated by the shrink-wrapped, mass manufactured and marketed music machine then catch a 6ft hick show. This is rock in its raw, dirty, sweaty and filthy form, a 6ft hick show feels like a fight, the battle lines are drawn between them and the prissy wooses who claim to play rock. The band drink, spit, fart, swear, shout and bleed their way through the show and couldn't give two branding plans if you like it or not. The dual vocals of Ben and Geoffro add to the conflict with each singer contributing their own unique style. Geoffro glares at the crowd in a drunken haze, rubbing his belly and spewing nonsense between songs. Ben Bounds around like a man possessed, touching himself, jump kicking, flying into the audience and generally wooing the crowd with his impressively chiselled body. Dr Dan on guitar looks like a malevolent devil, slyly grinning resplendent in a trimmed beard and bright red shirt. Tony on bass looks like an extra from a zombie movie, pale, gaunt but pounding his bass like he's switched sides and is now exterminating the creatures of the night. Fred on drums is everyone's least favourite Uncle, he claims to hate everyone so must have all their faces glued to his drum skins, whacking them with venom and gusto.

If you're into real Rock & Roll, then catch a 6ft Hick show, if you're more concerned about the cut of your jeans or your haircut then stay away, you'll probably get hurt.

Published in InPress

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## [Random Sunday - Creative Writing](https://chrischinchilla.com/blog/2008/2008-04-09-random-sunday-creative-writing)

Date: 2008-04-09

Let down the wall, try not to use a piano, you'll amaze yourself.

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Let down the wall, try not to use a piano, you'll amaze yourself.

Take care to keep them straight; whilst not easy it's within reach.

Run mobile discos, but it's pointless my guru told me.

All you need is cash and the girls like it, I never realised it would become a clichÈ.

Some of them have bits of me, evidently the line to use next time.

Rubbing away the planets and playing rhythm guitar, the 90's were a good idea.

Fantasies of eyes on stalks and by coincidence we rode a scooter.Ah well, let them.

On their return they were History, the best thing really.

Electronic pop signed, and shampoo gave me a job she admits.

I'll design ties for Bloomingdales, giving the meal a miss.

The truth is, in essence becoming more complex.

Gold spawned a kind of gritty voice in my mind, only to remerge smirking.

The boys found the day laminated, just like the film.

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## [Image Man - Creative Writing](https://chrischinchilla.com/blog/2008/2008-04-09-image-man-creative-writing)

Date: 2008-04-09

An image man does what his image can

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An image man does what his image can

When he's on his own he'll be himself

But while you're waiting he'll tell of all the girls he's known

And tales of things he's done

You'll be his mate forever as long as you're impressed

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## [Kamikaze Trio, Group Seizure, Talk show Boy, Shark In The Dark, Tetrode Kink - The Noise Bar](https://chrischinchilla.com/blog/2008/2008-03-17-kamikaze-trio-group-seizure-talk-show-boy-shark-in-the-dark-tetrode-kink-the-noise-bar)

Date: 2008-03-17

Putting on gigs in venues that are a little outside of the normal circuit is always a challenge, you pick a good night of the week, get a good line up together and promote the hell out of it unyet attendance is still not what it could and should be. Such is the lot of the Noise Bar tonight, a buzzing and eclectic line up but just because it's that little bit further from Coolsville the 40 or so people here are the only ones privileged and smart enough to realise a good deal when they see one.

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Putting on gigs in venues that are a little outside of the normal circuit is always a challenge, you pick a good night of the week, get a good line up together and promote the hell out of it unyet attendance is still not what it could and should be. Such is the lot of the Noise Bar tonight, a buzzing and eclectic line up but just because it's that little bit further from Coolsville the 40 or so people here are the only ones privileged and smart enough to realise a good deal when they see one.

Tetrode Kink are dark, big whirling slabs of effect drenched guitars and pounding drums create vast walls of noise behind Nico White's timid but confrontational vocals as he clings to a mic stand. Sometimes his lyrics seem intense and deeply serious whilst other songs appear to be comprised of random crap strung together, all delivered in a delicious deep vocal.

Talk show Boy is frequently too much too handle, his skinny-white-boy-Hip Hop is like watching ten TV stations in rapid succession, or taking rather a lot of speed, or bashing your head against a brick wall, you can only take so much before your head really starts to hurt. At the core of his music and his frantic stage show are some good songs and lyrics struggling to get out, lost in sea of noise and words so rapidly reproduced they're nigh on impossible to discern.

Shark in the Dark are a good slab of old school Australian Rock brought bang up to date. Drums, keys and guitar provide a tight and solid set that brings the lurkers from the front bar into the venue, gets them moving and sends them away with a thirst for beer and a smile on their faces.

Group Seizure are a rare breed, a band with a drum machine that doesn't sound like someone playing a paper bag, their drum machine and its programs has balls aplenty. As do the rest of the band, keyboards, guitars and bass noise flying about the stage and crashing into each other, Pete's vocals slicing through the middle, a big beautiful fuzzy mess.

Kamikaze Trio are soon to be leaving us as one of their members is off on a lengthy Overseas adventure, so the band are fitting in as many gigs as possible over the next few weeks, lets hope that all of their upcoming shows are as brilliant as tonight's. When Kamikaze Trio are having a good night, they are one of the most intense, powerful and awesome bands around. Vocalist Sam's veins literally bulge out of his neck as he spits forth tirades, insults and general rock filth. Andy on drums looks too large for his kit, it verges on the mildly comical but he hits them so hard and with so much vehement you would never say anything. A brilliant end to a brilliant night, where were you?

Published in InPress

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## [Bill Bryson - A Short History of nearly everything](https://chrischinchilla.com/blog/2008/2008-03-17-bill-bryson-a-short-history-of-nearly-everything)

Date: 2008-03-17

I have a recently rediscovered passion and interest for History, absorbing many tomes over the past few months, my favourite being brief surmises of 'all of History'.

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I have a recently rediscovered passion and interest for History, absorbing many tomes over the past few months, my favourite being brief surmises of 'all of History'.

Possibly it's laziness or a fear of delving to deeply into specific areas of History so early into my enthusiasm, or perhaps a desire to get an overall picture of the state of the world before specialising. Whatever the reason Bill Bryson's infamous book that comes highly recommended from many sources is nothing to do with human history as such, rather a history of how we got here in the first place. 574 pages (plus 110 pages of notes and indices) dealing with weighty topics such as the creation of the universe, scientific pioneers and Evolution with an enthusiasm and clarity so often missing from such volumes, not only dealing with the issues but also revealing some of the fascinating characters and lives behind infamous discoveries.

Perhaps one of the most remarkable aspects is the stories behind such familiar names, sometimes you hear so much about historical characters and their achievements you forget that they also suffered struggles, had lives, relationships and personalities. The book is a pleasure to read, you learn so much without it flying straight over your head or sending you to sleep, despite it's topics you find the book hard to put down, eager to discover what happens next or what crazy ideas scientists came up with next.

It's simultaneously scary and refreshing to realise that we actually know very little about the world around us and that so much of what we think we know has been discovered relatively recently. Likewise a lot of our assumptions and conjectures on the universe are based on such little evidence; there are many tales of completely and utterly ridiculous mistakes, but who's to say that our assumptions now are any more accurate.

Life is fascinating, complex and confusing, full of amazing coincidences and mysteries, if you have even a modicum of interest in who we are and how we got here then I heartily recommend Bryson's extraordinarily accessible book and challenge anyone not to learn at least a handful of captivating facts to conjure up during drunken late night conversations.

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## [From The Jam - Prince of Wales](https://chrischinchilla.com/blog/2008/2008-03-13-from-the-jam-prince-of-wales)

Date: 2008-03-12

I am a big fan of the Jam; they rate in my top three bands and depending on what mood I'm in, they are my favourite band. Not only that, they are a big influence on my music and a motivation to get into music in the first place. I had always resigned the band to the 'bands I'd love to have seen but know I never will' list stored away at the back of my mind, so imagine my surprise when nestled amongst the plethora of reformations recently I noticed that they were reforming, well, sort of. From the Jam (I assume the name is due to legal reasons) are two thirds of the Jam, Bruce Foxton (Bass) and Rick Buckler (Drums), without songwriter, guitarist, vocalist, front man and (lets be blunt) the most famous Paul Weller. I have always thought that the story of The Jam's rhythm section is one of the saddest in Rock&Roll history, from being in one of the most successful bands of the late 70's / early 80's they were royally (or should we say royalty) shafted by Weller and their manager (Weller's father) almost immediately ending up back in crappy jobs or on the dole, I believe that they were a competent three piece, not just a talented songwriter with two other guys and that Weller's treatment of them was inexcusable. When the reunion was announced Paul Weller was approached but apparently his reaction was 'Over my dead body', so I was intrigued to know how the band would replace him. Well, they replaced him with two people, in the form of Russell Hastings (Guitar and Vocals) and Dave Moore (Guitar and keyboards) from Jam tribute band, the Gift, whom Rick Buckler actually played with for a period of time. There is a hint of sadness to the whole idea but it would be as close as I ever got to the real thing so I donned my best mod suit and headed off to St Kilda. Firstly I was struck by the encouraging range of ages in the crowd; there were a fair amount of beefy and balding middle-aged men, but also a smattering of youthful faces (including me!) enjoying songs as old as them. More encouraging was the quality of the band, the four-piece line up creates a bigger sound more reminiscent of the Jam's recorded output than their live sound, you lose the original feel but hear the famous songs recreated faithfully. Russell Hastings does an amazing Paul Weller impression, his accent is impeccable, possessing the same spitting and arrogant attitude as the 20-year-old Modfather, he is either an astonishing actor or is another son of Woking (Weller's home town). The remainder of band are still full of vim and vigour, Bruce Foxton pulls off leaps and scissor kicks still as lithe as he ever was, Rick Buckler looks as mean as in his youth, barely lifting his glare from behind his drum kit. After 90 minutes of still fresh and relevant songs the band leave the stage to rapturous applause and serve a reminder that if you've still got it then why not flaunt it, even if you are missing a seemingly essential member.

---

I am a big fan of the Jam; they rate in my top three bands and depending on what mood I'm in, they are my favourite band. Not only that, they are a big influence on my music and a motivation to get into music in the first place. I had always resigned the band to the 'bands I'd love to have seen but know I never will' list stored away at the back of my mind, so imagine my surprise when nestled amongst the plethora of reformations recently I noticed that they were reforming, well, sort of. From the Jam (I assume the name is due to legal reasons) are two thirds of the Jam, Bruce Foxton (Bass) and Rick Buckler (Drums), without songwriter, guitarist, vocalist, front man and (lets be blunt) the most famous Paul Weller. I have always thought that the story of The Jam's rhythm section is one of the saddest in Rock&Roll history, from being in one of the most successful bands of the late 70's / early 80's they were royally (or should we say royalty) shafted by Weller and their manager (Weller's father) almost immediately ending up back in crappy jobs or on the dole, I believe that they were a competent three piece, not just a talented songwriter with two other guys and that Weller's treatment of them was inexcusable. When the reunion was announced Paul Weller was approached but apparently his reaction was 'Over my dead body', so I was intrigued to know how the band would replace him. Well, they replaced him with two people, in the form of Russell Hastings (Guitar and Vocals) and Dave Moore (Guitar and keyboards) from Jam tribute band, the Gift, whom Rick Buckler actually played with for a period of time. There is a hint of sadness to the whole idea but it would be as close as I ever got to the real thing so I donned my best mod suit and headed off to St Kilda. Firstly I was struck by the encouraging range of ages in the crowd; there were a fair amount of beefy and balding middle-aged men, but also a smattering of youthful faces (including me!) enjoying songs as old as them. More encouraging was the quality of the band, the four-piece line up creates a bigger sound more reminiscent of the Jam's recorded output than their live sound, you lose the original feel but hear the famous songs recreated faithfully. Russell Hastings does an amazing Paul Weller impression, his accent is impeccable, possessing the same spitting and arrogant attitude as the 20-year-old Modfather, he is either an astonishing actor or is another son of Woking (Weller's home town). The remainder of band are still full of vim and vigour, Bruce Foxton pulls off leaps and scissor kicks still as lithe as he ever was, Rick Buckler looks as mean as in his youth, barely lifting his glare from behind his drum kit. After 90 minutes of still fresh and relevant songs the band leave the stage to rapturous applause and serve a reminder that if you've still got it then why not flaunt it, even if you are missing a seemingly essential member.

<a href="https://www.flickr.com/photos/chrischinchilla/2328581976/" target="_blank">Pictures</a>

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## [UNKLE - Interview](https://chrischinchilla.com/blog/2008/2008-01-10-unkle-interview)

Date: 2008-01-10

<b>How did everything begin, why did you want to get into music in the first place? </b>

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<b>How did everything begin, why did you want to get into music in the first place? </b>

To be part of something, it was part of my culture, getting into DJ'ing and remixing, then making records and things develop from there.

<b>What's different between your live sets and DJ sets, and which do you prefer? </b>

I don't have any particular favourites, the ultimate buzz comes from working on a track and it all clicks into place. Everything balances each other out really; complimenting each other and giving you a different perspective on your music, live you get to perform your own songs, DJ'ing you get to test them on a different crowd. Then there's the artwork and visual side of things which is a great chance to work with more visual ideas and maintain an identity throughout your music, and I enjoy doing it all, that process of picking up a record sleeve and looking at who was involved and who did what has always been an intrinsic part of appreciating music to me.

<b>Is there a particular look you go for, or does it depend on the release? </b>

It depends on the release.

<b>How do you about writing and producing your material? </b>

Again, it depends, if it's a collaboration it will vary from your own stuff. With the collaborations you're creating something more specific, with a better idea of what sound you're trying to achieve, whereas with your own material things just develop from nowhere into expressing a feeling or reaction.

<b>When it comes to collaborations, do you pick them or do they pick you? </b>

A bit of both, you meet people and get along and collaboration happens, and other times you're looking for someone to achieve something specific, they generally come from more personal relationships.

<b>Do you get a feeling for a song when you meet somebody? </b>

That tends to be what happens.

<b>Which collaboration do you feel has been the best representation of the collaborator? </b>

That's a tough one to answer, everyone brings something different, there's always classics like 'A rabbit in the Headlightsî, 'Rainî, tracks that have come together in certain way, every record and process has it's own moments and feeling, it's hard to pick out one over another.

<b>Why is it do you think that a lot of 'Dance' Music artists have so many collaborations? </b>

It's like old school song writing, you have a groove that fit's people. It's more instrumental music that doesn't always fit into the traditional 'pop' song arrangement.

<b>Have you been to Australia before? </b>

Yes, lots of times, for DJ'ing, live shows, various things.

<b>Who have you collaborated with here? </b>

Pav from Modular, Ben Lee a few years ago.

<b>Anyone you'd like to collaborate with?</b>

Bumblebeez, midnight Juggernauts, Nick Cave

Published in Arcady

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## [Josh Pyke - Interview](https://chrischinchilla.com/blog/2008/2008-01-10-josh-pyke-interview)

Date: 2008-01-10

<b>You started playing and writing music from a young age (12 - 14), why so young? What motivated you to do it? </b>

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<b>You started playing and writing music from a young age (12 - 14), why so young? What motivated you to do it? </b>

Music wasn't something I was always into, some friends started a band in High school and I wasn't keen but my Mum encouraged me, saying that if I didn't do it I might regret it and I could always quit, and that was it from then on.

<b>What would be the motivations for starting a band at Primary school? </b>

The reasons would be different at that age, but the core was the same, it made us feel good and we enjoyed it. For the first time in my life I felt like I was good at something without trying too hard

<b>What are your songs about? Themes, ideals, concepts? </b>

Whatever is happening in my life, general life experiences expressed in a more interesting way. Sometimes books I'm reading, picking up on imagery and metaphors within them and interpreting them in my own way.

<b>What are you reading at the moment? </b>

I'm trying to plough through a Fatal shore by Robert Hughes, which is a History of Australia, it's really long and I just keep dipping into it, jumping in and out. I find History really inspiring, I get a lot of my imagery and metaphor from History books, more than any other places. I was reading a lot of books about 18th Century whaling earlier in the year and that's informed a few of the new songs.

<b>A grant helped your career up a few notches, are grants essential things for some Australian musicians to get ahead? Should the process be easier? </b>

I recorded a few demos as a solo artist and applied for a $2000 grant, I was successful and it allowed me to put out an EP, it really helped get my music out and push my career along, actually having a physical product. It was a very easy process, just write down your ideas and a business plan and send it in. I've been very lucky with grants (I got another one to record my first album) and they're very important for musicians here, usually most are working in several jobs to buy instruments. I can't complain about the existing systems as I've benefit greatly from it, but there could always be more, some have had bad experiences, but I never have.

<b>What happened to the rest of 'An Empty Flight '/ 'Night Hour'</b>

'Night hour' was my early solo name, 'An empty flight' was the band, we're all good friends the rest of the band just didn't pursue music and went into studying or pursuing jobs.

<b>Do you have a regular backing band now? Do you prefer solo or band shows? </b>

I do both, but generally I take the backing band now for festivals and large gigs.

<b>You're taking part in Big Day out; who are you looking forward to seeing? </b>

Arcade Fire is one of my favourite bands and I get to see them six times in a row.

Published in Arcady

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## [Sore Thumb](https://chrischinchilla.com/blog/2008/2008-01-10-sore-thumb-creative-writing)

Date: 2008-01-10

When you feel like the odd one out, like a fish whose water's run out.

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When you feel like the odd one out, like a fish whose water's run out.

You don't look like them but do you even care, the smell of suspicion hangs heavy in the air.

What does he want, why is he here?

No one thinks to ask, to talk to you, to find out what you think, what you believe, what drives you, what motivates you to sit in a cold room sticking out like a sore thumb that's been hit with a hammer.

I thought we were independent thinkers, the ones willing to think about things differently, so why judge me for looking normal?

I'm not after anything, I'm not snooping, casually seeing what you're up to, reporting back to someone.

It's just me, little old me, with my own thoughts, ideals and ideas.

Just me, sitting alone, resplendent in my own opinion, awash in my own beliefs, not sat on the fence, just unsure as to which side the grass is greener.

Still making my mind up, still weighing the options, because if you don't ask you wont know.

If you don't question you can't answer.

Right isn't always wrong and left isn't always right.

The Good guys might be bad lies and there isn't always a need to fight.

---

## [OOCON](https://chrischinchilla.com/blog/2008/2008-01-10-oocon-creative-writing)

Date: 2008-01-10

Isn't it funny how people's legs move in harmony with each other when they walk together,

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Isn't it funny how people's legs move in harmony with each other when they walk together,

Like a synchronised internal clock is shared between them,

Tick left, tock right,

All the way down the street

---

## [Embers - Interview](https://chrischinchilla.com/blog/2007/2007-12-20-embers-interview)

Date: 2007-12-20

Embers are an experimental four piece consisting of two saxophones, bass and drums who make an extraordinary amount of noise, conjuring incredible and unbelievable sounds from their instruments. I spoke to Adam Simmons and Kris Wanders of the band, their answers are shown in normal text and italics respectively, and their answers just goes to show the differences between band members?

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Embers are an experimental four piece consisting of two saxophones, bass and drums who make an extraordinary amount of noise, conjuring incredible and unbelievable sounds from their instruments. I spoke to Adam Simmons and Kris Wanders of the band, their answers are shown in normal text and italics respectively, and their answers just goes to show the differences between band members?

How did all the members of the band meet each other and why did you all decide to do what you are doing now?

We've been around for almost two years now as a group and have done Festivals like the Melbourne Jazz Fringe Festival and the Now Festival in Sydney, as well as gigs live on PBS FM, Make It Up Club (Bar Open), the Tote and The Spanish Club. So we've crossed several scenes, which is a fun thing to do. But at various times each member has had other commitments with overseas travel that has made our public appearances a little sporadic. I'd have been surprised if you had found much on us!

Well, I've been working with Sean and Dave now since about 1995 when I first joined Bucketrider, which was a trio at the time with saxophonist Tim O'Dwyer, with the subsequent addition of James Wilkinson on trombone. At the time Sean and Dave were also active as a duo called Lazy. But Kris I probably first heard about six or seven years ago - performing with his own band, screaming away in deafening manner at 303, in the back room there.

The first time Kris and I played together was in 2005 in a trio with Sean - this was at the Make It Up Club as part of the Melbourne Jazz Fringe Festival (MJFF) and was such an exciting gig. I think this was my idea at the time. Then after the gig Kris said, we should play with a bass player - do you know David Brown?? - I just laughed... I think it actually took a year until the next MJFF but when we played as the quartet it just felt so right - the kind of more hard-blowing, free jazz of Kris to the gut-wrenching distorted subsonic noise of Dave's bass, it just seemed a natural combination.

What were your motivations, what did you want to achieve? If anything?

For me personally, it was simply an opportunity to work with musicians who never cease to surprise and amaze me. Also this combination of the free jazz world with a more contemporary noise/sound bent seemed exciting and a little different. Kris is such a strong musical personality that needs to be matched - Sean and Dave do this in a way that I think many more conventional jazz rhythm sections would fail to do. I enjoy playing with Kris as we are capable of similar sonic possibilities on the instrument yet our approaches are quite different and somehow it always feels there is space to move, I never feel like we're competing in any way.

Now we simply want to play, play well and explore further possibilities of where we can push the sound/groove.

Is there anything else?

How do you write / compose? Or are most of your performances improvised to a rough plan?

Nope, no writing, no composing... all just listening, responding, offering, playing...

Occasionally we have imposed a constraint or two, such as the Saxes starting at different ends of the horn and working to a unison point, or as simple as two people will begin as a duo then joined by the other two. But it really is all so open - I believe this is part of the power of our performance; the fact that no one in the room - including us - has any idea where it could go next. Some gigs have felt that they move up and down in terms of intensity, maybe a roller coaster ride, but still there can be moments of repose. Other gigs feel like the roller coaster just keeps gathering more and more speed without ever letting up.

I think each individual in the band is a composer in real time and constructs the improvisation in a truly democratic dialogue with the other musicians.

Is the aim to produce 'noise' or are there carefully constructed harmonies and discords in the compositions?

Well, depends on your definition of 'noise' and 'harmony' - I prefer to think of it all more as just 'sound' and what we are doing is just exploring the sounds that each of us can conjure up. Yes, there is the subversive intent to shock and disturb people's expectations, but for me there is a much deeper intent than just being shocking - if that was all we aimed to do then the music would soon lose its value as the shock would become expected.

Even though the music is not composed, there are times where we find ourselves in a tonality of some description or playing melodies either in harmony, unison or counterpoint. But that is just one area that is possible to explore and develop - going to a 'noise' based area just opens up other options. I love that we can go from the loud free jazz stuff to a more micro sonic electronic texture all in the blink of an eyelid.

Laptops and pots & pans make noise

How did you chance upon making the sorts of noises you do? None of the band members play their instruments in conventional ways.

Its partly chance but its also through research, practice and experience. Again its about 'sound' - we're all seeking to create sounds that can complement, inspire, divert, subvert the music at any given point. To this end, different sounds become vital. I love the saxophone for its breadth of sound - the fact that in the hands of, say, Stan Getz it can sound so different to Peter Brotzmann. Each of us have spent years in our own journeys, trying to explore the possibilities of our instruments to achieve our musical aims - the music is the main thing, the sounds whether conventional or novel need to serve the music, not the other way around.

Are you all well trained musicians with lengthy and 'conventional' backgrounds looking to break the rules? (The old adage, you have to know the rules to break them.)

As far as I know, I'm the main conventionally trained muso in the band. Though I know I was breaking the rules before I'd properly learnt them! But begrudgingly while studying at the Victorian College of the Arts, I did slowly realise that the better I could play in a straight manner, the more interesting and controllable became the 'bent' stuff.

I don't know the educational backgrounds of the others completely but I know they've each dedicated themselves to their instruments - you can hear it just by listening to them. There are times on stage when I have to just stop and listen - the volume we play at can make it seem just like noise but the richness and variety that Kris or Dave for instance, can create is certainly coming from a place of mastery and not just fortuitous luck. It may lack the more apparent technical sophistication and polish of straight-ahead jazz or classical music but that is simply a matter of style and aesthetic choice.

I Went to the conservatorium, did oboe, clarinet, contemporary composition techniques, classical Indian & Balinese music and other shit I long forgot. Who did set what rules? And were they really such authorities that they could decide on rules for someone else, or did they just set some rules for themselves?

Why do you have no recorded material yet? Is there an intention to make some?

We do have recorded material and we do intend to get it out very soon. It will be getting put out on the Lexicon Devil label and all going well should be finished within the coming months. Kris is touring in Europe until December but I imagine we will be trying to make some noise about a CD launch soon enough! We're excited by the results and looking forward to getting it out there.

Published in Indieoma.com

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## [Children Collide - Interview](https://chrischinchilla.com/blog/2007/2007-12-20-children-collide-interview)

Date: 2007-12-20

Children Collide are part of plethora of Melbourne bands successfully achieving the one aim of many Australian acts, that of international success. After storming shows at SXSW, across the US and the UK the band is now stopping briefly to finally solidly their line up, management team and to record a debut album. During possibly one of the most technically plagued interviews I've ever conducted in which a passing thunderstorm continually disconnected us, I managed to glean a few words from guitarist / singer, Johnny.<br><br>How, when and why did you decide to start the band?<br>I used to live with our current bass player (Heath) and our first drummer, I was writing heaps of songs, the drummer bought a kit and we just started jamming and getting trashed in the lounge. We got offered a gig, then another, then another and it kept snowballing from there. Nothing premeditated, it just happened from getting trashed together.<br><br>There are quite a few that start like that!<br>Yeah.<br><br>You formed on Halloween, so it was the band's Birthday yesterday, how do you feel about the bands life so far and where it will go from here?<br>Yes indeed, Happy Birthday to us! We've been on a pretty solid upward trajectory since we started and it can only get better. We've got to travel, we've been around the world twice, we're recording our album in LA in February and we're getting to do what we want to do.<br><br>You've been going for two years, doing pretty well and so far without an album, why has it take so long to get round to recording an album?<br>I guess because we've changed management and labels a few times and it often comes down to those people to help you plan such things, so every time our plans have changed to. Now we're with a label we really want to do our album with and a management team that we're confident in, so feel we can do it properly and make the best album we can. If someone had approached us in the first year we would have probably jumped at the opportunity to make an album but it wouldn't have been right, now it will be the best album we can make.<br><br>Despite not having that crucial album that a lot of industry people are always after, you've still managed to attract industry interested in working with you, how have you managed to do that?<br>It hasn't always been roses, we have missed out on a few things, for example until recently we've missed out on national tours and festivals like Splendour in the Grass because we didn't have that album. We've just been at it hard, rehearsing a hell of a lot, always putting on a good live show and that impresses people and that keeps the ball rolling.<br><br>You've also had a lot of drummers haven't you?<br>We're up to our forth drummer, we figure it's the same as changing labels or management, when people are focusing on an aim or a goal, and you don't share the same goals with other members of the band, then you have to change and find someone who does share a similar outlook. I'm afraid there's no gardening accidents or spontaneous combustions, just artistic differences.<br><br>You've been playing in a lot of countries, what's been your favourite show so far?<br>We spent a lot of time in the UK, I loved hanging out in London, but probably some of our best shows have been in the States, the first show at SXSW was one of our best ever and the crowds were enthusiastic and appreciative which is all you ever want in a show really.

---

Children Collide are part of plethora of Melbourne bands successfully achieving the one aim of many Australian acts, that of international success. After storming shows at SXSW, across the US and the UK the band is now stopping briefly to finally solidly their line up, management team and to record a debut album. During possibly one of the most technically plagued interviews I've ever conducted in which a passing thunderstorm continually disconnected us, I managed to glean a few words from guitarist / singer, Johnny.<br><br>How, when and why did you decide to start the band?<br>I used to live with our current bass player (Heath) and our first drummer, I was writing heaps of songs, the drummer bought a kit and we just started jamming and getting trashed in the lounge. We got offered a gig, then another, then another and it kept snowballing from there. Nothing premeditated, it just happened from getting trashed together.<br><br>There are quite a few that start like that!<br>Yeah.<br><br>You formed on Halloween, so it was the band's Birthday yesterday, how do you feel about the bands life so far and where it will go from here?<br>Yes indeed, Happy Birthday to us! We've been on a pretty solid upward trajectory since we started and it can only get better. We've got to travel, we've been around the world twice, we're recording our album in LA in February and we're getting to do what we want to do.<br><br>You've been going for two years, doing pretty well and so far without an album, why has it take so long to get round to recording an album?<br>I guess because we've changed management and labels a few times and it often comes down to those people to help you plan such things, so every time our plans have changed to. Now we're with a label we really want to do our album with and a management team that we're confident in, so feel we can do it properly and make the best album we can. If someone had approached us in the first year we would have probably jumped at the opportunity to make an album but it wouldn't have been right, now it will be the best album we can make.<br><br>Despite not having that crucial album that a lot of industry people are always after, you've still managed to attract industry interested in working with you, how have you managed to do that?<br>It hasn't always been roses, we have missed out on a few things, for example until recently we've missed out on national tours and festivals like Splendour in the Grass because we didn't have that album. We've just been at it hard, rehearsing a hell of a lot, always putting on a good live show and that impresses people and that keeps the ball rolling.<br><br>You've also had a lot of drummers haven't you?<br>We're up to our forth drummer, we figure it's the same as changing labels or management, when people are focusing on an aim or a goal, and you don't share the same goals with other members of the band, then you have to change and find someone who does share a similar outlook. I'm afraid there's no gardening accidents or spontaneous combustions, just artistic differences.<br><br>You've been playing in a lot of countries, what's been your favourite show so far?<br>We spent a lot of time in the UK, I loved hanging out in London, but probably some of our best shows have been in the States, the first show at SXSW was one of our best ever and the crowds were enthusiastic and appreciative which is all you ever want in a show really.


Published in Arcady, Indieoma.com

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## [Bright Yellow, British India - The Evelyn](https://chrischinchilla.com/blog/2007/2007-12-20-bright-yellow-british-india-the-evelyn)

Date: 2007-12-20

Bright Yellow are floppy. Floppy hair, floppy shirts and floppy rock. Their smooth, loose and laid back rock infused with psychedelic overtones is an odd and possibly bad choice for a support band and their set doesn't quite seem to be hitting the spot with the crowd at the Evelyn tonight. However the band admirably and competently press on, ignoring heckles such as 'Play a song we knowî at the very least gaining respect from those in the audience paying them any attention.<br>At the complete opposite end of the spectrum British India are so full of energy and dynamism it feels that they may literally 'blow the roof off'. Declan Melia on vocals is so full of passion, enthusiasm and charm you can't take your eyes off him as he bounds around the stage, his battered and tramp like shoes surely a testament to the grim reality of life as a professional musician when the lights are off and the crowd's gone home. Will Drummond on bass is the epitome of cool, polo neck collar up, dressed in black and catching the eyes of many a girl in the audience even if he wont acknowledge it. Nic Wilson provides a set full of blistering solos that lift the crowd in all the right places and Matt O'Gorman on drums never lets up for one second, pounding away profusely for the set's entire duration.<br>The band are young, and have thus far seemingly crafted an entire set of epic anthems, which may bore the pants of some older and more jaded punters but for their fans, they can do no wrong. The songs could occasionally be deemed to be verging into that dreaded 'emo' territory, but very occasionally and very slightly, so lets let them off that hook. Cast aside aspersions of age, experience and song writing maturity, the songs may all be a little similar at this point, and all be based around the same sorts of themes, but these kids know how to rock a damn sight better than some twice their age and put on an astounding show. From the second the band takes to the stage until they leave after an encore that could have quite easily lasted all night there is an electric atmosphere that few bands have the ability to generate.

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Bright Yellow are floppy. Floppy hair, floppy shirts and floppy rock. Their smooth, loose and laid back rock infused with psychedelic overtones is an odd and possibly bad choice for a support band and their set doesn't quite seem to be hitting the spot with the crowd at the Evelyn tonight. However the band admirably and competently press on, ignoring heckles such as 'Play a song we knowî at the very least gaining respect from those in the audience paying them any attention.<br>At the complete opposite end of the spectrum British India are so full of energy and dynamism it feels that they may literally 'blow the roof off'. Declan Melia on vocals is so full of passion, enthusiasm and charm you can't take your eyes off him as he bounds around the stage, his battered and tramp like shoes surely a testament to the grim reality of life as a professional musician when the lights are off and the crowd's gone home. Will Drummond on bass is the epitome of cool, polo neck collar up, dressed in black and catching the eyes of many a girl in the audience even if he wont acknowledge it. Nic Wilson provides a set full of blistering solos that lift the crowd in all the right places and Matt O'Gorman on drums never lets up for one second, pounding away profusely for the set's entire duration.<br>The band are young, and have thus far seemingly crafted an entire set of epic anthems, which may bore the pants of some older and more jaded punters but for their fans, they can do no wrong. The songs could occasionally be deemed to be verging into that dreaded 'emo' territory, but very occasionally and very slightly, so lets let them off that hook. Cast aside aspersions of age, experience and song writing maturity, the songs may all be a little similar at this point, and all be based around the same sorts of themes, but these kids know how to rock a damn sight better than some twice their age and put on an astounding show. From the second the band takes to the stage until they leave after an encore that could have quite easily lasted all night there is an electric atmosphere that few bands have the ability to generate.


Published in InPress

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## [Plastic Palace Alice - The Spiegel Tent](https://chrischinchilla.com/blog/2007/2007-12-20-plastic-palace-alice-the-spiegel-tent)

Date: 2007-12-20

It's very disorientating to enter a venue previously visited on the other side of the world in a completely different place, but that's the wonder of the Speigel Tent.

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It's very disorientating to enter a venue previously visited on the other side of the world in a completely different place, but that's the wonder of the Speigel Tent.

Plastic Palace Alice are seemingly everywhere almost over night. Through some well-placed gigs, a tight press campaign and a lot of posters adorning every blank space all over town the band have transformed from Melbourne underdogs to a slick force to be reckoned with.

Tonight was always going to be an odd gig, the crowd is queuing outside long before doors and as they slowly file in and fill the 'room' you can't help but wonder who is here for the band and who is here solely for the experience. The crowd is probably a lot older than the band are used to, and whilst Plastic Palace Alice are not the heaviest or most offensive band in the world there are times when some faces in the crowd look somewhat phased. It is however a perfect setting for a band of their ilk, their dark and slightly macabre tunes and clothing that spans five decades fitting the mysterious, hallowed and gypsy like surroundings beautifully. It's a struggle for the extended line up of nine people including a three-piece string section to all fit on stage but they sound amazing, with all the subtleties and intricacies of each instrument filling the air, at times it feels as if vocalists Rob McDowell and Lise Met are struggling to hear themselves on stage as on occasion their voices wander slightly off pitch but that's more than compensated by the times their starkly different voices counter and complement each other in the time honoured tradition of all brilliant double acts. The band are all stunning musicians, obviously well rehearsed and confident with their songs and instruments, they're not obnoxious and seem to all get along with each other, smiling and enjoying their hour long set, which rubs off on the audience with a familiar and warm feeling developing. Plastic Palace Alice aren't the most strikingly original band in the world and if you're looking for rock edge, danger and anger you wont find it here, if however you're looking for a set of catchy and finely crafted songs played by skilled musicians who enjoy what they're doing and make sure you do to, then make sure you catch them before they up sticks and leave home for an endless tour of foreign festivals.

Published in InPress

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## [Ernest Ranglin, The Trojan Horns - The Espy](https://chrischinchilla.com/blog/2007/2007-12-20-ernest-ranglin-the-trojan-horns-the-espy)

Date: 2007-12-20

This is the Trojan Horses first gig in two years and the rapidly filling Gershwin room at the Espy is enjoying the warm Summer evening that is the perfect accompaniment to the band's lilting Ska beats. Most of the band members take turns on lead vocals, injecting their own unique styles into each track, they're sharp, tight and from the crowd's reaction, obviously sorely missed in their absence.

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This is the Trojan Horses first gig in two years and the rapidly filling Gershwin room at the Espy is enjoying the warm Summer evening that is the perfect accompaniment to the band's lilting Ska beats. Most of the band members take turns on lead vocals, injecting their own unique styles into each track, they're sharp, tight and from the crowd's reaction, obviously sorely missed in their absence.

Ernest Ranglin is a legend you've probably never heard of, at a ripe old age of 75, this small and wisened Jamaican still has the ability to pull the punters worldwide and woo a crowd a third of his age. He's played with some of the greatest names in Jamaican music including Prince Buster, The Wailers, Jimmy Cliff, The Skatellities and countless more as a session guitarist extraordinaire. His playing style is simply unique, unreplicated by any other guitar player in the world and instantly recognisable. He takes the dominant off beat of Ska and Reggae music and effortlessly weaves lilting jazz rhythms and melodies over it. He can barely be seen over the heads of the crowd, he rarely moves, speaks or changes his nonchalant facial expression, unyet his creaking fingers glide around the fingerboard, pulling out licks and progressions that consistently garner expressions of amazement and awe from the entire venue, even the members of his band look surprised by some of the tricks he pulls off. His backing band are also an amazing group of musicians, led by infamous Melbourne Saxophonist Adam Simmons they provide a brick solid backing to Ranglin, which considering they probably only had a couple of rehearsals together to cover a repertoire of over forty years is no mean feat. Ernest and his band play a set of new songs, covers and classics from his solo material including the seminal 'Below the Bass lineî album, everyone in the room is experiencing an amazing event as familiar and unfamiliar melodies fill the air, melodies that tickle the ears, twang the heartstrings and lift a smile from even the most frowning faces. Ernest Ranglin is a legend and no one can quite believe he's even here, but we're certainly glad he is.

Published in InPress

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## [Clutch - Interview](https://chrischinchilla.com/blog/2007/2007-12-20-clutch-interview)

Date: 2007-12-20

For those of us in the Southern Hemisphere summer has just reared it's hot and sweaty head, and with summer comes festivals and international artists! So suddenly Australia is awash with bands from across the globe playing what are affectionately termed 'Sideshows', it's good news and bad news as everyone struggles with time and money to catch all the acts they want to see who will probably never return to these shores any time soon.

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For those of us in the Southern Hemisphere summer has just reared it's hot and sweaty head, and with summer comes festivals and international artists! So suddenly Australia is awash with bands from across the globe playing what are affectionately termed 'Sideshows', it's good news and bad news as everyone struggles with time and money to catch all the acts they want to see who will probably never return to these shores any time soon.

One such band is Clutch, heading over for the Meredith music festival and two sideshows, which for a country with a population of 20,000,000 show the problems we have with supply and demand.

Once again I struggled through international phone systems and caught vocalist 'Neil' at the tail end of a show in Atlanta.

So to start, how did you guys all meet and why did you decide to form a band?

We met in high school and we started because we thought playing Rock & Roll would be a good way to hang out? And because all the other guys in high school started bands. We weren't excelling in sports or Mathematics, so thought we might as well play some freakin' Rock & Roll.

How long ago was that?

The first time I started jamming with JP (Drums) was in '88, we were about 16 or 17, nothing ever came of it until about '91 with the Pitchfork EP.

15 years, how many albums have you done in that time?

I've stopped counting. About a dozen releases, nine full lengths.

The current album (From Beale street to Oblivion) was all recorded in analogue, no digital production, is that something you've always done, or has it just been for this album?

We did that when we first started out and then switched to digital, but the idea with this album was to write it and record it live.

Were you trying to keep a certain edge to the album, vibrancy, avoid a temptation to play with it too much after being recorded?

Well, after every recording there's always an element of 'Shoulda, Coulda, Woulda', we were aiming to not have to try and remember each song but capture a performance, a feeling in the room.

The look and feel of the packaging has a dusty and vintage feel with black and white photos and stencils, what was the idea behind that?

All of us in the band lament the loss of the enormous gatefold record, before videos you'd always listen to the music and look at the record. We wanted to have a return to packaging that you can look at, a video in still life. Our friend Nick drew the stencils.

Does it relate to the lyrical content at all?

Sure, the silhouettes all do, as far as the cover, that was Nick's vision. He saw the tree and it's roots as a place to go, a place to have a good time. We didn't realise that at the time, I only figured it out three weeks ago! I like that though, I'd rather have things a mystery than everything on a plate.

So what is Beale st?

It's a very real place, a street in Memphis, a historical music strip where back in the day all the great Blues and Jazz musicians played. Nowadays it's more of a tourist location but I consider it a better Mecca than Nashville, Seattle or New York, it's one of the realest places ever.

So a place where 'one' can live free and easy, live Rock & Roll, live in 'Oblivion'?

I guess, it's quite an American lyrical style; maybe it's lost on non-Americans slightly.

It makes sense to me!

You seem a passionate band, what's getting you angry and passionate at the moment?

I'm not really angry, I live a blessed life with a great family and I'm in a rock band? I get angry when I hear bands playing to click tracks. I'm get excited about passionate musicians, small things.

I guess I was looking at a song like 'You can't stop progress', it seems political, or a least a social commentary.

I've always hated politics in rock & roll, except from the 60's when they actually had something to talk about. But life in the Sates in the past 7 years has been like living in someone else's wet dream, but our nightmare. I think it might have snuck in unintentionally.

You've been going a fair while now and some say that whilst your music is still pretty full on, your sound is mellowing, is this due to you personally slowing down or the natural development of any band that has been playing together so long?

We don't ever go in with any preconceived notions, It's just different words and a new vocabulary, all I can say is that Scotch and Wine mellow with age, but they get stronger.

Published in Arcady, Indieoma.com

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## [Goofang, Spun Rivals, Worlds End Press - Ding Dong, Melbourne](https://chrischinchilla.com/blog/2007/2007-12-20-goofang-spun-rivals-worlds-end-press-ding-dong-melbourne)

Date: 2007-12-20

Ding Dong is sadly a little empty tonight, maybe everyone is at home performing some last minute research into the capabilities of their local party candidates. We hope.

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Ding Dong is sadly a little empty tonight, maybe everyone is at home performing some last minute research into the capabilities of their local party candidates. We hope.

Goofang are a perfect opening act, one of those slightly schizophrenic bands, with a set of songs that never quite stick to one genre or style but sharing a 'sound'. Some songs take a strut down funky street, others taking the well-trodden Indie-ish route whilst others wander down several paths at once. The band are still finding their feet, but they're solid, fun, play well and the variations between songs keeps the audiences attention, the perfect constituents to an opener.

Spun Rivals are rapidly rising through the ranks of Melbourne music, gigging hard, treading the boards, getting out and about and playing some damn good shows. The band concoct a blend of pop and pomposity so cleverly that frequently you don't quite notice what they're up to. A catchy and whistleable melody or chorus is hastily followed with a fat and thundering bass line or a guitar and pedal board workout that conjures a variety of ear splitting sounds. Spun Rivals admirably succeed at that toughest of tasks for a three piece, giving the impression that there's more of them on stage. Despite no backing vocals the trio of Richey, Clayton and Matt produce enough noise to fill a room, even a slightly empty room like we have tonight. Richey also swears extraneously during his inter song ramblings, which always sounds so perfect in a Scottish accent.

Worlds End Press posses some great constituent parts in the make up of a band. A fascinating bandy-legged bass player who ceaselessly dances whilst effortlessly producing slick and laid back dub like lines. Three keyboards and two guitars produce a menagerie of beautiful, sinuous and enthralling melodies and counter melodies. Finally the band members to the right hand side of the stage seem to have all confirmed to an unofficial dress code (or sub consciously have the same dress sense) all decked out in similar red and white clothing. There is however one major problem with Worlds End Press, and a lot of bands of their ilk. Whilst they produce some beautiful sounds, that isn't enough, the songs need to go somewhere and frequently they don't. You're constantly left waiting for something to happen, and generally all that does happen is that they start and finish, there's very little dynamics in structure in between with all songs and the set merging into one long set of sounds. Perhaps that's the band's intention?

Published in InPress

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## [Interview with Embers](https://chrischinchilla.com/blog/2007/2007-12-14-interview-with-embers)

Date: 2007-12-14

My latest column is an interview with Experimental noise four piece 'Embers'.

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My latest column is an interview with Experimental noise four piece 'Embers'.

Read it <a href="https://www.indieoma.com/public_journal.php?d=5737c6ec2e0716f3d8a7a5c4e0de0d9a" target="_new">here</a>.

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## [Children Collide and Clutch Reviews](https://chrischinchilla.com/blog/2007/2007-12-06-children-collide-and-clutch-reviews)

Date: 2007-12-06

The past 10 days I've been stupidly busy with some freelance work editing videos for a State government project, ohh the glamour!

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The past 10 days I've been stupidly busy with some freelance work editing videos for a State government project, ohh the glamour!

So i'm giving you a double whammy this week as I have loads of great articles backlogged and ready to go, here they come!

I'll also get my latest music news in here sometime soon...

Firstly we have [Children Collide](https://www.indieoma.com/public_journal.php?d=432aca3a1e345e339f35a30c8f65edce) and then we have [Clutch](https://www.indieoma.com/public_journal.php?d=8d3bba7425e7c98c50f52ca1b52d3735) (US)

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## [Politics in Music - Melbourne](https://chrischinchilla.com/blog/2007/2007-11-26-politics-in-music-melbourne)

Date: 2007-11-26

My latest column is a brief foray into the Politics of Music in Melbourne, and poses a few questions, some of which I may be wrong on, and some I may be right on...

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My latest column is a brief foray into the Politics of Music in Melbourne, and poses a few questions, some of which I may be wrong on, and some I may be right on...

Read it [here](https://www.indieoma.com/public_journal.php?d=950a4152c2b4aa3ad78bdd6b366cc179).

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## [Dardanelles - Interview](https://chrischinchilla.com/blog/2007/2007-11-15-dardanelles-interview)

Date: 2007-11-15

<strong>Why did you guys decide to get together and form a band?</strong><br />  When we first met each other 18 months ago we were pretty disillusioned with other things in our lives, University wasn't quite what we expected it to be. We saw like-minded people in each other and decided to do something together.

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<strong>Why did you guys decide to get together and form a band?</strong><br />  When we first met each other 18 months ago we were pretty disillusioned with other things in our lives, University wasn't quite what we expected it to be. We saw like-minded people in each other and decided to do something together.

<strong>I'm intrigued about the name (The Dardanelles is a small strip of water that separates Europe from Asia), are you aware of its History or did it just sound good?</strong><br />  A lot of bands choose their name on a whim, and it can be a millstone. We though it was an interesting name and an interesting place. It's had a lot of conflict in the past, apparently dating back to Ancient Troy. It's also the site of the battle of Gallipoli, a defining element of Australian culture (and an infamous military failure in WWI). There's also an Irish and American Dardanelles, which may be a problem in the future, but hopefully not.

<strong>There's a lot of what I describe as 'soundscapes' on the new album (Mirrors), big slabs of layered harmonies and sound, do you think about the music over the lyrics?</strong><br />  Well, I'm the guitarist, but speaking for the band, we think about the music first. Josh has lots of lyrics that he's always working on, but we start with the music, that may change in the future, but was the case for this album. There's a lot of ideas experimenting with space, with guitars in the top end and lots of claustrophobic feelings with the loops and bass, we're attempting to create a lot of interesting dynamics, 'Soundcapes' if you like.

<strong>I've seen the band name frequently over the past few months and wasn't expecting you to sound like you do, you've had this buzz or fashionable label associated with the band for some time, and the album isn't necessarily full of commercial potential or radio friendly units. Was this a decision you'll hope you get away with or are people accepting it anyway?</strong><br />  We were (sort of) pressured into releasing earlier material in the shape of an EP, it wasn't really what we wanted to do, it didn't represent us, so now with the album we get a chance to do what we wanted to do in the first place. I don't know where this 'fashionable' label came from, many bands get it. We wrote this album for us, there was no intention to craft commercial crossovers, it was the next step in developing our sound and in a few months time maybe we'll develop into something more palatable for a wider audience. Especially at this early stage in our career we're not bothered about commercial potential, especially as we don't even know what we're doing yet. We've found that a lot of the people who really liked our 'pop' single have been put off by the album, which isn't what we intended to do, but it shows how different the material is.

<strong>There are a variety of interesting influences present on the album, grooves, beats, bass lines, keyboards and sounds. Does everyone bring their own input to the sound or do you all share a passion for experimentation and eclectic musical tastes.</strong><br />  Josh and I write most of the music, we both like all sorts of music and have different slants on what we like, Josh is into more electronic music and I'm into more guitar based music, shoegaze, stuff like that. What we write is where our likes and tastes intercept, we're not trying to be experimental for the sake of it, and we just wanted what we play live to translate to the record. We tend to use sounds and loops as a starting point, as a launch pad for songs, I find it hard just to plug a guitar into an amp and write a song, I like to play with effects and sounds and start from there. When we supported 1990s recently, Jackie, the singer had a completely opposite ethos, he said,

'I like to play guitar with my hands, you like to play it with your feet.î I like having all those options and sonic opportunities at my disposal.

<strong>The tracks on the album are seamless, running into each other and you do the same live. Was it an intentional decision to do that? One long experience with different fluctuations as opposed to songs?</strong><br />  That was our intention, even before we wrote the songs; it was going to be like a DJ set, which isn't quite how it turned out. The idea was to not allow the audience a choice of whether to clap or not, I like watching music that is a trip through the set as opposed to one radio song after another. Instead of working on new material for the album tour we're now working on new ways of presenting the album, with new small musical links and blends.


Published in Arcady, Indieoma.com

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## [The Drones - Interview](https://chrischinchilla.com/blog/2007/2007-11-15-the-drones-interview)

Date: 2007-11-15

The Drones are an Australian Indie institution, but largely unknown outside of their growing and loyal fanbase. Yet another interview I entered without knowing a great deal about the subjects, however, after hearing so much about them from friends, I was eager to learn more. I spoke to Mike Noga (Drums) about the bands busy history and how he celebrated his 29th Birthday by being mugged in London, life on the road!

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The Drones are an Australian Indie institution, but largely unknown outside of their growing and loyal fanbase. Yet another interview I entered without knowing a great deal about the subjects, however, after hearing so much about them from friends, I was eager to learn more. I spoke to Mike Noga (Drums) about the bands busy history and how he celebrated his 29th Birthday by being mugged in London, life on the road!

<strong>It seems that almost every Australian and New Zealand musician I've ever interviewed has had 'problems' in London!</strong><br />  Yeah, it seems like all of England is like that, maybe we're less streetwise than 'natives', Happy Birthday to me!

<strong>I've heard about your tour diary and it's popularity. Is giving something extra to the fans something you believe in?</strong><br />  Well, we'd never actually done it before the last tour, it was the first time we tried it and it's mainly Dan's (Guitarist) idea, I guess to keep him sane on the road and for a record of our experiences. Then it suddenly became really popular and we started getting loads of messages about posts from everyone.

<strong>So you wouldn't consider yourselves distant rockstars, you're happy to hang out and talk to your fans?</strong><br />  No, no, quite the opposite, we're just a bunch of idiots with guitars and drums, we're pretty relaxed, we don't consider ourselves stars, just four people playing music.

<strong>A lot of people in Melbourne know the band very well, and talk highly of you. The band also has a lot of international success, unyet, somehow, I've managed to completely miss you, so do you feel that you have the same cult status you have in Australia all over the world?</strong><br />  It's pretty good globally, we've spent the past three years touring non stop, and whilst we're not everyone's cup of tea, we've spent a lot of time working hard and slowly building up a fanbase, crowds are generally pretty good.

<strong>Your releases start around 2001 - 2002, did the band exist before that?</strong><br />  Yes, but I didn't join the band until about three years ago. The other guys started in Perth in other bands and have been running as The Drones for about six years now.

<strong>So how long have you been a 'cult' band?</strong><br />  The first album (Here come The Lies) received really good reviews, but was still very underground, Live the band have always had a really good reputation, which grew and grew and the second album (Wait Long By The River &amp; The Bodies <br />  Of Your Enemies will float by) won an Amp award, so from then things really took off with sales and audience numbers rapidly growing. I think we're a lot like the Dirty Three in that respect, they never get a lot of radio play, but are always popular, their fans always turn up to gigs, and their albums always sell well.

<strong>Is the band full time?</strong><br />  Yes, it's full time and I don't take it for granted, it's a rarity in this country. It's full time because we never stop touring, if we stopped, we'd make nothing. I've not had a real job for about three years, but at the same time you sacrifice a lot, I've not had a home for three years, when we're not touring I stay at my Sisters.

<strong>I get the impression that the music has changed over the past few years, earlier in your career it was noisier and more discordant and now it's more tuneful. Was that a development in song writing, a change in direction, or just something that happened?</strong><br />  It wasn't particularly conscious; even I admit that the first album is hard to listen to now, its music to shoot your head off to. It's a natural progression, we recorded the recent album on an old farm in Tasmania, maybe that had something to do with it, we were in an old beautiful place and that influenced the sound. We are getting old now, we can't get up there and bash out thirteen flat out songs anymore, we want to relax a little.

<strong>Judging from some live videos, the live versions of songs still seem to be a little more wild and noisy.</strong><br />  Yes, it's hard not to get into the songs and improvise with them, experiment and take them further; it's part of the experience for the audience and us


Published in Arcady, Indieoma.com

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## [Dr Dog - We all Belong](https://chrischinchilla.com/blog/2007/2007-11-15-dr-dog-we-all-belong)

Date: 2007-11-15

I reviewed one of <em>Dr Dog</em>'s past albums, though now looking back through their productive back catalogue, with an album every year, I'm not entirely sure I remember which one it was. The band subscribe to the pack them in and out quickly approach, <em>We all belong</em> is 38 minutes long and not exactly over produced. It is eleven tracks of laid back bluesy, maybe 'swampy' multi-instrumental rock, chocker-block with slick harmonies and chunky riffs, all skilfully played by a bunch of mysterious Americans who's names all begin with the letter 'T'. It's simple, straightforward, uncomplicated and succinct. Just like this review.

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I reviewed one of <em>Dr Dog</em>'s past albums, though now looking back through their productive back catalogue, with an album every year, I'm not entirely sure I remember which one it was. The band subscribe to the pack them in and out quickly approach, <em>We all belong</em> is 38 minutes long and not exactly over produced. It is eleven tracks of laid back bluesy, maybe 'swampy' multi-instrumental rock, chocker-block with slick harmonies and chunky riffs, all skilfully played by a bunch of mysterious Americans who's names all begin with the letter 'T'. It's simple, straightforward, uncomplicated and succinct. Just like this review.


Published in Arcady, indieoma.com

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## [Snowman, The Drones - The Corner](https://chrischinchilla.com/blog/2007/2007-11-15-snowman-the-drones-the-corner)

Date: 2007-11-15

The Drones are something of an enigma, they posses an extremely loyal and fairly large fan base throughout the world, but outside of their followers, they remain largely unknown. As an illustrative point, The Doorman of the Corner is heard to say in response to a passer by, 'The Drones are playing tonight, never heard of them, must be popular though, it's sold out.î

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The Drones are something of an enigma, they posses an extremely loyal and fairly large fan base throughout the world, but outside of their followers, they remain largely unknown. As an illustrative point, The Doorman of the Corner is heard to say in response to a passer by, 'The Drones are playing tonight, never heard of them, must be popular though, it's sold out.î

The band have picked supports well, with Snowman not only also sporting a Fender Jaguar, (rapidly becoming the guitar of choice for Indie Rock bands in Melbourne, with increasing numbers of guitarists strapping them on, the alternative is fast becoming the mainstream!) but vocalists Andy and Joe seemingly drawing noticeable influence from Gareth of The Drones. The band concocts a marvellous array of melodies from a variety of instruments, fusing interesting cross rhythms, sounds, styles and techniques. They take basic song structures, tinkering and twisting them into fascinating sonic experiments, with enough to please Indie kids and musos alike.

Despite playing a venue the size of the Corner, tonight's show feels like something of a friends' homecoming for The Drones, local boys (and girls) done good and welcomed back with open arms. Almost everyone seems to have either a story about a member of the band, talk about them like mates or at the very least have fond memories of a soundtrack to their lives over the past few years. The band function as a perfect unit, each performing their role in their own personal style, Fiona Kitschin pounds out her solid bass lines without ever facing the audience, Dan Luscombe's guitar lines a perfect accompaniment and Mike Noga on drums, who not only keeps the whole show on the road, but who everyone refers to like and old favourite uncle. Gareth Liddiard's vocal style and delivery is perhaps one of the most unique and heartfelt you will ever witness, his growling and spitting conjuring images of pain, heartache and rebellion, almost to the point that he sometimes appears to overshadow and dominate the other members of the band. However a real sense of comradery and friendship runs though everything the band do, it keeps them going through t


Published in InPress

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## [Bellaruche, Fat Freddy's Drop - Metro](https://chrischinchilla.com/blog/2007/2007-11-15-bellaruche-fat-freddys-drop-metro)

Date: 2007-11-15

Kathrin deBoer of Bellaruche has a star quality, an ability to captivate and draw in a crowd, no matter how large. She fills the vast stage at the regal Metro nightclub with a stunning appearance and presence, her delicate and kookily sensuous dancing keeping all eyes firmly planted on her. This is before even mentioning her silky smooth voice that effortlessly floats above Bellaruche's chilled and mellow tunes, with guitar provided by the infinitely smiley Rickey Fabulous and scratches and beats provided by a last minute substitute (due to a plethora of immigration problems) in the form of Brisbane's DJ Thief.<br />  The band set the mood admirably and the sold out crowd are starting to slowly bob and move their feet to music provided by DJ Thief, the mood is electric, friendly and up for a long night. The air starts to fill with the smell of Marijuana, and whilst this flaunting of the smoking ban annoys some of the crowd it wouldn't feel like a Reggae/Dub/Hip-Hop gig without that fragrance hanging in the air.<br />  There's something to be said for making occasionally forays into less familiar genres, to witness the talent and technical ability that some musicians posses, and to see how some crowds actually show their appreciation for the music they are watching, rather than attempting to look fashionable the entire set.<br />  Perhaps the best and most fascinating thing about Fat Freddy's Drop is the individuality of all the members, Joe Dukie is the epitome of cool, pristine attire and seemingly the most controlled and effortless voice in the business. Warryn, Tony and Ho on horns each posses their own comically differing traits, Tony is sharp and restrained, looking like a cooler English Public School boy, and Ho has no shame, stripping off throughout the gig and treating the crowd to some of the most outrageous and embarrassing dancing. The band plays so well together, and put on such a professional, tight and enjoyable show it's hard to resist the throbbing beats and seductive melodies. It's clear that a lot of the set is improvised, with basic song structures in place for the feel of the evening to take hold, but the band are such a tight and close unit that it only takes a slight wink or nod for everyone to know what's going on and what's happening next. It means that no two shows are the same, but any crowd lucky enough to be witnessing Fat Freddy's Drop is guaranteed to be part of one of the most vibrant and dynamic shows in town.

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Kathrin deBoer of Bellaruche has a star quality, an ability to captivate and draw in a crowd, no matter how large. She fills the vast stage at the regal Metro nightclub with a stunning appearance and presence, her delicate and kookily sensuous dancing keeping all eyes firmly planted on her. This is before even mentioning her silky smooth voice that effortlessly floats above Bellaruche's chilled and mellow tunes, with guitar provided by the infinitely smiley Rickey Fabulous and scratches and beats provided by a last minute substitute (due to a plethora of immigration problems) in the form of Brisbane's DJ Thief.<br />  The band set the mood admirably and the sold out crowd are starting to slowly bob and move their feet to music provided by DJ Thief, the mood is electric, friendly and up for a long night. The air starts to fill with the smell of Marijuana, and whilst this flaunting of the smoking ban annoys some of the crowd it wouldn't feel like a Reggae/Dub/Hip-Hop gig without that fragrance hanging in the air.<br />  There's something to be said for making occasionally forays into less familiar genres, to witness the talent and technical ability that some musicians posses, and to see how some crowds actually show their appreciation for the music they are watching, rather than attempting to look fashionable the entire set.<br />  Perhaps the best and most fascinating thing about Fat Freddy's Drop is the individuality of all the members, Joe Dukie is the epitome of cool, pristine attire and seemingly the most controlled and effortless voice in the business. Warryn, Tony and Ho on horns each posses their own comically differing traits, Tony is sharp and restrained, looking like a cooler English Public School boy, and Ho has no shame, stripping off throughout the gig and treating the crowd to some of the most outrageous and embarrassing dancing. The band plays so well together, and put on such a professional, tight and enjoyable show it's hard to resist the throbbing beats and seductive melodies. It's clear that a lot of the set is improvised, with basic song structures in place for the feel of the evening to take hold, but the band are such a tight and close unit that it only takes a slight wink or nod for everyone to know what's going on and what's happening next. It means that no two shows are the same, but any crowd lucky enough to be witnessing Fat Freddy's Drop is guaranteed to be part of one of the most vibrant and dynamic shows in town.


Published in InPress

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## [Sir, Sly Hats, Guy Blackman - Northcote Social Club](https://chrischinchilla.com/blog/2007/2007-11-15-sir-sly-hats-guy-blackman-northcote-social-club)

Date: 2007-11-15

It's a lazy Sunday afternoon after a seemingly long weekend as music fans slowly start to emerge in the fineries of summer, T-shirts, Thongs and a slight glow as the days get warmer and the nights get longer. No one wants to stand tonight, rather lounge around The Northcote Social Club's floor and Sir aren't going to force them to commit to anything as they ease out the weekend with their sullen blend of sordid sexiness, love laments and brooding ballads. Jesse Jackson, the bands' male vocalist gloriously underplays his role as 'front man' and band leader, eyes rarely meeting the audience, his baritone voice wooing the crowd despite his tales of sadness and betrayal. Guest vocalist Jane Badler purrs through songs, her lips pouting, her eyes alluring, she posses that perfect 'Holywood' blend of glitzy glamour and restraint, giving you just enough to be lured into her trap, but no more. The band provides a near perfect bed of backing music to proceedings, creating and maintaining just the right moods for each song. Much like the subjects of several of their songs, the band leave to soon, the crowd wants them to spend more time, but it's not to be.Guy Blackman and Sly Hats have just returned from a two month world tour, and tonight is their homecoming show. The guys look tired so they've got a backing band together for the occasion and take it in turns to play each others material. The songs deal with subjects common to artists of this ilk with both artists sitting at opposite ends of the spectrum, Sly Hats leans to the side of romanticised and fantastic tales of life and Guy Blackman weaves narrative lyrics around tales from his life, moving into a new area, his Mum, things like that. The music is 'nice'; a horrible word to use, but it's the best description that will gain instant understanding. The tunes trip along in a happy-go-lucky manner, ending slightly prematurely, but never challenging or demanding too much from the audience. These two songwriters are almost brotherly in appearance and their songs share an equal degree of similarity, a fine pair of musicians who produce great music apart and even better results together.

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It's a lazy Sunday afternoon after a seemingly long weekend as music fans slowly start to emerge in the fineries of summer, T-shirts, Thongs and a slight glow as the days get warmer and the nights get longer. No one wants to stand tonight, rather lounge around The Northcote Social Club's floor and Sir aren't going to force them to commit to anything as they ease out the weekend with their sullen blend of sordid sexiness, love laments and brooding ballads. Jesse Jackson, the bands' male vocalist gloriously underplays his role as 'front man' and band leader, eyes rarely meeting the audience, his baritone voice wooing the crowd despite his tales of sadness and betrayal. Guest vocalist Jane Badler purrs through songs, her lips pouting, her eyes alluring, she posses that perfect 'Holywood' blend of glitzy glamour and restraint, giving you just enough to be lured into her trap, but no more. The band provides a near perfect bed of backing music to proceedings, creating and maintaining just the right moods for each song. Much like the subjects of several of their songs, the band leave to soon, the crowd wants them to spend more time, but it's not to be.Guy Blackman and Sly Hats have just returned from a two month world tour, and tonight is their homecoming show. The guys look tired so they've got a backing band together for the occasion and take it in turns to play each others material. The songs deal with subjects common to artists of this ilk with both artists sitting at opposite ends of the spectrum, Sly Hats leans to the side of romanticised and fantastic tales of life and Guy Blackman weaves narrative lyrics around tales from his life, moving into a new area, his Mum, things like that. The music is 'nice'; a horrible word to use, but it's the best description that will gain instant understanding. The tunes trip along in a happy-go-lucky manner, ending slightly prematurely, but never challenging or demanding too much from the audience. These two songwriters are almost brotherly in appearance and their songs share an equal degree of similarity, a fine pair of musicians who produce great music apart and even better results together.


Published in InPress

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## [Ned Colette - Interview](https://chrischinchilla.com/blog/2007/2007-11-15-ned-colette-interview)

Date: 2007-11-15

<strong>When, why and how did you get into music?</strong><br />  My Dad is almost wholly responsible, he always had music on. Saturday mornings are filled with Sun and Music in my memories. He bought me a guitar for my 11th birthday and I never really looked back. I had older sisters who got me into everything that was terrible about the 80's, but also some gems. Lloyd Cole for example. The Beatles were an incredible learning experience for me too - I learnt all the little parts and sang along. I also got into hip-hop and then blues, which led to jazz and improvised and experimental music. Now I guess I'm back to rock n roll and folk which is kinda where I began.

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<strong>When, why and how did you get into music?</strong><br />  My Dad is almost wholly responsible, he always had music on. Saturday mornings are filled with Sun and Music in my memories. He bought me a guitar for my 11th birthday and I never really looked back. I had older sisters who got me into everything that was terrible about the 80's, but also some gems. Lloyd Cole for example. The Beatles were an incredible learning experience for me too - I learnt all the little parts and sang along. I also got into hip-hop and then blues, which led to jazz and improvised and experimental music. Now I guess I'm back to rock n roll and folk which is kinda where I began.

<strong>What are the themes (if any) in your songs?</strong><br />  I think that might sometimes be easier to identify as a listener than a writer. I guess there are general themes of loss and memory, time passing, the current situation, the situations that existed before, and the one that might come next... I guess a lot of the time I try to engage personal experience with something grander, though I don't profess to be able to speak for anyone but myself. There are certainly political motivations on the new album, but I'm not an overly political person, I am just very, very concerned with societies that are so apathetic as to install governments that are so morally dictatorial. I guess it's a perfect coupling really.

<strong>What are the inspirations behind the new album?</strong><br />  A sense that things might be changing, even if just a little bit, in the way we live our lives and the things our society aspires too, for the better. Maybe that they're not though - for everywhere you look these days you are being sold something - including your own right to &quot;individuality&quot;. But that hopefully, slowly, people will take notice of history - of real history - not the saccharine, bullshit John Howard &quot;there was no one here before us&quot; revision, and realise that all the lessons we need to learn are in there, and they have been for a long time. But probably not, because really the same bad things just keep happening, so yeah... a couple of love songs as well so as not to depress the shit out of everybody. Some made up stuff, some things out of books. Musically its all over the place as usual - a lot of the more elaborate sounds were influenced by things like the Peter Thomas Orchestra - 60's East German Sci-Fi stuff, and just trying to strike a balance between intimacy and rawness but keeping the sounds pleasing and challenging.

<strong>Your material is very relaxed and seemingly laid back, does that reflect your personality, or a carefully crafted mask?</strong><br />  Well I would say that the new album is actually a lot less laid back, but maybe only thematically. Either way, I think there's a fair reflection of most sides of me in my music. Of course I've never quite captured the loud drunken fool side on tape, but you can see that around the traps if you're interested. I like to craft the songs quite carefully, but certainly no mask. I think people tend to like to ascribe a whole lot of personal attributes to someone they don't know at all by the art that they produce, and that is a mistake. Also to think that all artists are crafting some sort of false persona - while maybe too often true - is depressing to me. You know, I listen to AC/DC and love it like anybody else, but that's not what comes out when I sit down to write. What I do prize above anything in art, is honesty, and a lack of disingenuousness. I like it when people make the art that is really inside them, not what they think will succeed, or what they manage to Frankenstein together for lack of anything to say. 


Published in Arcady, Indieoma.com

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## [Various - Out of the woods and trees](https://chrischinchilla.com/blog/2007/2007-11-15-various-out-of-the-woods-and-trees)

Date: 2007-11-15

It can't have escaped many people in the world's attention that the North of England has been producing a tremendous amount of popular and fashionable music over the past two years. Led by the success of bands like <em>Kaiser Chiefs</em> and Maximo <em>Park</em>, a lot of sound-a-likes spawned, creating a glut of poor imitators and glory chasers and often those who didn't sound anything like any of the glory stories were left by the wayside. The <em>Dance to The Radio</em> label led by <strong>Forward Russia</strong> and <strong>The Pigeon Detectives</strong> has been a mainstay of the 'Northern music scene', showcasing some of the smaller acts from the region and <em>Out of the Woods and Trees</em> is the labels fourth compilation, weighing in at 20 tracks. Some do sound a lot like what's come before, and sadly, what you almost expect from Northern England (Angular guitars and disco beats), but there are a few gems lurking on the compilation including the likes of <em>The Taste, You Slut! </em>and<em> Grammatics</em>. Possibly the 'scene's' time is now over, but judging by this compilation there's still the usual amount of great bands plying their trade, and undoubtedly they couldn't care less if anyone's paying any attention.

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It can't have escaped many people in the world's attention that the North of England has been producing a tremendous amount of popular and fashionable music over the past two years. Led by the success of bands like <em>Kaiser Chiefs</em> and Maximo <em>Park</em>, a lot of sound-a-likes spawned, creating a glut of poor imitators and glory chasers and often those who didn't sound anything like any of the glory stories were left by the wayside. The <em>Dance to The Radio</em> label led by <strong>Forward Russia</strong> and <strong>The Pigeon Detectives</strong> has been a mainstay of the 'Northern music scene', showcasing some of the smaller acts from the region and <em>Out of the Woods and Trees</em> is the labels fourth compilation, weighing in at 20 tracks. Some do sound a lot like what's come before, and sadly, what you almost expect from Northern England (Angular guitars and disco beats), but there are a few gems lurking on the compilation including the likes of <em>The Taste, You Slut! </em>and<em> Grammatics</em>. Possibly the 'scene's' time is now over, but judging by this compilation there's still the usual amount of great bands plying their trade, and undoubtedly they couldn't care less if anyone's paying any attention.


Published in Arcady, Indieoma.com

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## [John Cage - Prepared Piano](https://chrischinchilla.com/blog/2007/2007-11-15-john-cage-prepared-piano)

Date: 2007-11-15

And now for something completely different

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And now for something completely different

I may have mentioned previously that Melbourne plays host to a seemingly constant string of festivals throughout the year and currently it's the turn of the 'Melbourne International Arts' Festival. Generally the feature events are too expensive for the likes of me and I'm left to scour the free and cheap events, occasionally turning up a Gem from beneath the surface, gems like a demonstration of the Prepared Piano.

Whilst the altering of an instruments sound through external additions is not necessarily a new concept, John Cage was the first to 'popularise' and experiment with the idea and the first to give it a name. The idea stemmed from attempting to give a normal Grand Piano (upright pianos are extremely hard to 'prepare') a percussive element and add extra sounds normally unavailable to a solo player.

I attempted to record the demonstration but sadly technology failed me and I lost the entire recording, so hopefully my descriptions will suffice.

The preparations typically take the shape of nuts, bolts, wood and pieces of rubber; either screwed into, or placed in-between strings. It looks and sounds like a fairly random process but is in fact highly planned and precise, often with pages of instructions describing how exactly to achieve the composers desired sounds. These are well-trained composers who know what they are doing to modify pitch, timbre and harmony, not someone shoving a bunch of items from a hardware store into a piano. Although the irony of the whole procedure is that all pianos differ in their sonic properties so preparation instructions have to frequently be interpreted making the concept even more bizarre in the search for the intended sound.

The sound of a composition written for prepared piano varies depending on the nature of the preparations, but I have to reiterate that the intention is not to produce a bunch of random clunks and clangs, rather to experiment with harmony and percussion. Pieces are rich with interesting tones, sounds and rhythms, giving the impression of other instruments and musicians, at times beautiful and at times verging on chaotic noise. Perhaps the best recording to take a listen to if you're interested in hearing more is John Cage's Sonatas and Interludes for Prepared Piano.

From an Australian perspective, the idea has been taken further by Erik Griswold and Anthony Pateras, who improvise with their preparations and to a whole new concept by Ross Bolleter, who composers with pianos that are rotting, destroyed by time or weather.


Published in Indieoma.com

---

## [Sly Hats - Interview](https://chrischinchilla.com/blog/2007/2007-11-15-sly-hats-interview)

Date: 2007-11-15

Geoff O'Conner is one of a multitude of Melbournian musicians with a penchant for side projects, his band 'Crayon Fields' already has several tours and releases under his belt, and now his solo persona 'Sly Hats' is rapidly catching up recently returning from a two month world tour with fellow songwriter 'Guy Blackman'. I caught up with a nervous Geoff and over cups of herbal tea we discussed Music, Melbourne (and sadly after the recorder was switched off and he finally relaxed) and the ways of the World.

---

Geoff O'Conner is one of a multitude of Melbournian musicians with a penchant for side projects, his band 'Crayon Fields' already has several tours and releases under his belt, and now his solo persona 'Sly Hats' is rapidly catching up recently returning from a two month world tour with fellow songwriter 'Guy Blackman'. I caught up with a nervous Geoff and over cups of herbal tea we discussed Music, Melbourne (and sadly after the recorder was switched off and he finally relaxed) and the ways of the World. 

<strong>Why did you decide to start the Sly Hats side project?</strong><br />  I wanted a project were I was independent of other people so I could work on my own arrangements, mainly to prevent me from being unpleasant to them, insisting on things being a particular way.

<strong>There seems to be a real love in Melbourne / Australia for side projects. Do you think there's a reason for this, are artists hedging their bets for a shot at the 'big time'?</strong><br />  I think people in Australia have more leisure time than those in America or the UK as the cost of living is a lot lower. Most musicians here only have part time jobs, and if you're (say) playing in four bands, you have a lot of cheap nights, free drinks and hopefully travel paid for. With a lot of musicians in Australia there's a non-committal attitude, not many want to take things too seriously, as a rule you're not supposed to take music seriously in Australia so you spread yourself across many projects and outlets because you might as well.

<strong>Are you working?</strong><br />  Not at the moment, but generally I do, a lit bit of this and that. At the moment I'm on the dole, which is a new and guilty experience for me, It's too much money for me! I can't understand what people need it for, I feel like I should be paying some of it back.

<strong>How do you recreate the album live?</strong><br />  I have a nine-piece band. Which is kind of ridiculous, to start a solo project and end up with a band twice the size of your other band.

<strong>But they do what you tell them?</strong><br />  Yeah?

<strong>A lot of your music seems fairly laid back and dreamy, are you a relaxed person?</strong><br />  In some ways I am, but I'm also anxious to ensure that I'm productive every day. I'll be laid back and then by 3pm feel a necessity to do something to satisfy my creative side, record something, or read, write or see something that I enjoy, I like to ensure that my artistic side has been satisfied, even in a superficial way.

<strong>What do write about?</strong><br />  Usually romantic things, actual life events with a fantasy element, where I'm a little less awkward and they're more interested, I find it the most direct and easy subject to write about.

<strong>What are your experiences of playing abroad? Where have you been?</strong><br />  The last tour went to Denmark, Japan, England, America?<br />  Japan was interesting, the audiences were so respectful, and you don't feel like your playing to make money for the bar or competing with a DJ.<br />  Sweden's encore call was interesting, they start one rhythmic clap, it was awkward, you sometimes don't really want to perform an encore, but you have no choice in a situation like that.

<strong>How did you organise those?</strong><br />  I didn't really, I'm very disorganised, it was mainly organised by Guy Blackman, all the same lengthy two month tour.

<strong>How's the current album going?</strong><br />  We're onto a second pressing, this time with a new EP attached, and I'm starting a second album in a few months.

<strong>That's very prolific!</strong><br />  Yeah, but saying that, who knows what I'll end up doing. I'm not keen on trying to be prolific, if it happens it happens, if it doesn't then it doesn't matter.

<a href=https://www.myspace.com/slyhatsmusic target=_blank>www.myspace.com/slyhatsmusic</a>


Published in Arcady, Indieoma.com

---

## [Debut Albums and Snail Racing](https://chrischinchilla.com/blog/2007/2007-11-13-debut-albums-and-snail-racing)

Date: 2007-11-13

(I wrote a whole long and detailed post, then lost it... So now I'm just going to a brief summary!)

---

(I wrote a whole long and detailed post, then lost it... So now I'm just going to a brief summary!)

Macaca Mulatta finally recorded their debut album on Sunday, it's only taken me 2 years to get to doing it and then it took us 6 hours to record 9 songs! In a Child Care Centre... [See some pictures here](https://www.facebook.com/album.php?aid=67691&id=601440566).

It was Cup day on Tuesday, everyone gets a bizarre midweek weekend for a horse race, and gets very drunk... Cate and I got up to all sorts of things including a [snail race](https://www.facebook.com/album.php?aid=67690&id=601440566) and a BBQ, where a large skinhead shouted some random stuff at our group like "Elvis get your Pelvis out of my left Nostril!", genius...

My Bike got stolen from outside our house, which sucked, but it was also quite funny as the bike as 5th hand and the lock was probably worth more. I got a nice shiny blue racing bike from a local bike co-op for $30 and now it and I go like the clappers!

The infamous Dom from Panic / Pop Art in London is over, so there was a special club night and the a gig which Macaca Mulatta played, so it was a good and boozy weekend, some stupid pictures of us [here](https://www.facebook.com/photo.php?pid=441832&id=553511248) and [here](https://www.facebook.com/photo.php?pid=441833&id=553511248).

Speedy Chinch xxx

---

## [Interview with The Dardanelles](https://chrischinchilla.com/blog/2007/2007-11-08-interview-with-the-dardanelles)

Date: 2007-11-08

My latest Indieoma.com post is an interview with Melbourne hipsters (or are they?) Dardanelles...

---

My latest Indieoma.com post is an interview with Melbourne hipsters (or are they?) Dardanelles...

Read it <a href="https://www.indieoma.com/public_journal.php?d=496e05e1aea0a9c4655800e8a7b9ea28" target="_new">here</a>!

---

## [Films, TV and Warehouse Parties](https://chrischinchilla.com/blog/2007/2007-11-06-films-tv-and-warehouse-parties)

Date: 2007-11-06

Once again, I've let personal posts lapse to the point where I've forgotten when I last posted one and what I said...

---

Once again, I've let personal posts lapse to the point where I've forgotten when I last posted one and what I said...

So, I'll just catch up with a few random bits and pieces in no particular order and try again...

Take a look at this Trailer for Morgan Sperluck's new film, ["What would Jesus Buy?"](https://www.apple.com/trailers/independent/whatwouldjesusbuy/trailer), looks pretty interesting, and another indication that America is truly mental place...

Hmm, well, the [Antescene](https://www.antescene.com) Extravaganza was very successful, with around 300 attendees, and a fine from the Police which will ensure it is enshrined in history... There were some odd repercussions from the event, I've been offered to promote nights at a couple of venues and a student interviewed me for a thesis on the changing scene in Melbourne...

[Macaca Mulatta](https://www.macacamulatta.com) have had some label and management interest, which is great, and we're off to start recording our album this Sunday, very excited! I also did a few new solo recordings which will be out in due course.

Cate and I have set a date for the wedding, 4th October 2008, kind of scary and kind of nice...

I got a new computer, a nice shiny intel iMac with os 10.5, it's so nice to have a big screen! Having a few teething problems, but pretty good so far...

We went to see [Control](https://momentum.control.substance001.com), which I thought was an excellent film, the muso geek in me wanted to see more about the band, but that wasn't really what the film was about! A lot of the cast looked familiar without me quite figuring out who they were, probably Bill extras or something. Overall, it was very well shot and, speaking from personal experience, it's was a pretty accurate representation of life on the road.

I've recently become obsessed with [Spooks](https://www.bbc.co.uk/drama/spooks), I've not really been this keen on a TV series before, Cate lent me series one and I watched it in a week, and now I'm half way through series two, it's not quite as good, but still great fun. Is it believable? Who knows, but it's fun and just the slightest bit scary to think it might be...

Ah, that will do for now, I had more to say, but I forgot to say it and now the feeling has gone, so I'll keep this short and dull for now.

Chinch xx

PS. If you're in Melbourne, enjoy the Holiday today x

---

## [John Cage's Prepared Piano and the Election Colouring Book](https://chrischinchilla.com/blog/2007/2007-11-01-john-cage-prepared-piano-and-the-election-colouring-book)

Date: 2007-11-01

This week my column is something a little different, I've moved out of Indie Rock and it's a description of a demonstration of John Cage's Prepared Piano I saw during the Melbourne International Arts Festival, read it here.

---

This week my column is something a little different, I've moved out of Indie Rock and it's a description of a demonstration of John Cage's Prepared Piano I saw during the Melbourne International Arts Festival, read it [here](https://www.indieoma.com/public_journal.php?d=6883966fd8f918a4aa29be29d2c386fb).

And Finally, a little plug... I've teamed up with Polka Dot Rabiit to make the 2007 Election Colouring Book, please take a look at [www.polkadotrabbit.com/election.php](https://www.polkadotrabbit.com/election.php) to find out more.

Chinch xxx

---

## [Ned Collette Interview](https://chrischinchilla.com/blog/2007/2007-10-12-ned-collette-interview)

Date: 2007-10-12

A short and sweet interview with Ned Collette can be found here.

---

A short and sweet interview with Ned Collette can be found [here](https://www.indieoma.com/public_journal.php?d=46ba9f2a6976570b0353203ec4474217).

Enjoy, Chinch xx

---

## [International Students and Capitalism](https://chrischinchilla.com/blog/2007/2007-10-12-international-students-and-capitalism)

Date: 2007-10-12

Firstly I wanted to share with you a recent experience of editing...

---

Firstly I wanted to share with you a recent experience of editing...

I was asked to write a news piece on the rising number of International Students in Australian Universities, here's what I wrote :

According to a forthcoming research report to be issued by overseas student recruiter IDP Education, International Student demand in Australia will double in the next two decades with Universities struggling to meet the demand. Currently Overseas students comprise approximately 17% of the Australian student body with just over a quarter of those studying in Victoria, how much does and will this affect Victorian students?

Whilst not as big as input as we may be led to believe, International Students bring a lot of money to a University system that struggled after cuts in government funding (an estimated 39% of income, with 16% of that from International Students) bringing an estimated $11 billion to the Australian Economy, however a vast percentage of this benefit and impact is only felt in certain areas and in certain subjects.

Perhaps the most pressing issue is the that out of Australiaís 38 Universities only half claim to have the capacity and future capacity to cope with the increase in numbers and with International students a lucrative source of income, does this mean that Universities will start restricting enrolments to home students? Or that home students will find increasing pressure placed upon resources? Can local urban infrastructures cope? Most Australian cities are the grips of housing and transport crises without an added demand for inner city housing and living.

After the Federal Government's tightening of migration laws in 2005 to fulfil Australia's skills shortage Higher Education institutions are actually experiencing a slowing down of International Student demand, with demand in the TAFE sector rapidly growing, an astonishing 5% and 43% rise respectively, Primarily because courses at TAFE are cheaper, faster and more vocational. With most students enrolling on courses such as cooking and hairdressing and not some of the courses the Government probably hoped they would, it has led to an impression that some International Students are looking to Australia for Permanent Residency and not necessarily for a High Educational standard.

Considering the large amounts of money parted with (an average of $20,000 for a degree) International students are often taken advantage of in terms of housing and work, being denied certain privileges such as concessionary public transport or just poorly informed about their rights. Visa and language restrictions will generally push International Students into poorly paid and menial work, with hours impinging their ability for study. Additionally cultural differences can lead to a segregation of foreign and local students, with neither group really mixing with each other and sometimes leading to animosity and xenophobia

These are all issues reiterated and reinforced by several SRCís specialising in International Students (and who once were International Students) in the Victorian University system. Everyone hopes that Victorian Universities remain able to cope with all who are willing to study and embrace the Australian Studentís way of life.

And here's what they published : ![UTimes article](https://www.chinchilla-music.co.uk/images/other/Utimes.jpg)

A little different!

So, this week so far has been dominated by thoughts on corporations and America as on Sunday I watched _The Corporation_ and on Monday, John Pilger's _The War on Democracy_. It's hard to know what to believe these days, whilst I will admit that the US does a lot of dabbling in International affairs, you like to think that what you hear on Western news bulletins is fairly true and honest but maybe I've been misled. Some of the activities that American multinationals and Government have been involved with (It could be said that they're intrinsically linked) are incredible, and the propaganda that surrounds those activities to make them seem acceptable equally so. I had a lot more I wanted to say on the issue, should have posted something on Monday night, watch the films, make your own mind up.

Finally, and on the subject of capitalism...

I have the third interview for the job I mentioned before this afternoon, it looks like I may get it... I have a mixture of feelings. Excitement, as it is a good job, one that will finally give me a job that uses my skills and knowledge. Worry, because I may lose the time I currently have to work on music stuff. However the money may be helpful, and if I organise time well, I will still be able to do all the things I do now, but not spend so much time looking for work.

Hmm... Got a few hours to think about it.

---

## [Politics in Music - Folk](https://chrischinchilla.com/blog/2007/2007-10-08-politics-in-music-folk)

Date: 2007-10-08

The latest instalment of my series, featuring Folk Music from the 70's onwards can be found <a href="https://www.indieoma.com/public_journal.php?d=d395771085aab05244a4fb8fd91bf4ee" target="_blank">here</a>

---

The latest instalment of my series, featuring Folk Music from the 70's onwards can be found <a href="https://www.indieoma.com/public_journal.php?d=d395771085aab05244a4fb8fd91bf4ee" target="_blank">here</a>

Enjoy!

---

## [Job Interviews and Playing in Geelong](https://chrischinchilla.com/blog/2007/2007-10-08-job-interviews-and-playing-in-geelong)

Date: 2007-10-08

This week was another week where various elements kept pointing me towards a certain way of thinking, again, I'll just go through the week and ramble a bit...

---

This week was another week where various elements kept pointing me towards a certain way of thinking, again, I'll just go through the week and ramble a bit...

Err, Tuesday, Tuesday?? Oh yes, I had a job interview (the first of many this week) for an exam supervisor job, a fairly easy interview when I kind of got the impression that we all had the job already but the recruitment people were never actually specific about that fact. In the afternoon I probably did something, god damn, my memory is getting really bad! Oh yes, I applied for some more jobs, which I shall return to shortly.

Wednesday I had another (what I thought to be) job interview with a small publishing company. Thinking it would take half an hour maximum, I had arranged to interview a band in the late morning. However I turned up to discover they pretty much wanted me to do some free work for them with no preparation, briefing or notice. I did what I could and was then informed,

> "You can either finish it now or come back another time."

Well, I wouldn't want to work for someone like that anyway. I had written the rest of Wednesday off already as it was the regular Book Cellar meeting, I attended to a few errands and headed to the regular Chinese restaurant venue. Now, the Book Cellar is a monthly meet up with a load of old journalists, judges, Doctors and the like, organised by a friend of mine's Dad. They all get together, have lunch, a few drinks and an interesting guest speaker. This week they'd somehow managed to wangle Tony Abbot, who is the minister for Health, so it was a very popular meeting and a very interesting speech with a few (though not as many as expected) controversial questions...After Lunch I went to a really seedy bar with a friend and we talked about how much he disliked the Baby Boomer generation, and I largely agreed with him... After a few frantic phone calls to the aforementioned band I was supposed to interview we rearranged it to Thursday, a lot more mutually convenient.

So, Thursday was writing day, I spent most of it producing another instalment of my Politics in Music series, I'll post the link up here soon. At midday I popped out to interview Sly Hats and after he stopped being so nervous and after the recorder was switched off we had a really interesting conversation about the nature of music making in Melbourne and more general conversations about activism and left wing thinking, another intellectually stimulating afternoon...

Now, I have become increasingly aware of the nature of Music making in Australia. So far I have been quite lucky to have work that keeps me ticking over, gets me by, and generally that's how a lot of musicians in Australia operate, even the ones who appear the be moderately successful are usually working at least part time. I have also been becoming increasingly aware of needing a back up plan to chasing my dreams. Let's be realistic, I may not get a second shot at making it with music again, I may not make it with music writing, so I need something else in my life that means I don't hit mid thirties and am unemployable.

So, when I attended a Job interview on Friday morning for a really interesting web design job with a company full of exciting and interesting people who didn't expect the job to be your life, where flexible and really enthusiastic about my skills, it got me thinking hard. Is it time to take on a real world job again, and push the music stuff back into a lucrative past time? There's no reason I can't get back into it full time if need be, hmm, well, I now have a second interview on Wednesday, so we shall see... The strange thing is that a similar job offer came up almost a year ago before i decided to turn it down and come to Australia.

Back to Music, Macaca Mulatta had a stonking gig at Melbourne's infamous Pony on Friday night and then trudged the hour up to Geelong for our first regional Victoria show. I now understand what reservations our other guitarist had about the show, as we had the largest turnout of the night with 10 people. I come from a big city, so I'm always confused and perplexed by the behaviours of some 'country' people, the stereotypes of 'bogans' really are true :

- Someone asked Nick for money for a beer.
- Someone showed me all his Tattoos.
- A group of guys never stopped talking about Rawk music.
- Hardly anyone actually wanted to pay to see live music, despite generally complaining that no-one plays in regional towns.

Anyway, the guys we played with were great and I stayed the night with them.

So there you go, another intriguing week, things to think about.

Chinch xx

---

## [Predicted Increase in International Students - News Feature](https://chrischinchilla.com/blog/2007/2007-10-04-predicted-increase-in-international-students-news-feature)

Date: 2007-10-04

According to a forthcoming research report to be issued by overseas student recruiter IDP Education, International Student demand in Australia will double in the next two decades with Universities struggling to meet the demand. Currently Overseas students comprise approximately 17% of the Australian student body with just over a quarter of those studying in Victoria, how much does and will this affect Victorian students?

---

According to a forthcoming research report to be issued by overseas student recruiter IDP Education, International Student demand in Australia will double in the next two decades with Universities struggling to meet the demand. Currently Overseas students comprise approximately 17% of the Australian student body with just over a quarter of those studying in Victoria, how much does and will this affect Victorian students?

Whilst not as big as input as we may be led to believe, International Students bring a lot of money to a University system that struggled after cuts in government funding (an estimated 39% of income, with 16% of that from International Students) bringing an estimated $11 billion to the Australian Economy, however a vast percentage of this benefit and impact is only felt in certain areas and in certain subjects.

Perhaps the most pressing issue is the that out of Australia&rsquo;s 38 Universities only half claim to have the capacity and future capacity to cope with the increase in numbers and with International students a lucrative source of income, does this mean that Universities will start restricting enrolments to home students? Or that home students will find increasing pressure placed upon resources? Can local urban infrastructures cope? Most Australian cities are the grips of housing and transport crises without an added demand for inner city housing and living.

After the Federal Government&rsquo;s tightening of migration laws in 2005 to fulfil Australia&rsquo;s skills shortage Higher Education institutions are actually experiencing a slowing down of International Student demand, with demand in the TAFE sector rapidly growing, an astonishing 5% and 43% rise respectively, Primarily because courses at TAFE are cheaper, faster and more vocational. With most students enrolling on courses such as cooking and hairdressing and not some of the courses the Government probably hoped they would, it has led to an impression that some International Students are looking to Australia for Permanent Residency and not necessarily for a High Educational standard.

Considering the large amounts of money parted with (an average of&nbsp; $20,000 for a degree) International students are often taken advantage of in terms of housing and work, being denied certain privileges such as concessionary public transport or just poorly informed about their rights. Visa and language restrictions will generally push International Students into poorly paid and menial work, with hours impinging their ability for study. Additionally cultural differences can lead to a segregation of foreign and local students, with neither group really mixing with each other and sometimes leading to animosity and xenophobia

These are all issues reiterated and reinforced by several SRC&rsquo;s specialising in International Students (and who once were International Students) in the Victorian University system. Everyone hopes that Victorian Universities remain able to cope with all who are willing to study and embrace the Australian Student&rsquo;s way of life.


Published in UTimes Magazine

---

## [I Heart Hiroshima - Interview](https://chrischinchilla.com/blog/2007/2007-10-04-i-heart-hiroshima-interview)

Date: 2007-10-04

I Heart Hiroshima are one of many Australian bands operating on independent labels who distribute through major companies (In their case MGM), funding releases from touring, merchandise and hopefully previous releases. It&rsquo;s a model that their label &lsquo;boss&rsquo; Paul Curtis believes is a template for the future, he&rsquo;s a man who&rsquo;s brain I intend to pick more of in the near future&hellip;

---

I Heart Hiroshima are one of many Australian bands operating on independent labels who distribute through major companies (In their case MGM), funding releases from touring, merchandise and hopefully previous releases. It&rsquo;s a model that their label &lsquo;boss&rsquo; Paul Curtis believes is a template for the future, he&rsquo;s a man who&rsquo;s brain I intend to pick more of in the near future&hellip;

In the meantime, back to the band. 

<strong>How and why did you decide to form a band?</strong><br />  It wasn&rsquo;t really a matter of &ldquo;deciding&rdquo;, it just sort of happened. Two friends starting playing guitar together for fun, a drummer (myself) happened to be hanging around and it seemed a natural progression to make songs together. Purely out of the fun of making music together. 

<strong>What's the name about? Is it some sort of anti nuclear / war irony, or do you really just like Hiroshima...?</strong><br />  I can tell you straight out that it has no underlying war theme at all. I&rsquo;m afraid we just ain&rsquo;t that political. I will, however, answer three times. But only one will be the true answer. Can you guess which is fact and which are fiction?<br />  ANSWER AT END OF INTERVIEW!<ol>  <li>Once upon a time Susie was lying in a park trying to think of a name. She thought writing hearts like this &agrave; &lsquo;&lt;3&rsquo; was cool. She liked alliteration and words that rolled of the tongue. &ldquo;I heart Hiroshima&rdquo; happened to be one of those phrases that rolled of the tongue. Nothin&rsquo; fancy.</li>  <li>Someone once sent a postcard to me that featured a Polar Bear wearing a &ldquo;double-pluggers&rdquo;. Said slogan was emblazoned across his t-shirt. This was too epic to deny it the right as our band name! Pure - pardon the pun &ndash; &ldquo;Engrish&rdquo; at it&rsquo;s best.</li>  <li>It was the title of a beautiful National Geographic article about the city. Straight Up.</li></ol>

&nbsp;

<strong>Is there a Brisbane sound when it comes to &quot;Indie Rock&quot;, that bright, clean, jagged sheen seems to occur in a lot of Brisbane bands? </strong><br />  Really? Damn, I haven&rsquo;t noticed!! I don&rsquo;t think there is a particular sound that can embody the &ldquo;indie scene&rdquo; in Brisbane&hellip;. or maybe there is but because I feel somewhat involved and connected to it, it is just too hard to point out.

<strong>As far as I can tell, you only have a distro deal, how do you sustain touring and a musical career?</strong><br />  We recently played our 100th show. That was pretty much over a period of 18 months, so that averages out to over one show per week. So I think by playing a lot, and earning cash from the shows we have been able to continue things pretty steadily. Everything that the band makes from merch/shows etc is re-invested straight back into the band. Paying for things like merch printing/sound engineers/flights/hire cars etc etc etc. There&rsquo;s no money in the band members pockets yet though, sniffle. I&rsquo;m hoping by this time next year I&rsquo;ll be rollin&rsquo; in a badass stretch limo Hummer. Dayum!!!! Also, as much as I wish it were, we can&rsquo;t call this our career as yet. We still all have day jobs and work as much as we can in between tours so we can pay our rent. 

<strong>And how did you raise your profile in the first place?</strong><br />  I suppose, by working really hard and playing and touring solidly since March &rsquo;06. We&rsquo;ve also had a few releases to keep people interested and stimulated with us as a band. It&rsquo;s been a gradual build and fingers crossed its still building. Another thing I think is the fact that we have tried to steer away from being boxed into any sort of &lsquo;scene&rsquo; we have played with lots of diverse artist who play totally different music so it has allowed us to play to a whole bunch of different peeps. 

REAL ANSWER TO BAND NAME QUESTION: number 1. Unadventurous hey?


Published in Arcady

---

## [747's - Interview](https://chrischinchilla.com/blog/2007/2007-10-04-747s-interview)

Date: 2007-10-04

p>I&rsquo;m sure the booze and drug fuelled &ldquo;characters&rdquo; of Collingwood keep stealing CD&rsquo;s from my post box, as yet again I enter an interview with an artist who&rsquo;s album I never received. Never mind, it&rsquo;s making for interesting conversations as both parties struggle to make sense of each other and all the local Junkies are gaining a healthy and varied taste in music.

---

p>I&rsquo;m sure the booze and drug fuelled &ldquo;characters&rdquo; of Collingwood keep stealing CD&rsquo;s from my post box, as yet again I enter an interview with an artist who&rsquo;s album I never received. Never mind, it&rsquo;s making for interesting conversations as both parties struggle to make sense of each other and all the local Junkies are gaining a healthy and varied taste in music.

747&rsquo;s could be described as a world band, or at least a European band in the literal sense, hailing from Ireland, England, Italy and Germany and having met each other over several Countries whilst busking, their line up and repertoire slowly growing into a &lsquo;band&rsquo;.

Through the wonders of modern technology and a nine hour time difference I spoke to Irish lead vocalist (Oisin) about the band, their globe trotting feet and fingers and the release of their debut album, &ldquo;Zampano&rdquo;.

<strong>Do you recommend busking as way for aspiring musicians to get ahead?</strong><br />  &ldquo;Yes and no, it&rsquo;s way of getting out there, gaining confidence in front of an audience, but you might also lose your focus. Should great songwriters be out there playing covers, or originals to a crowd that don&rsquo;t get or understand it?&rdquo;

The original troubadour line up of Oisin and vocalist / bassist (Ned) started with an intriguing set of Punk band covers from the likes of UK Subs and Stiff Little Fingers interspersed with more traditional fare from the likes of the Beatles and The Kinks, slowly adding more original material into an eclectic line up of songs, they would have got a few Euros from me.

<strong>Where are your favourite places to busk?</strong><br />  &ldquo;Naples, Via Romo<br />  Dublin, Grafton st<br />  Liverpool, Church st&rdquo;

<strong>And what about favourite venues?</strong><br />  &ldquo;Cambridge, Liverpool, Scotland, they&rsquo;ve always been very &lsquo;Fuck You&rsquo; in Scotland.&rdquo;

<strong>Do you make a living from music?</strong><br />  &ldquo;Yes. When I buy my friends drinks, it comes from money made by music.&rdquo;

<strong>Do you ever feel restricted by playing sets in venues? i.e. That you have to stick to a certain number of songs, or a certain set or length of set.</strong><br />  &ldquo;No, not really. We might have a certain few songs that we keep in the set for a tour or something, but we&rsquo;ll change it around, add in a different B-side or a few covers. We&rsquo;re always learning new songs, I just learnt a Steely Dan song this morning that I&rsquo;m proud of.&rdquo;

<strong>So what&rsquo;s your favourite song at the moment?</strong><br />  &ldquo;I liked a tune I heard by Chuck Berry, called &lsquo;Come On&rsquo;, all about how he wants someone to ram his car, The Rolling Stones covered it as their first single. I recommend it more than Busking!&rdquo;

<strong>Does your trans European line up contribute anything to the bands sound?</strong><br />  &ldquo;Maybe, I dunno, I think we all contribute things individually, just people, it doesn&rsquo;t matter where they&rsquo;re from.&rdquo;

<strong>Why did you decide to get into music in the first place?</strong><br />  &ldquo;I&rsquo;ve never really thought about it. It just seemed that every time I thought about what direction my life should be heading in I&rsquo;d see a guitar and want to be playing it.&rdquo;


Published in Arcady Magazine

---

## [The Pictures - The Fantastic Sound of the Pictures](https://chrischinchilla.com/blog/2007/2007-10-04-the-pictures-the-fantastic-sound-of-the-pictures)

Date: 2007-10-04

A compilation of rarities from a band I've never heard of, it seems one half of their permanent line up (Davey Lane) is something of an Australian institution, an institution that never made it past the Pacific Ocean, so I'm off the hook. The problem with rarities albums is that they will often only appeal to hardcore fans, generally being full of slightly dodgy tracks, cover versions and poor recordings, 'The Fantastic sound of the Picturesî contains examples of all of those (A Particular highlight is a cover of 'Mapsî by Yeah yeah yeahs that sounds like Primal Scream have replaced the band). It's a schizophrenic collection of songs, despite only spanning 5 years it sounds like a different band on each track, but I guess the rarities and b-sides of an artists are traditionally where they experiment and try something a little different. The sleeve notes accompanying the album are a fantastic insight into the songs and the band (especially for someone who knows nothing about them), demonstrating a warm and down to earth attitude with comments like '? We think it sucks toî and tales of financial woes, beer and recording session snacks. As the band would be more than likely to admit the album is not a fantastic collection of songs, more a mix of rough and smooth, a disc of memories and stories, but if you're a fan an invaluable and worthy addition to your collection.

---

A compilation of rarities from a band I've never heard of, it seems one half of their permanent line up (Davey Lane) is something of an Australian institution, an institution that never made it past the Pacific Ocean, so I'm off the hook. The problem with rarities albums is that they will often only appeal to hardcore fans, generally being full of slightly dodgy tracks, cover versions and poor recordings, 'The Fantastic sound of the Picturesî contains examples of all of those (A Particular highlight is a cover of 'Mapsî by Yeah yeah yeahs that sounds like Primal Scream have replaced the band). It's a schizophrenic collection of songs, despite only spanning 5 years it sounds like a different band on each track, but I guess the rarities and b-sides of an artists are traditionally where they experiment and try something a little different. The sleeve notes accompanying the album are a fantastic insight into the songs and the band (especially for someone who knows nothing about them), demonstrating a warm and down to earth attitude with comments like '? We think it sucks toî and tales of financial woes, beer and recording session snacks. As the band would be more than likely to admit the album is not a fantastic collection of songs, more a mix of rough and smooth, a disc of memories and stories, but if you're a fan an invaluable and worthy addition to your collection.


Published in www.rockus.com.au

---

## [Carus & The True Believers - Three Boxes](https://chrischinchilla.com/blog/2007/2007-10-04-carus-and-the-true-believers-three-boxes)

Date: 2007-10-04

A folk hero belonging truly to the old school, Carus has chalked up an average of 200 shows annually over the past few years and still found the time to release several albums, 'Three Boxesî being his third. It's mellow and laid back but brimming with passion, dedication and earnest emotion, the lyrics are tales of his experiences and life on the road, containing equal elements of regret and happiness with his lifestyle, the excitement and the loneliness. A beautiful album that can be listened to time and time again, it doesn't drag, it doesn't need to be turned off halfway through, it sits in the background and makes your workplace peaceful and it sits in the foreground and inspires, a perfect album.

---

A folk hero belonging truly to the old school, Carus has chalked up an average of 200 shows annually over the past few years and still found the time to release several albums, 'Three Boxesî being his third. It's mellow and laid back but brimming with passion, dedication and earnest emotion, the lyrics are tales of his experiences and life on the road, containing equal elements of regret and happiness with his lifestyle, the excitement and the loneliness. A beautiful album that can be listened to time and time again, it doesn't drag, it doesn't need to be turned off halfway through, it sits in the background and makes your workplace peaceful and it sits in the foreground and inspires, a perfect album.


Published in www.rockus.com.au

---

## [The Exploders - Easy & The Sun](https://chrischinchilla.com/blog/2007/2007-10-04-the-exploders-easy-and-the-sun)

Date: 2007-10-04

The biggest surprise is that The Exploders are a two-piece, how on earth do they recreate guitar, bass, drums, keys and vocals live? ìEasy and the Sunî starts very well, mellow Ozzie rock, well played and crafted, but a majority of the tracks are much too long for a commercially viable pop rock album and about half way through things start to drag somewhat, the guitar sound, vocal delivery and pace of songs falling into something of a rut, never changing or varying (apart from the final song, which is a beautiful acoustic ballad), leaving the listener yearning for a break, unless you're getting stoned, I should imagine this is the perfect sonic accompaniment for such an evening, nothing too shocking or surprising. That said the album is a cut above a lot of other ìAustralian Rockî albums, there's not too much guitar wank, solos kept to a bluesy, basic and heartfelt minimum, it treads over familiar ground whilst keeping the path accessible and open to new wanderers. Perhaps this is the overall problem with The Exploders, possibly somewhere along the way the band decided to make their blend of rock lighter, becoming commercially more viable but losing their edge, ending up stuck in a rock limbo.

---

The biggest surprise is that The Exploders are a two-piece, how on earth do they recreate guitar, bass, drums, keys and vocals live? ìEasy and the Sunî starts very well, mellow Ozzie rock, well played and crafted, but a majority of the tracks are much too long for a commercially viable pop rock album and about half way through things start to drag somewhat, the guitar sound, vocal delivery and pace of songs falling into something of a rut, never changing or varying (apart from the final song, which is a beautiful acoustic ballad), leaving the listener yearning for a break, unless you're getting stoned, I should imagine this is the perfect sonic accompaniment for such an evening, nothing too shocking or surprising. That said the album is a cut above a lot of other ìAustralian Rockî albums, there's not too much guitar wank, solos kept to a bluesy, basic and heartfelt minimum, it treads over familiar ground whilst keeping the path accessible and open to new wanderers. Perhaps this is the overall problem with The Exploders, possibly somewhere along the way the band decided to make their blend of rock lighter, becoming commercially more viable but losing their edge, ending up stuck in a rock limbo.


Published in www.rockus.com.au

---

## [Ben Birchall & The Corrections - Last Ditch Brigade](https://chrischinchilla.com/blog/2007/2007-10-04-ben-birchall-and-the-corrections-last-ditch-brigade)

Date: 2007-10-04

It&#39;s taken me a long time to get round to writing this review, I&#39;ve kept putting it off, not due to a dislike of the album, but because for the first time since I&#39;ve arrived on the shores of Australia I&#39;ve found an artist who clicks with something inside of me and putting that into words is a tough and daunting prospect. I&#39;ve not found an artist or album like this since Frank Turner&#39;s &quot;Sleep is for the Week&quot;, an album full of disillusionment with life past, present and future, that lyrically and musically describe almost precisely how I felt at that exact moment. Ben&#39;s mixture of troubadour-esque acoustic stories and laid back rock led by crunchy electric guitar and organ ring true in my ears, a sure sign of my ever maturing musical tastes, no longer impressed by loud guitars and shouting. It may not connect with me so much on a lyrical level, being primarily tales of lamented loves, but that same feeling of mistakes, possible regrets, lessons learned and a new optimistic outlook on life is as equally present as Frank Turner&#39;s offering, perhaps I identify with that feeling and process in life, no matter if the situations or motivations differ. But enough of comparisons, what of &quot;Last Ditch Brigade&quot;? It&#39;s an album full of finely crafted arrangements and instrumentation demonstrating a song writing ability far beyond Ben&#39;s years, the songs would be equally at home on a fashionable Indie Kids&#39; CD shelf as well as their parents&#39;, successfully creating an album that manages to transcend genres, fashions and age groups, simply producing a damn fine album, no pretension, no filler, full to the seams with brilliant songs.

---

It&#39;s taken me a long time to get round to writing this review, I&#39;ve kept putting it off, not due to a dislike of the album, but because for the first time since I&#39;ve arrived on the shores of Australia I&#39;ve found an artist who clicks with something inside of me and putting that into words is a tough and daunting prospect. I&#39;ve not found an artist or album like this since Frank Turner&#39;s &quot;Sleep is for the Week&quot;, an album full of disillusionment with life past, present and future, that lyrically and musically describe almost precisely how I felt at that exact moment. Ben&#39;s mixture of troubadour-esque acoustic stories and laid back rock led by crunchy electric guitar and organ ring true in my ears, a sure sign of my ever maturing musical tastes, no longer impressed by loud guitars and shouting. It may not connect with me so much on a lyrical level, being primarily tales of lamented loves, but that same feeling of mistakes, possible regrets, lessons learned and a new optimistic outlook on life is as equally present as Frank Turner&#39;s offering, perhaps I identify with that feeling and process in life, no matter if the situations or motivations differ. But enough of comparisons, what of &quot;Last Ditch Brigade&quot;? It&#39;s an album full of finely crafted arrangements and instrumentation demonstrating a song writing ability far beyond Ben&#39;s years, the songs would be equally at home on a fashionable Indie Kids&#39; CD shelf as well as their parents&#39;, successfully creating an album that manages to transcend genres, fashions and age groups, simply producing a damn fine album, no pretension, no filler, full to the seams with brilliant songs.

Published in www.rockus.com.au

---

## [Eleven plus one is a great team](https://chrischinchilla.com/blog/2007/2007-10-02-elevn-plus-one-makes-a-great-team)

Date: 2007-10-02

This could be a long post...

---

This could be a long post...

Have you ever had a week where it feels like someone or something is trying to tell you something?

Where a series of events seems to transpire that lead your thoughts into a certain direction and state of mind?

Well I've had one of those weeks, sort of, well a few events have made me think about life and stuff like that and realise a few things, good things.

I'll start at the beginning and we'll see if this goes anywhere.

To top up my writing income I teach, the past two weeks have been holidays, so I took on a temp job last week to bring in a few extra dollars. Just a pretty dull data entry job, and whenever I take my rare and occasional trips into corporate land I'm always amazed at how much time and money businesses waste on things like databases and collecting data. Systems that don't really work, and campaigns that involve vast amounts of people, paper and time to just gather a few facts and figures. Surely in this age of technology most of it's unnecessary? The four days bought a few thoughts into my head, firstly the amount of information a temp is suddenly entrusted with, I had addresses, bank account details and security questions at my beckon call. I found myself committing small acts of subversion to alleviate the boredom, like giving people incorrect titles and doubling the amount of items they requested, stupid really but after a while people stop becoming people and just words on a screen.

What it did do though was make me realise how extraordinarily lucky I normally am with my work, OK I don't make a lot, but I please myself and get by. I find it so hard to understand how people can work in the corporate world day after day. Day after day of getting the same train, sat there at a desk with those horrible felt covered partitions watching the clock. I know that's not everyone's experience, and some people do enjoy it, but personally I am now pretty resolute in being happy to offset money with freedom.

A random thought to interject at this juncture : Why do I get so excited or enthused when I see six cyclists go by? They still pale into insignificance in comparison to the 600 cars that pass me by every day.

So last week was a fairly stressful one for me, locked in the corporate Southbank with perhaps the worst food court I've ever experienced, where everything tasted of nothing and I looked forward to the weekend.

Friday night I went to see 1990's which hadn't sold very well so they gave away loads of tickets, you know the sort of thing, prize give-aways where everyone seems to win! Afterwards I ended up at an 80's rock Air Guitar Karaoke, which was fun...

Saturday was Grand Final day so Melbourne wasn't in it's normal mood, Geelong beat Port Adelaide by over 100 points which was a pretty crazy victory and I think one of the largest margins ever. On Saturday evening I ran a gig / event for the Melbourne Social Forum, which despite the bad choice of day ran fairly well and was pretty successful, Cate and I went home and watched Teen Wolf 2 in bed, we got 1 & 2 for $10 and I'm glad, because they're actually pretty bad films and have the same plot anyway!

Sunday is where the story recommences to the point (if there is one) of this post. The day was spent wandering the city taking a look at some of the Fringe festival, eating Chocolate and the like, the usual Sunday past times. In the evening we watched some episodes of Michael Moore's Awful truth including an episode that obviously went on to become the basis of Sicko. Cate went to bed and I settled down to watch Donnie Darko, a film I saw a while ago, which despite enjoying, I never quite understood.

It could be said that sometimes you have to experience similar things to understand what an artist is trying to get across, and watching the film this time round it suddenly deeply resonated with me, even bringing tears to my eyes at points. it's still hard to quantify quite what it is, and I guess those of you who understand me will, well, understand what I mean. it's a brilliant summation of life and what's important and how much bullshit there is in modern life. So this and the episodes of The Awful Truth sent me to bed with all sorts of interesting thoughts swimming around in my head and I had some very odd dreams including hearing a repeated statement that I felt to be so important I forced myself to remember it when I awoke, it was this :

> Eleven plus one is a great team.

Now, that sounds vaguely football related to me, so who knows what that was about, but I even remember someone saying to me in the dream, that yes, it could be football related, but there was something else as-well.

I woke up this morning feeling extremely refreshed and lucid, a feeling of clarity and harmony mentally, spiritually and physically. I walked the 7Km from Cate's house to mine and didn't eat until the afternoon, just feeling at peace and fulfilled.

It waned somewhat in the afternoon and then this evening I went to see Gummo at a local film night, which is another peculiar film (and quite gross and sordid) that explores people who you may not normally see in the great American patchwork. To me though it showed that no matter how disgusting they were, how backward, ignorant or offensive, they're still just people looking for a meaning, going through life the best way they can.

I've also been watching nature a lot recently and when I see two contented pigeons cuddled up in the sun or a cat lying in front of a heater with a look of pure bliss on it's face, you realise that happiness actually comes from very simple things, comfort and companionship. We spend so much of our lives chasing superficial things that really aren't important but are rammed down our throats so much that we think they are and that we need them.

Well, I don't know if that made any sense to anyone but me but I wanted to say it.

To finish off, a final and unrelated random link to a news story which I think is pretty amazing :

<a href="https://www.getup.org.au/campaign/ClimateCleverer&id=128" target="_blank">www.getup.org.au/campaign/ClimateCleverer&id=128</a>

---

## [Bachelor of Arts - Interview](https://chrischinchilla.com/blog/2007/2007-09-17-bachelor-of-arts-interview)

Date: 2007-09-17

Angus Tarnawsky and Bill Forshaw, the drums and guitar of Bachelor of Arts respectively are leading me down successive Laneways in search of dinner. Angus, tall, assuming and confident hasn't stopped talking to me and the random strangers who approach us since meeting in the venue ten minutes ago. Bill, quiet, shy and unassuming, looks bewildered by the situation, like he's more than used to it happening, but that it never ceases to amaze him.<br><br>Settling on Thai, we discussed Australia, music and life whilst a waiter kept informing us of the 'rulesî of ordering like we were ensconced in an Orwellian nightmare.<br><br>So did how the band form and why?<br>'We didn't have Girlfriends!î Bill quips.<br>Angus continues, 'We were in High School in tiny Launceston, where there's not a lot else to do, we had access to a studio, so just recorded things. As a drummer, there wasn't much melodic stuff I could write except overly melodramatic material, Bill ended up writing songs that I really liked, more than mine. We played a few short sets locally, and then it came to our first proper gig in town at a local pub that had an originals night one night a week?î<br><br>'Hey Bill you recap the 'Irish Murphy's story'î<br><br>'We turned up and tried to work the PA, we couldn't hear anything, so kept turning it up. At the time we were only a two-piece, using computers and samplers. The venue kept complaining, there are too many beats, we don't understand the lyrics, this isn't generic rock! The crowd didn't get it and the venue asked us to stop playing, informing us that we wouldn't be paid as people left during the set and they actually lost moneyî<br><br>After moving to Melbourne the band expanded to a three piece about a year ago adding Kevin McDowell on Bass and the band attempted to recreate and adapt their electro sound with the new three-piece line up. Some old songs were dropped and new ones written, parts were dropped and arrangements changed, i.e. swirling synths replaced with vocal harmonies.<br><br>As we are hit by a rogue grain of rice flying through the air from the direction of a gang of drunken revellers, Bachelor of Arts explain to me how the music scene in Australia works and how they fit into it.<br>'It's all about friends, you make friends, you get onto the right bills at the right venues (for you) by getting to know people and setting up networks around the country. We've made some horrendous errors in judgement over the past few months, but now we're getting to know who to trust.<br>When we were younger we thought you could only book shows only in venues, but we've realised that it's about the people involved with things, not necessarily the place, so sometimes gigs in Art spaces, galleries, Warehouses and the like can be more enjoyable and beneficial. Sometime bands in smaller venues can end up paying to play, as they have to cover costs (Soundmen etc.), you play a gig and you're $50 down.î<br><br>I'm sure you've been asked this many times, but where does the name come from?<br>'Ah, well, there's a variety of reasons, I'm Bill, he's Angus, B and A.î<br><br>What about the 'O', your bassist is called Kevin.<br><br>'Hmm, well it's also because we realised we were destined to become Bachelors of Arts.î<br><br>'We just discovered a plethora of wonderful conspiracy theories that related back to the same name, I just can't quite remember what that all were.î<br><br>It's Saturday night; there are 101 bands out in Melbourne playing tonight, why should someone part with their hard earned cash to see Bachelor of Arts?<br>Well, we don't really have a solid reason, we'd rather people came and saw us because they want to. In fact, it's a great line up tonight, come for the other bands instead!<br>

---

Angus Tarnawsky and Bill Forshaw, the drums and guitar of Bachelor of Arts respectively are leading me down successive Laneways in search of dinner. Angus, tall, assuming and confident hasn't stopped talking to me and the random strangers who approach us since meeting in the venue ten minutes ago. Bill, quiet, shy and unassuming, looks bewildered by the situation, like he's more than used to it happening, but that it never ceases to amaze him.<br><br>Settling on Thai, we discussed Australia, music and life whilst a waiter kept informing us of the 'rulesî of ordering like we were ensconced in an Orwellian nightmare.<br><br>So did how the band form and why?<br>'We didn't have Girlfriends!î Bill quips.<br>Angus continues, 'We were in High School in tiny Launceston, where there's not a lot else to do, we had access to a studio, so just recorded things. As a drummer, there wasn't much melodic stuff I could write except overly melodramatic material, Bill ended up writing songs that I really liked, more than mine. We played a few short sets locally, and then it came to our first proper gig in town at a local pub that had an originals night one night a week?î<br><br>'Hey Bill you recap the 'Irish Murphy's story'î<br><br>'We turned up and tried to work the PA, we couldn't hear anything, so kept turning it up. At the time we were only a two-piece, using computers and samplers. The venue kept complaining, there are too many beats, we don't understand the lyrics, this isn't generic rock! The crowd didn't get it and the venue asked us to stop playing, informing us that we wouldn't be paid as people left during the set and they actually lost moneyî<br><br>After moving to Melbourne the band expanded to a three piece about a year ago adding Kevin McDowell on Bass and the band attempted to recreate and adapt their electro sound with the new three-piece line up. Some old songs were dropped and new ones written, parts were dropped and arrangements changed, i.e. swirling synths replaced with vocal harmonies.<br><br>As we are hit by a rogue grain of rice flying through the air from the direction of a gang of drunken revellers, Bachelor of Arts explain to me how the music scene in Australia works and how they fit into it.<br>'It's all about friends, you make friends, you get onto the right bills at the right venues (for you) by getting to know people and setting up networks around the country. We've made some horrendous errors in judgement over the past few months, but now we're getting to know who to trust.<br>When we were younger we thought you could only book shows only in venues, but we've realised that it's about the people involved with things, not necessarily the place, so sometimes gigs in Art spaces, galleries, Warehouses and the like can be more enjoyable and beneficial. Sometime bands in smaller venues can end up paying to play, as they have to cover costs (Soundmen etc.), you play a gig and you're $50 down.î<br><br>I'm sure you've been asked this many times, but where does the name come from?<br>'Ah, well, there's a variety of reasons, I'm Bill, he's Angus, B and A.î<br><br>What about the 'O', your bassist is called Kevin.<br><br>'Hmm, well it's also because we realised we were destined to become Bachelors of Arts.î<br><br>'We just discovered a plethora of wonderful conspiracy theories that related back to the same name, I just can't quite remember what that all were.î<br><br>It's Saturday night; there are 101 bands out in Melbourne playing tonight, why should someone part with their hard earned cash to see Bachelor of Arts?<br>Well, we don't really have a solid reason, we'd rather people came and saw us because they want to. In fact, it's a great line up tonight, come for the other bands instead!<br>


Published in InPress

---

## [Batrider - Manchester Lane, Melbourne](https://chrischinchilla.com/blog/2007/2007-09-17-batrider-manchester-lane-melbourne)

Date: 2007-09-17

Let's talk about loop pedals. These little boxes of tricks are popping up everywhere at the moment, giving musicians the capability of layering tracks of instrument loops to produce a texture of complex harmonies, great in theory, but becoming a little tired. Pikelet is the Mistress of such gadgets, not only layering sounds but manipulating them on the fly, speeding them up, slowing them down, for example, using her voice to create a cello like sound. The problem is that due to the fundamental definition of a loop, i.e. something that repeats, songs end up all being rather similar, with no real structure, just building pieces that grow dynamically and then stop, with very few verses, choruses, key changes etc. Despite this Pikelet does a very good job of engaging the audience at Manchester Lane, her hypnotic compositions and lilting voice lulling everyone into her own little world and then bringing them screeching back into the real world with her rather dry and even mildly patronising inter song banter.

---

Let's talk about loop pedals. These little boxes of tricks are popping up everywhere at the moment, giving musicians the capability of layering tracks of instrument loops to produce a texture of complex harmonies, great in theory, but becoming a little tired. Pikelet is the Mistress of such gadgets, not only layering sounds but manipulating them on the fly, speeding them up, slowing them down, for example, using her voice to create a cello like sound. The problem is that due to the fundamental definition of a loop, i.e. something that repeats, songs end up all being rather similar, with no real structure, just building pieces that grow dynamically and then stop, with very few verses, choruses, key changes etc. Despite this Pikelet does a very good job of engaging the audience at Manchester Lane, her hypnotic compositions and lilting voice lulling everyone into her own little world and then bringing them screeching back into the real world with her rather dry and even mildly patronising inter song banter.

The sign outside the venue says that the show is album tour launch party, Batrider say it's there last gig before they move to the UK in a month, is that the same thing? What is Australian bands obsession with moving to the UK to fulfil their musical dreams? It's a big, scary and expensive place where outsiders are generally regarded as an annoyance, bands should go somewhere with a friendly music scene like Mainland Europe.

Anyway, enough of that tangent.

Batrider are working from the Nirvana definition of an acoustic gig, with drums, bass and an electric guitar on stage, maybe it's more of a 'Stripped downî show, with only overdrive pedals switched off for good measure. Vocalist Sarah is on fine form, her gravel voice sounds like its summoning every ounce of pain she's ever experienced, screeching and howling over the sole acoustic guitar on stage that she bashes with glee.  It's a damn fine opportunity to hear what great songwriters the band really are without all that 'noiseî going on, in fact the definition of a good song is one that you can do anything with and perform any way and it still sounds fantastic. One even starts to wonder if the band should do this all the time, do they really need overdrive? It's an emotional set, Batrider throw in a bunch of songs that they haven't played for a long time and seemingly enjoy doing so. Tonight's set is the sound of a band at the peak of their creativity, and in a twisted kind of a way we all hope that they have no success overseas and have to come back, no one at Manchester Lane wants them to leave the stage let alone the country.


Published in InPress

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## [Schvendes - Ding Dong, Melbourne](https://chrischinchilla.com/blog/2007/2007-09-17-schvendes-ding-dong-melbourne)

Date: 2007-09-17

Landing the opening slot is a daunting and unenviable task for any band, doubly so when you're an acoustic act at a rock gig, you have to work extremely hard to even get the audience to acknowledge your existence, let alone actually listen to you. Sacha Ion's unique voice with its equal measures of vibrato, warble, screech and heart-felt gentility performs a good job of gaining the interests of at least some of the small crowd slowly building at Ding Dong tonight; she earns respect and hopefully some fans.For a debut gig, Nights at the Abattoir are brimming with confidence, ability and great songs, their peculiar blend of Gothic Glam rapidly winning over the hearts and feet of the audience. Aside from the incredibly bubbly (and possibly drunk) keyboard player and the dapper vocalist, the bands guitarist seems to be in a world of his own, the stage lighting even marking him out differently. Discordantly soloing over everything or indulgently descending into messy sonic pools of layered effects, most of the time it doesn't really work or sit well over the good fun and straight forward gutsy stomp of the rest of the band, but at times he finds his own moments of genius, pulling out a solo or lick that compliments the song beautifully.Schvendes take to the stage ably assisted by a sound man who seems to accompany just about every medium sized WA band, and short of a few early technical problems work together to produce a set where you hear every breath, every cello string bowed, every delicate bass note and ringing guitar chord. A mesmerising set ensues, Schvendes are a band that doesn't have to do or say a lot between songs, and in fact they're best staying silent to savour the adoring silence of the audience as they are absorbed in the show. Perhaps an occasional change of pace would be welcome; emotional lifts are needed at some points in the set as the dour melancholic material can sometimes be a little too much. However the set ends on a high note, so just as it's time to leave the audience and send them home, the band ensure that your memory of the night is generally a happy one.

---

Landing the opening slot is a daunting and unenviable task for any band, doubly so when you're an acoustic act at a rock gig, you have to work extremely hard to even get the audience to acknowledge your existence, let alone actually listen to you. Sacha Ion's unique voice with its equal measures of vibrato, warble, screech and heart-felt gentility performs a good job of gaining the interests of at least some of the small crowd slowly building at Ding Dong tonight; she earns respect and hopefully some fans.For a debut gig, Nights at the Abattoir are brimming with confidence, ability and great songs, their peculiar blend of Gothic Glam rapidly winning over the hearts and feet of the audience. Aside from the incredibly bubbly (and possibly drunk) keyboard player and the dapper vocalist, the bands guitarist seems to be in a world of his own, the stage lighting even marking him out differently. Discordantly soloing over everything or indulgently descending into messy sonic pools of layered effects, most of the time it doesn't really work or sit well over the good fun and straight forward gutsy stomp of the rest of the band, but at times he finds his own moments of genius, pulling out a solo or lick that compliments the song beautifully.Schvendes take to the stage ably assisted by a sound man who seems to accompany just about every medium sized WA band, and short of a few early technical problems work together to produce a set where you hear every breath, every cello string bowed, every delicate bass note and ringing guitar chord. A mesmerising set ensues, Schvendes are a band that doesn't have to do or say a lot between songs, and in fact they're best staying silent to savour the adoring silence of the audience as they are absorbed in the show. Perhaps an occasional change of pace would be welcome; emotional lifts are needed at some points in the set as the dour melancholic material can sometimes be a little too much. However the set ends on a high note, so just as it's time to leave the audience and send them home, the band ensure that your memory of the night is generally a happy one.


Published in InPress

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## [Bitch Slap - Pony, Melbourne](https://chrischinchilla.com/blog/2007/2007-09-17-bitch-slap-pony-melbourne)

Date: 2007-09-17

There are a lot of young bands like Karate Party, some nice songs, with a few interesting riffs and melodies lurking within them, but the two piece line up of keyboards and drums lacks the drive needed to get them across. Jo and Cat's intersong banter is also irritatingly fey, causing a few cringes, however as the set nears it's conclusion the girls seem to be getting it together and the songs are having more impact, perhaps a few more live shows and rehearsals are needed?Bitchslap and their fuzzy Grunge Punk on the other hand are as tight as Jon Bon Jovi's trousers. Wonderfully thick guitar tones, bass lines and drum beats coming through crisp and crystal clear. Jess Coram, resplendent in regulation black with a severe haircut that looks just so right for the night, delivers sullen lyrics with aggression and panache. She barely acknowledges the audience between songs but still possesses and emits a certain confidence and charm whilst spitting lyrics about misery and oppression. Equally competent on guitar she rips out simple but blistering lead lines as well as chunky rhythm, treating her guitar like an old friend that you're not quite sure if she still likes. Liz on bass constantly conjures the perfect accompaniment, expertly interplaying with the guitar; the arrangements of songs seemingly planned for maximum effectiveness, unyet making it all look so easy.Scott at the back on drums may look a little out of place (with the additional role tonight of being the sole male on the entire line up, a role he may be quite used to) but he doesn't show it, providing a similarly solid backing to the girls up front.The material and it's content is far from cheery and some might say it's even a little melodramatic at times, but it's heartfelt, the motivations and passions behind it are real and genuine. You may not sympathise, comprehend or understand the band or their aggravations, but if you're in the same room as Bitchslap, you will most certainly notice and hear them.

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There are a lot of young bands like Karate Party, some nice songs, with a few interesting riffs and melodies lurking within them, but the two piece line up of keyboards and drums lacks the drive needed to get them across. Jo and Cat's intersong banter is also irritatingly fey, causing a few cringes, however as the set nears it's conclusion the girls seem to be getting it together and the songs are having more impact, perhaps a few more live shows and rehearsals are needed?Bitchslap and their fuzzy Grunge Punk on the other hand are as tight as Jon Bon Jovi's trousers. Wonderfully thick guitar tones, bass lines and drum beats coming through crisp and crystal clear. Jess Coram, resplendent in regulation black with a severe haircut that looks just so right for the night, delivers sullen lyrics with aggression and panache. She barely acknowledges the audience between songs but still possesses and emits a certain confidence and charm whilst spitting lyrics about misery and oppression. Equally competent on guitar she rips out simple but blistering lead lines as well as chunky rhythm, treating her guitar like an old friend that you're not quite sure if she still likes. Liz on bass constantly conjures the perfect accompaniment, expertly interplaying with the guitar; the arrangements of songs seemingly planned for maximum effectiveness, unyet making it all look so easy.Scott at the back on drums may look a little out of place (with the additional role tonight of being the sole male on the entire line up, a role he may be quite used to) but he doesn't show it, providing a similarly solid backing to the girls up front.The material and it's content is far from cheery and some might say it's even a little melodramatic at times, but it's heartfelt, the motivations and passions behind it are real and genuine. You may not sympathise, comprehend or understand the band or their aggravations, but if you're in the same room as Bitchslap, you will most certainly notice and hear them.


Published in InPress

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## [The Stabs, NinetyNine, Love of Diagrams, My Disco - Trades Hall](https://chrischinchilla.com/blog/2007/2007-09-17-the-stabs-ninetynine-love-of-diagrams-my-disco-trades-hall)

Date: 2007-09-17

It's a busy weekend for all age's shows and there is something very strange about attending gigs where there's no alcohol, not even on stage. Tonight all the adults keep dashing to the pub over the road between bands bewildering and frustrating the sole bar man who seems annoyed that his (obviously) usual quiet Saturday night is being disturbed. Meanwhile the kids do what they always do on a Saturday night and illicitly sip cans of cheap booze on municipal steps and get in the way, oh happy days!<br><br>The Stabs are in an odd mood tonight, jovial and even slightly cheeky. Offsetting their intense and discordant guitar duelling with some frankly bizarre and confusing dialogue in-between songs. It's hard to describe The Stabs music as tuneful or particularly catchy but it's certainly 'interesting'. NinetyNine are performing as a duo tonight, stripping down their usually complexly arranged songs to drums, vocals and a keyboard or guitar. Cameron Potts is his usual flamboyant and enthralling self on drums, rather dominating the set, vocals and other instruments struggling to be heard over the shear volume he produces. The other instruments normally present are missed, the songs work without them, but not as well, Laura Macfarlane even looks a little confused and overwhelmed at times, almost like the songs are new to her, perhaps in this format they are. Melbourne has a habit of producing many bands like Love of Diagrams, bands that seem to forsake performance, enjoyment and acknowledging the audience to produce the fussiest, most technical sound possible. The band are overly fussy tonight, complaining about sound and fiddling with pedals throughout most of the set, which (especially if this is the only audience interaction) is incredibly annoying. Maybe the band are having a bad gig, but everything's a bit flat, the band aren't especially tight and the audience are getting fidgety, with only a group of over zealous sixteen year olds seeming to get anything out of the music. Granted that this over technical style of rock is popular in Melbourne but if you're forsaking performance for tightness, then you have to be tight, and this is where My Disco and their greater experience of playing live come into play. They possess a similar angular sound, heavily influenced by New Wave but far more planned and thought out, counter rhythms and melodies carefully arranged and tested, but these guys actually put on a show, they acknowledge the audience, they talk to them, they thank them for coming along. They realise that it's an audience and a band's interaction with them that makes a night a good night, it's a fundamental, and lets not forget it.

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It's a busy weekend for all age's shows and there is something very strange about attending gigs where there's no alcohol, not even on stage. Tonight all the adults keep dashing to the pub over the road between bands bewildering and frustrating the sole bar man who seems annoyed that his (obviously) usual quiet Saturday night is being disturbed. Meanwhile the kids do what they always do on a Saturday night and illicitly sip cans of cheap booze on municipal steps and get in the way, oh happy days!<br><br>The Stabs are in an odd mood tonight, jovial and even slightly cheeky. Offsetting their intense and discordant guitar duelling with some frankly bizarre and confusing dialogue in-between songs. It's hard to describe The Stabs music as tuneful or particularly catchy but it's certainly 'interesting'. NinetyNine are performing as a duo tonight, stripping down their usually complexly arranged songs to drums, vocals and a keyboard or guitar. Cameron Potts is his usual flamboyant and enthralling self on drums, rather dominating the set, vocals and other instruments struggling to be heard over the shear volume he produces. The other instruments normally present are missed, the songs work without them, but not as well, Laura Macfarlane even looks a little confused and overwhelmed at times, almost like the songs are new to her, perhaps in this format they are. Melbourne has a habit of producing many bands like Love of Diagrams, bands that seem to forsake performance, enjoyment and acknowledging the audience to produce the fussiest, most technical sound possible. The band are overly fussy tonight, complaining about sound and fiddling with pedals throughout most of the set, which (especially if this is the only audience interaction) is incredibly annoying. Maybe the band are having a bad gig, but everything's a bit flat, the band aren't especially tight and the audience are getting fidgety, with only a group of over zealous sixteen year olds seeming to get anything out of the music. Granted that this over technical style of rock is popular in Melbourne but if you're forsaking performance for tightness, then you have to be tight, and this is where My Disco and their greater experience of playing live come into play. They possess a similar angular sound, heavily influenced by New Wave but far more planned and thought out, counter rhythms and melodies carefully arranged and tested, but these guys actually put on a show, they acknowledge the audience, they talk to them, they thank them for coming along. They realise that it's an audience and a band's interaction with them that makes a night a good night, it's a fundamental, and lets not forget it.


Published in InPress

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## [A Death in the family, Cockfight shootout, Young & Restless, Magic Dirt - Collingwood Town Hall](https://chrischinchilla.com/blog/2007/2007-09-17-a-death-in-the-family-cockfight-shootout-young-and-restless-magic-dirt-collingwood-town-hall)

Date: 2007-09-17

All Ages gigs are tough; everyone claims there are not enough taking place and not enough opportunities for under 18's to attend live music. Unyet when an organisation goes to lengths to organise an all ages show with a strong line up at a prestigious and large venue, attendance is a little disappointing. Why is this? Perhaps running an all ages show in the evening is too late for some parents to allow their children to attend. Perhaps the lack of alcohol dissuades over eighteens attending, which if true, is a sad fact, that a vast majority of people are only attending gigs to get drunk, not for the music. Whatever the reasons, the audience is small tonight, slowly building but never filling the large, spacious and regal Collingwood Town Hall.

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All Ages gigs are tough; everyone claims there are not enough taking place and not enough opportunities for under 18's to attend live music. Unyet when an organisation goes to lengths to organise an all ages show with a strong line up at a prestigious and large venue, attendance is a little disappointing. Why is this? Perhaps running an all ages show in the evening is too late for some parents to allow their children to attend. Perhaps the lack of alcohol dissuades over eighteens attending, which if true, is a sad fact, that a vast majority of people are only attending gigs to get drunk, not for the music. Whatever the reasons, the audience is small tonight, slowly building but never filling the large, spacious and regal Collingwood Town Hall.

A Death in the Family could be described as an Emo band, that constant chugging guitar and strained vocals present throughout most of their set and songs, the guys put on a good show despite the early hour and lack of audience, quipping 'We're not used to playing venues this smallî but their songs need more dynamics, more variation. With a name like Cockfight Shootout the band could only be a good old-fashioned Ozzie rock band, all dressed in black, all Gibson Les Paul's, all Marshall stacks. Good solid stuff, fun and dependable, but nothing original or surprising. Young and Restless are perhaps the one band on the bill tonight that might attract the largest all ages crowd, and the audience is now reaching it's peak and even starting to move it's feet. At their core Young and Restless are yet another jagged angular guitar band, but there's something about them, something rawer than their peers, something more challenging and interesting. An exciting discordance between guitars, a front woman who paces the stage like a dancing tiger, an enormous bass player who's eyes are barely seen and some great songs that get the heart pumping and the pulse racing. Magic Dirt are an institution, and like all long running institutions, they're mellowing and their priorities are changing, frequently referencing their children and even allowing them onstage to cutely dance along to the music. If you didn't know already the songs are big rocking slabs of guitar led by the powerful vocals of Adalita Srsen. Despite some of the dark lyrics lurking beneath the surface it's rousing music, and the perfect way to end the night, there will be no encores, it's time for parents to collect their children? On and off stage.


Published in InPress

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## [Kaiser Chiefs & Maximo Park - Various](https://chrischinchilla.com/blog/2007/2007-09-17-kaiser-chiefs-and-maximo-park-various)

Date: 2007-09-17

It seemed appropriate to group these two shows together as my last experience of both bands was about two years ago as they were enjoying a rapid rise in popularity, success and hype. Two years ago both bands were still learning their craft, their showmanship and the ropes, so now after two years on the road and two albums each, how do they compare?

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It seemed appropriate to group these two shows together as my last experience of both bands was about two years ago as they were enjoying a rapid rise in popularity, success and hype. Two years ago both bands were still learning their craft, their showmanship and the ropes, so now after two years on the road and two albums each, how do they compare?

Kaiser Chiefs and their more poppy blend of rock are in the larger venue, the horrendous Festival Hall, which is like an aircraft hanger with a stage and unfriendly staff who try to give you the feeling that you're privileged to be served by them, not the other way round. After a set by the ubiquitous Operator Please and the not-as-rock-as-expected Wolf & Cub, Kaiser Chiefs take to the stage with a sound, light and stage show worthy of a stadium band, when did they go from becoming quirky pop-rockers to Rock superstars? The lights are perfectly synchronised, matching and manipulating the mood of the crowd as Ricky Wilson puts into practise a skill he has become a master of, initiating crowd sing-a-longs. He runs at the audience, he jumps into the audience, he throws the microphone into them and they know every word. Kaiser Chiefs remain one of the best and most fun live shows you will experience from a young rock band, they make no pretensions of seriousness or originality and no one cares, especially the band.

Maximo Park have the smaller stage, their slightly more eccentric blend of Indie Rock not quite as commercially viable and appealing to the masses. Operator Please were supposed to be on the bill tonight as well, but they unexpectedly cancelled, and frankly I'm relieved, not only because I'm overdosed on the band, but also because I wouldn't haven't experienced the wondrously restrained and arranged set of Ghostwood. After a short break filled with Indie Disco classics it's time for Maximo Park to show us what their made of and it's instantly apparent that they've become more accustomed to larger stages, singer Paul Smith and his trademark flying leaps looking slightly restricted by The Prince of Wales's stage. The band put on an equally energetic stage show, their frantic sound and songs keeping the audience moving and singing, the front of the stage is a seething mass of bodies, it's surprising that despite the lack of security there is no stage invasion at any point throughout their mammoth hour and a half set.

A lot of large international bands can treat Australian shows as just another one on the list to tick off, little realising that to their audience this could be the only time they will experience the band any time soon, both Kaiser Chiefs and Maximo Park not only acknowledge this but pull out all the stops to ensure that everyone in the room, the band included, has a great time, after two years both bands have matured but it's evident that they're still enjoying what they do and so do the crowd.


Published in Arcady

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## [12th September 2007](https://chrischinchilla.com/blog/2007/2007-09-12)

Date: 2007-09-12

The feelings of frustration and slight depression abated this week, maybe it was a lunar thing, there was an eclipse here last week, and maybe a seasonal thing, who knows...

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The feelings of frustration and slight depression abated this week, maybe it was a lunar thing, there was an eclipse here last week, and maybe a seasonal thing, who knows...

This week was a good week, and a very busy week...

I landed a contract to make a DVD, quite lucrative, but it took up a lot of time, throwing my weekly routine into confusion, which was a good and a bad thing really...

Monday, Cate and I took the day off to look into visas and flights, the upshot of it all is that we will be in the UK / Europe around early January to Early February, and because for me to get a work visa would have been such an insanely complicated process we've actually decided that the easiest way for us to be able to stay together is to get engaged... So, theoretically, well, no, in reality, but maybe just sort of on paper (it's all a bit odd) we're engaged... It's kind of a shame that you have to do something so antiquated to enable people to stay together, but if that's what's needed... I think our plan is to stay in oz for about another year and then head back to Europe anyway, so Cate gets an EU passport as well... Looking at it all purely coldly and practically that is.

In other news, Macaca Mulatta's album recording was postponed, because our drummer broke his foot, this coupled with him also losing or quitting his job (not quite sure which) means he's not had a very good week... It's funny a similar thing happened to Mike when Art Brut first recorded, and due to it being postponed we ended up meeting the infamous Keith TOTP, it's funny how these things sometimes work out... We possibly have a title for the album though...

Hmm, what else... Went to some interesting talks on Wednesday, one with the group of retired journalists and assorted other dignitaries that I may have mentioned before, basically once a month they all get together for a Chinese meal and have a (usually fairly high profile) speaker. This month was someone who's name escapes me delivering a very interesting speech on Australia growing water problems... Then in the evening Cate and I went to a talk on Carbon trading, so all in all a most ponder worthy day.

Thursday I got very drunk with team Chris (Chris x 4, 2 male and 2 female) on three pints, the shame!

I also finally finished Foucault's Pendulum by Umberto Eco, it takes me a long time to finish books at the moment because I don't spend a lot of time on Public Transport... It was very good, a bit of padding here and there that could have been quite easily shed without losing the plot, without spoiling it, the twist in the end is sort of expected but done well, you initially feel frustrated and disappointed by it, then after a moments reflection it's actually quite satisfying.

Chinch out xxx

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## [New Work, New Amp](https://chrischinchilla.com/blog/2007/2007-09-01-new-work-new-amp)

Date: 2007-09-01

The gaps between my personal posts gets longer and longer, I'm going to try and take more time to do a few more things that I want to do over the coming weeks and months, been spending far too much time doing things for work or to achieve something, and not enough frivolous fun, so here's a blog post about not a lot in particular...

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The gaps between my personal posts gets longer and longer, I'm going to try and take more time to do a few more things that I want to do over the coming weeks and months, been spending far too much time doing things for work or to achieve something, and not enough frivolous fun, so here's a blog post about not a lot in particular...

Firstly, I finally, after years of playing in bands, bought my own amp!

It's a Fender Pro Junior and I got it $300 cheaper for some reason, so it cost $600, about £250\. It's 15 watt and all valve, so despite being only about 2 foot square it's bloody loud, surprising the soundmen we've worked with so far.

![Fender Pro Junior](https://www.fender.com/products/prod_images/amplifiers/0213203000_md.png) I also bought a lovely Vox Overdrive pedal, so I finally have a guitar set up, I'm so professional! ![Vox Big Ben OD Pedal](https://www.voxamps.co.uk/pedals/images/CT02Big-Ben_SLANT.jpg)

Now, what else...

I've been teaching to top up the money I make from writing, I'm currently taking two classes (Introduction to Computing & Multimedia Scripting) both with their own set of interesting thoughts on my part...

**Introduction to Computing** : In this class I teach retired people the basics of computing and I mean the basics, how to turn a computer on, how to use a mouse, how to close windows etc. It's been an interesting experience that relates back to my Human Computer Interaction modules at University, you take for granted how computers work and just knowing what does what, but when you try and explain to people who know nothing of how to do what and why, you realise it makes no sense at all. In fact on several counts I could completely discount the millions of dollars they spend on HCI research in ten minutes with a group of pensioners, places where the interface guidelines set out by Microsoft are completely ignored by them, confusing the hell out of beginners. I've also very quickly realised that the desktop analogy doesn't really work, trying to relate a computer's directory structure to someone's desk, folders and files isn't that easy, it's something that I and a lot of people have just got used to, but again, for beginners, it's confusing. Finally, my final and current thought on this (I'm considering writing something longer on this) is clicking, trying to explain what the difference between a single and a double click is, where they apply, why you use one in one situation and one in another... Poor OAP's.

**Multimedia Scripting** : This course has been held at a college for International Students, and has been very frustrating, most of the students are basically there for Visas and don't really want to learn anything and don't understand what you're teaching them anyway, as trying to teach people programming in 6 weeks who have never programmed before and barely speak English is very hard. The question I get asked most often is \"Have I been marked for attendance\", and the staff are just as bad, they sort of float about the building hovering and lurking, I'm not even sure what they're supposed to be doing, or if they understand themselves, all extremely dodgy and slightly uncomfortable, but hey, it's a job.

Personally... Been a bit down recently, maybe it's a seasonal thing, I felt a bit like this last year and the year before, or maybe a sort of nearing the end of the year and taking stock of what I've done and not being happy with it feeling. The thing is I thought after my travels last year that I'd got over feeling down about my situation and achievements in life and that I'd finally learnt just to enjoy whatever was thrown at me and be happy with whatever, but the old frustrated and dissatisfied feeling seems to be slowly creeping back. i think it may have something to do with me having stayed in the same place for more than six months, this is the longest I've remained in one place and had commitments (albeit quite small ones!) in over two years, I'm itching to be back wandering and exploring again, I miss being on the road. Perhaps this all just calls for a new challenge, or rethinking how I work at the moment, I mean, a writer needn't stay in one place... That said, I like Melbourne and what it holds as my home, as a base to return to, if only I could drive...

Anyway, enough of all that, even writing it down and getting the thoughts out of my head has helped, I really must try to so this more often...

On a plus note, after two years and two line ups, Macaca Mulatta will finally be recording a debut album in a week!! Quite excited and I can't wait, when it's ready I will be pushing harder than I have ever pushed before, I see this as the final push, the final showdown in my musical career.

I've rambled enough and probably forgotten to mention loads of things, but I'll be here more often from now on... promise :-)

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## [Politics in Music - Folk](https://chrischinchilla.com/blog/2007/2007-08-22-politics-in-music-folk)

Date: 2007-08-22

Politics in Folk music, part 1...

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Politics in Folk music, part 1...

Quite proud of this one, read it <a href="https://www.indieoma.com/public_journal.php?d=539fd53b59e3bb12d203f45a912eeaf2" target="_blank">here</a>.

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## [Updates from Melbourne](https://chrischinchilla.com/blog/2007/2007-08-15-updates-from-melbourne)

Date: 2007-08-15

It's been a while, I've moved countries, got a new band together, got my feet under the table and now it's time to tell everyone what's been going on.

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It's been a while, I've moved countries, got a new band together, got my feet under the table and now it's time to tell everyone what's been going on.

## Macaca Mulatta

My current band has a new line up, new songs, new shows, new photos, new live videos, new logos and a new website, we're off into the studio to record our debut album in September and have been going down a storm all over Melbourne. Any of you sending bands out here, please consider the band for support slots.

Drop by www.macacamulatta.com or www.myspace.com/macacamulatta to watch the new videos and find out more...

## Antescene

After two more Warehouse parties in Melbourne, Antescene is hosting an 'extravaganza' in October, with live music and a whole lot more. Our biggest news is that Antescene is going on tour, taking some of the hottest new bands around the country (and indeed the World) and playing absolutely anywhere and anytime that's offered, making it just about the music...

Read the full press release at www.antescene.com

## Music Writing

I've been freelancing for quite a few publications whilst I've been in Australia, producing live and recorded reviews as well as features and interviews, as always you can read everything I ever write on www.chinchilla-music.co.uk and head over to www.indieoma.com to read my regular posts for them.

## Below The Surface

The popular podcast has not had a new instalment for a while, mainly because we've been to damn busy, but now has a news feed that can be embedded on your website.

Take a look at www.belowthesurface.info for instructions

That's it for now, lots of bits and pieces for you all to hopefully look at, any feedback and updates to what you've been up to are welcome

Chinch xxx

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## [Eddie Current Suppression Ring - Roxanne's Parlour](https://chrischinchilla.com/blog/2007/2007-08-14-eddie-current-suppression-ring-roxannes-parlour)

Date: 2007-08-14

Eddie Current Suppression Ring (Henceforth ECSR or this review will go on for ever) do things their own way. Despite rising to the heady heights of 'buzz band' status, they book their own gigs, promote their own gigs, manage themselves and still find the time to write some damn good material. Roxanne's is packed tonight with a crowd biting at the bit and raring to go, Dead Farmers, resplendent in checked lumberjack shirts (Grunge dead? Never!) Don't quite seem to ever get going, stopping and starting and making adjustments to gear and when they're finally getting into the swing of things and the set is beginning to take form and take shape, they have to finish. However the crowd are up for anything that's thrown at them and love it.<br>After a brief changeover with the room and the crowd bustling ECSR take to the stage with an unceremonious and unassuming manner, just sort of slowly appearing there and starting as opposed to any great entry. No sooner have they emitted the first note of the first song does the crowd starts jumping, dancing, smiling and flying about the room, eventually some security appear, and as usual for venues such as Roxanne's, don't really know what to do apart from stand there and look imposing, but no one cares anyway. Brendan Suppression (vocals) paces the stage in a pair of curious fingerless black gloves, looking almost awkward to be there, Eddy Current on guitar just sort of hovers on stage looking equally out of place thwacking out jangly, garage riffs over Rob Solid's massive bass sound and Danny Current's frantic drumming. It doesn't make any sense, ECSR are a great band, but the music isn't that fast and danceable, at times it's even a little slow, unyet the crowd go wild for the band's entire set, never relenting. The band look somewhat uncomfortable on stage, rarely making eye contact with the crowd and even discouraging them from becoming too raucous, but the crowd is hanging off their every word and action, ready to fly off into a frenzy at any given moment. How do the band do it? Do they even know themselves? ECSR are a band for the rejects and the outsiders of the music scene who have somehow managed to trick the cool kids into thinking that they're part of them, they don't look right, they shouldn't be, but are, the best sort of Rock stars.

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Eddie Current Suppression Ring (Henceforth ECSR or this review will go on for ever) do things their own way. Despite rising to the heady heights of 'buzz band' status, they book their own gigs, promote their own gigs, manage themselves and still find the time to write some damn good material. Roxanne's is packed tonight with a crowd biting at the bit and raring to go, Dead Farmers, resplendent in checked lumberjack shirts (Grunge dead? Never!) Don't quite seem to ever get going, stopping and starting and making adjustments to gear and when they're finally getting into the swing of things and the set is beginning to take form and take shape, they have to finish. However the crowd are up for anything that's thrown at them and love it.<br>After a brief changeover with the room and the crowd bustling ECSR take to the stage with an unceremonious and unassuming manner, just sort of slowly appearing there and starting as opposed to any great entry. No sooner have they emitted the first note of the first song does the crowd starts jumping, dancing, smiling and flying about the room, eventually some security appear, and as usual for venues such as Roxanne's, don't really know what to do apart from stand there and look imposing, but no one cares anyway. Brendan Suppression (vocals) paces the stage in a pair of curious fingerless black gloves, looking almost awkward to be there, Eddy Current on guitar just sort of hovers on stage looking equally out of place thwacking out jangly, garage riffs over Rob Solid's massive bass sound and Danny Current's frantic drumming. It doesn't make any sense, ECSR are a great band, but the music isn't that fast and danceable, at times it's even a little slow, unyet the crowd go wild for the band's entire set, never relenting. The band look somewhat uncomfortable on stage, rarely making eye contact with the crowd and even discouraging them from becoming too raucous, but the crowd is hanging off their every word and action, ready to fly off into a frenzy at any given moment. How do the band do it? Do they even know themselves? ECSR are a band for the rejects and the outsiders of the music scene who have somehow managed to trick the cool kids into thinking that they're part of them, they don't look right, they shouldn't be, but are, the best sort of Rock stars.


Published in InPress

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## [Gym Class Heroes - Billboard](https://chrischinchilla.com/blog/2007/2007-08-14-gym-class-heroes-billboard)

Date: 2007-08-14

Gym Class Heroes are perhaps one of the oddest, biggest bundle of contradictions, confusions and concerns you may ever witness in a music venue, which is a bold statement considering how screwed up a lot of Hip Hop generally is. The 'backing band' is a bunch of highly proficient musicians with very decent equipment, which always smacks of 'manufactured' session musicians, despite what the bands biography might tell you. Travis on vocals bounds around the stage attempting to perfect a sort of cutesy little boy lost image, whilst simultaneously churning out lyrics about women and how much he wants to have 'relations' with them. This same desire also applies to the female members of the audience, bearing in mind that most of the audience are under 18, you can't help but feel that encouraging them to all make out with each other (and him) is slightly in bad taste. He also goes out of his way to inform the audience that a song containing the lyrics 'Glamorous White Girlî and 'Razorî is not about an (rumoured) addiction to Cocaine, but an addiction to music. Frankly the whole set up is all a little perverse, but the kids love the big marketing machine behind the band and aimed squarely at them, infiltrating their media sources and ways of thinking (i.e. MySpace, the band have a song called 'Friend Requestî), whooping in the right places, dancing throughout and playing along with all the bizarre and vaguely obscene games thrown at them, e.g. 'Hands up who's not here with their Boyfriends?î receives a worrying response.<br>The music is generally in the minor key so prevalent in modern Hip Hop, giving the songs that slightly sinister and ominous feel that again contrasts with the lyrical content, creating yet another concerning contradiction. However the music isn't bad, the songs are funky, tight and live which is a nice novelty in the genre, providing a good solid musical bed for the lyrical tomfoolery and for the kids in their best frocks and oversized tracksuits to shake their booties to, hopefully without quite thinking about why they are.

---

Gym Class Heroes are perhaps one of the oddest, biggest bundle of contradictions, confusions and concerns you may ever witness in a music venue, which is a bold statement considering how screwed up a lot of Hip Hop generally is. The 'backing band' is a bunch of highly proficient musicians with very decent equipment, which always smacks of 'manufactured' session musicians, despite what the bands biography might tell you. Travis on vocals bounds around the stage attempting to perfect a sort of cutesy little boy lost image, whilst simultaneously churning out lyrics about women and how much he wants to have 'relations' with them. This same desire also applies to the female members of the audience, bearing in mind that most of the audience are under 18, you can't help but feel that encouraging them to all make out with each other (and him) is slightly in bad taste. He also goes out of his way to inform the audience that a song containing the lyrics 'Glamorous White Girlî and 'Razorî is not about an (rumoured) addiction to Cocaine, but an addiction to music. Frankly the whole set up is all a little perverse, but the kids love the big marketing machine behind the band and aimed squarely at them, infiltrating their media sources and ways of thinking (i.e. MySpace, the band have a song called 'Friend Requestî), whooping in the right places, dancing throughout and playing along with all the bizarre and vaguely obscene games thrown at them, e.g. 'Hands up who's not here with their Boyfriends?î receives a worrying response.<br>The music is generally in the minor key so prevalent in modern Hip Hop, giving the songs that slightly sinister and ominous feel that again contrasts with the lyrical content, creating yet another concerning contradiction. However the music isn't bad, the songs are funky, tight and live which is a nice novelty in the genre, providing a good solid musical bed for the lyrical tomfoolery and for the kids in their best frocks and oversized tracksuits to shake their booties to, hopefully without quite thinking about why they are.


Published in InPress

---

## [Institut Polaire - City Walls and Empires](https://chrischinchilla.com/blog/2007/2007-08-14-institut-polaire-city-walls-and-empires)

Date: 2007-08-14

It's always hard to review one track single samplers, especially if you like what you hear and want to hear more! 'City Walls and Empiresî is a jaunty and radio friendly ditty, the 9 members of the band creating a complex interweaving of melodies and counter melodies, complete with a rousing unison of vocals in the chorus. Radio friendly, upbeat, a good tune, what more could you want from a single?

---

It's always hard to review one track single samplers, especially if you like what you hear and want to hear more! 'City Walls and Empiresî is a jaunty and radio friendly ditty, the 9 members of the band creating a complex interweaving of melodies and counter melodies, complete with a rousing unison of vocals in the chorus. Radio friendly, upbeat, a good tune, what more could you want from a single?


Published in www.rockus.com.au

---

## [Jeff Strong - Jeff Strong](https://chrischinchilla.com/blog/2007/2007-08-14-jeff-strong-jeff-strong)

Date: 2007-08-14

Jeff describe his music as 'City and Westernî which is the best description for the genre of Americana tinged mellow rock that Jeff Strong purveys, so I'm going to stick with it and probably borrow the phrase, if he doesn't mind. The album is home recorded with a lovely warm and familiar feel, which suits Jeff's, comforting and gentle voice down to the ground. Some tracks are pure Jeff, strumming his acoustic guitar, others feature additional instrumentation, and all ten tracks are calming influences on a crazy modern world.

---

Jeff describe his music as 'City and Westernî which is the best description for the genre of Americana tinged mellow rock that Jeff Strong purveys, so I'm going to stick with it and probably borrow the phrase, if he doesn't mind. The album is home recorded with a lovely warm and familiar feel, which suits Jeff's, comforting and gentle voice down to the ground. Some tracks are pure Jeff, strumming his acoustic guitar, others feature additional instrumentation, and all ten tracks are calming influences on a crazy modern world.


Published in www.rockus.com.au

---

## [NinetyNine - Worlds Of Space, Worlds Of Population, Worlds Of Robots](https://chrischinchilla.com/blog/2007/2007-08-14-ninetynine-worlds-of-space-worlds-of-population-worlds-of-robots)

Date: 2007-08-14

Ninetynine's live show is a stupendous feat of intense musicianship and song writing craft, so how a band takes such a show, commit it to record and lose none of the live buzz is a challenge. 'Worlds Of Space, Worlds Of Population, Worlds Of Robotsî makes a determined effort, and is twelve tracks of finely constructed, arranged and played songs of epic proportions, some beautiful, some inspiring, some fast and frantic, others slower and brooding. The production of the album lacks some sparkle that would have really brought out the songs in their entirety, Laura MacFarlane's vocal sometimes not quite possessing the punch and clarity they deserve and a general desire for a little more 'oomph'. Slight niggles with production quality aside the band's energy and passion for what they play still shines through, with tracks like 'Monsterî grabbing you and hurling your ears against the wall and the sincere, heartfelt strains of 'At the Backdoorî pulling you into a melancholic world and bringing the slightest tear to your eye. A fine album from a fine band, it sounds cheesy, but it's not just an album, it's an experience.

---

Ninetynine's live show is a stupendous feat of intense musicianship and song writing craft, so how a band takes such a show, commit it to record and lose none of the live buzz is a challenge. 'Worlds Of Space, Worlds Of Population, Worlds Of Robotsî makes a determined effort, and is twelve tracks of finely constructed, arranged and played songs of epic proportions, some beautiful, some inspiring, some fast and frantic, others slower and brooding. The production of the album lacks some sparkle that would have really brought out the songs in their entirety, Laura MacFarlane's vocal sometimes not quite possessing the punch and clarity they deserve and a general desire for a little more 'oomph'. Slight niggles with production quality aside the band's energy and passion for what they play still shines through, with tracks like 'Monsterî grabbing you and hurling your ears against the wall and the sincere, heartfelt strains of 'At the Backdoorî pulling you into a melancholic world and bringing the slightest tear to your eye. A fine album from a fine band, it sounds cheesy, but it's not just an album, it's an experience.


Published in www.rockus.com.au

---

## [Tilly & The Wall - Toff on the Town](https://chrischinchilla.com/blog/2007/2007-08-14-tilly-and-the-wall-toff-on-the-town)

Date: 2007-08-14

It's hard to mention Tilly and the Wall without mentioning Tap Dancing, they have no drummer, the tapping of toes and heels on a specially constructed 'Tap Boardî produces the only percussive rhythm, and generally only one pair of lithe and active ankles is doing all the work. The lack of solid beats reduces the potential drive and danceability of their songs, there are a lot of bad jokes about extraneous drummers, but as the adage goes, 'You don't know what you've got 'til it's gone.î However the missing skin basher at the back doesn't phase tonight's crowd and after a little encouragement the area in front of the stage is cleared of tables and chairs and a small but gentle group of dancers emerges, resulting in an ordered and well mannered stage invasion towards the end of the set.<br>Tilly and the Wall's music is aimed squarely at the fey Indie kid, the bullied, struggling against oppression kid, who shyly stands in the corner turning the other cheek, either disappearing into the cracks of society or one day deciding that enough is enough, following their dream and becoming successful. Tilly and The Wall are trying to turn the former into the later; it's just a shame that for the most part their songs are rather bland, they even make a Rage Against the Machine cover (seriously!) sound like Bright Eyes with girls and Tap Dancing.Because beneath the swearing and the shouting and the rallying calls Tilly and the Wall are a band that America excels at producing, a Coffee House band. A band that sits nicely in the Background without being to intrusive whilst the cast of the OC or Buffy sit around with Cappuccinos or mysterious drinks in coloured plastic cups discussing their emotional and relationship problems. Of course to some people this kind of music is the idea of heaven, and it obviously is to the throng at the front of the stage, to the people in the room mouthing along to every word of every song. A lot of happy, smiling people leave the Toff tonight, it may not be your kind of music but you can't fault artists that have that effect on people.

---

It's hard to mention Tilly and the Wall without mentioning Tap Dancing, they have no drummer, the tapping of toes and heels on a specially constructed 'Tap Boardî produces the only percussive rhythm, and generally only one pair of lithe and active ankles is doing all the work. The lack of solid beats reduces the potential drive and danceability of their songs, there are a lot of bad jokes about extraneous drummers, but as the adage goes, 'You don't know what you've got 'til it's gone.î However the missing skin basher at the back doesn't phase tonight's crowd and after a little encouragement the area in front of the stage is cleared of tables and chairs and a small but gentle group of dancers emerges, resulting in an ordered and well mannered stage invasion towards the end of the set.<br>Tilly and the Wall's music is aimed squarely at the fey Indie kid, the bullied, struggling against oppression kid, who shyly stands in the corner turning the other cheek, either disappearing into the cracks of society or one day deciding that enough is enough, following their dream and becoming successful. Tilly and The Wall are trying to turn the former into the later; it's just a shame that for the most part their songs are rather bland, they even make a Rage Against the Machine cover (seriously!) sound like Bright Eyes with girls and Tap Dancing.Because beneath the swearing and the shouting and the rallying calls Tilly and the Wall are a band that America excels at producing, a Coffee House band. A band that sits nicely in the Background without being to intrusive whilst the cast of the OC or Buffy sit around with Cappuccinos or mysterious drinks in coloured plastic cups discussing their emotional and relationship problems. Of course to some people this kind of music is the idea of heaven, and it obviously is to the throng at the front of the stage, to the people in the room mouthing along to every word of every song. A lot of happy, smiling people leave the Toff tonight, it may not be your kind of music but you can't fault artists that have that effect on people.


Published in InPress

---

## [Voxtrot - Voxtrot](https://chrischinchilla.com/blog/2007/2007-08-14-voxtrot-voxtrot)

Date: 2007-08-14

I think my main problem with this release is it's press release, it's almost as if it's describing the wrong band, I find it very hard to hear a lot of the supposed comparisons and descriptions. I know it's the job of a PR to ensure a band sounds good, but this one makes them sound like the best band on the planet. It's a fine album and Voxtrot are a perfectly competent Indie-Rock band, but fairly generic jangly American Indie, the clean type, very sharp, clear and precise, full of carefully constructed and catchy melodies and hooks, the sort that would sound ideal on American College radio, and prove very popular on it, but personally the album floats somewhat into the background after a few tracks, good but not groundbreaking.

---

I think my main problem with this release is it's press release, it's almost as if it's describing the wrong band, I find it very hard to hear a lot of the supposed comparisons and descriptions. I know it's the job of a PR to ensure a band sounds good, but this one makes them sound like the best band on the planet. It's a fine album and Voxtrot are a perfectly competent Indie-Rock band, but fairly generic jangly American Indie, the clean type, very sharp, clear and precise, full of carefully constructed and catchy melodies and hooks, the sort that would sound ideal on American College radio, and prove very popular on it, but personally the album floats somewhat into the background after a few tracks, good but not groundbreaking.


Published in www.rockus.com.au

---

## [Online Video and The Kaiser Chiefs](https://chrischinchilla.com/blog/2007/2007-08-08-online-video-and-the-kaiser-chiefs)

Date: 2007-08-08

Take a look at my latest Indieoma.com Post.

---

Take a look at my latest [Indieoma.com Post](https://www.indieoma.com/public_journal.php?d=6da9003b743b65f4c0ccd295cc484e57).

Been another busy week, sorting this and that out, I've spent two days learning about all the new video technologies there are on the web whilst trying to get the first wave of Macaca Mulatta videos online. It took me a while to get up to date with new Codecs, sites and methods, one site that really helped was [Tube Mogul](https://www.tubemogul.com), it uploads video files for you to multiple sites. One other piece of advice is really experiment with compression before uploading, a lot of video sites are fussier than they might first appear.

I also saw [The Kaiser Chiefs](https://www.kaiserchiefs.co.uk) at Melbourne's horrible Festival Hall (Big echoing warehouse, with unfriendly staff and stupid rules). In two years since I last saw them the band have become an Arena band, all audience participation and massive light shows, who would have thought it...

---

## [Antescene on 3CR](https://chrischinchilla.com/blog/2007/2007-07-24-antescene-on-3cr)

Date: 2007-07-24

I shall be on 3CR radio tomorrow afternoon to talk about my Antescene nights, it's the 'Activate' show and is on from 5.30 - 6pm...

---

I shall be on 3CR radio tomorrow afternoon to talk about my Antescene nights, it's the 'Activate' show and is on from 5.30 - 6pm...

Have a listen, drop the studio a line etc...

[www.3cr.org.au](https://www.3cr.org.au)

855am (Melbourne)

---

## [My First Melbourne Community Cup](https://chrischinchilla.com/blog/2007/2007-07-11-my-first-melbourne-community-cup)

Date: 2007-07-11

God knows when I last posted a personal post here, no reason why, just been stupidly busy, haven't been enough hours in the day...

---

God knows when I last posted a personal post here, no reason why, just been stupidly busy, haven't been enough hours in the day...

So, here's a few things I've been up to, might be repeating myself...

Ages ago for Cate and I's birthday we went on the Melbourne chocolate tour, lots of scrummy chocolate all over the city, [here's some fuzzy photos...](https://www.flickr.com/photos/chrischinchilla/sets/72157600333918177)

Then we had a party, which was pretty cool, it was combined with two friends, so loads of random people turned up and there were the usual groups you get at parties, the anti socials who hang out by the stereo and bitch about everybody, those who never leave the kitchen, those who hang out in the garden even if they're not smokers... Anyway, more fuzzy photos](https://www.flickr.com/photos/chrischinchilla/sets/72157600333918176).

Err, a few weekends ago we went to the Community cup, which is an annual footie match (AFL) between two Melbourne Radio stations and the staff of a venue. It's not about professionalism, mainly about fun, booze, streakers and dogs pooing on the ground... More photos [here](https://www.flickr.com/photos/chrischinchilla/sets/72157600463226509)!

Then, a few weeks ago I was an extra on a small film, I played the violin in a string quartette. it was a pretty boring and unoriginal film, about some sort of war time intrigue... It was supposed to take place in England but I was the only English person and had no lines, the stars kept asking me for accent advice... It was an experience, here's some more [fuzzy photos](https://www.flickr.com/photos/chrischinchilla/sets/72157600743605093)...

What else?

Well, band going really well, loads of great gigs coming up and some press to, have a look at[www.macacamulatta.com](https://www.macacamulatta.com) for some new photos of us all looking completely insane..

Got a teaching job, have to prepare about 45 hours of teaching material that I could cover in about 10 hours, so that'll be a challenge and some more interviews...

Dunno really, so much going on, but I forget what it all is, projects and bits of work here and there, enough to keep me ticking over... Once I've dug out all my photos and got them online I can attach the stories and tell you all more...

If you want to know of course...

Chinch xx

---

## [Maximo Park - Our Earthly Pleasures](https://chrischinchilla.com/blog/2007/2007-07-07-maximo-park-our-earthly-pleasures)

Date: 2007-07-07

2005 was a great year for British music, with several young and energetic acts releasing critically and commercially successful albums, since then some fell by the wayside and some became huge, whilst others remained at a constant level of success and musical ability. The latter applies for Maximo Park; they never quite enjoyed the massive success of bands such as The Kaiser Chiefs or Bloc Party, but have also so far escaped the constant criticisms and monitoring of their material or the trappings and traps of celebrity lifestyle. The band has remained consistent, slowly developing, bettering themselves and gaining experience, 'Our Earthly pleasures' is the culmination of the past few years of beavering away. There is no massive change in direction, fairly bare and sparse arrangements consisting of guitar, keyboards, bass, drums and vocals take us through an album that explores life, in all it's grime and all it's glory, tales of woe, tales of excess and tales of the world, all dealt with in a down to earth manner with little pretension or attitude. The album sparkles, clear and crunchy with pots of punch, dancibility, whistle ready tunes and lyrics to be sung at high volume on Friday nightclub floors. It's not the departure or massive development that the band likes to say it is, but a damn fine album that sets Maximo Park ahead of their competitors.

---

2005 was a great year for British music, with several young and energetic acts releasing critically and commercially successful albums, since then some fell by the wayside and some became huge, whilst others remained at a constant level of success and musical ability. The latter applies for Maximo Park; they never quite enjoyed the massive success of bands such as The Kaiser Chiefs or Bloc Party, but have also so far escaped the constant criticisms and monitoring of their material or the trappings and traps of celebrity lifestyle. The band has remained consistent, slowly developing, bettering themselves and gaining experience, 'Our Earthly pleasures' is the culmination of the past few years of beavering away. There is no massive change in direction, fairly bare and sparse arrangements consisting of guitar, keyboards, bass, drums and vocals take us through an album that explores life, in all it's grime and all it's glory, tales of woe, tales of excess and tales of the world, all dealt with in a down to earth manner with little pretension or attitude. The album sparkles, clear and crunchy with pots of punch, dancibility, whistle ready tunes and lyrics to be sung at high volume on Friday nightclub floors. It's not the departure or massive development that the band likes to say it is, but a damn fine album that sets Maximo Park ahead of their competitors.

Published in www.rockus.com.au

---

## [Art Brut - It's a bit Complicated](https://chrischinchilla.com/blog/2007/2007-07-07-art-brut-its-a-bit-complicated)

Date: 2007-07-07

Art Brut's frantic angular art-rock-pop, with it's lyrical tales to warm the hearts of all shy Indie Kids has been a surprising worldwide success, this is the bands second album, and their first without me. This was always going to be a hard review to write without being personal as the band were such a defining part of my life, I know the people involved, I know what they're like and, most crucially, I can hazard a fairly good guess at what and who most of the songs are about.<br>Some of the reasons for me leaving the band in the first place (which, if you excuse the pun, are a bit complicated) are exacerbated on this album, the music taking something of a backseat to Eddie Argos's unique vocal delivery, so it's strange that the album's production pushes the vocals so low in the mix. There are fewer of the killer riffs, guitar solos or thundering bass lines that were found on 'Bang, bang rock & rollî, and a lot of the biting excitement, enthusiasm and energy found on the first album is missing, but that's to be excepted after a few years spent on the road together and finally tackling that difficult second album, some of the initial vim and vigour will be diminished.<br>'It's a bit complicatedî is a good album and better than many released in the past few months, of course I prefer the first album, it's personal. However there are less stand out tracks, apart from the two I had some part in writing those that stick in my mind are the two singles, 'Direct Hitî and 'Nag, nag, nagî. The album is on more of an even keeling emotionally and musically, Lyrically it is more obsessed with women, still possessing an underdog's viewpoint and elements of awkward realism but not so naÔve. This is the sound of a band maturing and homogenising whilst attempting to grasp a hold onto the strains of what came before, it's the sound of growing up, following many of the bands' fans as they do just the same.

---

Art Brut's frantic angular art-rock-pop, with it's lyrical tales to warm the hearts of all shy Indie Kids has been a surprising worldwide success, this is the bands second album, and their first without me. This was always going to be a hard review to write without being personal as the band were such a defining part of my life, I know the people involved, I know what they're like and, most crucially, I can hazard a fairly good guess at what and who most of the songs are about.<br>Some of the reasons for me leaving the band in the first place (which, if you excuse the pun, are a bit complicated) are exacerbated on this album, the music taking something of a backseat to Eddie Argos's unique vocal delivery, so it's strange that the album's production pushes the vocals so low in the mix. There are fewer of the killer riffs, guitar solos or thundering bass lines that were found on 'Bang, bang rock & rollî, and a lot of the biting excitement, enthusiasm and energy found on the first album is missing, but that's to be excepted after a few years spent on the road together and finally tackling that difficult second album, some of the initial vim and vigour will be diminished.<br>'It's a bit complicatedî is a good album and better than many released in the past few months, of course I prefer the first album, it's personal. However there are less stand out tracks, apart from the two I had some part in writing those that stick in my mind are the two singles, 'Direct Hitî and 'Nag, nag, nagî. The album is on more of an even keeling emotionally and musically, Lyrically it is more obsessed with women, still possessing an underdog's viewpoint and elements of awkward realism but not so naÔve. This is the sound of a band maturing and homogenising whilst attempting to grasp a hold onto the strains of what came before, it's the sound of growing up, following many of the bands' fans as they do just the same.

Published in InPress

---

## [Hellyeah, Mammal - Billboard](https://chrischinchilla.com/blog/2007/2007-07-07-hellyeah-mammal-billboard)

Date: 2007-07-07

Catching the last few songs of Mammal's impressive and powerful set, it's easy to see, hear and feel the appeal of Metal even if the music isn't quite to your taste. The brutal, almost primeval beats stir something inside, the raw guitars, screaming vocals and awesome stage presence forcing attention to the stage and the vision of (frequently hairy) men flinging themselves around a stage and motivating the audience with consistent and unlevelled passion, aggression and dedication. Metal audiences are also some of the most enthusiastic and excitable audiences out there, it takes very little to get them warmed up and keep them active for an entire set, no appealing to crowds to come down the front and to stop standing with their arms folded and tapping their feet tonight!<br>Hellyeah are loud, stacks of Marshall and Ampeg amplifier cabinets piled two high by three wide (despite only several being miked up, surely not for show?), Vinnie's excessive drum kit consists of a ridiculous amount of cymbals and of course two bass drums, there are wireless units in operation on all guitars and crowds of roadies and security are poised for this balls to the floor rock show. Bottles fly, beer spills, people surf, heads bang and everyone's having a great time, on and off stage, multiple tributes to Australia, Melbourne, the assembled masses, the crew and to Dimebag Darrell (formerly) of Pantera bond the band to the audience and Vinnie seems an especially popular man as every time he peeks out from behind his figure consuming drum kit, the crowd go wild.It's hard to figure out if Hellyeah are completely serious, and that's not supposed to imply that they're a joke, as they play hard, fast and competently. More that with song titles such as 'Goddamnî and intersong banter about being guys on the road and about being 'in it' for the music they almost feel like a tribute show to Metal itself. The 'Supergroupî line up and even the name, 'Hellyeahî, don't exactly help to contradict that suspicion as the band work their way through an hour long set of rock clichÈs that raise a smile but also raise the roof.

---

Catching the last few songs of Mammal's impressive and powerful set, it's easy to see, hear and feel the appeal of Metal even if the music isn't quite to your taste. The brutal, almost primeval beats stir something inside, the raw guitars, screaming vocals and awesome stage presence forcing attention to the stage and the vision of (frequently hairy) men flinging themselves around a stage and motivating the audience with consistent and unlevelled passion, aggression and dedication. Metal audiences are also some of the most enthusiastic and excitable audiences out there, it takes very little to get them warmed up and keep them active for an entire set, no appealing to crowds to come down the front and to stop standing with their arms folded and tapping their feet tonight!<br>Hellyeah are loud, stacks of Marshall and Ampeg amplifier cabinets piled two high by three wide (despite only several being miked up, surely not for show?), Vinnie's excessive drum kit consists of a ridiculous amount of cymbals and of course two bass drums, there are wireless units in operation on all guitars and crowds of roadies and security are poised for this balls to the floor rock show. Bottles fly, beer spills, people surf, heads bang and everyone's having a great time, on and off stage, multiple tributes to Australia, Melbourne, the assembled masses, the crew and to Dimebag Darrell (formerly) of Pantera bond the band to the audience and Vinnie seems an especially popular man as every time he peeks out from behind his figure consuming drum kit, the crowd go wild.It's hard to figure out if Hellyeah are completely serious, and that's not supposed to imply that they're a joke, as they play hard, fast and competently. More that with song titles such as 'Goddamnî and intersong banter about being guys on the road and about being 'in it' for the music they almost feel like a tribute show to Metal itself. The 'Supergroupî line up and even the name, 'Hellyeahî, don't exactly help to contradict that suspicion as the band work their way through an hour long set of rock clichÈs that raise a smile but also raise the roof.

Published in InPress

---

## [Early Gray - Wesley Anne](https://chrischinchilla.com/blog/2007/2007-07-07-early-gray-wesley-anne)

Date: 2007-07-07

The Wesley Anne is a warm, snugly kind of place this evening, reminiscent of old European style pubs and bars with a roaring fire, long sofa benches full of the chattering classes sipping red wine, cosy and familiar smells wafting throughout the venue lulling everyone into a sedate sense of security on this bitter winter's evening. So how does a relatively inventive and upbeat artist such as Early Gray chip into such a crowd when they all seem happy and reluctant to experience any intrusions? His Pop / R&B / Hip-Hop / Folk hybrid is familiar yet challenging, full of commercial potential unyet equally at home in a small pub back room. Tonight's set is a solo one, the band has been left at home, with an acoustic guitar providing accompaniment, a quiet and restrained intro to The Earl's new material, reinforcing the laid back and lethargic feeling of the evening. Earl Gray adopts an equally non-confrontational attitude, gently progressing through a short set of mellow songs, resplendent in a hoodie, baseball cap and sneakers, his puppy dog eyes beneath his shaggy hair appealing to and twanging the heart strings of all in the audience. His music is simple and uncomplicated, accessible ballads with a few slightly subtle profundities thrown in for good measure. It's encouraging to know that some of those good looking pop artists who go on to massive commercial success do start somewhere, that they're not all manufactured by a Pop Factory and spat out across the land, that there are some Pop performers who can write a decent tune and string some intelligible lyrics together. Earl Gray will certainly not be to everyone's taste, his saccharin sensibilities do get repetitive and drag at times, but lower your reservations, sit back, relax and give the Earl a go.

---

The Wesley Anne is a warm, snugly kind of place this evening, reminiscent of old European style pubs and bars with a roaring fire, long sofa benches full of the chattering classes sipping red wine, cosy and familiar smells wafting throughout the venue lulling everyone into a sedate sense of security on this bitter winter's evening. So how does a relatively inventive and upbeat artist such as Early Gray chip into such a crowd when they all seem happy and reluctant to experience any intrusions? His Pop / R&B / Hip-Hop / Folk hybrid is familiar yet challenging, full of commercial potential unyet equally at home in a small pub back room. Tonight's set is a solo one, the band has been left at home, with an acoustic guitar providing accompaniment, a quiet and restrained intro to The Earl's new material, reinforcing the laid back and lethargic feeling of the evening. Earl Gray adopts an equally non-confrontational attitude, gently progressing through a short set of mellow songs, resplendent in a hoodie, baseball cap and sneakers, his puppy dog eyes beneath his shaggy hair appealing to and twanging the heart strings of all in the audience. His music is simple and uncomplicated, accessible ballads with a few slightly subtle profundities thrown in for good measure. It's encouraging to know that some of those good looking pop artists who go on to massive commercial success do start somewhere, that they're not all manufactured by a Pop Factory and spat out across the land, that there are some Pop performers who can write a decent tune and string some intelligible lyrics together. Earl Gray will certainly not be to everyone's taste, his saccharin sensibilities do get repetitive and drag at times, but lower your reservations, sit back, relax and give the Earl a go.

Published in InPress

---

## [Closing Party - The Spanish Club, Melbourne](https://chrischinchilla.com/blog/2007/2007-07-06-closing-party-the-spanish-club-melbourne)

Date: 2007-07-06

Melbourne is in the grips of a worrying and growing trend of Latte sipping trendies moving into exciting and vibrant areas, settling down nearby to long established music venues with a fine pedigree and a rich history, and then complaining about the noise. Why move into an area and then completely destroy what makes it just because you fancy a load of nice bars and cafes to ponce around in whilst you read trashy magazines secreted inside copies of Vogue? If you don't want to be disturbed by groups of dirty rock musicians and their fans, then you don't live near a venue, it's perfectly logical! Many venues have already lost their live licenses with others crippled and the Spanish club (combined with a couple of other reasons) is the latest victim of the fashionistas fancying a flirt with the inner suburbs.<br>Enough of that, let's focus on the positive.<br>Little Red appear on yet another bill, how they book and maintain their constant gigging schedule is a mystery and an impressive feat of endurance and energy, their slick sixties sounds have matured and honed by a slew of live shows, the songs and the band sound better than ever. Embers are perhaps one of the most experimental bands you'll ever see in Melbourne, four guys with very little hair between them produce something that resembles noise from industrial machinery from two saxophones, a bass and drums, it's the soundtrack to a headache, unyet strangely intriguing and enticing. Nation Blue are on top form tonight, the soundman has conjured balls and power from the infamously bad Spanish Club PA to match the bands blistering live performance as they scream, sweat and fling guitars about throughout their passion soaked set. The Meanies commence the final segue of fun bands to bounce around to tonight, with their old school rabble rousing Punk warming everyone up nicely whether they've just walked through the door or have been here since 2pm. What would posses a fairly talented bluegrass guitar player to one day think that donning a sparkling jump suit with modified helmet microphone would be a good idea. Judging by his slightly perverse stage repartee, probably a pursuit of women and alcohol as he encourages the audience to dip their breasts into his drink and sit on his knees whilst he plays, of course all of Bob Log 3rd's set is a carefully crafted show, but it's also damn good and a hell of a lot of fun!Finally Labjacd treat the crowd to a unique blend of Hispanic music, Jazz and Hip-Hop, everyone's dancing, everyone's melancholic and everyone's holding a finger aloof to the neighbours. The end of the night comes and we bid a fond farewell to those glorious red walls and vast chandeliers, as Bob Log 3rd put it so eloquently, 'What better way to celebrate the closing of the Spanish club than to sit on your favourite band?î

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Melbourne is in the grips of a worrying and growing trend of Latte sipping trendies moving into exciting and vibrant areas, settling down nearby to long established music venues with a fine pedigree and a rich history, and then complaining about the noise. Why move into an area and then completely destroy what makes it just because you fancy a load of nice bars and cafes to ponce around in whilst you read trashy magazines secreted inside copies of Vogue? If you don't want to be disturbed by groups of dirty rock musicians and their fans, then you don't live near a venue, it's perfectly logical! Many venues have already lost their live licenses with others crippled and the Spanish club (combined with a couple of other reasons) is the latest victim of the fashionistas fancying a flirt with the inner suburbs.<br>Enough of that, let's focus on the positive.<br>Little Red appear on yet another bill, how they book and maintain their constant gigging schedule is a mystery and an impressive feat of endurance and energy, their slick sixties sounds have matured and honed by a slew of live shows, the songs and the band sound better than ever. Embers are perhaps one of the most experimental bands you'll ever see in Melbourne, four guys with very little hair between them produce something that resembles noise from industrial machinery from two saxophones, a bass and drums, it's the soundtrack to a headache, unyet strangely intriguing and enticing. Nation Blue are on top form tonight, the soundman has conjured balls and power from the infamously bad Spanish Club PA to match the bands blistering live performance as they scream, sweat and fling guitars about throughout their passion soaked set. The Meanies commence the final segue of fun bands to bounce around to tonight, with their old school rabble rousing Punk warming everyone up nicely whether they've just walked through the door or have been here since 2pm. What would posses a fairly talented bluegrass guitar player to one day think that donning a sparkling jump suit with modified helmet microphone would be a good idea. Judging by his slightly perverse stage repartee, probably a pursuit of women and alcohol as he encourages the audience to dip their breasts into his drink and sit on his knees whilst he plays, of course all of Bob Log 3rd's set is a carefully crafted show, but it's also damn good and a hell of a lot of fun!Finally Labjacd treat the crowd to a unique blend of Hispanic music, Jazz and Hip-Hop, everyone's dancing, everyone's melancholic and everyone's holding a finger aloof to the neighbours. The end of the night comes and we bid a fond farewell to those glorious red walls and vast chandeliers, as Bob Log 3rd put it so eloquently, 'What better way to celebrate the closing of the Spanish club than to sit on your favourite band?î


Published in InPress (edited version...)

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## [Interviewing the Melbourne Zine Scene](https://chrischinchilla.com/blog/2007/2007-06-27-interviewing-the-melbourne-zine-scene)

Date: 2007-06-27

Second interview with local zine dignitaries...

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Second interview with local zine dignitaries...

<a href="https://www.indieoma.com/public_journal.php?d=cfecdb276f634854f3ef915e2e980c31" target="_blank">here it is</a>

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## [Peabody & Intercooler - The East Brunswick Club](https://chrischinchilla.com/blog/2007/2007-06-16-peabody-and-intercooler-the-east-brunswick-club)

Date: 2007-06-16

The recently expanded and invigorated Peabody have an unhealthy obsession with their guitars. Swapping backwards and forwards after pretty much every song, the band have a guitar tech beside the stage who does nothing but tune their guitars for them, but the band still insist on double checking tuning before commencing each song, putting the dampeners on any inter song banter aside for the pleasantries. Initially it's amusing and charming, as the set continues the habit becomes somewhat annoying and the temptation to shout 'Get on with it!î becomes very strong indeed. So it's a good job the band have a set chocker full of brilliant and finely crafted songs. Songs of incredible depth and texture, clever and carefully constructed layers of melodies, interesting unyet uplifting, deep unyet exciting and exhilarating. Full and rich guitars set over solid bass lines, powerful drums and Bruno Brayovic's heartfelt vocals searing through the mix. The band take the bold stance of playing an entire set of new songs from their forthcoming album that frustrates Peabody's old school fans in the crowd, but to new listeners it's an emotionally charged set, full of dynamics and solid delivery. It's been a tough year for the band, but they seem happy to be back and the crowd are happy to have them back. The East Brunswick club is fairly empty tonight, perhaps due to the Holiday weekend, perhaps due to other gigs and events and after Peabody's set the venue empties even further. Intercooler take to the stage looking like a generic Indie-Rock band, and unsurprisingly they sound like one to. You can tell where the songs are going from the second they start, there are no surprises; it's all been done before. There's nothing being said, no inventiveness, nothing new, the band don't even look that interested in what they're doing, relying on Rock charm to carry them through their set. Intercooler make little pretence at being anything more than a Pop Rock band and it's gained them much commercial success and recognition, it's just a shame that this style of bland rock with no presence or character is always so bloody popular, or is it? The venue is not exactly busy and as someone commented the day before the gig, 'Are they (Intercooler) still going?î

---

The recently expanded and invigorated Peabody have an unhealthy obsession with their guitars. Swapping backwards and forwards after pretty much every song, the band have a guitar tech beside the stage who does nothing but tune their guitars for them, but the band still insist on double checking tuning before commencing each song, putting the dampeners on any inter song banter aside for the pleasantries. Initially it's amusing and charming, as the set continues the habit becomes somewhat annoying and the temptation to shout 'Get on with it!î becomes very strong indeed. So it's a good job the band have a set chocker full of brilliant and finely crafted songs. Songs of incredible depth and texture, clever and carefully constructed layers of melodies, interesting unyet uplifting, deep unyet exciting and exhilarating. Full and rich guitars set over solid bass lines, powerful drums and Bruno Brayovic's heartfelt vocals searing through the mix. The band take the bold stance of playing an entire set of new songs from their forthcoming album that frustrates Peabody's old school fans in the crowd, but to new listeners it's an emotionally charged set, full of dynamics and solid delivery. It's been a tough year for the band, but they seem happy to be back and the crowd are happy to have them back. The East Brunswick club is fairly empty tonight, perhaps due to the Holiday weekend, perhaps due to other gigs and events and after Peabody's set the venue empties even further. Intercooler take to the stage looking like a generic Indie-Rock band, and unsurprisingly they sound like one to. You can tell where the songs are going from the second they start, there are no surprises; it's all been done before. There's nothing being said, no inventiveness, nothing new, the band don't even look that interested in what they're doing, relying on Rock charm to carry them through their set. Intercooler make little pretence at being anything more than a Pop Rock band and it's gained them much commercial success and recognition, it's just a shame that this style of bland rock with no presence or character is always so bloody popular, or is it? The venue is not exactly busy and as someone commented the day before the gig, 'Are they (Intercooler) still going?î

Published in InPress

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## [Bit by Bats - Roxanne's Parlour](https://chrischinchilla.com/blog/2007/2007-06-16-bit-by-bats-roxannes-parlour)

Date: 2007-06-16

Bit by Bats are a great band, in 'it' for all the right reasons, whilst a vast majority of bands in Melbourne posses some of the most fantastic and expensive equipment but don't do anything with it, Bit by Bats take their average guitars and amps and make some marvellous melodious music with it. No pretension, no fashionable prancing or posturing, just talent, tunes and exuberance. The music ticks all the right boxes to, solid rumbling bass lines and drumming countered with fuzzy guitar lines and Owen's unique fantastic barking vocal delivery, there's even some Theremin thrown in for good measure, even if it's barely audible most of the time. The crowd at Roxanne's are appreciative but not up for dancing, the holiday weekend doesn't seem to have encouraged that many partygoers out and those here are of the fashionable ilk that wouldn't do it anyway. Bit by Bats don't mind though, they're doing it because they love music and love playing their music, everything else is a bonus.

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Bit by Bats are a great band, in 'it' for all the right reasons, whilst a vast majority of bands in Melbourne posses some of the most fantastic and expensive equipment but don't do anything with it, Bit by Bats take their average guitars and amps and make some marvellous melodious music with it. No pretension, no fashionable prancing or posturing, just talent, tunes and exuberance. The music ticks all the right boxes to, solid rumbling bass lines and drumming countered with fuzzy guitar lines and Owen's unique fantastic barking vocal delivery, there's even some Theremin thrown in for good measure, even if it's barely audible most of the time. The crowd at Roxanne's are appreciative but not up for dancing, the holiday weekend doesn't seem to have encouraged that many partygoers out and those here are of the fashionable ilk that wouldn't do it anyway. Bit by Bats don't mind though, they're doing it because they love music and love playing their music, everything else is a bonus.

Published in Rockus

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## [Little Red - The Tote](https://chrischinchilla.com/blog/2007/2007-06-16-little-red-the-tote)

Date: 2007-06-16

Kicking off Little Red's second Tote Residency night is 'Definite Article' with their first gig under a new name that is not much better than their old, 'Squeaks & Squeals'. Vocalist Mark wears a silly hat and the band have a drum machine so songs never quite get going, but contain enough pleasant harmonies and melodies to maintain interest. As the room fills 'Magnum Gumbo Detonator' take to the stage, vocalist Bernie's slightly inane grin seemingly happy with the crowd. They're a funk band without a lot of funk and a soul band without a lot of soul, unyet their pots of charm and sense of fun carry the show, captivating the crowd, a limbo contest during the last song winning all but the coldest of hearts.

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Kicking off Little Red's second Tote Residency night is 'Definite Article' with their first gig under a new name that is not much better than their old, 'Squeaks & Squeals'. Vocalist Mark wears a silly hat and the band have a drum machine so songs never quite get going, but contain enough pleasant harmonies and melodies to maintain interest. As the room fills 'Magnum Gumbo Detonator' take to the stage, vocalist Bernie's slightly inane grin seemingly happy with the crowd. They're a funk band without a lot of funk and a soul band without a lot of soul, unyet their pots of charm and sense of fun carry the show, captivating the crowd, a limbo contest during the last song winning all but the coldest of hearts.

It's often said that music recycles and builds upon what's come before, borrowing bits from here and bits from there, melding them into something sort of recognisable but not quite discernable. What about those who wear their musical hearts' on their sleeves, who are more obvious about their influences and inspirations? It is clear from the outset of tonight's gig that Little Red draw more than a modicum of inspiration from 60s beat combos, with a slight dash of 70s rock thrown in for good measure. Three singers share a tour of duty on lead vocals, with slick backing vocals provided from those on the subs bench throughout. Dominic Byrne, resplendent in a knitted tank top is reminiscent of a young and dangerous (yes, he was once, a long time ago) Cliff Richard, his vocal strained and full of passion, maybe even a little pain, think of John Lennon's delivery on 'Twist & Shout'. Next up is Tom Hartney, something of a young Paul Weller look-a-like, decked in a glorious 80s style jacket, sleeves rolled up, frantically bashing a tambourine and towering above his compadres, his lower register voice booming through the rest of the band. Finally on lead duties is Quang Dinh, sporting a suitable Beatles mop top, he handles the more soulful material, his gentler voice sometimes lost in the mix, but his mournful eyes telling all that needs to be known. Adrian Beltrame on Guitar / Backing Vocals and Taka Honda complete the line up providing an able bed of rhythm and harmony. The songs are primarily about girls, loves won, loves lost, loves lamented, happy tales, sad tales and a few unrelated tales thrown in for good measure. Not the most original of subjects, but what else would you expect from a band taking the strains of the first youth music when that's all it was about, weaving it into something new and exciting for the youth of today to relate to all over again.

Published in InPress

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## [Operator Please - East Brunswick Club](https://chrischinchilla.com/blog/2007/2007-06-16-operator-please-east-brunswick-club)

Date: 2007-06-16

Operator Please tick all the right boxes, they're young, attractive and every member falls into one of several 'kooky kid' categories, something to appeal to everyone, they also appear to write very catchy songs. All of which begs the question if the band are manufactured, or at least some sort of stage school band. Their 'shtick' is very cutesy, toying with that confusing late teens state of mind where you still want sweets and concession fare on the bus, but you also want alcohol, parties and sex. The band's biography is very vague and convenient, with members just sort of coming together, new recruit Stephanie on Violin talks of getting 'The Call' to join the band, and then after some 'DIY promotion' and a trip to New York City (which of course every teenager can afford!) the band sign to EMI? Hmm, Is the smell of a Rat in the air? Or the smell of Big Management bucks? Probably, but for some reason and for once, it's hard to care because Operator Please are so much damn fun!<br><br>For such a Buzz band The East Brunswick club is not particularly busy, possibly due to being over 18, and it looks like a few minors still managed to blag and bluff their way in. The night opens with Little Red, enough has been mentioned of them elsewhere, next are Treetops, a band who apparently have quite a varied and chequered History, despite possessing an amazing and youthful drummer the rest of the band seem rather tired and lacking, both supports a peculiar choice for the pure slice of saccharin soaked Pop rock to follow. These kids know how to play, the drums may be slightly weak but Timmy's only got little arms, so forgive him for now, Ashley's bass rumbles despite never seeing his face beneath an ample fringe, Sarah's keyboard bloops and fizzes in the modern way, and as well as producing a fine sound from her Rickenbacker / Vox combo, Amandah possesses a powerful and passionate voice, with range and depth. The songs are generally bouncy, upbeat and light in content, songs to scream along and dance to, not change the world with, perhaps 'Get What You Want' showing some hints of song writing maturity bubbling under the surface. Any self-respecting street press reading music fan just shouldn't like Operator Please, they smack of contrivance, of music career by numbers, of a fashionable gimmick. However with their charm, energetic stage show, apparent talent and irritatingly catchy tunes, the band will slowly be working their way on to many serious muso's list of guilty pleasures.

---

Operator Please tick all the right boxes, they're young, attractive and every member falls into one of several 'kooky kid' categories, something to appeal to everyone, they also appear to write very catchy songs. All of which begs the question if the band are manufactured, or at least some sort of stage school band. Their 'shtick' is very cutesy, toying with that confusing late teens state of mind where you still want sweets and concession fare on the bus, but you also want alcohol, parties and sex. The band's biography is very vague and convenient, with members just sort of coming together, new recruit Stephanie on Violin talks of getting 'The Call' to join the band, and then after some 'DIY promotion' and a trip to New York City (which of course every teenager can afford!) the band sign to EMI? Hmm, Is the smell of a Rat in the air? Or the smell of Big Management bucks? Probably, but for some reason and for once, it's hard to care because Operator Please are so much damn fun!<br><br>For such a Buzz band The East Brunswick club is not particularly busy, possibly due to being over 18, and it looks like a few minors still managed to blag and bluff their way in. The night opens with Little Red, enough has been mentioned of them elsewhere, next are Treetops, a band who apparently have quite a varied and chequered History, despite possessing an amazing and youthful drummer the rest of the band seem rather tired and lacking, both supports a peculiar choice for the pure slice of saccharin soaked Pop rock to follow. These kids know how to play, the drums may be slightly weak but Timmy's only got little arms, so forgive him for now, Ashley's bass rumbles despite never seeing his face beneath an ample fringe, Sarah's keyboard bloops and fizzes in the modern way, and as well as producing a fine sound from her Rickenbacker / Vox combo, Amandah possesses a powerful and passionate voice, with range and depth. The songs are generally bouncy, upbeat and light in content, songs to scream along and dance to, not change the world with, perhaps 'Get What You Want' showing some hints of song writing maturity bubbling under the surface. Any self-respecting street press reading music fan just shouldn't like Operator Please, they smack of contrivance, of music career by numbers, of a fashionable gimmick. However with their charm, energetic stage show, apparent talent and irritatingly catchy tunes, the band will slowly be working their way on to many serious muso's list of guilty pleasures.

Published in InPress

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## [Politics in Music - Classical](https://chrischinchilla.com/blog/2007/2007-06-12-politics-in-music-classical)

Date: 2007-06-12

My latest Indieoma post is the second installment of my series of articles on Politics in Music, this time it's the turn of Classical music, read it <a href="https://www.indieoma.com/public_journal.php?d=2a79ea27c279e471f4d180b08d62b00a" target="_blank">here</a>.

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My latest Indieoma post is the second installment of my series of articles on Politics in Music, this time it's the turn of Classical music, read it <a href="https://www.indieoma.com/public_journal.php?d=2a79ea27c279e471f4d180b08d62b00a" target="_blank">here</a>.

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## [World Environment Day and Debut Gigs](https://chrischinchilla.com/blog/2007/2007-06-08-world-environment-day-and-debut-gigs)

Date: 2007-06-08

Tuesday was World Environment Day, I took part in a protest on excess logging, see some photos here <a href="https://www.flickr.com/photos/chrischinchilla/sets/72157600322402682" target="_blank">www.flickr.com/photos/chrischinchilla/sets/72157600322402682</a>

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Tuesday was World Environment Day, I took part in a protest on excess logging, see some photos here <a href="https://www.flickr.com/photos/chrischinchilla/sets/72157600322402682" target="_blank">www.flickr.com/photos/chrischinchilla/sets/72157600322402682</a>

It was in an area about two hours from Melbourne, my Geography is a little poor, but here's a few name places I overheard that might give it some relevance... The Yarra Ranges, The Upper Taggerty, Whitehorse River and the Central Highlands.

It was an experience and great to get out of the city, due to the trees and the latitude the air was incredibly clear, the protest was fairly successful, despite the spelling mistake on the banner! The reaction from the authorities was strange, the police man was actually quite interested in what we had to say and ended up having a lengthy conversation with us, the logging officials were quite nervous about talking to us and the workers were quite ignorant and arrogant, an argument developing between them and one of our party.

After the protest we took a trip and a walk in the Victorian Rain-forest, I never realised that such landscape existed in Australia, it was like I was in Italy or New Zealand, so wet and green, by the time we returned to the city I was shattered, tired but full of exuberance and energy from the clean air.

Our debut gig was OK, attendance was average which demeaned my promotional efforts slightly. Everything was running late so our rushed sound-check led to an appalling stage sound that went up and down all over the place, and the crowd were flat despite my best efforts to rile them. People seemed to enjoy it though but the evening ended on a downer after we got charged $50 for the privilege of a shit sound. The system here is annoying, they pay you, you feel great, then suddenly the sound-man pops up and asks for pretty much all you've just made... Your hopes are built up and then dashed... Oh well, it's all a learning curve, plenty more gigs coming up..."

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## [My First AFL Game](https://chrischinchilla.com/blog/2007/2007-05-31-my-first-afl-game)

Date: 2007-05-31

I Went to my first Footie game... Quite exciting!

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I Went to my first Footie game... Quite exciting!

Witness it <a href=<https://www.flickr.com/photos/chrischinchilla/>" target="_blank">here</a>!"

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## [White Party and the Burning of the Cutty Sark](https://chrischinchilla.com/blog/2007/2007-05-22-white-party-and-the-burning-of-the-cutty-sark)

Date: 2007-05-22

Had a great weekend, went to some gigs on Friday night, though one of those nights when you try to do too much and end up doing next to nothing and staying in one place, Cate got very merry, she was a happy drunk... :-)

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Had a great weekend, went to some gigs on Friday night, though one of those nights when you try to do too much and end up doing next to nothing and staying in one place, Cate got very merry, she was a happy drunk... :-)

Saturday we got invited to an ever so fancy party for the Birthday party of a club owner, apparently he'd won Temptation Island or something. it was a white themed party (highlight costumes : Jesus, Polar Bear and Naval Captain) and was full of pretentious people constantly worried about what other people thought of them... We took to the dance floor, enjoyed the free bar and made idiots of ourselves. After that we went to a much more down to earth party where I ate lots of mini pies and met some great people.

Sunday we took a trip round some galleries, I hadn't been home so was still in my suit from the fancy party, which gained me a few odd looks, but I quite enjoyed swanning around art in a suit and an English accent. The galleries were a little uninspiring, a final year of High School show, which contained some good work, but far too much use of Photoshop, and an exhibition at ACCA (Australian Centre of Contemporary Art) which was style over substance and pretty dull, security kept following me round to, because I was getting to close to exhibits... Sunday evening we went to Trivia and came third, ace!

But then my Nan told me [about the burning of the Cutty Sark](https://news.bbc.co.uk/2/hi/uk_news/england/london/6675381.stm), which made me very sad...

I know it's still suspicious and unproved, but assuming it was vandals, it's an attitude indicative of the reasons I wanted to leave the UK, what is the point?!

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## [Shooting at Unarmed Men, Baseball - Exile](https://chrischinchilla.com/blog/2007/2007-05-18-shooting-at-unarmed-men-baseball-exile)

Date: 2007-05-18

Shooting at Unarmed Men (SAUM) strike me as band that have good nights and bad nights that drastically effect their performance, the last gig of theirs I attended was lacklustre and neither the band nor the audience seemed to enjoy it. Tonight however is a completely different story, the band are as tight as a gnat's arse, delivering biting, sardonic lyrics with venom and gusto, rumbling bass lines locked into a booming kick drum, jagged guitar and discordant counter riffs, the chemistry shinning through as the bands' on stage banter revolves around in jokes about everyone's background, Welsh sheep, convict heritage and Gold rushes. The venue is now full (later confirmed as sold out) as Baseball take to the stage and little did I realise we revisit our friend the nuts drummer from NinetyNine, this time on vocals and violin. Once again it's hard to take your eyes off of him as he takes up most of the front of the stage, legs wide apart, feverishly fiddling and screeching incomprehensibly into the microphone. The music is frantic, messy, chaotic and exciting, fusing elements of Punk Rock, gypsy swing and even some hints of Middle Eastern scales and melodies creeping in. Someone has decided to dowse everything with swathes of reverb which makes discerning what's going on a challenge, perhaps the band wanted it, perhaps the soundman just thought it would be a good idea, however it turns a lot of the songs into big balls of noise, lacking in clarity from each other, so whereas SAUM held the audiences attention, aside from the dedicated front row, a few start to mention that band have been playing too long, turning to the bar, the impact poor sound can have.

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Shooting at Unarmed Men (SAUM) strike me as band that have good nights and bad nights that drastically effect their performance, the last gig of theirs I attended was lacklustre and neither the band nor the audience seemed to enjoy it. Tonight however is a completely different story, the band are as tight as a gnat's arse, delivering biting, sardonic lyrics with venom and gusto, rumbling bass lines locked into a booming kick drum, jagged guitar and discordant counter riffs, the chemistry shinning through as the bands' on stage banter revolves around in jokes about everyone's background, Welsh sheep, convict heritage and Gold rushes. The venue is now full (later confirmed as sold out) as Baseball take to the stage and little did I realise we revisit our friend the nuts drummer from NinetyNine, this time on vocals and violin. Once again it's hard to take your eyes off of him as he takes up most of the front of the stage, legs wide apart, feverishly fiddling and screeching incomprehensibly into the microphone. The music is frantic, messy, chaotic and exciting, fusing elements of Punk Rock, gypsy swing and even some hints of Middle Eastern scales and melodies creeping in. Someone has decided to dowse everything with swathes of reverb which makes discerning what's going on a challenge, perhaps the band wanted it, perhaps the soundman just thought it would be a good idea, however it turns a lot of the songs into big balls of noise, lacking in clarity from each other, so whereas SAUM held the audiences attention, aside from the dedicated front row, a few start to mention that band have been playing too long, turning to the bar, the impact poor sound can have.

Published in www.rockus.com.au

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## [Children Collide - Ding Dong Lounge](https://chrischinchilla.com/blog/2007/2007-05-18-children-collide-ding-dong-lounge)

Date: 2007-05-18

A Guitarist / Vocalist, two drummers, a Tambourine / Trumpet player and a Tambourine player, initially 'Bang Bang Aids' line up seems extraneous, the drummers are just playing in unison and one of the Tambourine players doesn't actually seem to do anything. As the band progress through their set the songs start to take on a looser feel, the drummers counteracting each other, even the tambourine player's incessant chip eating and the band's banter adds an element of charm to the jagged and (I suspect) partly improvised noise. The band don't care the venue is half full and those fortunate enough to be present love them for it. Following in Melbourne's tradition of varied line-ups, 'Young Lovers' are a slick but ultimately uninspiring rock band combining a lot of generic fashionable rock tricks such as disco beats, synths and new wave style guitar and after several similar sounding songs I lose interest. After a lengthy stage set up filled by Streetparty DJ's, 'Children Collide' take to the stage resplendent in a sea of cacophony. Following in the footsteps of many classic Three-pieces the band create a tremendous amount of noise for their number, thrashing and crashing their way through a sucession of crowd favourites and into a series of well received new songs, the audience reaction surprising and delighting the band. 'Children Collide' are a delight and a thrill to watch, bass player Heath bounds around the stage pounding thumping licks and riffs, Johnny's guitar awash in waves of reverb and distortion, screeching and howling into the microphone, sometimes (and I suspect a trick he learnt recently) combining the two by screaming into his guitar pick up. As the set reaches it's all too soon and unwelcomingly premature end, Johnny announces 'Encores are stupid, so we're just going to play the songs nowî and crash into their sets conclusion even achieving the unattainable, a dancing Melbourne Audience.

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A Guitarist / Vocalist, two drummers, a Tambourine / Trumpet player and a Tambourine player, initially 'Bang Bang Aids' line up seems extraneous, the drummers are just playing in unison and one of the Tambourine players doesn't actually seem to do anything. As the band progress through their set the songs start to take on a looser feel, the drummers counteracting each other, even the tambourine player's incessant chip eating and the band's banter adds an element of charm to the jagged and (I suspect) partly improvised noise. The band don't care the venue is half full and those fortunate enough to be present love them for it. Following in Melbourne's tradition of varied line-ups, 'Young Lovers' are a slick but ultimately uninspiring rock band combining a lot of generic fashionable rock tricks such as disco beats, synths and new wave style guitar and after several similar sounding songs I lose interest. After a lengthy stage set up filled by Streetparty DJ's, 'Children Collide' take to the stage resplendent in a sea of cacophony. Following in the footsteps of many classic Three-pieces the band create a tremendous amount of noise for their number, thrashing and crashing their way through a sucession of crowd favourites and into a series of well received new songs, the audience reaction surprising and delighting the band. 'Children Collide' are a delight and a thrill to watch, bass player Heath bounds around the stage pounding thumping licks and riffs, Johnny's guitar awash in waves of reverb and distortion, screeching and howling into the microphone, sometimes (and I suspect a trick he learnt recently) combining the two by screaming into his guitar pick up. As the set reaches it's all too soon and unwelcomingly premature end, Johnny announces 'Encores are stupid, so we're just going to play the songs nowî and crash into their sets conclusion even achieving the unattainable, a dancing Melbourne Audience.

Published in InPress

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## [Teenager, Damn Arms - Bootleg](https://chrischinchilla.com/blog/2007/2007-05-18-teenager-damn-arms-bootleg)

Date: 2007-05-18

There's something odd in the air tonight, or to be more precise, probably something odd up the nasal passage or in a pill, the atmosphere at Bootleg is intense and disconcerting, we seem to be the only lucid members of the audience and the only people who don't quite seem to understand what's going on. Style over content is my first impression of Teenager, none of the band seem to know what's going on throughout the set as singer 'Nick Littlemore' rides a lengthy ego trip that might make him look cool, but also a bit of a wanker, regularly insulting his brother handling the visual show and frequently refusing to play until certain conditions are met. The band has some good songs held together by a lot of filler, and even the band admits it. A lot of music press are raving about Teenager and whilst they certainly fit slap bang into the middle of what's currently trendy and fashionable, I'm clearly not sufficiently off my head or cool to understand why. Damn arms take to the stage looking like component parts of completely different bands, fey Indie, Garage Rockers and synth player 'Yama Indra' looks a little like he should be in Goldie Looking Chain. Initially plagued by technical problems and disagreements about what songs to play a solid set of electro rock gradually emerges with frantic drumming, screeching vocals and plenty of heavy riffs. Unfortunately whatever it is 'in the air' pervades throughout Damn Arms set and despite some good tunes, the stage show is flat and uninspiring, the band finish their set, no one seems to care a great deal, and normal nightclub activity is resumed.

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There's something odd in the air tonight, or to be more precise, probably something odd up the nasal passage or in a pill, the atmosphere at Bootleg is intense and disconcerting, we seem to be the only lucid members of the audience and the only people who don't quite seem to understand what's going on. Style over content is my first impression of Teenager, none of the band seem to know what's going on throughout the set as singer 'Nick Littlemore' rides a lengthy ego trip that might make him look cool, but also a bit of a wanker, regularly insulting his brother handling the visual show and frequently refusing to play until certain conditions are met. The band has some good songs held together by a lot of filler, and even the band admits it. A lot of music press are raving about Teenager and whilst they certainly fit slap bang into the middle of what's currently trendy and fashionable, I'm clearly not sufficiently off my head or cool to understand why. Damn arms take to the stage looking like component parts of completely different bands, fey Indie, Garage Rockers and synth player 'Yama Indra' looks a little like he should be in Goldie Looking Chain. Initially plagued by technical problems and disagreements about what songs to play a solid set of electro rock gradually emerges with frantic drumming, screeching vocals and plenty of heavy riffs. Unfortunately whatever it is 'in the air' pervades throughout Damn Arms set and despite some good tunes, the stage show is flat and uninspiring, the band finish their set, no one seems to care a great deal, and normal nightclub activity is resumed.

Published in www.rockus.com.au

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## [NinetyNine - The Northcote Social Club](https://chrischinchilla.com/blog/2007/2007-05-18-ninetynine-the-northcote-social-club)

Date: 2007-05-18

Any band who start their set with a ten minute under water puppet show earn Brownie points in my book. Also possessing a drummer who acts like a coiled spring the entire gig, sat staring intently on his drum stool watching everything on stage, exploding into fits of frantic drumming also earns points and I haven't even mentioned that NinetyNine write damn fine songs to. The set is schizophrenic with soft mellow soundscapes, loud raucous pop and even a track in Arabic. The songs are short, sparse and basic, simple but well complimenting melodies, haunting, alluring and completely captivating.

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Any band who start their set with a ten minute under water puppet show earn Brownie points in my book. Also possessing a drummer who acts like a coiled spring the entire gig, sat staring intently on his drum stool watching everything on stage, exploding into fits of frantic drumming also earns points and I haven't even mentioned that NinetyNine write damn fine songs to. The set is schizophrenic with soft mellow soundscapes, loud raucous pop and even a track in Arabic. The songs are short, sparse and basic, simple but well complimenting melodies, haunting, alluring and completely captivating.

Published in www.rockus.com.au

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## [WA Music showcase - The Spanish Club](https://chrischinchilla.com/blog/2007/2007-05-18-wa-music-showcase-the-spanish-club)

Date: 2007-05-18

Western Australia has produced some of Australia's most talented and popular artists in recent times and it's not all Indie or Rock Riffage as tonight's WA showcase proved.

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Western Australia has produced some of Australia's most talented and popular artists in recent times and it's not all Indie or Rock Riffage as tonight's WA showcase proved.

Opening the night were the bonkers 'Mink Mussel Creek' with their modern reinvention of prog-rock. Flutes, bagpipes, lengthy free-form rock outs, psychedelic influenced lyrics and attitude add to the bizarre spectacle and experience, oh, and a pixie-like singer who bounds around the stage with arms flailing and a T-shirt ten sizes too big for him is the icing on the cake.

Following swiftly were the schizophrenic sounds of 'Capital City', starting the set toying with Rock-a-Billy, ending up reminiscent of 'Primal Scream' and 'Jesus and the Mary Chain' via 'The Ramones'. Dark, aggressive and full of attitude, the band posses all the necessary ingredients for future greatness.

Finishing the night, 'The Kill Devil Hills' and their (award winning) blend of Australian Country got the crowd simultaneously dancing, singing and crying into their beers with wild acoustic guitar led tunes, dark brooding lyrics of vengeance, hatred and forlorn. Conjuring images of hot sweaty nights in the Western Australian Outback with escape from hot sweaty days of struggle found at the bottom of a bottle or the end of a fist.


Published in www.rockus.com.au

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## [The Kill Devil Hills - The Spanish Club](https://chrischinchilla.com/blog/2007/2007-05-18-the-kill-devil-hills-the-spanish-club)

Date: 2007-05-18

When I hear the phrase 'country music' I can't help but imagine either American cowboys scowling through tales of the dustbowl deep south, old English men supping real ale and singing in impenetrable accents or the new breed of wiry alt-country stars who never have a good word for anyone or anything, however it seems that Australian Country artists fall into their own unique sub-genre.

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When I hear the phrase 'country music' I can't help but imagine either American cowboys scowling through tales of the dustbowl deep south, old English men supping real ale and singing in impenetrable accents or the new breed of wiry alt-country stars who never have a good word for anyone or anything, however it seems that Australian Country artists fall into their own unique sub-genre.

The Kill Devil Hills have achieved a remarkable amount in the brief four years of their existence, speedily chalking up two albums, prestigious gig dates, a rapidly expanding fan base and industry recognition with 4 WAMi awards and Triple J approval.

As a six piece, filling the large stage at The Spanish club holds no challenge for The Kill Devil Hills, the world worn band members resplendent in denim, checked shirts and of course, ample beards. All that is except the drummer, who aside from possessing his own unique look and intense gravel voice, plays drums in the oddest fashion, standing, with the bass drum several feet away from him un yet somehow maintaining a solid beat. The remainder of the band work their way through a succession of traditional acoustic instruments such as banjo's, mandolins, Ukeles and low strung guitars producing dark layers of brooding but hauntingly catchy melodies. The crowd are in the band's hands, slowly gyrating to the music, lighters held aloft in the appropriate places, rousing choruses joined with aplomb and copious amounts of alcohol consumed in tribute.

Initially described to me as 'Bush men with lots of facial hair and a few years in prison under their belts' I'm unsure as to the accuracy and libellous nature of that statement but this group of mysterious Bush men do little to dismiss or contradict that image. 'The Kill Devil Hills' are a perfect summation of 200 hundred years of Australian culture and history right up to the present day. Music that conjures images of hot, sweaty days of toil, struggle and oppression in a dry and dusty land, culminating in hot sweaty nights of drinking, aggression and tension, tales of forlorn hearts, failed romance and vengeance, in short Rock & Roll at it's purest. 


Published in InPress

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## [Gangster Parties, Eurovision and Fanzines](https://chrischinchilla.com/blog/2007/2007-05-16-gangster-parties-eurovision-and-fanzines)

Date: 2007-05-16

After a surreal party on Saturday night... It had a Gangster theme, Gangster rap... All police tape, chalked murder scene markings, fake money and loud tracksuits.

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After a surreal party on Saturday night... It had a Gangster theme, Gangster rap... All police tape, chalked murder scene markings, fake money and loud tracksuits.

Then on Sunday after a very long walk and a visit to the national gallery I toddled along to a bar to watch Eurovision. I didn't think Australians had such an interest and knowledge of European politics, which is basically what Eurovision has become. Where dozens of diplomats fail in bridging international boundaries and healing old wounds, cheesy pop musicians succeed. This year was very much the domain of the old Eastern block, and the old European countries like Germany, France, Spain and the UK hardly got a look in... And where was Italy?

Anyway, I've started digging beneath the surface of the Australian fanzine scene, here's my first post on the subject...

<a href="https://www.indieoma.com/public_journal.php?d=7f1de29e6da19d22b51c68001e7e0e54" target="_blank">Melbourne Fanzine Culture - Part 1</a>

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## [I'm playing an Extra](https://chrischinchilla.com/blog/2007/2007-05-12-im-playing-an-extra)

Date: 2007-05-12

When I was younger I did a lot of acting at school and at some youth drama groups, but that was nigh on 7 or 8 years ago...

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When I was younger I did a lot of acting at school and at some youth drama groups, but that was nigh on 7 or 8 years ago...

I just got a part in a short film today!

It's called Union Jack, and I'm playing a violinist in a quartet in a bar...

Hey, it's a start!

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## [Musical Diversity from Down Under](https://chrischinchilla.com/blog/2007/2007-05-11-music-diversity-from-down-under)

Date: 2007-05-11

Lots of news and reviews to post here soon, but in the meantime here's my latest Indieoma.com post with all sorts of stuff in it...

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Lots of news and reviews to post here soon, but in the meantime here's my latest Indieoma.com post with all sorts of stuff in it...

<a href=<https://www.indieoma.com/public_journal.php?d=d1f491a404d6854880943e5c3cd9ca25>" target="_blank">Diversity from Downunder</a>

Enjoy :-)"

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## [My First Melbourne Bike Accident](https://chrischinchilla.com/blog/2007/2007-05-02-my-first-bike-accident)

Date: 2007-05-02

I suffered a uniquely Melbourne (and several other Cities) injury yesterday, I was cycling and my bike wheel got stuck in a tram line as I turned a corner, flipping me over the handle bars and into a (fortunately) grass verge, in rather comical stylings.

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I suffered a uniquely Melbourne (and several other Cities) injury yesterday, I was cycling and my bike wheel got stuck in a tram line as I turned a corner, flipping me over the handle bars and into a (fortunately) grass verge, in rather comical stylings.

A few scrapes and the bike needs a little sort out, but I've jarred my right arm somewhat and it's very sore... It's amazing how much you use your right arm for (if you're right handed) that you never realise until it hurts every time you try and do something, playing guitar, brushing your teeth, eating, dressing...

I'm sure it well get better soon, but bloody sucks at the moment :-(

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## [An Australian Band and Warehouse Parties](https://chrischinchilla.com/blog/2007/2007-04-28-an-australian-band-and-warehouse-parties)

Date: 2007-04-28

I haven't made any personal posts for a while, not due to lack of anything to say or to talk about, just haven't got round to it, I've been quite busy, beavering away trying to sort a load of things with varying degrees of success. I wont bother getting everything up to date, just a few highlights from the past few weeks and I'll try to be more regular from now on.

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I haven't made any personal posts for a while, not due to lack of anything to say or to talk about, just haven't got round to it, I've been quite busy, beavering away trying to sort a load of things with varying degrees of success. I wont bother getting everything up to date, just a few highlights from the past few weeks and I'll try to be more regular from now on.

The Australian Line up of <a href="https://www.macacamulatta.com" target="_blank">Macaca Mulatta</a> is now complete, we have Xavier on Drums, Nick on Bass, Chris on Second Guitar, and of course me on the other guitar.

Our first full rehearsal came to a surreal ending when the house / studio we were using was suddenly invaded by a group of kids looking for a party, they asked us to play, but it seemed a little early for that, although we do have our first (hopefully of many) gig lined up, if you're in the area try to make it along :

7th June @ Gertrude's, Gertrude st., Fitzroy (with Burgers of Beef and Readers Wives)

The tracks recorded with the UK line up of the band are also finally ready, so please take a listen at <a href="https://www.macacamulatta.com" target="_blank">www.macacamulatta.com</a> or <a href="https://www.myspace.com/macacamulatta" target="_blank">www.myspace.com/macacamulatta</a> tell me what you think and spread the word if you like it, I want to get this band finally rolling properly, I have no money so need all the help I can get!

I've also been trying to organise some more Antescene gigs (The last one in London was very successful!) around Melbourne, but the frustrations of finding places, confirming dates and the usual fun with promoters is making the possibility of anything happening soon unlikely...

Photo Time!

Last weekend Cate and I volunteered at the <a href="https://www.melbournesocialforum.org" target="_blank">Melbourne Social Forum</a>, a yearly and Global (with many small Forums around the world as an alternative to the World Social Forum) meeting of minds for social change and alternative thinking. I helped with the sound all weekend, setting up and running the PA, it was great fun and I met loads of interesting people even if it did rain most of the weekend (which is much needed at the moment!).

<a href="https://www.flickr.com/photos/chrischinchilla/sets/72157600138770079/" target="_blank">Here's some photos</a>

Wednesday was Anzac day (a public Holiday) and we went to the zoo... Melbourne zoo is an amazing zoo, we watched several feedings including Seals, Orangutans and the Penguins. We saw giant Tortoises, Platypus, native animals and lots more, though I think the most spectacular area had to be the Butterfly house, where the Butterflies fly around you, frequently landing near or even on you. Unfortunately the camera we borrowed seemed to be permanently stuck on Burst mode, so the photos came a out a little strange, I will get them sorted soon and post them up on Flickr.

Chinch out for now, rock on xxx

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## [Glen Tilbrook - in Melbourne](https://chrischinchilla.com/blog/2007/2007-04-14-glen-tilbrook-in-melbourne)

Date: 2007-04-13

Glenn's old outfit, 'Squeeze' were a British new wave band hailing from SE London in the early eighties (from the same area as me! In fact several members sent their children to my school?) chalking up a string of hits such as 'Cool for Cats' and 'Labelled with Love'. A small but loyal fan base followed the band into their 'MOR years', but an ever fluctuating line up and a ubiquitous series of splits and reunions led to Squeeze's eventual demise. Now Glenn tours the world in an RV with family in tow bashing his way through a vast back catalogue adapted for acoustic guitar and solo delivery.I had the fortune of catching two shows whilst he was in town, and Glenn's shows are full of energy and enthusiasm with Glenn frequently abandoning the mic and wandering the stage. His songs of lamented love and forbidden fancies interspersed with anecdotes and musical tales of two decades on the road, well documented in Amy Pickard's film 'One for the road' which received it's debut showing prior to his first performance. The seated, older and more sedate audience at 'Don't Tell Tom' on Friday night were reluctant to fully immerse themselves in the many acts of participation that Glenn had planned, preferring instead to shout requests that are gleefully added to the set ad hoc. The younger, keener and more energetic audience at 'the Espy' on Wednesday night however were up for everything thrown at them, singing along without prompting in all the right places and gathered in a throng at the front of the stage for the entirety of the set.The second half of The Espy show Glenn was backed by the infamous Rockwiz orchestra with the intention of adding a little more 'Rock' to the show and I'm unsure if they really did Glenn any favours. All the songs were played too slowly, this coupled with Glenn's obvious nervousness at playing with an unfamiliar band drew away some of his earlier energy and presence, a friend at the show nicknamed them 'The Masters of Homogenisationî which describes their effect on all they back beautifully.Life for the old stalwarts of Rock that refuse to quit touring must be an odd existence, over 20 years of material and all audiences primarily want to hear are your early 'hits'. At the very least frustrating, possibly even a little depressing, however Glenn certainly doesn't show it.

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Glenn's old outfit, 'Squeeze' were a British new wave band hailing from SE London in the early eighties (from the same area as me! In fact several members sent their children to my school?) chalking up a string of hits such as 'Cool for Cats' and 'Labelled with Love'. A small but loyal fan base followed the band into their 'MOR years', but an ever fluctuating line up and a ubiquitous series of splits and reunions led to Squeeze's eventual demise. Now Glenn tours the world in an RV with family in tow bashing his way through a vast back catalogue adapted for acoustic guitar and solo delivery.I had the fortune of catching two shows whilst he was in town, and Glenn's shows are full of energy and enthusiasm with Glenn frequently abandoning the mic and wandering the stage. His songs of lamented love and forbidden fancies interspersed with anecdotes and musical tales of two decades on the road, well documented in Amy Pickard's film 'One for the road' which received it's debut showing prior to his first performance. The seated, older and more sedate audience at 'Don't Tell Tom' on Friday night were reluctant to fully immerse themselves in the many acts of participation that Glenn had planned, preferring instead to shout requests that are gleefully added to the set ad hoc. The younger, keener and more energetic audience at 'the Espy' on Wednesday night however were up for everything thrown at them, singing along without prompting in all the right places and gathered in a throng at the front of the stage for the entirety of the set.The second half of The Espy show Glenn was backed by the infamous Rockwiz orchestra with the intention of adding a little more 'Rock' to the show and I'm unsure if they really did Glenn any favours. All the songs were played too slowly, this coupled with Glenn's obvious nervousness at playing with an unfamiliar band drew away some of his earlier energy and presence, a friend at the show nicknamed them 'The Masters of Homogenisationî which describes their effect on all they back beautifully.Life for the old stalwarts of Rock that refuse to quit touring must be an odd existence, over 20 years of material and all audiences primarily want to hear are your early 'hits'. At the very least frustrating, possibly even a little depressing, however Glenn certainly doesn't show it.

Published in Inpress number 693

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## [The Answer - The Evelyn Hotel, Melbourne](https://chrischinchilla.com/blog/2007/2007-04-14-the-answer-the-evelyn-hotel-melbourne)

Date: 2007-04-13

From The Answer's opening chords it's immediately obvious why the band are more popular in Australia than their homeland of Ireland, bearing more than a passing resemblance to a certain electrically themed Australian four piece, a member of the crowd even shouts, 'Welcome Home!î Fortunately there's more to the band, they seemingly channel aspects of every major 'Rawk' band from the past four decades, and carry it off it extraordinarily well with a vast show of talent and tunes. The band are on fine form tonight with the crowd firmly in their hands, the singer croons, howls, swings his microphone stand and poses, the guitarist solos with a foot on the monitor and riffs hard, the drummer and the bass player keep it all going with some solid rock. There's a lot of hair, a lot of volume, a lot of ego and a lot of sweat, the perfect ingredients and dare I say it, the perfect answer(!) for any night of fully blown, seat of your pants' Rock.

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From The Answer's opening chords it's immediately obvious why the band are more popular in Australia than their homeland of Ireland, bearing more than a passing resemblance to a certain electrically themed Australian four piece, a member of the crowd even shouts, 'Welcome Home!î Fortunately there's more to the band, they seemingly channel aspects of every major 'Rawk' band from the past four decades, and carry it off it extraordinarily well with a vast show of talent and tunes. The band are on fine form tonight with the crowd firmly in their hands, the singer croons, howls, swings his microphone stand and poses, the guitarist solos with a foot on the monitor and riffs hard, the drummer and the bass player keep it all going with some solid rock. There's a lot of hair, a lot of volume, a lot of ego and a lot of sweat, the perfect ingredients and dare I say it, the perfect answer(!) for any night of fully blown, seat of your pants' Rock.

Published in www.rockus.com.au

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## [The Regular John's, Mint Chicks, The Bronx - HiFi Club, Melbourne](https://chrischinchilla.com/blog/2007/2007-04-14-the-regular-johns-mint-chicks-the-bronx-hifi-club-melbourne)

Date: 2007-04-13

The life of support acts to large touring artists is a tough one, playing early to half empty rooms for little money to people who are largely indifferent to your efforts and sadly tonight is no exception as a multitude of people seem happy to pay $30 to only watch one band. The Regular Johns kick off proceedings with a dangerous name for any rock band, as despite their high energy stage show, faultless playing and excellent stage presence, musically they are sadly no more than a fairly regular rock band. The Mint Chicks are up next, a band I've been wanting to see for a long time since they became a regular part of my DJ set in the UK and I hate to say, I was a little disappointed. Personally I get the feeling that the band's sound was set up for The Bronx as their usual clear punchy sound (on record) was just a big mushy mess with no clarity or distinction. Despite this, Kody, the band's singer is one the most acrobatic front men I've ever witnessed (second to the British Institution that is John Ottway!), flinging himself about left, right and centre, back flips and belly flops, sadly though the sound doesn't do the energy any justice and I'm left a little under whelmed. The Bronx on the other hand live up to all the hype my uber-fan companion gave them, my initial thought was that I'd be bored after 20 minutes of relentless, incessant hardcore, far from it, I was transfixed from start to finish. From the lead guitarist playing despite a shattered pelvis, the tank-like bass player and the shear passion and energy of singer Matt Caughthran as he crowd surfed around the venue whilst still 'singing' on full throttle and remaining vaguely in tune. Aside from the music the band love the crowd, flattering Melbourne and Australia, encoring with a cover of The Victims' song, 'Television Addict'. The Bronx rock, love what they do, love the crowd and the crowd love them, what more could you want?

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The life of support acts to large touring artists is a tough one, playing early to half empty rooms for little money to people who are largely indifferent to your efforts and sadly tonight is no exception as a multitude of people seem happy to pay $30 to only watch one band. The Regular Johns kick off proceedings with a dangerous name for any rock band, as despite their high energy stage show, faultless playing and excellent stage presence, musically they are sadly no more than a fairly regular rock band. The Mint Chicks are up next, a band I've been wanting to see for a long time since they became a regular part of my DJ set in the UK and I hate to say, I was a little disappointed. Personally I get the feeling that the band's sound was set up for The Bronx as their usual clear punchy sound (on record) was just a big mushy mess with no clarity or distinction. Despite this, Kody, the band's singer is one the most acrobatic front men I've ever witnessed (second to the British Institution that is John Ottway!), flinging himself about left, right and centre, back flips and belly flops, sadly though the sound doesn't do the energy any justice and I'm left a little under whelmed. The Bronx on the other hand live up to all the hype my uber-fan companion gave them, my initial thought was that I'd be bored after 20 minutes of relentless, incessant hardcore, far from it, I was transfixed from start to finish. From the lead guitarist playing despite a shattered pelvis, the tank-like bass player and the shear passion and energy of singer Matt Caughthran as he crowd surfed around the venue whilst still 'singing' on full throttle and remaining vaguely in tune. Aside from the music the band love the crowd, flattering Melbourne and Australia, encoring with a cover of The Victims' song, 'Television Addict'. The Bronx rock, love what they do, love the crowd and the crowd love them, what more could you want?

Published in www.rockus.com.au

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## [The Melbourne Athiest Society](https://chrischinchilla.com/blog/2007/2007-03-14-the-melbourne-athiest-society)

Date: 2007-03-14

I've just returned from Attending the Melbourne Atheists society (<a href="https://home.vicnet.net.au/~atheist" target="_blank">home.vicnet.net.au/~atheist</a>), I was intrigued to see what the topics of conversation might be, and tonight was the turn of agnosticism, hard work for the speaker, preaching to the (un)converted as it were. The first thing that struck me aside from the wonky OHPís and prevalence of socks and sandals, was the age of the audience; does Atheism hold the same appeal to the elderly as religion? Does the steadfast belief in Science and practicalism hold the same appeal as faith in the older echelons of society? <br><br>As far as I could ascertain from the talk being an agnostic is being open minded about supernatural entities and the superiority of Science, whereas Atheists discount supernatural entities altogether, although the lengthy discussion that ensued after the talk gave the impression that perhaps the definitions are not as clear cut as that, and as usual with these things a battle of semantics raged. It reminded me of a passage (as many things do) from Hitchhikers Guide to the Galaxy were the philosophers of a particular planet build a machine to tell them the answer to "Life, the universe and everything", when they get an unexpected answer it is made clear to them that they never really knew what the question was. If everyone has a differing opinion on what Atheism and Agnosticism mean then how can you have a balanced discussion on it? It's these sorts of arguments and discrepancies that have plagued the spiritual community for many years. If retaining an open mind on the origins of the world is Agnosticism, then I guess that's what I am, I wouldn't discount anyone's beliefs if I couldn't wholeheartedly disproved them myself. My final question is this, if we take Atheism as a negative, slightly pessimistic belief in nothing beyond the material world, and Agnosticism as a more optimistic, non-dismissive way of life, would Atheists still refuse to believe in a 'God' or a supernatural entity if it were proved without a shadow of a doubt by science that one existed?

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I've just returned from Attending the Melbourne Atheists society (<a href="https://home.vicnet.net.au/~atheist" target="_blank">home.vicnet.net.au/~atheist</a>), I was intrigued to see what the topics of conversation might be, and tonight was the turn of agnosticism, hard work for the speaker, preaching to the (un)converted as it were. The first thing that struck me aside from the wonky OHPís and prevalence of socks and sandals, was the age of the audience; does Atheism hold the same appeal to the elderly as religion? Does the steadfast belief in Science and practicalism hold the same appeal as faith in the older echelons of society? <br><br>As far as I could ascertain from the talk being an agnostic is being open minded about supernatural entities and the superiority of Science, whereas Atheists discount supernatural entities altogether, although the lengthy discussion that ensued after the talk gave the impression that perhaps the definitions are not as clear cut as that, and as usual with these things a battle of semantics raged. It reminded me of a passage (as many things do) from Hitchhikers Guide to the Galaxy were the philosophers of a particular planet build a machine to tell them the answer to "Life, the universe and everything", when they get an unexpected answer it is made clear to them that they never really knew what the question was. If everyone has a differing opinion on what Atheism and Agnosticism mean then how can you have a balanced discussion on it? It's these sorts of arguments and discrepancies that have plagued the spiritual community for many years. If retaining an open mind on the origins of the world is Agnosticism, then I guess that's what I am, I wouldn't discount anyone's beliefs if I couldn't wholeheartedly disproved them myself. My final question is this, if we take Atheism as a negative, slightly pessimistic belief in nothing beyond the material world, and Agnosticism as a more optimistic, non-dismissive way of life, would Atheists still refuse to believe in a 'God' or a supernatural entity if it were proved without a shadow of a doubt by science that one existed?

---

## [Report from Melbourne](https://chrischinchilla.com/blog/2007/2007-03-09-report-from-melbourne)

Date: 2007-03-09

Been a while, now seems a natural point to update you all on what I've been up to...<br><br>As now I have a home, and not only a home, but my first permanent address for nearly a year, which I was quite excited about, but now I also feel a little down as I have commitments again for the first time in nearly a year, it feels like the end of the Holiday.<br><br>This is compounded by the fact that I need a little more work, whilst the journo work I have is paying, and it covers rent and bills, it covers little else, I need some part time work, maybe 2 - 3 days a week, so I'm very paranoid about money...<br><br>All that sort of negative stuff aside, everything else has been going pretty well, things with 'Australian Lady' (don't know if they want to be named in my public outpourings to the world, yet...) have been strangely easy, all things considered.<br><br>I am enjoying Melbourne, it's a very vibrant city, full of life, variety, character, multiculturalism and culture. The size is still confusing me, one of the things getting me down about London was the nepotistic cliques I kept encountering, to be fair, they were nothing in comparison to here, everyone pretty much knows everyone else on the \Rock\" circuit, or knows someone who knows someone else (if that makes sense), the degrees of separation are slight, I'm unsure yet as to whether that's a good thing or not.<br><br>I'm attempting to cause a few crossovers of 'scenes', attending gigs and getting involved in quite a lot of social groups and alternative political activities.<br><br>Likewise, I don't know if the move was necessarily the best to further my musical career, whilst it may be easier to be noticed, breaking out of that may be harder, we shall see. On that note I have now started forming a new band and have some solo shows in the pipeline, people are interested in hearing and helping me which is refreshing.<br><br>After some technical hitches I have now nearly finished mixing the Macaca Mulatta demos, if anyone cares remains to be seen, but they're sounding good so far and that makes me happy.<br><br>So, I miss people and things, but now the story really starts... Watch this space, will be a little more regular from now on.<br><br>Chinch xx<br><br>PS... My (now) multinational promotions and label has an event coming up...<br><br>Here we go, PR is below<br><br>Antescene Present a night of :<br>Sick Country gypsy blues and perverts<br>The Cuban Bar, Camden on 28/03/07<br>Stables Market, Chalk Farm Road, NW1 8AH, 0207 424 0692<br>Featuring : The Urban Voodoo Machine, Captain Blood Blood & The Sea Dogs, Lil lost Lou, Congregation<br><br>Antescene promotes promising artists with something new to offer, artists who may not or donít want to belong to any particular genre or scene. From weird outsiders to promising ego maniacs, the decadent, the many and the few, all out there doing their own thing, making music for the sake of it, for the love of it. The event is in association with the ëNational Studentí newspaper, a free and independent newspaper for the UK student body, one of very few surviving in an increasingly commercial Student world (www.national-student.co.uk).<br><br>Antescene believe that music can help raise awareness of real world issues so the event will be helping promote Friendís of The Earthís ëBig Askí Campaign (www.thebigask.com), the campaign was launched to lobby for new Climate Change laws, Following huge public support, the majority of UK MPs supported the campaign, and the Government announced it would introduce a Climate Change Bill. The challenge for 2007 is to ensure that this Bill is strong enough, including annual targets for the reduction of carbon-dioxide emissions, and enforcing these targets so they are actually met. Meet with Friends of the Earth on the night, and find out how you can put pressure on your MP to ensure the UK takes a lead in addressing the greatest challenge of our times.<br><br>This is Antesceneís second event after a riotous squat party late in 2006 attended by hundreds of people with more events planned for the future as well as forthcoming releases. For March the 28th Antescene is promoting a night of bourbon soaked gypsy blues led by The Urban Voodoo Machine, a band becoming increasingly notorious for their bizarre audience - often including fire breathing dwarves and transvestites, as much as for their dark hypnotic and stomping rhythms played by an ever increasing number of band members. The Urban Voodoo Machine are suave and dress to impress, so get your glad rags on and bring enough money to buy some absinthe.

---

Been a while, now seems a natural point to update you all on what I've been up to...<br><br>As now I have a home, and not only a home, but my first permanent address for nearly a year, which I was quite excited about, but now I also feel a little down as I have commitments again for the first time in nearly a year, it feels like the end of the Holiday.<br><br>This is compounded by the fact that I need a little more work, whilst the journo work I have is paying, and it covers rent and bills, it covers little else, I need some part time work, maybe 2 - 3 days a week, so I'm very paranoid about money...<br><br>All that sort of negative stuff aside, everything else has been going pretty well, things with 'Australian Lady' (don't know if they want to be named in my public outpourings to the world, yet...) have been strangely easy, all things considered.<br><br>I am enjoying Melbourne, it's a very vibrant city, full of life, variety, character, multiculturalism and culture. The size is still confusing me, one of the things getting me down about London was the nepotistic cliques I kept encountering, to be fair, they were nothing in comparison to here, everyone pretty much knows everyone else on the \Rock\" circuit, or knows someone who knows someone else (if that makes sense), the degrees of separation are slight, I'm unsure yet as to whether that's a good thing or not.<br><br>I'm attempting to cause a few crossovers of 'scenes', attending gigs and getting involved in quite a lot of social groups and alternative political activities.<br><br>Likewise, I don't know if the move was necessarily the best to further my musical career, whilst it may be easier to be noticed, breaking out of that may be harder, we shall see. On that note I have now started forming a new band and have some solo shows in the pipeline, people are interested in hearing and helping me which is refreshing.<br><br>After some technical hitches I have now nearly finished mixing the Macaca Mulatta demos, if anyone cares remains to be seen, but they're sounding good so far and that makes me happy.<br><br>So, I miss people and things, but now the story really starts... Watch this space, will be a little more regular from now on.<br><br>Chinch xx<br><br>PS... My (now) multinational promotions and label has an event coming up...<br><br>Here we go, PR is below<br><br>Antescene Present a night of :<br>Sick Country gypsy blues and perverts<br>The Cuban Bar, Camden on 28/03/07<br>Stables Market, Chalk Farm Road, NW1 8AH, 0207 424 0692<br>Featuring : The Urban Voodoo Machine, Captain Blood Blood & The Sea Dogs, Lil lost Lou, Congregation<br><br>Antescene promotes promising artists with something new to offer, artists who may not or donít want to belong to any particular genre or scene. From weird outsiders to promising ego maniacs, the decadent, the many and the few, all out there doing their own thing, making music for the sake of it, for the love of it. The event is in association with the ëNational Studentí newspaper, a free and independent newspaper for the UK student body, one of very few surviving in an increasingly commercial Student world (www.national-student.co.uk).<br><br>Antescene believe that music can help raise awareness of real world issues so the event will be helping promote Friendís of The Earthís ëBig Askí Campaign (www.thebigask.com), the campaign was launched to lobby for new Climate Change laws, Following huge public support, the majority of UK MPs supported the campaign, and the Government announced it would introduce a Climate Change Bill. The challenge for 2007 is to ensure that this Bill is strong enough, including annual targets for the reduction of carbon-dioxide emissions, and enforcing these targets so they are actually met. Meet with Friends of the Earth on the night, and find out how you can put pressure on your MP to ensure the UK takes a lead in addressing the greatest challenge of our times.<br><br>This is Antesceneís second event after a riotous squat party late in 2006 attended by hundreds of people with more events planned for the future as well as forthcoming releases. For March the 28th Antescene is promoting a night of bourbon soaked gypsy blues led by The Urban Voodoo Machine, a band becoming increasingly notorious for their bizarre audience - often including fire breathing dwarves and transvestites, as much as for their dark hypnotic and stomping rhythms played by an ever increasing number of band members. The Urban Voodoo Machine are suave and dress to impress, so get your glad rags on and bring enough money to buy some absinthe.

---

## [Spray Dog - Karate Summer Camp](https://chrischinchilla.com/blog/2007/2007-02-26-spray-dog-karate-summer-camp)

Date: 2007-02-26

I wanted to review this fifth album from the Newcastle Lo-Fi stars as they reminded me of my fanzine writing days in the late 90's. Therein lies the problem, despite claiming to have influenced the current crop of highly successful bands from the North East of England (which I can't hear myself), the band remind me a little too much of the late 90's, they haven't really changed. If you're after a proficient slab of good old-fashioned Lo-Fi Indie then look no further, Spraydog are definitely the band for you, but personally I overdosed on it a long time ago.<br><br><a href=https://www.spraydog.co.uk target=_blank>www.spraydog.co.uk</a>

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I wanted to review this fifth album from the Newcastle Lo-Fi stars as they reminded me of my fanzine writing days in the late 90's. Therein lies the problem, despite claiming to have influenced the current crop of highly successful bands from the North East of England (which I can't hear myself), the band remind me a little too much of the late 90's, they haven't really changed. If you're after a proficient slab of good old-fashioned Lo-Fi Indie then look no further, Spraydog are definitely the band for you, but personally I overdosed on it a long time ago.<br><br><a href=https://www.spraydog.co.uk target=_blank>www.spraydog.co.uk</a>

Published in The Cuckoo Press

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## [Various Artists - FOPP Award for new Music 2006](https://chrischinchilla.com/blog/2007/2007-02-26-various-artists-fopp-award-for-new-music-2006)

Date: 2007-02-26

Whilst I'm all for supporting new music and anything that raises the profile of good new artists I'm not entirely sure what this fairly long running scheme in partnership with FOPP, The PRS Foundation for new music and Clear Sound and Vision is trying to achieve. Looking at the judging panel which includes staff from the NME as well as big wig A&R men and listening to the music on this sampler CD one can't help but wonder that the award is aiming to find new music with the biggest commercial potential not necessarily the most competent or interesting music. Olympus Mons sound like every other 'Libertines-Lite' band currently doing the rounds, Conrad Vague is a proficient but uninteresting singer-songwriter with only The Dials and Morton Valance doing something slightly more interesting, which is interesting as they're the only two artists on the CD that already had a profile before entering the competition. Proof perhaps that those deserving will win through and be noticed anyway or maybe a sign of conflicting opinions and motives in the Judging Panel.

---

Whilst I'm all for supporting new music and anything that raises the profile of good new artists I'm not entirely sure what this fairly long running scheme in partnership with FOPP, The PRS Foundation for new music and Clear Sound and Vision is trying to achieve. Looking at the judging panel which includes staff from the NME as well as big wig A&R men and listening to the music on this sampler CD one can't help but wonder that the award is aiming to find new music with the biggest commercial potential not necessarily the most competent or interesting music. Olympus Mons sound like every other 'Libertines-Lite' band currently doing the rounds, Conrad Vague is a proficient but uninteresting singer-songwriter with only The Dials and Morton Valance doing something slightly more interesting, which is interesting as they're the only two artists on the CD that already had a profile before entering the competition. Proof perhaps that those deserving will win through and be noticed anyway or maybe a sign of conflicting opinions and motives in the Judging Panel.

<a href=https://www.fopp.co.uk target=_blank>www.fopp.co.uk</a>

Published in Unpublished

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## [Pocus Whiteface - Demo](https://chrischinchilla.com/blog/2007/2007-02-26-pocus-whiteface-demo)

Date: 2007-02-26

This is a demo, so I will treat it as such and offer Pocus Whiteface some constructive criticism, which I hope is what they want. There are some wonderful riffs here, some amazing crazy guitar noises, discordant chords, thundering bass lines (played by a brilliant bass player) and manic shouted vocals (though they could do with greater projection), all of which are good in my books. The bands' main flaws lie in their structure and arrangement, despite no song being longer than four and a half minutes at times they drag and feel a lot longer. The songs need more ups and downs, more hooks, better dynamics, bury yourselves in a studio for a bit, tear the songs apart, put them back together again and we'll have a mighty musical force on our hands.

---

This is a demo, so I will treat it as such and offer Pocus Whiteface some constructive criticism, which I hope is what they want. There are some wonderful riffs here, some amazing crazy guitar noises, discordant chords, thundering bass lines (played by a brilliant bass player) and manic shouted vocals (though they could do with greater projection), all of which are good in my books. The bands' main flaws lie in their structure and arrangement, despite no song being longer than four and a half minutes at times they drag and feel a lot longer. The songs need more ups and downs, more hooks, better dynamics, bury yourselves in a studio for a bit, tear the songs apart, put them back together again and we'll have a mighty musical force on our hands.

<a href=https://www.myspace.com/pocuswhiteface target=_blank>www.myspace.com/pocuswhiteface</a>

Published in Angry Ape

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## [Arcturian - Demo](https://chrischinchilla.com/blog/2007/2007-02-26-arcturian-demo)

Date: 2007-02-26

Proficient debut demo from London five piece for those who remember the sweeter and more melodious side of Britpop and have since got jobs, got lives and grown up? A bit.

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Proficient debut demo from London five piece for those who remember the sweeter and more melodious side of Britpop and have since got jobs, got lives and grown up? A bit.

<a href=https://www.myspace.com/arcturian target=_blank>www.myspace.com/arcturian</a>

Published in Unpublished

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## [Big Strides - Always Together](https://chrischinchilla.com/blog/2007/2007-02-26-big-strides-always-together)

Date: 2007-02-26

Despite my suspicions that Big Strides may have a lot of money behind them (headlining the Electric Ballroom already?) this is a brilliant single. Each track has a different style from bluesy-funk to mellow Ballad, un yet still possessing a similar feel and sound, all superbly captured and recorded. Three boys to watch out for.

---

Despite my suspicions that Big Strides may have a lot of money behind them (headlining the Electric Ballroom already?) this is a brilliant single. Each track has a different style from bluesy-funk to mellow Ballad, un yet still possessing a similar feel and sound, all superbly captured and recorded. Three boys to watch out for.

<a href=https://www.bigstrides.net target=_blank>www.bigstrides.net</a>

Published in Angry Ape

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## [IV Thieves - If we can't escape my pretty](https://chrischinchilla.com/blog/2007/2007-02-26-iv-thieves-if-we-cant-escape-my-pretty)

Date: 2007-02-26

IV Thieves last single, Day is a Downer received a fairly muted response from me and after listening to If We Can't Escape My Pretty it was a definite case of too few tracks to properly judge a band, the album is awesome, unrelenting, rock and riffs fill it from start to finish. Three of the Four Thieves take turns on lead vocals which leads to a variable if slightly schizophrenic feel to the album, albeit with a John Lennon-esque delivery at their core. Each vocal seems to be complimented perfectly by the musical backing, this isn't just a random allocation of duties, proceedings have been planned and thought out. It has a retro feel, I stick by my Britpop references and add a probable love of 60's music to the equation, but it's retro beefed up, revved up, brought slap bang into the modern age.

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IV Thieves last single, Day is a Downer received a fairly muted response from me and after listening to If We Can't Escape My Pretty it was a definite case of too few tracks to properly judge a band, the album is awesome, unrelenting, rock and riffs fill it from start to finish. Three of the Four Thieves take turns on lead vocals which leads to a variable if slightly schizophrenic feel to the album, albeit with a John Lennon-esque delivery at their core. Each vocal seems to be complimented perfectly by the musical backing, this isn't just a random allocation of duties, proceedings have been planned and thought out. It has a retro feel, I stick by my Britpop references and add a probable love of 60's music to the equation, but it's retro beefed up, revved up, brought slap bang into the modern age.

<a href=https://www.myspace.com/ivthieves target=_blank>www.myspace.com/ivthieves</a>

Published in Unpublished

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## [The Twilight Singers - A Stitch in Time EP](https://chrischinchilla.com/blog/2007/2007-02-24-the-twilight-singers-a-stitch-in-time-ep)

Date: 2007-02-24

Collaborations seem to be becoming increasingly popular, varying from perfect pairings to just plain embarrassing, this release is somewhere in-between. The first few tracks are brilliant; especially 'Live with me' that not only features Mark Lanegan on vocals sounding like the ghost of Johnny Cash, but is also a cover of a Massive Attack song. Tracks 2 and 3 are also wonderful dark laments, full of brooding bass lines and discordant chords, from here on the music remains fairly interesting and dark but the vocals become duller and more generic as we revert to the normal band line-up, which begs the question, who are the Twilight Singers?

---

Collaborations seem to be becoming increasingly popular, varying from perfect pairings to just plain embarrassing, this release is somewhere in-between. The first few tracks are brilliant; especially 'Live with me' that not only features Mark Lanegan on vocals sounding like the ghost of Johnny Cash, but is also a cover of a Massive Attack song. Tracks 2 and 3 are also wonderful dark laments, full of brooding bass lines and discordant chords, from here on the music remains fairly interesting and dark but the vocals become duller and more generic as we revert to the normal band line-up, which begs the question, who are the Twilight Singers?

<a href=https://www.thetwilightsingers.com target=_blank>www.thetwilightsingers.com</a>

Published in Unpublished

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## [The Vice - Lovers EP](https://chrischinchilla.com/blog/2007/2007-02-24-the-vice-lovers-ep)

Date: 2007-02-24

I'm instantly suspicious of bands who try to make themselves sound a lot more interesting than they really are, if you've got nothing to say or it's too early in your career to have anything interesting to say on a press release, then just keep it simple, let the music talk for itself. Fortunately in the Vice's case the music does a fair job of this, despite being a low key and budget release. The band's sound is currently schizophrenic as they find their voice, fusing a few 'fashionable' styles and a few of their own ideas, thus they have the potential in sound, looks and attitude to be twisted into a marketing commodity, turned into whatever a label executive with a fat wallet desires them to become. At the moment the band's music has some honesty, rawness, some life, I hope it and they stay that way.

---

I'm instantly suspicious of bands who try to make themselves sound a lot more interesting than they really are, if you've got nothing to say or it's too early in your career to have anything interesting to say on a press release, then just keep it simple, let the music talk for itself. Fortunately in the Vice's case the music does a fair job of this, despite being a low key and budget release. The band's sound is currently schizophrenic as they find their voice, fusing a few 'fashionable' styles and a few of their own ideas, thus they have the potential in sound, looks and attitude to be twisted into a marketing commodity, turned into whatever a label executive with a fat wallet desires them to become. At the moment the band's music has some honesty, rawness, some life, I hope it and they stay that way.

<a href=https://www.thevicemusic.co.uk target=_blank>www.thevicemusic.co.uk</a>

Published in Unpublished

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## [Pop Levi - Water Rats](https://chrischinchilla.com/blog/2007/2007-01-24-pop-levi-water-rats)

Date: 2007-01-24

10 minutes spent playing an E chord, ear splitting and ostentatious guitar solos and more posing than you care to shake a stick at are a few of the elements delighting a packed and buzzing Water Rats Tonight. Imagine part Led Zeppelin, part LSD from 'The Producers' (The original film) and part Menswe@r and you're half way to a rough idea of knowing what a night with Pop Levi is like.

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10 minutes spent playing an E chord, ear splitting and ostentatious guitar solos and more posing than you care to shake a stick at are a few of the elements delighting a packed and buzzing Water Rats Tonight. Imagine part Led Zeppelin, part LSD from 'The Producers' (The original film) and part Menswe@r and you're half way to a rough idea of knowing what a night with Pop Levi is like.

Published in Fly Magazine, March 2007

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## [Orphan Boy - Trophies of Love](https://chrischinchilla.com/blog/2007/2007-01-23-orphan-boy-trophies-of-love)

Date: 2007-01-23

Elements of Orphan Boy sound similar to many other bands currently on the bandwagon, some elements are even cringingly similar. Thankfully there seems to be a little more to the band. Firstly they poses an aggressive rawness presently lacking in so many bands, frantic, shouted lyrics on the Dull mundanity of life, great crashing guitar chords and driving instrumentals. If only more bands of this genre could be as imaginative.

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Elements of Orphan Boy sound similar to many other bands currently on the bandwagon, some elements are even cringingly similar. Thankfully there seems to be a little more to the band. Firstly they poses an aggressive rawness presently lacking in so many bands, frantic, shouted lyrics on the Dull mundanity of life, great crashing guitar chords and driving instrumentals. If only more bands of this genre could be as imaginative.

<a href="https://www.orphanboy.co.uk" target="_blank">www.orphanboy.co.uk</a>

Published in Maps Magazine

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## [Rose Kemp - A Handfull of Hurricanes](https://chrischinchilla.com/blog/2007/2007-01-23-rose-kemp-a-handfull-of-hurricanes)

Date: 2007-01-23

Rose Kemp's Live shows are phenomenal, such an expression filled and fuelled singer coupled with a tight proficient band make for a blistering combination. Rose Kemp's Debut single, Violence was a particular favourite of mine, a brooding builder it was one of my favourite singles of last year. Hand Full of Hurricane contains some incredible tracks; Rose Kemp's voice soars in Rock Majesty and drops into serene heart felt moments. The music cleverly arranged, played and produced with skill and thought. The songs are raw, open and honest, about feelings and emotions, good and bad, but deeply personal and every word meant. There is a but to this review, although it's a small one. A few tracks are a little self indulgent, in that the songs are too long and some unnecessary, they feel like padding, with Rose's vocal trickery rather overshadowing the feelings of the song. Overall an impressive debut from a talented artist who exceeds all expectations and assumptions.

---

Rose Kemp's Live shows are phenomenal, such an expression filled and fuelled singer coupled with a tight proficient band make for a blistering combination. Rose Kemp's Debut single, Violence was a particular favourite of mine, a brooding builder it was one of my favourite singles of last year. Hand Full of Hurricane contains some incredible tracks; Rose Kemp's voice soars in Rock Majesty and drops into serene heart felt moments. The music cleverly arranged, played and produced with skill and thought. The songs are raw, open and honest, about feelings and emotions, good and bad, but deeply personal and every word meant. There is a but to this review, although it's a small one. A few tracks are a little self indulgent, in that the songs are too long and some unnecessary, they feel like padding, with Rose's vocal trickery rather overshadowing the feelings of the song. Overall an impressive debut from a talented artist who exceeds all expectations and assumptions.

<a href='https://www.rosekemp.co.uk' target='_blank'>www.rosekemp.co.uk</a>

Published in Maps Magazine

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## [Holy War, Religion and Violence](https://chrischinchilla.com/blog/2007/2007-01-20-holy-war-religion-and-violence)

Date: 2007-01-20

Went to a most inspiring talk last night entitled "Holy War, Religion and Violence" given by Keith Ward at Gresham College. I hope to get a copy of the transcript to post here but I learnt a lot and had a lot of thoughts implanted in my head including : <br>The Byzantine Empire was a remnant of the Roman Empire (which I knew) but far from being the glorious, free civilised image it liked to portray, the empire was in fact a dictatorship and when the Turks (Muslims) attacked they were seen by many as liberators and welcomed.The supposed 'Dark Ages' were only really in the West; the Muslim world was full of advances and enlightenment at the time.<br><br>The Arab world continued and kept alive the Greek traditions of philosophy and discovery, presumably from their Byzantine conquest, the west relearnt them from the Arab world.<br><br>When the West had caught up after the Dark Ages it commenced a 'colonisation' (Christianisation?) of most of the world, the Europeans were seen as Barbarians by the Muslim world, but we ignored most of that and just drained and destroyed them, turning them into the 'Third World' they are now.<br><br>The Qur'an is a set of principles or rules; there are no 'Clergy' in Islam, but a set of 'lawyers' if you like, who interpret the rules and pass those interpretations on to local followers, these 'rules' were written a long time ago for a nomadic society, so their interpretations have changed over the years. There is no supreme head of the Islamic Faith (The last Kalif was deposed in the 14th Century by Muslims) and there is only one Islamic State (Iran), compare that to Christianity. Mohammed was a political leader, so has influence on Politics, but Christianity was and still is tied in with politics.Most phrases taken from the Qur'an and used against it are taken out of context or presented in an edited form. The same applies with extremists; they even use elements of Lenin's teachings on Violent Revolution being the only solution against what they don't consider 'real' Islam, i.e. Democratic politicians in Islamic Countries.<br><br>Islam is an inclusive religion, all prophets from all faiths are considered valid, as are all paths to Heaven, however Muslims do consider Islam the best route, two quotes that sum this attitude nicely :

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Went to a most inspiring talk last night entitled "Holy War, Religion and Violence" given by Keith Ward at Gresham College. I hope to get a copy of the transcript to post here but I learnt a lot and had a lot of thoughts implanted in my head including : <br>The Byzantine Empire was a remnant of the Roman Empire (which I knew) but far from being the glorious, free civilised image it liked to portray, the empire was in fact a dictatorship and when the Turks (Muslims) attacked they were seen by many as liberators and welcomed.The supposed 'Dark Ages' were only really in the West; the Muslim world was full of advances and enlightenment at the time.<br><br>The Arab world continued and kept alive the Greek traditions of philosophy and discovery, presumably from their Byzantine conquest, the west relearnt them from the Arab world.<br><br>When the West had caught up after the Dark Ages it commenced a 'colonisation' (Christianisation?) of most of the world, the Europeans were seen as Barbarians by the Muslim world, but we ignored most of that and just drained and destroyed them, turning them into the 'Third World' they are now.<br><br>The Qur'an is a set of principles or rules; there are no 'Clergy' in Islam, but a set of 'lawyers' if you like, who interpret the rules and pass those interpretations on to local followers, these 'rules' were written a long time ago for a nomadic society, so their interpretations have changed over the years. There is no supreme head of the Islamic Faith (The last Kalif was deposed in the 14th Century by Muslims) and there is only one Islamic State (Iran), compare that to Christianity. Mohammed was a political leader, so has influence on Politics, but Christianity was and still is tied in with politics.Most phrases taken from the Qur'an and used against it are taken out of context or presented in an edited form. The same applies with extremists; they even use elements of Lenin's teachings on Violent Revolution being the only solution against what they don't consider 'real' Islam, i.e. Democratic politicians in Islamic Countries.<br><br>Islam is an inclusive religion, all prophets from all faiths are considered valid, as are all paths to Heaven, however Muslims do consider Islam the best route, two quotes that sum this attitude nicely :

> Let there be no compulsion in Religion

> Let God Decide

I left the talk mentally buzzing, so then wrote this little poem : <br><br><i>Why can't we all get along, why can't we all get on.<br>The Christians want it, the Muslims want it, the Jews want it, everyone here wants it, I hope.<br>It just takes an idiot with a gun or a bomb, a pen or a song, to spoil it.<br><br>We all seem to agree that we all want to be free<br>We all know deep inside that violence isn't right<br>So why do we keep doing it?<br><br>Is it too much to ask for people to put down their arms?<br>Is it expecting too much just to spread a little love, around?<br><br>So if we all know this why isn't the world working?<br>Because here, I'm preaching to the converted</i>

Then I went to do some boring Temp work the next day, where I listened to inane conversations all day

Ho Hum

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## [Dartz! - Once, Twice again](https://chrischinchilla.com/blog/2007/2007-01-18-dartz-once-twice-again)

Date: 2007-01-18

When I first listened to this CD I wanted to slate it completely, sounding like a horrendous hash of all my least favourite current musical genres, including Emo, disco-beat shit, Jingle-Jangle Indie Fop and obligatory Northern accents (not that there's anything wrong with that, it just seems that the Industry is almost looking for them!). Whilst there is a little too much of all of the aforementioned genres in Dartz!'s sound I'm glad I gave it a second listen as beneath all the spine chilling scene chasing are some good melodies, lyrics and musicmanship, boys, get original, you can do it!

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When I first listened to this CD I wanted to slate it completely, sounding like a horrendous hash of all my least favourite current musical genres, including Emo, disco-beat shit, Jingle-Jangle Indie Fop and obligatory Northern accents (not that there's anything wrong with that, it just seems that the Industry is almost looking for them!). Whilst there is a little too much of all of the aforementioned genres in Dartz!'s sound I'm glad I gave it a second listen as beneath all the spine chilling scene chasing are some good melodies, lyrics and musicmanship, boys, get original, you can do it!

<a href='https://www.dartzisgood.co.uk' target='_blank'>www.dartzisgood.co.uk</a>

Published in Maps Magazine

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## [Dive Dive - Revenge of the Mechanical Dogs](https://chrischinchilla.com/blog/2007/2007-01-18-dive-dive-revenge-of-the-mechanical-dogs)

Date: 2007-01-18

Despite a promising album name and some splendid song titles such as Let the Blind lead the Blind and Talentless Fuck this album on the whole pretty is terrible. There is too much Emo crap at the moment and far too much Disco beat nonsense (I keep saying this over and over again, I feel like I'm repeating myself far too much!) so why the hell combine the two! Commercial success I guess.

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Despite a promising album name and some splendid song titles such as Let the Blind lead the Blind and Talentless Fuck this album on the whole pretty is terrible. There is too much Emo crap at the moment and far too much Disco beat nonsense (I keep saying this over and over again, I feel like I'm repeating myself far too much!) so why the hell combine the two! Commercial success I guess.

<a href='https://www.divedive.co.uk' target='_blank'>www.divedive.co.uk</a>

Published in Music Towers

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## [Duke Garwood - Emerald Palace](https://chrischinchilla.com/blog/2007/2007-01-18-duke-garwood-emerald-palace)

Date: 2007-01-18

With a name like Duke Garwood I was hoping for some low down dirty blood, guts and spit blues, which this release is to a certain extent, but with an off-kilter, lo-fi edge. However too many times on the album you're left wanting tunes with direction and more of Duke's soulful, gritty voice and less meandering music that sounds mostly improvised, it all starts to drag after a few tracks

---

With a name like Duke Garwood I was hoping for some low down dirty blood, guts and spit blues, which this release is to a certain extent, but with an off-kilter, lo-fi edge. However too many times on the album you're left wanting tunes with direction and more of Duke's soulful, gritty voice and less meandering music that sounds mostly improvised, it all starts to drag after a few tracks

<a href='https://www.dukegarwood.co.uk' target='_blank'>www.dukegarwood.co.uk</a>

Published in Maps Magazine

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## [Ellis Island Sound - The Good Seed](https://chrischinchilla.com/blog/2007/2007-01-18-ellis-island-sound-the-good-seed)

Date: 2007-01-18

I seem to have been sent an abundance of random noise albums recently, I don't quite understand the point of recording an album of meandering melodies that don't really go anywhere. All very nice and pleasant, and a smattering of pretty melodies, but all to no avail.

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I seem to have been sent an abundance of random noise albums recently, I don't quite understand the point of recording an album of meandering melodies that don't really go anywhere. All very nice and pleasant, and a smattering of pretty melodies, but all to no avail.

<a href='https://www.ellisislandsound.free.fr' target='_blank'>www.ellisislandsound.free.fr</a>

Published in Unpublished

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## [The Dykeenies - Waiting for Go EP](https://chrischinchilla.com/blog/2007/2007-01-16-the-dykeenies-waiting-for-go-ep)

Date: 2007-01-16

Despite a name influenced by wondrous family fantasy romp, Willow the band are yet another overproduced slab of boring American influenced trite. I barely noticed the tracks change from one to the other, I was just glad when it was all over.

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Despite a name influenced by wondrous family fantasy romp, Willow the band are yet another overproduced slab of boring American influenced trite. I barely noticed the tracks change from one to the other, I was just glad when it was all over.

<a href='https://www.thedykeenies.com' target='_blank'>www.thedykeenies.com</a>

Published in Unpublished

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## [The Maccabees - ULU](https://chrischinchilla.com/blog/2007/2007-01-16-the-maccabees-ulu)

Date: 2007-01-16

ULU is full of sweat, teenage hormones and casual day time radio listeners, Jingle jangle and the kids all dance, Uh Oh and the kids all chant, but there's something fundamentally important missing, where are the songs? The Maccabees set is like one long yawn, lots of nice sounding chords all strung together, where are the verses, the choruses, the hooks, the ups, the downs? Where's the stage show, the presence? Where's the Rock & Roll?

---

ULU is full of sweat, teenage hormones and casual day time radio listeners, Jingle jangle and the kids all dance, Uh Oh and the kids all chant, but there's something fundamentally important missing, where are the songs? The Maccabees set is like one long yawn, lots of nice sounding chords all strung together, where are the verses, the choruses, the hooks, the ups, the downs? Where's the stage show, the presence? Where's the Rock & Roll?

<a href='https://www.themaccabees.co.uk' target='_blank'>www.themaccabees.co.uk</a>

Published in Angry Ape and Maps Magazine

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## [Clayton Blizzard - The Notting Hill Arts Club](https://chrischinchilla.com/blog/2007/2007-01-13-clayton-blizzard-the-notting-hill-arts-club)

Date: 2007-01-13

Somewhere buried beneath all The Disco Beat crap and Indie-Fop rubbish that plagues the current music scene is an encouraging and burgeoning army of Singer-Songwriters with something to say. Clayton Blizzard is one of it's finest exponents, his lyrics are incredible, he raps, he sings, he improvises, but unlike some of his contemporaries, he can write original tunes, played with skill and ease on his acoustic guitar. He speaks the truth with a dose of un naive reality, the residents of Notting Hill aren't all up for hearing it, but this is what music should be about, Fusion is the future, Black meets White, genre meets genre, Folk and Phat, inspiring and pure genius.

---

Somewhere buried beneath all The Disco Beat crap and Indie-Fop rubbish that plagues the current music scene is an encouraging and burgeoning army of Singer-Songwriters with something to say. Clayton Blizzard is one of it's finest exponents, his lyrics are incredible, he raps, he sings, he improvises, but unlike some of his contemporaries, he can write original tunes, played with skill and ease on his acoustic guitar. He speaks the truth with a dose of un naive reality, the residents of Notting Hill aren't all up for hearing it, but this is what music should be about, Fusion is the future, Black meets White, genre meets genre, Folk and Phat, inspiring and pure genius.

Published in Fly Magazine, February 2007

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## [Mira Calix - Eyes Set against the Sky](https://chrischinchilla.com/blog/2007/2007-01-12-mira-calix-eyes-set-against-the-sky)

Date: 2007-01-12

Mira Calix makes no excuse at this being an Art Installation of sorts, an experiment in musical boundaries rather than song writing. Whilst it's all very interesting, I hate to sound narrow minded but I'm old fashion, I like songs, verses, choruses and bits that you want to whistle, an hour of noise is not my idea of fun. There is the occasional beautiful moment, but there's too much fiddling around, too much indulgence and lack of structure for my tastes.<a href='https://www.miracalix.com' target='_blank'>www.miracalix.com</a>

---

Mira Calix makes no excuse at this being an Art Installation of sorts, an experiment in musical boundaries rather than song writing. Whilst it's all very interesting, I hate to sound narrow minded but I'm old fashion, I like songs, verses, choruses and bits that you want to whistle, an hour of noise is not my idea of fun. There is the occasional beautiful moment, but there's too much fiddling around, too much indulgence and lack of structure for my tastes.<a href='https://www.miracalix.com' target='_blank'>www.miracalix.com</a>

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## [Music Review Catch Up](https://chrischinchilla.com/blog/2007/2007-01-10-music-review-catch-up)

Date: 2007-01-10

Been rather lame with blog posts recently, you see I'm know self-employed, so not only do I have work to do, but when I don't, I have to look for work... On top of all that I'm arranging my trip to Australia...<br><br>Also, I haven't posted many articles or reviews recently, because I finally have a paid writing job which is taking up most of my time, now it's finally launched I'll start telling you about some of the stuff I'm posting there, more of that later...<br><br>Firstly a few news titbits that caught my eye...<br><br><a href="https://www.musictowers.com/NewsFeed/ViewArticle1969.aspx" target="_blank">New Chart Rules</a><br><br><a href="https://www.theregister.co.uk/2007/01/03/armed_cop_challenge/" target="_blank">Armed Cop Challenge</a><br><br><a href="https://www.theregister.co.uk/2007/01/08/crimean_dolphin_attack/" target="_blank">Dolphin Attack!</a><br><br><a href="https://www.wired.com/wired/archive/15.01/khipu.html" target="_blank">And this is very interesting...</a><br><br>I took a trip to the Museum of London and think I might have found the roots of the North / South divide in country and London Terms, I was going to post photos, but they didn't come out very well...<br><br>In the museum is a map of Roman Briton, South England is called "Britannia Superior", North England "Britannia Inferior"...<br>As for London, it seems that in times gone past the City, i.e. the North, built a wall round itself, to protect itself from invaders, no thought for the south though...<br><br>Big Brother : Not something I'd often talk about, but I gather some fellah from The Towers of London is in it this time, I wonder if their career will experience the same turnaround the Ordinary Boys did? It may intrigue you to know that both bands share the same press company... And that some time ago I spoke to Preston, after the second album had been released but pre-BB, and he confided in me that he had no idea what was in store for them, the second album, not being that well received...<br><br>Now, me and the Macaca Boys have been recording of late, we should have some results very soon... It was an odd process, a little bitty and isolated from each other, but that was the same way we did the Art Brut album and that came out OK...<br><br>OK then, now it's finally sort of on the way... Well it's in Beta stages, but go and have a look and submit suggestions for improvements, here's the site I've been writing for of late : <br><br><a href="https://www.indieoma.com" target="_blank">www.indieoma.com</a><br><br>At the moment it just has articles from my Australia music special, but very soon it will have stuff on : Antifolk, The Hot Puppies, The Answer, Bass Clef, Billy Ruffian, Brinkman, Dead Disco, The Mighty Roars, The Pipettes, Simon Breed, Twisterbait, Nosferatu D2, Blah blah blah, Rose Kemp, 28 Costumes, Billy Brag, The Indelicates, Alpha Saloon, Ashok, The Hedrons, Passenger, Voicst, The Wednesday Society, Natsuo Chiyoda, Some Velvet Morning, Summer Holiday, Dan Sartain, Indigo Moss and more...<br><br>Unfortunately I can't post the articles here, but I am slowly catching up with all the other reviews I've written, and will get them up soon...<br><br>Chinch out xx

---

Been rather lame with blog posts recently, you see I'm know self-employed, so not only do I have work to do, but when I don't, I have to look for work... On top of all that I'm arranging my trip to Australia...<br><br>Also, I haven't posted many articles or reviews recently, because I finally have a paid writing job which is taking up most of my time, now it's finally launched I'll start telling you about some of the stuff I'm posting there, more of that later...<br><br>Firstly a few news titbits that caught my eye...<br><br><a href="https://www.musictowers.com/NewsFeed/ViewArticle1969.aspx" target="_blank">New Chart Rules</a><br><br><a href="https://www.theregister.co.uk/2007/01/03/armed_cop_challenge/" target="_blank">Armed Cop Challenge</a><br><br><a href="https://www.theregister.co.uk/2007/01/08/crimean_dolphin_attack/" target="_blank">Dolphin Attack!</a><br><br><a href="https://www.wired.com/wired/archive/15.01/khipu.html" target="_blank">And this is very interesting...</a><br><br>I took a trip to the Museum of London and think I might have found the roots of the North / South divide in country and London Terms, I was going to post photos, but they didn't come out very well...<br><br>In the museum is a map of Roman Briton, South England is called "Britannia Superior", North England "Britannia Inferior"...<br>As for London, it seems that in times gone past the City, i.e. the North, built a wall round itself, to protect itself from invaders, no thought for the south though...<br><br>Big Brother : Not something I'd often talk about, but I gather some fellah from The Towers of London is in it this time, I wonder if their career will experience the same turnaround the Ordinary Boys did? It may intrigue you to know that both bands share the same press company... And that some time ago I spoke to Preston, after the second album had been released but pre-BB, and he confided in me that he had no idea what was in store for them, the second album, not being that well received...<br><br>Now, me and the Macaca Boys have been recording of late, we should have some results very soon... It was an odd process, a little bitty and isolated from each other, but that was the same way we did the Art Brut album and that came out OK...<br><br>OK then, now it's finally sort of on the way... Well it's in Beta stages, but go and have a look and submit suggestions for improvements, here's the site I've been writing for of late : <br><br><a href="https://www.indieoma.com" target="_blank">www.indieoma.com</a><br><br>At the moment it just has articles from my Australia music special, but very soon it will have stuff on : Antifolk, The Hot Puppies, The Answer, Bass Clef, Billy Ruffian, Brinkman, Dead Disco, The Mighty Roars, The Pipettes, Simon Breed, Twisterbait, Nosferatu D2, Blah blah blah, Rose Kemp, 28 Costumes, Billy Brag, The Indelicates, Alpha Saloon, Ashok, The Hedrons, Passenger, Voicst, The Wednesday Society, Natsuo Chiyoda, Some Velvet Morning, Summer Holiday, Dan Sartain, Indigo Moss and more...<br><br>Unfortunately I can't post the articles here, but I am slowly catching up with all the other reviews I've written, and will get them up soon...<br><br>Chinch out xx

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## [Festive 2007](https://chrischinchilla.com/blog/2007/2007-01-05-festive-2007)

Date: 2007-01-05

Well then, been a while since I last said something...<br /><br />Christmas was quiet, dull, so I guess that was a good Christmas, sat around a lot, watched telly, ate, argued with the family, typical stuff...<br /><br />Got back on the 28th and did a surreal gig with Jim, just the two of us, tried several new songs I'd written and then we did a few improvised songs together, it was most amusing and there was a fair audience to...<br /><br />We also had a great gig on the 30th at The Pop Art Birthday at Lark in the Park, you can see some great photos <a href="https://www.flickr.com/photos/mapsmagazine/sets/72157594449794529" target="_blank">here</a> taken by Paul Maps... As you can see we now have a new guitarist, welcome 'Dan Lobster'. Jim and I also sat on a Questions panel and took part in Indie win lose or draw, all great fun.<br /><br />New Years eve was an odd one, sat about most of the day, dropped by on Chez Fruitbat to visit Les & Crissi and watch Time Team with them, then off to a party of a guy I used to work with which was pretty cool and I met his three foot Marijuana plant called 'Nicky'. Then Arran and Lydia turned up and convinced me to go to another party, where I never quite felt happy, so left about 2ish but it took ages to get home and I saw so much obnoxious behaviour it really depressed me... New years day was pleasant, took a very long walk from Aldgate to Tooting to meet Jim and a few others for Dinner...<br /><br />Then today I started working my way through the list of places I want to visit before I leave with my old Flatmate Carrie, though Westminster Abbey and St Pauls were stupidly expensive so we only ended up going to The London Museum instead and then a quick wander round the National Gallery...<br /><br />I recorded a new track over Christmas to, at the request of a guy in Australia who wanted to remix it, it's a live favourite called 'AAA', take a listen at <a href="https://www.chinchilla-music.co.uk/music.php" target="_blank">www.chinchilla-music.co.uk/music.php</a> where you can hear both remixes, or at <a href="https://www.myspace.com/chrischinchilla" target="_blank">www.myspace.com/chrischinchilla</a>.<br /><br />Overall though I've been feeling strange the past week, everything is in motion now for my return to Australia, booked the flight, visa is being processed and I can't wait to be there again, not least because I get to meet a lovely Lady again, but also because it has not taken me long at all to become fed up with London again, and be reminded of all the reasons behind this feeling, I'm just killing time at the moment, I can't wait until I can finally start something new and move on from a lot of past. I'm rambling slightly, it's hard to put some of the feelings I have on the subject into words without going into a lot of things from my past, I guess it basically boils down to "That was me then this is me now", I want to live a different life as a different sort of person, but when you're constantly surrounded by the trappings of old you, and some of those trappings refuse to give you a chance as the new you... If that makes any sense...<br /><br />Suffice it to say, I'm very excited, after a while of talking about it, I'm finally leaving the UK to pastures new...

---

Well then, been a while since I last said something...<br /><br />Christmas was quiet, dull, so I guess that was a good Christmas, sat around a lot, watched telly, ate, argued with the family, typical stuff...<br /><br />Got back on the 28th and did a surreal gig with Jim, just the two of us, tried several new songs I'd written and then we did a few improvised songs together, it was most amusing and there was a fair audience to...<br /><br />We also had a great gig on the 30th at The Pop Art Birthday at Lark in the Park, you can see some great photos <a href="https://www.flickr.com/photos/mapsmagazine/sets/72157594449794529" target="_blank">here</a> taken by Paul Maps... As you can see we now have a new guitarist, welcome 'Dan Lobster'. Jim and I also sat on a Questions panel and took part in Indie win lose or draw, all great fun.<br /><br />New Years eve was an odd one, sat about most of the day, dropped by on Chez Fruitbat to visit Les & Crissi and watch Time Team with them, then off to a party of a guy I used to work with which was pretty cool and I met his three foot Marijuana plant called 'Nicky'. Then Arran and Lydia turned up and convinced me to go to another party, where I never quite felt happy, so left about 2ish but it took ages to get home and I saw so much obnoxious behaviour it really depressed me... New years day was pleasant, took a very long walk from Aldgate to Tooting to meet Jim and a few others for Dinner...<br /><br />Then today I started working my way through the list of places I want to visit before I leave with my old Flatmate Carrie, though Westminster Abbey and St Pauls were stupidly expensive so we only ended up going to The London Museum instead and then a quick wander round the National Gallery...<br /><br />I recorded a new track over Christmas to, at the request of a guy in Australia who wanted to remix it, it's a live favourite called 'AAA', take a listen at <a href="https://www.chinchilla-music.co.uk/music.php" target="_blank">www.chinchilla-music.co.uk/music.php</a> where you can hear both remixes, or at <a href="https://www.myspace.com/chrischinchilla" target="_blank">www.myspace.com/chrischinchilla</a>.<br /><br />Overall though I've been feeling strange the past week, everything is in motion now for my return to Australia, booked the flight, visa is being processed and I can't wait to be there again, not least because I get to meet a lovely Lady again, but also because it has not taken me long at all to become fed up with London again, and be reminded of all the reasons behind this feeling, I'm just killing time at the moment, I can't wait until I can finally start something new and move on from a lot of past. I'm rambling slightly, it's hard to put some of the feelings I have on the subject into words without going into a lot of things from my past, I guess it basically boils down to "That was me then this is me now", I want to live a different life as a different sort of person, but when you're constantly surrounded by the trappings of old you, and some of those trappings refuse to give you a chance as the new you... If that makes any sense...<br /><br />Suffice it to say, I'm very excited, after a while of talking about it, I'm finally leaving the UK to pastures new...

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## [iLike and Leaving the UK](https://chrischinchilla.com/blog/2006/2006-12-17-ilike-and-leaving-the-uk)

Date: 2006-12-17

Firstly, a few more bits and pieces for you...<br><br>I am such a geek... <a href="https://video.on.nytimes.com/ifr_main.jsp?nsid=a718aabc2:10f8a83155f:-47f8&rf=bm&fr_story=d14603c1e23e6ce37920a8134a2e27b1405a4991&st=1166261802822∓=FLV&cpf=false&fvn=9&fr=121606_043642_718aabc2x10f8a83155fxw47f7&rdm=47464.51370765665" target="_blank">This</a> will irritate some of you (not least because of his accent), but what the hell!<br><br>Recently I've been investigating <a href="https://www.ilike.com" target="_blank">iLike</a>, it's like a mix between Pandora and Last FM, and is very pretty, though the music database is a little lacking in places at the moment...<br><br>It's been funny since I got back, because my initial plan was to just get back into work (which I have been, and very busy indeed, with all sorts of interesting work coming my way), get the band going (and we're recording next week!) and see what happened...<br><br>But it's funny what life throws at you, as in Melbourne I met someone who I got on very well with, so instead will be heading back there soonish to embark on a new adventure instead...<br><br>Oh well, who was I kidding that I could just come back to London and get on with life again?<br><br>Too much out there to be experienced yet, and I've made no secret of the fact that I've wanted to leave the UK for ages anyway and have just been looking for the right place and set of circumstances (which sounds really sterile, I guess I just mean when it felt right.)<br><br>Which has made the past week a little hectic as I try to organise all the paperwork (and get nowhere with it yet!), figure out when I'm actually going to go and sort everything out around that, keeping my fingers crossed that things will all just sort of come together beautifully as they always seem to when I stop worrying about things. (Apparently I have a guardian angel, but that's a whole other story!)<br><br>Anyway, so at the moment, I'm a little worried, busy, but very happy and excited... Good times!<br><br>Chinch out :-)

---

Firstly, a few more bits and pieces for you...<br><br>I am such a geek... <a href="https://video.on.nytimes.com/ifr_main.jsp?nsid=a718aabc2:10f8a83155f:-47f8&rf=bm&fr_story=d14603c1e23e6ce37920a8134a2e27b1405a4991&st=1166261802822∓=FLV&cpf=false&fvn=9&fr=121606_043642_718aabc2x10f8a83155fxw47f7&rdm=47464.51370765665" target="_blank">This</a> will irritate some of you (not least because of his accent), but what the hell!<br><br>Recently I've been investigating <a href="https://www.ilike.com" target="_blank">iLike</a>, it's like a mix between Pandora and Last FM, and is very pretty, though the music database is a little lacking in places at the moment...<br><br>It's been funny since I got back, because my initial plan was to just get back into work (which I have been, and very busy indeed, with all sorts of interesting work coming my way), get the band going (and we're recording next week!) and see what happened...<br><br>But it's funny what life throws at you, as in Melbourne I met someone who I got on very well with, so instead will be heading back there soonish to embark on a new adventure instead...<br><br>Oh well, who was I kidding that I could just come back to London and get on with life again?<br><br>Too much out there to be experienced yet, and I've made no secret of the fact that I've wanted to leave the UK for ages anyway and have just been looking for the right place and set of circumstances (which sounds really sterile, I guess I just mean when it felt right.)<br><br>Which has made the past week a little hectic as I try to organise all the paperwork (and get nowhere with it yet!), figure out when I'm actually going to go and sort everything out around that, keeping my fingers crossed that things will all just sort of come together beautifully as they always seem to when I stop worrying about things. (Apparently I have a guardian angel, but that's a whole other story!)<br><br>Anyway, so at the moment, I'm a little worried, busy, but very happy and excited... Good times!<br><br>Chinch out :-)

---

## [15th December 2006](https://chrischinchilla.com/blog/2006/2006-12-14-15th-december-2006)

Date: 2006-12-14

Personally I think <a href="https://media.nothingtoxic.com/uploads/4d7d011778fc4d6891bcedbec9710967.swf" target="_blank">this</a> is great...<br />A few odd things seen the past few days... - Bacardi are advertising 0 sugar, isn&#39;t Rum made from Sugar Cane?<ul><li>The new Burger King Angus is certified 100% Beef, do BK feel that their products are mistrusted so much they have to get them certified? And who does that? What a job...</li><li><span style="line-height: 1.538em;">Saw a sign for a Family restaurant... That appealed to my sense of humour... &quot;How would you like your Grandmother sir? Roasted or Fried?&quot;</li></ul>

---

Personally I think <a href="https://media.nothingtoxic.com/uploads/4d7d011778fc4d6891bcedbec9710967.swf" target="_blank">this</a> is great...<br />A few odd things seen the past few days... - Bacardi are advertising 0 sugar, isn&#39;t Rum made from Sugar Cane?<ul><li>The new Burger King Angus is certified 100% Beef, do BK feel that their products are mistrusted so much they have to get them certified? And who does that? What a job...</li><li><span style="line-height: 1.538em;">Saw a sign for a Family restaurant... That appealed to my sense of humour... &quot;How would you like your Grandmother sir? Roasted or Fried?&quot;</li></ul>

That&#39;s it for now...

---

## [16th Dec 2006](https://chrischinchilla.com/blog/2006/2006-12-14-16th-dec-2006)

Date: 2006-12-14

Bah, my heads all of a muddle at the moment, trying to write songs, but busy sorting all sorts out and can&#39;t quite get anything out, lots of bits and pieces of ideas...

---

Bah, my heads all of a muddle at the moment, trying to write songs, but busy sorting all sorts out and can&#39;t quite get anything out, lots of bits and pieces of ideas...

In the meantime, take a look at <a href="https://blog.wired.com/tableofmalcontents/2006/12/israeli_army_ha.html" target="_blank">this</a>...

Working on loads of writing though, will put some links up to that soon.

And don&#39;t forget my Christmas drinks at The Green Man, Berwick st on 15/12/06 :-)

---

## [9th Dec 2006](https://chrischinchilla.com/blog/2006/2006-12-08-9th-dec-2006)

Date: 2006-12-08

This was written for <a href="\" target="\&quot;_blank\&quot;">www.mapsmagazine.co.uk</a> so focuses on the playing side of things, might write something in more detail at some point, dunno... Had a lot of fun and some great times, met some great people...

---

This was written for <a href="\" target="\&quot;_blank\&quot;">www.mapsmagazine.co.uk</a> so focuses on the playing side of things, might write something in more detail at some point, dunno... Had a lot of fun and some great times, met some great people...

Been offered some good work opportunities that will keep me in the Uk for the next couple of months, after that I don&#39;t know, I may go elsewhere... Let&#39;s wait and see ;-)

As always, see photos at <a href="\" target="\&quot;_blank\&quot;">www.chinchilla-music.co.uk/chinchpics</a>

<strong>Brisbane</strong><br />Brisbane is a cool little city, very easy to navigate and figure things out, if you really wanted to, you could walk across the city in a few hours. Likewise the music scene is centred mainly around one area, Brunswick st in The Valley, kind of like Camden, Shoreditch and Leicester square all rolled into one, but all quite happily coexisting. Music genres seem to fit mainly into two categories, Hardcore Punk and mellow, tuneful acts, so with Abdoujaparov and myself not really fitting into either of those categories, it was going to be hard work.

28/10 @ Rics Bar - <a href="\" target="\&quot;_blank\&quot;">www.ricsbar.com.au</a><br />An afternoon show, entitled ëThe Cheeseboardí, it was possibly a little too early for a gig and the room was half full with friends and friends of friends. It was my first solo show for a while, I felt strangely nervous and stupidly decided to try a load of new material which didnít work particularly well, struggled through it though and sold a few CDís so it canít have been that bad.

28/10 @ The Jubilee Hotel - <a href="\" target="\&quot;_blank\&quot;">www.jubileehotel.com.au</a><br />Chris Chinchilla plays 4 songs sandwiched between four hardcore bands was always going to be a tough gig, and suffice it to say I felt uncomfortable, awkward and at several points like pulling out. Instead, I took to the stage in an aggressive mood, ready to prove a point, cranked up the amp a little and put a lot of balls into it and in the end the show went down fairly well, had a good chat to a few people after the set, including a girl who had a great badge ìHugs not Drugsî, my sentiments exactly.

<strong>Sydney</strong><br />Sydney was a little harder to figure out than Brisbane and after one radio show appearance, a gig and a riotous DJ slot I still am nowhere nearer to figuring out if the city posses a healthy scene or not. Fun and games is centred around several main areas, Surrey Hills and Darlinghurst

01/11 @ FBi (Radio session) -&nbsp;<a href="\" target="\&quot;_blank\&quot;">www.fbi.org.au</a><br />After nearly missing my flight, to then discover that I had booked the wrong flight and finally arriving at the radio station half an hour late, I was a little stressed out. Fortunately all the staff and presenters (The Wonderfully entitled Peach and Shag) were extremely helpful and friendly so helped me prepare for the interview and session. It was a little improvised as they micíd up my electric guitar and I have no idea how everything sounded, but it seemed to progress well, the interview was fairly successful and all involved seemed happy with the result.

02/11 @ The Excelior Hotel - <a href="\" target="\&quot;_blank\&quot;">www.excelsiorhotel.com.au</a><br />I was starving hungry by the time I took to the stage at The Excelsior, and the stage being located next to the Kitchen wasnít helping, but after my experience in Brisbane I had learnt that rocking it up a bit worked very well and adopted a similar attitude. The set went well, people enjoyed it, and it turned out that the night was reviewed by Drum Media, one of the biggest street papers in Sydney, so thank god it was a good performance, though strangely the reviewer was English and a friend of a band called the Late Greats, who Macaca Mulatta have played withÖ itís a small world!

03/11 @ Spectrum (DJ Set)<br />My DJ slot tonight was after the Scare had played, which is another odd UK coincidence as I had seen them play in London and reviewed the UK release of their EPÖ The venue wasnít as busy as I hoped it would be and it emptied quickly after the band had played meaning that it was pretty empty by my slot, however Iím pleased to say that not only did I keep everyone in, I encouraged a few from the street. I had people impersonating Liam Gallagher on stage and even a few dancing. After the set, myself and a few people Iíd met in Sydney over the past couple of nights relocated to a very cool bar upstairs that was laid back with great music and games to keep your attention.

<strong>Melbourne part 1</strong><br />My travelling companions had promised a lot of Melbourne, it being their favourite Australian city and full of friendly faces. The drive down from Sydney was an experience for me; my first trip outside of major cities and it took us through some wonderful small towns with made up tourist attractions like giant wooden sheep.

10/11 @ Rob Roy - <a href="\" target="\&quot;_blank\&quot;">www.therobroyhotel.com</a><br />The brilliant Gels from Adelaide (<a href="\" target="\&quot;_blank\&quot;">www.thegels.com</a>) opened the night to a fairly empty room, but gave the general impression that rock out was what they were here to do and that nothing was going to stop them. The venue was filling up a little by the time I took to the stage and by now I was settling into a good rhythm for the set, not really making many mistakes and working the audience (even if there werenít that many of them!) I attempted some sort of stage leap at some point but on the way hit my head on a speaker, which put me off. After the gig we patronised a couple of pubs with such endearing names as ëLabour in Veiní and ëPerseveranceí before returning home to see the Gels still up and drinking heavily, something they do quite often on tour, the two singers were up until 10am the next morning.

<strong>Adelaide</strong><br />I immediately warmed to Adelaide, much like Brisbane it is small and easy to navigate, I think it also helped that we stayed in a really cool house with a host who as well as making BBQ also seemed to play an endless amount of good music.

16/11 @ 3D (Radio session) - <a href="\" target="\&quot;_blank\&quot;">www.threedradio.com</a><br />3Dís studio looks a little like a house, in fact it probably was at some point in the past. However the interviewer for the show had some extremely well prepared and researched questions and it was perhaps one of the best interviews Iíd done in a solo capacity.

16/11 @ Crown &amp; Anchor -<a href="\" target="\&quot;_blank\&quot;">www.pubscene.com.au/Venue.aspx?ID=108</a><br />The Crown &amp; Anchor is the first of two free gigs we were to play, which is a great idea and something we could do with doing more of in the UK. Entry is free, there are three of four original bands playing, the bands get paid from the bar and everyoneís happy. Theyíre usually held in slightly hairy venues though, were everyone has the tendency to get horrendously drunk and shout a lot. I went on first tonight and did a short 20 minute set, cutting out all the slower songs, it went very well, with shouts from the audience and despite the lights being right in my eyes and not being able to see most of the room, a fairly healthy crowd.

<strong>Fremantle &amp; Perth</strong><br />Perth and itís surrounding suburbs in Western Australia are about 2000 miles from their nearest neighbours in Southern Australia (Adelaide), this gives the city a fiercely independent outlook and perhaps a more aggressive feel than other Australian cities.

17/11 @ RTR (Radio Session) - <a href="\" target="\&quot;_blank\&quot;">www.rtrfm.com.au</a><br />The ever-so-helpful Marc English at <a href="\" target="\&quot;_blank\&quot;">rockus.com.au</a> had arranged this session; he even picked us up at the airport and took us to a great pub opposite the station for Lunch. The interview went very smoothly, again with some well-researched questions and a well-prepared presenter

17/11 @ Mojoís - <a href="\" target="\&quot;_blank\&quot;">www.mojosbar.com.au</a><br />Tonightís gig was different from the outset, Richy, Abdoujaparovís other guitarist had missed the flight from Adelaide due to some drunken debauchery, so I hastily crammed a few Abdoujaparov songs and worrying about remembering them made me slightly nervous as I took to the stage for my own set. Mojoís is also an odd venue, an Oasis of life on a dead road in North Fremantle, the burger shop next door being the only other place even open past 8pm, not even a cash machine could be found within walking distance. Again, my set passed without any major problems, as did playing guitar for Abdoujaparov.

18/11 @ Hyde Park Hotel - <a href="\" target="\&quot;_blank\&quot;">www.hydeparkhotel.com.au</a><br />The second of the free pub gigs and even more hairy than the last, my set went exceedingly well despite an irritating group of people stood to the side of the stage who never ceased their inane chatter, very distracting and riled me somewhat, making it hard to interact nicely with the audience, causing possibly the nastiest rendition of ëCheesy Love Songí Iíve ever played. The Old School Punk band who played after me bought an interesting element to the crowd, someone got concussed in the small mosh pit (requiring an ambulance), a fight ensued outside the venue and the bandís Bass player decided to chuck his beer (that heíd just spent half the set swearing at the bar staff for) over the audience. After Abdoujaparovís storming set we patronised Perthís only ëalternativeí night, the choice of music was different, which was refreshing, but not particularly danceable, so we didnít hang around long.

<strong>Melbourne Part 2</strong><br />In which it felt like we were returning home, I had a busy week planned, several DJ slots, a gig and some distant Family to visitÖ

22/11 @ Cherry Bar (DJ Set)<br />The arrangements for tonight had always been somewhat vague, all I knew was that Cherry Bar is usually quite busy on a Wednesday, I had no idea what crowd to expect, how long I was DJíing for or even if I was the only DJ, I turned up to be told that there was a small contingent of the usual ëYoung Crowdí in tonight, but that the vast majority of the crowd were in fact in attendance at a 40th Birthday party, and that I would have to make sure the Birthday boy was happy, this was going to be interestingÖ However, despite having to DJ for over 3 hours (split slightly by a band) I held my own exceedingly well, people liked what I played, they danced, they made requests and all left pretty much after I finished, marvellous.

24/11 @ RRR (Radio session) - <a href="\" target="\&quot;_blank\&quot;">www.rrr.org.au</a><br />A final radio session, including a fairly hastily set up rendition of ëDancing on a Weeknightí in which I decided to dedicate the song to various disparaged groups who might be listening, it seemed like a good idea when I thought about doing it, but I lost the drive and passion somewhere along the way and it didnít come out quite as well as I was hoping it would.

24/11 @ The Tote (DJ Set) - <a href="\" target="\&quot;_blank\&quot;">www.thetotehotel.com</a><br />Another slightly vague arrangement, I knew who the bands were but no idea what they sounded like, not that it mattered as I only had my usual mix CD collections anyway. I think the music I chose to play was generally completely unlike the bands playing, but I wasnít a massive fan of any of them anyway. It was an odd night, I turned up, played whatever the hell I felt like playing, I had no obligations to make people dance, no one questioned what I played, it was all very indulgent, then I went home.

25/11 @ Ding Dong (Weekender Club Night) - <a href="\" target="\&quot;_blank\&quot;">www.myspace.com/weekendernights</a><br />Our last gig in Australia and I think everyone had high expectations of the night, expectations that were perhaps not entirely realised, especially on stage. I tried a new song that went a bit wrong, the stage also felt very sterile, it was hard to put your finger on it, but something just didnít feel right. However I got some brilliant reactions from the crowd, as did Abdoujaparov, met and chatted to some great people and the night continued long into the night, and the next day, so in the end a memorable finale to our Australian tour.

<strong>Tokyo</strong><br />After the relatively relaxed atmosphere of Australian cities, the pace was different from the second I stepped off the plane at Narita airport. Whilst a large amount of people speak English and a majority of signs are in English and Japanese, getting around and understanding whatís happening around you is still very hard, it was a mentally exhausting few days.

20/11 @ Lush<br />Japanese venues and the Japanese music scene operates very differently from anything Iíve experienced before. For a start they commence and finish very early, secondly the sound crew (even at the smallest of venues) set everything up with precision, including your pedals, guitars and microphones and wouldnít hear of you doing it yourself. Itís not all good news though as venue hire is very expensive and every source of income goes into paying for this including from the traditional bread winner of smaller touring bands, the merchandise. The two support bands for the night were incredible (donít ask me who they were as they both had Japanese names), we started with a guitar and drums two-piece who in the grand tradition of recent duos were mental, noisy and flung themselves around the stage like there was no tomorrow. The next act was the polar opposite, a well presented young man, sat at a piano who played several beautiful compositions and spoke some (what he described as) ëproseí, I couldnít understand a word of it, but it was very engaging. Then came my set, after an exhausting few days and some weighty dinner I wasnít quite as energetic as I wanted to be, but I played well and the set was well received, I even got some call and response going in the audience, iDou sounded great and were extremely well received, crowds dancing and everyone having a great time. Melbourne was good, but tonight was really the icing on the cake to an awesome tour and a brilliant Experience.&quot;,&quot;2006-12-09 09:52:55&quot; &quot;After last years roaring success, I&#39;m organising another Christmas Party for those who do/don&#39;t have the privilege of working for somebody and thus being invited to one...

15/12/06 @ The Green Man, Berwick st (Nice and cheap!)<br />From about 8pm...

You&#39;re more than welcome if your self employed, unemployed, a student or if you can hide your work status by not mentioning all the work parties you&#39;ve been invited to!

See you there :-)

---

## [9th Dec 2006 - My old shoes](https://chrischinchilla.com/blog/2006/2006-12-08-9th-dec-2006-my-old-shoes)

Date: 2006-12-08

Here are my old shoes...

---

Here are my old shoes...

They&#39;ve been everywhere with me, in four oceans, all over the world, on beaches, up mountains, traipsed through many cities...

but they had holes in, and after their trip into the Indian Ocean, they smelt...

So, they&#39;re gone :-(

But I have some nice new brown ones now :-)

---

## [Delta Mainline - Dublin Castle](https://chrischinchilla.com/blog/2006/2006-11-14-delta-mainline-dublin-castle)

Date: 2006-11-14

A bubble machine is on stage pumping into the audience, a strobe flashing near the drum kit as the 7 members of Delta Mainline awkwardly squash onto the small stage in front of an already warmed up audience. The venue is too small for their big sound, occasionally hard to define and losing distinction when the whole band is in full swing. Delta Mainline create big epic slabs of noise, building multiple layers of melodies and noise and for the most part without becoming too self-indulgent. Vocally there's not a massive amount going on, enough to hold your interest and a few hooks here and there, but generally too soaked in reverb to pick much out which is probably for the best anyway.

---

A bubble machine is on stage pumping into the audience, a strobe flashing near the drum kit as the 7 members of Delta Mainline awkwardly squash onto the small stage in front of an already warmed up audience. The venue is too small for their big sound, occasionally hard to define and losing distinction when the whole band is in full swing. Delta Mainline create big epic slabs of noise, building multiple layers of melodies and noise and for the most part without becoming too self-indulgent. Vocally there's not a massive amount going on, enough to hold your interest and a few hooks here and there, but generally too soaked in reverb to pick much out which is probably for the best anyway.

<a href='https://www.myspace.com/deltamainline' target='_blank'>www.myspace.com/deltamainline</a>

Published in Bad Robot

---

## [Murder by Death - Water Rats](https://chrischinchilla.com/blog/2006/2006-11-14-murder-by-death-water-rats)

Date: 2006-11-14

The front row is a mixed bag of hard rockers and country fans intently listening to the similar mix emitting from the stage. A constantly pulsating and alluring cellist, a rake-like singer who conjures an incredible voice from the depths of somewhere not pleasant, a pounding bass player built like a tank and the tallest drummer ever seen build a dark world around them, dragging the crowd in, willing or not.

---

The front row is a mixed bag of hard rockers and country fans intently listening to the similar mix emitting from the stage. A constantly pulsating and alluring cellist, a rake-like singer who conjures an incredible voice from the depths of somewhere not pleasant, a pounding bass player built like a tank and the tallest drummer ever seen build a dark world around them, dragging the crowd in, willing or not.

<a href='https://www.murderbydeath.com' target='_blank'>www.murderbydeath.com</a>

Published in Fly magazine, November 2006

---

## [Chapter 24 - Notting Hill Arts Club](https://chrischinchilla.com/blog/2006/2006-11-14-chapter-24-notting-hill-arts-club)

Date: 2006-11-14

Chapter 24's intriguing mix of 60's beat combo, jazz and breakbeat drums is the perfect crazy emotional and musical rollercoaster soundtrack to a late Saturday afternoon. Bridging the gap between lethargically recovering from Friday's hangover to bracing yourself for doing it all over again. Raw and rough round the edges but with hearts and ideas in the right place.

---

Chapter 24's intriguing mix of 60's beat combo, jazz and breakbeat drums is the perfect crazy emotional and musical rollercoaster soundtrack to a late Saturday afternoon. Bridging the gap between lethargically recovering from Friday's hangover to bracing yourself for doing it all over again. Raw and rough round the edges but with hearts and ideas in the right place.

<a href='https://www.myspace.com/chapter24' target='_blank'>www.myspace.com/chapter24</a>

Published in Fly Magazine, October 2006

---

## [Nosferatu D2 - Album Demos](https://chrischinchilla.com/blog/2006/2006-11-14-nosferatu-d2-album-demos)

Date: 2006-11-14

I've been following the musical exploits of Ben and Chris for a fair few years as they morphed from their old band (Tempertwig) to this new two-piece. Unlike other two pieces Nosferatu D2 don't rely on heavy overdrive, effects or production to pad out the sound, just the same guitar sound all the way through, one vocal and some of the most amazing frantic drumming I've ever heard. Lyrically it's dark stuff, rejection, being let down, laments to lost youth and scathing commentaries on suburban life all delivered with a dry cynical wit. Not an album to listen to if you want cheering up, but for great musicianship and lyrical brilliance this is the place.

---

I've been following the musical exploits of Ben and Chris for a fair few years as they morphed from their old band (Tempertwig) to this new two-piece. Unlike other two pieces Nosferatu D2 don't rely on heavy overdrive, effects or production to pad out the sound, just the same guitar sound all the way through, one vocal and some of the most amazing frantic drumming I've ever heard. Lyrically it's dark stuff, rejection, being let down, laments to lost youth and scathing commentaries on suburban life all delivered with a dry cynical wit. Not an album to listen to if you want cheering up, but for great musicianship and lyrical brilliance this is the place.

Published in Angry Ape<br>The Cuckoo Press, January 2007<br>Maps Magazine

---

## [14th Nov 2006](https://chrischinchilla.com/blog/2006/2006-11-13-14th-nov-2006)

Date: 2006-11-13

Will be doing a proper tour diary at some point when I get back but in the meantime just checking in, saying hi...

---

Will be doing a proper tour diary at some point when I get back but in the meantime just checking in, saying hi...

Flight over was an initial panic as my coach was delayed which made me late for check in and then I had problems with my Visa, but all was OK in the end...

Film selection was a little rubbish but I watched Mission Impossible and then some weird film with Adam Sandler called Click...

Then I hung around for ages in Transit in Tokyo, making use of the wireless internet... Got giggled at by Japanese schoolgirls... ;-)

Then because of aforementioned massive school group and because the staff thought I wouldn't enjoy being sat right in the middle of them, they upgraded me to Business class... Wow! You get treated well... had some amazing food, still the same rubbish films though...

Spent first few days in Brisbane feeling quite jet lagged and feeling a bit depressed, for two reasons, firstly the jet lag, secondly loads of things reminded me of New Zealand and thus Sara, but got over it by Sunday and by having a big long walk down the South Bank, since then have felt a lot more chipper and have been at my usual, waffling, gabbling best...

On Sunday I had a peek round the Queensland Museum, it was quite small, but the exhibitions on Environmental damage and also on the oppression of Aboriginal oppression made me sad, guilty (for being British) and also inspired (to do something about it) all at the same time... Made me come out full of lyric ideas and full of desires to get involved with environmental campaigning when I return to the UK...

The gigs so far were odd, one on Saturday afternoon that was far too early and no one was really there, then one in the evening with me sandwiched between 4 hardcore Punk bands, I felt a little awkward, a little out of place and like I had something to prove, so took to the stage aggressively, beat the living daylights out of my guitar and got away with it...

OK, a few other general comments about Oz so far...<ul><li>Sorry to all my New Zealand friends... You're not that different (to the outside eye), there's a lot of similarities, and I'm all for cultural pride and identity, but there's lots of similar phrases, customs, foods... For example I found the wondrous Whittakers Peanut slabs over here, bought a load of them to discover they are over 1000 calories per 50gram bar... That's ridiculous! I will have to limit myself...</li><li>Brisbane has a very enthusiastic DIY scene, and people are always in attendance at gigs, giving people a chance. They seem to like Punk, mellow music and not a lot in-between...</li><li>it's so bloody cheap here!</li></ul>

That's all for now, a lot more soon...

---

## [14th Nov 2006 - Leaving the UK](https://chrischinchilla.com/blog/2006/2006-11-13-14th-nov-2006-leaving-the-uk)

Date: 2006-11-13

By the way, going to have a few last minute drinks tonight for those who couldn't make the party... 7.30pm at the Green Man in Berwick st...

---

Ok then...

By the way, going to have a few last minute drinks tonight for those who couldn't make the party... 7.30pm at the Green Man in Berwick st...

## Monday
Went to do some work experience for the National Student Newspaper who are based in Lincoln at the back of a record shop, they are a very small operation and don't have two pennies to rub together, hence we sneaked into the Students Union for a very cheap dinner...<br />In the evening I performed at the open mic night at The Lincoln Drill Hall, I have to say it was the best night I'd performed at so far, great crowd, good mixed bag of musicians and ages, I had a few requests for CD's then jumped on the bus back to my Dad's.

## Tuesday
Back to the National Student where I discovered they were currently embroiled in a dispute with the Lincoln Students Union. The company also makes a local paper for Lincoln University, and after a change in Communications officer, the Union had got a little rattled with the competition, banning the paper from Campus. So they staged a protest and off we toddled down to take photos and lurk about, my first Student protest!<br />A little later I returned to the Drill Hall to interview the Hot Puppies, who were very pleasant but a little un-talkative post-soundcheck. Then after finishing off a few reviews for the National Student (Heard the new Jarvis album and the new Long Blondes album, both very good) we all headed down to the gig... The local band were a little dull, as were New Rhodes, but the Hot Puppies were pretty good, especially considering that the Drill Hall is a massive venue... Once again after the gig and a few post-gig drinks with the band, I hopped on the bus and back to Horncastle...

## Wednesday, Thursday, Friday
Spent most of these days working on articles, sorting out stuff at my Dad's house and pottering about...<br />There was one frustrating moment when I lost one of my freelance web design jobs, and for such a stupid reason, I was waiting for them to send me a design but they seemed to think that I was just wasting there time and money learning the system they were using, but they never asked me to design the site and I don't know what I was supposed to do without a design, there's no point making something that doesn't' resemble what they want! Oh well, if they're business practise is like that then I'm probably better off not working for them...<br />Cooked a very nice dinner for the folks, chilled out a bit and generally enjoyed my own space for a few days...

## Saturday and the Party
Firstly I had booked the coach from Horncastle to my Dad's too late and it was full, but negotiated some craziness getting coaches and then a train, which only cost £4 more and got me in earlier :-)Then dashed down to Brixton to meet Dan, Jim, Arran and pick up some stuff we needed, jumped in a Taxi and off we all dashed to Peckham... Once there we dashed off again to do a booze run where I spent £100 on booze, ouch! Then back to the venue to set up the PA and everything else...<br />So far, so good, things ran a little late and a couple of the bands / DJ's hadn't turned up, so we put things back and kicked of with Dexy at about 8... Now, here's were something a little confusing happened that made proceedings start to get complicated... You see, there had been another party planned by some friends of a friend in Shoreditch, their venue fell through so they turned up at our party and asked if we wanted to borrow their sound system in return for letting some of their DJ's play a few tunes later, myself and the guys who ran the squat agreed as long as it was all on our terms and so finally several hours later the new PA finally turned up...<br />So far the bands had been going well, with slightly ropey sound, but well received and the crowds were reasonable, even though I was spending too much time running about to actually talk to any of my friends who had turned up. At this point things started getting complicated, even though the guys with the sound system seemed fairly understanding of the situation, they brought along a few people who possibly didn't quite understand that this was our party and started selling their own alcohol and running things to their own agenda, being fairly unreasonable when asked to do things the way we had planned them. Also some of the crowd they bought were a little rowdy, and several scuffles had to be forced outside, creating a few uncomfortable situations for everyone involved...<br />When things were getting a little too out of control we tried to shut the party down, which wasn't a popular choice, but finally people seemed to get the idea (there were also a lot of drugs floating about...) and about 3:30 we had finally cleared out.<br />So, a few lessons learned (Keep things between people you trust, don't rely on outside parties being the main one) I'm a little out of pocket after paying the bands, but mainly it was just a rather stressful experience from start to finish and I didn't get much of a chance to hang out with anybody...

Finally... I met 'Known'...! That may not mean anything to a lot of you, but let me say that 'Known' is a tagger around outer South London, his handiwork is everywhere I grew up, quite weird to meet someone like that, and he asked me for a gig!

Chinch out xx

---

## [The Hot Puppies - Drill Hall, Lincoln](https://chrischinchilla.com/blog/2006/2006-10-19-the-hot-puppies-drill-hall-lincoln)

Date: 2006-10-19

The Drill Hall is more used to holding Jazz concerts, theatre and comedy performances, this is the first 'Indie' night to be held at the 600 capacity venue but the young crowd are more than making up for the small attendance, constantly dancing, singing along and shouting for more. The Hot Puppies also do an incredible job filling the hall with their grand sound, songs with big sweeping choruses, impassioned female led vocals (a crooner for the rock generation if you like), a pounding drummer and layers of synths and keyboards swooping and surging about. The band looks at home and comfortable on a big stage with the space to perform and show off, and why not.

---

The Drill Hall is more used to holding Jazz concerts, theatre and comedy performances, this is the first 'Indie' night to be held at the 600 capacity venue but the young crowd are more than making up for the small attendance, constantly dancing, singing along and shouting for more. The Hot Puppies also do an incredible job filling the hall with their grand sound, songs with big sweeping choruses, impassioned female led vocals (a crooner for the rock generation if you like), a pounding drummer and layers of synths and keyboards swooping and surging about. The band looks at home and comfortable on a big stage with the space to perform and show off, and why not.

<a href='https://www.thehotpuppies.com' target='_blank'>www.thehotpuppies.com</a>

Published in The National Student

---

## [The Pipettes - Judy](https://chrischinchilla.com/blog/2006/2006-10-11-the-pipettes-judy)

Date: 2006-10-11

I've been familiar with the Pipettes for quite a while, watching their fluctuating line-ups and increasing fortunes, this is one of their older songs and the first time I've heard their material in new slicker recording form. It's lost the Punky-Girl-Pop edge they used to posses but lyrically is still of the bitchy, biting ilk the Pipettes do so well. It's a short song, a few verses, and a few choruses and then over, a sweet slice of Pop one which poses the question I constantly ask with the Pipettes, what next?

---

I've been familiar with the Pipettes for quite a while, watching their fluctuating line-ups and increasing fortunes, this is one of their older songs and the first time I've heard their material in new slicker recording form. It's lost the Punky-Girl-Pop edge they used to posses but lyrically is still of the bitchy, biting ilk the Pipettes do so well. It's a short song, a few verses, and a few choruses and then over, a sweet slice of Pop one which poses the question I constantly ask with the Pipettes, what next?

<a href="https://www.thepipettes.co.uk" target="_blank">www.thepipettes.co.uk</a>

Published in Angry Ape

---

## [The Hidden Cameras - Awoo](https://chrischinchilla.com/blog/2006/2006-10-11-the-hidden-cameras-awoo)

Date: 2006-10-11

An eclectic and eccentric bunch, The Hidden Cameras are a bunch of ever evolving Canadians, doing crazy things and not really fitting in. Awoo possesses that clever feel a lot of Canadian music has, fast, frantic lyrics full of witticism and sung in a deep, throaty voice, twinkling, jangling guitars, keyboards and sparkling strings offsetting the vocal style beautifully. Personally though I prefer the B-side, Why I understand, it's more upbeat, more in your face, but does sound like it was made in the 80's.

---

An eclectic and eccentric bunch, The Hidden Cameras are a bunch of ever evolving Canadians, doing crazy things and not really fitting in. Awoo possesses that clever feel a lot of Canadian music has, fast, frantic lyrics full of witticism and sung in a deep, throaty voice, twinkling, jangling guitars, keyboards and sparkling strings offsetting the vocal style beautifully. Personally though I prefer the B-side, Why I understand, it's more upbeat, more in your face, but does sound like it was made in the 80's.

<a href='https://www.thehiddencameras.com' target='_blank'>www.thehiddencameras.com</a>

---

## [Rose Kemp - Violence](https://chrischinchilla.com/blog/2006/2006-10-11-rose-kemp-violence)

Date: 2006-10-11

This is one of the best singles I've heard all year, from the quiet, delicate passages to the ear splittingly overdriven choruses of Violence, to the heartfelt orchestra backed Morning Music and the beautiful harmonies on Tiny Flower, an amazing single that shows the brilliant diverse talent of a promising artist.

---

This is one of the best singles I've heard all year, from the quiet, delicate passages to the ear splittingly overdriven choruses of Violence, to the heartfelt orchestra backed Morning Music and the beautiful harmonies on Tiny Flower, an amazing single that shows the brilliant diverse talent of a promising artist.

<a href='https://www.rosekemp.co.uk' target='_blank'>www.rosekemp.co.uk</a>

Published in Maps Magazine

---

## [Iain Archer - Magnetic North](https://chrischinchilla.com/blog/2006/2006-10-11-iain-archer-magnetic-north)

Date: 2006-10-11

A difficult album to review, it starts with a handful of beautifully crafted songs, resplendent in gentle guitar picking and breathy vocals. Then some rockier numbers with awesome jagged guitars, then it all gets a little dull and my attention is lost and distracted to other things. A great shame, it starts so well.

---

A difficult album to review, it starts with a handful of beautifully crafted songs, resplendent in gentle guitar picking and breathy vocals. Then some rockier numbers with awesome jagged guitars, then it all gets a little dull and my attention is lost and distracted to other things. A great shame, it starts so well.

<a href='https://www.iainarcher.co.uk' target='_blank'>www.iainarcher.co.uk</a>

---

## [Holy Hail - County Fair](https://chrischinchilla.com/blog/2006/2006-10-11-holy-hail-county-fair)

Date: 2006-10-11

Not a solo artist as the name may suggest, but a New Wave band hailing from New York, and damn it for one track samplers, I like what I hear, but it's not enough to get a fully fledged opinion. Some ubiquitous disco beats and funky bass lines but they simply can't be escaped at the moment, so might as well accept them. Clever dual boy / girl vocals and a great sparse sound filled out with some clever arrangements. Oh and of course they look great to, but that doesn't matter, does it.

---

Not a solo artist as the name may suggest, but a New Wave band hailing from New York, and damn it for one track samplers, I like what I hear, but it's not enough to get a fully fledged opinion. Some ubiquitous disco beats and funky bass lines but they simply can't be escaped at the moment, so might as well accept them. Clever dual boy / girl vocals and a great sparse sound filled out with some clever arrangements. Oh and of course they look great to, but that doesn't matter, does it.

<a href='https://www.holyhail.com' target='_blank'>www.holyhail.com</a>

Published in Angry Ape

---

## [Bass Clef - A smile is a curve that straightens most things](https://chrischinchilla.com/blog/2006/2006-10-11-bass-clef-a-smile-is-a-curve-that-straightens-most-things)

Date: 2006-10-11

With a name like Bass Clef, it was never going to be Fay Indie rock was it? Marvellous dark dub with fat (phat?) synth bass lines, frantic beats and eerie vocal snippets, each track melding into the next in an hour long slab of inventive dance music, a little repetitive in places, but hey, that's the point.

---

With a name like Bass Clef, it was never going to be Fay Indie rock was it? Marvellous dark dub with fat (phat?) synth bass lines, frantic beats and eerie vocal snippets, each track melding into the next in an hour long slab of inventive dance music, a little repetitive in places, but hey, that's the point.

---

## [Blah blah blah - 93ft East](https://chrischinchilla.com/blog/2006/2006-10-03-blah-blah-blah-93ft-east)

Date: 2006-10-03

Very rarely does everything come together in a perfect compliment of personalities and musical abilities. Songs full of humour and razor sharp wit entices the audience and the brilliant harmonies, funky bass lines and drums keep them dancing and smiling for the sets' duration. The band leave the stage to rapturous applause and on comes another generic indie band, most of the crowd follow through the door.

---

Very rarely does everything come together in a perfect compliment of personalities and musical abilities. Songs full of humour and razor sharp wit entices the audience and the brilliant harmonies, funky bass lines and drums keep them dancing and smiling for the sets' duration. The band leave the stage to rapturous applause and on comes another generic indie band, most of the crowd follow through the door.

<a href="https://www.myspace.com/blahblahblahandfriends" target="_blank">www.myspace.com/blahblahblahandfriends</a>

Published in Angry Ape<br />The Cuckoo Press, January 2007<br />Maps Magazine

---

## [The Answer - Under The Sky](https://chrischinchilla.com/blog/2006/2006-09-26-the-answer-under-the-sky)

Date: 2006-09-26

The Answer, for some reason, sounded like they were going to be a mod band, I should imagine that if the Answer ever met a Mod band, a fight would probably ensue, being a Heavy blues rock act of the finest order. Not usually my cup of tea, but they;re so damn good at it with poodle perms, riffs aplenty, reverb soaked vocals and solos all over the shop, in fact everything you could want out of a good old fashioned slice of Rock and Roll action.

---

The Answer, for some reason, sounded like they were going to be a mod band, I should imagine that if the Answer ever met a Mod band, a fight would probably ensue, being a Heavy blues rock act of the finest order. Not usually my cup of tea, but they;re so damn good at it with poodle perms, riffs aplenty, reverb soaked vocals and solos all over the shop, in fact everything you could want out of a good old fashioned slice of Rock and Roll action.

<a href='https://www.theanswerband.com' target='_blank'>www.theanswerband.com</a>

---

## [New Rhodes - History of Britain](https://chrischinchilla.com/blog/2006/2006-09-26-new-rhodes-history-of-britain)

Date: 2006-09-26

New Rhodes have been floating around the peripherals of various music scenes for several years, always being associated with each one, but never quite part of any of them. Is the time right for them yet? This single isn't a marked change in direction or style for the band, the same melodious laid back jangly guitar rock, nice vocals, nice tunes, nice boys. It wont set the world alight, but New Rhodes till maintain their own little place in the UK music scene.

---

New Rhodes have been floating around the peripherals of various music scenes for several years, always being associated with each one, but never quite part of any of them. Is the time right for them yet? This single isn't a marked change in direction or style for the band, the same melodious laid back jangly guitar rock, nice vocals, nice tunes, nice boys. It wont set the world alight, but New Rhodes till maintain their own little place in the UK music scene.

<a href='https://www.newrhodes.com' target='_blank'>www.newrhodes.com</a>

Published in Maps Magazine

---

## [Mattafix - Cool Down the Place](https://chrischinchilla.com/blog/2006/2006-09-26-mattafix-cool-down-the-place)

Date: 2006-09-26

Mattafix sound like the prevalent Ragga/Reggae/Pop lite that used to bother the charts in the early 90's, I'm not entirely sure who this is aimed at these days. The CD has one A-side and then seven remixes of the same track which is a little self indulgent, some sound no different, whilst others sound nothing like the main track. I gather the band are popular in parts of Europe and amongst warmer climates such as South Africa and Australasia, but sadly in rainy Britain, they're not for me.

---

Mattafix sound like the prevalent Ragga/Reggae/Pop lite that used to bother the charts in the early 90's, I'm not entirely sure who this is aimed at these days. The CD has one A-side and then seven remixes of the same track which is a little self indulgent, some sound no different, whilst others sound nothing like the main track. I gather the band are popular in parts of Europe and amongst warmer climates such as South Africa and Australasia, but sadly in rainy Britain, they're not for me.

<a href='https://www.mattafix.com' target='_blank'>www.mattafix.com/</a>

Published in Unpublished

---

## [Brinkman - Kirsten Dunst](https://chrischinchilla.com/blog/2006/2006-09-26-brinkman-kirsten-dunst)

Date: 2006-09-26

I was expecting Brinkman to be heavier for some reason, maybe something to do with the name, the label, the song title, who knows why. The band is in fact a fairly laid back melodious three piece. The lead track a lamenting ode to the unrequited love of a Hollywood starlet a task the band manages to carry out without sounding like sordid stalkers. The B-side Harlesden is an equally harmonious ditty dedicated to life in one of London's less salubrious suburbs. I look forward to hearing more.

---

I was expecting Brinkman to be heavier for some reason, maybe something to do with the name, the label, the song title, who knows why. The band is in fact a fairly laid back melodious three piece. The lead track a lamenting ode to the unrequited love of a Hollywood starlet a task the band manages to carry out without sounding like sordid stalkers. The B-side Harlesden is an equally harmonious ditty dedicated to life in one of London's less salubrious suburbs. I look forward to hearing more.

<a href='https://www.myspace.com/brinkmanband' target='_blank'>www.myspace.com/brinkmanband</a>

Published in Maps Magazine

---

## [Bright Eyes - Noise Floor](https://chrischinchilla.com/blog/2006/2006-09-26-bright-eyes-noise-floor)

Date: 2006-09-26

I've never really been a fan or understood the appeal of Bright Eyes, so a collection of rarities and unreleased tracks was never something I was going to be taken with. I don't like his funny warbling voice or his lyrics, the music's alright, but nothing special, to be short, I don't get it. The tracks on this album are probably for hardcore fans only, some being poorly recorded, whilst others are not going to be his best material, otherwise they would heave been released already. For a completei-st, an essential addition to your collection, but for enquiring, aspiring converts, best avoided.

---

I've never really been a fan or understood the appeal of Bright Eyes, so a collection of rarities and unreleased tracks was never something I was going to be taken with. I don't like his funny warbling voice or his lyrics, the music's alright, but nothing special, to be short, I don't get it. The tracks on this album are probably for hardcore fans only, some being poorly recorded, whilst others are not going to be his best material, otherwise they would heave been released already. For a completei-st, an essential addition to your collection, but for enquiring, aspiring converts, best avoided.

<a href="https://www.saddle-creek.com/bands/brighteyes" target="_blank">www.saddle-creek.com/bands/brighteyes</a>

Published in Angry Ape

---

## [Zebrahead - Postcards from Hell](https://chrischinchilla.com/blog/2006/2006-09-26-zebrahead-postcards-from-hell)

Date: 2006-09-26

Sorry, I really can't stand this overproduced US Punk Metal crap, that pretends to be from the street and honest, but sounds like it's produced with all the best equipment available, heavy computer processing and a multi thousand dollar budget. Oh, and it all sounds the same.

---

Sorry, I really can't stand this overproduced US Punk Metal crap, that pretends to be from the street and honest, but sounds like it's produced with all the best equipment available, heavy computer processing and a multi thousand dollar budget. Oh, and it all sounds the same.

<a href='https://www.zebrahead.tv' target='_blank'>www.zebrahead.tv</a>

---

## [IV Thieves - The Day is a Downer](https://chrischinchilla.com/blog/2006/2006-09-26-iv-thieves-the-day-is-a-downer)

Date: 2006-09-26

IV Thieves have been listening to too much Britpop, which isn't a bad thing, but last time I checked the Britpop revival hadn't arrived yet, so I'm not sure what the band are aiming for. Sounding like a big old mix up of the better and lesser known bands from the aforementioned era rolled into one, they produce a good mix of jangly guitar chords, appregiated breaks, a whining vocalist, and of course, tambourines.

---

IV Thieves have been listening to too much Britpop, which isn't a bad thing, but last time I checked the Britpop revival hadn't arrived yet, so I'm not sure what the band are aiming for. Sounding like a big old mix up of the better and lesser known bands from the aforementioned era rolled into one, they produce a good mix of jangly guitar chords, appregiated breaks, a whining vocalist, and of course, tambourines.

<a href='https://www.myspace.com/ivthieves' target='_blank'>www.myspace.com/ivthieves</a>

Published in Maps Magazine

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## [Camera - Ashes and Dim Light](https://chrischinchilla.com/blog/2006/2006-09-19-camera-ashes-and-dim-light)

Date: 2006-09-19

My first words on Camera were that they were a little too middle of the road for my tastes and that I looked forward to hearing more on any forthcoming albums. Sadly the album doesn't contain any more of the rock I was looking forward to but it is a pleasant enough album, and the first few tracks are uplifting and get the foot tapping, but slowly as the album progresses the songs tend to have the same feel and sound and disappear into the background, which is never a good thing. It needs a little more dynamic to keep the attention.

---

My first words on Camera were that they were a little too middle of the road for my tastes and that I looked forward to hearing more on any forthcoming albums. Sadly the album doesn't contain any more of the rock I was looking forward to but it is a pleasant enough album, and the first few tracks are uplifting and get the foot tapping, but slowly as the album progresses the songs tend to have the same feel and sound and disappear into the background, which is never a good thing. It needs a little more dynamic to keep the attention.

<a href='https://www.cameratheband.com' target='_blank'>www.cameratheband.com</a>

Published in Angry Ape

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## [Betty Curse - Hear Lies](https://chrischinchilla.com/blog/2006/2006-09-19-betty-curse-hear-lies)

Date: 2006-09-19

Betty Curse is one my guilty pleasure, I really shouldn't enjoy her music, she's obviously contrived, manufactured, she even admits it, maybe that's why I like her so much. There's something about the paint by numbers Glam-Pop-Rock that's just so damn appealing and fun. Something about the glammed up sense of pleasure, the ever so slightly silly and tongue in cheek lyrics so clearly written for Teenage Outsiders to sing along to. Maybe because it's not aimed at me and I can see the music for what it is that makes me like it so much, I've said it before and I'll say it again, in a few months Betty Curse will be everywhere, the kids will love her, the parents will hate her (well the dads will be intrigued) but they'll still have to chaperone.

---

Betty Curse is one my guilty pleasure, I really shouldn't enjoy her music, she's obviously contrived, manufactured, she even admits it, maybe that's why I like her so much. There's something about the paint by numbers Glam-Pop-Rock that's just so damn appealing and fun. Something about the glammed up sense of pleasure, the ever so slightly silly and tongue in cheek lyrics so clearly written for Teenage Outsiders to sing along to. Maybe because it's not aimed at me and I can see the music for what it is that makes me like it so much, I've said it before and I'll say it again, in a few months Betty Curse will be everywhere, the kids will love her, the parents will hate her (well the dads will be intrigued) but they'll still have to chaperone.

<a href='https://www.bettycurse.com' target='_blank'>www.bettycurse.com</a>

Published in Maps Magazine

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## [Dan Sartain - Join Dan Sartain](https://chrischinchilla.com/blog/2006/2006-09-19-dan-sartain-join-dan-sartain)

Date: 2006-09-19

If you are, or have ever been a jilted lover, pinning after an ex flame, frustrated by your situation and difficulty in moving on, then Join Dan Sartain. Currently undergoing similar feelings the album strikes a deep chord with me. Dan's wonderful twanging accent spits bitter, lamenting lyrics over a bed of reverb soaked electric guitar and minimal bass and drums. The albums got death, love, pain and suffering, a must for all melancholics everywhere, embrace your new leader.

---

If you are, or have ever been a jilted lover, pinning after an ex flame, frustrated by your situation and difficulty in moving on, then Join Dan Sartain. Currently undergoing similar feelings the album strikes a deep chord with me. Dan's wonderful twanging accent spits bitter, lamenting lyrics over a bed of reverb soaked electric guitar and minimal bass and drums. The albums got death, love, pain and suffering, a must for all melancholics everywhere, embrace your new leader.

<a href='https://www.myspace.com/dansartain' target='_blank'>www.myspace.com/dansartain</a>

Published in Maps Magazine

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## [Various Artists - House of the Rising Rat vol 1](https://chrischinchilla.com/blog/2006/2006-09-19-various-artists-house-of-the-rising-rat-vol-1)

Date: 2006-09-19

I don't seem to the only one noticing that whilst the mainstream rock circles are getting progressively louder, fuzzier and dischordant, there's an increasing amount of fantastic mellower more subtle artists rapidly appearing on the scene. This is an excellently compiled album featuring tracks from the likes of Dan Sartain, Simon Breed and Gemma Ray that all contribute to creating a well balanced and superb compilation for those wanting something a little quieter, but by no means calmer, alternative to the noise that the kids are making.

---

I don't seem to the only one noticing that whilst the mainstream rock circles are getting progressively louder, fuzzier and dischordant, there's an increasing amount of fantastic mellower more subtle artists rapidly appearing on the scene. This is an excellently compiled album featuring tracks from the likes of Dan Sartain, Simon Breed and Gemma Ray that all contribute to creating a well balanced and superb compilation for those wanting something a little quieter, but by no means calmer, alternative to the noise that the kids are making.

<a href="https://www.bronzerat.co.uk" target="_blank">www.bronzerat.co.uk</a>

Published in Maps Magazine

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## [Jay Bennett - The Magnificent Defeat](https://chrischinchilla.com/blog/2006/2006-09-19-jay-bennett-the-magnificent-defeat)

Date: 2006-09-19

Sounding equal parts new wave solo artists and post grunge acoustic artist (Think Nirvana's Unplugged in New York if that makes no sense) this is a riotous rollercoaster sort of an album. Some tracks big and wonderfully over produced with too many instruments crashing about and (unfortunately) Jay's voice incredibly badly EQ'd and swimming with effects whilst others are quiet, delicate and heartfelt, stripped down and bare. Thus the album is a little disjointed and schizophrenic, but also keeps the attention as you wonder what will be next.

---

Sounding equal parts new wave solo artists and post grunge acoustic artist (Think Nirvana's Unplugged in New York if that makes no sense) this is a riotous rollercoaster sort of an album. Some tracks big and wonderfully over produced with too many instruments crashing about and (unfortunately) Jay's voice incredibly badly EQ'd and swimming with effects whilst others are quiet, delicate and heartfelt, stripped down and bare. Thus the album is a little disjointed and schizophrenic, but also keeps the attention as you wonder what will be next.

<a href='https://www.jay-bennett.com' target='_blank'>www.jay-bennett.com</a>

Published in Maps Magazine

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## [Kate Myers - The Blanket Sky](https://chrischinchilla.com/blog/2006/2006-09-19-kate-myers-the-blanket-sky)

Date: 2006-09-19

On the few dates I caught Kate live I found her absolutely enchanting and I can't even say exactly why. I think I'm a sucker for that sort of artist who quietly slinks onto a stage with no sort of presence whatsoever, an almost apologetic charm, and as soon as they start to sing the room stops to watch what is going on. Her voice is smooth but with rough overtones, most likely a natural talent with no training and whilst her guitar lines are simple and fairly similar across songs they compliment her voice brilliantly and succinctly. On album you lose the presence that comes from seeing her in the flesh, but you can still hear the strength of the song writing and the inherent beauty of her music. It won't suit everybody, it's very American (something that normally puts me off) in style, sound and lyrical content, but give a few tracks a listen and try to catch Kate live, then maybe you might see what I mean.

---

On the few dates I caught Kate live I found her absolutely enchanting and I can't even say exactly why. I think I'm a sucker for that sort of artist who quietly slinks onto a stage with no sort of presence whatsoever, an almost apologetic charm, and as soon as they start to sing the room stops to watch what is going on. Her voice is smooth but with rough overtones, most likely a natural talent with no training and whilst her guitar lines are simple and fairly similar across songs they compliment her voice brilliantly and succinctly. On album you lose the presence that comes from seeing her in the flesh, but you can still hear the strength of the song writing and the inherent beauty of her music. It won't suit everybody, it's very American (something that normally puts me off) in style, sound and lyrical content, but give a few tracks a listen and try to catch Kate live, then maybe you might see what I mean.

<a href='https://www.katemyers.com' target='_blank'>www.katemyers.com</a>

Published in Maps Magazine

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## [The Album Leaf - Into the Blue again](https://chrischinchilla.com/blog/2006/2006-09-19-the-album-leaf-into-the-blue-again)

Date: 2006-09-19

There's something of a melodious beauty to the tracks on Into the blue again, so much so that a majority of the tracks are purely instrumentals. It?ƒÙs laid back, the usual band line up supplemented with strings, vibes, keyboards, samples and multiple vocalists. The songs are slow building, with layers of instruments and harmony gradually added as opposed to straightforward verse, chorus, verse chorus. A calming and peaceful album full of inspiring melody, it's the sort to return to after a hard days work, put your feet up with a glass of wine and drift away into another world with.

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There's something of a melodious beauty to the tracks on Into the blue again, so much so that a majority of the tracks are purely instrumentals. It?ƒÙs laid back, the usual band line up supplemented with strings, vibes, keyboards, samples and multiple vocalists. The songs are slow building, with layers of instruments and harmony gradually added as opposed to straightforward verse, chorus, verse chorus. A calming and peaceful album full of inspiring melody, it's the sort to return to after a hard days work, put your feet up with a glass of wine and drift away into another world with.

<a href='https://www.thealbumleaf.com' target='_blank'>www.thealbumleaf.com</a>

Published in Angry Ape and Maps Magazine

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## [And what will be left of them? - Wet Weekend on July](https://chrischinchilla.com/blog/2006/2006-08-16-and-what-will-be-left-of-them-wet-weekend-on-july)

Date: 2006-08-16

I love Awwblot? They're an excellent live band and their last EP had some of the best dance floor fillers I've heard for a while. Which is why I don't understand this release. There's one recorded track, which isn't one of their best, and two live tracks, which aren't some of their best either. The lyrics are repetitive and the music doesn't show off their incredibly tight, catchy and cleverly arranged pop tunes at all. Don.t lose your way so early boys and girls...

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I love Awwblot? They're an excellent live band and their last EP had some of the best dance floor fillers I've heard for a while. Which is why I don't understand this release. There's one recorded track, which isn't one of their best, and two live tracks, which aren't some of their best either. The lyrics are repetitive and the music doesn't show off their incredibly tight, catchy and cleverly arranged pop tunes at all. Don.t lose your way so early boys and girls...

<a href='https://www.awwblot.com' target='_blank'>www.awwblot.com</a>

Published in Maps Magazine

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## [Billy Ruffian - Demo](https://chrischinchilla.com/blog/2006/2006-08-16-billy-ruffian-demo)

Date: 2006-08-16

This is good stuff, very rough, but very inventive and showing a lot of potential future promise. Songs that are self aware of the ridiculousness and trials and tribulations of the music business have always been a winner and this demo deals with this and other issues admirably, The Death of a band due to constant touring and lack of money, teen scenesters and troublesome girlfriends. Lyrical genius over a solid wall of music, it needs work but watch this space, as Billy Ruffian will be at the front of the ever-growing wave of anti-scene bands.

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This is good stuff, very rough, but very inventive and showing a lot of potential future promise. Songs that are self aware of the ridiculousness and trials and tribulations of the music business have always been a winner and this demo deals with this and other issues admirably, The Death of a band due to constant touring and lack of money, teen scenesters and troublesome girlfriends. Lyrical genius over a solid wall of music, it needs work but watch this space, as Billy Ruffian will be at the front of the ever-growing wave of anti-scene bands.

<a href='https://www.myspace.com/billyruffianmusic' target='_blank'>www.myspace.com/billyruffianmusic</a>

Published in Maps Magazine

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## [The Beauty Room - Holding on](https://chrischinchilla.com/blog/2006/2006-08-16-the-beauty-room-holding-on)

Date: 2006-08-16

Yee Gods, why are people still making, releasing or most crucially sending people like me such middle of the road Funk-Soul Ballads?! To be more constructive, it's well played, catchy and well structured songs, but sounds like late 70's pop music. Chiming vibraphones, a singer who's probably clicking his fingers whilst singing, string backings and falsetto middle eights. If you like this sort of thing then I'm sure it's great, but sadly the Beauty room are not my musical cup of tea at all.

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Yee Gods, why are people still making, releasing or most crucially sending people like me such middle of the road Funk-Soul Ballads?! To be more constructive, it's well played, catchy and well structured songs, but sounds like late 70's pop music. Chiming vibraphones, a singer who's probably clicking his fingers whilst singing, string backings and falsetto middle eights. If you like this sort of thing then I'm sure it's great, but sadly the Beauty room are not my musical cup of tea at all.

<a href='https://thebeautyroom.mu' target='_blank'>www.thebeautyroom.mu</a>

Published in Maps Magazine

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## [VWF - Wont do you any harm](https://chrischinchilla.com/blog/2006/2006-08-16-vwf-wont-do-you-any-harm)

Date: 2006-08-16

It's always hard to judge a band on one track, but on the basis of this one I'd like to reiterate a statement to VWF and many, many other bands I have been making fairly frequently over the past few months... Please, please, please no more disco beats for the hell of it! Yes they make people dance, but there are other ways to do that. I say this in relation to VWF because they sound like a band who'd rather be playing some sort of ska/rock-riffage crossover, and whilst that might not be 100% original either, follow what is right for you, not what the scene is telling you to do.

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It's always hard to judge a band on one track, but on the basis of this one I'd like to reiterate a statement to VWF and many, many other bands I have been making fairly frequently over the past few months... Please, please, please no more disco beats for the hell of it! Yes they make people dance, but there are other ways to do that. I say this in relation to VWF because they sound like a band who'd rather be playing some sort of ska/rock-riffage crossover, and whilst that might not be 100% original either, follow what is right for you, not what the scene is telling you to do.

<a href='https://www.vwfband.co.uk/' target='_blank'>www.vwfband.co.uk</a>

Published in Maps Magazine

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## [James Yorkston - The Year of the Leopard](https://chrischinchilla.com/blog/2006/2006-08-16-james-yorkston-the-year-of-the-leopard)

Date: 2006-08-16

I try to avoid mentioning other artist's names as much as possible in reviews, but after just reviewing the new Bonnie Prince Billie album the similarity in style is so close I had to check I was listening to the right CD on several occasions. To be fair James Yorkston's voice is different and there's less of a country influence on his music, but melodically the songs are in the same melancholic, downbeat, lamenting vein played over a bed of gentle acoustic guitar and occasional accompaniment. There's more of a British feel to this album, especially on Woozy with Cider, a spoken word track that sums up British life and a musicians life beautifully, not that you would want an entire album of tracks like this, but it shows a more interesting side to James's work and the promise of more to come.

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I try to avoid mentioning other artist's names as much as possible in reviews, but after just reviewing the new Bonnie Prince Billie album the similarity in style is so close I had to check I was listening to the right CD on several occasions. To be fair James Yorkston's voice is different and there's less of a country influence on his music, but melodically the songs are in the same melancholic, downbeat, lamenting vein played over a bed of gentle acoustic guitar and occasional accompaniment. There's more of a British feel to this album, especially on Woozy with Cider, a spoken word track that sums up British life and a musicians life beautifully, not that you would want an entire album of tracks like this, but it shows a more interesting side to James's work and the promise of more to come.

<a href='https://www.jamesyorkston.co.uk' target='_blank'>www.jamesyorkston.co.uk</a>

Published in Maps Magazine

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## [Bonnie Prince Billy - The Letting Go](https://chrischinchilla.com/blog/2006/2006-08-16-bonnie-prince-billy-the-letting-go)

Date: 2006-08-16

Bonnie Prince Billy, William Higham, Palace Music... Is an artist who is something of a cult genius to has fans and admirers, but to outsiders, someone who's appeal has always been hard to fully understand and comprehend, this album has done something to address that opinion. The songs are all fairly similar, a country / folk crossover, sparse, usually just guitar and vocals, occasionally an accompanying percussionist, instrument or vocal. Lyrically Bonnie Prince Billy Is typically fairly downbeat, and if not, then he sings lamenting love songs, even though his delivery promises lyrical brilliance generally his lyrics are fairly uninspiring, non-sensical and whimsical. That said Letting Go is a calming album to listen to, filling you with an inner peace, an album to escape the world to. Bonnie Prince Billy, a genius? No, but this is a fine album.

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Bonnie Prince Billy, William Higham, Palace Music... Is an artist who is something of a cult genius to has fans and admirers, but to outsiders, someone who's appeal has always been hard to fully understand and comprehend, this album has done something to address that opinion. The songs are all fairly similar, a country / folk crossover, sparse, usually just guitar and vocals, occasionally an accompanying percussionist, instrument or vocal. Lyrically Bonnie Prince Billy Is typically fairly downbeat, and if not, then he sings lamenting love songs, even though his delivery promises lyrical brilliance generally his lyrics are fairly uninspiring, non-sensical and whimsical. That said Letting Go is a calming album to listen to, filling you with an inner peace, an album to escape the world to. Bonnie Prince Billy, a genius? No, but this is a fine album.

<a href='https://www.bonnieprincebilly.com' target='_blank'>www.bonnieprincebilly.com</a>

Published in Maps Magazine

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## [Doloroso - Godless](https://chrischinchilla.com/blog/2006/2006-08-16-doloroso-godless)

Date: 2006-08-16

An odd choice for a single, quite slow, dark and fairly bitter lyrics, not exactly something to set the dance floors across the land alight. The B-side is in a similar vein both tracks are awash with brooding, building melodies, always restricted, always maintaining tension that never quite releases, haunting harmonies and waves of reverb soaked instruments adding to the melancholic majesty of it all.

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An odd choice for a single, quite slow, dark and fairly bitter lyrics, not exactly something to set the dance floors across the land alight. The B-side is in a similar vein both tracks are awash with brooding, building melodies, always restricted, always maintaining tension that never quite releases, haunting harmonies and waves of reverb soaked instruments adding to the melancholic majesty of it all.

<a href='https://www.doloroso.co.uk/' target='_blank'>www.doloroso.co.uk</a>

Published in Maps Magazine

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## [Winterkids - I'm not used to you](https://chrischinchilla.com/blog/2006/2006-07-29-winterkids-im-not-used-to-you)

Date: 2006-07-29

There's an odd sound and feeling to Winterkids' single, track one seems to be veering dangerously to sounding like an early 90's baggy anthem, whilst the b-side is doing a very good impression of a pop-heavy-rock hit which would get the 13 year olds in baggy jeans and hoodies moshing like mad. Throughout both the tracks the vocal has some horrible production on it, it's so compressed and so saturated with reverb it's a real effort to listen to, this is what gives both the tracks the odd sound they have. I get the feeling a better opinion of the band could be formed by seeing them live.

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There's an odd sound and feeling to Winterkids' single, track one seems to be veering dangerously to sounding like an early 90's baggy anthem, whilst the b-side is doing a very good impression of a pop-heavy-rock hit which would get the 13 year olds in baggy jeans and hoodies moshing like mad. Throughout both the tracks the vocal has some horrible production on it, it's so compressed and so saturated with reverb it's a real effort to listen to, this is what gives both the tracks the odd sound they have. I get the feeling a better opinion of the band could be formed by seeing them live.

<a href='https://www.myspace.com/winterkids' target='_blank'>www.myspace.com/winterkids</a>

Published in Maps Magazine

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## [The Needles - In Search of The Needles](https://chrischinchilla.com/blog/2006/2006-07-12-the-needles-in-search-of-the-needles)

Date: 2006-07-12

I've been aware of the Needles for some time, this album has been a while in the making and it gives the feeling that the songs were possibly written over a long period of time; it's a schizophrenic sounding album. Some songs are straight ahead power rock songs, others reminiscent of 60's ballads whilst others are more contemporary sounding rock songs. Therein lies the problem, the more contemporary sounding and the fast, frantic rock songs are the highlights, things start to tire around the middle of the album where there are too many organ led slower songs, fortunately everything kicks back in for the last few tracks and the album ends on a high. Not the smoothest journey but fundamentally rewarding, much as (I hope) it has been for the band.

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I've been aware of the Needles for some time, this album has been a while in the making and it gives the feeling that the songs were possibly written over a long period of time; it's a schizophrenic sounding album. Some songs are straight ahead power rock songs, others reminiscent of 60's ballads whilst others are more contemporary sounding rock songs. Therein lies the problem, the more contemporary sounding and the fast, frantic rock songs are the highlights, things start to tire around the middle of the album where there are too many organ led slower songs, fortunately everything kicks back in for the last few tracks and the album ends on a high. Not the smoothest journey but fundamentally rewarding, much as (I hope) it has been for the band.

<a href="https://www.theneedles.net/" target="_blank">www.theneedles.net</a>

Published in Maps Magazine

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## [The Noisettes](https://chrischinchilla.com/blog/2006/2006-07-07-the-noisettes)

Date: 2006-07-07

The Noisettes formed as the band they are now in the wilds of South East London at the infamous Brits school in Croydon less than three years ago. Consisting of Shingai on vocals and bass, Dan on guitar and Jamie on drums, the band rapidly rehearsed and recorded their debut 4-track EP, Three moods of the Noisettes, releasing it in Summer 2004, the band then went on to receive critical acclaim and some lucrative support slots with the likes of Babyshambles and Mystery Jets.

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The Noisettes formed as the band they are now in the wilds of South East London at the infamous Brits school in Croydon less than three years ago. Consisting of Shingai on vocals and bass, Dan on guitar and Jamie on drums, the band rapidly rehearsed and recorded their debut 4-track EP, Three moods of the Noisettes, releasing it in Summer 2004, the band then went on to receive critical acclaim and some lucrative support slots with the likes of Babyshambles and Mystery Jets.

But that makes them all sound a little too conventional, look beneath the surface and you find an unusual band, doing things there own weird way but somehow making it work. Describing the band as meeting at Stage School gives the impression of a meeting of professional convenience, and their rapid rise to fame doesn't do them any favours in that department, however the band are not only incredibly likeable and friendly but intensely genuine, not the faintest glimmer of pretension. The band's shy and retiring guitarist, Dan Smith confesses, I started playing guitar because I wanted to impress Jimmy Page and pressed on his reasons for starting a band, I wanted to start a band to record some albums, tour the world, play in interesting places and to be like a 60's style 'backing band for hire' to superstar singers like Prince, and so far with Noisettes dates including rooftops, boats and South by South West, it seems to be working. His encounters with singer Shingai Shoniwa were initially an intense and emotional affair, as she proceeded to test burlesque dances in front of him, I couldn't be bothered with all that Art & Design shit, I just wanted to get out of my old school, they had a really bad library, she tells me. Like all the best partnerships there was an initial element of unrequited love, developing into a fruitful and productive song writing duo. We spent several years trying lots of different stuff, as a duo, at a Youth arts centre, we put on a jazz musical, all sorts of things. Finally the pair settled into playing under the moniker 'Sonarfly', who were apparently unsigned band of the year in 2000, though according to whom I have no idea. The same dedication to the cause of music and doing what they feel to be right seems to be prevalent in everything Dan and Shingai have ever done, but it wasn't until meeting drummer Jamie Morrison that everything gelled into a musical unit fit to realise what they had always been trying to achieve. Jamie had spent the majority of his formative years in his parents' attic practicing drums and then the next few years playing in a variety of bands, basically dodging any proper work. The trio instantly worked in a musical and mental capacity, rehearsing, recording and playing their first largely improvised gig within 4 days.

Whilst The Noisettes are a band who's individual members all seem to play a key role, it does seem to be front woman Shingai with the most visible intensity, drive and passion, during a technically troubled phone call with her our conversation wandered from Beep, beep, the world' full of beeps! To her very intriguing theories on South East and East London, There's only a few more spots left in London to be gentrified, All the places in London that have kept their historical wealth are the one's near the docks, they're the mouth of London and what made the British empire. Nowhere else has that diversity that's been created by sailors and people from foreign lands. It's this lust for adventure and zest for life that pulses through the Noisettes music, even if the lyrical content and musical delivery may appear to be melancholic, it's not, it's passionate. This also manifests itself at live gigs, The Noisettes are a band that believe in putting on a good show, they are a band who celebrate live music, Shingai passionately explains, We were always forced to use our imagination, and you can't help it when you're like that, people might think you're over the top, but just to bring any sense of magic and wonder to a show is something that's gone from so many modern shows that just rely on dancers, backdrops and lights. The audience have spent £10 to come and see you, they don't want to someone complaining about the usual Indie crap, they deserve a show from people who are into what they're doing. The band make no apologies and a band like that is always a force to be reckoned with on stage, Sometimes the crowds give it right back to us and it's amazing, sometimes they just stand there and don't know how to react, Dan tells me, We always enjoy it more when people give it back out.

So what of the music? It's hard to describe, as songs vary in style, another manifestation of the bands desire to experiment and enjoy their music. There are jazzy elements, especially in the vocal delivery, but also a very modern edge, the same rock aggression that a lot of modern guitar bands posses without the bloody disco-beats. This mish-mash of sound is explained very slightly by Dan, None of us are trained musicians, we taught ourselves, and we all have our own different influences and that makes things interesting. They also make a lot of noise for a 3 piece, great seething masses of guitars, whoops, screeches, pounding, smashing drums and some incredibly powerful interplay between the guitar and bass. These are people who have spent a lot of time realising the dynamic they can produce, and exploit it fully, even in their quieter moments you are captivated and drawn in. Lyrically the same passion is there, the songs are about a sense of belonging, defining yourself in the world, enjoying life as you are and telling the rest of the world to fuck off, but there's nothing depressing about this, it's liberating.

The Noisettes debut album, What's the time Mr Wolf? will be out late September / early October on the small Side Salad label, a label with a penchant for food related puns, intriguingly the band have been signed by Motown in the US, so perhaps we can predict bigger success over the other side of the Atlantic than here, I can imagine the band working better in the US, but it will be a shame to lose them. The album has been produced by Cliff Norell who has a wide variety of previous credits under his belt from REM to Henry Rollins, Mansun and, ahem, All Saints. Before Shingai disappears into a wave of static she manages to explain to me what the album title is about, It's symbolic of the fact that you never know when your time is up, the Wolf can be anything, the bullet that kills you, the accident you have, so you have to make the most of life. There the interview ended, The Noisettes are a puzzle, but one well worth unravling.

<a href="https://www.thenoisettes.com" target="_blank">www.thenoisettes.com</a>

Published in Feature for Disorder magazine

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## [The Immediate - Scala](https://chrischinchilla.com/blog/2006/2006-06-29-the-immediate-scala)

Date: 2006-06-29

The Immediate's careful and beautifully crafted melodies are somewhat lost in the echoes of a half empty Scala tonight. These are pop songs of the highest calibre, the kind that would be critically acclaimed and incredibly commercially successful if handled correctly. The band are already winning over the 7.30 crowd tonight, give them 6 months and the Immediate will be everywhere.

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The Immediate's careful and beautifully crafted melodies are somewhat lost in the echoes of a half empty Scala tonight. These are pop songs of the highest calibre, the kind that would be critically acclaimed and incredibly commercially successful if handled correctly. The band are already winning over the 7.30 crowd tonight, give them 6 months and the Immediate will be everywhere.

<a href='https://www.myspace.com/theimmediate' target='_blank'>www.myspace.com/theimmediate</a>

Published in Maps Magazine

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## [Jeremy Warmsley - I Promise](https://chrischinchilla.com/blog/2006/2006-06-20-jeremy-warmsley-i-promise)

Date: 2006-06-20

Every time Jeremy Warmsley releases something new his style seems to change, is he a creative genius full of thousands of ideas or just a little indecisive? I promise is a melancholic little ditty, gentle tip-tapping drums, acoustic guitars, plink-plonking melodies and wistful romantic lyrics. It wont set the world on fire but it could set a few romances alight.

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Every time Jeremy Warmsley releases something new his style seems to change, is he a creative genius full of thousands of ideas or just a little indecisive? I promise is a melancholic little ditty, gentle tip-tapping drums, acoustic guitars, plink-plonking melodies and wistful romantic lyrics. It wont set the world on fire but it could set a few romances alight.

<a href='https://www.jeremywarmsley.com' target='_blank'>www.jeremywarmsley.com</a>

Published in Maps Magazine

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## [Snowfight in the City Centre - Demo](https://chrischinchilla.com/blog/2006/2006-06-14-snowfight-in-the-city-centre-demo)

Date: 2006-06-14

Snowfight in the City Centre are yet another band who of late seem to be wearing the big sound shoes. Slow burning anthemic numbers, lots of instruments, probably a string section if they could afford one. A little outdated and not to everyone's taste, but not too overindulgent, which is a good thing.

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Snowfight in the City Centre are yet another band who of late seem to be wearing the big sound shoes. Slow burning anthemic numbers, lots of instruments, probably a string section if they could afford one. A little outdated and not to everyone's taste, but not too overindulgent, which is a good thing.

<a href='https://www.snowfight.net' target='_blank'>www.snowfight.net</a>

Published in Maps Magazine

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## [Findlay Brown - Down amongst the Dead men](https://chrischinchilla.com/blog/2006/2006-06-13-findlay-brown-down-amongst-the-dead-men)

Date: 2006-06-13

Not the most interesting of Findlay Brown's material, but this is a commercial single after all. This is sad stuff; a haunting beauty, subtle intertwining melodies, an amazing silky smooth voice, the makings of greatness, but not a storming chart success.

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Not the most interesting of Findlay Brown's material, but this is a commercial single after all. This is sad stuff; a haunting beauty, subtle intertwining melodies, an amazing silky smooth voice, the makings of greatness, but not a storming chart success.

<a href='https://www.findlaybrown.com' target='_blank'>www.findlaybrown.com</a>

Published in Maps Magazine

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## [Jim Noir - Eany Meany](https://chrischinchilla.com/blog/2006/2006-06-13-jim-noir-eany-meany)

Date: 2006-06-13

Apparently this song has appeared all over some sort of Football programming... Having no interest in Football, I cannot verify this. However the title track of this single is another mellow, slightly childish bouncy offering from Jim Noir, his unique lyrical style again fully evident and his wonderfully repetitive but never dull melodies in full flow. Not as inspiring as his last single outing, but still an artist doing completely his own thing and making a damn good go of it.

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Apparently this song has appeared all over some sort of Football programming... Having no interest in Football, I cannot verify this. However the title track of this single is another mellow, slightly childish bouncy offering from Jim Noir, his unique lyrical style again fully evident and his wonderfully repetitive but never dull melodies in full flow. Not as inspiring as his last single outing, but still an artist doing completely his own thing and making a damn good go of it.

<a href='https://www.jimnoir.com' target='_blank'>www.jimnoir.com</a>

Published in Maps Magazine

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## [Roland Shanks - Tarantula](https://chrischinchilla.com/blog/2006/2006-06-13-roland-shanks-tarantula)

Date: 2006-06-13

Sorry Roland Shanks, you've been around a while, maybe you were one of the first to do it, but if I hear another disco-beat-rumbling-bass-line-shouty-singer band, I'm going to scream very loudly. Maybe Roland Shanks have got more interesting songs, in fact the B-side even hints at that fact, and I know you're a bunch of down to earth guys, but don't just jump on the band wagon to try and get into the singles chart, or (possibly) to be more precise, don't let your label push you onto the band wagon.

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Sorry Roland Shanks, you've been around a while, maybe you were one of the first to do it, but if I hear another disco-beat-rumbling-bass-line-shouty-singer band, I'm going to scream very loudly. Maybe Roland Shanks have got more interesting songs, in fact the B-side even hints at that fact, and I know you're a bunch of down to earth guys, but don't just jump on the band wagon to try and get into the singles chart, or (possibly) to be more precise, don't let your label push you onto the band wagon.

<a href='https://www.rolandshanks.com' target='_blank'>www.rolandshanks.com</a>

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## [Larrikin Love - Kings College](https://chrischinchilla.com/blog/2006/2006-06-10-larrikin-love-kings-college)

Date: 2006-06-10

Somewhere in the recent months of the live music explosion, Indie music seems to have separated into two camps, thoughtful, clever, rocking music and music to bounce around to. Larrikin Love fall squarely into the later category, the kids love them, bounding and shouting around like idiots to pretty much every song, the band can do no wrong with their odd Indie-Ska-Gipsy crossover. However hooks and structure seem hard to find in their songs, everything rumbles along in the same vein with no real clarity or memorable moments, great fun but not built to last.

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Somewhere in the recent months of the live music explosion, Indie music seems to have separated into two camps, thoughtful, clever, rocking music and music to bounce around to. Larrikin Love fall squarely into the later category, the kids love them, bounding and shouting around like idiots to pretty much every song, the band can do no wrong with their odd Indie-Ska-Gipsy crossover. However hooks and structure seem hard to find in their songs, everything rumbles along in the same vein with no real clarity or memorable moments, great fun but not built to last.

<a href='https://www.larrikinlove.co.uk' target='_blank'>www.larrikinlove.co.uk</a>

Published in Maps Magazine

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## [The Scare - The Buffalo Bar](https://chrischinchilla.com/blog/2006/2006-06-10-the-scare-the-buffalo-bar)

Date: 2006-06-10

The Scare look out of it tonight, perhaps they would be a tighter band if they weren't off their heads, but they wouldn't be the Scare if they were sober. A big, loud, sometimes wonderful mess of heavy rock, new wave and egotistical posturing, riffs that fly around like there's no tomorrow and a seething mass of sweaty bodies. This is pure rock and roll, it may not always be pretty, but who ever said it should be.

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The Scare look out of it tonight, perhaps they would be a tighter band if they weren't off their heads, but they wouldn't be the Scare if they were sober. A big, loud, sometimes wonderful mess of heavy rock, new wave and egotistical posturing, riffs that fly around like there's no tomorrow and a seething mass of sweaty bodies. This is pure rock and roll, it may not always be pretty, but who ever said it should be.

<a href='https://www.thescare.net' target='_blank'>www.thescare.net</a>

Published in Maps Magazine

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## [The Voices - The Voices](https://chrischinchilla.com/blog/2006/2006-06-08-the-voices-the-voices)

Date: 2006-06-08

The Voices are not the sort of band I'd normally go for; I gather they call it Shoe-gazing, basically lots of noise, not much structure, just repeated, building patterns. However, there's something about The Voices that pulls me in, firstly I guess I'm impressed by the noise they make for a three piece, there's also something wonderfully calming and ethereal about the tracks on this album, they wash over you, enveloping your senses, and forcing you to just stop and listen. An excellent soothing antidote to the crazy and confused modern world.

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The Voices are not the sort of band I'd normally go for; I gather they call it Shoe-gazing, basically lots of noise, not much structure, just repeated, building patterns. However, there's something about The Voices that pulls me in, firstly I guess I'm impressed by the noise they make for a three piece, there's also something wonderfully calming and ethereal about the tracks on this album, they wash over you, enveloping your senses, and forcing you to just stop and listen. An excellent soothing antidote to the crazy and confused modern world.

<a href='https://www.lostinconfusion.com' target='_blank'>www.lostinconfusion.com</a>

Published in Maps Magazine

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## [At The Lake - Promo](https://chrischinchilla.com/blog/2006/2006-06-08-at-the-lake-promo)

Date: 2006-06-08

Thanks to bands like The Editors and the Departure there seems to an ever increasing amount of bands making effects laden, sound-like-they're-playing-in-a-cave albums, full of big guitars and echoing vocals. So whilst At the Lake may not be particularly original they have a damn good go at the sound, with some excellent guitar riffs, great choruses and oodles of reverb of course!

---

Thanks to bands like The Editors and the Departure there seems to an ever increasing amount of bands making effects laden, sound-like-they're-playing-in-a-cave albums, full of big guitars and echoing vocals. So whilst At the Lake may not be particularly original they have a damn good go at the sound, with some excellent guitar riffs, great choruses and oodles of reverb of course!

<a href='https://www.atthelake.co.uk' target='_blank'>www.atthelake.co.uk</a>

---

## [Camera - Demo](https://chrischinchilla.com/blog/2006/2006-06-07-camera-demo)

Date: 2006-06-07

Strange, the 4 tracks on this Camera sampler are a little MOR for my usual tastes, but I kind of like them, in a mellow, sitting back with a bottle of beer and gently sighing kind of way. Some nice harmonies and tunes trip away with nowhere special to go, along comes another song and so it goes. In their rockier moments, Camera start to get more interesting, bring on the rock boys!

---

Strange, the 4 tracks on this Camera sampler are a little MOR for my usual tastes, but I kind of like them, in a mellow, sitting back with a bottle of beer and gently sighing kind of way. Some nice harmonies and tunes trip away with nowhere special to go, along comes another song and so it goes. In their rockier moments, Camera start to get more interesting, bring on the rock boys!

<a href='https://www.cameratheband.com' target='_blank'>www.cameratheband.com</a>

Published in Maps Magazine

---

## [Televise - Songs to sing in A&E](https://chrischinchilla.com/blog/2006/2006-06-07-televise-songs-to-sing-in-a-and-e)

Date: 2006-06-07

Great album title! Televise really aren't my thing, but I get the feeling that if shoe-gazing music is your thing, then they'd be pretty ace, so I'm not going to write a review of them, and just tell you to take a listen... If you want to.

---

Great album title! Televise really aren't my thing, but I get the feeling that if shoe-gazing music is your thing, then they'd be pretty ace, so I'm not going to write a review of them, and just tell you to take a listen... If you want to.

<a href='https://www.televiseband.co.uk' target='_blank'>www.televiseband.co.uk</a>

---

## [Jim Noir - Kings College](https://chrischinchilla.com/blog/2006/2006-05-31-jim-noir-kings-college)

Date: 2006-05-31

These are songs for summer, beautiful close melodies, upbeat harmonies and wonderful lyrical couplets. But the weather outside is confused, and so seemingly is the band, the sound is not brilliant, everyone looks constantly surprised and lost. However it comes across as charming, complimenting the music well and Jim Noir get away with it.

---

These are songs for summer, beautiful close melodies, upbeat harmonies and wonderful lyrical couplets. But the weather outside is confused, and so seemingly is the band, the sound is not brilliant, everyone looks constantly surprised and lost. However it comes across as charming, complimenting the music well and Jim Noir get away with it.

<a href='https://www.jimnoir.com' target='_blank'>www.jimnoir.com</a>

Published in Maps Magazine

---

## [Scully - Hoxton Bar & Restaurant](https://chrischinchilla.com/blog/2006/2006-05-31-scully-hoxton-bar-and-restaurant)

Date: 2006-05-31

The ill informed might term Scully Ska, Lad Rock or some other such badge. Scully are the sound of frustration and displeasure with the arseholes and idiots that constantly ruin lives. They are the sound of celebrating the pleasures and excesses in life, and it all comes right in the end, usually in a big sing-a-long chorus. Scully are the sound of real life.

---

The ill informed might term Scully Ska, Lad Rock or some other such badge. Scully are the sound of frustration and displeasure with the arseholes and idiots that constantly ruin lives. They are the sound of celebrating the pleasures and excesses in life, and it all comes right in the end, usually in a big sing-a-long chorus. Scully are the sound of real life.

<a href='https://www.scullyofficial.com' target='_blank'>www.scullyofficial.com</a>

Published in Maps Magazine

---

## [You & The Atom Bomb - Demo](https://chrischinchilla.com/blog/2006/2006-05-31-you-and-the-atom-bomb-demo)

Date: 2006-05-31

The predominant problem for me (especially being a southerner) with jangly guitar bands singing with Northern accents, is that they all start to sound very similar, It's an unfair comment especially in You and the Atom Bomb's case. The two tracks on this single sound like different bands, which in my opinion, is a good thing. Track one is a fast-paced blistering riff led rant about and celebration of bad landlords and cheap rentals, track two a more laid back, melancholic affair about boy watching... I think. Overall, interesting, I'd like to hear more!

---

The predominant problem for me (especially being a southerner) with jangly guitar bands singing with Northern accents, is that they all start to sound very similar, It's an unfair comment especially in You and the Atom Bomb's case. The two tracks on this single sound like different bands, which in my opinion, is a good thing. Track one is a fast-paced blistering riff led rant about and celebration of bad landlords and cheap rentals, track two a more laid back, melancholic affair about boy watching... I think. Overall, interesting, I'd like to hear more!

<a href='https://www.youmeandtheatombomb.com' target='_blank'>www.youmeandtheatombomb.com</a>

---

## [Findlay Brown - The Social, London](https://chrischinchilla.com/blog/2006/2006-05-24-findlay-brown-the-social-london)

Date: 2006-05-24

The show of a skilled solo artist is the ability to fill a room with your sound and presence, and whilst The Social is a small venue, Findlay fills all corners of the room admirably. His melodies and harmonies are haunting but beautiful, filling you with an enormous sense of calm and stillness. At the end of his set he quietly finishes and disappears into the room, his unassuming manner unaware of his effect on the audience.<br><br><a href='https://www.findlaybrown.com' target='_blank'>www.findlaybrown.com</a>

---

The show of a skilled solo artist is the ability to fill a room with your sound and presence, and whilst The Social is a small venue, Findlay fills all corners of the room admirably. His melodies and harmonies are haunting but beautiful, filling you with an enormous sense of calm and stillness. At the end of his set he quietly finishes and disappears into the room, his unassuming manner unaware of his effect on the audience.<br><br><a href='https://www.findlaybrown.com' target='_blank'>www.findlaybrown.com</a>

Published in Maps Magazine

---

## [Pink Grease - Ordinary Girl](https://chrischinchilla.com/blog/2006/2006-05-24-pink-grease-ordinary-girl)

Date: 2006-05-24

The two tracks on Pink Grease's forthcoming offering has a wonderful tension throughout both tracks. The lyrics to Ordinary girl ooze with an impassioned plea, for what who don't know, but it's very effective! Hate has a similar feel, it's tension supplied by a confession of sorts, a claustrophobic outburst against the world or perhaps more personal. One thing's for sure, Pink Grease have thrown aside their lighter past for a new darker outlook on the world and a tighter sound to fulfil it, good luck to 'em.

---

The two tracks on Pink Grease's forthcoming offering has a wonderful tension throughout both tracks. The lyrics to Ordinary girl ooze with an impassioned plea, for what who don't know, but it's very effective! Hate has a similar feel, it's tension supplied by a confession of sorts, a claustrophobic outburst against the world or perhaps more personal. One thing's for sure, Pink Grease have thrown aside their lighter past for a new darker outlook on the world and a tighter sound to fulfil it, good luck to 'em.

<a href='https://www.pinkgrease.com' target='_blank'>www.pinkgrease.com</a>

Published in Maps Magazine

---

## [Winterkids - Tape it](https://chrischinchilla.com/blog/2006/2006-05-23-winterkids-tape-it)

Date: 2006-05-23

Sorry, this is horrible, bloody disco beats all over the place for no real reason, stupid inane lyrics about taping a TV program and irritating Xylophone plastered over the top of some horrendously recorded tinny guitars. It's not a bad song, it has a catchy chorus, I'd just like to take the band, rearrange the song, strip it down and rerecord the whole thing to make the hooks audible and less grating.

---

Sorry, this is horrible, bloody disco beats all over the place for no real reason, stupid inane lyrics about taping a TV program and irritating Xylophone plastered over the top of some horrendously recorded tinny guitars. It's not a bad song, it has a catchy chorus, I'd just like to take the band, rearrange the song, strip it down and rerecord the whole thing to make the hooks audible and less grating.

<a href="https://www.winterkidsmusic.com" target="_blank">www.winterkidsmusic.com</a>

Published in Maps Magazine

---

## [Marissa Nadler - Diamond Heart](https://chrischinchilla.com/blog/2006/2006-05-23-marissa-nadler-diamond-heart)

Date: 2006-05-23

Marissa Nadler is an artist hard to judge on just two tracks. Marissa has an incredible voice, the sort of voice that could, with the right oppputunities and a lot of luck become a classic voice. Her range and emotion are incredible, sucking you right in to the beautiful melodies and this is why two tracks are not enough, I don't want it to end yet, I want more.<br><br><a href='https://www.marissanadler.com' target='_blank'>www.marissanadler.com</a>

---

Marissa Nadler is an artist hard to judge on just two tracks. Marissa has an incredible voice, the sort of voice that could, with the right oppputunities and a lot of luck become a classic voice. Her range and emotion are incredible, sucking you right in to the beautiful melodies and this is why two tracks are not enough, I don't want it to end yet, I want more.<br><br><a href='https://www.marissanadler.com' target='_blank'>www.marissanadler.com</a>

Published in Maps Magazine

---

## [The Scare - Vacuum Irony](https://chrischinchilla.com/blog/2006/2006-05-20-the-scare-vacuum-irony)

Date: 2006-05-20

There's quite a lot of this shouty, shouty, fast guitars, pseudo-disco drums stuff about at the moment. All a bit manic, songs structures that never really have any choruses or middle eights, just 3 minutes of loudness, there's probably some sort of ridiculously named sub genre, but I don't know what it is. The Scare have a fair pop at it, the singer's voice is quite often more mental than most of his peers, at times descending into odd screeches and wails, but the problem is the lack of dynamics, every song is mad and fast, it becomes a little tiring after 4 songs, perhaps it's something to appreciate more live with a big sweaty crowd who are equally mental.

---

There's quite a lot of this shouty, shouty, fast guitars, pseudo-disco drums stuff about at the moment. All a bit manic, songs structures that never really have any choruses or middle eights, just 3 minutes of loudness, there's probably some sort of ridiculously named sub genre, but I don't know what it is. The Scare have a fair pop at it, the singer's voice is quite often more mental than most of his peers, at times descending into odd screeches and wails, but the problem is the lack of dynamics, every song is mad and fast, it becomes a little tiring after 4 songs, perhaps it's something to appreciate more live with a big sweaty crowd who are equally mental.

<a href='https://www.myspace.com/thescare' target='_blank'>www.myspace.com/thescare</a>

Published in Maps Magazine

---

## [V//Formation - Little Heart](https://chrischinchilla.com/blog/2006/2006-05-16-v-formation-little-heart)

Date: 2006-05-16

I always try very very hard not to reference other bands in reviews, but there is one so blindingly obvious reference point in V//Formations' sound that I have to use it. The Pixies, I'm not even sure that this will mean anything to the band, but there's the same caterwauling vocals, the same rolling bass lines and the same discordant guitars. However V//Formation are like the aforementioned band in (what I imagine they sounded like) their early days, darker, rougher, full of more spit and venom. There's a way to go, the songs don't tend to stick in my mind, but there's something hear to worth listening out for.

---

I always try very very hard not to reference other bands in reviews, but there is one so blindingly obvious reference point in V//Formations' sound that I have to use it. The Pixies, I'm not even sure that this will mean anything to the band, but there's the same caterwauling vocals, the same rolling bass lines and the same discordant guitars. However V//Formation are like the aforementioned band in (what I imagine they sounded like) their early days, darker, rougher, full of more spit and venom. There's a way to go, the songs don't tend to stick in my mind, but there's something hear to worth listening out for.

<a href='https://www.vformation.net/' target='_blank'>www.vformation.net/</a>

Published in Maps Magazine

---

## [Scully - Who's a Terrorist Now?](https://chrischinchilla.com/blog/2006/2006-05-12-scully-whos-a-terrorist-now)

Date: 2006-05-12

Who's a Terrorist now? is one of the best tracks I heard this year, raucous, scathing, and teeming with aggression and hard-edged passion, everything a track should have in my opinion. The B-Side In Good Time isn't quite as raucous, and some of the lyrics are a little cheesy and cliched, but it's still an excellent track with an awesome guitar line and a glorious sing-a-long chorus. Definately a band to watch for, they will be big.

---

Who's a Terrorist now? is one of the best tracks I heard this year, raucous, scathing, and teeming with aggression and hard-edged passion, everything a track should have in my opinion. The B-Side In Good Time isn't quite as raucous, and some of the lyrics are a little cheesy and cliched, but it's still an excellent track with an awesome guitar line and a glorious sing-a-long chorus. Definately a band to watch for, they will be big.

<a href='https://www.scullyofficial.com' target='_blank'>www.scullyofficial.com</a>

Published in Maps Magazine

---

## [Broken Family Band - Balls](https://chrischinchilla.com/blog/2006/2006-05-07-broken-family-band-balls)

Date: 2006-05-07

Balls is the BFB's third release, and usually by the third album bands are starting to mellow, The BFB seem to be going completely in reverse getting rockier as they release more, not that their going to be donning Leathers and playing the Download festival any time soon. Balls is more direct than previous releases, the tracks are shorter, they kick in quicker and are more danceable. However fear not, the same Alt-country roots are still there, the same Jet black dark and arrogant lyrics still spit and curse their way through the album and the same brilliantly crafted song writing still oozes from the songs. I've been a fan of BFB for sometime now, but I've always been of the opinion that their live show is consistently so much better than their recorded output, and whilst Balls is a competent release, this still remains the case.

---

Balls is the BFB's third release, and usually by the third album bands are starting to mellow, The BFB seem to be going completely in reverse getting rockier as they release more, not that their going to be donning Leathers and playing the Download festival any time soon. Balls is more direct than previous releases, the tracks are shorter, they kick in quicker and are more danceable. However fear not, the same Alt-country roots are still there, the same Jet black dark and arrogant lyrics still spit and curse their way through the album and the same brilliantly crafted song writing still oozes from the songs. I've been a fan of BFB for sometime now, but I've always been of the opinion that their live show is consistently so much better than their recorded output, and whilst Balls is a competent release, this still remains the case.

<a href="https://www.thebrokenfamilyband.com" target="_blank">www.thebrokenfamilyband.com</a>

Published in Maps Magazine

---

## [Jim Noir - My Patch](https://chrischinchilla.com/blog/2006/2006-05-07-jim-noir-my-patch)

Date: 2006-05-07

I'm not sure quite why I like this, the lyrics are very repetitive, in fact even the same lyrics repeated over and over again, but it's simple and catchy, it sticks in your head in a nice mellow if slightly eccentric kind of way. What more could you want from a song?

---

I'm not sure quite why I like this, the lyrics are very repetitive, in fact even the same lyrics repeated over and over again, but it's simple and catchy, it sticks in your head in a nice mellow if slightly eccentric kind of way. What more could you want from a song?

<a href='https://www.jimnoir.com' target='_blank'>www.jimnoir.com</a>

Published in Maps Magazine

---

## [Sol Seppy - 93ft East](https://chrischinchilla.com/blog/2006/2006-05-07-sol-seppy-93ft-east)

Date: 2006-05-07

Sol Seppy holds the stage like an entranced group of Children intrigued and delighted by their toys, their playmates and the noises they are making. The predominant lack of percussion in the intertwining melodies produces a cathartic dream like feeling, the crowed are invited and captivated, drawn into the bands' private world for half an hour, sharing the beautiful soundscapes produced. The band finish, the crowd cries for more, but we're back in the real world now and the night must carry on.

---

Sol Seppy holds the stage like an entranced group of Children intrigued and delighted by their toys, their playmates and the noises they are making. The predominant lack of percussion in the intertwining melodies produces a cathartic dream like feeling, the crowed are invited and captivated, drawn into the bands' private world for half an hour, sharing the beautiful soundscapes produced. The band finish, the crowd cries for more, but we're back in the real world now and the night must carry on.

<a href='https://www.solseppy.com' target='_blank'>www.solseppy.com</a>

Published in Fly Magazine, June 2006

---

## [The Playwrights - English Self storage](https://chrischinchilla.com/blog/2006/2006-05-07-the-playwrights-english-self-storage)

Date: 2006-05-07

This is The Playwrights first proper release, plagued by bad luck and misfortune, it's been a long time coming and the sense of dissatisfaction and listlessness is evident. Songs like Why We've become invisible, Fear of open spaces, Dislocated and Where the stress falls are full of lyrics brimming with frustration of provincial and everyday living, the draw and darkness of big towns. The music is incredibly frantic, complementing the lyrics perfectly, the drums rattle about, somehow holding it all together despite never really settling into any constant beats, the bass pulsates and rumbles just as manically with the two guitarists crashing about, seemingly doing their own thing, producing wonderfully discordant melodies and rhythms that are chaotic, but work. It?ƒÙs taken a while for them to get here, but this album is testament to the fact that it was well worth the effort.

---

This is The Playwrights first proper release, plagued by bad luck and misfortune, it's been a long time coming and the sense of dissatisfaction and listlessness is evident. Songs like Why We've become invisible, Fear of open spaces, Dislocated and Where the stress falls are full of lyrics brimming with frustration of provincial and everyday living, the draw and darkness of big towns. The music is incredibly frantic, complementing the lyrics perfectly, the drums rattle about, somehow holding it all together despite never really settling into any constant beats, the bass pulsates and rumbles just as manically with the two guitarists crashing about, seemingly doing their own thing, producing wonderfully discordant melodies and rhythms that are chaotic, but work. It?ƒÙs taken a while for them to get here, but this album is testament to the fact that it was well worth the effort.

<a href='https://www.theplaywrights.co.uk' target='_blank'>www.theplaywrights.co.uk</a>

Published in Maps Magazine

---

## [MC Lars Horris - 93ft East](https://chrischinchilla.com/blog/2006/2006-04-19-mc-lars-horris-93ft-east)

Date: 2006-04-19

The hoodie wearing kids are dancing and shouting, arms in the air as their self appointed spokesman for the night simultaneously castrates and celebrates the US pop and sub-pop cultures they embrace. The hecklers at the back are drowned out by his tight and hard rocking band and his witty hip-hop rhymes, we leave with a smile on our faces and sweat on our backs. In the words of the man himself, That's Fresh!

---

The hoodie wearing kids are dancing and shouting, arms in the air as their self appointed spokesman for the night simultaneously castrates and celebrates the US pop and sub-pop cultures they embrace. The hecklers at the back are drowned out by his tight and hard rocking band and his witty hip-hop rhymes, we leave with a smile on our faces and sweat on our backs. In the words of the man himself, That's Fresh!

<a href='https://www.mclars.com' target='_blank'>www.mclars.com</a>

Published in Fly Magazine, June 2006

---

## [And What will be left of them? - The Dance, damn you, dance EP](https://chrischinchilla.com/blog/2006/2006-04-18-and-what-will-be-left-of-them-the-dance-damn-you-dance-ep)

Date: 2006-04-18

Awwblot (for short) are an extremely competent and confident 5 piece from Worcester, who take the increasingly popular dual boy/girl vocals trick and fortunately aren't irritating. This 4 track EP has its ups and downs, the lead track, Dance, Damn you, dance is an anthem in the making showing off all the bands lyrical and musical talent in one convenient package. The problem with an outstanding track on a CD is that it makes the others, whilst perfectly fine in their own right, not seem so strong. Awwblot are a potential future hit band in the making, grab a copy of their early CD's before Paul Epworth gets his mitts on them and makes them all bloody disco.

---

Awwblot (for short) are an extremely competent and confident 5 piece from Worcester, who take the increasingly popular dual boy/girl vocals trick and fortunately aren't irritating. This 4 track EP has its ups and downs, the lead track, Dance, Damn you, dance is an anthem in the making showing off all the bands lyrical and musical talent in one convenient package. The problem with an outstanding track on a CD is that it makes the others, whilst perfectly fine in their own right, not seem so strong. Awwblot are a potential future hit band in the making, grab a copy of their early CD's before Paul Epworth gets his mitts on them and makes them all bloody disco.

<a href='https://www.andwhatwillbeleftofthem.co.uk' target='_blank'>www.andwhatwillbeleftofthem.co.uk</a>

---

## [Betty Curse - God This Hurts](https://chrischinchilla.com/blog/2006/2006-04-18-betty-curse-god-this-hurts)

Date: 2006-04-18

I can't quite figure out if Betty Curse is the next (Glam Metal) Avril Lavigne or if she's doing this seriously, and with collaborations from 80's Matchbox B-Line Disaster and Little Hell I'm still not sure. Either way the album promises to be a great head banger of an album, loud powerful guitars, and lyrics about blood, relationships, being young and religion. All the Goth Kids in Camden Town now have a new figure head, I foresee a London Astoria all ages show within 6 months and Charing Cross road full of sweaty 14 year olds resplendent in black being picked up by their parents in four wheel drives by 11 pm. Seriously though this album is great, sickly slick, but masses of fun.<br><br><a href='https://www.bettycurse.co.uk' target='_blank'>www.bettycurse.co.uk</a>

---

I can't quite figure out if Betty Curse is the next (Glam Metal) Avril Lavigne or if she's doing this seriously, and with collaborations from 80's Matchbox B-Line Disaster and Little Hell I'm still not sure. Either way the album promises to be a great head banger of an album, loud powerful guitars, and lyrics about blood, relationships, being young and religion. All the Goth Kids in Camden Town now have a new figure head, I foresee a London Astoria all ages show within 6 months and Charing Cross road full of sweaty 14 year olds resplendent in black being picked up by their parents in four wheel drives by 11 pm. Seriously though this album is great, sickly slick, but masses of fun.<br><br><a href='https://www.bettycurse.co.uk' target='_blank'>www.bettycurse.co.uk</a>

---

## [Sandy Dillon - Pull The Strings](https://chrischinchilla.com/blog/2006/2006-04-18-sandy-dillon-pull-the-strings)

Date: 2006-04-18

She's had a strange life, and as would be expected has produced a strange album. Having worked with artists from diverse musical backgrounds from Country to Hip Hop and classical composers and a long term recovery from Illness has helped produce a dark and twisted but equally beautiful album. Sandy's voice is one of the strangest I've ever heard, it is almost childlike, the only comparison I can draw is to the female psychic investigator in Poltergeist(!), high pitched, but gravely and full of emotion. Some songs on Pull The Strings are a little self indulgent, but overall an incredible album for those up for something more challenging.

---

She's had a strange life, and as would be expected has produced a strange album. Having worked with artists from diverse musical backgrounds from Country to Hip Hop and classical composers and a long term recovery from Illness has helped produce a dark and twisted but equally beautiful album. Sandy's voice is one of the strangest I've ever heard, it is almost childlike, the only comparison I can draw is to the female psychic investigator in Poltergeist(!), high pitched, but gravely and full of emotion. Some songs on Pull The Strings are a little self indulgent, but overall an incredible album for those up for something more challenging.

<a href='https://www.sandydillon.com' target='_blank'>www.sandydillon.com</a>

---

## [The Bishops - The only place I can look is down](https://chrischinchilla.com/blog/2006/2006-04-18-the-bishops-the-only-place-i-can-look-is-down)

Date: 2006-04-18

Whilst I raved about The Bishops for some time, I've always written them off as being fairly light hearted and their lyrics straightforward. After listening to their forthcoming single my opinion has changed, their lyrics may be simple but are extremely dark, it's a very misleading combination of upbeat music and downbeat lyrics. The Bishops sound and style is unmistakably 60's influenced, but with a very modern twist, I'm not entirely sure what that twist is, but it makes the sound theirs, the songs are short, to the point and pure slices of Pop.

---

Whilst I raved about The Bishops for some time, I've always written them off as being fairly light hearted and their lyrics straightforward. After listening to their forthcoming single my opinion has changed, their lyrics may be simple but are extremely dark, it's a very misleading combination of upbeat music and downbeat lyrics. The Bishops sound and style is unmistakably 60's influenced, but with a very modern twist, I'm not entirely sure what that twist is, but it makes the sound theirs, the songs are short, to the point and pure slices of Pop.

<a href='https://www.thebishopsband.com' target='_blank'>www.thebishopsband.com</a>

---

## [The Boyfriends - Adult Acne](https://chrischinchilla.com/blog/2006/2006-04-18-the-boyfriends-adult-acne)

Date: 2006-04-18

The Boyfriends have never been know as the cheeriest of bands, and with their newly confirmed Morrissey support, they're not putting and end to that reputation. Adult Acne is in a similar vein to previous material, Martin Wallace's vocals floating above a wall of sometimes jangling, sometime crashing guitars, a slightly funkier than normal bass line and fairly unobtrusive drums. I couldn't quite catch all the lyrics, but I gather the songs probably about being ignored and overlooked, a good old slab of British gloom for spring.

---

The Boyfriends have never been know as the cheeriest of bands, and with their newly confirmed Morrissey support, they're not putting and end to that reputation. Adult Acne is in a similar vein to previous material, Martin Wallace's vocals floating above a wall of sometimes jangling, sometime crashing guitars, a slightly funkier than normal bass line and fairly unobtrusive drums. I couldn't quite catch all the lyrics, but I gather the songs probably about being ignored and overlooked, a good old slab of British gloom for spring.

<a href='https://www.theboyfriends.com' target='_blank'>www.theboyfriends.com</a>

---

## [The Lodger - Let her go](https://chrischinchilla.com/blog/2006/2006-04-18-the-lodger-let-her-go)

Date: 2006-04-18

The Angular Recording corporation built it's reputation on doing what it felt like doing, and putting out bands who had a similar attitude, so it's a shame that this single from The Lodger is a little generic. The a-side is pleasant enough, a catchy tune and quite danceable, the b-side, sweet with some nice harmonies, but it doesn't grab me. Though admittedly the more I listen to the single, the more I like it, a grower.

---

The Angular Recording corporation built it's reputation on doing what it felt like doing, and putting out bands who had a similar attitude, so it's a shame that this single from The Lodger is a little generic. The a-side is pleasant enough, a catchy tune and quite danceable, the b-side, sweet with some nice harmonies, but it doesn't grab me. Though admittedly the more I listen to the single, the more I like it, a grower.

<a href='https://www.thelodger.net' target='_blank'>www.thelodger.net</a>

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## [The Television personalities - The Barfly](https://chrischinchilla.com/blog/2006/2006-03-24-the-television-personalities-the-barfly)

Date: 2006-03-24

I have a rule, I always give bands 3 songs before I decide whether to stay or not, I have been to a lot of the gigs, and this was the first time I have ever walked out before the 3 song limit. I didn't get it, was I missing something? The band took ages to set up, then sounded like a 6th form Punk band learning to play with each other. As I left I heard people asking for their money back and others telling them 'Oh, give him (Dan Treacy) a chance, he's had a hard time… That may be true, but if you're going to be so bad, don't charge punters upwards of £6 for the privilege, and even the rest of the band were out of time with each other, no one looked like they knew what was going on, it was painful, embarrassing and uncomfortable.

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I have a rule, I always give bands 3 songs before I decide whether to stay or not, I have been to a lot of the gigs, and this was the first time I have ever walked out before the 3 song limit. I didn't get it, was I missing something? The band took ages to set up, then sounded like a 6th form Punk band learning to play with each other. As I left I heard people asking for their money back and others telling them 'Oh, give him (Dan Treacy) a chance, he's had a hard time… That may be true, but if you're going to be so bad, don't charge punters upwards of £6 for the privilege, and even the rest of the band were out of time with each other, no one looked like they knew what was going on, it was painful, embarrassing and uncomfortable.

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## [Jeff Klein - The Hustler](https://chrischinchilla.com/blog/2006/2006-03-22-jeff-klein-the-hustler)

Date: 2006-03-22

'Hustle' Describes Jeff's voice very accurately, it gently ambles about, not looking like it's up to much, but generally seedy, occasionally sneaking up on you and taking you by surprise. The music fluctuates somewhere between laid back acoustic strumming to mellow soundscapes and even venturing into cool electronica at times, in another twist of synchronicity the album artwork of paisley patterns, cigarettes and out of focus women sums up the whole sound well, appealing, but leaves you feeling a little dirty.

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'Hustle' Describes Jeff's voice very accurately, it gently ambles about, not looking like it's up to much, but generally seedy, occasionally sneaking up on you and taking you by surprise. The music fluctuates somewhere between laid back acoustic strumming to mellow soundscapes and even venturing into cool electronica at times, in another twist of synchronicity the album artwork of paisley patterns, cigarettes and out of focus women sums up the whole sound well, appealing, but leaves you feeling a little dirty.

<a href='https://www.jeffkleinmusic.com' target='_blank'>www.jeffkleinmusic.com</a>

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## [Ludes - Barfly, London](https://chrischinchilla.com/blog/2006/2006-03-16-ludes-barfly-london)

Date: 2006-03-16

Ludes sound messy and ear splittingly loud tonight, but with upbeat music comprising equal parts ska, strut, swing and old style dirty rock & roll, a full barfly is pulsating with sweaty bodies and beats. The singer's in the crowd, the guitarists are all over the place, the drummer's wild and the crowd are spilling pints on each other, any band who can get most of a London venue dancing on a Tuesday night deserves respect.

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Ludes sound messy and ear splittingly loud tonight, but with upbeat music comprising equal parts ska, strut, swing and old style dirty rock & roll, a full barfly is pulsating with sweaty bodies and beats. The singer's in the crowd, the guitarists are all over the place, the drummer's wild and the crowd are spilling pints on each other, any band who can get most of a London venue dancing on a Tuesday night deserves respect.

Published in Fly magazine, May 2006

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## [Ladyfuzz - Kerfuffle](https://chrischinchilla.com/blog/2006/2006-03-15-ladyfuzz-kerfuffle)

Date: 2006-03-15

Ladyfuzz's press releases don't say much, they let the music tell you everything you need to know. Kerfuffle sounds like the band listened to all the hip and cool music from the past year, rolled it all into one and made something that sounded a thousand times better than any of the sub standard, carbon copy angular guitars, pseudo disco beat claptrap rip off bands doing the rounds. Their beats are original and boom and throb, the guitars are sharp, the bass heavy and rumbling, the vocals in their clipped heavily accented English (and at times in Austrian / German) complimenting the music perfectly. At times the music is so tight and precise you wonder if it's all been programmed by computer, but you know what, who cares! Kerfuffle is an excellent album, an overdue breath of fresh air to blow out the dull and lifeless cobwebs.

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Ladyfuzz's press releases don't say much, they let the music tell you everything you need to know. Kerfuffle sounds like the band listened to all the hip and cool music from the past year, rolled it all into one and made something that sounded a thousand times better than any of the sub standard, carbon copy angular guitars, pseudo disco beat claptrap rip off bands doing the rounds. Their beats are original and boom and throb, the guitars are sharp, the bass heavy and rumbling, the vocals in their clipped heavily accented English (and at times in Austrian / German) complimenting the music perfectly. At times the music is so tight and precise you wonder if it's all been programmed by computer, but you know what, who cares! Kerfuffle is an excellent album, an overdue breath of fresh air to blow out the dull and lifeless cobwebs.

Published in Unpublished

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## [These New Puritans - Brixton Windmill](https://chrischinchilla.com/blog/2006/2006-03-07-these-new-puritans-brixton-windmill)

Date: 2006-03-07

3 skinny boys in black and a girl who resembles their teacher bash, screech and holler through a noisy bass led set. What a bass sound, (like an extreme Stranglers ?ƒÚBarracuda Bass?ƒÙ), blooping keyboards that occasionally emerge through the racket adding a perfect accompaniment to the chaos, bound by a tight but messy drummer and capped with inaudible vocals and guitar. It?ƒÙs rough, they need another 6 months of rehearsals, but at the heart is genius waiting to be realised.

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3 skinny boys in black and a girl who resembles their teacher bash, screech and holler through a noisy bass led set. What a bass sound, (like an extreme Stranglers ?ƒÚBarracuda Bass?ƒÙ), blooping keyboards that occasionally emerge through the racket adding a perfect accompaniment to the chaos, bound by a tight but messy drummer and capped with inaudible vocals and guitar. It?ƒÙs rough, they need another 6 months of rehearsals, but at the heart is genius waiting to be realised.

<a href='https://www.thesenewpuritans.com/' target='_blank'>www.thesenewpuritans.com</a>

Published in Fly Magazine, April Issue

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## [Low Vs Diamond - The Water Rats, London](https://chrischinchilla.com/blog/2007/2007-02-26-low-vs-diamond-the-water-rats-london)

Date: 2006-02-26

Why are so many recent bands from America so gangly? And why do they all seem to wear the same T-shirt's and shoes? And why do the drummers always have masses of curly hair? Anyway, after conjuring up images of generic American bands, Low vs. Diamond's sound is far from generic. A strangely enigmatic singer despite his odd dancing and slightly comedic sunglasses, big sweeping keyboards and guitars and a bass player who some how manages to stay in time whilst waving his bass about all over the place. The sound is a hard one to describe, melodious rock, nothing too full on, pleasant but not dull, engaging but not exhilarating, epic without being ostentatious, just good music.

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Why are so many recent bands from America so gangly? And why do they all seem to wear the same T-shirt's and shoes? And why do the drummers always have masses of curly hair? Anyway, after conjuring up images of generic American bands, Low vs. Diamond's sound is far from generic. A strangely enigmatic singer despite his odd dancing and slightly comedic sunglasses, big sweeping keyboards and guitars and a bass player who some how manages to stay in time whilst waving his bass about all over the place. The sound is a hard one to describe, melodious rock, nothing too full on, pleasant but not dull, engaging but not exhilarating, epic without being ostentatious, just good music.

<a href=https://www.lowvsdiamond.com target=_blank>www.lowvsdiamond.com</a>

Published in Angry Ape

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## [28 Costumes - Dublin Castle](https://chrischinchilla.com/blog/2006/2006-02-11-28-costumes-dublin-castle)

Date: 2006-02-11

28 Costumes are awesome! Catchy songs, with choruses that leave you singing until you're tucked up in bed. So tight, I don't think there was a single note out of place, and full of humour, a song breakdown that involves snoring noises is a new one on me. Bursting to the seams with character and good songs, 28 Costumes are a kick in the face to the pussy footing of lots of bands in the current music scene, definitely one to watch if the scene has any sense.<br><br><a href='https://www.28costumes.co.uk' target='_blank'>www.28costumes.co.uk</a>

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Wow!

28 Costumes are awesome! Catchy songs, with choruses that leave you singing until you're tucked up in bed. So tight, I don't think there was a single note out of place, and full of humour, a song breakdown that involves snoring noises is a new one on me. Bursting to the seams with character and good songs, 28 Costumes are a kick in the face to the pussy footing of lots of bands in the current music scene, definitely one to watch if the scene has any sense.<br><br><a href='https://www.28costumes.co.uk' target='_blank'>www.28costumes.co.uk</a>

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## [Milk Kan - 12 Bar Club](https://chrischinchilla.com/blog/2006/2006-02-10-milk-kan-12-bar-club)

Date: 2006-02-10

I love Milkkan. They're wonderfully rough, ramshackle at times, but write such catchy, upbeat and lyrically impressive songs that you can forgive them, in the same way that the Libertines used to, but with less pretension. Milkkan have a similar root to their music to, not in style but in attitude. That sort of lovable Londoner, knees up, rough diamond with a heart of gold kind of manner. Their songs vary from hatred of A&R men (a common theme in songs at the moment...) to childish love songs and laments to growing up. The bizarre blend of Chas & Dave, Hip-Hop and the Television Personalities may not suit everyone, but Milkkan will certainly bring a smile to your face.<br><br><a href='https://www.milkkan.com' target='_blank'>www.milkkan.com</a>

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I love Milkkan. They're wonderfully rough, ramshackle at times, but write such catchy, upbeat and lyrically impressive songs that you can forgive them, in the same way that the Libertines used to, but with less pretension. Milkkan have a similar root to their music to, not in style but in attitude. That sort of lovable Londoner, knees up, rough diamond with a heart of gold kind of manner. Their songs vary from hatred of A&R men (a common theme in songs at the moment...) to childish love songs and laments to growing up. The bizarre blend of Chas & Dave, Hip-Hop and the Television Personalities may not suit everyone, but Milkkan will certainly bring a smile to your face.<br><br><a href='https://www.milkkan.com' target='_blank'>www.milkkan.com</a>

Published in Unpublished

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## [Yo Zushi - The Spitz, London](https://chrischinchilla.com/blog/2006/2006-02-07-yo-zushi-the-spitz-london)

Date: 2006-02-07

Yo Zushi takes to the stage in a suit resembling a cross between an old school comedian and a golfer, producing a charming set of beautiful love songs and stories, Yo Zushi?ƒÙs smooth voice floating above the finely crafted bed of music. The set is pleasant if a little samey, in fact all a bit too nice, no grit, no balls, like a middle class Leonard Cohen. More ?ƒÚJolly Good?ƒÙ than soul searching stories of suffering.

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Yo Zushi takes to the stage in a suit resembling a cross between an old school comedian and a golfer, producing a charming set of beautiful love songs and stories, Yo Zushi?ƒÙs smooth voice floating above the finely crafted bed of music. The set is pleasant if a little samey, in fact all a bit too nice, no grit, no balls, like a middle class Leonard Cohen. More ?ƒÚJolly Good?ƒÙ than soul searching stories of suffering.

<a href='https://www.yozushi.net' target='_blank'>www.yozushi.net</a>

Published in Fly Magazine, March 2006

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## [The Fades - The Rhythm Factory](https://chrischinchilla.com/blog/2006/2006-01-29-the-fades-the-rhythm-factory)

Date: 2006-01-29

The Fades return after a 6-month hiatus, refreshed and rewritten, their Modish riffage doesn't fit into the modern scene but I doubt they care. They are also at a distinct advantage that their new material is as good if not better than their older material, leaving some of the old favourites sounding a little tired and getting better crowd reactions. The Fades are back, long live the Fades.

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The Fades return after a 6-month hiatus, refreshed and rewritten, their Modish riffage doesn't fit into the modern scene but I doubt they care. They are also at a distinct advantage that their new material is as good if not better than their older material, leaving some of the old favourites sounding a little tired and getting better crowd reactions. The Fades are back, long live the Fades.

Published in Unpublished

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## [Aberfeldy - Islington Bar Academy](https://chrischinchilla.com/blog/2005/2005-10-19-aberfeldy-islington-bar-academy)

Date: 2005-10-19

I started Aberfeldy's set in a grumpy mood, intentionally not wanting to enjoy their Scottish tinged Americana. Predominately because at their worst Aberfeldy are twee and twodlesome with songs about 70's fashions and late night TV presenters, which grates with me, but after three songs I was drawn into their happy go lucky world. Because at their best Aberfeldy pen pure slabs of sugar soaked pop, catchy, full of hooks, superb musicianship and loveably lyrics that are just too damn sweet to resist. So I left the gig in a great mood, skipping on the tube and smiling at strangers.

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I started Aberfeldy's set in a grumpy mood, intentionally not wanting to enjoy their Scottish tinged Americana. Predominately because at their worst Aberfeldy are twee and twodlesome with songs about 70's fashions and late night TV presenters, which grates with me, but after three songs I was drawn into their happy go lucky world. Because at their best Aberfeldy pen pure slabs of sugar soaked pop, catchy, full of hooks, superb musicianship and loveably lyrics that are just too damn sweet to resist. So I left the gig in a great mood, skipping on the tube and smiling at strangers.

Published in Fly Magazine, December 2005

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## [Bearsuit - Highbury Buffalo Bar](https://chrischinchilla.com/blog/2005/2005-10-11-bearsuit-highbury-buffalo-bar)

Date: 2005-10-11

First piece of advice to Bearsuit, Buy at least one Tuner between you, second, Play in time. Work on that and your shouty girl, whiny boy vocals, bloopy keyboards, fuzzy guitars, fun lyrics and cute look will show of your catchy melodies 1000 times better. There are plenty of bands in the pop-punk genre (most 5 years ago) so stand out from the rest by buying gear that works and stop being so damn cute.

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First piece of advice to Bearsuit, Buy at least one Tuner between you, second, Play in time. Work on that and your shouty girl, whiny boy vocals, bloopy keyboards, fuzzy guitars, fun lyrics and cute look will show of your catchy melodies 1000 times better. There are plenty of bands in the pop-punk genre (most 5 years ago) so stand out from the rest by buying gear that works and stop being so damn cute.

Published in Fly Magazine, December 2005

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## [Art Brut battle of the franchises - Kilburn Luminaire](https://chrischinchilla.com/blog/2005/2005-09-19-art-brut-battle-of-the-franchises-kilburn-luminaire)

Date: 2005-09-19

Tonight was going to be strange from the outset, attending a gig staged by kids because they were influenced to do so by my (ex) band. The minute I entered I felt awkward and proud simultaneously as I heard the excellent 'Criminal Housewives' and their Sham69 fused cover of 'My Little Brother'. Following them were 'LeboviciAB84', 'The Sam Assortment' and 'Space Peacocks' with their Glam fashions, bouncy tunes and intriguing fusion of 'Formed a Band' and 'Modern Art' resulting in a motley stage invasion. 'The Rocks' finished the night in inimitable style, but tonight was all about the kids, talking to the kids.

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Tonight was going to be strange from the outset, attending a gig staged by kids because they were influenced to do so by my (ex) band. The minute I entered I felt awkward and proud simultaneously as I heard the excellent 'Criminal Housewives' and their Sham69 fused cover of 'My Little Brother'. Following them were 'LeboviciAB84', 'The Sam Assortment' and 'Space Peacocks' with their Glam fashions, bouncy tunes and intriguing fusion of 'Formed a Band' and 'Modern Art' resulting in a motley stage invasion. 'The Rocks' finished the night in inimitable style, but tonight was all about the kids, talking to the kids.

Published in The Fly

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## [Simon Breed - Camden Underworld](https://chrischinchilla.com/blog/2005/2005-09-19-simon-breed-camden-underworld)

Date: 2005-09-19

Nestled amongst the headliners gear Simon Breed (and the Birthmarks) makes a 3-piece sound like anything from a 5 piece with full brass section to a lone voice. Captivating songs including obscenities aimed at problem bosses to beautiful ditties about Brotherly Love, Simon Breed takes the image of a man with an acoustic guitar and fucks it right up.

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Nestled amongst the headliners gear Simon Breed (and the Birthmarks) makes a 3-piece sound like anything from a 5 piece with full brass section to a lone voice. Captivating songs including obscenities aimed at problem bosses to beautiful ditties about Brotherly Love, Simon Breed takes the image of a man with an acoustic guitar and fucks it right up.

Published in Fly Magazine, November 2005

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## [The Specials](https://chrischinchilla.com/blog/2005/2005-01-14-the-specials)

Date: 2005-01-14

Despite only existing as a band (defacto line up) for 3 years The Specials remain one of the most important and influential acts of their period.Forming in 1977 as the 'Coventry Automatics' it took until late 1978 for the band to finally settle on a name, a musical direction, a line up (consisting : Roddy Byers - guitar, John Bradbury - drums, Terry Hall - vocals, Lynval Golding - guitar, Horace Panter - bass, Jerry Dammers - keyboards, Neville Staples - vocals) and most importantly an attitude and an image.

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Despite only existing as a band (defacto line up) for 3 years The Specials remain one of the most important and influential acts of their period.Forming in 1977 as the 'Coventry Automatics' it took until late 1978 for the band to finally settle on a name, a musical direction, a line up (consisting : Roddy Byers - guitar, John Bradbury - drums, Terry Hall - vocals, Lynval Golding - guitar, Horace Panter - bass, Jerry Dammers - keyboards, Neville Staples - vocals) and most importantly an attitude and an image.

The 2-Tone image and ethos was primarily concocted by Jerry Dammers who, drawing influence from original Jamaican Rude boys such as Walt Jabsco, created the familiar 2-Tone check and look which accompanied a lot of their releases and indeed a lot of similarly influenced bands since then. After releasing their debut single 'Gangsters' (UK # 6) themselves through a distribution deal with Rough Trade the band and the label were finally signed to Chrysalis with the option to release other acts material through the 2-Tone brand (Including The Selecter, Madness and The Beat).

Their debut album (The Specials, UK # 7) was hastily released, produced by Elvis Costello, it was predominantly a recording of their live show and kick-started a long period of fervent touring which saw the madness and chaos surrounding 2-Tone and The Specials spiral out of control with many scenes of Racist / anti-racist violence, mass stage invasions and support acts dropping off and on due to these pressures.

Despite the constant touring the band found time to record and release a second album (More Specials, UK # 5) which showed a marked change in direction from their 'Ska-Punk' sound, inspired by Jerry Dammers' interest in Lounge music and Muzac it fuses an odd combination of styles, but was however well received by fans and critics alike.

By this point the cracks in the Specials were beginning to show, the pressures of constant worldwide touring were taking their toll, coupled with Jerry Dammers insistence on a certain style and attitude to the band members conduct forced the band into a six month break to revitalise and write songs. The only songs to ever surface out of this period were the tracks that formed the single release 'Ghost Town', the result of tense and stressful recording sessions with most band members believing it to be too odd and strange, it was finally released in June 1981. Remaining at number 1 for 3 weeks it became the anthem and backdrop to the nationwide riots that blighted the summer of 1981, with Jerry Dammers proclaiming it the 'Culmination of all that the Specials stood forî. Shortly after this The Specials split with the band members splintering into several new groups - Terry Hall, Lynval Golding and Neville Staples became the Fun Boy Three, Roddy Byers started the Tear Jerkers, John Bradbury formed the JB all-stars and Jerry Dammers and Horace Panter remained to form the Special A.K.A who remained on 2-Tone but were far less successful bar the anthemic 'Nelson Mandela' single.

The Specials were one of the few bands who remained true to themselves despite their successes, which possibly helped contribute to their eventual downfall. The pressures of the real world of the music business restricting them from developing and exposing the new talent they wanted to through the 2-Tone label.

Published in Drowned in Sound artist profile

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## [Louis Elliot](https://chrischinchilla.com/blog/2003/2003-10-04-louis-elliot)

Date: 2003-10-04

Louis Eliot started his love affair with music at an early age, his influences spanning from the Wild Cornish countryside to the bohemia of Ladbroke grove with pretty much everything you could think of in-between.

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Louis Eliot started his love affair with music at an early age, his influences spanning from the Wild Cornish countryside to the bohemia of Ladbroke grove with pretty much everything you could think of in-between.

His career started in the early 90's with 'Kinky Machine', who's two albums achieved a reasonable degree of success before (Ironically) the band were overtaken by the likes of the very bands who'd supported them in the past, coupled with problems from their new label MCA, the core of the band re-invented themselves as 'Rialto'. Officially forming in 1997 the new line-up finally released their debut album in 1998, which, despite a constant string of bad luck with record labels, sold 250,000 copies and featured several hit singles. Although seemingly disappearing of the face of the planet since 2000 the band actually released a second album (Night on Earth - Eagle Records) last year. So with Rialto not officially having split and it looking likely that they may yet release another album within a few years what exactly has their front man been up to?

Over the past 18 months he's been pursuing a successful solo career, primarily as a man-and-his-acoustic, but also occasionally with a full band. His debut solo album is now ready and due to be released in January next year, this follows an excellent EP (Everybody Loves you when you're Dead - Iodine Records) and many high-profile media appearances, support slots and live dates. You'll be pleased to know that Louis still retains his senses of melody and lyrical wit that have accompanied him throughout his career, in fact working as a solo artist shows his talents more-so. His voice is still clear, strong and distinctive, his songs catchy with the same sense of bravado and 'cinematics' that Rialto possessed but stripped down bare to a voice and a guitar. In short Louis is still doing what he does best, and doing it well, he's playing regularly and with an album out very soon new and old fans alike should take a look at what he's up to.

<a href="https://www.louiseliot.com" target="_blank">www.louiseliot.com</a>

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## [World record DJ attempt & Rwanda Fund Appeal](https://chrischinchilla.com/blog/2003/2003-09-05-world-record-dj-attempt-and-rwanda-fund-appeal-null)

Date: 2003-09-05

Rwanda is one of the many modern tragedies to have occurred in Africa, 1994 is a year that will permanently be etched into the memory of Rwandans, a year when within 3 moths over a million people were killed and the survivors left to fend for themselves despite their suffering and despair.

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Rwanda is one of the many modern tragedies to have occurred in Africa, 1994 is a year that will permanently be etched into the memory of Rwandans, a year when within 3 moths over a million people were killed and the survivors left to fend for themselves despite their suffering and despair.

Whilst I appreciate that this is one horror amongst a horror-filled world, this event has been widely overlooked by the worlds powers and the Rwanda Fund (<a href='https://www.rwandafund.org' target='_blank'>www.rwandafund.org</a>) is one organisation seeking to correct this through fundraising, education and by doing whatever they can to help the country back onto it's feet.<br>So with thousands of charities and worthwhile causes competing for the publics' attention what is the Rwanda Fund doing that I consider different? The Rwanda Fund is organising a series of fundraising events from club nights to classical concerts, typically with free entry but with donations accepted and also a great deal of publicity generation. The event on the 18th June was an intriguing idea organised jointly with DotMusic (<a href='https://www.dotmusic.com' target='_blank'>www.dotmusic.com</a>) and DJ Magazine (<a href='https://www.djmag.com' target='_blank'>www.djmag.com</a>), an attempt to break and indeed create a (Guinness) World record DJ attempt. The aim was to fit 50 DJ's into 4 hours and certain stringent rules were enforced in terms of handover between DJ's and mixing between records, but being the first attempt at such a record it was a learning curve for all involved. To call the evening eclectic is an understatement, the event pulled competitors from many walks of life, professional and amateur DJ's alike with discs spun varying wildly to include most styles of dance music you care to think of and a few others you wouldn't, not everything worked but to hear it even attempted was interesting, exciting, intriguing and brave.<br> Perhaps the most promising and encouraging news of the evening is that this is only the first of several planned events over the next year, Rwanda Fund hope to be involved with events from Rock gigs to Classical Concerts, raising money and promoting their activities, rest assured we will keep you up to date with any developments.<br>Music and Charity have had a symbiotic relationship since entertainers realised they had a certain influence on the thoughts of 'the common man'. Usually the plight of charities and those they represent falls to large one off events or to big names, with whom scepticism on the subject of 'an excuse for publicity' usually falls. Rarely though have I seen small events organised for supporting major charities, and it's a refreshing change bringing causes into regular contact with the public, indeed through organising the right kind of events in the right surroundings they are bringing causes in touch with members of the public who have the money and the time to consider charities.

As a positive footnote, the Record attempt was successfully made.

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## [Pinski Zoo - The Lawn, Lincoln](https://chrischinchilla.com/blog/2003/2003-03-17-pinski-zoo-the-lawn-lincoln)

Date: 2003-03-17

Pinski Zoo consists of Steve Harris on Drums, Steve Iliffe on Keyboards, Karl Bingham and Stefan Kopinski on bass and Jan Kopinski on Saxophones. The band is more or less Jan Kopinski's brainchild, born of Polish and Irish origins his career spans from teaching to film score writing. The band as a whole has been performing on and off for 20 years gaining awards, critical acclaim and international recognition along the way.

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Pinski Zoo consists of Steve Harris on Drums, Steve Iliffe on Keyboards, Karl Bingham and Stefan Kopinski on bass and Jan Kopinski on Saxophones. The band is more or less Jan Kopinski's brainchild, born of Polish and Irish origins his career spans from teaching to film score writing. The band as a whole has been performing on and off for 20 years gaining awards, critical acclaim and international recognition along the way.

Not being a Jazz fan or expert (I'm not saying I don't enjoy the music, I've just never taken much time to investigate out side of my Rock cocoon) I took a self-confessed Jazz fan friend along with me to gain at least a partial expert-opinion of the gig.<br>The Lawn in Lincoln was one of the more conservative venues on the current tour, feeling more like a function room than a stimulating setting for a lively and emotive night. Speaking to the band in the interval they echoed my feelings about the venue, mentioning that they adapt their sound dependant on the setting, tonight they tried to 'loosen' their sound to appeal to the majorly (Shall we say)  'traditional' audience present. (Although I always have masses of respect for people making the effort to support live music, especially minority scenes.) On this and previous tours the band have played venues ranging from Ronnie Scott's and Cargo in London to New York showing the wide appeal of their 'Funk-Jazz' fusion sound and demonstrating the aforementioned style adjusting to suit the venue.<br>But what about tonight? Both of us shared a similar opinion of the band, but from slightly differing viewpoints. The bands PR material describes them as 'Virtuosic Jazz', 'Gritty Funk', 'leftfield territory' and a mix of 'cinema, harmolodics and Eastern European'. Press releases should normally be taken with a pinch of salt but I found it difficult to pick out these influences instead hearing fairly standard Jazz-Funk fusion, with not much to tell songs apart as they all revolved around similar and familiar chords and rhythms. I took the band several songs to get over sound mix problems and warm up, all adding to the problem and just as they seemed to be finally getting somewhere there was an interval which threw everything again. This seeming lack of drive was a shame, as individually the band is comprised of some fairly talented musicians. Steve Harris is a versatile and driving drummer and Karl Bingham has more than a few tricks up his sleeve to aid a Funk bass player. Steve Iliffe and Stefan Kopinski had flashes of inspiration despite spending a lot of the time fiddling and seeming indecisive about their style and technique. I would be intrigued to see the band in another venue or even hear some recorded material, as this is only the second date after a fairly lengthy break in playing and maybe the band haven't quite rediscovered that spirit and cohesion so fundamental to Jazz music. I couldn't help wondering if the band were trying to push their sound onto new more lucrative pastures, toning down their more eclectic Jazz roots and supposedly Hard-Funk sound to try and appeal to a more mainstream market. However with my Jazz loving friend alienated and unimpressed and myself unsure as to quite what I felt, are Pinksi Zoo Jazz for the masses or nothing for anybody?

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## [ThinkFree Office review](https://chrischinchilla.com/blog/2003/2003-01-04-thinkfree-office-review)

Date: 2003-01-04

To me Java is one of the most exciting and promising technologies of the past few years, but it's potential hasn't been reached in a lot of circles yet, especially in the consumer field. ThinkFree Office is an exceptional implementation of Java, being a multi platform MS Office compatible office suite. It runs on Windows Mac OS 9/X and varying flavours of UNIX, thus parts of the interface may seem a little un-Mac like but when you?re developing cross platform certain compromises must be taken. ThinkFree Office runs on a Java Virtual machine so is on occasions slower and more sluggish than other applications. The Microsoft Office compatibility is extremely well implemented, with the application not only reading / writing office files but even the layout and look & feel is similar, right down to dialogue boxes with similar appearances. There are of course some features missing and documents don't render exactly the same way as in Office, but for a reduction of £300 you can't really complain. For example the ThinkFree Show templates are different from PowerPoint templates, probably for legal reasons (!), meaning that some of you files will have to reedited to suit, complex tables look a little different, which may present problems for some users. On the plus side ThinkFree Writes web publishing tools are in my opinion better than MS Offices, it produces cleaner code and has the ability to insert more advanced objects such as image maps. The Excel beater, ThinkFree Calc has all that you would expect, a complex array of calculations and formulae, the ability to create a multitude of graphs (Though losing Excel v.X's support for transparency). The PowerPoint type module, ThinkFree Show is again more of what you would expect, Slide templates, animations, but no QuickTime support unfortunately.

---

To me Java is one of the most exciting and promising technologies of the past few years, but it's potential hasn't been reached in a lot of circles yet, especially in the consumer field. ThinkFree Office is an exceptional implementation of Java, being a multi platform MS Office compatible office suite. It runs on Windows Mac OS 9/X and varying flavours of UNIX, thus parts of the interface may seem a little un-Mac like but when you?re developing cross platform certain compromises must be taken. ThinkFree Office runs on a Java Virtual machine so is on occasions slower and more sluggish than other applications. The Microsoft Office compatibility is extremely well implemented, with the application not only reading / writing office files but even the layout and look & feel is similar, right down to dialogue boxes with similar appearances. There are of course some features missing and documents don't render exactly the same way as in Office, but for a reduction of £300 you can't really complain. For example the ThinkFree Show templates are different from PowerPoint templates, probably for legal reasons (!), meaning that some of you files will have to reedited to suit, complex tables look a little different, which may present problems for some users. On the plus side ThinkFree Writes web publishing tools are in my opinion better than MS Offices, it produces cleaner code and has the ability to insert more advanced objects such as image maps. The Excel beater, ThinkFree Calc has all that you would expect, a complex array of calculations and formulae, the ability to create a multitude of graphs (Though losing Excel v.X's support for transparency). The PowerPoint type module, ThinkFree Show is again more of what you would expect, Slide templates, animations, but no QuickTime support unfortunately.

Technical features aside ThinkFree office is very attractive from a financial and practical viewpoint. The price includes a years access to your own personal 'CyberDrive', where you can store documents, download updates and even find copies of the application for download, should you need a copy wherever you are.

Thinkfree Office is an impressive and adventurous attempt at a difficult (And some say sown up) market, it lacks features that will matter to some but to most the ability to be able to read and write Office file formats and the ridiculously cheap price will be encouragement enough.

Published in MacHome magazine (US)

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## [Workswell review](https://chrischinchilla.com/blog/2003/2003-01-04-workswell-review)

Date: 2003-01-04

Drawwell is a stripped down version of Workswell, so lets take a quick look at it's feature first and then focus on the extras in Workswell. Drawwell is a vector based illustration and DTP application, providing a vast array of easy to create objects from squares to shape bursts and doughnuts. All are easily modifiable through an inspector panel where you can set position, size, colours and textual content. Drawwell is Cocoa based, so you get all the features associated with OS X native applications such as font and colour picker panels. Layers are available in Drawwell, as supposedly is transparency but I couldn't seem to find any in implementation of this. Workswell is fairly similar, but adds some extra merge features and drawing objects. The merging features are extensive to say the least, mainly offering integration with iApps such as iTunes and iPhoto (May be more support to come?). Within several clicks detailed documents can be created based on photo or music libraries including all information from EXIF and ID3 data such as contact sheets and CD inlays. Along with the support for iApp libraries logical comparisons, incremental values and sorting (among other things) can also be used in merge features. Support for iApps aside, there are other potential uses for Workswells feature set such as numbered tickets and graphs, all based around clear vector graphics.

---

Drawwell is a stripped down version of Workswell, so lets take a quick look at it's feature first and then focus on the extras in Workswell. Drawwell is a vector based illustration and DTP application, providing a vast array of easy to create objects from squares to shape bursts and doughnuts. All are easily modifiable through an inspector panel where you can set position, size, colours and textual content. Drawwell is Cocoa based, so you get all the features associated with OS X native applications such as font and colour picker panels. Layers are available in Drawwell, as supposedly is transparency but I couldn't seem to find any in implementation of this. Workswell is fairly similar, but adds some extra merge features and drawing objects. The merging features are extensive to say the least, mainly offering integration with iApps such as iTunes and iPhoto (May be more support to come?). Within several clicks detailed documents can be created based on photo or music libraries including all information from EXIF and ID3 data such as contact sheets and CD inlays. Along with the support for iApp libraries logical comparisons, incremental values and sorting (among other things) can also be used in merge features. Support for iApps aside, there are other potential uses for Workswells feature set such as numbered tickets and graphs, all based around clear vector graphics.

The interface and planning behind the program is excellent, its powerful features are easy to understand and perform with only brief reference to the documentation and sample files. The application is primarily designed for print output, a refreshing change in today's trend for web based programs, however there is also an opportunity to create basic on screen presentations from documents.

Workswell / Drawwell are applications for people with specific needs, and will only appeal to a minority market, but for the price and the high level of programming poured into their creation they are an excellent set of tools and I look forward to seeing future revisions of the software.

Published in MacHome magazine (US)

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## [Mac Expo 2002 - London](https://chrischinchilla.com/blog/2002/2002-11-15-mac-expo-2002-london)

Date: 2002-11-15

There was excitement and enthusiasm in the air of MacExpo 2001, and there was a reason. Perhaps because Apple was exhibiting at a UK show for the first time in five years, or perhaps because Mac users currently have a lot to celebrate, there was one of the largest turnouts of visitors and exhibitors in the history of the show. In a time of economic downturn (especially in the computing market), Apple is one of the very few IT companies currently running at a profit. A major upgrade to an amazing new OS has been released, developers are flocking back to the Mac in droves, machines are increasing in power but decreasing in price, and now Apple has once again starting manufacturing non-Mac products. To top all that you can't move without seeing Macs featured in adverts, TV programs, or films, so there really is a lot to celebrate.

---

There was excitement and enthusiasm in the air of MacExpo 2001, and there was a reason. Perhaps because Apple was exhibiting at a UK show for the first time in five years, or perhaps because Mac users currently have a lot to celebrate, there was one of the largest turnouts of visitors and exhibitors in the history of the show. In a time of economic downturn (especially in the computing market), Apple is one of the very few IT companies currently running at a profit. A major upgrade to an amazing new OS has been released, developers are flocking back to the Mac in droves, machines are increasing in power but decreasing in price, and now Apple has once again starting manufacturing non-Mac products. To top all that you can't move without seeing Macs featured in adverts, TV programs, or films, so there really is a lot to celebrate.

The major product releases aside, trade shows like MacExpo are an excellent place for smaller companies to flaunt their wares, so it was encouraging to see lesser known companies' equally competent software and hardware. It's almost impossible to detail every single product and manufacturer, but here are the products that appealed most to me, whether due to merit or the looks of their presentation stands.

Apple had two major products to promote on the day: firstly iPod, which had its official launch on the first day of the Expo. iPod is Apple's first non-PC or monitor product for a few years, and while I was disappointed to see something rather unoriginal like an MP3 player, it has the company's usual panache and flair. Primarily designed to complement Macs and iTunes (though a Wintel version will ship shortly), iPod has a 1,000 CD-quality song capacity, a 10-hour battery life, a crisp LCD screen, and it weighs only 6.5 ounces. It will sell for approximately £350 ($399) including VAT and specially designed headphones, although some would say the price puts iPod out of the reach of a large portion of the consumer public.

Apple's software releases include OS X 10.1, which, along with an increasing number of applications and games for the new OS, shows OS X finally becoming a viable option for many Mac users. Other, less-publicized, releases included iTunes 2 and the second generation of AirPort, Apple's wireless networking standard.

Stalwarts of computer shows, Macromedia, whilst having no major new products to promote and a slightly unimpressive stand, were demonstrating their software through a series of seminars. Items of note to Mac users from Macromedia are of a support bent and include the launch of a certification program for Dreamweaver, Flash, and ColdFusion, creating recognized qualification for proficient users of the applications. The release of a series of online video tutorials for Director 8.5, a new volume licensing program, and the launch of a worldwide-authorized training center network were among other announcements from Macromedia.

Adobe, possibly Macromedia's largest rival, was once again out in force, launching the latest version of their layout and design software, InDesign 2.0. Available in early 2002, it will be compatible with OS X and include a host of new features (such as transparency) never seen in similar programs from its competitors. With Quark increasingly slow and unreliable when it comes to delivering what users want and when they want it, InDesign could easily become the layout package of choice within a few years. Illustrator 10 is out now, again with support for OS X, and adds many new features like data-driven graphics, symbol libraries, and Web export. However, there is still no news on Photoshop for OS X, which I'm sure was the most popular question to stand staff throughout the show.

Perhaps one of the most anticipated software releases of the year, and indeed the most pleasantly surprising, was the launch of Maya for OS X. Maya has been the 3D graphics industry's most successful and powerful application, so its port to OS X marks a welcome return of powerful 3D applications to the Mac platform. Maya is out now, and its features include QuickTime, OpenGL, and full Carbon support.

First from the smaller developers is a release from Perforce software, which specializes in Software Configuration Management solutions (SCM). SCMs help development teams manage large programming projects by providing a graphical representation of what stages programmers have achieved in projects. The application is available exclusively for OS X and is another sign of life getting easier for Mac OS developers, who, let's face it, haven't had an easy time in recent years.

The launch of OS X and the relative ease of developing for the OS have opened up a gateway for a wealth of new developers, one such being P&L software, better known as developers for Apple's WebObjects. Their first venture into application programming is Mesa, an Excel-like spreadsheet for Mac OS X, including full compatibility with Excel databases.

Finally, Toon Boom Technologies was out in force plugging their new 2D vector animation studio, Toon Boom Studio. The package includes all a budding animator requires to make Web-based animations, with features that include SWF export and LipSync, although I do feel that the Flash file format is sometimes rather limiting, making all animations look startlingly similar; however, in the meantime it's the best around.

One glaring omission from my software roundup is Microsoft Office V.x, but I'm sure that Microsoft won't let you ignore the product over the next few months, and quite frankly its stand at the show was pathetic, being a long, thin table with several bored looking staff seated behind it.

For those users looking to accessorize their Mac, there were plenty of hardware releases to peruse as well. Ammicro specializes in distributing hardware accessories for the Mac, and new to its rosters are, among others, Keyspan's 1cm-thick 4-port USB hub and USB 2.0 PCMCIA card, iRez's FireWire Kritter and StealthFire Web cams, Digicom's USB GSM adapter, and PowerLogix G4 upgrade for Rev A, B, C & D iMacs.

Also on a hardware note, Hermstedt announced the latest version of their popular ISDN adapter, Webshuttle. It allows connection speeds of 128Kbps, does not require a power adaptor, and is available for OS 9 and OS X.

There were obviously many more exhibitors at the show, including, with new product releases, HP, Minolta, Canon, Arbiter, Dantz, Iomega, Macally, Corel, FileMaker and many, many more. MacExpo has always been one of the best (UK) Mac shows, and this year was no exception. With so many high-profile exhibitors attending, it was an encouraging and exciting show, reflecting well the current shape of the Mac market.

Published in <a href="https://www.atpm.com" target="_blank">www.atpm.com</a>

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## [Apple Expo 2002 - Paris](https://chrischinchilla.com/blog/2002/2002-10-04-apple-expo-2002-paris)

Date: 2002-10-04

European Apple fans have been eagerly awaiting this year's Apple Expo. As last year's event was cancelled, and most could not really warrant the cost of travelling to America, this year's Expo was the first major Apple-related date for Europeans in two years. There were of course a lot of product releases and newsworthy events at the Expo this year but attempting to document them all would be nigh on impossible, so I will now try to present my own personal highlights.

---

European Apple fans have been eagerly awaiting this year's Apple Expo. As last year's event was cancelled, and most could not really warrant the cost of travelling to America, this year's Expo was the first major Apple-related date for Europeans in two years. There were of course a lot of product releases and newsworthy events at the Expo this year but attempting to document them all would be nigh on impossible, so I will now try to present my own personal highlights.

Developing for the Macintosh has never been an easy undertaking; with the advent of OS X life has been made easier for developers but there is still room for improvement. Several products caught my eye, however. The infamous and long-running CodeWarrior is now in its eighth incarnation (since the the product went cross-platform), with improved support for OS X and new APIs/libraries. On the whole the program has changed very little, but for hard-core Mac developers CodeWarrior is the only solution.

For all you database developers out there OpenBase has released OpenBase SQL, which is compatible with projects created in WebObjects, REALbasic, 4D, and Omnis. It also includes support for Java, ODBC, multithreading, and for clients on a variety of platforms. Perhaps the most impressive new product in the developer field was Revolution, which is compatible with Mac, Windows, and Linux platforms and offers a simple and unique method of cross-platform development. Revolution is a visual event-driven development environment similar to REALbasic and Visual Basic; you drag items onto your interface and assign events and properties to them. It may appear only capable of basic applications, but for the sheer number of features available as well as ease of use it can?t be beaten.

On the multimedia front, Ezedia announced the release of several innovative products. First, two plug-ins for iMovie 2: eZeMatte and eZeScreen, which incorporate masking and layering of other movie clips. EzediaMX 3 is the company's attempt to compete with Macromedia?s Flash format. It cannot yet beat Flash?s specifications, but for a different look to interactive movies it's ideal.

Two impressive utilities at the Expo were Data Rescue X and Move2Mac. Data Rescue X claims to be not only compatible with and able to recover OS X volumes, but is also allegedly capable of recovering 95% of files including system hierarchy and media files. Made famous by Apple's switchers campaign, Move2Mac is truly an exceptional product. Its clear interface and careful programming effortlessly transfer preferences and data from any PC (Win 95 or above) to a Mac (OS X 10.2 only), making switching easy and not switching inexcusable.

One of the slowest transitions to Mac OS X has been in the world of music applications, mainly due to the complete reworking necessary for compatibility with OS X's superior Core Audio. At last, Steinberg have released Cubase SX/SL which not only offers OS X support but also added features such as the new project page, loop editor, real-time MIDI plug-ins, new automation modes, virtual instruments, effects, and the ability to use networked machines to share processing power. Cubase SL is a stripped down, less powerful version of SX offering fewer features.

Apple was naturally also out in force at the Expo, with a frankly ridiculously sized stand and stage. On show were iCal and iSync (still in beta), Rendezvous, Bluetooth and most existing recent Apple products. Apple chose this Expo to controversially announce that new Macs bought from January 2003 will no longer be able to boot into OS 9, running old programs in Classic only.

Language barriers aside, and with big thumbs up to Apple's vast advertising campaign which gave the impression they were sponsoring the city, this year's Expo was encouraging and innovative, effectively demonstrating that it's not always the big boys who produce the best software and hardware.

Published in <a href="https://www.atpm.com" target="_blank">www.atpm.com</a>

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## [First Look at platform.sh, Development and Deployment SaaS](https://www.sitepoint.com/first-look-platform-sh-development-deployment-saas/)

Date: 1970-08-22

Originally published at: https://www.sitepoint.com/first-look-platform-sh-development-deployment-saas/

Not so long ago, many of us were satisfied handling deployment of our projects by uploading files via FTP to a web server. I was doing it myself until relatively recently and still do on occasion (don't tell anyone!). At some point in the past few years, demand for the services and features offered by web applications rose, team sizes grew and rapid iteration became the norm. The old methods for deploying became unstable, unreliable and (generally) untrusted. Read more

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## [Effective PDF Generation with Drupal](https://www.sitepoint.com/effective-pdf-generation-drupal/)

Date: 1970-08-22

Originally published at: https://www.sitepoint.com/effective-pdf-generation-drupal/

A few months ago I had a client requirement for PDF generation, in this case to generate certificates that could be viewed online or printed. I spent some time looking into the best Drupal options available and picked up some advice along the way on how best to accomplish these aims. After mentioning my results to several people, it seemed that PDF generation was a common requirement and now I have the same need again on a personal project, so it seemed a good case study to walk you through what I found.

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## [Do You Need an API](https://www.sitepoint.com/do-you-need-an-api)

Date: 1970-08-22

Originally published at: https://www.sitepoint.com/do-you-need-an-api

API stands for 'Application Programming Interface' and as the name implies, creating one is a technical process. This article will talk very little about how to create an API as there are a myriad of methods to undertake that. This article aims to focus on the business side of APIs and supply advice for non-technical folk.

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# Fiction & Stories

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## [A Lack of adventure](https://chrischinchilla.com/stories/a-lack-of-adventure)

Date: 2024-03-12

A swaggering adventurer named Morag the Mighty is indignantly turned away at a city gate by thoroughly unimpressed guards.

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“What do you mean no adventurers?” I asked, as loudly and rudely as possible. I wanted everyone around me to hear and see me.

“Read the sign.” Said the bored city guard, thumbing a dirty digit lazily at a battered wooden sign hanging at a jaunty angle to the left of the gate.

I had read the sign. It said, “No adventurers allowed.“ I just didn’t believe that it applied to people like me and wanted clarification.

“Do you know who I am?!” I demanded. Puffing out my chest and whacking my ample muscular chest with a gnarly fist.

The guard looked me up and down with disdain, taking in the small armoury I carried with me. Eyeing my bulging money purse, his eyes flitted from gash to scar across my toned but battered body. When he was finished giving me the once over, he surveyed the long line of people waiting behind me and sighed with the tone of someone who had this conversation a lot.

“No, sir, I do not. And I don’t care. I can see what you are and that you’re here for adventure. And your type is not welcome, sir. Read the sign.”

I was enraged. Who did this young hoodlum with a helmet think he was talking to?

“Who wrote this nonsense?” I asked, pointed my shield butt at the offending sign. “I demand to speak to whoever is in charge here!” I thumped my shield to the ground in defiance.

The guard sighed. “Very well, Sir…” He shouted a name at the guard tower behind him, “…If you could just move aside while you wait, so I can handle these other people…” The guard casually gestured me to a small bank, manoeuvring me with little care as a swathe of the unwashed masses took my place. I stood tall and proud. Surely one of them would recognise me and tell tales of my bravery and derring-do.

Fifteen minutes later, a woman with a high plumed helmet shuffled out of the tower, adjusting her armour and finishing a sandwich. Was this who I was wasting my time over? I drew myself tall and proud as they approached the guard, who whispered something in her ear and gestured in my direction. She rolled her eyes and shuffled in my direction, wiping crumbs from her mouth.

“Yes?” She said, looking bored.

“I am a Morag the Mighty!” I said, thumping my shield against the ground and smiling proudly. “And I wish to enter your city!” I demanded with overconfidence.

“You’re an adventurer?” She asked.

“Why… Yes…” I said, unsure what I should say.

“Did you read the sign?” She asked, pointing bored eyes in its direction.

“Well… Yes… But–”

“- Then you can’t come in.” She said.

“But… But… Why?” I stuttered.

She looked at me like I was a piece of trash floating on the breeze, not the slayer of mighty fiends, upholder of rights, finder of treasures!

“You adventurers. You’re all more trouble than you’re worth.” She said, eyeing my scars. “I mean, you bring business to the taverns and all, but there’s always some foul beast on your trail, and who has to clean up the aftermath?” She looked at me, raising her eyebrows.

I hadn’t ever really thought about it, to be honest.

“That’s right, ‘us’.” She said, gesturing at herself and the guards around us.

“I see…” I said.

“Now, if you’re looking for somewhere to sleep.” She said.

Indeed, I was. I was exhausted after chasing marauders up and down the coast.

She pointed the direction I had come. “I have heard there’s an excellent ditch half an hour’s walk that way. ”

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## [Small talk](https://chrischinchilla.com/stories/small-talk)

Date: 2024-03-12

An unreliable narrator tells a story about a chance encounter with a stranger.

---

So as I was saying. It was a Monday. No wait, a Tuesday. Hang on. I had just come back from the gym, so maybe it was a… Let me think. I really enjoy the gym, you know? Not at first. At first, it was hard, a real stretch of effort. But then after a few months of gruelling effort, you get in the zone. It becomes easier. As long as you keep it up. Stay regular.

Now, where was I? Ah yes. So on this Monday. I had just finished at the gym, and I was walking to get a coffee. Except the cafe was closed because it was a Tuesday. They’re always closed on Tuesdays. I was just turning the corner when this guy bumped into me. Hang on. No, it was a woman. Wait… Oh, it doesn’t matter. It doesn’t change the story. Anyway, this person bumps right into me when I’m minding my own business off to get coffee at my favourite place because it’s a Wednesday and they’re open today. You know what this woman says to me? I remember it as plain as day, as I never forget a detail. This guy says to me, “Watch out! This is delicate.” And she’s pointing at something in a small box.

So I know I wasn’t really paying any attention to where I was going, to be honest, since it was a Monday and the cafe was closed on Mondays, so I hadn’t had my coffee yet. Wasn’t quite awake yet, you know.

So I step back, look at this guy I bumped into and apologise, but this bag she’s pointing at, well, I’m intrigued. I’m a bit nosey, you know that. So I say as politely as I can.

“Say, if you don’t mind me asking. What’s in there, buddy?”

She looks at me, really harshly. I’ll never forget that face. Those eyes, piercing green. Stare right into my soul. Struck me because they were just like my eyes, pale blue.

Anyway, he pulls the box close to his chest. And I look at it properly for the first time. It’s small, but made of dark wood, maybe like it’s been burnt or something. Then around the metal surface, it’s got these silver strips around it. You know, like a clasp, holding the bag shut.

And his brown eyes are flitting back and forth between me and the box. Weighing me up, assessing me. Seeing if I’m trustworthy, I guess. So she says to me, pointing at the bag.

“What is this little thing? Oh, nothing really, just a family heirloom. So I’m a bit attached to it, and you took me by surprise.”

I nodded. That box looked old, beautiful light wood with golden bands around it. No one makes stuff like that anymore. There was an awkward pause between us.

“You wanna see?” She says.

I nodded.

So this guy, then he slowly starts undoing the red rope around the bag and peeks inside. I guess checking the thing’s still ok. Then she gestured to me to come closer and opened the lid wide, and I leaned over to look.

And you know what? No. Wait. It was definitely a Thursday.

---

## [The plan to ban](https://chrischinchilla.com/stories/the-plan-to-ban)

Date: 2024-03-12

A weary government clerk works through a long list of furious, blustering wizards to inform them that magic is being banned.

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“You’re going to do what?” Hollered Marjan, his great long bushy beard flapping and whacking him in his rotund stomach in a hypnotic way. His great pockmarked face grew redder and redder, and his eyes bulged.

Jannavive looked up from the long list of names in front of her. She had only crossed out five of them so far, five angry belligerent wizards who had all shouted at her this morning when she had told them the news. She was tired of window-dressing the news, clarifying it, and reiterating and repeating herself. Now all she had the energy for was the bare minimum. It was already more than these egotistical, self-aggrandising manipulators of magic deserved anyway.

“Banning magic.” She said.

Marjan’s face reddened, looking like he was going to explode. Could wizards explode, she wondered? Would they explode in a bloody pulp like the rest of us, or in a puff of magical light and sound? Maybe if she kept this thankless task up for much longer, she would find out.

“You’ll regret this!” Boomed Marjan, his fingers starting to sparkle and spark. She pointed at the sign behind her that stated in no uncertain terms that any use of magic in a government building would result in severe punishment, and she swore that Marjan was starting to emit steam out of his ears and nose.

“You don’t know our power. We will teach you to never meddle in the ways of Wizards.” He shouted, stomping and steaming around the room in a flurry of purple robes and grey hair. “We will teach you… you… pen pushers that the wand is mightier than the pen!” He looked very pleased with that response and stormed out of the room in a flap of self-righteousness, slamming the door behind him.

She breathed a sigh of relief, feeling the silence and stillness of the room around her, the latent potent crackle of magic still settling in the room. So far today she had been shouted at, spat at, threatened with death, threatened with a generational curse, and been treated with looks ranging from contempt to pity. She looked at the list in front of her, only another twenty names to go. She wondered what kind of blustering battery they might hurl at her and how long a sign promising punishment would hold against a group of dangerous individuals brimming with power. What punishment was the government actually going to deliver? A fine to people who could summon currency out of thin air or a prison sentence to people who could walk through walls seemed like something of a hollow threat.

She assumed there was some secret plan she wasn’t aware of, way above her pay grade. All she was paid to do was plough through this list, informing people and getting shouted at and abused. Some other bright spark had all the fun in concocting policy and figuring out how to enforce it. She had a thick skin.

---

## [Home](https://chrischinchilla.com/stories/home)

Date: 2024-02-08

A lifelong runaway recounts leaving home again and again across the decades.

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I first ran away home aged ten. I can’t really remember why now. That detail has been lost to my memory so many decades later, but I’m sure it was important at the time. My parents found me Sniveling, cold, and wet at a bus stop an hour from our house.

The second time was only two years later when I was ten. This time I remember why. Music lessons. I’d wanted to learn the saxophone, but my parents said it had to be the violin or glockenspiel, and neither of those really seemed that interesting to me. Even then I realised that was a stupid reason to run away. I think it was more to do with just feeling like my parents never listened to me. And really, with the benefit of hindsight, why should they have listened to a ten-year-old?

After that I stayed put for a little while. Until my parents divorced. It was messy, loud, drawn out, and inevitable. I don’t think me wanting to leave home during that was so strange really. It took two days for my Dad to find me. Somehow I convinced a lonely cafe owner to give me some work cleaning tables for a mangey bed and board. I was 14.

I went to live with my Mum for two years. She remarried. I gained siblings whose looks of lingering distant disdain slowly morphed into a tired tolerance. Mum kept a cosy home, but it felt claustrophic to me. Those walls of warmth squeezed and crushed me with an affection I wasn’t looking for.

You might think that with that record I would have left home for good as soon as I was legally allowed. But actually living alone again with my Dad was kind of OK. We mostly stayed out of each other’s way, and there was plenty of space. I actually didn’t leave the family home until I was 22. When I met that special someone who I knew I’d spend the rest of my life with.

We moved in together straight away. A new home.

I left three weeks later.

I turned right at the bottom of our small street, which led to the main road, and kept walking with no destination or aim in mind. People see me coming in their direction and go out of their way to avoid me, anticipating a homeless request for money or food. I haven’t lost a home. I have three to choose from. I don’t want one. I don’t think I ever really wanted one. It was more of a place I was expected to be by others.

Now I wander. I pick up odd jobs, somehow manage to find enough to eat and drink. I pass others like me on the streets, roads, and paths, and we throw each other barely discernible looks of knowing, of understanding.

The past two days I’ve been sitting under this tree. Staring out across the summer fields to the horizon. Watching the sun rise and set. I sigh, the warm air soaking into my skin.

Time to move on.

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## [93 days](https://chrischinchilla.com/stories/93-days)

Date: 2024-02-07

Ninety-three days after the sun vanishes from the sky.

---

It had been 93 days since the sun left the sky. At first it was the animals that went crazy, their millennia-long habits ruined by a perpetual night. The nocturnal creatures emerged, never to return home, and they wandered the earth in an unending frenzy of constant awakened state.

The daytime animals never emerged, and we all realised how much we missed them. The twittering of the birds and skittering of rodents left the ambient world a quiet place.

As for us humans. We lasted surprisingly long until we descended into madness.

First it didn’t seem so bad. The consistent cosiness of electric lights illuminating the perpetual dimness brought a sense of consistency and order to a life so often ruled by seasons and weather. Instead, we now just had a constant cool gloom and lack of concern about what to wear. There was little choice anymore.

But then the plants stopped growing, the farm animals stopped behaving, and there’s only so much factory-produced processed junk you can endure before your body cries for something that’s been exposed to, well, exposed to something other than artificial light and atmosphere.

I looked in the mirror one day, the bare, glowing bulb in the ceiling casting a dim glow across my reflection. I was so pale. My eyes sullen, my skin pocked and pitted. I looked a shadow of my former self. Everywhere I went, others shared the same pallid appearance, staring at each other through grim, sullen sockets.

Humanity hasn’t always been the most positive species as a whole, but we all slowly became miserable, cantankerous individuals. The sun had brought us warmth and joy, and there was none left.

Then the violence began. Well, to be precise, it increased the longer the darkness lingered. Already used to shutting ourselves in our dwellings, we barricaded ourselves from the marauding mobs, hiding from the shouting and screaming outside. Shielding ourselves from the sounds of pain and aggression and vented frustration.

World leaders appeared in the media, pleading and begging for an end, deploying forces who were no better than those they were trying to control. Then came the longest night of our lives. Death and destruction ran with no bounds and no limits. No one could really say how many suffered, vanished, and were missed.

Then, finally, from the madness, those of us who survived emerged, blinking, beaten and bloody, into the sun that had finally reemerged, its warmth and brightness filling our lives once again. We shook hands with the neighbours we had beaten with our fists hours earlier. We sat in the streets, staring into the sky, watching the animals return, seeing plants sputter back to life, and forgetting what we had done.

---

## [The Box](https://chrischinchilla.com/stories/the-box)

Date: 2024-02-07

A buyer finally takes delivery of a legendary, history-shaping artefact from its reverent seller.

---

“Look.” He said, his dirty hands clad in tatty fingerless gloves. In the dim light, I watched him pull a dusty wooden box from an unseen hiding place, and he placed it on the table between us.

He threw me a questioning look, and I nodded a gentle agreement. He wiped the layers of dust from the box and used his chipped fingernails to investigate the edge for a lip to lift the lid. The hinges creaked open, and as he lifted the lid, his eyes grew wide, and he licked his lips greedily, seeing what was within.

He stared intensely, not blinking or flinching, captivated by the contents. I waited impatiently and cleared my throat to get his attention. I was the customer here after all. He twitched back into life, shaken from wherever what he promised was inside had taken him.

“Oh… Sorry Madam. Certainly.” Reluctantly, he spun the box round to me, gesturing with a flourish. I steadied myself.

“Is that it?” I asked.

“Madam?” He asked, his eyes arched in total surprise at my question. He spun the box back around as if maybe the contents had metamorphosised when they passed out of his vision. His eyes opened in awe again, and after a short pause he looked up at me questioningly.

“Yes, Madam, this is it.” He said incredulously, with a trace of disappointment. “What were you expecting?”

I spun the box back around again and looked at the contents. I poked them and turned them over with the end of my fork, looking for something I was missing. “Oh, I don’t know really. I mean, you hear so many legends about its power and influence, so many rich stories from its history. I guess I was expecting… I was expecting… Something more.” I shrugged and sipped my tea.

He grabbed the box back from me and slammed the lid. Clearly irritated and upset with me. “Madam! The contents of this box are legendary to my people! You insult the centuries of our culture with your comments. Those in possession of this have headed powerful forces, brought about massive changes, shaped our history.” He paused for breath, his face reddening and spittle forming on his lips. “The lengths I had to go to to acquire this for you were astronomical, and you sit there and tell me ‘it’s nothing special’? Madam, you insult me and my people.” He crossed his arms defiantly.

“Oh, I’ll still pay for it,” I said flatly. “I am a woman of my word; it’s just not what I was expecting, is all.”

His look changed from insulted defiant anger to a toothy grin, and he stretched his hands out across the table in welcome.

“Ah, Madam. And the price? You will still pay what we discussed, despite your…” His expression switched suddenly between warmth, irritation, and back again. “… Reservations?”

“Yes…” I sighed, pushing the thoughts of bartering to the back of my mind. I was too tired of this conversation to be bothered now, and the price, despite the box’s contents and the legends behind it, was reasonable. I thumped a clattering bag of valuables on the table between his hands and us, and he quickly swept it into the same black hole that the box came from.

“Madam. It was a pleasure doing business with you.”

---

## [King of bores](https://chrischinchilla.com/stories/king-of-bores)

Date: 2024-02-05

A minstrel performing for his life before Malfor the Mighty — a tyrant who executes anyone who bores him — talks his way off the chopping block by offering the one thing the jaded king truly craves.

---

“Next…” Shouted Malfor the Mighty, stifling a giant yawn and casually waving at a guard who stood next to him. The guard stepped forward and brought down a giant two-handed axe straight upon the neck of the poor fool who had dared attempt to entertain him.

There was one more before me, who gulped, stepped forward, and spread their arms open in wide glee.

“Let me tell you a joke–“

“Next!” Shouted Malfor again, and the misguided idiot attempted to plead with their life as the guard stepped forward and once again brought the axe crashing down. The head rolled down the steps towards my feet, the face locked in-between horror and humour, the lips permanently paused on "–ke".

I stepped forward. Here went nothing.

"What is your greatest desire?" I began with confidence.

Malfor stared at me. I guess this was a good start. I wasn’t dead yet.

“Go on…” He said, still looking bored, but at least not yawning yet.

“No, you tell me,” I said with increased confidence, feeling the atmosphere in the room change.

“OK,” he said, surprised by my boldness, “well, right now it’s to be entertained to alleviate the constant tedious boredom that is my life.”

“Yes, but what about deeper than that?” I probed, “What do you really want, more than anything else?”

Malfor leaned back in his giant golden throne. His typical look of lethargic irritation changed to pensive thought. He scratched his lazy stubble.

“You have me intrigued, minstrel.” He said. “I guess more than anything, I crave adventure, but I find myself just dealing with the constant everyday tedium of petty squabbles and bureaucracy.”

He stood, dusting down his glittering red robes, sending a ripple of excitement around the chamber. Clearly Malfor didn’t stand much.

He started pacing the platform his throne stood upon, hands behind his back. “I guess I thought being a malevolent ruler would be… Well, be more interesting.”

I nodded along. The fact I could still nod filled me with hope. My next move was crucial. I figured I could keep pushing.

“Maybe you need a change of scene?” I offered.

Malfor paused and stared at me. He looked around the room, taking in all the soldiers, courtiers, advisors, and hangers-on filling the space with their pomp and pageantry. They all looked concerned.

“Maybe you’re right, Minstrel.” He said, scratching his stubble once again. “But there’s so much to do here. Who could I trust in my absence?”

I sensed the twitching of potentials around me and decided to run towards the crazy. There was nothing left to lose at this point.

“I mean… I could.” I said with a semi-sincere lack of commitment. ”You know, just keep the lights on, keep things ticking over for you. I won’t change anything while you’re away.”

He nodded and started to step down from the platform, waving away the courtiers who attempted to help him. “I like you, Minstrel. You’re the only person here who didn’t bore me. I don’t know if I trust you, but I’m willing to take a risk. Have fun.” He said, striding out of the hall through a sea of shocked faces.

I stepped up to the throne and sat down.

“Next!” I shouted.

---

## [Planet JL](https://chrischinchilla.com/stories/planet-jl)

Date: 2024-02-04

David and Herbert explore the mysterious Planet JL, encountering signs of life and hope amidst the chaos of their journey.

---

David stared out the window into the vast star-spotted blackness. Planet JL was a bright, colourful speck in the far distance. He looked back from the window to the chaos of flashing dials and buttons that Herbert frantically stabbed at in desperate hope.

“How’s it looking, Mr Wells?” David asked, both of them still relaxed despite the picture of chaos surrounding them. They had experienced worse.

“Planet JL looks promising, Mr Bowie. I see signs of life on the sensors. Maybe they are so significantly developed that they have material for repairs to the ship.”

David nodded, “Groovy Herb. You just tell me what you need me to do.”

Herbert pulled a lever hard, and the ship lurched. “If we land, I need you to do the talking, Mr Bowie. You’re far better with people than me.”

David started humming to himself, “Your circuit's dead, there's something wrong”, and sighed. He enjoyed this new life with Herb. If this was the end, he was prepared for it, but he hoped it wasn’t over yet. Herb would figure it out. He always did. They would be back on another adventure soon.

A new light started flashing, accompanied by a new low-pitched beeping. Herbert suddenly looked delighted and flicked another switch.

“There is hope, Mr Bowie. They’re trying to communicate with us!”

David stood up, moved towards the main control console, and picked up a large brass contraption with two large round pads at each end of a round band, and a small bauble sticking out from an arm in the middle. David knew exactly what he needed to do as he placed the pads over his ears and positioned the bauble in front of his mouth.

He listened carefully and intensely. So far, just static. Herbert looked up at him hopefully, and David reached for a large round dial with dozens of etches around it. He twisted and turned it gently in each direction, listening for any change. 

He heard only static and shook his head with disappointment.

“Keep trying, Mr Bowie. As we draw ever closer, maybe the signal will get stronger.”

The green-purple planet grew ever larger in the ship’s viewfinder, showing its swirls of colour in clearer detail. There were large groups of black and grey gathered together. Typically, this meant some kind of civilisation. Despite the desperation, this filled them with hope.

David twisted and fiddled the dial with ever more frantic motions. Then suddenly he detected a quiet noise buried within the static. Was he imagining it? It wouldn’t be the first time. He gave Herbert a cautious thumbs-up and waited patiently, listening harder.

The noise slowly grew and emerged from the static, and a broad smile grew across David’s face.

“Hello?” He whispered cautiously. Was that a reply? He tried again and heard the same again. It was a response!

David enthusiastically thumped Herbert on the shoulder. There was hope!

Herbert grabbed the controls of the ship with renewed enthusiasm and vigour, and the ship began its careening, rattling descent to the planet’s surface.

---

## [Barry the Mole](https://chrischinchilla.com/stories/barry-the-mole)

Date: 2024-02-03

Barry, the bravest mole his colony has ever known, has burrowed in every direction without fear — until he digs too far down and encounters something so unsettling he refuses to ever speak of what lies beneath.

---

Barry the mole loved nothing more than burrowing far and wide. For as long as he remembered and knew, he had burrowed over most of the known mole world.

He had gone left as far as his little paws could carry him, and he was out of energy and needed a good snooze to recover for the journey home.

He had gone as far right as possible until he hit an object so solid his tiny paws became bloody with frustration as he attempted to claw through it in vain. That was a bad day for Barry, and he barely scraped his way home, hiding his beaten mittens in shame from the other moles.

He had burrowed down so far that the earth became heavy, laden with strange, unfamiliar substances that stuck to his fur and made further progress slow. It was warm that far down, and strange creatures lurking in the under-earth greeted him silently as he clawed past them. He stopped for a snack, exhausted from the effort and gobbled up a passing worm. It was paler than the worms he knew so well. It was chewy and bitter, not as succulent and sweet as the ones that wandered and wiggled past his home. As he munched, he heard distant disturbing noises around him and was filled with the first fear and trepidation he had ever known.

Even the solid object he had hit to the right was merely an obstacle to overcome. But this experience was something else. This was unsettling. Not wanting to linger any longer than needed, he swallowed another passing worm-like-creature scuttling above him whole. It stuck in his throat, and he felt it squirming down his gullet, trying to return to its oppressive dark home. Barry gulped hard and felt the work descend, sitting uncomfortably in his stomach while he pawed as fast as his claws could back upwards to safer and more familiar ground.

When he returned home, the other moles saw the look of distant fear on his face. And Barry being the bravest mole they knew, they asked what was wrong. He shrugged his tiny paws and shuffled back to the corner of the mole hill and slept, dreaming of what he’d seen.

After that adventure, he wandered less far and stayed closer to familiar ground. He showed the pups how to dig and passed on the wise subterranean knowledge of the moles. The braver pups would ask him questions. What lies above, they would ask. And he told them of the mostly harmless bipeds above whose food made tasty mole treats. What lay to the right, they asked, and he told them of the solid surfaces that denoted the end of the mole world. What lay to the left, they asked, and he told them of the wide expanse of fallow play ground. When they asked him what lay beneath, he paused. He changed the subject. He said there was nothing beneath and not to ask stupid questions. The pups would drum discontent and dare each other to dig. But they never did.

---

## [A World I Will Know](https://chrischinchilla.com/stories/a-world-i-will-know)

Date: 2024-02-02

A person chooses to experience the future firsthand by entering a cryogenic facility, exploring the unknown changes that time will bring.

---

“What illness are you suffering from?” Asked the nurse, tapping away at the tablet absentmindedly with little interest in my response.

“None,”  I said.

“None?” He asked, looking up at me finally.

“Yup,” I responded.

He stared at me with disbelief. “Then, why, why do you want this?” He gestured around the large room in the facility, at the shining metal tubes and the tiny frozen portals at the top of each one for loved ones and medical professionals to check in on them on the occasions they could be bothered.

“Interest,” I responded.

“Interest in what?” he asked.

“The future!” I exclaimed. It all seemed kind of obvious to me. Why would anyone with sufficient funds not want the opportunity to wake up again hundreds of years in the future and see what had changed? Why so much questioning?

“The future…” repeated the nurse, losing interest again and returning to tapping away at the screen in front of them.

“You know. See things that no one else alive now will ever experience. See what happens to us, to the world around us.” I gestured blindly at the ambivalent world in the distance.

“Uh huh.” He shrugged, “Well, anyway, you’re paid up for 250 years.” He said, checking the details in front of him, “With an option to renew for another 100 years, if you’re… if you’re ‘unimpressed’.” He said, staring back up at me, and looking me up and down as if inspecting me. “That’s quite a pretty penny.” He said, impressed by my obviously hidden wealth, but unimpressed by the woman behind it.

“Yup,” I responded, not sure what else to say. Does one tip at a cryo facility?

“Well.” He said, gesturing for me to follow him. “This is yours.” He pointed at one of the tubes with an open door. Inside was a kind of vertical bed, with straps, a pillow at one end, and various tubes and wires waiting for their host.

He pointed at a small door inside and at the bottom of the tube. “In there you will find the number of gold bars you requested. So you can buy food and the like.” He checked off an item on his list. “And also a knife. In case they’re not friendly…” he said, trailing off.

“The old ways are sometimes the best, aren’t they?” I said awkwardly, regretting the statement immediately.

“Quite…” He said, staring at me again with those judging, disbelieving eyes.

“Well, Ms Kelly. Make yourself comfortable.” He said, pointing at the inside of the tube. I entered and settled myself against the bed. It was cold and uncomfortable, which was expected and unconcerning to me as I would actively experience very little of it.

He busied himself attaching cables and tubes. “If there are operatives here when you awake.” He said, with just too little disbelief for my liking. “They will wake you up and let you out, give you all you need.” I nodded in understanding. “If there aren’t. Well, press this button.” he pointed at a large red button on the inside of the door. I nodded again. “Well, if that’s all, Ms Kelly? I have other customers to deal with.

“I think that will be all.” I said, “You have been most helpful.” He nodded and shut the door.

---

## [The Forgotten Gate](https://chrischinchilla.com/stories/the-forgotten-gate)

Date: 2024-02-01

Two old friends reminisce in a cosy tavern about the chaotic days when magical gates spat unpredictable creatures into the world — and they decide to have one last adventure.

---

“Do you remember when there were gates everywhere?” I asked Graxilda, leaning back in my creaking wooden chair.

“Yeah, it was an annoying time,” Graxilda replied, puffing on their pipe, sending purple clouds billowing into the already smoky room.

I nodded in agreement, swigging from my tankard that was slowly emptying and savoured the sweet liquid as it slithered down my throat lazily.

“Always creatures popping out at random times from random locations. Life was so… unpredictable then, eh?” Said Graxilda, reminiscing between pipe puffs.

“Do you remember that four-armed Blather beast that once popped into existence outside the old sweet shop?” I asked Graxilda, remembering its startled expression and the shattering glass and flying sweets as it flailed its arms around wildly.

Graxilda nodded. “Oh yes, that was quite the clean up effort wasn’t it?”

I gestured at the barkeep for one more. “Yes, I know it took a long time and a lot of effort, but I’m glad the authorities shut them all down. They made life too… Too unpredictable. You never knew what was going to happen next. You could be quietly minding your own business when a world-conquering entity suddenly manifested in front of you demanding to be taken to your leader. Except, of course, you never understood them anyway.”

“You know…” Said Grixalda, a knowing look in their eye and the faint glint of adventure. “They didn’t close them all…”

“What!” I exclaimed, sputtering over my new very full beverage.

“I heard they missed a couple. A couple of the quieter ones that not much emerged from. So easy to miss.” They reclined in their seat with a self-satisfied look in their eye.

“What do you say, old friend? After these, shall we have an adventure?”

I looked around me. It was cosy in the tavern. I was comfortable in my new life. Maybe a bit too cosy and comfortable. Girxalda and I used to have such an eventful existence day after day. There was the tiniest part of me buried deep down in my lethargic complacency that missed those days.

Grixalda was looking at me, waiting for an answer, and I swigged long and hard at my drink. Mostly to hide my gulps of nervous contemplation. They had always been bolder than me, the first to dive into any challenge with gusto, whereas I would generally just follow along, with want of anything better to do. I was old, sure, but not too old to turn over a new leaf.

I looked Grixalda square in the eye. “You know what, old friend. We shall, right now. We will face whatever lies beyond that gate together, like we always did in the past. But this time…” I paused, calming my nerves, “I’m going in first!”

We shook hands rigorously, downed our drinks and left the tavern into the night, arm in arm in adventure once again.

---

## [Invisible Follower](https://chrischinchilla.com/stories/invisible-follower)

Date: 2023-03-04

Walking home through a rain-soaked alley, a person becomes aware of unseen footsteps perfectly matching their own — and must decide whether to flee or face whatever is there.

---

I stopped cautiously, the echoes of my footsteps splashing in the deep puddles of the dark alley. I was drenched, soaked through to the skin, but as everything else around me was also wet, I fit right in.

I wouldn’t normally take this way home, but I was desperate to get home and dry my damp and chilled body, and it was a shortcut that ran between two old, dilapidated buildings.

I had heard the splashes in unison with my footsteps for a few seconds, closed my eyes firmly, and hoped they would cease. But they continued, increasing in closeness and rapidity.

I gritted my teeth and firmed my resolve, spinning around to face my pursuer. If they wanted money, I would give it to them. I didn’t have much to lose on me anyway. If they wanted to hurt me, I would try my best to fight back. I was stronger than I looked and hoped I could hold my own against a desperate attacker. If they wanted something more, then I would face that as it came.

I spun around and peered through the thick rain to see who was behind me. Water dripped from my head down my forehead to my eyes, obscuring my vision more. There was no one there. Maybe it was just the rain torrenting from the buildings, crashing into the puddles to sound like footsteps. Perplexed, I turned back around and quickened my pace. I could see the end of the alley in sight.

The steps continued, matching with mine, matching my increased speed.

Determined, I turned around again and shouted, “Hello! Who’s there?” There was no answer. I stepped forward, attempting to get closer for a better view. The steps again matched mine, but in the opposite direction. What was this madness? I could see nothing, but there was definitely something matching my steps in that dark, damp alley.

I stepped backwards towards the end of the alley, and the footsteps followed me. I leapt forward, and they kept pace with me. I stepped sideways. Again, they mirrored me.

I whirled and ran for a home down the alley, hearing the frantic splashing behind me, pursuing me until I finally emerged back into a familiar street full of noise and light. I peered back down the alley and could still see no one. I took one cautious step back into the alley and once again heard a splash before me. I felt something, a presence that I could not see. “Hello?” I called again, more questioning than in confrontation, and the alley was silent, save for the pouring rain clattering from the roofs onto the damp cobblestones.

Clearly, whatever was there was more afraid of me than I was of it, so I waved goodbye in its direction, turned, and re-entered the busy street. The rain was finally slowing, and I recalled a particularly cosy bar up ahead that was long overdue a revisit.

---

## [Museum of Antiquities](https://chrischinchilla.com/stories/museum-of-antiquities)

Date: 2023-03-04

A far-future museum guide leads a crowd through the baffling mysteries of early 21st-century technology, culminating in the most horrifying revelation of all: people had to talk to each other.

---

“Over here, you can see a particularly fine example of an early 21st-century relic. I believe they called them ‘smartphones’”.

The guide pointed at a plinth floating before us, a black slab of primitive plastic hovering above it. The crowd moved in to stare intensely at it. There were faded remnants of text scratched on the back, “SIMSANG”, or something like that. It gleamed and shone in the bright lights of the museum, and half the group were already bored with it.

“As far as we can tell, back in the 20th century, these were either essential medical devices or religious objects  as images from the era show that people used them most of the time and needed them to answer questions, find their way around, and keep in touch with everyone.”

The crowd oohed in disbelief. How did people cope back then with not having access to all information inherently and instantly?

“Just one second.” Said the guard, pressing a projected button they conjured in the air. The screen of the device flashed to life, and after a few tedious seconds, during which the crowd lost interest, a row of bright-coloured icons paraded across the screen.

“How did they use them?” Asked a youngling at the front of the group.

“I believe they would use their fingers.” Said the guide, anticipating the looks of disgust spreading across the assembled faces.

“Physical interaction? That’s gross!” Declared an oldling at the back. The rest of the crowd nodded along in agreement and disgust.

“It’s so… small.” Said another front, staring at the tiny screen. “How did their fingers fit?”

The guard summoned an image of a hairless ape-like creature in front of them. People were used to seeing these in history books, but they felt more visceral “in situ”. “People were a lot smaller then,” The guide said.

“What are those square things on the screen?” Said another youngling, sticking their pudgy face close enough to make them out.

“They called them ‘icons’” said the guard. “They tapped them to open, what they called an ‘app’”.

The crowd looked confused by the concept, gesticulating in the air with stubby, unused fingers, trying to understand how such an interaction would work.

“The strangest aspect of all…” said the guide, the crowd craning in to listen. “…was that these devices would often last less than a day, and people would need to plug them into something to keep them going. Often desperately.” 

The crowd looked shocked. “But… But… How did they survive without access to information for that time?” Said one middling, voicing the fear of the whole crowd.

“Well.” Said the guard, building to their final, dramatic, climactic point. “They would have to talk to someone!” Said the guide to the shocked and silent room.

---

## [The Daughter of Death](https://chrischinchilla.com/stories/the-daughter-of-death)

Date: 2023-03-01

Moments after a fatal car accident, a man finds himself in darkness where a quietly confident woman in impossible black approaches to guide him — with patient answers — to whatever comes next.

---

When the car hit me, I wasn’t sure what would happen next. One minute, I was happy, buoyed by the news of a new job offer. The sun was shining, the birds were singing, and for the first time in weeks, I left a cloud lifting from my psyche.

Then BAM. It came out of nowhere, and my last moments on earth were a sea of screams, car horns, and the brutal sound of high-speed metal crushing into flesh and bone. There was pain, so much pain, and then blackness.

The fact that I recognised I was surrounded by blackness caused me to wonder if I was still alive, maybe in a coma or extreme shock. Then, across the echoing blackness, a woman approached me, and something about her made me inherently realise that this was no vision or imagination. This was my reality now.

She approached me slowly but surely. Apparently, there was no rush to complete her task. She almost seemed apologetic to be bothering me, like she knew I was probably surprised and confused as to my situation. There was a quiet confidence to her manner. She was experienced at whatever it was she did, and as she approached, that confidence filled me with ease. Whatever was about to happen, at least I was in the hands of a professional.

She was dressed all in black, but a shade of black like no other I had seen before. Most black clothing was really a kind of darker shade of grey. Her clothing was as black as the night sky. Deep, dark, a total lack of light or colour. It was a darkness you lost yourself staring into trying to find its end. The closer she came to me, the more I saw the depths of the black. Were those pinpricks of light in her clothing? Were they stars?

Her skin colour was all tones and none at all. It constantly shifted, or my perception of it shifted, to the degree where I couldn’t tell, and it didn’t matter anyway. She was here. She was the only thing in my world now.

She carried a staff in one thin hand. It was as black as her clothing, but it had the texture of something like wood. But I have never known wood grain to shift and rearrange. Her other hand was obscured beneath her clothing, which poured onto the floor, covering her feet as she glided towards me.

Her expressionless face drew next to me. She had no scent, no warmth, and aside from her glide, she was effortlessly still.

She looked me up and down, and it was then that I noticed my damaged body, squashed, bloody, and broken.

“My my.” She chimed in with a neutral tone that expressed no emotion or opinion.

I nodded. I wasn’t sure why, but didn’t know what other reaction to offer.

“You have questions?” She said expectantly and without rhetoric.

I nodded again.

“Then follow me.” She said, offering another hand from beneath her clothing. It was cold but comforting, and I followed, my hand in hers.

---

## [Happenings in Interval](https://chrischinchilla.com/stories/happenings-in-interval)

Date: 2023-02-28

A time-stopping thief slips between the ticks of a frozen party, helping themselves to valuables and mischief before stepping back through a tear in time — never to see the chaos they leave behind.

---

Tick. Tick. Tick. And time stood still.

The thief slipped in through the gaps left between time and explored the scene.

The dancers were not frozen but moving so slowly that almost anything that happened to them or around them was imperceptible. A shadow in the corner of the eye. A light brush that sends a chill down the spine. A breath on the nape of your neck. Such fleeting moments with no explanation that are set aside as deja vu or an illusion.

But the thief had plenty of time and was in no hurry. A dip into a pocket to see what they found here and a dip there. A big fat wallet stuffed with cash and dripping with valuable identities. The latest smart gadget, ripe for resale. A shiny watch ironically paused in the execution of the only duty it has. A few jewels, some silverware, and some keys for later entry.

With their work done, the thief enjoys the party. They are feeling a little peckish. Swipe! That Hors d'oeuvre will do nicely. Fish? Excellent, the thief likes fish. My, what a fine brandy! No one will miss a few warming swigs. The music isn’t so exciting when it’s playing at a fraction of the speed, so the thief tries to guess what’s playing by the paused dance moves. Hmm, it looks like something quite lively. People’s limbs are flailing in various directions, and their faces are frozen with abandon. Well, that will mean they won’t notice what’s missing for a little while. Not that time matters much to the thief.

As a final flourish, the thief enacts a little chaos on the scene. Swapping the partners of dancers, taking off people’s shoes, and turning their drinks upside down. That kind of thing. All quite puerile, but it makes the thief giggle to think of the scene after they leave. That is always the worst part of their work. They never get to see the result. Just enjoy the process.

Satisfied with a job well exploited and done, the thief decides it is home time. With flourishes of the hand, they open a tear in time and pull it back. The blackness beyond beckons, and the thief places a foot inside.

As they enter the fold, they look back on the scene with the air of a skilled craftsperson admiring a job they are proud of. A job built on years of experience and an eye developed for the finer details of execution. It’s not just about doing what’s necessary or the bare minimum, but adding a certain flair to be proud of.

No one will know what exactly happened. No one will know who to blame. But the thief knows, and they are proud.

Tick. Tick. Tick. Bong. And the party resumes.

---

## [Appointment with Old Enemies](https://chrischinchilla.com/stories/appointment-with-old-enemies)

Date: 2023-02-27

Jared visits a brusque supernatural functionary who will arrange any act of revenge for a fee — and impulsively commits to something far worse than he intended before he can take it back.

---

“Confront your fears”, read the large banner across the desk. Beneath it was a smaller faded one with “for a fee” printed on it.

Behind the desk sat a diminutive man with tiny spectacles perched on his nose, and a large dusty volume opened on the desk that he scratched at with a worn quill pen.

I approached him nervously, twiddling with my tie and trying to hide my sweating brow.

“Yes?” He creaked at me without even looking up.

“Erm, so, how does this work?” I asked, already feeling stupid.

“It’s quite simple. You pay me money, and I do a job for you.” He said, yet to raise his balding head from the page, “Even an imbecile could understand it.” He added, unnecessarily harshly, I thought, but I am no expert.

“But, I mean. What will you do to my intended victim?” I asked, laughing nervously.

The man put his quill down and touched his temples with frustration, finally looking up and looking down at me. I could tell he really wished I wasn’t there, bothering him. I was starting to feel the same.

“My dear boy. You simply tell me what it is that you want. Pay me. And I arrange for it to happen. It’s really very, very simple.”

“Anything? Really?” I asked, ready for more derision.

He looked at me, unsure of what to do with me. I thought everyone would ask the same questions, but apparently, it was just me. Or he was jaded and miserable. Maybe both.

“Name?” He asked bluntly.

“Jared B…” I begun.

“Not your name. The name of the victim.”

I didn’t stop to ask how he knew my name and continued unabated. “Oh. Erm, Tailor Jones.” He scratched the name in his book with several tight flurries of his quill.

“And the nature of their infraction against you?” He asked, his head bowed and buried back in his tome, the quill waiting with baited heft.

“They bullied me at school. Made me fearful of toilets for a decade.” I said.

With the quill poised to write, he raised his head just enough to roll his eyes at me and slowly wrote on the page, sighing with slow disapproval.

“What?” I challenged noncommittally, “That was an awful few years. I always had to hold until I got home.” I said sheepishly.

“And how would you like them confronted?” He asked.

“Any way I want?” I asked.

“Any… Way… You… Want…” He said with the air of someone who wanted me out of his life five minutes ago.

“Oh, I don’t know… Maybe. Drowning?” I said, thinking out loud.

He scratched the words in his book.

“Or maybe that’s too much.” I said, “On second thoughts.”

“Mr Black. It’s too late. When I write it in this book, then the act is committed. Drowning it shall be.”

I nodded, the realisation of what I had unleashed flooding my brain.

He returned his attention to his work. “You can pay on your way out.” He said.

---

## [Enchanted Garden](https://chrischinchilla.com/stories/enchanted-garden)

Date: 2023-02-25

Yasmin tends a beloved garden with one unsettling corner she has never been able to cultivate — a permanently shadowed patch of shifting shapes she has quietly learned to leave alone.

---

Yasmin was very proud of the garden she had cultivated over more years than she cared to remember. It was perfectly square, enclosed with a stone wall just the right side of tumbledown to be charming. A productive vegetable garden occupied one corner, teeming with tomatoes, leeks, kale, and herbs she vaguely remembered the names of. Another corner she called her “wild area”. She let whatever wanted to grow there wend it’s way through the earth and stone, as long as it never imposed on any other area. The third corner was full of colour. She filled it with plants that had flowers in the colours of the rainbow. It brought her joy to sit outside on warm evenings and compose paintings from the floral palette it presented to her.

The final corner disturbed her. In the first few years, she had tried to grow all sorts of plants there, but they just withered and died. The corner was stuck in a seemingly permanent web of shadows that had a life of its own. Whenever she wandered into that area of the garden, she didn’t feel threatened, just uncomfortable. Whatever influenced there meant her no ill will, but would rather she wasn’t around. It filled her body with a chill, and over time, she learned to just leave that corner to its own devices. Even on beautiful warm summer nights when the rest of the garden was full of so much life, colour, and positivity, that corner was full of shadows that pulsated and shifted with an unknown agenda.

She saw shapes that looked like figures of creatures swirling around with purpose. Unknown shapes intertwined with them, writhing and twisting in a darkened dance.

They never moved from the corner, never expanded their claim on the garden, and she was happy with everything else she had, so Yasmin and the shadows arrived at an unstated stalemate.

When friends visited and admired her garden, they often asked what was wrong with that corner. She would brush them away with spontaneous excuses such as gas leaks, clay in the soil, poisoned earth, or “the wrong kind of light”. But in truth, she had no idea what was wrong, and with her excuses breaking down on further interrogation, she would swiftly change the subject, diverting their attention to a plump vegetable or pretty flower elsewhere in the garden.

She had tried professional gardeners, part-time geoscientists, and even priests. None of them had any idea what was wrong with the corner or had any solutions. One of the gardeners, an esoteric sort, suggested a friend who was obsessed with the occult, but Yasmin dismissed that wild idea.  She was sure there was a sensible answer to the mystery of the fourth corner of her garden, but for now, she would just enjoy what she had. She turned her back to the lingering shadows behind her and stopped to smell the roses, inhaling the sweet scent with delight.

---

## [Moving Faster Than Light](https://chrischinchilla.com/stories/moving-faster-than-light)

Date: 2023-02-25

David Bowie and H.G. Wells take a faster-than-light joyride through space in a steam-powered ship, trading quips and setting a course for Mars.

---

David looked at Herbert as he punched the bright, chunky buttons on the control panel with aplomb and pulled antique-looking levers to make the ship fly ever faster. He might be famous for songs about the denizens of space, but a few choice drug-assisted trips aside, David had never thought he’d actually make it up here. And never this fast. And never with a 19th-century writer for company.

They were already flying past the moon faster than anything anyone had ever experienced before. Herbert glanced over his shoulder at David from the control panel.

“You ready, Mr Bowie?” He said. He was always so formal. It made David chuckle.

“Ready Herb… I mean Mr Wells.” Said David with a curt nod.

Herbert cracked his knuckles, took a deep breath and thrust his hand hard onto the glowing giant yellow button. The button made a satisfying clunk, and a jet of steam spewed from a vent above the panel.

The ship lurched forward, hurling them deep back into the leathery brown seats, and the sky outside shifted. The stars morphed from pinpricks of light into grey streaks lining the sky, and colours emerged out of space they had never seen before. Puce, magenta, and violet clouds wafted across the cockpit window, and the metal that held the remarkable vessel together rattled intensely. The speed dial rose rapidly, reaching its maximum velocity within 60 seconds, just as Herbert had planned.

“Far out.” Said David quietly under his breath, gazing at the scene unfolding before him.

“Indeed. Mr Bowie, we are, and it is, as you say, far out.” Herbert looked pleased with himself as he grew accustomed to the external pressure on his body and checked instruments with a sense of self-satisfaction. “In some ways…” Herbert chuckled to himself, “It is something of a space odyssey, is it not?”

David groaned to himself. He was getting used to Herbert’s bad jokes, but nothing would dent his mood right now. “And the stars look very different today…” He said wistfully.

“Sorry?” Said Herbert.

“Ah, don’t worry, just something someone once said, Mr Wells.”

Herbert nodded. “So where shall we go first, Mr Bowie?”

“How about we go and visit Mars?” David said jokingly, “See if they have any spiders.”

“We can certainly go and visit the Martians on their new planet, Mr Bowie, but there are no spiders, I’m afraid. Though some of them do have more than two legs.” He said matter-of-factly. David knew well enough by now that no matter how nonsensical something Herbert said was, it was almost always true.

“Groovy.” Said David.

Herbert punched a series of buttons with satisfying clicks, twisted two large dials, and pulled three levers. The ship lurched hard to the left, and they were off on another adventure.

---

## [Steepled Town](https://chrischinchilla.com/stories/steepled-town)

Date: 2023-02-23

A battle-hardened army camps on the eve of their assault on a great walled city, drinking and gambling as their officers contemplate the uncertain fate awaiting them at dawn.

---

The soldiers gathered on the hill and looked out across the horizon at the city they would conquer tomorrow. From this distance, they only saw the tallest buildings of the town in any detail. Dotted church steeples, the town hall, and the famous gargantuan statue of Faramos looming above smoking chimney stacks. The city stretched as far as they could see from this hill. It was a sight to behold and held untold riches and opportunities for them. A large stone wall encircled the city, and guard posts dotted along it. No doubt they had already been spotted, and the alarm raised. No matter. They had plans and their secrets. They had confidence in them both.

The soldiers bristled with excitement, their weapons and armour clattering as they gathered to drink and talk in the dying sunlight. They shouted greetings and insults at each other, pulling out drinking vessels filled with foul-smelling liquids and throwing gambling implements to the ground. Frittering away their ill-gotten gains in one night. The officers surveying the serene scene allowed the troops to disperse. A little entertainment and bawdiness would increase their morale for the task that awaited them in the morning's hot sun.

They had swept across the land in the spring, causing bloodshed and chaos in their wake. They were well-trained, disciplined, and had nothing to lose. Their wrath knew no bounds. Their thirst for blood flowed unabated. Their reputation for cruelty preceded them, often leaving the road ahead free for the taking. Those who did stand in their way and dared show resistance never lasted long. The people and settlements they met on their way were mere obstacles swept out of the way as they roared onwards on their bloody crusade.

They were hurt, injured, and tired, but nothing stopped the onslaught from continuing. Some were missing limbs, but they grimly continued anyway, limping across the battlefield or swinging wildly with one arm at enemies. Some had a distant memory of loved ones and families, something to tie them to somewhere. But they were all clouded and shrouded in obscurity. These people and places were just hazy shapes of the past. They were driven by a force they didn't fully understand themselves, but welcomed and embraced with open arms.

They knew that this city would be a crossroads for them. It could mean their final end in the hands of violent defeat. It could mean a glorious culmination of victory. Would the city be a place they could pause and call home until the next victims were decided? Or would they stay and fall into lethargic decadence, enjoying their spoils until they became lazy and fat.

The sun set behind the city, and the light was too dim for further plans for tomorrow. The officers joined the soldiers in celebration. Fate would decide their outcome tomorrow, and there was precious little they could do before then.

---

## [Vague Lights Geometrical Figures](https://chrischinchilla.com/stories/vague-lights-geometrical-figures)

Date: 2023-02-23

A regular client visits Jerry Kolynski — psychic slug and therapist — for a 20-minute session of transcendent visions, only to be judged for it by a stranger on the street.

---

“Whoa, dude, that’s amazing!” I shouted, the scene of serenity I was experiencing isolating me from the outside world so much that I forgot Jerry was just in front of me.

With my eyes closed, my typically busy brain was at peace. The colourful shapes danced in front of my eyes in a playful manner. The lights pulsed on and off, flashing at indiscernible distances from behind the shapes. They intertwined together, creating connections I could only hope to one day understand. I saw patterns, insights, and answers to questions I had sought my entire life. They were all there right in front of me at that precise and pristine moment. Total bliss. Total zen.

Then I felt a slimy sensation on my forehead that rudely shook me out of nirvana. The experience filled me with so much joy that I lost track of time and was rudely awakened by the sensation of Jerry stuck to my forehead.

“Take me down.” Squelched Jerry, and my eyes flicked up to my forehead to sense his small black form just out of view.

I raised my arm to my head, still a bit shaky after my experience.

“Careful…” He said as I plucked his soft form from my forehead with a wet squelching pop and placed him down on a bed of soft leaves that he called his office.

“How long was I under?” I asked, scratching Jerry’s previous resting place and checking my watch.

“The usual session length. 20 minutes.” Said Jerry gruffly, ringing up a receipt on his tiny computer that was connected to a comically oversized printer compared to his stature.

“Ah, right, of course.” I said, “It felt longer.”

Jerry shrugged. Or at least, the upper part of his small, mottled body made a small shudder that I interpreted as a shrug. It looked like a shrug anyway.

“I need more of that, Jerry. I have been so stressed at work. And those visions you put inside my head. I am buzzing for days! Dude, they keep me going.”

He pulled out a small notebook and flipped through the pages with his tentacles. For a creature that made me feel so good, he was extremely detached and business-like. Ah well.

“Can fit you in on Friday.” He said, “Double session?”

“That would be great, Jerry,” I said, handing over the money for our appointment and gathering myself to leave.

I re-entered normality reluctantly, the noise and busyness of the street shocking me with its intensity. I was so out of it, I wasn’t looking where I was going and bumped into someone walking in the other direction. They looked up at the name of the shop I had emerged from.

“Jerry Kolynski, Psychic slug and therapist.” They said, looking back at me, furrowing their brow harshly with concern. “Eww, who’d want a slug on their body? That’s gross.” They threw their chewing gum on the floor and stomped off on their way.

Some people have such a limited worldview, that’s why I see Jerry. He broadens my horizons.

---

## [Visit to Someone Wil](https://chrischinchilla.com/stories/visit-to-someone-wil)

Date: 2023-02-22

A journalist treks across two continents to interview Alfonso, a 3,437-year-old tortoise and the oldest known creature alive — only to find he has very little to say for himself.

---

“Forgive me, it’s been a long time since I’ve spoken to… Anything.” Stuttered Alfonso, lounging under a tree, sheltering from the shade in the blistering sun.

His shell was magnificent, covered with dozens of concentric hexagonal eyes in different shades of browns and greens. In places, it was cracked and flaking. In other areas, still pristine and shining.

“Not a problem. I would imagine that time is somewhat relative when you have been alive as long as you have.” I looked at Alfonso again, trying to judge his age. I was no expert in tortoise physiology.

“Erm, how old are you exactly?” I asked uncomfortably, wondering if this was an appropriate question to ask someone so senior.

“3,437 years, 9 months, and 3 days.” Said Alfonso quickly and confidently. Clearly, time was not as relative as I thought.

“Wow! What sights you must have seen! What memories you must have to share!”

Alfonso considered, chewing slowly and thoughtfully with great effort on a large mouthful of grass, his large, wrinkled, leathery lips flapping loosely.

“If I’m honest. I spent most of it here. I like it here.” Said Alfonso, looking around the large jungle clearing where we were sitting. It had taken me weeks to get here, crossing two continents and taking four methods of transport. Twice, I got lost, taking the wrong path through the jungle, and once, I nearly died. But I was here, finally speaking with the oldest known creature. And it appeared he didn’t have much to say for such a life.

“How about this area? It must have changed a lot?” I gestured around the clearing and the surrounding forest.

Alfonso chewed some more, his small, beady eyes slowly moving around the scene. ”Well…” He said slowly, which he did a lot. Was this something I could write about? Does taking your time equal a longer life?

“I do remember once when it snowed here…” He said.

I wrote it down. It wasn’t going to win me any prizes, but it was better than nothing. Barely.

I nodded. “And tell me, what about the changes in nature? In your lifetime, you must have encountered flora and fauna that are now extinct?”

Alfonso took another large bite of grass and chewed it slowly, considering his answer. Hopefully, his response would be something juicy to write about.

“Hmm.” He said.

I waited for him to finish, but he kept chewing. I looked at my notebook, and so far, I had only written down his age and the word “snow”. This was not worth the journey.

“I think some of the birds have been around here for a while…” He said, his tiny eyes staring at the sky. “But I didn’t really notice…”

I snapped my pencil as I wrote “birds”, threw it on the ground in frustration and stormed off back down the jungle path that brought me here.

Alfonso kept on chewing thoughtfully.

---

## [Determinism](https://chrischinchilla.com/stories/determinism)

Date: 2023-02-18

A mysterious website offers vague prophecies about your future — and Morris discovers that knowing what's coming is entirely useless when you have no way to change it.

---

Like many others later, I first encountered the website via someone I vaguely knew who sent me an overly enthusiastic “check this out” message.

Enabling my VPN and using a private window for an assumed extra level of security, I clicked.

It was a simple page. A large headline in bold black text proclaimed, “It’s your right to know what will come to pass”. Beneath that was a large button that said, “Click me to learn more”.

“Colour me intrigued,” I thought to myself and clicked.

Small italicised text appeared in place of the button. It read, “A diminutive figure will negatively influence your life.” I leaned back in my creaking office chair and tapped my fingers on the desk. What could I do with that? What did it mean? I considered refreshing the page for another proclamation when I heard someone clearing their throat behind me.

It was my boss. She was a small woman and made up for it by always wearing rather overly large heels to increase her height. I gulped, reflecting on what I had just read.

“Morris, could I have a word?” She said impatiently.

“Sure…“ I stuttered.

“In private.” She said, gesturing in the direction of her office.

I nodded and followed her reluctantly. Was this what the website was referring to? I wondered what use this information had been to me. It had said that “I had a right to know”, but what could I do with the information it had given me? How could I change anything? Avoid all short people?

I closed the door of my boss's office behind me, and she gestured for me to sit down.

“Morris. I am afraid I have some bad news. We need to make cutbacks, and well…”

You can guess the rest.

The next day, I was determined to figure out how to use the website to my advantage, so I opened the link again, clicked the button, and waited for its new prophecy.

“Today will be the best day of your life. Make the most of it.”

What? I mean, it was simultaneously precise and unhelpful. I was hoping for some sort of exact series of instructions.

The doorbell rang. Gainfully unemployed, I welcomed any distractions and shuffled to the door. The most beautiful woman I had ever seen greeted me. I was never much of a romantic or a believer in love at first sight or anything like that, but something hit me. There was a chemistry I didn’t understand between us, and she also stared agape at me. I sensed she felt the same.

We both stared at each other. She broke the silence. “Err. I think I have the wrong address. But… But… I know this sounds odd. Do you want to grab a coffee or something? If you’re not busy, I mean. And it’s not strange…” She laughed nervously.

I nodded vigorously and thought better of making excuses or mentioning strange text on websites, and instead just followed her.

We clicked instantly. We had so much in common. I have never got on that well with anybody, let alone had much luck with dates or relationships, and here was this, I don’t know, soul mate, who had just appeared on my doorstep.

We stepped out of the cafe, and I seized the moment, suggesting she come back to my place. She agreed, and we crossed the street.

That was when the bus hit me.

---

## [Transposition of Identity](https://chrischinchilla.com/stories/transposition-of-identity)

Date: 2023-02-18

A narrator casually recounts life with their homemade 'meat puppet' — an eerie physical clone they mostly use for company at bars and dancing — while cheerfully sidestepping any ethical questions.

---

Me and my meat puppet go everywhere together. Sometimes, when I feel lazy or lethargic, I let it take over for me and sit back to watch how it takes control of a situation.

I’ll admit that sometimes it’s more like me than myself. It’s more charismatic, more confident, more, well, more me. I know that sounds strange, but I did make it in the image of myself, so I guess it makes sense.

People often ask awkward questions when we both enter the room. “Are you twins?” They say.

“Nope, this is me,” I say, casually gesturing at my meat puppet. That confuses them, and off we go with no further questions.

I wasn’t able to get my meat puppet’s limbs to work quite as well as I would have hoped, so it kind of lumbers in after me ungracefully. And when it waves its arms around, they’re a bit ungainly, so I tell it not to do that too much and keep its hands in its pockets.

But, to be honest, everything else it does is an eerie echo of me. Sometimes when I sit back and let it take over, sipping at my drink, admiring my handiwork, it’s a bit disturbing. I can understand why the two of us freak people out.

But frankly, the convenience outstrips those uncomfortable moments. People always say, “If only I had a clone. Imagine all the things I could get done!” Well, I have a clone, and I do very little with it apart from hanging out in bars, but I hang out in bars more efficiently, thanks to it.

I do sometimes send it down to the shops to get some milk and the like, but honestly, I’m not that busy these days. I’ve got all the money and fame I need. So, using my meat puppet for inanity suits my lifestyle, really.

A few people have asked me to make them a meat puppet, but it sounds like too much work. There’s also all that discussion about ethics and such. But mostly, I can’t be bothered.

People have asked me if I am worried about the lack of agency the meat puppet has. Well, that’s a hard conversation to have, as I’d be having the conversation with myself, and that’s complicated and a bit weird. I am not worried about myself having a lack of agency, so why should the meat puppet?

Anyway, I’m going dancing tonight, and that’s great fun with my meat puppet. We can go all night, impress people, drink twice as much, etc etc.

You might say I am wasting the potential of my meat puppet, but we have fun. Well, I do, I guess it does, too. And that’s all that matters really in life, isn’t it?

---

## [Special Senses](https://chrischinchilla.com/stories/special-senses)

Date: 2023-02-16

A soul-finder with a preternatural sixth sense describes their nightly work tracking down panicked, newly-dead souls and guiding them to the next stage of the afterlife.

---

Have you ever wondered what happens to you when you die?

A great many things, actually, but the first step is that you need someone like me to find you.

Sorry to disappoint all you die-hard atheists out there, but you do have a soul. Everybody does. But the soul is extremely confused when it’s first released from your body in the minutes after you die. Souls tend to panic and dash around randomly, completely freaked out by the sight of their cold, dead body lying in front of them.

On being confronted by this site, they tend to run (well, float) as fast and as far away as they can, cowering in corners of unfamiliar buildings in fear of what has happened to them. Yes, you guessed it, this is what many of you call “ghosts”. But really, they’re just what’s left of people scared and alone. And well, incorporeal, but let’s leave that aside.

This is where I come in. I, and others like me, have a knack for finding these lost souls and helping them get to the next stage of the afterlife. You could say I have a “nose for souls”, and in some ways, that’s precisely what it is. Well, in terms that those of you with the five traditional senses can understand anyway.

My soul sense perks up anytime there’s a lost soul nearby. Typically, anything up to about 200 metres. It’s hard to describe if you haven’t had the feeling yourself. It’s like a tingle down my spine, like I have walked over someone’s grave. The closer I get to the soul, the stronger the tingle. This can lead to a lot of random and pointless wandering as I attempt to locate the soul, but I haven’t not found one yet.

I’ve existed in this role for long enough to have other tricks up my sleeve besides the sense. I can often spot a trail of unintentional chaos and destruction left by a lone soul. Stories of haunted houses, sleepless nights, possessions, and constantly howling dogs often lead me closer to the real problem.

I enter a building in the dead of night, when a soul’s anguish is most profound, triggering my sense so intensely that my body shakes violently. I tiptoe around, trying not to spook the soul or any inhabitants, who have likely lived on tenterhooks whilst sharing their home with an unknown entity. Their nerves were frayed enough already.

My ears are ringing and my body is trembling, I locate the soul and talk to them gently and professionally. They are often surprised that I know they are there and can communicate with them. The soul slowly calms down, and I explain to them what will happen next.

---

## [Ancient Stairs](https://chrischinchilla.com/stories/ancient-stairs)

Date: 2023-02-15

On his deathbed, legendary dwarven warrior Grangal is haunted by the one quest he fled from — a crumbling castle staircase where a Lich's nightmare curse brought him to his knees in guilt and shame.

---

Centuries later, lying on his deathbed, Grangal, that dwarven warrior of so many legends, was wet with fret about the one great failure in his life.

It was in an ancient castle occupied by an equally ancient Lich who had been plaguing the nearby lands, filling the residents’ dreams with nightmares that kept them eternally awake. Grangal had been passing through the area on his return from the epic battle of Tor-as-ling, full of victory and overconfidence.

Haggard, tired, and starving, the people approached him, their desperate eyes pleading for his help. They were unable to work and unable to survive due to the constant plague of nightmares filling their minds. They needed to be freed from these mental shackles simply to be able to live again.

Grangal heard their plight and of the cackling Lich that plagued their dreams. They pointed him in the direction of the ancient, crumbling castle in the distance. Cradling his trusty battle axe, Grangal chuckled to himself. An old Lich? A few solid swipes and he’d be back in time for a celebration in his honour by nightfall. He thought fondly of the feasting, ale, and company awaiting him.

There wasn’t much left of the castle, abandoned by some long-forgotten ancient ruler. All that remained was a crumbling staircase spiralling up to the one remaining floor of the structure. Grangal assumed the Lich’s lair was there, and the artificial lightning surrounding the area confirmed his suspicions. “Typical sorcery show off!” He thought to himself.

Climbing the stairs two steps at a time, he huffed and puffed his way to the pinnacle, feeling the satisfying bounce of his battle axe in his hands.

Two steps from the top, he was paralysed. His mind was full of living nightmares. There were the ghosts of all of those he had killed surrounding him. Goading him, telling him of the pain and anguish he had caused them and their loved ones. He had never thought of his enemies as entities with families and loved ones, and their cries of woe brought tears of guilt to his eyes. They poked and prodded him, and he collapsed to his knees in floods of shame. He eventually built enough courage to flee the scene, stumbling down those ancient stairs in anguish from the spiritual cacophony.

He didn’t know what had happened to the people in that area since. He had never returned there, avoiding it with feigned excuses until he eventually constructed new legends, and the memory faded.

It was now, on his deathbed, that he wondered what and who would be waiting for him in the afterlife. Would the swelled spirits of his enemies be waiting for him once more to torment him for eternity? He was afraid of dying, but what could he do to prevent it? It comes to take us all eventually. As he closed his eyes and drew his last breath, he hoped that the experience on those ancient castle stairs was just a horrific vision and not his destiny.

---

## [Ancient Colossus](https://chrischinchilla.com/stories/ancient-colossus)

Date: 2023-02-14

After months crossing a lethal desert, a desperate traveller arrives at a mysterious ancient colossus and begins the perilous climb to claim the legendary Bloodstone held in its grasp.

---

I had taken months to get here. Months on top of years of planning. The result of a lifetime’s work now towered above me, casting the only shadow I had seen in weeks.

My skin blistered and cracked, sore from sunburn and relentless sandstorms aggravating the wounds. My feet were sore, my back was broken, and my eyes were trying to cry from the oppressively hot air, but my tear ducts were dry.

I could understand why a few people crossed the ancient desert that filled the middle of our land. The only souls I had encountered on my month-long endurance crossing were as dead as I should have been.

But never mind, here I was, the solution to all my problems. The beginning of my new life lay in front of me.

I stared up at the colossus overshadowing me, providing welcome relief from the burning blaze. As long as we had lived in this land, it had stood. Perfectly preserved for eternity. When it was built and why was a mystery. It had always been.

Its huge hoofed feet were taller than me. Its two thick legs towered up to a six-armed creature with giant wings outstretched to the heavens. Its giant head pointed up to the sky, and four eyes looked towards the stars. A wave of eyed socketed tentacles flowed from its scalp.

Held in one paw was a gigantic spear poised in threat at an ancient and unknown enemy. And in another giant paw was the reason for my journey. The Bloodstone. Rumours about it were widespread. It granted you wishes, infinite power, immortality, and more. I believed it all and had nothing to lose. Anything was better than my life these past few years. I had no plan beyond scaling this colossal enigma and loosening that stone. What happened next was in the hands of fate.

I reached in my pack for grappling gear, pitons, and a hammer. Ate the last of my meagre food, drank the last of my water, and looked up for a suitable anchor point. Spotting the flow of the bottom of a long robe that nestled around the colossus’s ankles, I flung my hook upwards. It caught firm, and I tested the rope. A good start. I kissed the hot burning sand goodbye and began my assent up the leg.

---

## [Odd Nocturnal Ritual](https://chrischinchilla.com/stories/odd-nocturnal-ritual)

Date: 2023-02-14

The townsfolk of a coastal village have long ignored the strange nightly walks of cantankerous Ol' Perwiddle — until one bold young thief follows him to the beach and witnesses something she cannot explain.

---

Every night Ol' Perwiddle would awake and start walking backwards.

Why he did it, no one knew. He was a crotchety old man, and people would rather not disturb him for fear of verbal retribution. On the occasions anyone did ask, he told them in no uncertain terms to "mind their own business!"

And so every night, any other night owls in town would watch silently as Ol’ Perwiddle wandered past them in his flapping nightshirt, rain or shine. His face was determined and grim, undertaking his unknown task silently and with dedication.

There was one occasion a long time ago that the townsfolk whispered about when someone followed him in the shadows. It was young Sandra Smee, who has long since moved on to a better place and way of life. She was plucky and bold in those days and light of foot, accustomed to a little light thievery to feed her sick brother.

She decided one balmy night to see what Ol' Perwiddle was up to and if there was any profit in it. For years afterwards, she recounted the tale for a drink or three around the roaring fire of the Slaughtered Lamb. She recalled following him as he perfectly and without hesitation or stumble made his way backwards to the town's rocky beach. Upon reaching his intended destination, he stood with his arms outstretched and his back facing the black waves.

Then he began to chant a low, throaty series of nonsensical words she didn't recognise. The waves suddenly stopped flowing, and she saw shapes slowly emerge from the watery depths in the half-light of the moon. With slow purpose, they approached Ol' Perwiddle and gathered behind him, some gently patting his back with squelching webbed hands and feet.

There was a conversation between them and Ol ‘ Perwiddle, and Sandra Smee snuck closer for a better look. She tiptoed between the trees and then caught the forms of these strange, watery creatures in a slither of moonlight. Their faces were hideous, a gruesome twisting of eyes, mouths, and other orifices. All over their bodies were pustules and boils, popping and bursting with mucous and brine.

She saw that they were massaging Ol' Perwiddle with their slimy appendages and that he relished it.

The sight nauseated her, and she could not stop herself from retching on the tree's roots. The slimy throng fell silent, and she looked up in horror to see hundreds of eye-shaped holes staring in her direction and the hard stare of Ol' Perwiddle. The creatures retreated into the inky depths, and he approached her with angry strides.

She then found herself in her bed. The sun had risen above her head. She sat bolt upright, feeling tracks of dried residue on her back, sand in her shoes, and the faint smell of bile on her clothes.

What had happened? She spent the rest of the day in an uncharacteristic daze, processing what she had seen. She finished her work for the day late and wandered back through the twilight streets when Ol' Perwiddle came striding past her backwards, same as always. As he did, she caught a glance of his face. It was fixed with an almighty toothy grin.

---

## [Mysterious Doors](https://chrischinchilla.com/stories/mysterious-doors)

Date: 2023-02-12

Friedre wages an escalating battle of wills against a door that refuses to stay shut, resorting to increasingly drastic measures to defeat her wooden adversary.

---

“Hmm, that was odd.” Thought Friedre, staring at the anonymous white-painted door in front of her. She was sure she had closed it moments ago. But now, she turned back after making tea, and it was open again.

She placed her tea down on the table behind her and gingerly tiptoed towards the door and closed it again, a puzzled look on her face despite the satisfying click it made as she did.

She faced the table to pick up her tea and turned around.

It was open again.

Now more annoyed than intrigued, she again placed her tea on the patient table and padded towards the door. She pushed it shut with a solid thud and walked backwards, keeping an eye on that rules-breaking door.

One step from the table with her comforting tea, the door swung open wildly, clattering against the frame.

She ran at it, shutting it with a well-placed shoulder barge and jumped back. It swung open again, narrowly missing her shoulder.

She pushed it again, and it swung open just as quickly.

This merry dance repeated for several rounds before she fell to the floor, mentally and physically exhausted, staring at the aggravating panel of wood.

This situation needed a new strategy. She crawled back to the table and sipped at her tea, her back passive-aggressively to the door. She could feel it taunting her.

She placed her empty teacup on the ground, moved to the other side of the small table and slid it across to the wall. She then ran at the door, pushing the table towards it as fast as her legs could carry her, forcing the door closed with the weight of the table.

“That’ll tell it.” She thought, walking back across the room with a satisfied swagger, dusting down her hands.

That was when a door-propelled table smashed into the back of her legs, sending her metres into the air and crashing down onto her backside.

She sighed with frustration and lay back on the cool floor, feeling a chilly breeze wafting through the open door frame. She stared at the ceiling and decided a short nap would help concoct a solution.

She awoke with a start and sat bolt upright, her eyes staring widely at the yawning portal. The idea hit her in a flash.

She rummaged in a bag in the corner of the room and found what she was looking for.

Whistling casually, she skipped and danced towards the door like she was pleased to see it. What a remarkable ruse, she thought.

“My, what a fine door you are!” She declared to the door. It met her gaze plankly.

“Such fine timbers, such skilful paintwork, such shiny fittings.”

Did she detect a wobble in the hinge there?

Seizing her opportunity, she plunged onto the door with her rusty trusty saw. Chopping and churning it into a hundred shreds of wooden pieces until nothing was left.

She emerged from the sawdust haze, coughing and spitting, her hands raw and her saw blunt.

“That’ll tell it.” She said.

---

## [Dreams of Flying](https://chrischinchilla.com/stories/dreams-of-flying)

Date: 2023-02-11

Frankie the fly accidentally ends up on a plane and finally achieves their lifelong dream of soaring high above the city — right up until a rolled-up newspaper intervenes.

---

Frankie had always dreamed of flying over the city. They could fly, of course. But their tiny wings would only take them so far. Their typical journey was buzzing from one trash heap to another or hovering around a particularly fruity pile of dog poo.

But Frankie had dreams of something bigger.

So that fateful sunny afternoon, Frankie found themselves stuck in this large, curious container. It was full of sweaty, hot and bothered humans and so many exciting new smells.

 But the smells were odd, different from normal. Naturally drawn to the light, Frankie flew to one of the numerous small portals to the outside world and buzzed around it. There didn’t seem to be an escape. Not to worry. A human squashed next to the portal was gorging on some sweet and sticky food, and Frankie started buzzing towards that when suddenly there was an epic shift of air, and the canister started rocketing forward at great speed.

Frankie was forced back into the portal and cast their many eyes outside.

WOW!

Frankie could fly fast, but had never been so high so quickly. This was all that Frankie had dreamt about. Frankie wished they could get out of this portal and see more. See it all. Still, this was better than anything Frankie had ever imagined. Frankie assumed that what they could see stretching out in front of them was what a large collection of humans called a city. There was so much of it from up here. Gigantic grey structures dotted across the horizon, getting simultaneously smaller and vaster as the canister flew forward and upward.

Then, just as suddenly, the city disappeared and out of the portal was a patchwork of white puffs and an expanse of blue. Was this the sky? Frankie had seen it, always looming above, but had never imagined it was reachable. These humans were incredible. Wonderfully smelly and dirty, but incredible.

Frankie felt so small and insignificant up here and thought of their dozens of children. Would Frankie see them again? If so, what stories Frankie would have to tell. Frankie would be the best-travelled fly they knew and get all the best piles of crap to buzz around from now on. Finally, get the respect that Frankie deserved.

If Frankie ever got home. Where were they going?

Frankie started to panic. This was an awe-inspiring experience but also nerve-wracking.

Then, out of the corner of their eyes, Frankie heard a loud, aggressive noise that sounded something like “Fffffing Ffffflllie”, and a large rolled-up black and white object came careening towards them aggressively. Frankie tried to dodge but was too distracted by the sensory overload. The pain was immense. Frankie felt all of their body cave in, and their insides started oozing everywhere.

This was the end, but at least Frankie had achieved their dream and could die the happiest fly that had lived.

---

## [Dreams of Falling](https://chrischinchilla.com/stories/dreams-of-falling)

Date: 2023-02-10

A man wakes every morning from the same recurring vision of apocalyptic destruction wrought by vast, incomprehensible beings — and instead of fearing it, he feels chosen.

---

Every morning, he wakes on the floor in a pool of sweat and a mess of sheets. Every night, the dream is the same. He stands on a cliff face looking out over a vast vista of destruction.

There is so much rubble that it outnumbers, occludes, and obscures whatever came before. Tall follies built by man collapsed in a messy, irrelevant heap of steel, concrete, and glass. There are so many bodies piled high in gory abandon, it’s impossible to discern any recognisable features or quantity. Young and old, rich and poor, important and self-important, all reduced to putrid flesh. The earth is razed, burning, pitted, and black. All of the nature we fought so hard to preserve willingly destroyed.

And then, above it all, in it all, wading through it all. The cause of it all. Are them.

Then he wakes screaming into dawn.

They say that you remember dreams of falling, to wake and find yourself in an embarrassed heap of bedding on the floor.

But he finds himself awake in fear, in panic. Like he was trying to run.

Does he fall from that sheer cliff? Does he jump? Is he pushed?

He thinks of them. They are large, horrific forms in a faraway mist of dust, debris, and destruction. He cannot see them clearly through the haze of the scene and dream. Some are formed of recognisable limbs, while others are featureless shapes that confound his comprehension.

They don’t have any weapons of destruction. It’s almost as if the people and buildings collapsed in front of them in fear and awe. As if they had been waiting for them their whole existence to fall and die.

In his first waking moments every morning, the details of the vision replaying in his mind, he frantically scribbles down fragments of detail before the visions are lost. He looks at the notes whenever he can, trying to make sense of them all, but there is no sense to be found.

He has told close friends of the recurring dream and they tell him that he should seek help. That nightmares like that aren’t healthy for a human being. That they are something he should be concerned about and “fix”. He nods in polite agreement but secretly doesn’t agree.

He doesn’t think of the dream as a nightmare. When the initial disconcertedness of waking from sleep passes, he doesn’t feel afraid but intrigued. He wants to know why the dreams plague him and what they mean. He doesn’t fear the dreams. He looks forward to them. He feels blessed. Rewarded. Chosen.

He thinks of them as a vision of what is yet to come.

---

## [Elemental Spirit Intrudes](https://chrischinchilla.com/stories/elemental-spirit-intrudes)

Date: 2023-02-10

On her first day as a dungeon cleaner, goblin Azravel gets an earful from her veteran colleague Grengel about the particular misery of cleaning up after elemental spirits.

---

“Most of the time,” said Grengel the mighty, straining his tiny frame upward to reach the shelf of cleaning supplies, “I love this job.”

It was Azravel’s first day, so she had no notion of “most of the time” and sensed a “but” coming.

“But you know what I can’t stand?” Said Grengel, stepping back down delicately from the stack of rusty helmets with a giant jar of McGrugan’s cleaning fluid in his hand, its contents sloshing back and forth over the lid.

Azravel knew she was about to find out what Grengel couldn’t stand anyway, so she saved her breath.

“Most of the time, there’s good spoils in the dungeon cleaning business. Enough discarded bric-a-brac and valuables to compensate for all the bodies and gore we have to cope with.”

Azravel nodded. She had heard of the spoils. That’s why she was here. A friend of hers found a gem while cleaning up after a woefully unprepared but over-resourced party stumbled into the dungeon of the Lich King, Kraäaäg. Her friend had retired to some faraway beach, living the sort of life all Goblins dreamed of.

“But what I can’t stand is…” Azravel waited with bated breath. They had been here already. Gengrel must have lost a few brain cells thanks to the cleaning fluid he imbibed over the years.

“…is dungeons with elementals. They leave so much mess behind!”

Grengel poured cleaning fluid into a rusty old bucket, and it fizzed into a dozen colours. He gestured at Azravel to bring the mop she was holding over to the bucket.

“The water ones, well, they just make everything wet. Well, it’s wetter than the usual dampness of a dungeon, anyway. Cause a smell that takes months to get rid of.”

Azravel nodded. An Orc chieftain had once hired her for some bodyguard work, and they encountered a water elemental. Her clothes had smelt for weeks, and she’d caught a cold.

“The fire ones, well, they’re OK, I guess. Just destroy everything, but sometimes that does you a favour, you know? Gets rid of a particularly troublesome stain you’ve been working on for weeks.”

He took the mop from Azravel and swished it around the bucket, causing tiny sparkles to appear in the tatty tendrils. She guessed this must be an enchanted cleaning fluid. That made sense. The dungeon owner was a famous mage. Or at least they said they were.

“Now, the air ones. You think they might also be helpful, but actually, they cause so much mess and chaos, blowing everything about the place. Usually, the client gets annoyed as nothing is in the right place anymore. Not to mention all the rubbish they blow into a dungeon.” Grengel wandered to a small wooden cupboard in the corner and removed a series of brooms and rakes, placing them noisily in a stack next to the bucket and mop. “You know, one day, we found a fishing boat in a dungeon? And the dungeon was in the great desert! Blew all the way there it did!”

At the mention of fish, Azravel realised how hungry she was, and her stomach growled.

“Now. The worst are the earth elementals. Just destroy EVERYTHING.” He said, gesturing with his small, calloused hands, the memories of destruction lingering sweetly in his cleaning fluid-addled brain.

---

## [Power of Darkness](https://chrischinchilla.com/stories/power-of-darkness)

Date: 2023-02-10

Darkness speaks in first person, tracing its ancient relationship with humanity — from the comfort of the womb to the final mystery of death.

---

I have been here as long as you care to remember. I was the first to envelop and coddle you when you were but a seed, bringing you comfort and solace. As you grew and blossomed, I filled you with disquiet of the unknown and unease.

Despite your fears, I am what you need to sleep. I lurk silently behind your eyelids and then transport you to places you have never been when they close.

I am spread further than you could ever imagine or possibly see. You attempt to remove me from your life, but I am everywhere you do not see. Waiting patiently.

You sigh with relief when the ostentatious glowing ball of heat in the sky temporarily returns to save you from me. But I am always somewhere you cannot see and will return to you again soon.

You try to block and hide from me with your laughable attempts to recreate that ball. While you make it increasingly harder for me, I still fill every corner of your life. I spread misty, inky tendrils everywhere you do not see. You can shine a light on me and attempt to remove me from your life, but I am there in the shadows, waiting for my time again.

I hold stars and occupy infinite distances. Tiny pinpricks of light that hold your stare and your wonder. But I know them as well as I know you. I know you all. Hold you all equally.

 I envelop insight and ignorance. What you do not know is hidden in my folds. I hold fear and facts that you are desperate to resolve. I enlighten and frighten you, blanket you in blissful ignorance and deny you.

I will be the last thing you see before you return to seed. Still holding mystery and mystique, but then, maybe you finally understand, as darkness is all you have left.

---

## [Unnatural Life in Picture](https://chrischinchilla.com/stories/unnatural-life-in-picture)

Date: 2023-02-07

An anonymous painting appears in a hip gallery, and while the owner sees only a publicity coup, her friend is filled with creeping dread at the disturbing forms emerging from its impossible colours.

---

“It’s like they vomited colour theory on the canvas.” Said Sanja, swirling her warming champagne in the thin-stemmed glass, sucking at her teeth.

I stared intently at the curious painting hanging on the wall of Gllry, a hip new art space in the trendy North end of town. The painting had appeared anonymously one day, wrapped in fading brown paper, and Sanja, desperate to have a new discovery on her hands, hung it immediately in pride of place. She didn’t know who the artist was, and wasn’t that just the best PR money couldn’t buy?

“I find it disturbing…” I said, trailing off as I stared, fixated on one corner of the picture. Everywhere I looked for any length of time, something slowly emerged from the mess and chaos that chilled me.

“Oh, it’s certainly dark and morose. That’s kind of what I like about it.” Sanja said between sips of champagne. “Well, ‘like’ isn’t the right word, but you know. I mean, it has a certain ‘something’.”

I started at Sanja. Was her desperation for infamy and wealth blinding her to this hideous panorama facing us?

In the corner that had been bothering me, the form of a creature gnawing on what looked like a large bone slowly formed out of the maelstrom of magenta.

I pointed at it. “Isn’t that someone, I mean, something eating, well, someone else?” I asked bluntly.

Sanja shook her head, her undulating earrings clattering as she did. “That? No, that’s the internal image of the starving artist eating the scraps from the table that feeds them.” She said confidently, “It’s a common trope.”

I nodded, unconvinced.

“I’ll agree that the use of colour is, is, out of this world.” I offered.

“Isn’t it to die for!” Said Sanja.

I stared at a blur of colour in the top middle of the canvas that had also been drawing my attention.

“This might sound stupid, Sanja, but it’s almost like… It’s almost like the artist has invented new colours here. There are combinations I’ve just not seen here before —“ I stopped short, laughing uncomfortably at how ridiculous my statement sounded.

“You know, you might be right…” Said Sanja, staring at the same patch as me, leaning in for a closer look, her glass tipping as she did, drops of champagne dripping to the floor. “I have to revise the press release and update the event invitation. I can see it now, ‘unknown artist invents new colour’. Can you imagine the publicity?” She turned back to me, her eyes wide with unbridled enthusiasm and specks of spittle forming on the edges of her lips.

“You’re going to exhibit this?” I asked.

“That is kind of the point of a gallery, June.” She said, shaking her head dismissively as she made her way to the phone on her desk. She casually dropped the champagne flute to the floor, where it smashed casually into small pieces at my feet.

My eyes returned to the picture as I heard her babbling maniacally in the background, my stomach filled with unplaceable dread.

---

## [House of Horror](https://chrischinchilla.com/stories/house-of-horror)

Date: 2023-02-06

A legendary house in an ancient city has swallowed every visitor who dared enter — and now a plucky young traveller, spurred on by her peers and an unrequited love, pushes open the door.

---

The house was old. As old as the city itself, and no one alive could remember when the city began. It had always been and always would be. You felt you owed it respect for still existing. It was rotten and decrepit, decaying and crumbling. However, its continued presence and age still summoned visitors. Many visitors from all over the realm came to visit the city. And most came to see the house.

The house was legendary. Throngs of visitors shuffled awkwardly at a safe distance outside it, daring each other to venture inside, but few actually did. They all knew that when someone entered that house, they were never seen again.

Residents of the city whispered stories of what was inside that house. They told tales of guttural noises from unimagined orifices, sounds of clattering bones and rending of flesh, and eternal cries of pain. But for the visitors, all they heard were the whispers. Still, they came and gathered around that house, making their own stories.

Some claimed it was once owned by an evil sorcerer who made deals with a devil. Others told tales of a vile cult who summoned creatures from a realm much darker and more distant than our own. Of course, no one alive remembered or could corroborate any of these stories.

What was known and in living memory was that those who entered were never seen again. Visitors had stories of distant relatives whose names they barely recalled, plucking up the courage to enter and face whatever was in there. What had happened to them once they had? Well, no one had heard from them again, so they must have met a horrific end or eternal suffering at the hands of some indescribable clutch of creatures. Surely?

Today, a group of visitors, long travelled from Spaldahn, were daring one of their numbers to enter and see what lurked across the threshold. She was a plucky young thing. Hair pulled back over her small ears, revealing a toothy, confident grin. She carried an improvised weapon of sorts and various symbols of faith. Hedging her bets against whatever was inside. She felt the pressure of her peers building inside her, swallowing the nervousness and trepidation. She had heard her own stories. There were no creatures inside, just a man whose soul had turned black and was consumed by never-ending hatred of all things. She had faced many a similar man on this path. She wasn’t afraid of such a man, but the stories of what he did to those who entered.

Rallied by the crowd, she edged towards the rusting, rotting front door and peeked in through the shattered and dusty windows. Was that movement in the shadows? Were those eyes? What was that sound? She turned back to her friends and saw the eyes of her unrequited love, whom she was so desperate to impress. She gulped and took a deep breath, gingerly pushing the squeaking door open.

After all, they were just stories, weren’t they?

---

## [Interference with Time](https://chrischinchilla.com/stories/interference-with-time)

Date: 2023-02-06

In a world where everyone gets a once-a-decade undo of any past action, one recipient agonises over how to spend their CTRL+Z day — and ends up paralysed by the infinite weight of consequence.

---

The message arrived in my inbox with a loud ping that could only mean one thing. An official proclamation. I sighed deeply, wondering what bureaucratic nightmare I would have to untangle myself from now when the subject line caught my eye.

“It’s your turn for CTRL+Z day.”

My eyes widened, wondering how I would spend my once-a-decade undo. 

The day was named after some ancient mantra that we had all forgotten the origin of, and was an event everyone looked forward to with nervous excitement. Recipients were selected by random ballot based on a complex algorithm that attempted to create the most minor timeline disturbance. And with a global population of over 20 billion, the chances of unintended consequences between picks were rare.

I cast my mind back over the past ten years and my many regrets and missed opportunities. How would I choose? Which would have the most impact on my life?

I pulled out a pad and started noting the major points I could remember and their potential impacts on my life now. It was hard to recall everything of significance. Why hadn’t I been more organised like so many I knew? I had acquaintances who kept detailed lists of their actions and potential alternate outcomes of them, waiting for that message to arrive so they could maximise its potential when it did.

Of course, there were relationships that had ended that I wish hadn’t. But the more I thought about them, the more I thought about those niggling aspects of the person or relationship that had annoyed me. Would I really have wanted it to continue? Would it have been good for either of us if it had?

I thought of times when I should have said ”yes“ instead of “no”. But was I truly prepared to face the unknown consequences of where a “yes” might have led?

How did anyone make this decision? The nature of the process meant I wouldn’t even know if they had, so it wasn’t like there was anyone I could ask for an opinion on what to do.

Maybe I should pick something small, something with a clearer outcome. Like when I chose the salad at that restaurant last week, but I should have chosen the burger. But was that really worth a once-in-a-decade opportunity? I could just go to that restaurant now and order the burger. No, that seemed a wasted opportunity.

I thought of all the people I had internationally or unintentionally upset in the past ten years. Maybe I shouldn’t be selfish and choose a moment that would improve someone else’s life, too. But did the rules even allow that? What if that person had deserved the way I treated them? What if, as a consequence of my action, they took actions that also had consequences that had consequences, and that in turn…

My head hurts just thinking about it. Maybe I would just change that restaurant order.

---

## [Lingering Influence](https://chrischinchilla.com/stories/lingering-influence)

Date: 2023-02-06

A self-declared atheist spends a night on the couch of a friend's 'murder house', musing on how we confront the dark history of the places we inhabit — and wakes utterly untroubled.

---

I have a friend who once lived in a so-called “murder house”, i.e., a house where sadly, someone died due to the actions of another.

Apparently, in some countries, a person selling or renting a home to you is obliged to tell you that such a horrific incident happened there. I’ve always wondered how you broach that subject during an appointment.

Do you casually drop it into a conversation?

“Here’s the bedroom, the bathroom, the lounge… Oh, by the way, there was a murder just there… Now, here’s the kitchen. It has a lovely view, as you can see.”

Or are you upfront about it?

“Why is the price so cheap? Well, ten years ago, something happened here.” And then watching for the look on your face, “But look on the positive, this property is 20% cheaper than the neighbouring one!”

Do they train real estate agents in how to deal with the topic, or are they left to their own devices to figure out how to handle it and the probable reaction from a customer?

Anyway, this house was a large old house that also looked like no one had updated the decor in about 30 years, resplendent in garish, floral 1970s wallpaper. Within ten minutes of my arrival, my friend also felt obliged to point out the murder scene to me. I guess, especially as I was staying on the couch in the very room where it happened.

I wondered how they handled that lingering influence in their house. Was the event so distant in time, and to them, it was merely an idiosyncrasy of the house? Or did they pass the spot as swiftly as possible, avoiding or ignoring it? If they needed new housemates, did they also inform them of the history or avoid the subject, hoping that the memory of it would slowly fade as new life spread through the house?

Despite enjoying reading and writing about fantastical creatures and worlds, I am, at heart, 150% an atheist. I don’t believe in an afterlife, spirits, or lingering influences beyond what resides in our minds.

However, as I settled down for sleep on that ageing couch, I couldn’t help but let my sleep-laden eyes settle on “that” spot. I wondered what my dreams would be like. Would I experience a restless sleep fuelled by horrific visions of human brutality or unexplained discomfort? Would my subconscious invent stories of what I thought might have happened, intertwined with my imagination for the bizarre? Would I dream of ghouls emerging from phantom blood stains, beckoning to me to claim my soul or pass on messages to missing loved ones? Would I awaken in a cold sweat, my mind racing, uncomfortable, and my eyes wide open, staring at you know where.

On that chill morning, I awoke well-rested after a peaceful sleep, and my atheist tendencies were confirmed. Humans may be cruel, and their influence may linger, but their spirits do not.

---

## [Visions of Future](https://chrischinchilla.com/stories/visions-of-future)

Date: 2023-02-06

Cthulhu receives a deeply unsettling vision — not of apocalyptic triumph, but of a plan that was never going to work — and is forced to confront an existential mid-aeons career crisis.

---

Great Cthulhu leaned back against the walls of the underwater cave it called home. Its tentacles flapped and folded as they slowly squatted down to the ground, causing tremors around them as they did, upsetting the catch of a fishing vessel far above in the aftershocks.

Cthulhu was used to having visions of the future, but they were typically more apocalyptic and awe-inspiring. This vision had been positively mundane, which disturbed Cthulhu’s mind and body, filling it with existential dread of the potential future.

For aeons, Cthulhu had waited for the stars to align, for the time to be right to bring about the new order to the corrupt world above. Cthulhu had lost track of how long they had been waiting. A few Millenia were pittance to a Great Old One. Meaningless in the grand scale of the plan. Cthulhu kept themselves busy sending visions to dedicated cultists all over this pitiful world, but in truth, they were waiting. Waiting for those cursed dots in the sky to get on with it and coalesce correctly.

This vision was different. It showed Cthulhu that they were wasting their time. The stars were never going to align. They had overlooked great Cthulhu’s plans. How dare they! Now Cthulhu thought about it, where had this plan even come from? When had they concocted it? The plan had always just felt “right”, but none of the other Great Old Ones had ever actually confirmed it as a good idea. Cthulhu guessed that was the problem with instilling mind-bending fear into all and sundry. No one ever questioned anything you suggested.

Cthulhu pulled out the infinitesimally long star charts again and unfurled them across the damp floor, studying them for the fifth time since the vision. Those stars still looked an awful long way apart. Cthulhu was starting to believe the vision was true.

What could Cthulhu do instead? What prospects were there for a Great Old One as old as time itself who had only worked remotely for countless millennia, sending out visions to believers but with little actual “hands-on” experience?

Cthulhu slumped down against the cave wall, tentacles flapping aggressively, causing a passenger ship hundreds of kilometres above to capsize. Now, they were just depressed. Cthulhu didn’t want to relocate or find a new home. This cave was dank and miserable, but it was their dank and miserable cave. They may never get the world-flattering apocalypse they’d hoped for, but the hundreds of thousands of cultists causing mischief around the world was enough satisfaction, wasn’t it? Cthulhu thought of Azathoth and the King in Yellow jealously. They got out and about a lot and had plenty of “face-to-face” time with those who worshipped and feared them.

Cthulhu sighed. They were too old and set in their ways to change now. But no one else needed to know that the plan was doomed, did they?

---

## [Return of Body](https://chrischinchilla.com/stories/return-of-body)

Date: 2023-02-02

A professional body-swap operator rents their consciousness to a rich teenager for a night out, then must navigate 24 hours inside an unfamiliar body while hoping the customer returns theirs on time.

---

“You’ll bring it back by the end of the day, yeah?” I asked nervously. This wasn’t my first time, but the last time had left me with a queasy feeling, rough around the edges, and not quite myself.

The rich teenager in front of me nodded casually, sniffing and tapping away absentmindedly at their smartphone. I wasn’t convinced by their answer, but I needed the money, and well, they needed to get into a nightclub for some reason I’d forgotten.

I talked them through the procedure, which was far more work and pain for me than the customer, but hey, I was making good money here. I had to be willing to put up with some pain and effort. The procedure involved a dash of science, a splash of magic, and a generous pinch of hocus pocus stagecraft. Then, voila, roughly ten minutes later, a full consciousness body swap. There was always that tricky moment where the customer’s conscious thoughts and experiences entered my body towards the end of the procedure, and they had no idea what was supposed to happen next. But after years on the job, I had automated that last crucial step to perfection, and they could stare blankly at all the dials and readouts as much as they liked. It didn’t matter.

Did I enjoy this work? For the most part, yes. I mean, it was a full swap, so I also often got something out of the transaction, too. A temporary body to experiment with. The contract stated that I wouldn’t do much with it, for fear of accidentally causing complications to the life of the customer. But that didn’t stop me from enjoying exploring the possibilities of a different body as anonymously and cautiously as possible for 24 hours or so. It was often quite the experience, if I’m honest. Awaking to find myself as a completely different size, age, or gender was an eye-opening experience. I can only imagine what those first moments were like for customers who hadn’t been through the same process dozens of times before.

After the swap, I would typically sit them down with a warm drink and reassure them that they were still who they thought they were. Kind of. This was especially hard to do when I was getting used to a new body myself. I was often physically clumsy and uncoordinated, but my mind and emotions were still the same after all. 

On this occasion, I awoke to find myself contained within a sweaty, greasy, lanky teenage body. I cringed a little but jumped clumsily into action.

“How do you feel?” I asked, feeling and hearing my voice breaking as I did.

They shrugged awkwardly in my body, which was at least twice as old as the one they were used to.

“Don’t forget to return it within 24 hours!” I called out as they gathered themselves, began tapping away at their phone, and wandered out into the night.

---

## [Return of Spirit](https://chrischinchilla.com/stories/return-of-spirit)

Date: 2023-02-01

A secret service chief reinstates ghosts as agents, only to discover their first mission has an unexpected obstacle.

---

“Just remember what happened last time, is all I ask?” Barja said to me, rolling his eyes in his typical manner.

I knew what had happened the last time we tried this experiment. I had read extensive and tedious reports. But I had a feeling that this time, it would be different. After all, the last time was so long ago, and the Secret Service was so short on quality recruits. And, well, ghosts, they had certain “useful” qualities that were hard to ignore.

“I’m sorry, Barja, but I’ve made up my mind. As of next week, we will start allowing ghosts to join the service again. We need their help.” I caught him sighing with disapproval, “Now, if that’s everything, I have work to do. Please close the door on your way out.”

Barja muttered a “yes, ma’am” under his breath and left, closing the door a little too loudly for my tastes on his way out.

The following Monday, my head was spinning. Too many brandies at the club last night, celebrating (that was definitely the right word, as he was a cantankerous old buzzard) Gilliard’s retirement. I steadied myself and entered the training room.

I counted four spirits wafting in front of me. There was one missing.

“Where’s Lee?” I asked.

Two of the spirits shrugged, or at least I think they did. It was sometimes hard to focus on the exact motions of these wispy, wafting outlines.

“She’s running a little late…” Rasped Jenkins. At least, I think it was Jenkins, their voice undulating between whatever lack of organs that they conjured sound out of and my ears. Late? What did a ghost have to do that would delay them? Did they have unlives? A schedule to keep? Things to do? My mental tangent was interrupted by Lee suddenly appearing in the room through the wall, which was disconcerting, to say the least, but one of the many reasons we were employing them.

I cleared my throat. “Now that you’re all here, I’d like to welcome you back to the service. You’ll find that many things have changed since you were all working here before, before–”

“We died?” Offered Froam.

“Quite,” I replied. I would need to think of some better terms for all of this.

“For a start, there would never have been a woman in charge.” Wheezed Blake. Obviously, the afterlife hadn’t taught him anything new, and he was still as misogynistic as in his day. 

I fixed him with a frosty stare and felt a chill down my spine.

“OK, all of you. Your first trial mission is to gather intelligence on an enemy spy posing as a priest for cover. We need you to discreetly monitor their church for potential–”

“A church?” Asked Lee, her face frozen in fear.

“Yes. Why is there a problem?”

“That’s hallowed ground. We can’t go there, and if we do, we’ll be dismissed.” Responded Lee, hovering awkwardly on the spot, rattling her chains behind her.

I sighed. I was starting to understand what Barja meant.

---

# Newsletters

---

## [SimDystopia](https://chrischinchilla.com/newsletter/270826)

Date: 2026-08-27

Dystopian stories, AI safety, and stories of simulations

---

Music, computer history, documentation, dystopian stories, and more in this issue. Just a few of my favourite things.

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### The AI writing tool with unparalleled story smarts

[Sudowrite](https://go.chrischinchilla.com/sudowrite) is an AI-powered writing assistant that helps you brainstorm, outline, and write your stories.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [But can AI play Doom?](https://chrischinchilla.com/newsletter/130826)

Date: 2026-08-13

AI in places it's not needed, Doom in places it shouldn't be, and an engineer behind dozens of classic albums shares their advice.

---

I didn't even mean for this newsletter to become so AI dominated, but it's hard to avoid these days. But still, some of it useful… Isn't it?

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### AI-powered learning with NoteGPT

Summarize YouTube videos, PDFs, articles, lectures, audios, PPTs, and images. Instantly create notes, mind maps, and presentations. Boost your learning efficiency by 10x with [NoteGPT](https://go.chrischinchilla.com/notegpt).

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Games, gear, and gregarious tales](https://chrischinchilla.com/newsletter/310726)

Date: 2026-07-31

I haven't been reading much news, so instead I haphazardly promote some of my work.

---

Ah well, no sooner than I promised to get back into the proper newsletter flow, than some of the "other" took over my life a little the past few weeks. I will have a proper update on that next week, but in the meantime I have been making a lot of changes to my site and getting some "close to completion" projects released. Instead, this issue, just before most of the northern hemisphere heads off on holiday, I thought I would mention a few updates that you may wish to while away your holiday hours on.

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### 100s of amazing Mac apps

Looking to supercharge your Mac with 100s of apps to choose from and one low monthly price? Take a look at [Setapp](https://go.chrischinchilla.com/setapp) from MacPaw.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

## Want to pretend to be a vampire in a karaoke bar? Of course you do :)

One of the games I polished up and released recently is [Karaoke Vampire](/games#karaoke-vampire). It's a small rules-light story driven game where you play creatures of the night who like to sing.

> Did you know that I have worked on several games over the years? You can find them all on my [games page](/games).

> Coming soon is "Dörk Börg" a battle royale Mörk Borg skin on geek verses geek.

## Need recommendations for gear and want to help me earn a few cents?

I now have a mostly complete [gear page](/gear) where I list all the hardware and software I use to make music, write, and do all the other things I do. If you are looking for recommendations for gear, this is a good place to start. And if you buy something through one of my affiliate links, I get a small commission at no extra cost to you. Thanks!

## Something to read at the beach?

You may know about my [books](/books), but I am also slowly releasing all [my short and flash fiction](/stories/). There's more to come, with already about 40 stories, there's something for everyone. If you like strange, speculative fiction, this is a good place to start.

---

## [While my app gently memory leaks](https://chrischinchilla.com/newsletter/160726)

Date: 2026-07-16

Finally, I am back with a new newsletter.

---

Finally, I am back with a new newsletter. A lot has happened since the last one. More of that soon. But for now, delight in a heady mix of tech, music, and a dash of the "other".

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### Write your way with Scrivener

[Scrivener](https://go.chrischinchilla.com/scrivener) is the go-to app for writers of all kinds, used every day by best-selling novelists, screenwriters, non-fiction writers, students, academics, lawyers, journalists, translators and more.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Holy retro human](https://chrischinchilla.com/newsletter/050626)

Date: 2026-06-05

Pope vs tech. Music vs AI. A slice of ARM history.

---

In this issue, the Pope vs Tech, retro tech from the UK, music finds ways to confound AI, fundamental tech, and more!

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### Write your way with Scrivener

[Scrivener](https://go.chrischinchilla.com/scrivener) is the go-to app for writers of all kinds, used every day by best-selling novelists, screenwriters, non-fiction writers, students, academics, lawyers, journalists, translators and more.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [A demonic plugin obsession](https://chrischinchilla.com/newsletter/220526)

Date: 2026-05-22

Too many plugins, too many layoffs, and too many… Awards? All that and more in this issue.

---

Too many plugins, too many layoffs, and too many… Awards? All that and more in this issue.

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### Write your way with Scrivener

[Scrivener](https://go.chrischinchilla.com/scrivener) is the go-to app for writers of all kinds, used every day by best-selling novelists, screenwriters, non-fiction writers, students, academics, lawyers, journalists, translators and more.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Gaining an artvantage](https://chrischinchilla.com/newsletter/140526)

Date: 2026-05-14

Game or art and has tech become boring?

---

Short newsletter this week as I have been travelling and busy, and not read that much basically. I have some bigger topics I want to cover more in the near future, but for now, let's keep it light!

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### AI-powered learning with NoteGPT

Summarize YouTube videos, PDFs, articles, lectures, audios, PPTs, and images with [NoteGPT](https://go.chrischinchilla.com/notegpt). Instantly create notes, mind maps, and presentations. Boost your learning efficiency by 10x.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Less tech, more me(c)h](https://chrischinchilla.com/newsletter/300426)

Date: 2026-04-30

Small newsletter today covering niche topics like Berlin tourism, the slow decline of an open source project, and other interesting tidbits.

---

Small newsletter today covering niche topics like Berlin tourism, the slow decline of an open source project, and other interesting tidbits.

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### Write your way with Scrivener

[Scrivener](https://go.chrischinchilla.com/scrivener) is the go-to app for writers of all kinds, used every day by best-selling novelists, screenwriters, non-fiction writers, students, academics, lawyers, journalists, translators and more.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Leaky Claudron](https://chrischinchilla.com/newsletter/160426)

Date: 2026-04-16

In this newsletter, Anthropic leaks, skills seep, sounds speak, and CSS leaps!

---

In this newsletter, Anthropic leaks, skills seep, sounds speak, and CSS leaps!

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### The AI writing tool with unparalleled story smarts

[Sudowrite](https://go.chrischinchilla.com/sudowrite) is an AI-powered writing assistant that helps you brainstorm, outline, and write your stories.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Vive la différence?](https://chrischinchilla.com/newsletter/020426)

Date: 2026-04-02

Squeezing this in before Europe vanishes for Easter, if they haven't already. On the subject of Europe, a great piece about Tech Bros in Europe, The dictionary sues OpenAI, and all sorts of mac tweaking power user wonder. Enjoy!

---

Squeezing this in before Europe vanishes for Easter, if they haven't already. On the subject of Europe, a great piece about Tech Bros in Europe, The dictionary sues OpenAI, and all sorts of mac tweaking power user wonder. Enjoy!

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### Your journey to stunning videos starts here

[FlexClip](https://go.chrischinchilla.com/flexclip) is a simple yet powerful video maker and editor for everyone that helps users easily create compelling video content for personal or business purposes without any learning curve.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Opening the can of AI-generated worms](https://chrischinchilla.com/newsletter/190326)

Date: 2026-03-19

An open source community tAIrs itself apart, Grammarly upsets an awful lot of people, and RIP VC?

---

What a week! You know what, less ramble, more links. Let's go!

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### AI-powered learning with NoteGPT

Summarize YouTube videos, PDFs, articles, lectures, audios, PPTs, and images with [NoteGPT](https://go.chrischinchilla.com/notegpt). Instantly create notes, mind maps, and presentations. Boost your learning efficiency by 10x.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Autocomplete the fun in your life](https://chrischinchilla.com/newsletter/050326)

Date: 2026-03-05

New hardware, old hardware, making history fun, and more.

---

In this issue, I obsess over new hardware releases, but not the ones you think. I lament the passing of an old friend we all know without realising, wonder how to make dark history "fun", and more!

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### AI-powered learning with NoteGPT

Summarize YouTube videos, PDFs, articles, lectures, audios, PPTs, and images with [NoteGPT](https://go.chrischinchilla.com/notegpt). Instantly create notes, mind maps, and presentations. Boost your learning efficiency by 10x.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Autocomplete the fun in your life](https://chrischinchilla.com/newsletter/040326)

Date: 2026-03-04

New hardware, old hardware, making history fun, and more.

---

This issue I obsesses over new hardware releases, but not the ones you think. I lament the passing of an old friend we all know without realising, wonder how to make dark history "fun", and more!

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### AI-powered learning with NoteGPT

Summarize YouTube videos, PDFs, articles, lectures, audios, PPTs, and images with [NoteGPT](https://go.chrischinchilla.com/notegpt). Instantly create notes, mind maps, and presentations. Boost your learning efficiency by 10x.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Close the gate on your way in](https://chrischinchilla.com/newsletter/190226)

Date: 2026-02-19

Sustainable festivals, age restricting the internet, and more.

---

I am back from a lovely holiday in Malaysia and even though it's a short newsletter, let's keep the momentum going. This time it's sustainable festivals, age restricting the internet, and more.

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### 100s of amazing Mac apps

Looking to supercharge your Mac with 100s of apps to choose from and one low monthly price? [Take a look at Setapp](https://go.chrischinchilla.com/setapp) from MacPaw.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Stop the slop!](https://chrischinchilla.com/newsletter/040226)

Date: 2026-02-04

More jQuery, open source has had enough, and many sad goodbyes

---

You all asked for more jQuery (well, one person did), retro computing, open source software has had enough of the slop, and more!

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### Your journey to stunning videos starts here

[FlexClip](https://go.chrischinchilla.com/flexclip) is a simple yet powerful video maker and editor for everyone that helps users easily create compelling video content for personal or business purposes without any learning curve.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Adobe Photolost](https://chrischinchilla.com/newsletter/080126)

Date: 2026-01-08

What happened to German engineering, where did (some of) the vegans go, and a trip down (lack of) memory lane and early computing.

---

What happened to German engineering, where did (some of) the vegans go, and a trip down (lack of) memory lane and early computing.

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### It's the festive season! Support my work in 2026 with Patreon

I spend a lot of my free time on creating content, open source software, and supporting communities. If you get any benefit from that, then [consider joining my Patreon as a monthly supporter](https://patreon.com/ChrisChinchilla?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link).

### Don't want to make a monthly commitment?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Talk to JQuery, cos Ruby 'aint listening](https://chrischinchilla.com/newsletter/041225)

Date: 2025-12-04

Internet outages, make music through voice, Ruby is dead, and long live… jQuery?

---

Internet outages, make music through voice, Ruby is dead, and long live… jQuery?

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### It's the festive season! Support my work in 2026 with Patreon

I spend a lot of my free time on creating content, open source software, and supporting communities. If you get any benefit from that, then [consider joining my Patreon as a monthly supporter](https://patreon.com/ChrisChinchilla?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link).

### Don't want to make a monthly commitment?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [A leaking bubble](https://chrischinchilla.com/newsletter/061125)

Date: 2025-11-06

The AI bubble, memory leaks, startups in Syria, and more!

---

A busy newsletter this issue with some major product announce,ments from local (to me) companies, the declining quality of software, what's happening with tech in Syria, the AI bubble, and the Spotify saga continues!

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### Text based video and audio editing

Are you looking to make editing audio and video easier and more powerful with a suite of AI-powerd features? Try [Descript](https://go.chrischinchilla.com/descript), I use it for editing all my podcasts and you can to!

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [RIPrivacy](https://chrischinchilla.com/newsletter/091025)

Date: 2025-10-09

RIP your favourite browser, privacy, and music streaming?

---

Sorry for the extended break, conference season is in swing again and I have also been exceptionally busy with organising the sell out (!) Bircon games con in Berlin and I got promoted to team lead at work, so things have been a bit hectic.

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### The AI writing tool with unparalleled story smarts

[Sudowrite](https://go.chrischinchilla.com/sudowrite) is an AI-powered writing assistant that helps you brainstorm, outline, and write your stories.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [A cup of Tahoe](https://chrischinchilla.com/newsletter/180925)

Date: 2025-09-18

New Apple operating systems, the history of essential apps, nine hour Monopoly, and more.

---

New Apple operating systems, the history of essential apps, nine hour Monopoly, and more.

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### The AI writing tool with unparalleled story smarts

[Sudowrite](https://go.chrischinchilla.com/sudowrite) is an AI-powered writing assistant that helps you brainstorm, outline, and write your stories.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Fix the web and look good doing it](https://chrischinchilla.com/newsletter/040925)

Date: 2025-09-04

The web is drowning in JavaScript and the vibe is, there will be more.

---

The web is drowning in JavaScript and the vibe is, there will be more. Also happy birthday MDN and how to look good in your middle age 😎.

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### Capture your screen effortlessly

Simple and clear, but packed with features, [Simple Screenshot](https://go.chrischinchilla.com/simple-screenshot) is a drop in replacement for the system default on macOS.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Artificial arrogance](https://chrischinchilla.com/newsletter/210825)

Date: 2025-08-21

Quieter dog days of summer issue with what else, but tales of woe!

---

When is AI not AI? What became of the digital nomad dream? And what happens when an entire nation decides it's time to go? All that and more in this issue.

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### Write your way with Scrivener

[Scrivener](https://go.chrischinchilla.com/scrivener) is the go-to app for writers of all kinds, used every day by best-selling novelists, screenwriters, non-fiction writers, students, academics, lawyers, journalists, translators and more.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Live Lizard Model](https://chrischinchilla.com/newsletter/010825)

Date: 2025-08-01

A packed issue with music, AI, macOS history, work trends in tech, and so much more.

---

A packed issue with music, AI, macOS history, work trends in tech, and so much more.

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### 100s of amazing Mac apps

Looking to supercharge your Mac with 100s of apps to choose from and one low monthly price? [Take a look at Setapp](https://go.chrischinchilla.com/setapp) from MacPaw.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Hyper hype](https://chrischinchilla.com/newsletter/170725)

Date: 2025-07-17

This issue, I finally embrace a pro-user keyboard shortcut, containerization on macOS gets even better, AI bands storm the streaming charts, and more!

---

This issue, I finally embrace a pro-user keyboard shortcut, containerization on macOS gets even better, AI bands storm the streaming charts, and more!

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### 100s of amazing Mac apps

Looking to supercharge your Mac with 100s of apps to choose from and one low monthly price? [Take a look at Setapp](https://go.chrischinchilla.com/setapp) from MacPaw.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [WWWe'll see](https://chrischinchilla.com/newsletter/190625)

Date: 2025-06-19

It was WWDC time, so this newsletter is unashamedly packed with Apple related news, but stay with me… It's in-depth!

---

It was WWDC time, so this newsletter is unashamedly packed with Apple related news, but stay with me… It's in-depth!

Personally I am looking forward to these "26" releases, but let's hope that unlike last year, Apple delivers. And maybe it was Apple trying to distract us, but I had a general feeling of people not caring too much about the lack of AI features, or that Apple resolved themselves to being the host and not always having to be the creator of said features.

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### Write your way with Scrivener

[Scrivener](https://go.chrischinchilla.com/scrivener) is the go-to app for writers of all kinds, used every day by best-selling novelists, screenwriters, non-fiction writers, students, academics, lawyers, journalists, translators and more.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Got a podcast in my pocket](https://chrischinchilla.com/newsletter/050625)

Date: 2025-06-05

Classic shows and services say goodbye and new approaches try something new.

---

Classic shows and services say goodbye and new approaches try something new.

_PS. For the older audience here I tried to get Firefly to generate a Chinchilla dressed like the video game character "[Magic Pockets](https://en.wikipedia.org/wiki/Magic_Pockets)". But it had no idea what I was talking about. I'll give a free book to anyone who does send me that picture._

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### Write your way with Scrivener

[Scrivener](https://go.chrischinchilla.com/scrivener) is the go-to app for writers of all kinds, used every day by best-selling novelists, screenwriters, non-fiction writers, students, academics, lawyers, journalists, translators and more.

### Not looking for software?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Disconnect the World](https://chrischinchilla.com/newsletter/300425)

Date: 2025-04-30

Lots of interesting content regarding the fallout from tariffs this issue, the death of some infamous legacy technology, and the impact of generative AI on open source projects. In this increasingly divided world I'd love to hear from you on how you keep you're head above water but out of the sand.

---

Lots of interesting content regarding the fallout from tariffs this issue, the death of some infamous legacy technology, and the impact of generative AI on open source projects. In this increasingly divided world I'd love to hear from you on how you keep you're head above water but out of the sand.

xx Chinch

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### Learn something new with a book or course from Manning

Start today with learning something new or up-skilling, get 45% of ANYTHING at manning.com by visiting [go.chrischinchilla.com/manning](https://go.chrischinchilla.com/manning) and using the code "chinchilla45".

### Not looking for books?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Mr Writeside](https://chrischinchilla.com/newsletter/130325)

Date: 2025-03-13

Hopefully some of you are old enough to get the reference. If not, well, you missed pogoing around clubs in the early 2000s to a song, that frankly, most of us got sick of hearing. I digress. Time for some links!

---

Hopefully some of you are old enough to get the reference. If not, well, you missed pogoing around clubs in the early 2000s to a song, that frankly, most of us got sick of hearing. I digress. Time for some links!

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### 100s of amazing Mac apps with Setapp

Looking to supercharge your Mac with 100s of apps to choose from and one low monthly price? Take a look at Setapp from MacPaw.

[go.chrischinchilla.com/setapp](http://go.chrischinchilla.com/setapp)

### Not looking for apps?

Then head to [chrischinchilla.com/support](https://chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

## [Newsletter 3.0](https://chrischinchilla.com/newsletter/190225)

Date: 2025-02-19

It's nearly March 2025 and I am finally back with a Newsletter! Sorry about that 😬. I have been spending some time fixing up the toolchain behind the Newsletter as I intend to do more with it (and some new newsletters too) and wanted to build something that made it easier for me to get content together and keep a copy on my website. Anyway, back now, and with a fair backlog of content.

---

It's nearly March 2025 and I am finally back with a Newsletter! Sorry about that 😬. I have been spending some time fixing up the toolchain behind the Newsletter as I intend to do more with it (and some new newsletters too) and wanted to build something that made it easier for me to get content together and keep a copy on my website. Anyway, back now, and with a fair backlog of content.

## Support this newsletter

If you like what you read here and want to keep supporting my work, I have a couple of ways you can support me this issue.

### 35% off anything at Manning Publications

Do you like books? Sure you do! If you want 35% of anything from the awesome Manning Publications, then head to [go.chrischinchilla.com/manning](https://go.chrischinchilla.com/manning) to learn and earn me a few cents too.

### Not looking for books?

Then head to [chrischinchilla.com/support](https//chrischinchilla.com/support) for other ways to support me. You can also just share this newsletter with someone else.

---

# Podcasts

---

## [10th-may-music-is-hard-for-humans-and-ai](https://chrischinchilla.com/podcast/10th-may-music-is-hard-for-humans-and-ai)

Category: Chinchilla Squeaks

---

## [15th-january-rachel-black-of-lisk](https://chrischinchilla.com/podcast/15th-january-rachel-black-of-lisk)

Category: Chinchilla Squeaks

---

## [18th-july-a-verbiage-filled-delve](https://chrischinchilla.com/podcast/18th-july-a-verbiage-filled-delve)

Category: Chinchilla Squeaks

---

## [1st-august-classic-crunch-crawl](https://chrischinchilla.com/podcast/1st-august-classic-crunch-crawl)

Category: Chinchilla Squeaks

---

## [2025-tech-trends](https://chrischinchilla.com/podcast/2025-tech-trends)

Category: Chinchilla Squeaks

---

## [20th-june-wwdc-streaming-vs-music-and-chinese-keyboards](https://chrischinchilla.com/podcast/20th-june-wwdc-streaming-vs-music-and-chinese-keyboards)

Category: Chinchilla Squeaks

---

## [25th-may-batten-down-the-hatches-ai-ishere](https://chrischinchilla.com/podcast/25th-may-batten-down-the-hatches-ai-ishere)

Category: Chinchilla Squeaks

---

## [30-years-of-mysql-with-peter-zaitsev-of-percona](https://chrischinchilla.com/podcast/30-years-of-mysql-with-peter-zaitsev-of-percona)

Category: Chinchilla Squeaks

---

## [30-years-of-pragmatic-programming-with-dave-thomas](https://chrischinchilla.com/podcast/30-years-of-pragmatic-programming-with-dave-thomas)

Category: Chinchilla Squeaks

---

## [50-years-of-text-adventures-and-50-weeks-of-ai-adventures](https://chrischinchilla.com/podcast/50-years-of-text-adventures-and-50-weeks-of-ai-adventures)

Category: Chinchilla Squeaks

---

## [5gtechritory-y2k-bittorrent-monopoly-and-future-gazing](https://chrischinchilla.com/podcast/5gtechritory-y2k-bittorrent-monopoly-and-future-gazing)

Category: Chinchilla Squeaks

---

## [5th-july-sim-life-ai-vs-music-and-after-cloud-comes](https://chrischinchilla.com/podcast/5th-july-sim-life-ai-vs-music-and-after-cloud-comes)

Category: Chinchilla Squeaks

---

## [a-bumper-bonus-buffet](https://chrischinchilla.com/podcast/a-bumper-bonus-buffet)

Category: Chinchilla Squeaks

---

## [a-fantasy-greek-perfect-for-your-eyes](https://chrischinchilla.com/podcast/a-fantasy-greek-perfect-for-your-eyes)

Category: Chinchilla Squeaks

---

## [a-fast-train-to-the-world](https://chrischinchilla.com/podcast/a-fast-train-to-the-world)

Category: Chinchilla Squeaks

---

## [a-greener-web-with-ines-akrap](https://chrischinchilla.com/podcast/a-greener-web-with-ines-akrap)

Category: Chinchilla Squeaks

---

## [a-landline-life-coach](https://chrischinchilla.com/podcast/a-landline-life-coach)

Category: Chinchilla Squeaks

---

## [a-legendary-merge](https://chrischinchilla.com/podcast/a-legendary-merge)

Category: Chinchilla Squeaks

---

## [a-linux-for-windows-pengwin-polymaths-login-and-coffee-pods](https://chrischinchilla.com/podcast/a-linux-for-windows-pengwin-polymaths-login-and-coffee-pods)

Category: Chinchilla Squeaks

---

## [a-more-sustainable-internet-with-chris-adams-of-the-green-web-foundation](https://chrischinchilla.com/podcast/a-more-sustainable-internet-with-chris-adams-of-the-green-web-foundation)

Category: Chinchilla Squeaks

---

## [a-virtual-problem](https://chrischinchilla.com/podcast/a-virtual-problem)

Category: Chinchilla Squeaks

---

## [a-world-of-wires](https://chrischinchilla.com/podcast/a-world-of-wires)

Category: Chinchilla Squeaks

---

## [abstract-time-machine](https://chrischinchilla.com/podcast/abstract-time-machine)

Category: Chinchilla Squeaks

---

## [accessible-quantum-computing-with-horizon](https://chrischinchilla.com/podcast/accessible-quantum-computing-with-horizon)

Category: Chinchilla Squeaks

---

## [ai-ai](https://chrischinchilla.com/podcast/ai-ai)

Category: Chinchilla Squeaks

---

## [ai-and-tech-writing-with-selvaraaju-murugesan](https://chrischinchilla.com/podcast/ai-and-tech-writing-with-selvaraaju-murugesan)

Category: Chinchilla Squeaks

---

## [ai-powered-code-reuse-with-crowdbotics](https://chrischinchilla.com/podcast/ai-powered-code-reuse-with-crowdbotics)

Category: Chinchilla Squeaks

---

## [aiva-the-ai-that-composes-music](https://chrischinchilla.com/podcast/aiva-the-ai-that-composes-music)

Category: Chinchilla Squeaks

---

## [algolia-search-with-julien-lemoine](https://chrischinchilla.com/podcast/algolia-search-with-julien-lemoine)

Category: Chinchilla Squeaks

---

## [all-in-one-friendly-observability-with-groundcover](https://chrischinchilla.com/podcast/all-in-one-friendly-observability-with-groundcover)

Category: Chinchilla Squeaks

---

## [alternative-meats-and-what-actually-is-ai](https://chrischinchilla.com/podcast/alternative-meats-and-what-actually-is-ai)

Category: Chinchilla Squeaks

---

## [amanda-brock-of-openuk](https://chrischinchilla.com/podcast/amanda-brock-of-openuk)

Category: Chinchilla Squeaks

---

## [apache-pulsar-with-patrick-mcfadin](https://chrischinchilla.com/podcast/apache-pulsar-with-patrick-mcfadin)

Category: Chinchilla Squeaks

---

## [apache-spark-with-jean-georges-perrin-twine-alexa-and-the-nhs](https://chrischinchilla.com/podcast/apache-spark-with-jean-georges-perrin-twine-alexa-and-the-nhs)

Category: Chinchilla Squeaks

---

## [apollo-graphql-with-geoff-schmidt](https://chrischinchilla.com/podcast/apollo-graphql-with-geoff-schmidt)

Category: Chinchilla Squeaks

---

## [are-bio-processors-the-next-step-for-computing](https://chrischinchilla.com/podcast/are-bio-processors-the-next-step-for-computing)

Category: Chinchilla Squeaks

---

## [are-coders-king](https://chrischinchilla.com/podcast/are-coders-king)

Category: Chinchilla Squeaks

---

## [artificial-millennial-intelligence](https://chrischinchilla.com/podcast/artificial-millennial-intelligence)

Category: Chinchilla Squeaks

---

## [artificial-terrestrial](https://chrischinchilla.com/podcast/artificial-terrestrial)

Category: Chinchilla Squeaks

---

## [astro-version-5-with-elian-van-cutsem](https://chrischinchilla.com/podcast/astro-version-5-with-elian-van-cutsem)

Category: Chinchilla Squeaks

---

## [augmented-ai-with-chris-longstaff-of-mindtech](https://chrischinchilla.com/podcast/augmented-ai-with-chris-longstaff-of-mindtech)

Category: Chinchilla Squeaks

---

## [augmented-reality-and-iot-with-tanveer-saifee-of-thingworx](https://chrischinchilla.com/podcast/augmented-reality-and-iot-with-tanveer-saifee-of-thingworx)

Category: Chinchilla Squeaks

---

## [automate-any-workload-with-northflank](https://chrischinchilla.com/podcast/automate-any-workload-with-northflank)

Category: Chinchilla Squeaks

---

## [automating-complexity-for-all-with-fabia-q-veit-of-make-com](https://chrischinchilla.com/podcast/automating-complexity-for-all-with-fabia-q-veit-of-make-com)

Category: Chinchilla Squeaks

---

## [automating-everything-with-linden-tibbets-of-ifttt](https://chrischinchilla.com/podcast/automating-everything-with-linden-tibbets-of-ifttt)

Category: Chinchilla Squeaks

---

## [babylonjs-artificial-everything-and-customer-care](https://chrischinchilla.com/podcast/babylonjs-artificial-everything-and-customer-care)

Category: Chinchilla Squeaks

---

## [back-to-the-baltics-with-techchill](https://chrischinchilla.com/podcast/back-to-the-baltics-with-techchill)

Category: Chinchilla Squeaks

---

## [becoming-the-first-cyborg-with-liviu-babitz](https://chrischinchilla.com/podcast/becoming-the-first-cyborg-with-liviu-babitz)

Category: Chinchilla Squeaks

---

## [ben-goertzel-of-singularitynet-and-hanson-robotics](https://chrischinchilla.com/podcast/ben-goertzel-of-singularitynet-and-hanson-robotics)

Category: Chinchilla Squeaks

---

## [berlin-blockchain-day-panel](https://chrischinchilla.com/podcast/berlin-blockchain-day-panel)

Category: Chinchilla Squeaks

---

## [berlin-winter-art-exhibitions-and-submarine-cables](https://chrischinchilla.com/podcast/berlin-winter-art-exhibitions-and-submarine-cables)

Category: Chinchilla Squeaks

---

## [blockchain-music-and-tech-cooperatives-with-resonate](https://chrischinchilla.com/podcast/blockchain-music-and-tech-cooperatives-with-resonate)

Category: Chinchilla Squeaks

---

## [brexit-the-australian-election-greece-international-events-and-iot-in-football](https://chrischinchilla.com/podcast/brexit-the-australian-election-greece-international-events-and-iot-in-football)

Category: Chinchilla Squeaks

---

## [brian-behlendorf-of-hyperledger](https://chrischinchilla.com/podcast/brian-behlendorf-of-hyperledger)

Category: Chinchilla Squeaks

---

## [brian-platz-of-fluree-the-feature-packed-blockchain-based-database](https://chrischinchilla.com/podcast/brian-platz-of-fluree-the-feature-packed-blockchain-based-database)

Category: Chinchilla Squeaks

---

## [build-faster-and-waste-less-time-with-depotdev](https://chrischinchilla.com/podcast/build-faster-and-waste-less-time-with-depotdev)

Category: Chinchilla Squeaks

---

## [building-and-sharing-data-with-streamlit](https://chrischinchilla.com/podcast/building-and-sharing-data-with-streamlit)

Category: Chinchilla Squeaks

---

## [careful-where-you-put-that-data](https://chrischinchilla.com/podcast/careful-where-you-put-that-data)

Category: Chinchilla Squeaks

---

## [ccc-recounting-2017-and-predictions-for-2018](https://chrischinchilla.com/podcast/ccc-recounting-2017-and-predictions-for-2018)

Category: Chinchilla Squeaks

---

## [celebrity-death-netflix-vs-digital-nomads-and-introducing-the-enthusiastic-amateur](https://chrischinchilla.com/podcast/celebrity-death-netflix-vs-digital-nomads-and-introducing-the-enthusiastic-amateur)

Category: Chinchilla Squeaks

---

## [ces-2018-the-woeful-and-the-wonderful](https://chrischinchilla.com/podcast/ces-2018-the-woeful-and-the-wonderful)

Category: Chinchilla Squeaks

---

## [chaos-engineering-with-kolton-andrus-of-gremlin](https://chrischinchilla.com/podcast/chaos-engineering-with-kolton-andrus-of-gremlin)

Category: Chinchilla Squeaks

---

## [charmed-kubeflow-with-rob-gibbon-of-canonical](https://chrischinchilla.com/podcast/charmed-kubeflow-with-rob-gibbon-of-canonical)

Category: Chinchilla Squeaks

---

## [chip-childers-cto-of-cloud-foundry](https://chrischinchilla.com/podcast/chip-childers-cto-of-cloud-foundry)

Category: Chinchilla Squeaks

---

## [christian-nunciato-pulumi-in-action](https://chrischinchilla.com/podcast/christian-nunciato-pulumi-in-action)

Category: Chinchilla Squeaks

---

## [chronosphere-and-fixing-the-internet-air-conditioning-and-calculators](https://chrischinchilla.com/podcast/chronosphere-and-fixing-the-internet-air-conditioning-and-calculators)

Category: Chinchilla Squeaks

---

## [circleci-cto-rob-zuber-on-continuous-integration-that-just-works](https://chrischinchilla.com/podcast/circleci-cto-rob-zuber-on-continuous-integration-that-just-works)

Category: Chinchilla Squeaks

---

## [circularity-startups-and-alternatives-to-x](https://chrischinchilla.com/podcast/circularity-startups-and-alternatives-to-x)

Category: Chinchilla Squeaks

---

## [cloud-native-automation-with-jon-edvald-of-garden](https://chrischinchilla.com/podcast/cloud-native-automation-with-jon-edvald-of-garden)

Category: Chinchilla Squeaks

---

## [code-review-in-your-ide-with-codestream](https://chrischinchilla.com/podcast/code-review-in-your-ide-with-codestream)

Category: Chinchilla Squeaks

---

## [computational-knowledge-with-stephen-wolfram](https://chrischinchilla.com/podcast/computational-knowledge-with-stephen-wolfram)

Category: Chinchilla Squeaks

---

## [computing-history-with-sinclair-target-of-two-bit-history](https://chrischinchilla.com/podcast/computing-history-with-sinclair-target-of-two-bit-history)

Category: Chinchilla Squeaks

---

## [confluent-cloud-with-dan-rosanova](https://chrischinchilla.com/podcast/confluent-cloud-with-dan-rosanova)

Category: Chinchilla Squeaks

---

## [connecting-all-the-things-with-avery-pennarun-of-tailscale](https://chrischinchilla.com/podcast/connecting-all-the-things-with-avery-pennarun-of-tailscale)

Category: Chinchilla Squeaks

---

## [containers-and-serverless-predictions-with-lucas-carlson](https://chrischinchilla.com/podcast/containers-and-serverless-predictions-with-lucas-carlson)

Category: Chinchilla Squeaks

---

## [containers-with-platform9-and-root](https://chrischinchilla.com/podcast/containers-with-platform9-and-root)

Category: Chinchilla Squeaks

---

## [contentful-with-paolo-negri](https://chrischinchilla.com/podcast/contentful-with-paolo-negri)

Category: Chinchilla Squeaks

---

## [converting-messy-documents-into-structured-data-with-peter-staar-of-docling](https://chrischinchilla.com/podcast/converting-messy-documents-into-structured-data-with-peter-staar-of-docling)

Category: Chinchilla Squeaks

---

## [copy-editing-game-rules-with-rachel-lapidow](https://chrischinchilla.com/podcast/copy-editing-game-rules-with-rachel-lapidow)

Category: Chinchilla Squeaks

---

## [craft-exceptional-api-experiences-with-speakeasy](https://chrischinchilla.com/podcast/craft-exceptional-api-experiences-with-speakeasy)

Category: Chinchilla Squeaks

---

## [creating-an-open-source-ai-definition](https://chrischinchilla.com/podcast/creating-an-open-source-ai-definition)

Category: Chinchilla Squeaks

---

## [creating-production-ready-containers-with-john-amaral-of-slimai](https://chrischinchilla.com/podcast/creating-production-ready-containers-with-john-amaral-of-slimai)

Category: Chinchilla Squeaks

---

## [creative-industries-on-the-blockchain-zach-lebeau-of-singulardtv](https://chrischinchilla.com/podcast/creative-industries-on-the-blockchain-zach-lebeau-of-singulardtv)

Category: Chinchilla Squeaks

---

## [cybersecurity-during-a-pandemic-an-interview-with-critical-start](https://chrischinchilla.com/podcast/cybersecurity-during-a-pandemic-an-interview-with-critical-start)

Category: Chinchilla Squeaks

---

## [daniel-g-siegel-the-bullet-hole-misconception](https://chrischinchilla.com/podcast/daniel-g-siegel-the-bullet-hole-misconception)

Category: Chinchilla Squeaks

---

## [daniel-grafe-of-timing-and-cotypist](https://chrischinchilla.com/podcast/daniel-grafe-of-timing-and-cotypist)

Category: Chinchilla Squeaks

---

## [data-processing-made-easy-e-governance-in-ukraine-and-marketing-pharma](https://chrischinchilla.com/podcast/data-processing-made-easy-e-governance-in-ukraine-and-marketing-pharma)

Category: Chinchilla Squeaks

---

## [dataiku-interview](https://chrischinchilla.com/podcast/dataiku-interview)

Category: Chinchilla Squeaks

---

## [datical-bringing-devops-practices-to-database-administrators](https://chrischinchilla.com/podcast/datical-bringing-devops-practices-to-database-administrators)

Category: Chinchilla Squeaks

---

## [dd-and-teams-with-karthik-nagarajan](https://chrischinchilla.com/podcast/dd-and-teams-with-karthik-nagarajan)

Category: Chinchilla Squeaks

---

## [decentralised-exchanges-and-airswap](https://chrischinchilla.com/podcast/decentralised-exchanges-and-airswap)

Category: Chinchilla Squeaks

---

## [decentralised-privacy-with-loki-network](https://chrischinchilla.com/podcast/decentralised-privacy-with-loki-network)

Category: Chinchilla Squeaks

---

## [decentralized-entertainment-with-breakerio](https://chrischinchilla.com/podcast/decentralized-entertainment-with-breakerio)

Category: Chinchilla Squeaks

---

## [defending-the-internet-with-the-eff-and-delivering-the-internet-with-harness](https://chrischinchilla.com/podcast/defending-the-internet-with-the-eff-and-delivering-the-internet-with-harness)

Category: Chinchilla Squeaks

---

## [den-odell](https://chrischinchilla.com/podcast/den-odell)

Category: Chinchilla Squeaks

---

## [detecting-infections-from-x-rays-alexander-wong-of-covid-net](https://chrischinchilla.com/podcast/detecting-infections-from-x-rays-alexander-wong-of-covid-net)

Category: Chinchilla Squeaks

---

## [developer-experience-with-jetpack-and-mac-for-linux-and-windows](https://chrischinchilla.com/podcast/developer-experience-with-jetpack-and-mac-for-linux-and-windows)

Category: Chinchilla Squeaks

---

## [dial-m1-for-monterey](https://chrischinchilla.com/podcast/dial-m1-for-monterey)

Category: Chinchilla Squeaks

---

## [digital-trust-in-the-age-of-ai-with-keyfactor](https://chrischinchilla.com/podcast/digital-trust-in-the-age-of-ai-with-keyfactor)

Category: Chinchilla Squeaks

---

## [dotan-horovits-of-logzio-watch-your-heroes-and-the-life-of-clippy](https://chrischinchilla.com/podcast/dotan-horovits-of-logzio-watch-your-heroes-and-the-life-of-clippy)

Category: Chinchilla Squeaks

---

## [dragos-nedelcu-of-the-senior-dev](https://chrischinchilla.com/podcast/dragos-nedelcu-of-the-senior-dev)

Category: Chinchilla Squeaks

---

## [dubai-startups-wrappup-a-meeting-ai](https://chrischinchilla.com/podcast/dubai-startups-wrappup-a-meeting-ai)

Category: Chinchilla Squeaks

---

## [ebpf-cloud-native-computing-with-neela-jacques-of-isovalent](https://chrischinchilla.com/podcast/ebpf-cloud-native-computing-with-neela-jacques-of-isovalent)

Category: Chinchilla Squeaks

---

## [edtech-and-open-source-in-europe](https://chrischinchilla.com/podcast/edtech-and-open-source-in-europe)

Category: Chinchilla Squeaks

---

## [elise-bently-on-tincymce-and-ckeditor-ai-in-the-developing-world](https://chrischinchilla.com/podcast/elise-bently-on-tincymce-and-ckeditor-ai-in-the-developing-world)

Category: Chinchilla Squeaks

---

## [emotional-digital-design-with-vadym-grin](https://chrischinchilla.com/podcast/emotional-digital-design-with-vadym-grin)

Category: Chinchilla Squeaks

---

## [empowering-open-source-multimedia-innovation-with-gpac](https://chrischinchilla.com/podcast/empowering-open-source-multimedia-innovation-with-gpac)

Category: Chinchilla Squeaks

---

## [emulate-history](https://chrischinchilla.com/podcast/emulate-history)

Category: Chinchilla Squeaks

---

## [enjoy-a-better-fairer-experience-browsing-the-web-with-rewarded-interest](https://chrischinchilla.com/podcast/enjoy-a-better-fairer-experience-browsing-the-web-with-rewarded-interest)

Category: Chinchilla Squeaks

---

## [enterprise-level-knowledge-bases-with-saravana-kumar-of-document-360](https://chrischinchilla.com/podcast/enterprise-level-knowledge-bases-with-saravana-kumar-of-document-360)

Category: Chinchilla Squeaks

---

## [ethical-robot-love-hack](https://chrischinchilla.com/podcast/ethical-robot-love-hack)

Category: Chinchilla Squeaks

---

## [europe-unites-startup-homogeneity-and-getting-older-in-tech](https://chrischinchilla.com/podcast/europe-unites-startup-homogeneity-and-getting-older-in-tech)

Category: Chinchilla Squeaks

---

## [exodus](https://chrischinchilla.com/podcast/exodus)

Category: Chinchilla Squeaks

---

## [eyeo-adblock-plus-and-flattr-with-rachel-brochado](https://chrischinchilla.com/podcast/eyeo-adblock-plus-and-flattr-with-rachel-brochado)

Category: Chinchilla Squeaks

---

## [forging-the-meta](https://chrischinchilla.com/podcast/forging-the-meta)

Category: Chinchilla Squeaks

---

## [founder-of-opera-and-vivaldi-jon-stephenson-von-tetzchner](https://chrischinchilla.com/podcast/founder-of-opera-and-vivaldi-jon-stephenson-von-tetzchner)

Category: Chinchilla Squeaks

---

## [fourty-four-esoteric-languages-with-daniel-temkin](https://chrischinchilla.com/podcast/fourty-four-esoteric-languages-with-daniel-temkin)

Category: Chinchilla Squeaks

---

## [from-berlin-to-bono](https://chrischinchilla.com/podcast/from-berlin-to-bono)

Category: Chinchilla Squeaks

---

## [full-stack-automation-with-consul-and-nomad-of-hashicorp](https://chrischinchilla.com/podcast/full-stack-automation-with-consul-and-nomad-of-hashicorp)

Category: Chinchilla Squeaks

---

## [functional-licenses-and-the-open-source-pledge-with-chad-whiteacre-of-sentry](https://chrischinchilla.com/podcast/functional-licenses-and-the-open-source-pledge-with-chad-whiteacre-of-sentry)

Category: Chinchilla Squeaks

---

## [generation-what-now](https://chrischinchilla.com/podcast/generation-what-now)

Category: Chinchilla Squeaks

---

## [generative-ai-for-3d-asset-creation-and-market-research-with-atlas-and-gathers](https://chrischinchilla.com/podcast/generative-ai-for-3d-asset-creation-and-market-research-with-atlas-and-gathers)

Category: Chinchilla Squeaks

---

## [generative-ai-meets-observability-with-flip-ai](https://chrischinchilla.com/podcast/generative-ai-meets-observability-with-flip-ai)

Category: Chinchilla Squeaks

---

## [generative-infrastructure-as-code-with-appcd](https://chrischinchilla.com/podcast/generative-infrastructure-as-code-with-appcd)

Category: Chinchilla Squeaks

---

## [government-bailouts-in-tech-and-tech-influence-in-government](https://chrischinchilla.com/podcast/government-bailouts-in-tech-and-tech-influence-in-government)

Category: Chinchilla Squeaks

---

## [graph-and-ai-with-gaurav-deshpande](https://chrischinchilla.com/podcast/graph-and-ai-with-gaurav-deshpande)

Category: Chinchilla Squeaks

---

## [gregarious-mammal-13-02-17](https://chrischinchilla.com/podcast/gregarious-mammal-13-02-17)

Category: Chinchilla Squeaks

---

## [gregarious-mammal-18-04-17-what-is-biohacking](https://chrischinchilla.com/podcast/gregarious-mammal-18-04-17-what-is-biohacking)

Category: Chinchilla Squeaks

---

## [gregarious-mammal-at-mobile-world-congress](https://chrischinchilla.com/podcast/gregarious-mammal-at-mobile-world-congress)

Category: Chinchilla Squeaks

---

## [hardening-javascript-with-kris-kowal](https://chrischinchilla.com/podcast/hardening-javascript-with-kris-kowal)

Category: Chinchilla Squeaks

---

## [how-do-techies-and-creatives-learn-best-with-jessica-lovegood](https://chrischinchilla.com/podcast/how-do-techies-and-creatives-learn-best-with-jessica-lovegood)

Category: Chinchilla Squeaks

---

## [how-to-program-a-robot-interview-with-gestalt-robotocs](https://chrischinchilla.com/podcast/how-to-program-a-robot-interview-with-gestalt-robotocs)

Category: Chinchilla Squeaks

---

## [hybrid-cloud-object-storage-with-ab-periasamy-of-minio](https://chrischinchilla.com/podcast/hybrid-cloud-object-storage-with-ab-periasamy-of-minio)

Category: Chinchilla Squeaks

---

## [ifa-and-startup-night-berlin-2023-slow-but-steady](https://chrischinchilla.com/podcast/ifa-and-startup-night-berlin-2023-slow-but-steady)

Category: Chinchilla Squeaks

---

## [ifa-interviews-eblocker-snips-and-conrad-connect](https://chrischinchilla.com/podcast/ifa-interviews-eblocker-snips-and-conrad-connect)

Category: Chinchilla Squeaks

---

## [ifa-iot-night-armenian-startups-and-startup-night-the-berlin-week-that-was](https://chrischinchilla.com/podcast/ifa-iot-night-armenian-startups-and-startup-night-the-berlin-week-that-was)

Category: Chinchilla Squeaks

---

## [ifalicious](https://chrischinchilla.com/podcast/ifalicious)

Category: Chinchilla Squeaks

---

## [in-memory-computing-with-dale-kim-of-hazelcast](https://chrischinchilla.com/podcast/in-memory-computing-with-dale-kim-of-hazelcast)

Category: Chinchilla Squeaks

---

## [intelligent-telemetry-data-management-observability-with-apica](https://chrischinchilla.com/podcast/intelligent-telemetry-data-management-observability-with-apica)

Category: Chinchilla Squeaks

---

## [interchain-tech-privilege-and-inclusion-with-tess-rinearson](https://chrischinchilla.com/podcast/interchain-tech-privilege-and-inclusion-with-tess-rinearson)

Category: Chinchilla Squeaks

---

## [internet-3-point-uh-oh](https://chrischinchilla.com/podcast/internet-3-point-uh-oh)

Category: Chinchilla Squeaks

---

## [internet-and-cultural-preservation-with-fastly-and-bevart](https://chrischinchilla.com/podcast/internet-and-cultural-preservation-with-fastly-and-bevart)

Category: Chinchilla Squeaks

---

## [interviews-from-ifa-2017-and-startup-night-berlin](https://chrischinchilla.com/podcast/interviews-from-ifa-2017-and-startup-night-berlin)

Category: Chinchilla Squeaks

---

## [iost-blockchain-downplaying-air-travel-computer-sound-design-and-jpeg-joy](https://chrischinchilla.com/podcast/iost-blockchain-downplaying-air-travel-computer-sound-design-and-jpeg-joy)

Category: Chinchilla Squeaks

---

## [iot-trends-and-the-future-of-conferences-with-cate-lawrence](https://chrischinchilla.com/podcast/iot-trends-and-the-future-of-conferences-with-cate-lawrence)

Category: Chinchilla Squeaks

---

## [it-arena-2022-ukrainian-tech-braves-the-war](https://chrischinchilla.com/podcast/it-arena-2022-ukrainian-tech-braves-the-war)

Category: Chinchilla Squeaks

---

## [italian-tech-and-opera](https://chrischinchilla.com/podcast/italian-tech-and-opera)

Category: Chinchilla Squeaks

---

## [jeff-luszcz-of-flexera-helping-make-open-source-secure-and-compliant](https://chrischinchilla.com/podcast/jeff-luszcz-of-flexera-helping-make-open-source-secure-and-compliant)

Category: Chinchilla Squeaks

---

## [johannes-schickling-of-graphcool-the-graphql-backend](https://chrischinchilla.com/podcast/johannes-schickling-of-graphcool-the-graphql-backend)

Category: Chinchilla Squeaks

---

## [join-the-oss-resistance-with-mike-mcquaid](https://chrischinchilla.com/podcast/join-the-oss-resistance-with-mike-mcquaid)

Category: Chinchilla Squeaks

---

## [kin-lane-of-postman-announcearama-and-tech-loses-its-shine](https://chrischinchilla.com/podcast/kin-lane-of-postman-announcearama-and-tech-loses-its-shine)

Category: Chinchilla Squeaks

---

## [kin-lane-the-api-evangelist-linux-revisited-and-the-lost-story-of-wolfenstein](https://chrischinchilla.com/podcast/kin-lane-the-api-evangelist-linux-revisited-and-the-lost-story-of-wolfenstein)

Category: Chinchilla Squeaks

---

## [kong-koyeb-and-kuma](https://chrischinchilla.com/podcast/kong-koyeb-and-kuma)

Category: Chinchilla Squeaks

---

## [kubecon-2-civo-and-the-open-infrastructure-foundation](https://chrischinchilla.com/podcast/kubecon-2-civo-and-the-open-infrastructure-foundation)

Category: Chinchilla Squeaks

---

## [kubecon-docker-build-cloud-and-aiven](https://chrischinchilla.com/podcast/kubecon-docker-build-cloud-and-aiven)

Category: Chinchilla Squeaks

---

## [kubecon-eu-2020](https://chrischinchilla.com/podcast/kubecon-eu-2020)

Category: Chinchilla Squeaks

---

## [kubecon-eu-2023-back-in-business](https://chrischinchilla.com/podcast/kubecon-eu-2023-back-in-business)

Category: Chinchilla Squeaks

---

## [kubecon-eu-2024-humanitec-dagger-scalr](https://chrischinchilla.com/podcast/kubecon-eu-2024-humanitec-dagger-scalr)

Category: Chinchilla Squeaks

---

## [kubecon-eu-with-napptive-simplified-kubernetes-environments](https://chrischinchilla.com/podcast/kubecon-eu-with-napptive-simplified-kubernetes-environments)

Category: Chinchilla Squeaks

---

## [kubecon-ibm-canonical-and-rancher](https://chrischinchilla.com/podcast/kubecon-ibm-canonical-and-rancher)

Category: Chinchilla Squeaks

---

## [kubecon-na-2021](https://chrischinchilla.com/podcast/kubecon-na-2021)

Category: Chinchilla Squeaks

---

## [kubecon-soloio-digital-ocean-and-atlassian](https://chrischinchilla.com/podcast/kubecon-soloio-digital-ocean-and-atlassian)

Category: Chinchilla Squeaks

---

## [kubernetes-as-a-service-with-spectro-cloud](https://chrischinchilla.com/podcast/kubernetes-as-a-service-with-spectro-cloud)

Category: Chinchilla Squeaks

---

## [kubernetes-automation-with-damian-marquez-of-kubermatic](https://chrischinchilla.com/podcast/kubernetes-automation-with-damian-marquez-of-kubermatic)

Category: Chinchilla Squeaks

---

## [kubernetes-observability-with-pixie](https://chrischinchilla.com/podcast/kubernetes-observability-with-pixie)

Category: Chinchilla Squeaks

---

## [kubernetes-powered-time-travel](https://chrischinchilla.com/podcast/kubernetes-powered-time-travel)

Category: Chinchilla Squeaks

---

## [lab-grown-forks](https://chrischinchilla.com/podcast/lab-grown-forks)

Category: Chinchilla Squeaks

---

## [learning-git-with-anna-skoulikari](https://chrischinchilla.com/podcast/learning-git-with-anna-skoulikari)

Category: Chinchilla Squeaks

---

## [leemon-baird-of-hedera-hashgraph-wendys-horror-and-gnu-start](https://chrischinchilla.com/podcast/leemon-baird-of-hedera-hashgraph-wendys-horror-and-gnu-start)

Category: Chinchilla Squeaks

---

## [live-play-battle-of-the-bards-by-dustin-winter](https://chrischinchilla.com/podcast/live-play-battle-of-the-bards-by-dustin-winter)

Category: Chinchilla Squeaks

---

## [logzio-israel-robots-for-seniors-and-is-the-laptop-dead](https://chrischinchilla.com/podcast/logzio-israel-robots-for-seniors-and-is-the-laptop-dead)

Category: Chinchilla Squeaks

---

## [loris-degioanni-of-sysdig](https://chrischinchilla.com/podcast/loris-degioanni-of-sysdig)

Category: Chinchilla Squeaks

---

## [love-in-the-time-of-artificial-intelligence](https://chrischinchilla.com/podcast/love-in-the-time-of-artificial-intelligence)

Category: Chinchilla Squeaks

---

## [love-life-leisure-and-technology](https://chrischinchilla.com/podcast/love-life-leisure-and-technology)

Category: Chinchilla Squeaks

---

## [lucas-carlson-of-automic-taking-devops-beyond-developers](https://chrischinchilla.com/podcast/lucas-carlson-of-automic-taking-devops-beyond-developers)

Category: Chinchilla Squeaks

---

## [make-synthetic-data-a-reality-with-datacebo](https://chrischinchilla.com/podcast/make-synthetic-data-a-reality-with-datacebo)

Category: Chinchilla Squeaks

---

## [managing-your-business-apps-with-apperian-an-interview-with-mark-lorion](https://chrischinchilla.com/podcast/managing-your-business-apps-with-apperian-an-interview-with-mark-lorion)

Category: Chinchilla Squeaks

---

## [manish-gupta-of-redis-labs](https://chrischinchilla.com/podcast/manish-gupta-of-redis-labs)

Category: Chinchilla Squeaks

---

## [marco-palladino-of-kong-sugar-sobriety-and-vegetarian-tech](https://chrischinchilla.com/podcast/marco-palladino-of-kong-sugar-sobriety-and-vegetarian-tech)

Category: Chinchilla Squeaks

---

## [mark-brocato-of-sencha-bringing-cross-platform-components-to-react](https://chrischinchilla.com/podcast/mark-brocato-of-sencha-bringing-cross-platform-components-to-react)

Category: Chinchilla Squeaks

---

## [mark-marron-of-bosque-microsofts-new-programming-language](https://chrischinchilla.com/podcast/mark-marron-of-bosque-microsofts-new-programming-language)

Category: Chinchilla Squeaks

---

## [marketing-blockchain-with-consensys-and-lisk](https://chrischinchilla.com/podcast/marketing-blockchain-with-consensys-and-lisk)

Category: Chinchilla Squeaks

---

## [marty-the-robot-and-robotical](https://chrischinchilla.com/podcast/marty-the-robot-and-robotical)

Category: Chinchilla Squeaks

---

## [matt-billman-of-netlify-game-playing-ai-and-sim-city-hell](https://chrischinchilla.com/podcast/matt-billman-of-netlify-game-playing-ai-and-sim-city-hell)

Category: Chinchilla Squeaks

---

## [matt-butcher-of-fermyon-gta-tauri-and-is-veganism-really-that-popular](https://chrischinchilla.com/podcast/matt-butcher-of-fermyon-gta-tauri-and-is-veganism-really-that-popular)

Category: Chinchilla Squeaks

---

## [matthew-setter-owncloud-php-technical-writing-and-more](https://chrischinchilla.com/podcast/matthew-setter-owncloud-php-technical-writing-and-more)

Category: Chinchilla Squeaks

---

## [maximising-content-with-christopher-willis-of-acrolinx](https://chrischinchilla.com/podcast/maximising-content-with-christopher-willis-of-acrolinx)

Category: Chinchilla Squeaks

---

## [medtech-and-fossbackstage](https://chrischinchilla.com/podcast/medtech-and-fossbackstage)

Category: Chinchilla Squeaks

---

## [mobile-and-web-app-testing-with-sauce-labs](https://chrischinchilla.com/podcast/mobile-and-web-app-testing-with-sauce-labs)

Category: Chinchilla Squeaks

---

## [mobile-engagement-with-mgage-why-you-should-use-brave-ditch-discord-and-what-actually-is-a-url](https://chrischinchilla.com/podcast/mobile-engagement-with-mgage-why-you-should-use-brave-ditch-discord-and-what-actually-is-a-url)

Category: Chinchilla Squeaks

---

## [mobile-world-congress-2018](https://chrischinchilla.com/podcast/mobile-world-congress-2018)

Category: Chinchilla Squeaks

---

## [modern-application-connectivity-with-idit-levine-of-soloio](https://chrischinchilla.com/podcast/modern-application-connectivity-with-idit-levine-of-soloio)

Category: Chinchilla Squeaks

---

## [molham-aref-of-relationalai-the-ai-coprocessor](https://chrischinchilla.com/podcast/molham-aref-of-relationalai-the-ai-coprocessor)

Category: Chinchilla Squeaks

---

## [monetising-health-data-on-the-blockchain-with-embleema](https://chrischinchilla.com/podcast/monetising-health-data-on-the-blockchain-with-embleema)

Category: Chinchilla Squeaks

---

## [monique-morrow-missing-aliens-and-the-death-of-rss](https://chrischinchilla.com/podcast/monique-morrow-missing-aliens-and-the-death-of-rss)

Category: Chinchilla Squeaks

---

## [monitor-everything-with-robin-schumacher-of-netdata](https://chrischinchilla.com/podcast/monitor-everything-with-robin-schumacher-of-netdata)

Category: Chinchilla Squeaks

---

## [ms-wot](https://chrischinchilla.com/podcast/ms-wot)

Category: Chinchilla Squeaks

---

## [news-12th-april-coding-in-the-80s-flaws-in-the-open-and-the-floppy-jonathan](https://chrischinchilla.com/podcast/news-12th-april-coding-in-the-80s-flaws-in-the-open-and-the-floppy-jonathan)

Category: Chinchilla Squeaks

---

## [news-25th-april-a-vice-like-grip](https://chrischinchilla.com/podcast/news-25th-april-a-vice-like-grip)

Category: Chinchilla Squeaks

---

## [news-28th-march-what-is-open-ai-and-long-live-the-twiggy-drive](https://chrischinchilla.com/podcast/news-28th-march-what-is-open-ai-and-long-live-the-twiggy-drive)

Category: Chinchilla Squeaks

---

## [news-for-14th-march-what-lurks-in-llms-ableton-12-and-star-trek-musical-instruments](https://chrischinchilla.com/podcast/news-for-14th-march-what-lurks-in-llms-ableton-12-and-star-trek-musical-instruments)

Category: Chinchilla Squeaks

---

## [nikola-pavesic](https://chrischinchilla.com/podcast/nikola-pavesic)

Category: Chinchilla Squeaks

---

## [nuraphone-best-of-innovation-award-at-ces-2018](https://chrischinchilla.com/podcast/nuraphone-best-of-innovation-award-at-ces-2018)

Category: Chinchilla Squeaks

---

## [nvidia-jetson-with-amit-goel](https://chrischinchilla.com/podcast/nvidia-jetson-with-amit-goel)

Category: Chinchilla Squeaks

---

## [old-man-shouts-at-cloud-computing](https://chrischinchilla.com/podcast/old-man-shouts-at-cloud-computing)

Category: Chinchilla Squeaks

---

## [onehouse-your-universal-data-lakehouse](https://chrischinchilla.com/podcast/onehouse-your-universal-data-lakehouse)

Category: Chinchilla Squeaks

---

## [only-fools-and-tech-courses](https://chrischinchilla.com/podcast/only-fools-and-tech-courses)

Category: Chinchilla Squeaks

---

## [open-games-open-ai-and-the-state-of-open-con-with-amanda-brock](https://chrischinchilla.com/podcast/open-games-open-ai-and-the-state-of-open-con-with-amanda-brock)

Category: Chinchilla Squeaks

---

## [open-observability-with-anthony-woods-of-grafana-labs](https://chrischinchilla.com/podcast/open-observability-with-anthony-woods-of-grafana-labs)

Category: Chinchilla Squeaks

---

## [open-source-at-wikimedia-and-diversity-inclusivity-and-equity-in-open-source](https://chrischinchilla.com/podcast/open-source-at-wikimedia-and-diversity-inclusivity-and-equity-in-open-source)

Category: Chinchilla Squeaks

---

## [open-source-deep-learning-with-skymind-chris-nicholson](https://chrischinchilla.com/podcast/open-source-deep-learning-with-skymind-chris-nicholson)

Category: Chinchilla Squeaks

---

## [open-source-in-energy-with-jonas-van-den-bogaard-of-alliander](https://chrischinchilla.com/podcast/open-source-in-energy-with-jonas-van-den-bogaard-of-alliander)

Category: Chinchilla Squeaks

---

## [open-source-insights-with-scarf-and-questioning-ai](https://chrischinchilla.com/podcast/open-source-insights-with-scarf-and-questioning-ai)

Category: Chinchilla Squeaks

---

## [open-source-service-mesh-with-william-morgan-of-linkerd](https://chrischinchilla.com/podcast/open-source-service-mesh-with-william-morgan-of-linkerd)

Category: Chinchilla Squeaks

---

## [optimize-your-cloud-native-infrastructure-with-replexio](https://chrischinchilla.com/podcast/optimize-your-cloud-native-infrastructure-with-replexio)

Category: Chinchilla Squeaks

---

## [oss-summit-energy-and-sustainability](https://chrischinchilla.com/podcast/oss-summit-energy-and-sustainability)

Category: Chinchilla Squeaks

---

## [oss-summit-linux-foundation-europe-and-open-source-metrics](https://chrischinchilla.com/podcast/oss-summit-linux-foundation-europe-and-open-source-metrics)

Category: Chinchilla Squeaks

---

## [overops-interview-the-future-of-online-learning-ex-military-in-tech-and-much-more](https://chrischinchilla.com/podcast/overops-interview-the-future-of-online-learning-ex-military-in-tech-and-much-more)

Category: Chinchilla Squeaks

---

## [patrick-mcfadin-talks-datastax-and-cassandra-midi-20-and-how-do-planes-fly](https://chrischinchilla.com/podcast/patrick-mcfadin-talks-datastax-and-cassandra-midi-20-and-how-do-planes-fly)

Category: Chinchilla Squeaks

---

## [paul-kuijf-of-learnedio-wine-filter-bubbles-and-what-is-meat](https://chrischinchilla.com/podcast/paul-kuijf-of-learnedio-wine-filter-bubbles-and-what-is-meat)

Category: Chinchilla Squeaks

---

## [pepperdata-bringing-devops-practices-to-the-big-data-world](https://chrischinchilla.com/podcast/pepperdata-bringing-devops-practices-to-the-big-data-world)

Category: Chinchilla Squeaks

---

## [percona-and-the-future-of-data-with-matt-yonkovit](https://chrischinchilla.com/podcast/percona-and-the-future-of-data-with-matt-yonkovit)

Category: Chinchilla Squeaks

---

## [peter-suma-of-applied-brain-research-a-new-hello-world-and-how-games-influence-policy](https://chrischinchilla.com/podcast/peter-suma-of-applied-brain-research-a-new-hello-world-and-how-games-influence-policy)

Category: Chinchilla Squeaks

---

## [picking-over-2016](https://chrischinchilla.com/podcast/picking-over-2016)

Category: Chinchilla Squeaks

---

## [pilosa-creating-a-new-kind-of-database-index](https://chrischinchilla.com/podcast/pilosa-creating-a-new-kind-of-database-index)

Category: Chinchilla Squeaks

---

## [pioneers-2017-interviews-part-1-biotech-and-education](https://chrischinchilla.com/podcast/pioneers-2017-interviews-part-1-biotech-and-education)

Category: Chinchilla Squeaks

---

## [pioneers-2017-interviews-part-2-blockchain-iot-and-education](https://chrischinchilla.com/podcast/pioneers-2017-interviews-part-2-blockchain-iot-and-education)

Category: Chinchilla Squeaks

---

## [pravin-halady-of-nodesource](https://chrischinchilla.com/podcast/pravin-halady-of-nodesource)

Category: Chinchilla Squeaks

---

## [precious-metal-recovery-regenx](https://chrischinchilla.com/podcast/precious-metal-recovery-regenx)

Category: Chinchilla Squeaks

---

## [product-hunt-award-winner-krispai-ctrlaltdel-and-harmonyos](https://chrischinchilla.com/podcast/product-hunt-award-winner-krispai-ctrlaltdel-and-harmonyos)

Category: Chinchilla Squeaks

---

## [putting-blockchain-in-hotel-rooms-with-reda-berrehili-of-the-ki-foundation](https://chrischinchilla.com/podcast/putting-blockchain-in-hotel-rooms-with-reda-berrehili-of-the-ki-foundation)

Category: Chinchilla Squeaks

---

## [putting-your-brain-in-control-with-max-newton-of-brainco](https://chrischinchilla.com/podcast/putting-your-brain-in-control-with-max-newton-of-brainco)

Category: Chinchilla Squeaks

---

## [quantum-jerks-brilliant-puppies-pompeii-and-whats-so-good-about-medium](https://chrischinchilla.com/podcast/quantum-jerks-brilliant-puppies-pompeii-and-whats-so-good-about-medium)

Category: Chinchilla Squeaks

---

## [raj-dutt-of-grafana-brave-wework-and-football-manager](https://chrischinchilla.com/podcast/raj-dutt-of-grafana-brave-wework-and-football-manager)

Category: Chinchilla Squeaks

---

## [ranking-full-stop](https://chrischinchilla.com/podcast/ranking-full-stop)

Category: Chinchilla Squeaks

---

## [ransomware-in-kubernetes-with-veeam](https://chrischinchilla.com/podcast/ransomware-in-kubernetes-with-veeam)

Category: Chinchilla Squeaks

---

## [raytracing-llamas-in-the-metaverse-interviews-from-build-stuff](https://chrischinchilla.com/podcast/raytracing-llamas-in-the-metaverse-interviews-from-build-stuff)

Category: Chinchilla Squeaks

---

## [reach-out-and-touch-bar](https://chrischinchilla.com/podcast/reach-out-and-touch-bar)

Category: Chinchilla Squeaks

---

## [real-time-analytics-at-cloud-scale-with-rockset](https://chrischinchilla.com/podcast/real-time-analytics-at-cloud-scale-with-rockset)

Category: Chinchilla Squeaks

---

## [real-time-analytics-with-venkat-venkataramani-of-rockset](https://chrischinchilla.com/podcast/real-time-analytics-with-venkat-venkataramani-of-rockset)

Category: Chinchilla Squeaks

---

## [real-world-blockchain-use-with-anatoliy-lytovchenko](https://chrischinchilla.com/podcast/real-world-blockchain-use-with-anatoliy-lytovchenko)

Category: Chinchilla Squeaks

---

## [rebroadcast-scott-heiferman-founder-of-meetupcom](https://chrischinchilla.com/podcast/rebroadcast-scott-heiferman-founder-of-meetupcom)

Category: Chinchilla Squeaks

---

## [red-hat-acquires-coreos-an-interview-with-brian-gracely](https://chrischinchilla.com/podcast/red-hat-acquires-coreos-an-interview-with-brian-gracely)

Category: Chinchilla Squeaks

---

## [relaunch-announcement](https://chrischinchilla.com/podcast/relaunch-announcement)

Category: Chinchilla Squeaks

---

## [removing-barriers-in-audio-with-sharath-narayana-of-sanas](https://chrischinchilla.com/podcast/removing-barriers-in-audio-with-sharath-narayana-of-sanas)

Category: Chinchilla Squeaks

---

## [replacing-people-with-machines-that-play-mad-libs-with-john-davenport](https://chrischinchilla.com/podcast/replacing-people-with-machines-that-play-mad-libs-with-john-davenport)

Category: Chinchilla Squeaks

---

## [responsible-ai-with-shlomi-hod-the-weird-web-and-fax-on-the-beach](https://chrischinchilla.com/podcast/responsible-ai-with-shlomi-hod-the-weird-web-and-fax-on-the-beach)

Category: Chinchilla Squeaks

---

## [revolutionising-health-data-with-arkhn](https://chrischinchilla.com/podcast/revolutionising-health-data-with-arkhn)

Category: Chinchilla Squeaks

---

## [robert-reeves-of-liquibase](https://chrischinchilla.com/podcast/robert-reeves-of-liquibase)

Category: Chinchilla Squeaks

---

## [robocall-hyphen-king](https://chrischinchilla.com/podcast/robocall-hyphen-king)

Category: Chinchilla Squeaks

---

## [robust-turnkey-caching-at-massive-scale-with-momento](https://chrischinchilla.com/podcast/robust-turnkey-caching-at-massive-scale-with-momento)

Category: Chinchilla Squeaks

---

## [rounding-of-2015](https://chrischinchilla.com/podcast/rounding-of-2015)

Category: Chinchilla Squeaks

---

## [sboms-and-software-security-with-scribe](https://chrischinchilla.com/podcast/sboms-and-software-security-with-scribe)

Category: Chinchilla Squeaks

---

## [scalable-graph-databases-with-tigergraph](https://chrischinchilla.com/podcast/scalable-graph-databases-with-tigergraph)

Category: Chinchilla Squeaks

---

## [scaling-mysql-with-planet-scale](https://chrischinchilla.com/podcast/scaling-mysql-with-planet-scale)

Category: Chinchilla Squeaks

---

## [scott-heiferman-the-past-present-and-future-of-meeting-people-with-meetup-founder](https://chrischinchilla.com/podcast/scott-heiferman-the-past-present-and-future-of-meeting-people-with-meetup-founder)

Category: Chinchilla Squeaks

---

## [screw-you-reality](https://chrischinchilla.com/podcast/screw-you-reality)

Category: Chinchilla Squeaks

---

## [security-and-password-management-for-all-with-nancy-wang-of-1password](https://chrischinchilla.com/podcast/security-and-password-management-for-all-with-nancy-wang-of-1password)

Category: Chinchilla Squeaks

---

## [security-in-the-age-of-microservices-with-tzury-bar-yochay-cto-and-co-founder-of-reblaze](https://chrischinchilla.com/podcast/security-in-the-age-of-microservices-with-tzury-bar-yochay-cto-and-co-founder-of-reblaze)

Category: Chinchilla Squeaks

---

## [sefi-carmel-of-spheretrax-and-what-is-music](https://chrischinchilla.com/podcast/sefi-carmel-of-spheretrax-and-what-is-music)

Category: Chinchilla Squeaks

---

## [silicon-valley-tanks](https://chrischinchilla.com/podcast/silicon-valley-tanks)

Category: Chinchilla Squeaks

---

## [sky-guo-of-cypherium-loss-in-the-age-of-the-cloud-and-fantasy-islands](https://chrischinchilla.com/podcast/sky-guo-of-cypherium-loss-in-the-age-of-the-cloud-and-fantasy-islands)

Category: Chinchilla Squeaks

---

## [software-error-tracking-with-brian-rue-of-rollbar](https://chrischinchilla.com/podcast/software-error-tracking-with-brian-rue-of-rollbar)

Category: Chinchilla Squeaks

---

## [software-supply-chain-security-with-socketdev](https://chrischinchilla.com/podcast/software-supply-chain-security-with-socketdev)

Category: Chinchilla Squeaks

---

## [steadily-serving-the-web-for-12-years-liam-crilly-from-nginx](https://chrischinchilla.com/podcast/steadily-serving-the-web-for-12-years-liam-crilly-from-nginx)

Category: Chinchilla Squeaks

---

## [stefan-thomas-ripple-and-malta-blockchain-summit](https://chrischinchilla.com/podcast/stefan-thomas-ripple-and-malta-blockchain-summit)

Category: Chinchilla Squeaks

---

## [stories-from-ukraine-it-arena-2023-the-future-of-airports-hiring-and-education](https://chrischinchilla.com/podcast/stories-from-ukraine-it-arena-2023-the-future-of-airports-hiring-and-education)

Category: Chinchilla Squeaks

---

## [storytelling-and-ai-with-victor-of-supreme-robot](https://chrischinchilla.com/podcast/storytelling-and-ai-with-victor-of-supreme-robot)

Category: Chinchilla Squeaks

---

## [sustainable-infrastructure-and-ai-powered-ides](https://chrischinchilla.com/podcast/sustainable-infrastructure-and-ai-powered-ides)

Category: Chinchilla Squeaks

---

## [swsw-social-credit-and-the-right-to-be-forgotten](https://chrischinchilla.com/podcast/swsw-social-credit-and-the-right-to-be-forgotten)

Category: Chinchilla Squeaks

---

## [tales-from-lithuania-bitbyte-and-infobalt](https://chrischinchilla.com/podcast/tales-from-lithuania-bitbyte-and-infobalt)

Category: Chinchilla Squeaks

---

## [tales-from-lithuania-connected-fishing-with-deeper](https://chrischinchilla.com/podcast/tales-from-lithuania-connected-fishing-with-deeper)

Category: Chinchilla Squeaks

---

## [tales-from-lithuania-telesoftas-and-general-impressions](https://chrischinchilla.com/podcast/tales-from-lithuania-telesoftas-and-general-impressions)

Category: Chinchilla Squeaks

---

## [tanmai-gopal-of-hasura-instant-graphql-apis-for-your-data](https://chrischinchilla.com/podcast/tanmai-gopal-of-hasura-instant-graphql-apis-for-your-data)

Category: Chinchilla Squeaks

---

## [tech-community-imposter-syndrome-and-more-with-jessica-rose](https://chrischinchilla.com/podcast/tech-community-imposter-syndrome-and-more-with-jessica-rose)

Category: Chinchilla Squeaks

---

## [tech-events](https://chrischinchilla.com/podcast/tech-events)

Category: Chinchilla Squeaks

---

## [tech-in-board-games-an-interview-with-ben-maddox](https://chrischinchilla.com/podcast/tech-in-board-games-an-interview-with-ben-maddox)

Category: Chinchilla Squeaks

---

## [tech-layoffs-and-what-even-is-tech-anyway](https://chrischinchilla.com/podcast/tech-layoffs-and-what-even-is-tech-anyway)

Category: Chinchilla Squeaks

---

## [tech-tribes-and-being-an-outsider-amongst-outsiders](https://chrischinchilla.com/podcast/tech-tribes-and-being-an-outsider-amongst-outsiders)

Category: Chinchilla Squeaks

---

## [telemetry-and-observability-for-security-with-cribl](https://chrischinchilla.com/podcast/telemetry-and-observability-for-security-with-cribl)

Category: Chinchilla Squeaks

---

## [tendermint-cosmos-and-developer-focused-blockchains](https://chrischinchilla.com/podcast/tendermint-cosmos-and-developer-focused-blockchains)

Category: Chinchilla Squeaks

---

## [testcontainers](https://chrischinchilla.com/podcast/testcontainers)

Category: Chinchilla Squeaks

---

## [testing-websites-and-accessible-websites](https://chrischinchilla.com/podcast/testing-websites-and-accessible-websites)

Category: Chinchilla Squeaks

---

## [the-aeternity-blockchain-with-emil-wagner](https://chrischinchilla.com/podcast/the-aeternity-blockchain-with-emil-wagner)

Category: Chinchilla Squeaks

---

## [the-apache-software-foundation-unix-at-50-and-the-story-of-a-floating-hotel](https://chrischinchilla.com/podcast/the-apache-software-foundation-unix-at-50-and-the-story-of-a-floating-hotel)

Category: Chinchilla Squeaks

---

## [the-big-data-bikocalypse](https://chrischinchilla.com/podcast/the-big-data-bikocalypse)

Category: Chinchilla Squeaks

---

## [the-caffeinated-cthulhu-desktop](https://chrischinchilla.com/podcast/the-caffeinated-cthulhu-desktop)

Category: Chinchilla Squeaks

---

## [the-center-for-social-media-responsibility](https://chrischinchilla.com/podcast/the-center-for-social-media-responsibility)

Category: Chinchilla Squeaks

---

## [the-developer-relations-foundation](https://chrischinchilla.com/podcast/the-developer-relations-foundation)

Category: Chinchilla Squeaks

---

## [the-ethics-of-tech](https://chrischinchilla.com/podcast/the-ethics-of-tech)

Category: Chinchilla Squeaks

---

## [the-european-open-source-academy-with-lydia-pintscher-and-daniel-stenberg](https://chrischinchilla.com/podcast/the-european-open-source-academy-with-lydia-pintscher-and-daniel-stenberg)

Category: Chinchilla Squeaks

---

## [the-evolution-of-the-web-with-dana-lawson-of-netlify](https://chrischinchilla.com/podcast/the-evolution-of-the-web-with-dana-lawson-of-netlify)

Category: Chinchilla Squeaks

---

## [the-future-of-5g-at-5gtechritory](https://chrischinchilla.com/podcast/the-future-of-5g-at-5gtechritory)

Category: Chinchilla Squeaks

---

## [the-future-of-big-data-with-datical-and-pepperdata](https://chrischinchilla.com/podcast/the-future-of-big-data-with-datical-and-pepperdata)

Category: Chinchilla Squeaks

---

## [the-future-of-cities-and-frankenstein-ai](https://chrischinchilla.com/podcast/the-future-of-cities-and-frankenstein-ai)

Category: Chinchilla Squeaks

---

## [the-future-of-work-interview-with-postman-and-skilled-migrants](https://chrischinchilla.com/podcast/the-future-of-work-interview-with-postman-and-skilled-migrants)

Category: Chinchilla Squeaks

---

## [the-google-walkout-is-tech-culture-to-blame](https://chrischinchilla.com/podcast/the-google-walkout-is-tech-culture-to-blame)

Category: Chinchilla Squeaks

---

## [the-graph-renaissance-with-neo4j](https://chrischinchilla.com/podcast/the-graph-renaissance-with-neo4j)

Category: Chinchilla Squeaks

---

## [the-hidden-influences-behind-the-algorithms-that-run-our-lives-with-luca-belli](https://chrischinchilla.com/podcast/the-hidden-influences-behind-the-algorithms-that-run-our-lives-with-luca-belli)

Category: Chinchilla Squeaks

---

## [the-jamstack-book-with-raymond-camden-and-brian-rinaldi](https://chrischinchilla.com/podcast/the-jamstack-book-with-raymond-camden-and-brian-rinaldi)

Category: Chinchilla Squeaks

---

## [the-javascript-and-hyperledger-foundations](https://chrischinchilla.com/podcast/the-javascript-and-hyperledger-foundations)

Category: Chinchilla Squeaks

---

## [the-life-and-death-of-ai](https://chrischinchilla.com/podcast/the-life-and-death-of-ai)

Category: Chinchilla Squeaks

---

## [the-missing-links](https://chrischinchilla.com/podcast/the-missing-links)

Category: Chinchilla Squeaks

---

## [the-nerd-legacy](https://chrischinchilla.com/podcast/the-nerd-legacy)

Category: Chinchilla Squeaks

---

## [the-past-present-and-future-of-snagit-with-daniel-foster](https://chrischinchilla.com/podcast/the-past-present-and-future-of-snagit-with-daniel-foster)

Category: Chinchilla Squeaks

---

## [the-present-and-future-of-jamstack-with-matt-biilmann](https://chrischinchilla.com/podcast/the-present-and-future-of-jamstack-with-matt-biilmann)

Category: Chinchilla Squeaks

---

## [the-pytorch-foundation-with-mark-collier](https://chrischinchilla.com/podcast/the-pytorch-foundation-with-mark-collier)

Category: Chinchilla Squeaks

---

## [the-state-of-european-tech-media](https://chrischinchilla.com/podcast/the-state-of-european-tech-media)

Category: Chinchilla Squeaks

---

## [the-state-of-mobile-networks-with-opensignal](https://chrischinchilla.com/podcast/the-state-of-mobile-networks-with-opensignal)

Category: Chinchilla Squeaks

---

## [the-story-of-apples-advanced-technology-group-with-john-buck](https://chrischinchilla.com/podcast/the-story-of-apples-advanced-technology-group-with-john-buck)

Category: Chinchilla Squeaks

---

## [the-strangest-of-places](https://chrischinchilla.com/podcast/the-strangest-of-places)

Category: Chinchilla Squeaks

---

## [the-tactigon-academic-scandal-and-gaming-colonialism](https://chrischinchilla.com/podcast/the-tactigon-academic-scandal-and-gaming-colonialism)

Category: Chinchilla Squeaks

---

## [the-ukrainian-startup-scene-with-anastasia-sleptsova](https://chrischinchilla.com/podcast/the-ukrainian-startup-scene-with-anastasia-sleptsova)

Category: Chinchilla Squeaks

---

## [the-vermont-remote-workers-grant-docker-boeing-ice-and-thomas-jefferson](https://chrischinchilla.com/podcast/the-vermont-remote-workers-grant-docker-boeing-ice-and-thomas-jefferson)

Category: Chinchilla Squeaks

---

## [the-weekly-squeak-11th-june-2016](https://chrischinchilla.com/podcast/the-weekly-squeak-11th-june-2016)

Category: Chinchilla Squeaks

---

## [the-weekly-squeak-28th-march-2016](https://chrischinchilla.com/podcast/the-weekly-squeak-28th-march-2016)

Category: Chinchilla Squeaks

---

## [the-weekly-squeak-5th-september-ifa-and-the-long-night-of-startups](https://chrischinchilla.com/podcast/the-weekly-squeak-5th-september-ifa-and-the-long-night-of-startups)

Category: Chinchilla Squeaks

---

## [the-weekly-squeak-6th-august-pitching-your-idea-to-the-press](https://chrischinchilla.com/podcast/the-weekly-squeak-6th-august-pitching-your-idea-to-the-press)

Category: Chinchilla Squeaks

---

## [the-weekly-squeak-9th-may-2016](https://chrischinchilla.com/podcast/the-weekly-squeak-9th-may-2016)

Category: Chinchilla Squeaks

---

## [the-weekly-squeak-headless-cms-with-aurelien-georget-of-strapi](https://chrischinchilla.com/podcast/the-weekly-squeak-headless-cms-with-aurelien-georget-of-strapi)

Category: Chinchilla Squeaks

---

## [the-weekly-squeak-kubernetes-native-gitops-with-cornelia-davis-of-flux](https://chrischinchilla.com/podcast/the-weekly-squeak-kubernetes-native-gitops-with-cornelia-davis-of-flux)

Category: Chinchilla Squeaks

---

## [the-weekly-squeak-our-robot-overlords-death-or-desperation](https://chrischinchilla.com/podcast/the-weekly-squeak-our-robot-overlords-death-or-desperation)

Category: Chinchilla Squeaks

---

## [the-weekly-squeak-team-assemble](https://chrischinchilla.com/podcast/the-weekly-squeak-team-assemble)

Category: Chinchilla Squeaks

---

## [the-width-and-breadth-of-european-tech-events-roundup](https://chrischinchilla.com/podcast/the-width-and-breadth-of-european-tech-events-roundup)

Category: Chinchilla Squeaks

---

## [the-worlds-first-emotional-processing-unit](https://chrischinchilla.com/podcast/the-worlds-first-emotional-processing-unit)

Category: Chinchilla Squeaks

---

## [the-worlds-largest-conference-for-mobile-developers-with-greg-fawson](https://chrischinchilla.com/podcast/the-worlds-largest-conference-for-mobile-developers-with-greg-fawson)

Category: Chinchilla Squeaks

---

## [thierry-carrez-release-manager-for-the-openstack-project](https://chrischinchilla.com/podcast/thierry-carrez-release-manager-for-the-openstack-project)

Category: Chinchilla Squeaks

---

## [tiny-css-and-moores-magic-mac](https://chrischinchilla.com/podcast/tiny-css-and-moores-magic-mac)

Category: Chinchilla Squeaks

---

## [to-open-or-not-to-open](https://chrischinchilla.com/podcast/to-open-or-not-to-open)

Category: Chinchilla Squeaks

---

## [twedit](https://chrischinchilla.com/podcast/twedit)

Category: Chinchilla Squeaks

---

## [twenty-twenty-uh-huh](https://chrischinchilla.com/podcast/twenty-twenty-uh-huh)

Category: Chinchilla Squeaks

---

## [ubuntu-core-and-snaps](https://chrischinchilla.com/podcast/ubuntu-core-and-snaps)

Category: Chinchilla Squeaks

---

## [ubuntu-on-lenovo-with-mark-pearson-and-martin-wimpress](https://chrischinchilla.com/podcast/ubuntu-on-lenovo-with-mark-pearson-and-martin-wimpress)

Category: Chinchilla Squeaks

---

## [universal-code-search-with-sourcegraph-civilization-lockdowns-and-amigaos](https://chrischinchilla.com/podcast/universal-code-search-with-sourcegraph-civilization-lockdowns-and-amigaos)

Category: Chinchilla Squeaks

---

## [updates-from-the-ukrainian-startup-scene-with-stepan-veselovskyi](https://chrischinchilla.com/podcast/updates-from-the-ukrainian-startup-scene-with-stepan-veselovskyi)

Category: Chinchilla Squeaks

---

## [using-ai-to-assist-breast-cancer-examination-with-jessica-baladad](https://chrischinchilla.com/podcast/using-ai-to-assist-breast-cancer-examination-with-jessica-baladad)

Category: Chinchilla Squeaks

---

## [video-generation-as-a-service-with-ricardo-noriega-and-doug-smith](https://chrischinchilla.com/podcast/video-generation-as-a-service-with-ricardo-noriega-and-doug-smith)

Category: Chinchilla Squeaks

---

## [voice-cloning-with-respeecher](https://chrischinchilla.com/podcast/voice-cloning-with-respeecher)

Category: Chinchilla Squeaks

---

## [voices-from-fosdem-2025](https://chrischinchilla.com/podcast/voices-from-fosdem-2025)

Category: Chinchilla Squeaks

---

## [voices-from-uk-tech-lorna-mitchel-and-amanda-brock](https://chrischinchilla.com/podcast/voices-from-uk-tech-lorna-mitchel-and-amanda-brock)

Category: Chinchilla Squeaks

---

## [wasm-at-kubecon-eu-2024](https://chrischinchilla.com/podcast/wasm-at-kubecon-eu-2024)

Category: Chinchilla Squeaks

---

## [web-summit-trump-tech-news-opinions-and-solutions](https://chrischinchilla.com/podcast/web-summit-trump-tech-news-opinions-and-solutions)

Category: Chinchilla Squeaks

---

## [welcome-to-twenty-twenty-wee-hee](https://chrischinchilla.com/podcast/welcome-to-twenty-twenty-wee-hee)

Category: Chinchilla Squeaks

---

## [well-fight-them-on-the-breaches](https://chrischinchilla.com/podcast/well-fight-them-on-the-breaches)

Category: Chinchilla Squeaks

---

## [weworld](https://chrischinchilla.com/podcast/weworld)

Category: Chinchilla Squeaks

---

## [what-affect-is-tech-having-on-society-an-interview-with-yael-eisenstat](https://chrischinchilla.com/podcast/what-affect-is-tech-having-on-society-an-interview-with-yael-eisenstat)

Category: Chinchilla Squeaks

---

## [what-can-musicians-and-programmers-learn-from-each-other-a-conversation-with-ryan-blunden](https://chrischinchilla.com/podcast/what-can-musicians-and-programmers-learn-from-each-other-a-conversation-with-ryan-blunden)

Category: Chinchilla Squeaks

---

## [what-happens-when-the-living-and-the-previously-dead-fall-in-love](https://chrischinchilla.com/podcast/what-happens-when-the-living-and-the-previously-dead-fall-in-love)

Category: Chinchilla Squeaks

---

## [what-is-developer-relations-with-richard-roger](https://chrischinchilla.com/podcast/what-is-developer-relations-with-richard-roger)

Category: Chinchilla Squeaks

---

## [what-is-the-future-of-european-tech](https://chrischinchilla.com/podcast/what-is-the-future-of-european-tech)

Category: Chinchilla Squeaks

---

## [whats-new-with-java-and-jdk26-with-simon-ritter](https://chrischinchilla.com/podcast/whats-new-with-java-and-jdk26-with-simon-ritter)

Category: Chinchilla Squeaks

---

## [workbrew-turning-homebrew-into-a-business-with-mike-mcquaid](https://chrischinchilla.com/podcast/workbrew-turning-homebrew-into-a-business-with-mike-mcquaid)

Category: Chinchilla Squeaks

---

## [www1](https://chrischinchilla.com/podcast/www1)

Category: Whiskey, Words, and Wit

---

## [xinshu-dong-of-rockx-unix-the-history-of-commuting-and-words](https://chrischinchilla.com/podcast/xinshu-dong-of-rockx-unix-the-history-of-commuting-and-words)

Category: Chinchilla Squeaks

---

## [your-smart-essential-dungeon](https://chrischinchilla.com/podcast/your-smart-essential-dungeon)

Category: Chinchilla Squeaks

---

## [youre-not-as-smart-as-you-might-think-you-are](https://chrischinchilla.com/podcast/youre-not-as-smart-as-you-might-think-you-are)

Category: Chinchilla Squeaks

---

## [zilliqa-high-throughput-blockchain](https://chrischinchilla.com/podcast/zilliqa-high-throughput-blockchain)

Category: Chinchilla Squeaks

---

# Books

---

## [Building the Sustainable Web](https://link.springer.com/book/10.1007/979-8-8688-2521-7)

Date: 2026-07-01
Publisher: Apress
Role: Co-author

A guide to designing, building, and hosting digital products that respect people and the planet, covering infrastructure, backend architecture, frontend performance, UX, content strategy, and marketing practices that reduce environmental impact while improving performance and accessibility.

The web has become one of the most influential systems shaping our lives. It connects billions of people every day, yet this convenience carries an impact we rarely see. The energy used to design, build, host, and use digital products affects both people and the planet, even though most of that impact is invisible, widely distributed, and easy to underestimate.

Your website or application may only represent a small fraction of the total, but the scale of the web means that every improvement matters. And even if sustainability is not your first motivation, the same decisions that lower environmental impact usually improve performance, accessibility, user trust, and long term maintainability. Better for people, better for organisations, better for the planet.

Building the Sustainable Web takes you through the entire digital stack and shows where impact happens, why it matters, and how to make meaningful progress. From infrastructure choices and backend architecture to frontend performance, UX design, content strategy, and marketing practices, this book gives you practical ways to make digital products lighter, faster, and more responsible. It also explains what we can measure today, what remains uncertain, and how to navigate that complexity without getting stuck.

---

## [The dead among us](https://ko-fi.com/s/0a76b75a05)

Date: 2024-12-19
Publisher: Self-published
Role: Author

A post-post-apocalyptic thriller love story set ten years after a war between the living and the previously dead, where fate throws two couples together and turns their lives upside down.

_What happens when the living and the previously dead fall in love?_

Ten years after a long and brutal war, there is an uneasy peace between the living and the previously dead. Reluctantly reunited families, industries, and governments struggle to keep the world from falling back into bloody chaos.

Fate throws two couples together, and then the unexpected and assumed impossible happens, turning their lives and the world upside down.

“The dead among us” is a post-post-apocalyptic Thriller love story that shows that understanding can conquer history, resentment, and generational divides to create a new world.

---

## [The Ableton 12 cookbook (Cancelled)](https://chrischinchilla.com/books/ableton-12-cookbook)

Date: 2024-10-01
Publisher: Packt
Role: Co-author

A forthcoming book on Ableton 12. Sadly, the project was cancelled.

A forthcoming book on Ableton 12. Sadly, the project was cancelled.

---

## [Technical Writing for Software Developers](https://www.amazon.com/dp/B0CYL9SWZ5)

Date: 2024-03-29
Publisher: Packt
Role: Author

A practical guide to documentation for software developers, covering essential grammar, language tips, and the fundamental types and styles of technical writing.

Effective documentation is key to the success of products in remote software development teams, facilitating clear instructions that benefit the entire development team. Technical Writing for Software Developers lays a solid foundation of essential grammar, providing language tips and explaining how precise writing enhances documentation, and walks you through the fundamental types and styles of documentation.

---

## [CSS in Depth, 2nd Edition](https://www.manning.com/books/css-in-depth-second-edition)

Date: 2024-02-18
Publisher: Manning
Role: Technical reviewer

A revised edition covering advanced CSS techniques, patterns, layouts, and methods for building beautiful, modern front ends beyond the basics.

Go beyond the basics of CSS and discover web design techniques that range from clever to mind-blowing! This totally revised new edition of CSS in Depth expands your CSS skills with the patterns, layouts, and methods you need to deliver truly beautiful front ends.

---

## [Small gregarious fiction volume 2](https://www.drivethrufiction.com/product/468695/Small-gregarious-fiction-volume-2)

Date: 2024-02-15
Publisher: Self-published
Role: Author

A second collection of flash fiction full of short tales set in strange, slightly recognisable worlds, with characters undertaking the unexpected.

Chinchilla Tales presents a collection of flash fiction full of short tales full of strange worlds, worlds slightly recognisable if you squint, and characters undertaking the unexpected.

---

## [Automated Testing report](https://dzone.com/trendreports/automated-testing)

Date: 2023-09-14
Publisher: DZone
Role: Contributor

DZone's 2023 Automated Testing Trend Report assessing current trends in automated testing, from architecture and test-driven development to the observed benefits of AI and low-code tools.

DZone's 2023 Automated Testing Trend Report assess current trends related to automated testing, covering everything from architecture and test-driven development to observed benefits of AI and low-code tools.

---

## [Collective Verses](https://www.drivethrufiction.com/product/445428/Collective-Verses)

Date: 2023-09-04
Publisher: Storytelling Collective
Role: Contributor

A collection of poetry written during the Storytelling Collective's annual April Daily Poem challenge, in which poets write a poem every day for the month based on simple prompts.

Once a year, poets from around the world participate in a creative challenge called “April Daily Poem," in which — you guessed it — participants are encouraged to write a poem every day for the duration of the challenge. Poets are given simple prompts to guide and inspire their writing.

---

## [In a flash](https://www.drivethrufiction.com/product/439885/In-a-Flash)

Date: 2023-09-04
Publisher: Storytelling Collective
Role: Contributor

A collection of flash fiction under 1,500 words, written during the Storytelling Collective's month-long Flash Fiction February challenge.

Once a year, writers from around the world participate in a month-long creative challenge called “Flash Fiction February.” The goal is to write a piece of “flash fiction” (short stories under 1,500 words) every day throughout the month of February. Writers are provided simple prompts to inspire their daily writing.

---

## [Small gregarious fiction volume 1](https://www.drivethrufiction.com/product/437813/Small-gregarious-fiction-volume-1)

Date: 2023-05-15
Publisher: Self-published
Role: Author

A collection of flash fiction full of short tales set in strange, slightly recognisable worlds, with characters undertaking the unexpected.

Chinchilla Tales presents a collection of flash fiction full of short tales full of strange worlds, worlds slightly recognisable if you squint, and characters undertaking the unexpected.

---

## [Collective Verses Volume II](https://www.drivethrufiction.com/product/397653/Collective-Verses--Volume-II)

Date: 2022-06-01
Publisher: Storytelling Collective
Role: Contributor

A collection of poetry written during the April 2022 April Daily Poem challenge hosted by the Storytelling Collective, featuring three of my poems - Hunger, Endless, and Decay.

Collective Verses is a collection of poetry written during the April 2022 April Daily Poem challenge hosted by the Storytelling Collective. Poets were given a daily prompt and encouraged to write whatever they felt inspired to write.

I had three poems featured: Hunger, Endless, and Decay.

---

## [Flashbang! A Collection of Very Short Stories Volume III](https://www.drivethrufiction.com/product/390676/Flashbang-A-Collection-of-Very-Short-Stories--Volume-III)

Date: 2022-05-06
Publisher: Storytelling Collective
Role: Contributor

A collection of short fiction written during the Storytelling Collective's February 2022 Flash Fiction February challenge, featuring my story - Oath.

Flashbang! is a collection of short fiction written during the February 2022 Flash Fiction February challenge hosted by the Storytelling Collective. Authors were given a daily prompt and encouraged to write whatever they felt inspired to write—as long as their stories were no longer than 500 words.

I had one story featured: Oath.

---

## [Jump Start Responsive Web Design, 2nd Edition](https://www.sitepoint.com/premium/books/jump-start-responsive-web-design-2nd-edition/)

Date: 2017-04-18
Publisher: Sitepoint
Role: Author

An introduction to the building blocks of responsive web design, covering grid systems, media queries, responsive text, images, and video.

Gone are the days of a static-layout web. We'll introduce you to the building blocks of responsive design capable of fantastic visuals across various devices. Go deep into grid systems, queries, responsive text, images and video to build websites and apps that respond to user input.

---

## [Wrapped in Pastry](https://www.goodreads.com/book/show/23394592-wrapped-in-pastry)

Date: 2012-05-02
Publisher: Aduki Independent Press
Role: Publisher

20 vegan pie, tart, and roll recipes for a crowd, including soy-free and gluten-free dishes, with photos and clear instructions.

Contains 20 vegan pie, tart and roll recipes for a crowd, including soy free and gluten free dishes. Full of tempting large photos, clear instructions and mouth-watering recipes, this is the book to keep you and your friends full and warm through the winter months.

---

## [The Australian Veg Food Guide 2011](https://www.goodreads.com/book/show/11039527-the-australian-veg-food-guide-2011?from_search=true&from_srp=true&qid=8ERNfmU3Sq&rank=1)

Date: 2010-10-21
Publisher: Aduki Independent Press
Role: Publisher

A rewritten and redesigned nationwide edition featuring over 200 reviews and listings of vegan, vegetarian, and veg-friendly restaurants from around Australia, with an accompanying website, mobile app, and ratings.

This rewritten and redesigned nationwide edition contains over 200 reviews and listings of as many vegan, vegetarian and veg-friendly restaurants as can be crammed in from all around Australia. Featuring an accompanying website, mobile app, ratings, easy to understand indices and more!

---

## [Surveying the Wreckage - The New Matilda Columns 2008-2010](https://www.goodreads.com/book/show/77180248-surveying-the-wreckage-the-new-matilda-columns-2008-2010)

Date: 2010-03-01
Publisher: Aduki Independent Press
Role: Publisher

Ben Pobjie, one of New Matilda's most infamous columnists, surveys the wreckage and reassembles his columns into something insightful, biting, and humorous.

Launched in August 2004, newmatilda.com is an Australian website of news, analysis and satire. After a brief break, it's back funded by donations from fans and subscribers. What better time for Ben Pobjie, one of its most infamous columnists, to survey the wreckage, pick up the pieces and reassemble the stories into something insightful, biting, humorous and as necessary as an esky on a steaming hot day.

---

## [Neon Pilgrim](https://www.goodreads.com/book/show/7106492-neon-pilgrim)

Date: 2009-10-01
Publisher: Aduki Independent Press
Role: Publisher

Lisa Dempster's account of hiking the 1,200km Henro Michi Buddhist pilgrimage through Japan, a witty and fascinating insight into the 88 Temple Pilgrimage.

Seriously unfit and unmotivated, Lisa Dempster is an unlikely candidate for a gruelling outdoor adventure. But when her life needs a shake-up, she decides the only thing for it is to hike the Henro Michi, a 1,200-km Buddhist pilgrimage through the mountains of Japan. Lisa plunges into life on the road, getting well off the beaten track and experiencing the highs and devastating lows of solo long-distance hiking. Along the way, she sleeps in a public toilet, befriends a motley crew of wandering ascetics, falls in lust with a monk and tries her darndest to avoid the local wildlife. As the kilometres tick by, she realises that to finish the pilgrimage it's more than just physical hardship that she'll need to overcome...Lisa's journey from overweight dole bludger to intrepid explorer is a witty and fascinating insight into Japan's famed 88 Temple Pilgrimage.

---

# Music

---

## [Antony & Cleopatra - Love is War soundtrack](https://aeonv.bandcamp.com/album/antony-cleopatra-love-is-war-soundtrack)

Date: 2026-08-04
Band: Aeon V
Role: Multi-instrumentalist & Producer

Soundtrack for the performance of "Antony & Cleopatra - Love is War"

Antony & Cleopatra: Love is War was a fast-paced contemporary adaptation of Shakespeare’s tragedy, combining classical text with modern theatrical storytelling. Through confessionals, voiceovers, direct audience address, and stylized staging, the production explored the emotional and political collapse of two people whose love reshapes empires.

These tracks represent the soundtracks for the confession and a couple of cut scenes.

Tracklist:

1. A winnable war
2. Cascading chaos
3. Who's who
4. Major march
5. Minor march
6. Sad flute
7. Building tension

---

## [The dark embrace of infinite space](https://aeonv.bandcamp.com/album/the-dark-embrace-of-infinite-space)

Date: 2026-06-14
Band: Aeon V
Role: Multi-instrumentalist & Producer

Debut EP from Aeon V — electronic, cinematic soundscapes exploring the dark embrace of infinite space.

The debut EP from Aeon V, *The dark embrace of infinite space* is a set of electronic, cinematic soundscapes.

Tracklist:

1. Where there are heroes there is danger
2. Nothing nowhere all at once
3. The universe is nothing to you
4. Time to the horizon

---

## [You and I](https://omsrecords.bandcamp.com/track/you-and-i)

Date: 2026-05-27
Band: Auslander:IN
Label: OMS Records
Role: Drummer

A charity single from Berlin collective Auslander:IN, supporting the Hejmo Open Music School — a free, inclusive music knowledge-sharing community in Berlin.

A standalone single from Berlin collective Auslander:IN, released on OMS Records to support the Hejmo Open Music School — a completely free musical knowledge-sharing community focused on the inclusion of new migrants, marginalised people, and those seeking a positive social network in Berlin.

Credits:

- Sonika Malloth — Konnakol
- Francesco Piccolo — Bass
- Salman Siddiqui — Guitar and Vocals
- Tessa Sluyters — Keys and Vocals
- Charan Viswesewaran — Guitar
- Chris Ward — Drums

---

## [The house of Bernarda Alba](https://aeonv.bandcamp.com/album/the-house-of-bernarda-alba)

Date: 2024-07-20
Band: Aeon V
Role: Multi-instrumentalist & Producer

Soundtrack for the performance of "The House of Bernarda Alba"

Soundtrack for the performance of "The House of Bernarda Alba" by the Shakespeare Reloaded company in Berlin in 2024.

Tracklist:

1. Death Walk
2. Down by the Riverside
3. House of the rising Alba
4. If I had a Barnada

---

## [YaYa Brouhaha](https://mesacosa.bandcamp.com/album/yaya-brouhaha)

Date: 2014-11-03
Band: Mesa Cosa
Label: Off The Hip
Role: Drummer

The debut album from Melbourne garage-punk band Mesa Cosa — ten tracks of sonic snarls and sly smiles, from the upbeat "Sydney" to the harder "Satanas".

The debut album from Melbourne garage-punk outfit Mesa Cosa, *YaYa Brouhaha* was released on 3 November 2014. Recorded by Paul Maybury in Fairfield and mastered by Mikey Young (Eddy Current Suppression Ring / Total Control) and Nao Anzai, the ten-track record runs from the upbeat "Sydney" to harder cuts like "Satanas", with a screen-printed cover by Jase Harper.

---

## [Infernal Cakewalk EP](https://mesacosa.bandcamp.com/album/infernal-cakewalk-ep)

Date: 2012-03-01
Band: Mesa Cosa
Label: Off The Hip
Role: Drummer

Mesa Cosa's debut EP — seven tracks capturing the band's "the Stooges walk into a tequila bar" live attitude, released ahead of their debut album.

The first Mesa Cosa release, the seven-track *Infernal Cakewalk EP*, came out on 1 March 2012, ahead of the band's debut album *YaYa Brouhaha*. Recorded by Nao Anzai and mastered by Mikey Young, with sleeve design by C.M. Ruiz, it captures the band's "the Stooges walk into a tequila bar" live attitude in a "hey, we put out a record!" kind of way.

---

## [AAA](https://music.apple.com/album/aaa/277649978)

Date: 2008-01-01
Band: Macaca Mulatta
Role: Guitarist & Vocals

The sole album from Macaca Mulatta — the post-Art Brut band Chris Chinchilla started in London before it settled in Melbourne. Scrappy, melodic British indie-punk in the spirit of The Jam, The Clash and Billy Bragg.

The only album by Macaca Mulatta — the band formed in London by ex-Art Brut guitarist and songwriter Chris Chinchilla. After touring through Europe and America the group settled in Melbourne with a new line-up, recorded *AAA*, and split up not long after a final show. Nine tracks of scrappy, melodic British indie-punk in the spirit of The Jam, The Clash, Buzzcocks and Billy Bragg.

---

## [Good Weekend](https://open.spotify.com/album/6NXmfJaoobwDcSDjkn2gOX)

Date: 2005-09-26
Band: Art Brut
Label: Fierce Panda Records
Role: Guitarist

The fourth single from Bang Bang Rock & Roll, an exuberant celebration of new love ("I've seen her naked... twice!").

The fourth single drawn from *Bang Bang Rock & Roll*, "Good Weekend" was released on 26 September 2005. An exuberant, deadpan celebration of new love, it remains one of Art Brut's best-loved tracks.

---

## [Bang Bang Rock & Roll](https://readyartbrut.bandcamp.com/album/bang-bang-rock-roll)

Date: 2005-05-30
Band: Art Brut
Label: Fierce Panda Records
Role: Guitarist

The debut studio album by British rock band Art Brut, blending indie rock, art punk, and garage punk to universal acclaim.

The debut studio album by British rock band Art Brut, *Bang Bang Rock & Roll* was originally released on 30 May 2005 via Fierce Panda Records. Produced by John Fortis and Howard Gray, it earned "universal acclaim" on Metacritic and spawned the much-loved single "Formed a Band", a self-referential anthem about the joy of starting a band.

---

## [Emily Kane](https://open.spotify.com/album/6NXmfJaoobwDcSDjkn2gOX)

Date: 2005-05-02
Band: Art Brut
Label: Fierce Panda Records
Role: Guitarist

A lovelorn ode to a teenage sweetheart, and Art Brut's highest-charting single — it reached number 41, Fierce Panda's best-ever chart placing.

Released on Fierce Panda on 2 May 2005 to trail the album, "Emily Kane" is a wistful ode to a teenage sweetheart. It reached number 41 in the UK Singles Chart — missing the top 40 by just two sales and remaining Fierce Panda's highest-charting single.

---

## [Modern Art / My Little Brother](https://open.spotify.com/album/6NXmfJaoobwDcSDjkn2gOX)

Date: 2004-12-06
Band: Art Brut
Label: Fierce Panda Records
Role: Guitarist

Art Brut's second single, a standalone double A-side for Fierce Panda, with both tracks re-recorded for Bang Bang Rock & Roll.

After Rough Trade declined to sign the band for an album, Art Brut released the "Modern Art / My Little Brother" double A-side as a standalone single on Fierce Panda on 6 December 2004. Both tracks were later re-recorded for the debut album *Bang Bang Rock & Roll*.

---

## [Formed a Band](https://open.spotify.com/album/6NXmfJaoobwDcSDjkn2gOX)

Date: 2004-03-29
Band: Art Brut
Label: Rough Trade
Role: Guitarist

Art Brut's debut single — a gleefully self-referential anthem about the joy of starting a band — later re-recorded for Bang Bang Rock & Roll.

The first Art Brut single, "Formed a Band", was released as a one-off single on Rough Trade on 29 March 2004 after first appearing on the 2003 compilation *The New Cross: An Angular Sampler*. A re-recorded version opens the band's debut album, *Bang Bang Rock & Roll*.

---

# Video Courses & Audio/Visual

---

## [CSS in Depth in Motion](https://www.manning.com/livevideo/css-in-depth-in-motion)

Date: 2018-07-01
Client: Manning
Type: course

A practical video course exploring advanced CSS techniques through examples and projects.

CSS in Depth in Motion is a new liveVideo course that lives up to its name, taking you deep into what you can accomplish with CSS. Designed as the perfect companion to our bestselling book, CSS in Depth. This course explores new examples, projects, and skills that you can practice in your own time, step-by-step!

---

## [Which Continuous Integration Tools Support Bitbucket?](https://www.sitepoint.com/premium/screencasts/which-continuous-integration-tools-support-bitbucket)

Date: 2017-07-01
Client: Sitepoint
Type: course

A comparison of popular continuous integration tools that support Bitbucket.

This overview screencast compares the features of the most popular CI tools that support Bitbucket.

---

## [From Chrome extensions to Chrome DevTools](https://www.sitepoint.com/premium/courses/expand-your-horizons-learn-to-work-with-chrome-extensions-2975/)

Date: 2017-07-01
Client: Sitepoint
Type: course

A four-part course on creating Chrome extensions and debugging them with Chrome DevTools.

This four video course teaches web developers how to create Chrome extensions and how to use Chrome DevTools to debug them.

---

# Games

---

## [Karaoke Vampire](https://chrischinchilla.itch.io/karaoke-vampire)

Date: 2026-07-27
Publisher: Self-published
Role: Designer

A story-driven, rules-light roleplaying game for 2+ players who love to sing, love to sparkle, and love to suck blood.

You are vampires. Creatures of the night. Bloodsuckers. Feared, respected, hunted, and eternal.  But you also love to sing. Loudly, in dingy karaoke bars.

A story-driven, rules-light roleplaying game for 2+ players who love to sing, love to sparkle, and love to suck blood.

Find the game on itch.io.

---

## [Dork Borg - A Mork Borg Hack](https://chrischinchilla.com/games)

Date: 2025-09-01
Publisher: TBD
Role: Designer

A Mork Borg hack about nerds and dorks locked into a vast city-sized arena, forced to survive through strategy, skill, and cunning.

You are nerds, geeks, dorks, brainiacs. Whatever word you or (probably) someone else labels you with, you are deeply into something to the point of extremity.

Films, computers, books, transport, vinyl, musical instruments, 17th-century figurines, politics, comics. There's something you care about so much you'd be prepared to die to defend it.

Which is strange as that's exactly what's happening. For some inexplicable reason, you find yourself locked into a vast city-sized arena by some diabolical mind, assigned only one task. To survive.

Through strategy, skills, knowledge, running away and hiding, or boring your competition into stupefaction, you will face unknown obstacles, enemies, and maybe each other in a fearless, grim battle of Dork Borg!

**Preview: Coming soon!**

---

## [Penance of Charity - A Summer Solstice Adventure](https://www.dmsguild.com/product/484496/Penance-of-Charity-A-Summer-Solstice-Adventure?src=newest_in_dmg&filters=45469)

Date: 2024-07-29
Publisher: Art of Karthik
Role: Proofreader

A summer solstice adventure where pilgrims travel to ten temples seeking the blessings of the gods, while locals exploit their generosity.

Many years ago, on the summer solstice, a great hero performed magnificent acts of selfless charity, and earned the blessings of the gods.

To honor this memory, each summer solstice, pilgrims travel far and wide to visit ten temples dedicated to the Norse Gods, and engage in acts of charity, each according their own ability, with hopes of gaining the blessings of the gods.

The locals however, use this as an excuse to exploit gullible pilgrims and worshippers and try to get their dirty work done for free.

---

## [A.I.Pokalypse](https://www.kickstarter.com/projects/aipokalypse/aipokalypse-the-expert-auto-battle-card-game)

Date: 2024-07-10
Publisher: Owly Mowly
Role: English rules editor

An auto-battle card game where you build your engine and fight for survival after the A.I.Pokalypse - raised €54,000 on Kickstarter in 2024.

After the A.I.POKALYPSE you are left to fend for yourself. Hire your best mercenaries, survive the combat zone and be the sole faction to make it out alive. Build your engine and fight for your life in this epic game in a small box! Raised €54,000 on Kickstarter in 2024.

---

## [Fairytale Fables of the Feywild](https://www.dmsguild.com/product/473859/Fairytale-Fables-of-the-Feywild)

Date: 2024-03-23
Publisher: Art of Karthik
Role: Proofreader

An adventure into the Feywild where classic fairytales come to life, featuring Puss in Boots, Little Miss Muffet, Goldilocks, and more.

Step into the enchanting realm of the Feywild, where the boundary between reality and fantasy blurs, and classic fairytales come to life in unexpected ways. Join the cunning Puss in Boots, the mysterious Little Miss Muffet, the porridge escapades of Goldilocks, the enigmatic Little Red Riding Hood, and the harrowed Cinderella, culminating in a climactic confrontation with the condescending Cloud Giant, leaving behind a trail of riddles and whimsical challenges!

---

## [Aberrations - Inflection Point - A Monster Horror Adventure In Icewind Dale](https://www.dmsguild.com/product/463789/Aberrations-Inflection-Point--A-Monster-Horror-Adventure-In-Icewind-Dale)

Date: 2023-12-27
Publisher: Art of Karthik
Role: Proofreader

A monster horror adventure in Icewind Dale, where an elder mindflayer melds aberration biology with creatures of the North inside a shattered, buried castle.

In the frigid heart of Icewind Dale, a distress call has been heard from a mining expedition sent to the outpost of Inflection Point. But this is no ordinary cry for help – it originates from the shattered remnants of a once-soaring castle that now lies broken and buried in the snow. Within its frozen depths, an elder mindflayer conducts grotesque experiments, melding aberration biology with creatures of the North, creating hybrid abominations that defy the natural order.

---

## [Romanian Mythos - Sourcebook of Horrors for Lovecraftian RPGs](https://www.drivethrurpg.com/product/454061/Romanian-Mythos--Sourcebook-of-Horrors-for-Lovecraftian-RPGs)

Date: 2023-09-25
Publisher: Chaos Badger Publishing
Role: Development editor

A compendium and setting guide for Lovecraftian investigative RPGs, inspired by Romanian culture and history.

Romanian Mythos is a compendium and setting guide for Lovecraftian investigative RPGs, inspired by Romanian culture and history.

---

## [Mysterium Tempus - A Mystery in Spacetime](https://www.dmsguild.com/product/445342/Mysterium-Tempus--A-Mystery-in-Spacetime)

Date: 2023-07-17
Publisher: Art of Karthik
Role: Proofreader

A mystery in spacetime for 4-6 players at level 5, exploring a village frozen in a single instant.

Welcome to the village of Tempora, where time stands frozen in a delicate balance. As the adventurers arrive, they discover people and objects are suspended in motion, their lives frozen in a single instant.

This is a short adventure for 4-6 players at level 5, with a focus on puzzles and mystery solving, culminating in an epic climactic battle.

---

## [Oculus Prime - A Bizarre Mystery Adventure](https://www.dmsguild.com/product/483011/Oculus-Prime--A-Bizarre-Mystery-Adventure)

Date: 2023-07-17
Publisher: Art of Karthik
Role: Proofreader

A bizarre mystery adventure in a metropolis plagued by disappearances, uniting a death cult and a malevolent beholder.

In a bustling metropolis plagued by a string of mysterious disappearances, a sinister alliance between a clandestine death cult and a malevolent beholder unfolds.

---

## [Jack Frost - A Murder Mystery in Icewind Dale](https://www.dmsguild.com/product/442399/Jack-Frost--A-Murder-Mystery-in-Icewind-Dale)

Date: 2023-06-28
Publisher: Art of Karthik
Role: Proofreader

A murder mystery adventure in Icewind Dale for 4-6 players at level 5, culminating in an epic climactic battle.

In the harsh frozen realm of Icewind Dale, a chilling mystery has emerged within the walls of a prestigious baron's estate. Terrifying beheadings have plagued the noble's household, sending shivers through the hearts of all who dwell there. Whispers spread of an evil spirit called 'Jack Frost' lurking in the cold, waiting to claim his next victim.

This is a short adventure for 4-6 players at level 5, with a focus on social interaction and mystery solving, culminating in an epic climactic battle.

---

## [Triad of Death - A Murder Mystery In Waterdeep](https://www.dmsguild.com/product/440170/Triad-of-Death--A-Murder-Mystery-In-Waterdeep)

Date: 2023-06-25
Publisher: Art of Karthik
Role: Proofreader

A murder mystery adventure in Waterdeep for 4-6 players at level 5, centred on three legendary artifacts of Vecna and Orcus.

Influential nobles have become consumed by the pursuit of mastering death. Uncovering three legendary artifacts—the Eye of Vecna, the Hand of Vecna, and the Wand of Orcus—they commission a skilled cabinet maker to create secure cabinets to hold the artifacts.

This is a short mystery adventure for 4-6 players at level 5, with a focus on social interaction and mystery solving, culminating in an epic climactic battle.

---

## [Around The World In 80 Days - A Travel Adventure](https://www.dmsguild.com/product/428799/Around-The-World-In-80-Days-A-Travel-Adventure)

Date: 2023-03-20
Publisher: Art of Karthik
Role: Proofreader

A short travel adventure for 4-6 players at level 3, journeying to remote corners of the map and back within 80 days.

Welcome adventurers! Today, you find yourselves in the bustling and ornate lobby of the Cartographers Guild.

You have been challenged to journey through remote places on the far corners of the map and return within 80 days bearing souvenirs originating from these places.

This is a short 3 hour adventure for 4-6 players at level 3, with a focus on exploration, resource management, travel planning and social dynamics.

---

## [Bamberg](https://www.kickstarter.com/projects/bamberg/bamberg-a-thrilling-game-of-social-deduction)

Date: 2023-02-23
Publisher: Witch Hunt Games
Role: Proofreader

A game of social deduction inspired by the European witch hunts of the 17th century.

Bamberg is a game of social deduction inspired by the European witch hunts of the 17th century.

---

## [Return to Treasure Island - A Pirate Adventure!](https://www.dmsguild.com/product/423696/Return-to-Treasure-Island-A-Pirate-Adventure)

Date: 2023-01-17
Publisher: Art of Karthik
Role: Proofreader

A one-shot pirate adventure for 4-6 players at level 10, returning to the fabled treasure island years after the first fortune ran out.

Many years have passed since you and your compatriots visited the fabled treasure island and returned with a veritable treasure trove. After leading an incredibly carefree and lavish lifestyle, your purse strings have lightened considerably, leading to a downward spiral to poverty. You've resorted to taking odd jobs to make ends meet, with the treasure map being nothing more than a memento of the past.

This is a one shot adventure for 4-6 players at level 10.

---

## [Pioneer's Path To Port Luxus - An Urban Mystery Adventure!](https://www.dmsguild.com/product/408396/Pioneers-Path-To-Port-Luxus-An-Urban-Mystery-Adventure)

Date: 2022-09-04
Publisher: Art of Karthik
Role: Proofreader

An urban mystery adventure to Port Luxus for Dungeon Masters looking to spice up dragon encounters beyond a repetitive slugfest.

Dungeon Masters of the world, have you ever thrown a dragon at your party and found the resulting combat to be repetitive slugfest? Has your game of Dungeons & Dragons been reduced to a dull series of dice rolls resulting in "Hit" or "Miss"? Or conversely, is your dragon way too powerful, forcing you to make it weaker or risk a TPK? Would you like to spice up your dragon encounters with a little more personality? Would you like your dragons to be long-term threats whose actions have far-reaching consequences? Would you like to give your players more choices in what they want to do?

---

## [Frostpunk](https://glasscannonunplugged.com/frostpunk-the-board-game/)

Date: 2022-09-01
Publisher: Glass Cannon Unplugged
Role: Proofreader

The epic board game based on the video game, which raised over €2 million on Kickstarter in 2020.

This epic boardgame based on the video game raised gained over €2 million on Kickstarter in 2020.

---

## [Moon's Millions - A Phandalin Adventure!](https://www.dmsguild.com/product/407574/Moons-Millions-A-Phandalin-Adventure)

Date: 2022-08-30
Publisher: Art of Karthik
Role: Proofreader

A Phandalin adventure that gives high-level adventurers a fresh challenge beyond typical combat, puzzles, and traps.

Once adventurers reach a high enough level, typical combat isn't that challenging. Puzzles and traps only get so far. They're probably rolling in money so they probably don't care for more of it as a reward.

---

## [Silicon Vallery mystery](https://chrischinchilla.itch.io/silicon-valley-mystery)

Date: 2022-06-05
Publisher: Self-published
Role: Co-designer

A detective game where players race to solve a mystery using the freshest clues, set in Silicon Valley with resources to create your own scenarios.

You are detectives tasked with solving a mystery quicker than any other player. Whoever scores the most points is declared the winner. You gain more points for gaining clues when they are newer (called “freshness”), as opposed to gaining as many clues as possible.

Silicon Valley Mystery comes with a handful of pre-written mysteries to solve based in Silicon Valley, but there are resources available to create your own scenarios for others to play.

---

## [Solemn Scriptures of the Battle Nuns of the Mercyful Sepulcher](https://mottokrosh.com/machinations/solemn-scriptures/)

Date: 2022-06-05
Publisher: Mottokrosh Machinations
Role: Proofreader

A sourcebook of occult and divine spells for the Order, system neutral with stats for 5e and Hypertellurians.

A sourcebook about occult/divine spells, the Order, and their tools. System neutral, with stats for 5e and Hypertellurians.

---

## [Forests of Pangaia](https://boardgamegeek.com/boardgame/317859/forests-pangaia)

Date: 2022-01-01
Publisher: Pangia games
Role: Proofreader

A competitive forest-building game - proofread the rules manual.

I helped proofread the manual for this competitive forest building game.

---

## [Fairy Trails](https://www.drivethrurpg.com/product/377573/Fairy-Trails-Deluxe-Edition)

Date: 2021-12-03
Publisher: Mirth Drake
Role: Proofreader

A Forged in the Dark tabletop RPG where you play fairies on wild and wonderful adventures.

A Forged in the Dark tabletop RPG where you play fairies on wild and wonderful adventures.

---

## [Europop Vampire interactive fiction](https://chrischinchilla.itch.io/europop-vampire)

Date: 2021-07-16
Publisher: Self-published
Role: Designer

A short piece of interactive fiction where you play a vampire deciding what to do for a night of entertainment.

A short and possibly sweet piece of interactive fiction where you play a vampire deciding what to do for a night of entertainment. There is only one true answer, but hey, you have a bit agency.

I will update the game over time with more detail, content and Twine trickery, so watch those updates! Find the game on itch.io.

---

## [Uprising](https://uprising.nemesis.games)

Date: 2021-06-05
Publisher: Nemesis Games
Role: Proofreader

The first fully cooperative 4X fantasy board game, which raised over $300k on Kickstarter and $600k for a second printing.

The first fully cooperative 4x fantasy boardgame that raised over $300k on Kickstarter and $600k for a second printing.

---

## [Wicked Ones](https://www.drivethrurpg.com/product/338480/Wicked-Ones?affiliate_id=1403878&src=BanditCampHomepage)

Date: 2020-12-23
Publisher: Bandit Camp
Role: Proofreader

A Forged in the Dark tabletop RPG where you play fantasy monsters raiding human lands and building a dungeon to protect your loot.

A Forged in the Dark tabletop RPG where you play fantasy monsters raiding human lands, hoarding the gold you loot, and building a dungeon to protect it.

---

## [One Day the World Ended](https://chrischinchilla.itch.io/one-day-the-world-ended)

Date: 2019-07-04
Publisher: Self-published
Role: Designer

An expanding universe used for short fiction, interactive fiction, a roleplay game, and a card game.

This is an expanding universe I am using for short fiction, interactive fiction, a roleplay game, and a card game.

---

## [Chip Shop](https://chrischinchilla.com/games)

Date: unknown
Publisher: TBC
Role: Designer

A prototype board game where players run computer companies in the 1980s, playtested at two gaming conventions and currently on hiatus.

I had an idea for a board game where the players run computer companies in the 1980s. I took the prototype to two gaming conventions and playtested the game. I then got overwhelmed with feedback and the game is still on hiatus while I gain experience in creating simpler games. Chip Shop will return!

---

## [Expedition roleplaying card game quests](https://app.expeditiongame.com/#1zVbhCh8byT7GP0c3vW0c3dHn7n-YDxSb)

Date: unknown
Publisher: Expedition
Role: Designer

Two quests created for the Expedition roleplaying card game as part of its regular writing competitions.

I have so far created two quests for the [Expedition roleplaying card game](https://expeditiongame.com) as part of [their regular writing competitions](https://expeditiongame.com/writing-contests).

---

## [Humanity in Flames - 3286](https://chrischinchilla.com/games)

Date: unknown
Role: Proofreader

A tactical miniatures game - proofread and edited the manual.

I helped proofread and edit the manual of this tactical miniatures game.

---

# Events & Talks

---

## [Berlin's premiere tabletop roleplaying game convention](https://bircon.berlin)

Type: organizing
Date: 2026-10-10
Event: Bircon 2026
Venue: Vollgutlager

BIRCON is a pen & paper, tabletop roleplaying game convention run by fans for fans.

BIRCON is a pen & paper, tabletop roleplaying game convention run by fans for fans.

It is organized by a group of roleplaying games enthusiasts from Berlin as part of BIRCON UG. See Contact and Impressum for more information.

BIRCON is now in its third year, and our continued growth shows our commitment to making it the convention for international RPGs in Berlin.

---

## [your ideas and projects](https://events.linuxfoundation.org/open-source-summit-europe/)

Type: attending
Date: 2026-10-07
Event: Open Source Summit Europe
Venue: Prague, Czechia

I report on the latest updates from projects and communities that are part of the Linux Foundation.

I report on the latest updates from various projects and communities part of the Linux Foundation.

---

## [your projects and ideas](https://startuprevolution.ai/pages/venue)

Type: attending
Date: 2026-10-01
Event: Startup Revolution 2026
Venue: Various locations in Skopje, North Macedonia

I will be at Startup Revolution 2026 in Skopje, and I want to hear about your projects and ideas. If you’re attending, please reach out and let’s chat!

I will be at Startup Revolution 2026 in Skopje, and I want to hear about your projects and ideas. If you’re attending, please reach out and let’s chat!

---

## [your ideas and projects](https://www.humanx.co/europe)

Type: attending
Date: 2026-09-22
Event: Human X
Venue: RAI, Amsterdam, Netherlands

Europe is having its AI moment, and HumanX is coming to Amsterdam to bring the world’s leaders right into the centre of it. This is where leaders share implementation strategies, spark connections, and accelerate European AI on a global scale.

Europe is having its AI moment, and HumanX is coming to Amsterdam to bring the world’s leaders right into the centre of it. This is where leaders share implementation strategies, spark connections and accelerate European AI on a global scale.

---

## [your ideas and projects](https://www.linuxfoundation.org/events/lf-energy/)

Type: attending
Date: 2026-09-15
Event: Linux Foundation Energy
Venue: Berlin, Germany

Linux Foundation Energy is a conference dedicated to accelerating the energy transition through open source technology and collaboration. The event brings together industry leaders, developers, and stakeholders to discuss and showcase innovative solutions for a sustainable energy future.

Linux Foundation Energy is a conference dedicated to accelerating the energy transition through open source technology and collaboration. The event brings together industry leaders, developers, and stakeholders to discuss and showcase innovative solutions for a sustainable energy future.

---

## [the latest tech news](https://www.ifa-berlin.com)

Type: attending
Date: 2026-09-04
Event: IFA
Venue: Berlin, Germany

I'm at IFA, the world's largest consumer electronics show, to see what crazy ideas the world is working on.

I'm at IFA, the world largest consumer electronics show to see what crazy ideas the world is working on.

---

## [your projects and ideas](https://nexusluxembourg.com)

Type: attending
Date: 2026-06-10
Event: Nexus Luxembourg
Venue: Luxexpo, The Box, Luxembourg City

I will be at Nexus Luxembourg 2026 in Luxembourg City, and I want to hear about your projects and ideas. If you’re attending, please reach out and let’s chat!

I will be at Nexus Luxembourg 2026 in Luxembourg City, and I want to hear about your projects and ideas. If you’re attending, please reach out and let’s chat!

---

## [your projects and ideas](https://simconf.com)

Type: attending
Date: 2026-05-14
Event: SIM
Venue: Alfândega do Porto, Porto

I will be at SIM 2026 in Porto, and I want to hear about your projects and ideas. If you’re attending, please reach out and let’s chat!

I will be at SIM 2026 in Porto, and I want to hear about your projects and ideas. If you’re attending, please reach out and let’s chat!

---

## [your projects and ideas](https://pytorch.org/events/conference/2026/)

Type: attending
Date: 2026-04-07
Event: PyTorch Con 2026
Venue: StationF, Paris

I will be at PyTorch Con 2026 in Paris, and I want to hear about your projects and ideas. If you’re attending, please reach out and let’s chat!

I will be at PyTorch Con 2026 in Paris, and I want to hear about your projects and ideas. If you’re attending, please reach out and let’s chat!

---

## [Tool the Docs room](https://fosdem.org/2026)

Type: speaking
Date: 2026-02-01
Event: Fosdem 2026
Venue: ULB, Brussels

This year at Fosdem I'm helping organise the Documentation tooling developer room, so drop on by.

This year at Fosdem I'm helping organise the Documentation tooling developer room, so drop on by.

---

## [An open grammar and style checker](https://2026.everythingopen.au/schedule/presentation/22/)

Type: speaking
Date: 2026-01-21
Event: Open Everything 2026
Venue: University of Canberra, Canberra

Vale was created as open source language “linter” to help people check their text for grammar and style rules, violations, and style. Especially in technical audiences, Vale has proven popular with several high profile companies and teams using it and a healthy ecosystem of rulesets and tooling.

Vale was created as open source language “linter” to help people check their text for grammar and style rules, violations, and style. Especially in technical audiences, Vale has proven popular with several high profile companies and teams using it and a healthy ecosystem of rulesets and tooling.

However, for the most part Vale uses regular expression to check text and while this is effective, it means Vale has no context of what you’re actually writing. As an open source, locally run tool, this was always the point, but in the times of an AI writing assistant almost everywhere, people have come to expect more.

This presentation shows how efforts using the Vale MCP server and open models (as possible) are attempting to create a smarter, text assistant that merges Vale’s highly configurable rules with the power of LLMs to create an open and self-sovereign alternative to other closed source grammar checking tools.

---

## [An open grammar and style checker](https://apithedocs.org/ai-docs-paris-2025)

Type: speaking
Date: 2025-12-10
Event: API Days
Venue: CNIT Forest, Paris

Vale was created as open source language “linter” to help people check their text for grammar and style rules, violations, and style. Especially in technical audiences, Vale has proven popular with several high profile companies and teams using it and a healthy ecosystem of rulesets and tooling.

Vale was created as open source language “linter” to help people check their text for grammar and style rules, violations, and style. Especially in technical audiences, Vale has proven popular with several high profile companies and teams using it and a healthy ecosystem of rulesets and tooling.

However, for the most part Vale uses regular expression to check text and while this is effective, it means Vale has no context of what you’re actually writing. As an open source, locally run tool, this was always the point, but in the times of an AI writing assistant almost everywhere, people have come to expect more.

This presentation shows how efforts using the Vale MCP server and open models (as possible) are attempting to create a smarter, text assistant that merges Vale’s highly configurable rules with the power of LLMs to create an open and self-sovereign alternative to other closed source grammar checking tools.

---

## [your projects and ideas](https://websummit.com)

Type: attending
Date: 2025-11-11
Event: Web Summit
Venue: MEO Arena, Lisbon

Chris is back at Europe's pre-eminent event for Startups and keen to meet interesting products, projects and people.

Chris is back at Europe's pre-eminent event for Startups and keen to meet interesting products, projects and people.

---

## [your ideas and projects](https://howtoweb.co/)

Type: attending
Date: 2025-10-01
Event: How to Web 2025
Venue: Bucharest, Romania

Eastern Europe’s technology conference that brings builders and visionaries together.

Eastern Europe’s technology conference that brings builders and visionaries together.

---

## [your ideas and projects](https://itcluster.lviv.ua/en/events/it-arena-2025/)

Type: attending
Date: 2025-09-26
Event: IT Arena 2025
Venue: Lviv, Ukraine

Chris is back to see what Ukrainian entrepreneurs are working on.

Chris is back to see what Ukrainian entrepreneurs are working on.

---

## [your ideas and projects](https://www.linuxfoundation.org/events/lf-energy/)

Type: attending
Date: 2025-09-10
Event: Linux Foundation Energy
Venue: Aachen, Germany

Linux Foundation Energy is a conference dedicated to accelerating the energy transition through open source technology and collaboration. The event brings together industry leaders, developers, and stakeholders to discuss and showcase innovative solutions for a sustainable energy future.

Linux Foundation Energy is a conference dedicated to accelerating the energy transition through open source technology and collaboration. The event brings together industry leaders, developers, and stakeholders to discuss and showcase innovative solutions for a sustainable energy future.

---

## [the latest tech news](https://www.ifa-berlin.com)

Type: attending
Date: 2025-09-04
Event: IFA
Venue: Berlin, Germany

I'm at IFA, the world largest consumer electronics show to see what crazy ideas the world is working on.

I'm at IFA, the world largest consumer electronics show to see what crazy ideas the world is working on.

---

## [your ideas and projects](https://www.wearedevelopers.com/world-congress/)

Type: organizing
Date: 2025-07-10
Event: We are developers congress 2024
Venue: Berlin, Germany

I am back, covering the world's leading event for developers and tech decision-makers.

I am back, covering the world's leading event for developers and tech decision-makers.

---

## [your projects and ideas](https://londontechweek.com)

Type: attending
Date: 2025-06-09
Event: London Tech Week
Venue: Berlin, Germany

Innovators. Investors. Tech giants. The visionaries applying new tech to solve the world’s biggest problems. Enterprise tech leaders who are creating solutions to make work easier and life more fun.

Innovators. Investors. Tech giants. The visionaries applying new tech to solve the world’s biggest problems. Enterprise tech leaders who are creating solutions to make work easier and life more fun.

They all come to London Tech Week to see where tech will take them next.

With over 90 countries represented, this is where the global tech ecosystem intersects with the investment, innovation and talent which calls London home.

---

## [your projects and ideas](https://www.gitexeurope.com)

Type: attending
Date: 2025-05-20
Event: Gitex Europe
Venue: Berlin, Germany

The European version of the world’s largest tech fair from Dubai is coming to Berlin in 2025. GITEX Europe is the meeting point for tech innovators, governments, and industry leaders from around the world. Be part of the event as delegations from Europe, the Middle East, Africa, and Asia gather in Berlin to accelerate technological transformation and shape a globally connected future.

The European version of the world’s largest tech fair from Dubai is coming to Berlin in 2025. GITEX Europe is the meeting point for tech innovators, governments, and industry leaders from around the world. Be part of the event as delegations from Europe, the Middle East, Africa, and Asia gather in Berlin to accelerate technological transformation and shape a globally connected future.

---

## [your projects and ideas](https://greentechfestival.com)

Type: attending
Date: 2025-05-20
Event: Green Tech Festival
Venue: Berlin, Germany

The GREENTECH FESTIVAL is where sustainability drives business success, innovation meets cutting-edge technology, and changemakers come together to shape a greener future. Connect with industry leaders, discover the latest in green tech, and join a global community dedicated to turning sustainability into business opportunities and transformative change.

The GREENTECH FESTIVAL is where sustainability drives business success, innovation meets cutting-edge technology, and changemakers come together to shape a greener future. Connect with industry leaders, discover the latest in green tech, and join a global community dedicated to turning sustainability into business opportunities and transformative change.

---

## [your projects and ideas](https://www.deeptech.build)

Type: attending
Date: 2025-05-13
Event: Deep Tech Momentum
Venue: Berlin, Germany

DTM is Europe’s largest, invite-only growth engine for Deep Tech, connecting top-tier startups, investors, and industry leaders to fast track funding and partnerships at scale.

DTM is Europe’s largest, invite-only growth engine for Deep Tech, connecting top-tier startups, investors, and industry leaders to fast track funding and partnerships at scale.

---

## [your ideas and projects](https://chrischinchilla.com/events)

Type: attending
Date: 2025-04-09
Event: Opera Days
Venue: Lisbon

Opera's regular announcement event of new products and features, and a chance to meet the team behind the browser.

Opera's regular announcement event of new products and features, and a chance to meet the team behind the browser.

---

## [your ideas and projects](https://25.foss-backstage.de/)

Type: attending
Date: 2025-03-10
Event: FOSS Backstage
Venue: ExRotaprint, Berlin

The conference on everything related to governance, collaboration, legal and economics within the scope of FOSS.

The conference on everything related to governance, collaboration, legal and economics within the scope of FOSS.

---

## [your projects and ideas](https://www.worldaicannes.com)

Type: attending
Date: 2025-02-13
Event: WAICF 2025
Venue: Cannes, France

Europe's leading AI conference is back in Cannes, and Chris is keen to hear about your projects and ideas.

Europe's leading AI conference is back in Cannes, and Chris is keen to hear about your projects and ideas.

---

## [Tool the Docs room](https://fosdem.org/2025)

Type: speaking
Date: 2025-02-01
Event: Fosdem 2025
Venue: ULB

This year at Fosdem I'm helping organise the Documentation tooling developer room, so drop on by.

This year at Fosdem I'm helping organise the Documentation tooling developer room, so drop on by.

---

## [AIAPI](https://www.apidays.global/paris/)

Type: speaking
Date: 2024-12-04
Event: API Days
Venue: CNIT Forest, Paris

API documentation is generally predictable, follows common patterns, and is one of the least interesting tasks in a documentation project. It's also a task that has had a degree of automatic generation tools and practices for some time.

API documentation is generally predictable, follows common patterns, and is one of the least interesting tasks in a documentation project. It's also a task that has had a degree of automatic generation tools and practices for some time.

It sounds like a perfect use case for AI-assistive tools!

In this presentation, I look at general and specialised tools that help you generate API documentation from code and text-based prompts. I look at how you can train them to be more precise and accurate as well as the potential problems and pitfalls to look for in bringing any generated docs into production for end users.

Some of these include tools you already have access to, such as GitHub Copilot and Gemini, and specialised tools, such as DocuWriter. I also cover how to test generated output to ensure it's accurate.

---

## [The Berlin Meetup](https://suawsymposium2024.splashthat.com)

Type: speaking
Date: 2024-11-21
Event: SU&W Community symposium
Venue: Cambridge, UK

A presentation about the Berlin meetup at the SU&W Community symposium in Cambridge.

TBD

---

## [your projects and ideas](https://websummit.com)

Type: attending
Date: 2024-11-13
Event: Web Summit
Venue: MEO Arena, Lisbon

Chris is back at Europe's pre-eminent event for Startups and keen to meet interesting products, projects and people.

Chris is back at Europe's pre-eminent event for Startups and keen to meet interesting products, projects and people.

---

## [your ideas and projects](https://itcluster.lviv.ua/en/events/it-arena-2024/)

Type: attending
Date: 2024-09-26
Event: IT Arena 2024
Venue: Lviv, Ukraine

Chris is back to see what Ukrainian entrepreneurs are working on.

Chris is back to see what Ukrainian entrepreneurs are working on.

---

## [your ideas and projects](https://shift.infobip.com)

Type: attending
Date: 2024-09-15
Event: Shift
Venue: Zadar, Croatia

Infobip Shift returns to Croatia, bringing together the global tech community once more. Join us as we connect, innovate, and explore the future of code together. Developers, software engineers, founders, disruptors, coding pros, enthusiasts, and everyone in between – this one's for you.

Infobip Shift returns to Croatia, bringing together the global tech community once more. Join us as we connect, innovate, and explore the future of code together. Developers, software engineers, founders, disruptors, coding pros, enthusiasts, and everyone in between – this one's for you.

---

## [your ideas and projects](https://2024.euruko.org)

Type: attending
Date: 2024-09-11
Event: Euruko
Venue: Sarajevo, Bosnia and Herzegovina

I return to the Balkans to cover Europe's largest Ruby event.

I return to the Balkans to cover Europe's largest Ruby event.

---

## [your ideas and projects](https://www.civo.com/navigate/europe)

Type: attending
Date: 2024-09-10
Event: CIVO Navigate
Venue: Berlin, Germany

Civo Navigate Europe 2024 is a tech event packed with talks and workshops focused on navigating and succeeding within the cloud native landscape.

Civo Navigate Europe 2024 is a tech event packed with talks and workshops focused on navigating and succeeding within the cloud native landscape.

---

## [the latest tech news](https://www.ifa-berlin.com)

Type: attending
Date: 2024-09-06
Event: IFA
Venue: Berlin, Germany

I'm at IFA, the world largest consumer electronics show to see what crazy ideas the world is working on.

I'm at IFA, the world largest consumer electronics show to see what crazy ideas the world is working on.

---

## [your ideas and projects](https://www.wearedevelopers.com/world-congress/)

Type: attending
Date: 2024-07-17
Event: We are developers congress 2024
Venue: Berlin, Germany

I am back, covering the world's leading event for developers and tech decision-makers.

I am back, covering the world's leading event for developers and tech decision-makers.

---

## [Writing for robots](https://lnkd.in/eFETEPp2)

Type: speaking
Date: 2024-06-24
Event: Tekom Ireland
Venue: Online
Slides: https://lnkd.in/eFETEPp2

Automated processes and tools have been reading our content for some time, building humongous databases of our carefully crafted words so people can actually find them buried across the vast swathes of the internet.

Automated processes and tools have been reading our content for some time, building humongous databases of our carefully crafted words so people can actually find them buried across the vast swathes of the internet.
And now, even more automated processes and machines are reading our content, packaging it into large models that make sense to few but bring sense to so many.

A lot of you listening and watching right now are probably afraid of what might happen to your job prospects over the coming years, and I am here to show you how, for the short term, your work will be more valuable than ever. Just maybe less directly to human consumers than before.

---

## [your ideas and projects](https://event.toa.media)

Type: attending
Date: 2024-06-04
Event: Tech Open Air 2024
Venue: Berlin, Germany

At TOA, tech founders, investors & industry leaders meet to accelerate their businesses and careers. Join us on our mission to help people and organizations become future-proof.

At TOA, tech founders, investors & industry leaders meet to accelerate their businesses and careers. Join us on our mission to help people and organizations become future-proof.

---

## [your ideas and projects](https://re-publica.com/en)

Type: attending
Date: 2024-05-27
Event: re\:\publica 2024
Venue: Berlin, Germany

republica GmbH's re:publica Berlin is Europes largest digital society festival. re:publica participants represent a cross-section of (digital) society, which include professionals from economics, politics, business, hacker culture, NGOs, media, and marketing, as well as bloggers, activists, artists, and social media experts.

republica GmbH's re:publica Berlin is Europes largest digital society festival. re:publica participants represent a cross-section of (digital) society, which include professionals from economics, politics, business, hacker culture, NGOs, media, and marketing, as well as bloggers, activists, artists, and social media experts.

---

## [your ideas and projects](https://latitude59.ee)

Type: attending
Date: 2024-05-22
Event: Latitude 59 2024
Venue: Tallinn, Estonia

Latitude59 is the flagship startup and tech event of the world’s first digital society.

Latitude59 is the flagship startup and tech event of the world’s first digital society.

---

## [The sustainable full stack](https://2024.everythingopen.au/)

Type: speaking
Date: 2024-04-16
Event: Everything Open
Venue: Gladstone, Australia
Slides: https://2024.everythingopen.au/schedule/presentation/22/

"The internet" has the same carbon impact as the airline industry. However, this number is probably much higher as it doesn't include a wide gamut of other impacts of application development and implementation, such as phone apps, desktop applications, or even the impact of websites and apps on users' own devices.

"The internet" has the same carbon impact as the airline industry. However, this number is probably much higher as it doesn't include a wide gamut of other impacts of application development and implementation, such as phone apps, desktop applications, or even the impact of websites and apps on users' own devices.

---

## [Writing for robots](https://apithedocs.org/ai-2024)

Type: speaking
Date: 2024-04-03
Event: AI the docs
Venue: Online
Slides: https://apithedocs.org/ai-2024/chris-chinchilla

Automated processes and tools have been reading our content for some time, building humongous databases of our carefully crafted words so people can actually find them buried across the vast swathes of the internet.

Automated processes and tools have been reading our content for some time, building humongous databases of our carefully crafted words so people can actually find them buried across the vast swathes of the internet.
And now, even more automated processes and machines are reading our content, packaging it into large models that make sense to few but bring sense to so many.

A lot of you listening and watching right now are probably afraid of what might happen to your job prospects over the coming years, and I am here to show you how, for the short term, your work will be more valuable than ever. Just maybe less directly to human consumers than before.

---

## [your ideas and projects](https://events.linuxfoundation.org/kubecon-cloudnativecon-europe/)

Type: attending
Date: 2024-03-19
Event: KubeCon and CloudNativeCon 2024
Venue: Paris, France

I report on the latest updates and best practices for Kubernetes and Cloud-native computing.

I report on the latest updates and best practices for Kubernetes and Cloud-native computing.

---

## [How to explain your project better](https://program.foss-backstage.de/fossback24)

Type: speaking
Date: 2024-03-04
Event: Foss backstage
Venue: Berlin, Germany
Slides: https://program.foss-backstage.de/fossback24/talk/X7PCWD/

You've spent hours and sleepless nights coding a project that promises to solve someone's problems bigger, better, and faster. But no one understands it or how to use it. This workshop aims to help you communicate your project's intentions more clearly.

You've spent hours and sleepless nights coding a project that promises to solve someone's problems bigger, better, and faster. But no one understands it or how to use it. This workshop aims to help you communicate your project's intentions more clearly.

---

## [your ideas and projects](https://stateofopencon.com/soocon-2023/)

Type: attending
Date: 2024-02-07
Event: State of Open 2023
Venue: London, UK

Chris is back at the UK's Open Technology Conference for Open Source Software, Hardware, Data,  Standards, & AI.

Chris is back at the UK's Open Technology Conference for Open Source Software, Hardware, Data,  Standards, & AI.

---

## [your ideas and projects](https://stateofopencon.com/soocon-2024/)

Type: attending
Date: 2024-02-06
Event: State of Open 2024
Venue: London, UK

Chris is back at the UK's Open Technology Conference for Open Source Software, Hardware, Data,  Standards, & AI.

Chris is back at the UK's Open Technology Conference for Open Source Software, Hardware, Data,  Standards, & AI.

---

## [Tool the Docs room](https://fosdem.org/2024)

Type: speaking
Date: 2024-02-03
Event: Fosdem 2024
Venue: Online

This year at Fosdem I'm helping organise the Documentation tooling developer room, so drop on by.

This year at Fosdem I'm helping organise the Documentation tooling developer room, so drop on by.

---

## [your projects and ideas](https://slush.org/speakers/)

Type: attending
Date: 2023-11-13
Event: Slush
Venue: Helsinki, Finland

Chris is back at Europe's cosy winter for Startups and keen to meet interesting products, projects and people.

Chris is back at Europe's cosy winter for Startups and keen to meet interesting products, projects and people.

---

## [your projects and ideas](https://websummit.com)

Type: attending
Date: 2023-11-13
Event: Web Summit
Venue: MEO Arena, Lisbon

Chris is back at Europe's pre-eminent event for Startups and keen to meet interesting products, projects and people.

Chris is back at Europe's pre-eminent event for Startups and keen to meet interesting products, projects and people.

---

## [your ideas and projects](https://itcluster.lviv.ua/en/events/it-arena-2023/)

Type: attending
Date: 2023-09-28
Event: IT Arena 2023
Venue: Lviv, Ukraine

Chris is back to see what Ukrainian entrepreneurs are working on.

Chris is back to see what Ukrainian entrepreneurs are working on.

---

## [your ideas and projects](https://events.linuxfoundation.org/archive/2023/open-source-summit-europe/)

Type: attending
Date: 2023-09-19
Event: Open Source Summit Europe
Venue: Bilbao, Spain

I report on the latest updates from various projects and communities part of the Linux Foundation.

I report on the latest updates from various projects and communities part of the Linux Foundation.

---

## [the latest tech news](https://www.ifa-berlin.com/home-page-ifa-2023)

Type: attending
Date: 2023-09-01
Event: IFA
Venue: Berlin, Germany

I'm at IFA, the world largest consumer electronics show to see what crazy ideas the world is working on.

I'm at IFA, the world largest consumer electronics show to see what crazy ideas the world is working on.

---

## [your ideas and projects](https://www.wearedevelopers.com/world-congress/)

Type: attending
Date: 2023-07-26
Event: We are Developers Congress 2023
Venue: Berlin, Germany

I report on the latest updates and best practices for developers of various topics.

I report on the latest updates and best practices for developers of various topics.

---

## [your ideas and projects](https://kccnceu2023.sched.com)

Type: attending
Date: 2023-04-18
Event: KubeCon and CloudNativeCon
Venue: Amsterdam, Netherlands

I report on the latest updates and best practices for Kubernetes and Cloud-native computing.

I report on the latest updates and best practices for Kubernetes and Cloud-native computing.

---

## [your ideas and projects](https://www.buildstuff.events/events/build-stuff-2022-hybrid-conference)

Type: attending
Date: 2022-11-09
Event: Build Stuff 2022
Venue: Villnius, Lithuania

I report on the latest updates and best practices for developers of various topics.

I report on the latest updates and best practices for developers of various topics.

---

## [A guide to OBS for Tech Communication](https://tcworldconference.tekom.de)

Type: speaking
Date: 2022-11-08
Event: tcworld
Venue: Stuttgart, Germany
Slides: https://tcworldconference.tekom.de

Video consumption of information was already increasingly popular, and in the past year, video consumption and usage has accelerated. There's an increasing amount of video versions of blog posts, livestreaming of tutorials, online office hours, and much more.

Video consumption of information was already increasingly popular, and in the past year, video consumption and usage has accelerated. There's an increasing amount of video versions of blog posts, livestreaming of tutorials, online office hours, and much more.

In this practical presentation I look at how technical communicators can use Open Broadcast Studio (OBS) to create instructional video content.

---

## [A short guide to creating interactive fiction](https://heapcon.io/2022/)

Type: speaking
Date: 2022-11-03
Event: heapcon
Venue: Belgrade, Serbia
Slides: https://heapcon.io/2022/a-short-guide-to-creating-interactive-fiction/

Interactive fiction (IF) occupies a curious middle ground between technical writing, programming, and creative writing. This presentation takes a look at the history of IF games, the tools used to create them across the decades, and how you can use your programming skills to tell stories.

Interactive fiction (IF) occupies a curious middle ground between technical writing, programming, and creative writing. This presentation takes a look at the history of IF games, the tools used to create them across the decades, and how you can use your programming skills to tell stories.

---

## [your ideas and projects](https://itarena.ua/it-arena-2022-lviv-s-tech-event-that-braves-the-war)

Type: attending
Date: 2022-09-30
Event: IT Arena
Venue: Lviv, Ukraine

Chris is back to see what Ukrainian entrepreneurs are working on.

Chris is back to see what Ukrainian entrepreneurs are working on.

---

## [Observability for Sustainability](https://monitorama.com/2022/pdx.html)

Type: speaking
Date: 2022-06-27
Event: Monitorama
Venue: Portland, Oregon, USA
Slides: https://monitorama.com/2022/pdx.html

A talk examining how observability practices can help measure and improve sustainability.

TBD

---

## [A guide to OBS for Tech Communication](https://oscal.openlabs.cc)

Type: speaking
Date: 2022-06-18
Event: OSCAL
Venue: Tirana, Albania
Slides: https://oscal.openlabs.cc

Video consumption of information was already increasingly popular, and in the past year, video consumption and usage has accelerated. There's an increasing amount of video versions of blog posts, livestreaming of tutorials, online office hours, and much more.

Video consumption of information was already increasingly popular, and in the past year, video consumption and usage has accelerated. There's an increasing amount of video versions of blog posts, livestreaming of tutorials, online office hours, and much more.

In this practical presentation I look at how technical communicators can use Open Broadcast Studio (OBS) to create instructional video content.

---

## [your ideas and projects](https://openinfra.dev/summit/)

Type: attending
Date: 2022-06-07
Event: Open Infra Summit
Venue: Berlin, Germany

I report on the latest updates and best practices for Kubernetes and Cloud-native computing.

I report on the latest updates and best practices for Kubernetes and Cloud-native computing.

---

## [A guide to OBS for Tech Communication](https://soapconf.com/workshops-schedule/)

Type: speaking
Date: 2022-06-01
Event: Soap! Conf
Venue: Manggha Museum of Japanese Art and Technology, Krakow
Slides: https://soapconf.com/workshops-schedule/

Video consumption of information was already increasingly popular, and in the past year, video consumption and usage has accelerated. There's an increasing amount of video versions of blog posts, livestreaming of tutorials, online office hours, and much more.

Video consumption of information was already increasingly popular, and in the past year, video consumption and usage has accelerated. There's an increasing amount of video versions of blog posts, livestreaming of tutorials, online office hours, and much more.

In this practical presentation I look at how technical communicators can use Open Broadcast Studio (OBS) to create instructional video content.

---

## [your ideas and projects](https://events.linuxfoundation.org/kubecon-cloudnativecon-europe/)

Type: attending
Date: 2022-05-18
Event: KubeCon and CloudNativeCon
Venue: Valencia, Spain

I report on the latest updates and best practices for Kubernetes and Cloud-native computing.

I report on the latest updates and best practices for Kubernetes and Cloud-native computing.

---

## [Reducing Negative and Biased Language in Documentation](https://2021.allthingsopen.org)

Type: speaking
Date: 2021-10-17
Event: All things open
Venue: online

The discussions on what constitutes negative, biased, and diverse language continue in many open source communities, often sparking heated, and strongly-opinionated debate. But if you have decided what language you want to increase, decrease, or change in your community, how do you enforce and track those changes? In this presentation I look at how to use the open source language linter tool, Vale, to check text (in supported locations and formats) for rules and styles you define. I start with showing how to setup and configure the tool, and then how to use existing rule sets, or create your own. Finally I show how you can track progress during initial language overhauls, and how to track violations moving forward.

The discussions on what constitutes negative, biased, and diverse language continue in many open source communities, often sparking heated, and strongly-opinionated debate. But if you have decided what language you want to increase, decrease, or change in your community, how do you enforce and track those changes? In this presentation I look at how to use the open source language linter tool, Vale, to check text (in supported locations and formats) for rules and styles you define. I start with showing how to setup and configure the tool, and then how to use existing rule sets, or create your own. Finally I show how you can track progress during initial language overhauls, and how to track violations moving forward.

---

## [An Introduction to Developer Experience](https://clubhouse.lastconference.com/offers/jt4DeFvC)

Type: speaking
Date: 2021-03-09
Event: LAST Clubhouse
Venue: Online
Slides: https://clubhouse.lastconference.com/offers/jt4DeFvC

Developers are users too! In this presentation I give a quick overview of the growing field of developer experience (DX), and how to tailor developer-focussed projects to meet the demands and needs of this very particular user group.

Developers are users too! In this presentation I give a quick overview of the growing field of developer experience (DX), and how to tailor developer-focussed projects to meet the demands and needs of this very particular user group.

---

## [Tool the Docs room](https://fosdem.org/2021/live/)

Type: speaking
Date: 2021-02-27
Event: Fosdem 2021
Venue: Online

This year at Fosdem I'm helping organise the Documentation tooling developer room, so drop on by.

This year at Fosdem I'm helping organise the Documentation tooling developer room, so drop on by.

---

## [An Introduction to docs-as-code](https://www.meetup.com/Metro-Phoenix-Technical-Communicators/events/276301189/)

Type: speaking
Date: 2021-02-20
Event: Arizona STC
Venue: Online
Slides: https://www.meetup.com/Metro-Phoenix-Technical-Communicators/events/276301189/

I cover the basic principles, tooling, and processes of "docs-as-code".

I cover the basic principles, tooling, and processes of "docs-as-code".

---

## [Automate your APIs to perfection](https://writethedocs.org/)

Type: speaking
Date: 2020-12-07
Event: APIDays
Venue: online
Slides: https://writethedocs.org/

API documentation can originate from many sources, and take many forms, so how do you ensure that the content is accurate and crucially, works? In this presentation Chris looks at options for testing, standardising, and checking your API documentation is as good as your API.

API documentation can originate from many sources, and take many forms, so how do you ensure that the content is accurate and crucially, works? In this presentation Chris looks at options for testing, standardising, and checking your API documentation is as good as your API.

---

## [An introduction to developer experience, and the role of a documentarian](https://writethedocs.org/)

Type: speaking
Date: 2020-12-03
Event: Write the Docs
Venue: online
Slides: https://writethedocs.org/

User experience has been a fundamental part of modern products for some time, but for tools aimed at developers, there is a growing focus on "developer experience" (DX, DevEx). Documentation is a key component of developer experience. As people with an eye on making sense out of technical complexity, documentarians should feel qualified and empowered to improve more than just documentation.

User experience has been a fundamental part of modern products for some time, but for tools aimed at developers, there is a growing focus on "developer experience" (DX, DevEx). Documentation is a key component of developer experience. As people with an eye on making sense out of technical complexity, documentarians should feel qualified and empowered to improve more than just documentation.

---

## [Write the Docs EU](https://www.writethedocs.org/conf/eu/2020)

Type: organizing
Date: 2020-10-18
Event: Write the Docs EU
Venue: Online

I'm back at Write the Docs EU again, but this time handling social media and the legendary writing day for the event.

I'm back at Write the Docs EU again, but this time handling social media and the legendary writing day for the event.

---

## [your ideas and projects](https://events.linuxfoundation.org/kubecon-cloudnativecon-europe/)

Type: attending
Date: 2020-08-17
Event: KubeCon and CloudNativeCon
Venue: RAI, Amsterdam

I report on the latest updates and best practices for Kubernetes and Cloud-native computing.

I report on the latest updates and best practices for Kubernetes and Cloud-native computing.

---

## [your ideas and projects](https://ti.to/netlify/jamstack-conf-london-2020/)

Type: attending
Date: 2020-05-27
Event: JAMStack London
Venue: The Brewery, London

A two day celebration of the next generation of web apps.

A two day celebration of the next generation of web apps.

---

## [your ideas and projects](https://20.foss-backstage.de/)

Type: attending
Date: 2020-03-06
Event: FOSS Backstage
Venue: ExRotaprint, Berlin

The conference on everything related to governance, collaboration, legal and economics within the scope of FOSS.

The conference on everything related to governance, collaboration, legal and economics within the scope of FOSS.

---

## [Automating and testing documentation](https://megacomm.org/)

Type: speaking
Date: 2020-02-27
Event: MEGAComm
Venue: Cinema City, Jerusalem
Slides: https://megacomm.org/

A talk about approaches to automating documentation workflows and testing documentation quality.

TBC

---

## [Inclusive information architecture](https://worldiadayberlin2020.splashthat.com/)

Type: attending
Date: 2020-02-22
Event: World IA Day
Venue: CareerFoundry GmbH,Köpenicker Str. 126, Berlin

I am attending World IA day in my home town of Berlin to dig more into creating inclusive information architecture.

I am attending World IA day in my home town of Berlin to dig more into creating inclusive information architecture.

---

## [the best open source has to offer](https://fosdem.org/2020/)

Type: attending
Date: 2020-02-01
Event: Fosdem 2020
Venue: ULB, Campus du Solbosch, Av. F. D. Roosevelt 50, 1050 Bruxelles

This year at Fosdem I'm just attending for fun 😄.

This year at Fosdem I'm just attending for fun 😄.

---

## [sustaining open source](https://sustainoss.org/summit-2020/)

Type: attending
Date: 2020-01-30
Event: Sustain Summit
Venue: La Tricoterie, Rue Théodore Verhaegen 158, 1060 Bruxelles, Belgium

As a lover of open source software and communities, Chris is attending this one day event to discuss how we keep our communities supplied with what they need.

As a lover of open source software and communities, Chris is attending this one day event to discuss how we keep our communities supplied with what they need.

---

## [Building developer experiences](https://london-2019.devrel.net/)

Type: attending
Date: 2019-12-10
Event: DevRelCon London
Venue: QEII CENTRE, Broad Sanctuary, Westminster, London SW1P 3EE.

Chris represents the Ethereum Foundation at DevRelCon to learn how to apply techniques from the broader tech ecosystem.

Chris represents the Ethereum Foundation at DevRelCon to learn how to apply techniques from the broader tech ecosystem.

---

## [your ideas and projects](https://www.5gtechritory.com/)

Type: attending
Date: 2019-11-27
Event: 5G Techritory Conference
Venue: Riga, Latvia

I'm back at this high-level business and political discussions on 5G global deployment, including on how to turn visions into real business models, as well as the four key vertical markets which could have the biggest benefits from the introduction of 5G Smart City, Smart Mobility, Smart Healthcare and Industry 4.0. The Forum will also include the latest 5G technology presentations. A two-day agenda at the heart of the Baltics will bring together up to 1000 attendees - European policymakers, government officials, business leaders, investors, industry experts, start-ups and academic representatives, including 60+ senior speakers from Europe, Asia, and the USA.

I'm back at this high-level business and political discussions on 5G global deployment, including on how to turn visions into real business models, as well as the four key vertical markets which could have the biggest benefits from the introduction of 5G Smart City, Smart Mobility, Smart Healthcare and Industry 4.0. The Forum will also include the latest 5G technology presentations. A two-day agenda at the heart of the Baltics will bring together up to 1000 attendees - European policymakers, government officials, business leaders, investors, industry experts, start-ups and academic representatives, including 60+ senior speakers from Europe, Asia, and the USA.

---

## [The influence of Data Science on Diversity, Sustainability and the Future of Business](https://datanatives.io/)

Type: attending
Date: 2019-11-25
Event: Data Natives 2019
Venue: Berlin

I am attending Data Natives in my home town of Berlin to dig more into the affects data science will have on our future society.

I am attending Data Natives in my home town of Berlin to dig more into the affects data science will have on our future society.

---

## [Automating and testing documentation](https://conferences.tekom.de/tcworld19/tcworld-conference-2019/)

Type: organizing
Date: 2019-11-12
Event: tcworld conference 2019
Venue: ICS Stuttgart

I'm at TechKomm's main event for the year running two meetups for participants to discuss testing documentation, AI in documentation and more.

I'm at TechKomm's main event for the year running two meetups for participants to discuss testing documentation, AI in documentation and more.

---

## [Performance. Resilience. Security.](https://conferences.oreilly.com/velocity/vl-eu)

Type: attending
Date: 2019-11-05
Event: O'Reilly Velocity Conference
Venue: Messedamm 26, 14055 Berlin

I'm attending my first O'Reilly event as they are in my home town! Yay.

I'm attending my first O'Reilly event as they are in my home town! Yay.

---

## [your ideas and projects](https://aceu19.apachecon.com)

Type: attending
Date: 2019-10-22
Event: ApacheCon
Venue: Kulturbrauerei, Berlin

Join me to discover the latest innovations in containers, cloud, DevOps, IoT, servers, web frameworks, plus many other Apache projects and communities in a collaborative, vendor-neutral environment.

Join me to discover the latest innovations in containers, cloud, DevOps, IoT, servers, web frameworks, plus many other Apache projects and communities in a collaborative, vendor-neutral environment.

---

## [Building a Web3 future](https://diffusion.events)

Type: organizing
Date: 2019-10-19
Event: Diffusion
Venue: Factory Görlitzer park, Berlin

I am mentoring hackers at this cross-blockchain hackathon.

I am mentoring hackers at this cross-blockchain hackathon.

---

## [Getting started with Solidity development](https://devcon.org)

Type: speaking
Date: 2019-10-08
Event: DevCon
Venue: ATC Hall 2 Chome-1-10 Nankokita, Suminoe Ward, Osaka

I'm delivering a workshop with the Remix team about getting started with Solidity development, and will also be around to talk about Ethereum education.

I'm delivering a workshop with the Remix team about getting started with Solidity development, and will also be around to talk about Ethereum education.

---

## [your ideas and projects](https://heapcon.io)

Type: attending
Date: 2019-09-26
Event: Heapcon
Venue: Dom omladine, Belgrade

I'm back at one of my favourite events in the Balkans, this time just to sit back and listen to some talks.

I'm back at one of my favourite events in the Balkans, this time just to sit back and listen to some talks.

---

## [Write the Docs EU](https://www.writethedocs.org/conf/eu/2018)

Type: organizing
Date: 2019-09-14
Event: Write the Docs EU
Venue: Autoclub of the Czech Republic, Opletalova 1337/29, 110 00 Praha 1-Nové Město, Czechia

I'm back at Write the Docs in Prague again, but this time handling social media and the legendary writing day for the event.

I'm back at Write the Docs in Prague again, but this time handling social media and the legendary writing day for the event.

---

## [your ideas and projects](https://www.startupnight.net/)

Type: speaking
Date: 2019-09-06
Event: Startup night
Venue: Various venues, Berlin

The longest night of Startups in Berlin is back! I'll be wandering the streets to see what interesting ideas I can find.

The longest night of Startups in Berlin is back! I'll be wandering the streets to see what interesting ideas I can find.

---

## [ETHBerlin](https://ethberlinzwei.com/)

Type: organizing
Date: 2019-08-23
Event: ETHBerlin
Venue: Factory Berlin Goerlitzer Park

I am volunteering with ETHBerlin to create the knowledge base hackers use during the legendary hackathon to find the information they need to participate.

I am volunteering with ETHBerlin to create the knowledge base hackers use during the legendary hackathon to find the information they need to participate.

---

## [Developer ethics](https://www.eventbrite.co.uk/e/ethics-in-tech-a-practical-discussion-about-ai-tickets-62108922459)

Type: speaking
Date: 2019-06-20
Event: Ethics in Tech: a Practical Discussion about AI
Venue: Google Berlin, Tucholskystraße 2, 10117, Berlin

I am appearing on a panel to discuss ethics in tech and what responsibilities developers have in the discussion.

I am appearing on a panel to discuss ethics in tech and what responsibilities developers have in the discussion.

---

## [The Ethics of Data](https://www.ibm.com/de-de/events/thinkatibm/events/datadev.html)

Type: speaking
Date: 2019-06-11
Event: The Data Science & Developer Experience
Venue: Bikini Berlin, Budapester Str. 38-50, 10787, Berlin

I am speaking about the responsibility of developers when it comes to the ethics of big data.

I am speaking about the responsibility of developers when it comes to the ethics of big data.

---

## [AI, friend or foe for tech writers?](https://soapconf.com)

Type: speaking
Date: 2019-06-05
Event: Soap! Conf
Venue: Krakow, Poland
Slides: https://soapconf.com

Tech writers are increasingly reliant on linters, grammar checkers and other tools to help us write. Are they useful, or are they bending our writing to our robot overlords will?

Tech writers are increasingly reliant on linters, grammar checkers and other tools to help us write. Are they useful, or are they bending our writing to our robot overlords will?

---

## [your ideas and projects](https://emergeconf.io)

Type: attending
Date: 2019-06-04
Event: Emerge
Venue: Minsk, Belarus

I head to Belarus to find out what the tech and startup scene has to offer.

I head to Belarus to find out what the tech and startup scene has to offer.

---

## [Explain Yourself! A crash course in better documentation](https://codegarden19.com)

Type: speaking
Date: 2019-05-22
Event: Codegarden
Venue: DOK5000, Havnegade 18, 5000 Odense

I speak at the Umbraco official conference to give a 40 minute crash course in improving documentation.

I speak at the Umbraco official conference to give a 40 minute crash course in improving documentation.

---

## [your ideas and projects](https://events.linuxfoundation.org/events/kubecon-cloudnativecon-europe-2019/)

Type: attending
Date: 2019-05-20
Event: KubeCon and CloudNativeCon
Venue: Fira Gran Via, Barcelona, Spain

I travel to Barcelona to report on the latest updates and best practices for Kubernetes and Clound-native computing.

I travel to Barcelona to report on the latest updates and best practices for Kubernetes and Clound-native computing.

---

## [The Future Decentralised Economy](https://latitude59.ee)

Type: speaking
Date: 2019-05-16
Event: Latitude59
Venue: Kultuurikatel, Tallinn, Estonia

Chris represents the Ethereum Foundation at Latitude59 to discuss the future of work, the incentive economy, and more.

Chris represents the Ethereum Foundation at Latitude59 to discuss the future of work, the incentive economy, and more.

---

## [Improving Developer experience in Web3](https://www.eventbrite.com/e/beyond-the-block-state-of-blockchain-adoption-tickets-60922337351)

Type: speaking
Date: 2019-05-06
Event: Beyond the Block – State of Blockchain Adoption
Venue: Mindspace Krausenstraße, Krausenstraße 9-10, 10117, Berlin

Chris talks about what Web3 can learn from "traditional" tech industries to improve how projects engage with developer communities.

Chris talks about what Web3 can learn from "traditional" tech industries to improve how projects engage with developer communities.

---

## [Building An Engaged Developer Community](https://zoom.us/w/903412327?tk=KTI8g10ikihNvOxLWcHMzle-tZ5BrNS4OFW1y3tSzB0.DQEAAAAANdj6ZxZ6YV9mOVU1M1R5U2JwbHNyNnBuZVZRAA)

Type: speaking
Date: 2019-05-06
Event: Crypto Oracle
Venue: https://zoom.us/w/903412327?tk=KTI8g10ikihNvOxLWcHMzle-tZ5BrNS4OFW1y3tSzB0.DQEAAAAANdj6ZxZ6YV9mOVU1M1R5U2JwbHNyNnBuZVZRAA

Chris covers how to create an engaged developer community, specifically focussing on Crypto and Web3 projects, but with inspiration drawn from wider open source and tech ecosystems.

Chris covers how to create an engaged developer community, specifically focussing on Crypto and Web3 projects, but with inspiration drawn from wider open source and tech ecosystems.

---

## [the Kauri project](https://ethdenver.com)

Type: organizing
Date: 2019-02-14
Event: ETHDenver
Venue: The Sports Castle, 1000 N Broadway, Denver, CO 80203

Chris represents the Kauri project at ETHDenver to show enthusiastic developers and writers how to contribute their Ethereum knowledge to the platform.

Chris represents the Kauri project at ETHDenver to show enthusiastic developers and writers how to contribute their Ethereum knowledge to the platform.

---

## [Tool the Docs room](https://fosdem.org/2019/)

Type: speaking
Date: 2019-02-02
Event: Fosdem 2019
Venue: ULB, Campus du Solbosch, Av. F. D. Roosevelt 50, 1050 Bruxelles

This year at Fosdem I'm helping organise the Documentation tooling developer room, so drop on by.

This year at Fosdem I'm helping organise the Documentation tooling developer room, so drop on by.

---

## [Event Store](https://dddeurope.com)

Type: organizing
Date: 2019-01-30
Event: DDD Europe
Venue: Amsterdam

Chris represents the Event Store at DDD Europe to show enthusiastic developers the concepts of event sourcing with Event Store.

Chris represents the Event Store at DDD Europe to show enthusiastic developers the concepts of event sourcing with Event Store.

---

## [the Kauri project](https://berlin2018.codemotionworld.com/location/)

Type: organizing
Date: 2018-11-20
Event: Codemotion Berlin
Venue: Schönhauser Allee 36, Berlin, 10435

Chris represents the Kauri project at Codemotion Berlin to show enthusiastic developers and writers how to contribute their Ethereum knowledge to the platform.

Chris represents the Kauri project at Codemotion Berlin to show enthusiastic developers and writers how to contribute their Ethereum knowledge to the platform.

---

## [the Kauri project](https://revision.io)

Type: organizing
Date: 2018-11-19
Event: Revision
Venue: Kraftwerk, Köpenicker Str. 70, 10179 Berlin

Chris represents the Kauri project at Revision Berlin to host a discussion on decentralised information for technology projects.

Chris represents the Kauri project at Revision Berlin to host a discussion on decentralised information for technology projects.

---

## [your ideas and projects](https://www.openstack.org/summit/berlin-2018/)

Type: attending
Date: 2018-11-13
Event: OpenStack Summit Berlin
Venue: City cube, Berlin, Germany

Chris joins the people building and operating open infrastructure at the OpenStack summit. With over 200 sessions and workshops on Container Infrastructure, CI/CD, Telecom + NFV, Public Cloud, Private & Hybrid Cloud and members of open source communities like Kubernetes, Docker, OPNFV, Ansible, Ceph, ONAP, Open vSwitch, and OpenStack.

Chris joins the people building and operating open infrastructure at the OpenStack summit. With over 200 sessions and workshops on Container Infrastructure, CI/CD, Telecom + NFV, Public Cloud, Private & Hybrid Cloud and members of open source communities like Kubernetes, Docker, OPNFV, Ansible, Ceph, ONAP, Open vSwitch, and OpenStack.

---

## [and on the speaker committee](https://apithedocs.org/london2018)

Type: attending
Date: 2018-11-09
Event: API the Docs
Venue: Barbican Centre, Silk St, London EC2Y 8DS

API The Docs is an event for tech writers, API developers, product owners and developer evangelists who embrace documentation as a crucial aspect of a great developer experience. The conference is a great opportunity to share and discuss the latest best practices, strategies and new trends relevant to API documentation and developer portals!

API The Docs is an event for tech writers, API developers, product owners and developer evangelists who embrace documentation as a crucial aspect of a great developer experience. The conference is a great opportunity to share and discuss the latest best practices, strategies and new trends relevant to API documentation and developer portals!

---

## [your projects and ideas](https://chrischinchilla.com/events)

Type: attending
Date: 2018-11-05
Event: Web Summit
Venue: MEO Arena, Lisbon
Slides: https://websummit.com

Chris and Cate are back at Europe's pre-eminent event for Startups. We're keen to meet interesting products, projects and people.

Chris and Cate are back at Europe's pre-eminent event for Startups. We're keen to meet interesting products, projects and people.

---

## [your ideas and projects](https://maltablockchainsummit.com)

Type: attending
Date: 2018-11-01
Event: Malta Blockchain Summit
Venue: Intercontinental, Malta

Chris visits "crypto island" to discover more about Blockchain on this small European nation.

Chris visits "crypto island" to discover more about Blockchain on this small European nation.

---

## [sustaining open source](https://sustainoss.org/tickets/)

Type: attending
Date: 2018-10-25
Event: Sustain Summit
Venue: Pullman London, St Pancras Hotel

As a lover of open source software and communities, Chris is attending this one day event to discuss how we keep our communities supplied with what they need.

As a lover of open source software and communities, Chris is attending this one day event to discuss how we keep our communities supplied with what they need.

---

## [Explaining the Unexplainable](https://4hub.com.ua/pitch_IT)

Type: speaking
Date: 2018-10-03
Event: Hub 4.0
Venue: HUB 4.0, Yaroslavs'kyi Ln, 1/3, Kyiv, Ukraine, 02000
Slides: https://4hub.com.ua/pitch_IT

Chris delivers a workshop drawing from his experience as a technical writer to explain how to explain complex ideas clearly and effectively.

Chris delivers a workshop drawing from his experience as a technical writer to explain how to explain complex ideas clearly and effectively.

---

## [Pitching to the Press](https://prjctr.com.ua/events/pitching-startapov.html)

Type: speaking
Date: 2018-10-02
Event: Projector
Venue: Projector, 34A, Vozdvyzhens'ka St, 34А, Kyiv, Ukraine, 02000
Slides: https://prjctr.com.ua/events/pitching-startapov.html

Chris delivers a Q&A and workshop on pitching your ideas to the press.

Chris delivers a Q&A and workshop on pitching your ideas to the press.

---

## [your ideas and projects](https://itarena.ua)

Type: attending
Date: 2018-09-28
Event: IT Arena
Venue: Lviv, Ukraine

IT Arena takes place on 28-30 September in 2018 (2 conference days at the stadium and 1 day with meetups in the historical city center) and Chris is back to see what Ukranian entrepreneurs are working on.

IT Arena takes place on 28-30 September in 2018 (2 conference days at the stadium and 1 day with meetups in the historical city center) and Chris is back to see what Ukranian entrepreneurs are working on.

---

## [your ideas and projects](https://www.5gtechritory.com/)

Type: attending
Date: 2018-09-27
Event: 5G Techritory Conference
Venue: Riga, Latvia

Chris and Cate attend high-level business and political discussions on 5G global deployment, including on how to turn visions into real business models, as well as the four key vertical markets which could have the biggest benefits from the introduction of 5G – Smart City, Smart Mobility, Smart Healthcare and Industry 4.0. The Forum will also include the latest 5G technology presentations. A two-day agenda at the heart of the Baltics will bring together up to 1000 attendees - European policymakers, government officials, business leaders, investors, industry experts, start-ups and academic representatives, including 60+ senior speakers from Europe, Asia, and the USA.

Chris and Cate attend high-level business and political discussions on 5G global deployment, including on how to turn visions into real business models, as well as the four key vertical markets which could have the biggest benefits from the introduction of 5G – Smart City, Smart Mobility, Smart Healthcare and Industry 4.0. The Forum will also include the latest 5G technology presentations. A two-day agenda at the heart of the Baltics will bring together up to 1000 attendees - European policymakers, government officials, business leaders, investors, industry experts, start-ups and academic representatives, including 60+ senior speakers from Europe, Asia, and the USA.

---

## [Write the Docs EU](https://www.writethedocs.org/conf/eu/2018)

Type: organizing
Date: 2018-09-09
Event: Write the Docs EU
Venue: Autoclub of the Czech Republic, Opletalova 1337/29, 110 00 Praha 1-Nové Město, Czechia

I'm back at Write the Docs in Prague again, but this time handling social media for the event.

I'm back at Write the Docs in Prague again, but this time handling social media for the event.

---

## [your ideas and projects](https://www.dezentral.io/)

Type: attending
Date: 2018-09-06
Event: Dezentral
Venue: Kosmos, Berlin, Germany

Chris heads to Dezentral, which aims to be an inclusive blockchain conference by bringing newcomers, builders and longtime hodlers from all over the world together to Berlin for a day full of immersion.

Chris heads to Dezentral, which aims to be an inclusive blockchain conference by bringing newcomers, builders and longtime hodlers from all over the world together to Berlin for a day full of immersion.

---

## [your ideas and projects](https://afrolynk.com/)

Type: attending
Date: 2018-08-31
Event: Afrolynk
Venue: Microsoft Berlin, Germany

Chris investigates the wonderful world of African tech at Afrolynk 2018\. A conference where entrepreneurs, accelerators, policy makers, chambers of commerce, and VCs within the African /European tech ecosystems have the opportunity to get valuable insights from each other!

Chris investigates the wonderful world of African tech at Afrolynk 2018\. A conference where entrepreneurs, accelerators, policy makers, chambers of commerce, and VCs within the African /European tech ecosystems have the opportunity to get valuable insights from each other!

---

## [the latest tech news](https://b2b.ifa-berlin.com/)

Type: attending
Date: 2018-08-31
Event: IFA
Venue: Messe, Berlin

Chris and cate are back at IFA, the world largest consumer electronics show to see what crazy ideas the world is working on.

Chris and cate are back at IFA, the world largest consumer electronics show to see what crazy ideas the world is working on.

---

## [Building a career as a freelance writer](https://www.meetup.com/Freelance-Friday-Berlin/events/250840825/)

Type: speaking
Date: 2018-07-27
Event: Freelance Friday Berlin
Venue: Unicorn Berlin

At this one day event I'll give a short presentation on my advice for starting and maintaining a freelance career as a technical writer.

At this one day event I'll give a short presentation on my advice for starting and maintaining a freelance career as a technical writer.

---

## [your ideas and projects](https://blockchainvis.co)

Type: attending
Date: 2018-07-23
Event: DAppCon
Venue: Säälchen, Berlin

Discussions on various aspects of a decentralised future.

Discussions on various aspects of a decentralised future.

---

## [your ideas and projects](https://dappcon.io)

Type: attending
Date: 2018-07-19
Event: DAppCon
Venue: Postbahnhof, Berlin

A blockchain conference purely for makers and creators, sounds intriguing!

A blockchain conference purely for makers and creators, sounds intriguing!

---

## [Documenting projects with DocFX](https://www.meetup.com/Static-Sites-Berlin/events/250424554/)

Type: speaking
Date: 2018-06-25
Event: Static sites Berlin
Venue: Contentful, Ritterstrasse 12, Berlin

At this evening meetup I'll give a short presentation Docfx, a static site documentation tool from Microsoft.

At this evening meetup I'll give a short presentation Docfx, a static site documentation tool from Microsoft.

---

## [your ideas and projects](https://toa.berlin)

Type: attending
Date: 2018-06-19
Event: Tech Open Air
Venue: Funkhaus Berlin, Nelapastrasse 18, 12459, Berlin

This time around for Tech Open Air, Chris is flying solo to hear from a whole bunch of amazing ideas and of course attempt to attend as many side events as possible.

This time around for Tech Open Air, Chris is flying solo to hear from a whole bunch of amazing ideas and of course attempt to attend as many side events as possible.

---

## [your ideas and projects](https://www.foss-backstage.de)

Type: attending
Date: 2018-06-14
Event: FOSS Backstage
Venue: Kulturbrauerei, Berlin

The conference on everything related to governance, collaboration, legal and economics within the scope of FOSS.

The conference on everything related to governance, collaboration, legal and economics within the scope of FOSS.

---

## [your ideas and projects](https://login.lt)

Type: attending
Date: 2018-06-08
Event: Login
Venue: Various, Vilinus

We're finally visiting Login and Vilinus to see what the Lithuanian tech and startup scene has to offer. This trip is kindly supported by Telesoftas.

We're finally visiting Login and Vilinus to see what the Lithuanian tech and startup scene has to offer. This trip is kindly supported by Telesoftas.

---

## [Building a career as a freelance writer](https://www.meetup.com/Write-The-Docs-London/?chapter_analytics_code=UA-101035316-1)

Type: speaking
Date: 2018-06-05
Event: Write the Docs London
Venue: Government Digital Service, Whitechapel Building 10, Whitechapel High St, London E1 8DX

At this one day event I'll give a short presentation on my advice for starting and maintaining a freelance career as a technical writer.

At this one day event I'll give a short presentation on my advice for starting and maintaining a freelance career as a technical writer.

---

## [Let's talk and play games](https://www.ukgamesexpo.co.uk)

Type: attending
Date: 2018-06-02
Event: UK Games Expo 2018
Venue: Birmingham NEC

This year I'll be at the UK games expo purely for fun, but always happy to talk games, technology, storytelling and play a game or two with you.

This year I'll be at the UK games expo purely for fun, but always happy to talk games, technology, storytelling and play a game or two with you.

---

## [Conversational UIs for Writers](https://evolution-of-tc.com)

Type: speaking
Date: 2018-05-31
Event: Evolution of TC
Venue: Novotel Sofia
Slides: https://evolution-of-tc.com

Developers of voice and chat assistants are crying out for good writers to help them create the conversational interfaces of the present and future. In this talk, I will introduce what constitutes a 'good' conversational experience and how we, as writers, can benefit from this trend.

Developers of voice and chat assistants are crying out for good writers to help them create the conversational interfaces of the present and future. In this talk, I will introduce what constitutes a 'good' conversational experience and how we, as writers, can benefit from this trend.

This will include advice on tone, variety of language, setting and checking user context, testing interfaces, presenting choice and much more.

---

## [Conversational UIs for Writers](https://soapconf.com/schedule_2018/)

Type: speaking
Date: 2018-05-23
Event: Soap! Conf
Venue: Manggha Museum of Japanese Art and Technology, Krakow
Slides: https://soapconf.com/schedule_2018/

Developers of voice and chat assistants are crying out for good writers to help them create the conversational interfaces of the present and future. In this talk, I will introduce what constitutes a 'good' conversational experience and how we, as writers, can benefit from this trend.

Developers of voice and chat assistants are crying out for good writers to help them create the conversational interfaces of the present and future. In this talk, I will introduce what constitutes a 'good' conversational experience and how we, as writers, can benefit from this trend.

This will include advice on tone, variety of language, setting and checking user context, testing interfaces, presenting choice and much more.

---

## [Documenting projects with DocFX](https://conference.mscc.mu)

Type: speaking
Date: 2018-05-19
Event: Mauritian Developer Conference
Venue: Voila Hotel & Flying Dodo, Bagatelle

I'll be on the beautiful island of Mauritius to present on this new documentation tool I've been experimenting with and how you can use it for your projects.

I'll be on the beautiful island of Mauritius to present on this new documentation tool I've been experimenting with and how you can use it for your projects.

---

## [What's the difference between an event store and a blockchain](https://conference.mscc.mu)

Type: speaking
Date: 2018-05-19
Event: Mauritian Developer Conference
Venue: Voila Hotel & Flying Dodo, Bagatelle

Both event stores and blockchain offer technology that creates a constantly appending log of immutable data, so how are they different? In this presentation I'll be on the beautiful island of Mauritius to take a look.

Both event stores and blockchain offer technology that creates a constantly appending log of immutable data, so how are they different? In this presentation I'll be on the beautiful island of Mauritius to take a look.

---

## [Preventing the Techpocalypse](https://www.katapult.tech)

Type: speaking
Date: 2018-05-14
Event: Katapult Future fest
Venue: SALT, Oslo
Slides: https://www.katapult.tech

I'll be attending the Katapult Future fest in Oslo to what we in the tech industry can do to help the public like and trust us again. I'll also appear on a panel or two.

I'll be attending the Katapult Future fest in Oslo to what we in the tech industry can do to help the public like and trust us again. I'll also appear on a panel or two.

---

## [your talks](https://www.writethedocs.org/conf/portland/2018/)

Type: attending
Date: 2018-05-06
Event: Write the Docs US
Venue: The Crystal Ballroom, 1332 W. Burnside, Portland OR 97209

I'm attending the preeminent conference for documenentarians in the US, I hope meet you there and talk about all sorts of interesting topics.

I'm attending the preeminent conference for documenentarians in the US, I hope meet you there and talk about all sorts of interesting topics.

---

## [your ideas and projects](https://collisionconf.com)

Type: attending
Date: 2018-05-02
Event: Collision Conf
Venue: Ernest N. Morial Convention Center, New Orleans

I'm visiting wonderful New Orleans for the glorious Collision Conf, I'm sure there will be a lot of fun to be had and I hope to see you there.

I'm visiting wonderful New Orleans for the glorious Collision Conf, I'm sure there will be a lot of fun to be had and I hope to see you there.

---

## [your ideas and projects](https://www.sxsw.com/festivals/interactive/)

Type: attending
Date: 2018-03-09
Event: SXSW Interactive
Venue: Austin, Texas
Slides: https://www.sxsw.com/festivals/interactive/

My first ever SXSW! I am super excited and looking forward to hearing amazing presentations, enjoying warmer weather, and… BBQ 😋.

My first ever SXSW! I am super excited and looking forward to hearing amazing presentations, enjoying warmer weather, and… BBQ 😋.

---

## [your ideas and projects](https://www.mobileworldcongress.com)

Type: attending
Date: 2018-02-26
Event: Mobile World Congress
Venue: Fira Gran Via
Slides: https://www.mobileworldcongress.com

We'll be in Barcelona from February 25 to January 1 and available for interviews, appointments, parties etc.

We'll be in Barcelona from February 25 to January 1 and available for interviews, appointments, parties etc.

---

## [Information Architecture and Ethics](https://worldiadayberlin.strikingly.com)

Type: speaking
Date: 2018-02-24
Event: World IA Day - Berlin
Venue: Infosys Innovation Fabrik, Saarbrücker Straße 36, 4th Floor, 10405 Berlin, Germany

I will be discussing ethics in design. More to follow.

I will be discussing ethics in design. More to follow.

---

## [your talks and ideas](https://bcw.bosch-si.com/berlin/)

Type: attending
Date: 2018-02-20
Event: Bosch Connected World
Venue: Station, Berlin

Bosch ConnectedWorld's purpose is to provide the inspiration, education, and connections you need to thrive in IoT. This February, we will host more than 140 speakers on four stages presenting IoT trends and implementations in front of more than 3,500 conference and hackathon participants.

Bosch ConnectedWorld's purpose is to provide the inspiration, education, and connections you need to thrive in IoT. This February, we will host more than 140 speakers on four stages presenting IoT trends and implementations in front of more than 3,500 conference and hackathon participants.

Through inspiring keynotes, three session tracks, a huge IoT exhibition, a Meet Up stage, a hackathon, and a lot networking opportunities, you will learn how the Bosch ConnectedWorld experience, and especially IoT, is truly remarkable.

---

## [IoT pitches](https://www.eventbrite.com/e/investor-tea-time-pitch-tickets-41621424802)

Type: attending
Date: 2018-02-20
Event: Investor Tea Time Pitch
Venue: Station, Berlin

Backend/frontend developers, product owners, product managers, UX experts in Germany! If you're planning to participate in the Bosch ConnectedExperience (BCX) two-day Internet of Things (IoT) hackathon, then also mark your calendar to attend the “Investor Tea Time Pitch” which will be hosted by Robert Bosch Venture Capital. You'll get to see selected IoT startups pitch their projects to invited investors and then you'll also be able to network with those investors and startups.

Backend/frontend developers, product owners, product managers, UX experts in Germany! If you're planning to participate in the Bosch ConnectedExperience (BCX) two-day Internet of Things (IoT) hackathon, then also mark your calendar to attend the “Investor Tea Time Pitch” which will be hosted by Robert Bosch Venture Capital. You'll get to see selected IoT startups pitch their projects to invited investors and then you'll also be able to network with those investors and startups.

---

## [Lint, lint, lint and away!](https://www.meetup.com/Write-The-Docs-Amsterdam/events/246609720/)

Type: speaking
Date: 2018-02-19
Event: Write the Docs - Amsterdam
Venue: Hackers & Founders Building, Herengracht, Herengrancht 504, Amsterdam

I will be discussing linting your documentation. More to follow.

I will be discussing linting your documentation. More to follow.

---

## [Tool the Docs room](https://fosdem.org/2018/)

Type: speaking
Date: 2018-02-03
Event: Fosdem 2018
Venue: ULB, Campus du Solbosch, Av. F. D. Roosevelt 50, 1050 Bruxelles

This year at Fosdem I'm helping organise the Documentation tooling developer room, so drop on by.

This year at Fosdem I'm helping organise the Documentation tooling developer room, so drop on by.

---

## [API Days Paris](https://www.apidays.io/events/paris-2017)

Type: speaking
Date: 2018-01-30
Event: API Days Paris
Venue: CIte Internationale, 17 Boulevard Jourdan, 75014 Paris, France

Are you into APIs? Then you should be at API Days Paris and I'd love to meet with you to talk about planning and documenting this glue of modern applications.

Are you into APIs? Then you should be at API Days Paris and I'd love to meet with you to talk about planning and documenting this glue of modern applications.

---

## [Literally Speaking - Dead of Winter](https://www.facebook.com/events/147651469201544/)

Type: speaking
Date: 2018-01-24
Event: Literally Speaking - Dead of Winter
Venue: BuchHafen Berlin, Okerstraße 1, 12049 Berlin, Germany

I will be reading a new piece of short fiction on the subject of 'Dead of Winter'.

I will be reading a new piece of short fiction on the subject of 'Dead of Winter'.

---

## [Documentation Assembly (TBC)](https://events.ccc.de)

Type: speaking
Date: 2017-12-27
Event: 34th Chaos Communication Congress
Venue: Messe, Leipzig

I'll be at the venerable CCC this year, possibly running a documentation assembly, watch this space for details.

I'll be at the venerable CCC this year, possibly running a documentation assembly, watch this space for details.

---

## [Tell me what you're working on](https://finance.knect365.com/finovate-middle-east/)

Type: attending
Date: 2017-12-04
Event: Finovate Dubai
Venue: Intercontinental Festival City Hotel, Dubai

I'm back at Finovate for the first time in 3 years, and this time in Dubai. I'd love to hear about what you're working on.

I'm back at Finovate for the first time in 3 years, and this time in Dubai. I'd love to hear about what you're working on.

---

## [Conversational UIs for Writers](https://www.writethedocs.org/conf/au/2017/)

Type: speaking
Date: 2017-11-24
Event: Write the Docs - Australia
Venue: Meat Market, 5 Blackwood Street North Melbourne VIC 3051 Australia
Recording: https://www.youtube.com/watch?v=_WECIeLBqu8

Developers of voice and chat assistants are crying out for good writers to help them create the conversational interfaces of the present and future. In this talk, I will introduce what constitutes a 'good' conversational experience and how we, as writers, can benefit from this trend.

Developers of voice and chat assistants are crying out for good writers to help them create the conversational interfaces of the present and future. In this talk, I will introduce what constitutes a 'good' conversational experience and how we, as writers, can benefit from this trend.

This will include advice on tone, variety of language, setting and checking user context, testing interfaces, presenting choice and much more.

---

## [Are we all doomed and what can we do about it?](https://changecon.com/speakers/chris-ward/)

Type: speaking
Date: 2017-10-21
Event: ChangeCon
Venue: Zagreb

As programmers, designers, writers and those who pursue 'creative' pursuits we consider ourselves mostly immune to the predicted forthcoming robot invasion of our jobs.

As programmers, designers, writers and those who pursue 'creative' pursuits we consider ourselves mostly immune to the predicted forthcoming robot invasion of our jobs.

But should we be so confident? A recent tool released to tell you the percentage chance of robots taking your job set the percentage at 89% for technical writers. Scary news.

In this presentation I will take a forward look at the ways that our roles may change and what we can do about it, covering topics such as:

-   Automatic writing and code generation.
-   Outsourcing and undercutting.
-   The 'devaluation' of programming knowledge.
-   New Luddites and the rejection of technology.

I promise to make you smile along the way 😁.

---

## [Are we all doomed and what can we do about it?](https://belgrade.voxxeddays.com/speakers/chris-ward)

Type: speaking
Date: 2017-10-19
Event: Voxxed Days Belgrade
Venue: Belexpocenter, Španskih boraca 74
Recording: https://www.youtube.com/watch?v=HYoVkDbqCpk

As programmers, designers, writers and those who pursue 'creative' pursuits we consider ourselves mostly immune to the predicted forthcoming robot invasion of our jobs.

As programmers, designers, writers and those who pursue 'creative' pursuits we consider ourselves mostly immune to the predicted forthcoming robot invasion of our jobs.

But should we be so confident? A recent tool released to tell you the percentage chance of robots taking your job set the percentage at 89% for technical writers. Scary news.

In this presentation I will take a forward look at the ways that our roles may change and what we can do about it, covering topics such as:

-   Automatic writing and code generation.
-   Outsourcing and undercutting.
-   The 'devaluation' of programming knowledge.
-   New Luddites and the rejection of technology.

I promise to make you smile along the way 😁.

---

## [your ideas and projects](https://itarena.ua/)

Type: attending
Date: 2017-09-29
Event: IT Arena
Venue: Lviv Arena, Ukraine

Attended IT Arena in Lviv to meet the technology community and discover new projects.

---

## [a panel discussing trends and highlights from IFA](https://www.ixds.com/events/pre-work-talk-munich-092017-IFA)

Type: speaking
Date: 2017-09-21
Event: IXDS IFA Pre-Work talk, Munich
Venue: IXDS Munich, Ganghoferstraße 68b, 80339 München

Joined a Munich panel discussing trends and highlights from IFA.

---

## [a panel discussing trends and highlights from IFA](https://www.ixds.com/events/pre-work-talk-berlin-092017-IFA)

Type: speaking
Date: 2017-09-19
Event: IXDS IFA Pre-Work talk, Berlin
Venue: IXDS Berlin, Paul-Lincke-Ufer 39-40, 10999

Joined a Berlin panel discussing trends and highlights from IFA.

---

## [Documentation beyond words](https://www.writethedocs.org/conf/eu/2017/speakers/)

Type: speaking
Date: 2017-09-10
Event: Write the Docs EU
Venue: Autoclub of the Czech Republic, Opletalova 1337/29, 110 00 Praha 1-Nové Město, Czechia

In this presentation I will explore other ways to communicate concepts beyond words to show that documentation needn't just be about technical writing.

In this presentation I will explore other ways to communicate concepts beyond words to show that documentation needn't just be about technical writing.

In the first part of the presentation I will briefly cover theories and principles behind forms of communication and what documentarians can learn from them. Topics such as:

-   Portraying meaning in images: Iconography, maps, manuals
-   Non-verbal conversation: Body language, ways of speaking
-   Fidelity: Sketch notes, simplicity, style

During each of these topics I will present in the style of the topic, so expect something a little different.

In the second practical part of the presentation I will take elements of the theory and applying them practically. I will start by looking at screenshots and diagrams. When and how to use them, what they should show, and how to manage them.

Then I'll cover taking screenshots to the next level with animated gifs and screen recordings that show clear user flows and expected results.

Finally in this part of the presentation I will cover interactive documentation, and the options for allowing readers to directly manipulate and experiment with documentation and directly see inputs and outputs.

In summary, our work typically appears on one of the most dynamic platforms (the web) that has ever existed, let's all do more with it!

---

## [your ideas and projects](https://www.startupnight.net/)

Type: attending
Date: 2017-09-08
Event: Startup Night
Venue: Various venues, Berlin

Attended Startup Night in Berlin to meet founders and learn about new ideas and projects.

---

## [Removing Berlin from audio](https://www.meetup.com/preview/BerlinPodcasting/events/238800496)

Type: speaking
Date: 2017-09-05
Event: Third one
Venue: Blinkist office, Sonnenallee 223, 12057, Berlin

Chris is talking about sound quality and editing out echoes. Especially useful in Berlin Altbaus!

Chris is talking about sound quality and editing out echoes. Especially useful in Berlin Altbaus!

---

## [the latest tech news](https://b2b.ifa-berlin.com/)

Type: attending
Date: 2017-09-01
Event: IFA
Venue: Messe, Berlin

Attended IFA Berlin to cover the latest consumer technology news and announcements.

---

## [A documentation crash course for developers](https://www.developer-week.de/Programm/Veranstaltung/(event)/21576)

Type: speaking
Date: 2017-06-28
Event: Developer Week 2017, Nürnberg
Venue: Messe Nünberg, Nürnberg, Germany

_I am back in beautiful Nürnberg and it's developer week to give another installment of my documentation for developers talk_.

_I am back in beautiful Nürnberg and it's developer week to give another installment of my documentation for developers talk_.

How many times have you come across an awesome looking library or tool that you're keen to work with in your own project but can't even begin to understand how to use it? Programmers are great at creating amazing and cutting-edge code, but not always so good and explaining themselves, and I want to help. In this presentation I want to draw upon my experience in writing tutorials and technical documentation to help you write clear, concise and usable documentation for your own projects. We will cover topics such as:

-   Why write documentation?
-   Explaining your point and motivation
-   Creating context and meaning
-   Writing clear copy
-   Creating meaningful examples and tutorials
-   Documentation systems and formats
-   Making documentation part of build processes
-   Testing Docs
-   Versioning of Docs and maintaining consistency

---

## [Explaining Complex Topics](https://chrischinchilla.com/events)

Type: speaking
Date: 2017-06-27
Event: Developer Week Community Night 2017, Nürnberg
Venue: Messe Nünberg, Nürnberg, Germany

Whilst at Developer Week in Nürnberg I'll be at their "Ask the Experts" community night, helping you understand how to explain complex topics.

Whilst at Developer Week in Nürnberg I'll be at their "Ask the Experts" community night, helping you understand how to explain complex topics.

---

## [Automate your docs, automate yourself](https://cfp.devoxx.pl/2017/talk/SLJ-3392/Automate_your_docs,_automate_yourself)

Type: speaking
Date: 2017-06-22
Event: Devoxx Poland
Venue: ICE Krakow Congress Centre

Documentation is essential for potential users to understand your awesome coding efforts.

Documentation is essential for potential users to understand your awesome coding efforts.

But I know that you'd rather get back to coding as soon as possible, so how about automating as much of your documentation as possible?

In this presentation I will show you how to automate some of the repetitive tasks involved in documentation and make your colleagues jealous.

---

## [Tell me what you're working on](https://pioneers.io/festival2017/)

Type: speaking
Date: 2017-06-01
Event: Pioneers Festival 2017
Venue: Hofburg Imperial Palace, Vienna, Austria

If you're at the Pioneers festival in wonderful Vienna, I want to hear from you! Let's share a coffee and a slice of strudel and tell me what you're working on.

If you're at the Pioneers festival in wonderful Vienna, I want to hear from you! Let's share a coffee and a slice of strudel and tell me what you're working on.

---

## [Tell me what you're working on](https://thenextweb.com/conference)

Type: speaking
Date: 2017-05-18
Event: The Next Web 2017
Venue: Westerpark, Amsterdam, The Netherlands

If you're at the Next Web festival in cheerful Amsterdam, I want to hear from you! Let's share a coffee and a slice of cake and tell me what you're working on.

If you're at the Next Web festival in cheerful Amsterdam, I want to hear from you! Let's share a coffee and a slice of cake and tell me what you're working on.

---

## [A Documentation crash course for Developers](tbc)

Type: speaking
Date: 2017-05-11
Event: I T.A.K.E. Unconference
Venue: Radisson Blue, Bucharest, Romania

Explain Yourself! Documentation for Better Code (Chris Ward) - How many times have you come across an awesome looking library or tool that you're keen to work with in your own project but can't even begin to understand how to use it?

Explain Yourself! Documentation for Better Code (Chris Ward) - How many times have you come across an awesome looking library or tool that you're keen to work with in your own project but can't even begin to understand how to use it?

Programmers are great at creating amazing and cutting-edge code, but not always so good and explaining themselves, and I want to help. In this presentation I want to draw upon my experience in writing tutorials and technical documentation to help you write clear, concise and usable documentation for your own projects.

We will cover topics such as:

-   Why write documentation?
-   Explaining your point and motivation
-   Creating context and meaning
-   Writing clear copy
-   Creating meaningful examples and tutorials
-   Documentation systems and formats
-   Making documentation part of build processes
-   Testing Docs
-   Versioning of Docs

---

## [Sex Tech of the Future - Would You Have Sex With a Robot?](https://connecting-unicorns.com/)

Type: speaking
Date: 2017-05-06
Event: UNIT
Venue: SchwuZ, Rollbergstr. 26, 12053 Berlin

Cate will be speaking about how technology is increasingly impinging on every corner of our lives, including our sex lives.

Cate will be speaking about how technology is increasingly impinging on every corner of our lives, including our sex lives.

---

## [The Future of Cardboard](https://qvconf.com/)

Type: speaking
Date: 2017-04-25
Event: Quo Vadis
Venue: Station Berlin

Games have been with us for centuries, from those that emulate battles like Chess and Risk, to the intricate mysteries of Go.

Games have been with us for centuries, from those that emulate battles like Chess and Risk, to the intricate mysteries of Go.

In the past decades the world of boardgames has growing in popularity, breaking into the mainstream with games like Catan. However the industry is generally staunchly traditional in the way it produces and markets it's ideas.

Until recently.

In this presentation I will look at how digital versions of games, tabletop simulators, app augmented games and kickstarter have changed the world of cardboard and look to the future to see where this may lead.

---

## [A Hackers guide to the Atom editor](https://telaviv2017.codemotionworld.com/agenda/)

Type: speaking
Date: 2017-03-30
Event: Codemotion Tel Aviv
Venue: tbc

Atom is the hackable text editor begun by GitHub, it was also the first application to use the Electron framework for creating native applications in JavaScript. Thanks to it's underpinnings, customising the editor and creating your own packages to extend functionality is relatively simple. In this presentation I will show how to change and extend Atom with configuration, themes and creating your own package with the Atom API, showing practical examples with the packages I have created.

Atom is the hackable text editor begun by GitHub, it was also the first application to use the Electron framework for creating native applications in JavaScript. Thanks to it's underpinnings, customising the editor and creating your own packages to extend functionality is relatively simple. In this presentation I will show how to change and extend Atom with configuration, themes and creating your own package with the Atom API, showing practical examples with the packages I have created.

---

## [CeBit](https://www.cebit.de/en/)

Type: attending
Date: 2017-03-21
Event: CeBIT
Venue: Messe, Hanover

I'll be attending Europe's pre-eminent event for digital business. I'll be keen to meet interesting products, projects and people.

I'll be attending Europe's pre-eminent event for digital business. I'll be keen to meet interesting products, projects and people.

---

## [A Documentation crash course for Developers](https://www.pycon.sk/2017/speakers/)

Type: speaking
Date: 2017-03-12
Event: PyCon Slovakia
Venue: Slovak University of Technology in Bratislava, Faculty of Informatics and Information Technologies, Ilkovičova 2, 842 16 Bratislava 4

Explain Yourself! Documentation for Better Code (Chris Ward) - How many times have you come across an awesome looking library or tool that you're keen to work with in your own project but can't even begin to understand how to use it?

Explain Yourself! Documentation for Better Code (Chris Ward) - How many times have you come across an awesome looking library or tool that you're keen to work with in your own project but can't even begin to understand how to use it?

Programmers are great at creating amazing and cutting-edge code, but not always so good and explaining themselves, and I want to help. In this presentation I want to draw upon my experience in writing tutorials and technical documentation to help you write clear, concise and usable documentation for your own projects.

We will cover topics such as:

-   Why write documentation?
-   Explaining your point and motivation
-   Creating context and meaning
-   Writing clear copy
-   Creating meaningful examples and tutorials
-   Documentation systems and formats
-   Making documentation part of build processes
-   Testing Docs
-   Versioning of Docs

---

## [Automate your docs, automate yourself](https://fosdem.org/2017/schedule/event/testing_docs/)

Type: speaking
Date: 2017-02-05
Event: Fosdem 2017
Venue: h2213, ULB, Campus du Solbosch, Av. F. D. Roosevelt 50, 1050 Bruxelles, Belgium
Slides: https://www.slideshare.net/chrischinchilla/automate-your-docs-automate-yourself

I'm back at the infamous FOSDEM, this time to talk about making your documentation polished by automating spelling, grammar, testing, screenshots and so much more.

I'm back at the infamous FOSDEM, this time to talk about making your documentation polished by automating spelling, grammar, testing, screenshots and so much more.

---

## [Electron - Solving our cross platform dreams](https://fosdem.org/2017/schedule/event/desktops_electron_solving_cross_platform/)

Type: speaking
Date: 2017-02-05
Event: Fosdem 2017
Venue: k4401, ULB, Campus du Solbosch, Av. F. D. Roosevelt 50, 1050 Bruxelles, Belgium
Slides: https://www.slideshare.net/chrischinchilla/electron-solving-our-cross-platform-dreams

I'm back at the infamous FOSDEM, this time to talk about how the Electron framework may or may not help our cross-platform dreams.

I'm back at the infamous FOSDEM, this time to talk about how the Electron framework may or may not help our cross-platform dreams.

---

## [Automate your docs, automate yourself](https://www.meetup.com/Write-The-Docs-London/events/234913157/)

Type: speaking
Date: 2016-12-05
Event: Agile the Docs
Venue: BIS Conference Centre, 1 Victoria Street, SW1H 0ET, London

A whole day meetup, organised in collaboration with GDS, to explore the tools, processes and methodologies that teams use to write documentation in an agile environment.

A whole day meetup, organised in collaboration with GDS, to explore the tools, processes and methodologies that teams use to write documentation in an agile environment.

---

## [Web Summit](https://chrischinchilla.com/events)

Type: attending
Date: 2016-11-07
Event: Web Summit
Venue: MEO Arena, Lisbon

I'll be attending Europe's pre-eminent event for Startups. I'll be keen to meet interesting products, projects and people.

I'll be attending Europe's pre-eminent event for Startups. I'll be keen to meet interesting products, projects and people.

---

## [What Ikea and Game Manuals Taught Me About Technical Writing](https://sfk.flossk.org/sfk16/)

Type: speaking
Date: 2016-10-21
Event: Software Freedom Kosovo
Venue: RIT Kosovo, Shpetim Robaj Str, 10000 Prishtina, Kosovo

In this presentation I'll examine how various diverse sources have taught me how to write better technical documentation.

In this presentation I'll examine how various diverse sources have taught me how to write better technical documentation.

---

## [Chip Shop Playtesting](https://chrischinchilla.com/events)

Type: attending
Date: 2016-10-13
Event: Spiel 2016
Venue: Messe, Essen

I will be play testing and promoting my board game Chip Shop at the infamous Spiel messe in Essen. Drop by stall A109 in hall 4 and say hello!

I will be play testing and promoting my board game [Chip Shop](https://chipshopgame.com) at the infamous [Spiel messe in Essen](https://www.merz-verlag-en.com/). Drop by stall A109 in hall 4 and say hello!

---

## [A Documentation Crash Course for Developers](https://sched.co/7o8w)

Type: speaking
Date: 2016-10-04
Event: LinuxCon Europe
Venue: Potsdam I/II
Slides: https://www.slideshare.net/chrischinchilla/a-documentation-crash-course-linuxcon-2016

Explain Yourself! Documentation for Better Code (Chris Ward) - How many times have you come across an awesome looking library or tool that you're keen to work with in your own project but can't even begin to understand how to use it?

Explain Yourself! Documentation for Better Code (Chris Ward) - How many times have you come across an awesome looking library or tool that you're keen to work with in your own project but can't even begin to understand how to use it?

Programmers are great at creating amazing and cutting-edge code, but not always so good and explaining themselves, and I want to help. In this presentation I want to draw upon my experience in writing tutorials and technical documentation to help you write clear, concise and usable documentation for your own projects.

We will cover topics such as:

- Why write documentation?
- Explaining your point and motivation
- Creating context and meaning
  - writing clear copy
- Creating meaningful examples and tutorials
- Documentation systems and formats
- Making documentation part of build processes
- Testing Docs
- Versioning of Docs

---

## [Your Favourite New Language - The Future of Swift](https://www.youtube.com/watch?v=AEYdDOHVxK0)

Type: speaking
Date: 2016-09-29
Event: Voxxed Days Belgrade
Venue: Bel Expo Centar
Slides: https://www.slideshare.net/chrischinchilla/the-past-present-and-future-of-swift-voxxed-belgrade-2016

Whilst open sourcing a language is nothing new, Apple's unprecedented step has caused massive excitement and activity for this new language, with a flurry of development and contributions.

Whilst open sourcing a language is nothing new, Apple's unprecedented step has caused massive excitement and activity for this new language, with a flurry of development and contributions.

In this presentation I would like to explore the current potential of Swift and what's going to be possible in the future.

I will cover:

- What can be accomplished with 'open' Swift
- What's missing from 'open' Swift
- Back end Swift and MVC
- Swift on non-Mac desktops
- Swift on non-iOS mobile devices
- Extending Swift
- What's next?

---

## [Beyond Software - Learning from Other Technical Writers](https://www.writethedocs.org/conf/eu/2016/speakers/#speaker-chris-ward)

Type: speaking
Date: 2016-09-19
Event: Write The Docs EU
Venue: Prague, Czech Republic

Outside of my technical writing work for software projects I have been creating a board game. A board game also requires mechanics to function and players to clearly understand how these mechanics work to use and appreciate fully.

Outside of my technical writing work for software projects I have been creating a board game. A board game also requires mechanics to function and players to clearly understand how these mechanics work to use and appreciate fully.

As part of my research for writing game manuals I looked at manuals for furniture, electronics, and cars to see how they explain to users how to setup and use their products.

In this presentation I will look at how the technical writing skills of different industries can learn from each other.

This will include:

- Game Manuals and tutorials
- Assembly instructions (e.g. those wonderful Ikea inserts)
- Service Manuals for electronics

And as part of looking at these case studies, the presentation will cover:

- Iconography vs Text
- The limitations of updating print manuals
- Reducing language and cultural colloquialisms
- Identifying what needs to be said and what doesn't

And by the end of the presentation I hope that everyone will have learnt a lot from each other and realize that we're all trying to achieve the same thing(s).

---

## [The Future of Cardboard](https://igniteberlin.com/)

Type: speaking
Date: 2016-09-12
Event: Ignite Berlin
Venue: RADIALSYSTEM V, Holzmarktstraße 33, 10243 Berlin

Games have been with us for centuries, from those that emulate battles like Chess and Risk, to the intricate mysteries of Go.

Games have been with us for centuries, from those that emulate battles like Chess and Risk, to the intricate mysteries of Go.

In the past decades the world of boardgames has growing in popularity, breaking into the mainstream with games like Catan. However the industry is generally staunchly traditional in the way it produces and markets it's ideas.

Until recently.

In this presentation I will look at how digital versions of games, tabletop simulators, app augmented games and kickstarter have changed the world of cardboard and look to the future to see where this may lead.

---

## [Android Programming Without Java](https://2016.droidcon.gr/speakers/chris-ward/)

Type: speaking
Date: 2016-07-08
Event: DroidCon Greece
Venue: Noesis Thessaloniki Science Center & Technology Museum, 6ο χλμ. Οδού ς Τ.Θ. 60330 Θέρμη, Thermi 570 01, Greece
Slides: https://www.slideshare.net/chrischinchilla/android-programming-without-java

The battle between Google and Oracle may finally be over, but let's face it, the relationship between Android developers and Java is still a rocky one.

The battle between Google and Oracle may finally be over, but let's face it, the relationship between Android developers and Java is still a rocky one.

In this presentation I would like to look at the potential for Android development with a series of alternatives to Java, especially Go, Dart, Kotlin and Swift.

I will introduce the languages, analyze their potential and what is achievable with them, seeing if any of them are viable alternatives to the Java behemoth.

---

## [Building Cross Platform Apps with Electron](https://www.meetup.com/viennajs/events/227800060)

Type: speaking
Date: 2016-06-29
Event: Vienna.JS
Venue: sektor5 Coworking Café+Lobby, Siebenbrunnengasse 44, Wien 5
Slides: https://www.slideshare.net/chrischinchilla/building-cross-platform-apps-with-electron

Electron is a fantastic tool for creating cross-platform apps with HTML, CSS, and JavaScript that look and feel _relatively_ native to the hosted Platform. In this presentation I'll give a quick overview of what's possible.

Electron is a fantastic tool for creating cross-platform apps with HTML, CSS, and JavaScript that look and feel _relatively_ native to the hosted Platform. In this presentation I'll give a quick overview of what's possible.

---

## [Chip Shop Case Study](https://viennahtml.github.io/)

Type: speaking
Date: 2016-06-28
Event: Vienna.html
Venue: sektor5 Coworking Café+Lobby, Siebenbrunnengasse 44, Wien 5

An insight look on how to build a print-at-home Chip Shop (offline) board game with printed paper cards (72 products, 76 events and 36 personalities) that let you run a computer company in the 80's to build your silicon empire. Learn how to turn cards in markdown files as used on the game website into high-quality printable PDFs for a premium pre-boxed or print-yourself card deck version and much more.

An insight look on how to build a print-at-home Chip Shop (offline) board game with printed paper cards (72 products, 76 events and 36 personalities) that let you run a computer company in the 80's to build your silicon empire. Learn how to turn cards in markdown files as used on the game website into high-quality printable PDFs for a premium pre-boxed or print-yourself card deck version and much more.

---

## [LaTeX, CSS for Print](https://oscal.openlabs.cc/)

Type: speaking
Date: 2016-05-15
Event: Oscal 16
Venue: Tirana, Albania

In this presentation I'll be dragging LaTeX out of the past kicking and screaming and be showing that it's actually kinda cool.

In this presentation I'll be dragging LaTeX out of the past kicking and screaming and be showing that it's actually kinda cool.

---

## [Don't complain about bad documentation, learn to write it better!](https://opentechsummit.net/programm/#OT2-10)

Type: speaking
Date: 2016-05-05
Event: OpenTech Summit

We spend countless hours creating technically amazing projects built upon awesome, cutting edge code. We then promote our project through newsletters, events and social media and await certain success. But nothing happens. Why? Whoops, we forgot to tell anyone how to effectively use our project, all that time waisted. In this presentation I want to draw upon my experience in writing tutorials and technical documentation to help you write clear, concise and usable documentation for your own projects.

We spend countless hours creating technically amazing projects built upon awesome, cutting edge code. We then promote our project through newsletters, events and social media and await certain success. But nothing happens. Why? Whoops, we forgot to tell anyone how to effectively use our project, all that time waisted. In this presentation I want to draw upon my experience in writing tutorials and technical documentation to help you write clear, concise and usable documentation for your own projects.

---

## [Back To The Future With Static Site Generators](https://devweek.com/agenda#back-to-the-future-with-static-site-generators)

Type: speaking
Date: 2016-04-21
Event: DevWeek London
Venue: Central Hall Westminster, London
Slides: https://www.slideshare.net/chrischinchilla/back-to-the-future-with-static-site-generators

If you remember when web sites were all created with plain HTML pages, then you'll know that CMSs and dynamic web frameworks saved us and solved all our problems. Or did they? In fact, we instead spend a lot of time customising existing code to meet our requirements, grappling with deployments and then whacking caching on top of over-powered servers to get an ounce of speed.

If you remember when web sites were all created with plain HTML pages, then you'll know that CMSs and dynamic web frameworks saved us and solved all our problems. Or did they? In fact, we instead spend a lot of time customising existing code to meet our requirements, grappling with deployments and then whacking caching on top of over-powered servers to get an ounce of speed.

Static Site Generators aim to sit somewhere in the middle and are perfect for semi-dynamic sites and with a little learning, better for content creators.

In this session, Chris will look at an overview of the principles and options for static site generators and deep dive into one or two to explain further how the work and can fit into your projects.

---

## [The Past, present and Future of Swift](https://mdevcon.com/posts/2016/02/01/chris-ward/)

Type: speaking
Date: 2016-03-18
Event: MDevCon
Venue: Tuschinski Theater(near Rembrandt Plein), Reguliersbreestraat 26, Amsterdam.
Slides: https://chrischinchilla.github.io/Presentations/future_swift/mdevcon.html

Whilst open sourcing a language is nothing new, there is no denying the popularity of Apple's new language and this has solidified with their recent move.

Whilst open sourcing a language is nothing new, there is no denying the popularity of Apple's new language and this has solidified with their recent move.

In this presentation I would like to explore the new projects created by and with Swift and see where this may lead in the future.

We will look at:

- What can be accomplished with 'open' Swift
- What's missing from 'open' Swift
- Back end Swift
- Swift on Linux
- Swift on Windows
- Will Swift on Android be possible
- What's next for Swift?

---

## [Developer Health](https://voxxeddays.com/vienna/)

Type: speaking
Date: 2016-02-29
Event: Voxxed Days Vienna
Venue: Cineplex, Wienerbergstraße 11, 1100, Vienna, Austria
Slides: https://chrischinchilla.github.io/Presentations/geek_health/voxxed_days.html

We keep up to date with the latest developments in technologies and tools. We make sure to post pull requests to fix bugs we found in projects. We offer helpful advice in forums to people with coding questions. We propose talks for meetups and conferences to provide insight and inspiration.

We keep up to date with the latest developments in technologies and tools. We make sure to post pull requests to fix bugs we found in projects. We offer helpful advice in forums to people with coding questions. We propose talks for meetups and conferences to provide insight and inspiration.

All this on top of our day job.

When in the midst of all this activity do we stop to think about our mental or physical health?

The mental stress of sustained periods of high intellectual activity is draining and exhausting. The Physical impact of having such a sedentary job is becoming increasingly recognised. And all those caffeinated and sugar filled drinks we consume to keep going? Yeah, they're not that good for us either.

In this presentation I will look at quick tips to keep ourselves a little healthier whilst we do what we love. I'm not talking gruelling evenings huffing and puffing at the gym, but manageable and easy advice to whip you into shape.

---

## [Poor and Literate Short Stories](https://www.facebook.com/events/498210087018059/)

Type: speaking
Date: 2016-02-20
Event: Poor and Literate Short Stories
Venue: Poor & Literate, Kopenhagener Straße 77, 10437 Berlin

I will be reading the intro from my 'One Day the World Ended' project at this cosy little bookshop.

I will be reading the intro from my '[One Day the World Ended](onedaytheworldended.com)' project at this cosy little bookshop.

---

## [The Future of Cardboard](https://www.meetup.com/BerlinGameScene/events/227497230/)

Type: speaking
Date: 2016-02-10
Event: Talk and Play no. 17
Venue: Game Science Center, Besselstrasse 14 Berlin, 10969
Slides: https://chrischinchilla.github.io/Presentations/chip_shop/talk_play_17.html#/

How digital games are influencing board games and vice versa. I will discuss the numerous ways that board games are joining the digital era.

How digital games are influencing board games and vice versa. I will discuss the numerous ways that board games are joining the digital era.

---

## [Programing a Board Game](https://fosdem.org/2016/schedule/event/board_game/)

Type: speaking
Date: 2016-01-30
Event: Fosdem 2016
Venue: H.2215 (Ferrer), Fosdem
Slides: https://chrischinchilla.github.io/Presentations/chip_shop/fosdem.html

Programming a Board game? Why would you want to do that?

Programming a Board game? Why would you want to do that?

In this lightening talk I will take as few turns as possible to explain why and how I decided to program a board game. Yes, a physical, printed board game.

We will look at wondrous technologies such as Markdown, Pandoc, LaTeX and chaining them all together to create a multi-format generating workflow and (hopefully) win.

---

## [Introducing Chip Shop](https://chrischinchilla.com/events)

Type: speaking
Date: 2016-01-19
Event: Art Game meetup
Venue: Saftladen, Waldemarstr. 37, 10999, Berlin

This is a  meet-up group for people interested in games as audio/visual interactive art, with less focus on mechanics or gamer culture.

This is a  meet-up group for people interested in games as audio/visual interactive art, with less focus on mechanics or gamer culture.

I will be speaking about the ongoing design process of creating the Chip Shop Board game using a computer coding framework.

---

## [Creating a plugin for Jekyll](https://www.rug-b.de/events/january-meetup-2016)

Type: speaking
Date: 2016-01-07
Event: Ruby User Group Berlin
Slides: https://chrischinchilla.github.io/Presentations/jekyll_plugins/rub_jan.html

Jekyll is an awesome static site generator written in Ruby. It's designed with simplicity in mind, but can be made more extensive and powerful by creating plugins and leveraging existing ruby gems.

Jekyll is an awesome static site generator written in Ruby. It's designed with simplicity in mind, but can be made more extensive and powerful by creating plugins and leveraging existing ruby gems.

In this presentation I'd like to give a quick overview of how...

---

## [Why I decided to code a Boardgame](https://up.front.ug/2015/12/08/meetup/)

Type: speaking
Date: 2015-12-08
Event: up.front Berlin
Slides: https://chrischinchilla.github.io/Presentations/chip_shop/upfront_dec.html

_(and how tools written in obscure programming languages helped)_

_(and how tools written in obscure programming languages helped)_

Just over a year ago I had a great idea for a boardgame where players get to run a computer company in 1980s America. As a programmer of over 15 years, it seemed obvious to me to code the game and this led me down a meandering path of obscure toolsets where I discovered some amazing gems.

In this presentation I want to introduce you to the why and how I did this, what I discovered, how it can help you and the digital future of cardboard.

---

## [Understanding Distributed Databases](https://codingserbia.com/)

Type: speaking
Date: 2015-10-07
Event: Coding Serbia
Slides: https://www.dropbox.com/s/vvrme35s872d1ez/Intro%20to%20DD.key?dl=0

The single node backend is dying or dead. A single instance of a database is no longer sufficiently available, resilient or elastic to cope with the quantities and changing requirements of data that modern applications demand. A single point of failure is no longer an option.

The single node backend is dying or dead. A single instance of a database is no longer sufficiently available, resilient or elastic to cope with the quantities and changing requirements of data that modern applications demand. A single point of failure is no longer an option.

---

## [Introducing Crate, the scalable SQL Database](https://ti.to/tcube/dublin-nosql-crate-io)

Type: speaking
Date: 2015-10-05
Event: Dublin NoSQL with Crate.io
Slides: https://www.dropbox.com/s/363bds63f9ielg3/GitHub%20Presentation%20%28Draft%29.key?dl=0

Using Crate a distributed database (Crate has a NoSQL base but is queried in SQL) as an explicit example Chris will show the theory and practice behind their component architecture, along with some basic but extremely cool queries to show what's possible with it. He will demonstrate the basic practicals of querying and coding for Crate using the gitHub archive.

Using Crate a distributed database (Crate has a NoSQL base but is queried in SQL) as an explicit example Chris will show the theory and practice behind their component architecture, along with some basic but extremely cool queries to show what's possible with it. He will demonstrate the basic practicals of querying and coding for Crate using the gitHub archive.

---

## [Understanding Distributed Databases](https://events.linuxfoundation.org/events/cloudopen-europe/program/schedule)

Type: speaking
Date: 2015-10-05
Event: CloudOpen Europe
Slides: https://www.dropbox.com/s/vvrme35s872d1ez/Intro%20to%20DD.key?dl=0

Modern applications store a lot data and demand high availability of access to it. To cope with this increasing need, developers have long struggled with scaling, sharding and synchronizing multiple instances of traditional databases.

Modern applications store a lot data and demand high availability of access to it. To cope with this increasing need, developers have long struggled with scaling, sharding and synchronizing multiple instances of traditional databases.

---

## [Introducing Distributed Databases](https://2015.webcampzg.org/talks/view/introducing-distributed-databases/)

Type: speaking
Date: 2015-10-03
Event: WebCamp Zagreb
Slides: https://www.dropbox.com/s/vvrme35s872d1ez/Intro%20to%20DD.key?dl=0

The single node backend is now dead or dying, let's look at the future.

The single node backend is now dead or dying, let's look at the future.

---

## [Introducing Distributed Databases](https://www.youtube.com/watch?v=mLuRDv7Ad0Y)

Type: speaking
Date: 2015-10-01
Event: Voxxed Days Belgrade
Slides: https://www.dropbox.com/s/vvrme35s872d1ez/Intro%20to%20DD.key?dl=0

In this presentation we will look the fact that in large scale and complex web applications the single node backend is now dead or dying.

In this presentation we will look the fact that in large scale and complex web applications the single node backend is now dead or dying.

A single instance of a database is no longer sufficiently available, resilient or elastic to cope with the quantities and changing requirements of data that modern applications demand.

---

## [GitHub revisited - Analyzing 100s of Million of events in realtime](https://www.codetalks.de/2015/programm/github-revisited-analyzing-100s-of-million-of-events-in-realtime)

Type: speaking
Date: 2015-09-30
Event: Code.Talks Hamburg
Slides: https://www.dropbox.com/s/363bds63f9ielg3/GitHub%20Presentation%20%28Draft%29.key?dl=0

In this presentation we revisit an infamous talk from Strata conference in 2012. We will look at importing, querying and analyzing the millions of events generated from one of the internet's most popular tools, GitHub.

In this presentation we revisit an infamous talk from Strata conference in 2012. We will look at importing, querying and analyzing the millions of events generated from one of the internet's most popular tools, GitHub.

---

## [Managing Distributed Databases with Apache Mesos](https://events.linuxfoundation.org/events/apache-big-data-europe/program/schedule)

Type: speaking
Date: 2015-09-28
Event: Apache Big Data Europe
Slides: https://www.dropbox.com/s/js2j29krgrjf43s/Mesos%20Preso.key?dl=0

Apache Mesos is a fantastic tool for abstracting CPU, memory, storage, and other compute resources away from machines (physical or virtual). Alongside these features is Mesos-DNS, which provides service discovery for all applications and services running in a Mesos cluster. These features combined lets you program against your datacenter like it's a single pool of resources, a useful tool when building highly scalable applications stacks.

Apache Mesos is a fantastic tool for abstracting CPU, memory, storage, and other compute resources away from machines (physical or virtual). Alongside these features is Mesos-DNS, which provides service discovery for all applications and services running in a Mesos cluster. These features combined lets you program against your datacenter like it's a single pool of resources, a useful tool when building highly scalable applications stacks.

---

## [Developer Health](https://www.youtube.com/watch?v=-AlmhhnfJ-E)

Type: speaking
Date: 2015-09-24
Event: Reject.JS - Berlin
Slides: https://chrischinchilla.github.io/Presentations/geek_health

In this presentation I will look at quick tips to keep ourselves a little healthier whilst we do what we love. I'm not talking gruelling evenings huffing and puffing at the gym, but manageable and easy advice to whip you into shape.

In this presentation I will look at quick tips to keep ourselves a little healthier whilst we do what we love. I'm not talking gruelling evenings huffing and puffing at the gym, but manageable and easy advice to whip you into shape.

---

## [Understanding databases for distributed applications](https://bed-con.org/2015/talks/Understanding-databases-for-distributed-applications)

Type: speaking
Date: 2015-09-17
Event: Berlin Expert Days 2015
Slides: https://www.dropbox.com/s/vvrme35s872d1ez/Intro%20to%20DD.key?dl=0

The single node backend is dead. A single instance of a database is no longer sufficiently available, resilient or elastic to cope with the quantities and changing requirements of data that modern applications demand.

The single node backend is dead. A single instance of a database is no longer sufficiently available, resilient or elastic to cope with the quantities and changing requirements of data that modern applications demand.

---

## [Scale Your Database like Your Application](https://www.youtube.com/watch?v=SdnpQAVI_cc&index=2&list=PLzSGDpUWtiotQ3QTnwA75ndJ3qpepp75V)

Type: speaking
Date: 2015-09-07
Event: Docker Randstad
Slides: https://www.dropbox.com/s/41b60ydc97rr8pi/Docker%20presentation%20%28Chris%20W%29.key?dl=0

Crate is a distributed database that allows you to create a flexible and scalable backend suited to a wide variety of purposes. By deploying and managing your Crate Cluster using Docker, you benefit from simple scalable capacity, resilience and portability, no matter how complex or large your application becomes.

Crate is a distributed database that allows you to create a flexible and scalable backend suited to a wide variety of purposes. By deploying and managing your Crate Cluster using Docker, you benefit from simple scalable capacity, resilience and portability, no matter how complex or large your application becomes.

---

## [Documenting your Story - Crafting a good presentation](https://writethedocs-www.readthedocs.org/conf/eu/2015/speakers/#speaker-cward)

Type: speaking
Date: 2015-08-31
Event: Write the docs, Prague
Slides: https://chrischinchilla.github.io/Presentations/good_presentations/

Whilst not a part of the core documentation of projects, presentations and delivering them to the public are an essential part of spreading the word about what you do.

Whilst not a part of the core documentation of projects, presentations and delivering them to the public are an essential part of spreading the word about what you do.

In this presentation I will explore and explain my experiences as an advocate for several open source projects, audience reactions to those presentations and how I have iterated my presentations in sync with changes to product and branding.

---

## [Orchestrating databases with Docker](https://www.youtube.com/watch?v=YMonkXC4hyk)

Type: speaking
Date: 2015-07-08
Event: meetup

A presentation about orchestrating database services with Docker.

[Read more](https://www.youtube.com/watch?v=YMonkXC4hyk)

---

## [Advocate Bits](https://sourcecode.berlin/enthusiasticon/)

Type: speaking
Date: 2015-06-21
Event: Enthusiasticon

In this short presentation I gave an overview of what Developer Advocates are and what we do.

In this short presentation I gave an overview of what Developer Advocates are and what we do.

---

## [Printing the web](https://sourcecode.berlin/enthusiasticon/)

Type: speaking
Date: 2015-06-21
Event: Enthusiasticon

In this short presentation I gave an overview of the development and build process behind the Chip Shop boardgame.

In this short presentation I gave an overview of the development and build process behind the Chip Shop boardgame.

---

## [Understanding databases for distributed Docker applications](https://www.youtube.com/watch?v=gILCPu6lGZo)

Type: speaking
Date: 2015-06-01
Event: Berlin Buzzwords

In this talk we'll focus on the use of Crate alongside Weave in Docker containers, the technical challenges, best practices learned, and getting a simple web application running alongside it. You'll learn about the reasons why Crate.IO is building "yet another NoSQL database" and why it's unique and important when running containerized applications.

In this talk we'll focus on the use of Crate alongside Weave in Docker containers, the technical challenges, best practices learned, and getting a simple web application running alongside it. You'll learn about the reasons why Crate.IO is building "yet another NoSQL database" and why it's unique and important when running containerized applications.

---

## [Understanding databases for distributed Docker applications](https://2015.distributed-matters.org/dub/speakers/#1961451827466)

Type: speaking
Date: 2015-06-01
Event: NoSQL Matters Dublin
Slides: https://de.slideshare.net/NoSQLmatters/chris-ward-understanding-databases-for-distributed-docker-applications-nosql-matters-dublin-2015

In this talk we'll focus on the use of Crate alongside Weave in Docker containers, the technical challenges, best practices learned, and getting a big data application running alongside it.

In this talk we'll focus on the use of Crate alongside Weave in Docker containers, the technical challenges, best practices learned, and getting a big data application running alongside it.

---

## [Powering the Internet of Things with Distributed Databases](https://www.meetup.com/Internet-of-Things-Helsinki/events/221317511/)

Type: speaking
Date: 2015-05-28
Event: Internet of Things Meet up Helsinki

Crate.IO have made a fully open source distributed SQL database that offers a wide variety of features behind a standard SQL Interface. Perfect for the ever changing needs of IoT, Chris will show you why we decided to create the database, how it fits into the database landscape and how to use it.

Crate.IO have made a fully open source distributed SQL database that offers a wide variety of features behind a standard SQL Interface. Perfect for the ever changing needs of IoT, Chris will show you why we decided to create the database, how it fits into the database landscape and how to use it.

---

## [Understanding databases for distributed Docker applications](https://idcdatahub.com/agenda/)

Type: speaking
Date: 2015-05-21
Event: IDC Data hub conference Vienna

In this talk we'll focus on the use of Crate alongside Weave in Docker containers, the technical challenges, best practices learned, and getting a simple web application running alongside it. You'll learn about the reasons why Crate.IO is building "yet another NoSQL database" and why it's unique and important when running containerized applications.

In this talk we'll focus on the use of Crate alongside Weave in Docker containers, the technical challenges, best practices learned, and getting a simple web application running alongside it. You'll learn about the reasons why Crate.IO is building "yet another NoSQL database" and why it's unique and important when running containerized applications.

---

## [Taking 'open' beyond software](https://oscal.openlabs.cc/2015/)

Type: speaking
Date: 2015-05-14
Event: OSCAL Albania
Slides: https://www.dropbox.com/s/0g4sjn82h03hfk5/OSCAL%20Presentation.key?dl=0

What other creative endeavours use the concept of 'open source'?

What other creative endeavours use the concept of 'open source'?

---

## [Crate and Docker - Scale Your Database like Your Application](https://www.meetup.com/Docker-Hamburg/events/221545081/)

Type: speaking
Date: 2015-04-28
Event: Docker meetup Hamburg

Crate is a distributed database that allows you to create a flexible and scalable backend suited to a wide variety of purposes.

Crate is a distributed database that allows you to create a flexible and scalable backend suited to a wide variety of purposes.

---

## [Scalable Databases](https://www.meetup.com/AWS-Berlin/events/220782846/)

Type: speaking
Date: 2015-04-23
Event: AWS User Group Meet up Berlin
Slides: https://www.dropbox.com/s/m64yrlzvgyxa3ty/AWS%20presentation%20%28Chris%20W%29.key?dl=0

How Crate integrates with Amazon Web Services

How Crate integrates with Amazon Web Services

---

## [Crate and Docker](https://chrischinchilla.com/events)

Type: speaking
Date: 2015-04-13
Event: Docker Berlin

Scale Your Database like Your Application: Crate is a distributed database that allows you to create a flexible and scalable backend suited to a wide variety of purposes. Read more

Scale Your Database like Your Application: Crate is a distributed database that allows you to create a flexible and scalable backend suited to a wide variety of purposes. [Read more](https://www.meetup.com/Docker-Berlin/events/221573093/)

---

## [What does 'always listening' mean to your UX?](https://www.slideshare.net/chrischinchilla/always-listening-user-experience)

Type: speaking
Date: 2014-06-22
Event: Internet of Things Meet up
Slides: https://www.dropbox.com/sh/82ati79vv9h42gj/AABQ68-sbPhuwWJpFWKWznRja?dl=0

What are the new paradigms for User Experience with the new wave of always listening devices such as Siri and Google now?

What are the new paradigms for User Experience with the new wave of always listening devices such as Siri and Google now?

---

## [Cosmic Horror & HP Lovecraft](https://melbourne.lanewaylearning.com/classes/cosmic-horror-and-hp-lovecraft/)

Type: speaking
Date: 2014-03-05
Event: Laneway Learning
Slides: https://www.dropbox.com/s/q9ttt0ljseb1ck2/HP%20Lovecraft%2C%20Laneway%20Learning%20v2.pptx?dl=0

I love the works and worlds of HP Lovecraft, here's a talk I have done occasionally, it's usually followed by a reading.

I love the works and worlds of HP Lovecraft, here's a talk I have done occasionally, it's usually followed by a reading.

---

## [JS, CMS, untangle the mess](https://www.slideshare.net/chrischinchilla/js-cms-untangle-the-mess)

Type: speaking
Date: 2014-02-14
Event: Melbourne JS 2014
Slides: https://www.dropbox.com/sh/uf0vzc50sosn7oo/AADjPG5a1wxtufLKa3jh5UERa?dl=0

My MelbJS Feb 2014 talk on how CMSs (Wordpress, Joomla, Drupal and Expression Engine) use JavaScript.

My MelbJS Feb 2014 talk on how CMSs (Wordpress, Joomla, Drupal and Expression Engine) use JavaScript.

---

## [Why you should come to Drupal South](https://www.slideshare.net/chrischinchilla/why-you-should-come-to-drupalsouth?related=1)

Type: speaking
Date: 2014-01-19
Event: Drupal Melbourne 2014
Slides: https://www.dropbox.com/sh/fx8hs4uycaq1g0q/AABeyGXylwKq1DIaV5PrSSF4a?dl=0

Why Melbournians should come to DrupalSouth.

Why Melbournians should come to DrupalSouth.

---

## [Drupal DevOps-decoupling, demystifying and decomplicating](https://www.slideshare.net/chrischinchilla/melbourne-devops?related=1)

Type: speaking
Date: 2013-07-23
Event: Melbourne DevOps
Slides: https://www.dropbox.com/s/31kqaxrmryinkm2/Melbourne%20Devops.pptx?dl=0

What's the workflow for DevOps in Drupal? We look at tools, tips and examples.

What's the workflow for DevOps in Drupal? We look at tools, tips and examples.

---

## [Power your mobile presence with Drupal](https://www.slideshare.net/chrischinchilla/power-your-mobile-app-with-drupal)

Type: speaking
Date: 2013-07-17
Event: Melbourne Mobile
Slides: https://www.dropbox.com/s/7uvunyzavwdufk2/Melbourne%20Mobile.pptx?dl=0

Learn how to utilise Drupal to power your mobile app or website.

Learn how to utilise Drupal to power your mobile app or website.

---

## [Removing Barriers in Engagement](https://www.slideshare.net/chrischinchilla/removing-barriers-in-engagement-melbourne-geek-night-july-2013)

Type: speaking
Date: 2013-07-17
Event: Melbourne Geek Night
Slides: https://www.dropbox.com/s/evtq6c76hpw6892/Geek%20Night%20v1.pptx?dl=0

When running an organisation or service that is reliant on the efforts of volunteers, members or a community to run and sustain itself, it can be hard to attract recruits and really tell them what you need help with. Many make it difficult to access information and get involved, with technology making accessing this information easier and easier, why not take advantage of it.

When running an organisation or service that is reliant on the efforts of volunteers, members or a community to run and sustain itself, it can be hard to attract recruits and really tell them what you need help with. Many make it difficult to access information and get involved, with technology making accessing this information easier and easier, why not take advantage of it.

---

## [Tweak, Test and Debug your mobile apps](https://www.slideshare.net/chrischinchilla/web-directions-code)

Type: speaking
Date: 2013-05-07
Event: Web directions Code 13
Slides: https://www.dropbox.com/s/0dsohid75kd0igy/Web%20Directions%20Code.pptx?dl=0

Advice, tools and tips for tweaking, testing and debuging your mobile apps.

Advice, tools and tips for tweaking, testing and debuging your mobile apps.

---

## [Why your image of the world could be wrong](https://www.slideshare.net/chrischinchilla/why-your-image-of-the-world-could-be-wrong)

Type: speaking
Date: 2013-03-12
Event: Laneway learning, Melbourne
Slides: https://www.dropbox.com/s/s6aiwxpc4pr5y5f/Mapping%20Presentation.pptx?dl=0

Your view of the world is wrong. In this session we learn how and why many conventional maps are incorrect and why it may or may not matter. We also look at some of the sad, gory and checkered stories that have lead to what we know about the world. Or think we know...

Your view of the world is wrong. In this session we learn how and why many conventional maps are incorrect and why it may or may not matter. We also look at some of the sad, gory and checkered stories that have lead to what we know about the world. Or think we know...

---

## [Customising CiviCRM](https://www.slideshare.net/chrischinchilla/customising-civicrm)

Type: speaking
Date: 2012-10-29
Event: CiviCRM Melbourne
Slides: https://www.dropbox.com/s/1tlem5pwxloeaae/Customising%20CiviCRM.pptx?dl=0

The various methods to customise a CiviCRM installation to meet your needs and requirements.

The various methods to customise a CiviCRM installation to meet your needs and requirements.

---

## [Drupal](https://www.slideshare.net/chrischinchilla/drupal-melbourne-cryptoparty)

Type: speaking
Date: 2012-10-27
Event: Cryptoparty Melbourne
Slides: https://www.dropbox.com/s/2fvrmato5k8t112/Drupal%20Cryptoparty.pptx?dl=0

How Drupal handles security and privacy.

How Drupal handles security and privacy.

---

## [HP Lovecraft-Father of Gothic Horror](https://www.slideshare.net/chrischinchilla/hp-lovecraft-laneway-learning)

Type: speaking
Date: 2012-09-05
Event: Laneway Learning, Melbourne
Slides: https://www.dropbox.com/s/q9ttt0ljseb1ck2/HP%20Lovecraft%2C%20Laneway%20Learning%20v2.pptx?dl=0

A history and analysis of the Godfather of cosmic horror,  HP Lovecraft.

A history and analysis of the Godfather of cosmic horror,  HP Lovecraft.

---

## [Cosmic Horror & HP Lovecraft](https://melbourne.lanewaylearning.com/classes/cosmic-horror-and-hp-lovecraft-2/)

Type: speaking
Date: 2012-09-04
Event: Laneway Learning
Slides: https://www.dropbox.com/s/xhvsk3m3jabvwdi/HP%20Lovecraft%2C%20Laneway%20Learning.pptx?dl=0

I love the works and worlds of HP Lovecraft, here's a talk I have done occasionally, it's usually followed by a reading.

I love the works and worlds of HP Lovecraft, here's a talk I have done occasionally, it's usually followed by a reading.

---

## [CiviCRM and Wordpress](https://www.slideshare.net/chrischinchilla/civicrm-and-wordpress)

Type: speaking
Date: 2012-08-08
Event: Melbourne Wordpress Meetup
Slides: https://www.dropbox.com/s/v9skjeitzn3ncd9/CiviCRM%20Wordpress.pptx?dl=0

An overview of how to use CiviCRM with Wordpress.

An overview of how to use CiviCRM with Wordpress.

---

## [Blogging with Drupal](https://www.slideshare.net/chrischinchilla/blogging-with-drupal)

Type: speaking
Date: 2012-07-24
Event: Drupal Melbourne
Slides: https://www.dropbox.com/s/ijrd9h231bf1rei/Blogging%20with%20Drupal.pptx?dl=0

An overview of blogging with Drupal and moving from other platforms.

An overview of blogging with Drupal and moving from other platforms.

---

## [Building mobile apps with PhoneGap and Titanium appcelerator](https://www.slideshare.net/chrischinchilla/building-mobile-apps-with-phonegap-and-titanium-appcelerator)

Type: speaking
Date: 2012-07-22
Event: Melbourne Geek Night
Slides: https://www.dropbox.com/s/nk3flrh849tt7r9/Melbourne%20Geek%20night%2023rd%20July.pptx?dl=0

A basic intro to PhoneGap and Titanium Appcelerator for web developers.

A basic intro to PhoneGap and Titanium Appcelerator for web developers.

---

## [JQuery Mobile](https://www.slideshare.net/chrischinchilla/jquery-mobile-13649045)

Type: speaking
Date: 2012-07-09
Event: Mobile Melbourne
Slides: https://www.dropbox.com/s/pgsrda4jp1h205y/Jquery%20mobile.pptx?dl=0

A basic intro to JQuery Mobile for Cross Platform developers.

A basic intro to JQuery Mobile for Cross Platform developers.

---

# Clients

---

## [adoc Studio](https://www.adoc-studio.app)

Type: Advisory
Engagement: 2025 — 2025

Create technical documents in no time at all. Use the full range of AsciiDoc – wherever you are. I helped with product advisory and marketing.

---

## [Aspect](https://www.aspect.build)

Type: Technical writing
Engagement: 2024 — 2025

Aspect creates tools and hosts a platform for fast, scalable, developer workflows and infrastructure for Bazel. I help with documentation and the occasional technical blog post.

---

## [Dosu](https://dosu.dev)

Type: Advisory
Engagement: 2025 — 2025

Stop wasting time with stale, static documentation. Dosu turns your codebase into a living knowledge base that every team member can understand—from engineering to operations. I helped with product advisory and marketing.

---

## [Ekline](https://ekline.io)

Type: Advisory
Engagement: 2024 — 2025

Effortlessly create and maintain high-quality docs, Ekline empower engineers, technical writers, and product managers with AI tools for seamless documentation. I helped with product advisory and marketing.

---

## [Expanso](https://www.expanso.io)

Type: blogging
Engagement: 2024 — 2025

Expanso is a distributed computing platform designed for cloud, on-prem, and edge environments. It simplifies data management, making it easy to schedule workloads & gain insights fast. I helped with technical blog posts and documentation.

---

## [Parseable](https://parseable.com/)

Type: blogging
Engagement: 2024 — 2025

Parseable is a big data database for logging and observability. I help with technical blog posts and videos.

---

## [ReveCom](https://revecom.io)

Type: Blogging
Engagement: 2020 — 2025

I write and edit posts for several ReveCom clients including Cosmonic, Kasten, and Speedscale.

---

## [KILT](https://www.kilt.io)

Type: Technical writing
Engagement: 2023 — 2024

KILT provides secure, practical identity solutions for enterprises and consumers. I helped the team overhaul documentation and platform as well as documenting new features and creating video content.

---

## [Slint](https://slint.dev)

Type: Technical writing
Engagement: 2023 — 2024

Slint is a cross-platform SDK for building UIs. I helped the team overhaul their documentation tooling and rewrote their quickstart guides.

---

## [CAEPE](https://docker.com)

Type: Technical writing
Engagement: 2022 — 2023

CAEPE is a Comprehensive Control Plane for Kubernetes Application Deployments

I helped the company create its documentation tooling, documentation, and technical video content.

---

## [Dev Spotlight](https://www.devspotlight.com/)

Type: Blogging
Engagement: 2020 — 2023

I write posts for several Dev Spotlight clients including Kong, Salesforce, and others.

---

## [Docker](https://docker.com)

Type: Technical writing
Engagement: 2023 — 2023

Docker Inc is a major contributor to many container-related technologies and its own commercial offerings. I was a staff technical writer on the documentation team and was attached to working on a number of commercial products. My responsibilities included:

- Working with product managers, engineers, and designers to create and maintain documentation for new and existing products
- Proposing and steering new improvement projects
- Editing and reviewing submissions from internal and external contributors
- Liaising and working with our developer relations and marketing teams for collaboration ideas
- Writing technical blog posts for products
- Providing guidance, mentorship, and feedback

---

## [n8n](https://n8n.io)

Type: Technical writing
Engagement: 2023 — 2023

I helped the n8n team with creating self-hosting guides for their automation platform.

---

## [Sentry](https://sentry.io/welcome/)

Type: Blogging
Engagement: 2023 — 2023

I wrote blog posts on how to debug with certain languages.

---

## [Chronosphere](https://chronosphere.io)

Type: Technical writing
Engagement: 2020 — 2022

Chronosphere is the steward for M3, the highly available time series database, and its commercial offering. I was the sole tech writer for both projects, and my role included:

- Overhauling documentation and platforms
- Creating and maintaining a style guide and automated style checking tools
- Creating and maintaining tests, screenshot generation, and other documentation tools
- Editing and reviewing submissions from internal and external contributors
- Liaising and working with our developer relations and marketing teams for collaboration ideas
- Responsibility for metrics, planning, and delivery of documentation

---

## [Glassfy](https://github.com/glassfy)

Type: Technical writing
Engagement: 2022 — 2022

I helped the (now closed) mobile payments SDK overhaul their documentation.

---

## [Humanitec](https://humanitec.com/)

Type: blogging
Engagement: 2020 — 2022

Humanitec is building a platform to automate the continuous delivery process for Kubernetes-native applications. I contribute technical articles to their blog.

---

## [ConsenSys](https://kauri.io)

Type: Technical writing and editing
Engagement: 2018 — 2020

Kauri is a ConsenSys spoke focussed on building a technical knowledge resource for the Ethereum ecosystem. I helped source writers to contribute content, edited their work, offered documentation support to projects, created technical writing training materials, and coordinated and mentored the community in better technical writing practices. _Kauri lost its funding in 2020 and is now archived_.

---

## [Dgraph](http://dgraph.io)

Type: Technical writing
Engagement: 2020 — 2020

I helped the Dgraph team with overhauling their Hugo-based documentation site.

---

## [Ethereum Foundation](https://www.ethereum.org/)

Type: Technical writing
Engagement: 2018 — 2020

I worked on documentation for the Solidity project, the programming language developers use to create application on the Ethereum Blockchain, relaunching the Ethereum wiki, and several other developer education projects.

---

## [Event Store](https://eventstore.org)

Type: documentation
Engagement: 2017 — 2020

Event Store is an open-source, functional database with Complex Event Processing in C# JavaScript. I maintained their documentation and technical blog posts.

---

## [Exoscale](https://www.exoscale.com/)

Type: Blogging
Engagement: 2018 — 2020

I helped this Swiss hosting company with technical blog content.

---

## [GitLab](https://about.gitlab.com/blog)

Type: blogging
Engagement: 2020 — 2020

GitLab is a complete CI/CD toolchain in a single application. One interface. One conversation. One permission model. I contributed technical articles to their blog.

---

## [libcamera](http://libcamera.org/index.html)

Type: Documentation
Engagement: 2020 — 2020

I helped with documentation for this open source camera stack and framework for Linux, Android, and ChromeOS.

---

## [Progress](https://www.progress.com/)

Type: Blogging
Engagement: 2019 — 2020

Progress creates tooling and libraries for enterprise applications. I helped with blog posts.

---

## [Unity MARS](https://unity.com/products/mars)

Type: Documentation
Engagement: 2020 — 2020

I helped with documentation for this plugin for the Unity editor for AR development.

---

## [Tech Beacon](https://techbeacon.com)

Type: blogging
Engagement: 2017 — 2019

TechBeacon is an HPE Software initiative that focuses on information that really matters for competing effectively in business without compromising on editorial integrity. Their editorial mission is simple: to connect our readers to the leading experts who understand what it takes to succeed. I contribute article to the site on a regular basis covering a variety of topics.

---

## [CodeShip](https://blog.codeship.com/)

Type: blogging
Engagement: 2016 — 2018

Codeship is a fully customizable Continuous Integration service in the cloud and their blog is an industry respected leader for container and continuous integration content. I contributed an article on a monthly basis to the blog for two years. _Codeship is now owned by Cloudbees_.

---

## [Data Artisans](https://data-artisans.com)

Type: Technical Writing
Engagement: 2017 — 2018

data Artisans was founded in 2014 by the original creators of Apache Flink, a scalable stream and batch data processing framework. I helped the company with documentation reviews and technical blog posts. _data Artisans is now owned by Ali Baba cloud_.

---

## [Facebook Messenger](https://www.messenger.com/)

Type: Technical writing
Engagement: 2018 — 2018

I helped create tutorials and blueprints to help developers build bots for Facebook Messenger.

---

## [Faria Education Group](https://www.fariaedu.com/)

Type: marketing
Engagement: 2017 — 2018

Faria was founded in 2006 to transition schools off paper onto a curriculum-focused learning platform. Today they serve over 2,200 schools and over 550,000 students in 120 countries with a distributed team of 76 spread across 10 cities. I wrote and maintained their API documentation, user guides and the company internal documentation.

---

## [here](https://here.com/)

Type: documentation
Engagement: 2017 — 2018

HERE provides mapping data and related services to individuals and companies. I helped their innovation team with documentation, examples and developer experience.

---

## [Sqreen](https://www.sqreen.io/)

Type: blogging
Engagement: 2017 — 2018

Sqreen is a protection platform for web applications. Sqreen instantly detects and blocks malicious requests and identifies which user accounts are performing the attacks. I wrote tutorials and articles on security topics for the users of the platform, and overhauled their documentation.

---

## [Takipi](https://blog.takipi.com/)

Type: blogging
Engagement: 2017 — 2018

OverOps tells you when and why code breaks in production. Takipi is their blog covering Java, Containers and other technologies. I contributed articles to the blog on a regular basis.

---

## [Weave](https://www.weave.works/)

Type: Blogging
Engagement: 2018 — 2018

Weave creates software to help developers and DevOps professionals work with and manage their distributed applications. I helped with blog posts, landing pages and whitepapers.

---

## [Coralogix](https://coralogix.com/blog/)

Type: blogging
Engagement: 2017 — 2017

Coralogix automatically clusters millions of log records back into their patterns and finds connections between those patterns to form the baseline flows of each software individually, thus helping companies to get a hold of their log data and proactively solve their production problems. I contributed regular articles to their blog.

---

## [Pager Duty](https://www.pagerduty.com/)

Type: writing
Engagement: 2017 — 2017

PagerDuty is the enterprise incident resolution service that integrates with ITOps and DevOps monitoring stacks to improve operational reliability and agility. I created articles for their new FAQ section and some blogs.

---

## [Sitepoint](https://sitepoint.com/)

Type: blogging
Engagement: 2014 — 2017

SitePoint is a hub for web developers to share their passion for building incredible Internet things. Founded by Mark Harbottle and Matt Mickiewicz in 1999, SitePoint is for web professionals, by web professionals: developers, designers, programmers, product creators and entrepreneurs alike. I worked as a writer, reviewer and editor of the mobile channel for three years.

---

# Gear

---

## [Adobe Audition](https://chrischinchilla.com/gear/adobe-audition)

Tags: Software

Affiliate link: https://www.adobe.com/products/audition.html

The audio editor I use for podcasts, kept mainly thanks to a grandfathered education licence — though I'm weighing alternatives.

I currently use [Adobe Audition](https://adobe.com/audition) for editing podcasts and other random audio recording needs. The essential sound tools aside, It feels tired and uncared for in comparison to many other audio and Adobe tools, so I am looking for a replacement.

Much of the reason I stick to Adobe tools is that I am grandfathered into an education license at a great price, so it's hard to switch away from a deal I will never receive again. However, Adobe have also now changed their pricing model and this discounted rate will stop at the end of 2026, so I am weighing up alternatives.

However, I have so much set up with it, and given my simple audio requirements, it's hard to find the time or motivation to switch. Open to suggestions!

---

## [Adobe Premiere Pro](https://chrischinchilla.com/gear/adobe-premiere-pro)

Tags: Software, Video

Affiliate link: https://www.adobe.com/products/premiere.html

My main video editor for almost everything I produce, with text-based editing and AI sound enhancement now central to my workflow.

I currently edit almost all of my videos with [Adobe Premiere](https://www.adobe.com/products/premiere.html). Much of the reason I stick to Adobe tools is that I am grandfathered into an education license at a great price, so it's hard to switch away from a deal I will never receive again. However, Adobe have also now changed their pricing model and this discounted rate will stop at the end of 2026, so I am weighing up Final Cut Pro and DaVinci Resolve as alternatives.

For some time, Premiere felt as tired as Audition and was treated with disdain by many video professionals. However, in the past few years, it has upped its game, and while some of the new AI features I have less need for, tools like text-based editing and sound enhancement have been a great productivity boost.

I have been building libraries of assets for text and graphic overlays while editing. But the way Creative Cloud applications save and sync different styles and assets into synced libraries remains confusing to me, as does what I can store as an asset versus what I need to keep separately as an After Effects project. But I will keep pursuing it, as my current workflow (embarrassingly, copying and pasting previous overlays from older videos) is problematic.

---

## [Apple Mac Mini M4 Pro](https://chrischinchilla.com/gear/apple-mac-mini-m4-pro)

Tags: Desk and Streaming Setup

Affiliate link: https://www.amazon.com/dp/B0DLBVHSLD/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20

My main desktop machine, chosen to consolidate USB ports, external drives, and sample libraries in one always-connected setup.

As you can see, I have a lot of gear, which use a lot of USB ports. For a while I used an M1 macBook Pro, but plugging it in and out of the hub/monitors I use was annoying. For music work I also have gigabytes of sample libraries and plugin data on an external drive. I liked the idea of keeping it all in one place, and I am pretty happy with the setup so far.

---

## [Arturia MiniFuse 4](https://chrischinchilla.com/gear/arturia-minifuse-4)

Tags: Desk and Streaming Setup

Affiliate link: https://www.amazon.com/dp/B0BHC6V1KT/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20

My audio interface for podcast recording and music work, chosen for the dual headphone outputs that suit collaborative sessions.

My main audio interface is an [Arturia Minifuse 4](https://www.amazon.com/dp/B0BHC6V1KT/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20), which I use for connecting my [Shure MV7](/gear/shure-mv7) as well as [DT 770 Pro](/gear/dt-770-pro) headphones. And when I work on music, I use it to connect guitars and synths, etc. I mostly bought it for the dual headphone outputs, meaning that my musical collaborator and I can have our own headphones and mixes. I don't currently use the MIDI connections, but I may in the future.

---

## [Blue Yeti](https://chrischinchilla.com/gear/blue-yeti)

Tags: Microphone

Affiliate link: https://en.wikipedia.org/wiki/Blue_Microphones

A trusty USB condenser I still use in a dedicated booth for voiceover and audiobook work, replaced on camera by the Shure MV7.

For many years, I exclusively used this [Blue Yeti](https://en.wikipedia.org/wiki/Blue_Microphones) (now owned by Logitech), which has served me diligently for nearly ten years. However, I changed that as I was looking for a microphone to use on video that obscured my face less, settling on the [Shure MV7](/gear/shure-mv7). I still keep the Yeti in a kind of "spoken word" booth for when I do pure audio recording, such as audiobooks or voiceover work.

---

## [Dell 27" UltraSharp](https://chrischinchilla.com/gear/dell-27-ultrasharp)

Tags: Monitors

Affiliate link: https://www.amazon.de/s?k=Dell+27+UltraSharp

Two 27-inch Dell UltraSharp displays that form my main monitor setup at the desk.

These two monitors are slightly different models, but both from the 27" Dell UltraSharp series. I am a big fan of all the ports they support and even though my eyes are too bad to run them in 4k, I generally like the quality of the displays. I have one set up horizontally and one vertically.

---

## [Descript](https://chrischinchilla.com/gear/descript)

Tags: Software

Affiliate link: https://go.chrischinchilla.com/descript

The pioneering text-based audio/video editor and Squadcast remote recorder I've subscribed to, cancelled, and reconsidered several times.

A few years ago, [Descript](https://get.descript.com/hwdvp8thjpih) was the only option for text-based editing of audio and video, and when the company merged with [Squadcast](https://squadcast.fm/) for remote recording for one reasonable price, it was a no-brainer for me. But I found myself using the editing features less. Transcription has become something of a commodity in tools, and many of the features I used to use, such as an interactive transcript, I feel I no longer need. Recently, Descript, like many companies, is adding a bunch of AI features I don't need or can get elsewhere. Oddly, Squadcast remains one of the cheapest options for remote recording, so the Descript features are almost a bonus on top of that. I cancelled my subscription a few months ago, but I renew it, I am still deciding.

---

## [DT 770 Pro](https://chrischinchilla.com/gear/dt-770-pro)

Tags: Audio

Affiliate link: https://www.amazon.com/dp/B0006NL5SM/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20

My favourite editing headphones — comfortable for long sessions, especially if you wear glasses.

Through various twists of fate, sales, and second-hand deals, I also have far too many headphones. But my now-favourite pair for editing work is the classic [DT 770 Pro](https://www.amazon.com/dp/B0006NL5SM/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20). They are big, cable-only, and incredibly comfortable, especially for those who wear glasses.

---

## [Dummy camera battery](https://chrischinchilla.com/gear/dummy-battery)

Tags: Camera Setup

Affiliate link: https://amzn.to/4e2i3jw

A dummy battery that lets you run a Lumix G7 (or similar) on mains power instead of draining a real battery during long recordings.

Almost immediately with my [Lumix G7](/gear/panasonic-lumix-g) I realised I needed what's called a "dummy battery" so you can plug the camera into power instead of running it on battery. What you need depends on the camera, [but this is one for my G7](https://amzn.to/4e2i3jw).

---

## [Elgato Cam Link 4K](https://chrischinchilla.com/gear/elgato-4k-capture-card)

Tags: Camera Setup, Desk and Streaming Setup

Affiliate link: https://www.amazon.com/dp/B07K3FN5MR/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20

The HDMI-to-USB capture device I use to bring my Lumix G7 into the computer as a high-quality camera source.

For my main camera, I have a second-hand [Lumix G7](/gear/panasonic-lumix-g) (bought from the awesome [mpb.com](https://www.mpb.com)) connected to an [Elgato Cam Link 4K](https://www.amazon.com/dp/B07K3FN5MR/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20). Getting used to using a "proper" camera and optimising the correct settings for capture has and is still taking me some time. I think the last time I had such a device was a Nikon D90 a long time ago.

---

## [Elgato Green Screen](https://chrischinchilla.com/gear/elgato-green-screen)

Tags: Camera Setup

Affiliate link: https://amzn.to/3V3Cfsw

A pull-up Elgato green screen — though my current lighting setup makes keying tricky.

I have an [Elgato green screen](https://amzn.to/3V3Cfsw), but my lighting situation has made it challenging to get it to work well.

---

## [Elgato Key Light](https://chrischinchilla.com/gear/elgato-key-light)

Tags: Camera Setup

Affiliate link: https://www.amazon.de/s?k=Elgato+Key+Light

An app-controlled, colour-temperature-adjustable LED panel mounted on the camera's hot shoe — sadly now discontinued by Elgato.

Sitting on the camera's hot shoe mount is an Elgato Key Light, a compact, app-controlled LED panel designed for content creators. It delivers bright, colour-temperature-adjustable light and is controllable via the Elgato Control Center app or a Stream Deck. It's now discontinued by Elgato, so I bought it second-hand, I honestly don't know why Elgato discontinued it, as it is a great product.

---

## [Elgato Stream Deck +](https://chrischinchilla.com/gear/elgato-stream-deck-plus)

Tags: Desk and Streaming Setup

Affiliate link: https://www.amazon.com/dp/B0BJL8SJ59/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20

My go-to control surface for audio, lights, and apps, with dials and an LED strip that increasingly replace dedicated controllers.

Stream Decks. You either love or hate them. I have two, so I am on the path to obsessive. I especially love the [Stream Deck+](https://www.amazon.com/dp/B0BJL8SJ59/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20), which as more plugins support the dials and LED strip has become a control powerhouse for me for controlling audio, lights, apps, and much more.

---

## [Elgato XLR Dock Mk2](https://chrischinchilla.com/gear/elgato-xlr-dock-mk2)

Tags: Microphone, Audio

Affiliate link: https://www.amazon.com/Elgato-Dock-Stream-Audio-Interface/dp/B0GK6MJTG3?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20&th=1

A hybrid USB/XLR broadcast mic I use as my main microphone on camera, balancing audio quality with on-screen visibility.

While Arturia was servicing my [MiniFuse 4](/gear/arturia-minifuse-4/), I needed a temporary solution to connect my Shure MV7 to my computer. I purchased the [Elgato XLR Dock Mk2](https://www.amazon.com/Elgato-Dock-Stream-Audio-Interface/dp/B0GK6MJTG3?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20&th=1) as most of the time I just need a mic and headphone input, not a full audio interface. And as a bonus, it's all controllable from a [Stream Deck](/gear/elgato-stream-deck/).

---

## [Flexispot Desk](https://chrischinchilla.com/gear/flexispot-desk)

Tags: Furniture

Affiliate link: https://www.flexispot.nl/cat/bureaus?utm_source=Media&utm_medium=KOL&utm_campaign=The+Next+Web%2B%289th25%29

A large Flexispot standing desk on wheels so I can roll it out and rewire gear easily.

I have a [Flexispot desk](https://www.flexispot.nl/cat/bureaus?utm_source=Media&utm_medium=KOL&utm_campaign=The+Next+Web%2B%289th25%29) that I have had for a few years now, and I am very happy with it. I went with a larger model to fit all my gear on it comfortably, and also added wheels so I can get behind it easily to rewire things when I need to.

---

## [Flexispot Lotus chair](https://chrischinchilla.com/gear/flexispot-lotus-chair)

Tags: Furniture

Affiliate link: https://www.flexispot.nl/relaxfauteuil-lotus-xc6-xr6.html?utm_source=Media&utm_medium=KOL&utm_campaign=The+Next+Web%2B%289th25%29

A fully-reclining lounge chair I use for breaks and power naps — folds back 180 degrees with a footrest.

Sometimes I just need to relax, or have a power nap, and the Flexispot Lotus is one of the most comfortable chairs I have ever sat in. It reclines to a full 180 degrees, has a footrest, and is very well padded. I lay back, plugin a podcast, wear an eye mask, and often have an extremely comfortable nap.

---

## [iRig Mic HD 2](https://chrischinchilla.com/gear/irig-mic-hd-2)

Tags: Audio, Microphone

Affiliate link: https://amzn.to/3yMk033

A compact USB cardioid mic I used for years and still use for late-night home podcast interviews.

For most of the past few years, I used an [iRig Mic HD 2](https://amzn.to/3yMk033), am still happy with it, and use it when I conduct podcast interviews at home late night. However, I wanted separate microphones (and thus recordings) for myself and the interviewee, ideally without needing large external recording devices that would then break my baggage requirement and now for event interviews I use the [Neewer CM 28](/gear/neewer-cm-28) instead.

---

## [Keychron Mechanical Keyboard](https://chrischinchilla.com/gear/keychron-mechanical-keyboard)

Tags: Desk and Streaming Setup

Affiliate link: https://go.chrischinchilla.com/keychron

A wireless Keychron K-series mechanical keyboard, popular with writers and developers and a daily driver for me.

I have had several [Keychron](https://go.chrischinchilla.com/keychron) mechanical keyboards over the years, at the monet I am using a K8 in the studio, and a K2 in my home office.

---

## [Korg nanoKontrol 2](https://chrischinchilla.com/gear/korg-nanokontrol-2)

Tags: MIDI Controller

Affiliate link: https://amzn.to/3yM5AA0

A compact MIDI control surface I used for editing audio and video, now replaced by the Launchkey 49 and Stream Deck combo.

For editing, I used to use a [Korg nanoKontrol2](https://amzn.to/3yM5AA0) because I am old and like the feeling of pushing sliders and twiddling knobs. It supports different control modes, which makes it work with almost any application, but it means you have to note or write down a handful of keyboard combinations to switch between those modes in different applications. Combined with the stream deck, this gives a lot of possibilities and flexibility.

I have now replaced it with a combination of the [Novation Launchkey 49](/gear/novation-launchkey-49) and [Stream Deck](/gear/stream-deck), depending on the use case.

---

## [Lamicall Phone / Tablet Stand](https://chrischinchilla.com/gear/lamicall-phone-stand)

Tags: Desk and Streaming Setup

Affiliate link: https://www.amazon.de/s?k=Lamicall+phone+stand

A small adjustable Lamicall stand that keeps a phone or tablet upright at eye level on the desk.

A **Lamicall phone or tablet stand** in black on the desk — a compact adjustable holder for keeping a device upright at eye level.

---

## [LifX Smart Bulbs](https://chrischinchilla.com/gear/lifx-smart-bulbs)

Tags: Lighting

Affiliate link: https://amzn.to/3KleDKV

App- and Stream-Deck-controlled smart bulbs I use to adjust desk and room lighting on the fly.

---

## [Logitech MX Master 3S for Mac](https://chrischinchilla.com/gear/logitech-mx-master-3)

Tags: Desk and Streaming Setup

Affiliate link: https://www.amazon.com/dp/B09HMV6K1W/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20

The Mac-tuned mouse I switched to from the Apple Magic Mouse and can no longer do without.

For years I used an Apple Magic Mouse, and still use one when travelling. I was fine with it, and then switched to the [Logitech MX Master 3S for Mac](https://www.amazon.com/dp/B09HMV6K1W/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20), and like many Mac users, it's hard to turn back and use anything else.

---

## [Monitor-Mounted Camera Bracket](https://chrischinchilla.com/gear/monitor-mounted-camera-bracket)

Tags: Camera Setup

Affiliate link: https://www.amazon.de/s?k=monitor+mount+camera+bracket+between+screens

A metal clamp that slots between two monitors to position a camera at eye level — great for replacing a webcam with a proper camera.

The camera sits on a **monitor/desk-mounted camera arm bracket** — a metal clamp that slots between two monitors to position a camera at eye level. Great for webcam replacement setups.

---

## [Neewer CM 28](https://chrischinchilla.com/gear/neewer-cm28)

Tags: Microphone, Audio

Affiliate link: https://www.amazon.com/dp/B0DS5NTXGL/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20

A pair of wireless lavalier mics with onboard recording that I use for travel and field podcast interviews.

When I travel and conduct interviews, I use the [Neewer CM 28](https://www.amazon.com/dp/B0DS5NTXGL/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20), a curious device that sparks plenty of conversation when I use it, which is an unexpected bonus to warm up interviewees. It consists of two small lavaliar-style mics, a receiver, and a case which is also a battery. Each mic can store 2GB of audio, and the default format is WAV, so the quality is reasonable if a little hollow-sounding. My only issue so far has been that the mics date stamp each file with the start of Unix time (January 1st, 1970), making it hard to match files to interview when it comes to editing later.

---

## [Novation Launchkey 49](https://chrischinchilla.com/gear/novation-launchkey-49)

Tags: MIDI Controller

Affiliate link: https://www.amazon.com/dp/B0F43TMNK4/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20

A 49-key MIDI controller that replaced my Akai MPK Mini and Korg nanoKontrol 2 for music production and editing control.

For ten years I used an [Akai MPK Mini 3](https://www.amazon.com/dp/B0886KWVYR/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20), but then recently switched to a [Novation Launchkey 49](https://www.amazon.com/dp/B0F43TMNK4/?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20), which also replaced my [Korg nanoKontrol 2](/gear/korg-nanokontrol-2). I am still getting used to using it optimally as it's a lot more complex, but I especially love having a few more octaves to play with.

---

## [OBS](https://chrischinchilla.com/gear/obs)

Tags: Software

Affiliate link: https://obsproject.com/

The free, open-source software I use to record almost all my YouTube videos, mostly as a two-scene switcher capturing in ProRes.

I use [OBS](https://obsproject.com/) for recording almost all my YouTube videos.

When I record, I mostly use OBS as a simple two-scene switcher, one for face-to-camera and one for screen sharing. I don't add any filters or effects, as I add those in editing for recorded videos. I use Prores 422 LT for the codec, as my video work is not complex enough to need anything higher in terms of quality, but I like having uncompressed footage to edit with. OBS settings are a topic unto themselves, so guess what? That will be a future post 😁.

I have been looking at other commercial options, but haven't made the switch yet.

---

## [Panasonic Lumix G7 Camera](https://chrischinchilla.com/gear/panasonic-lumix-g)

Tags: Camera Setup

Affiliate link: https://www.amazon.de/s?k=Panasonic+Lumix+G85

A second-hand Panasonic Lumix G7 mirrorless that serves as my main camera, captured via an Elgato Cam Link 4K.

Bought from the wonderful [mpb.com](https://www.mpb.com), I have a second-hand Panasonic Lumix G7 mirrorless camera as my main camera, connected to an [Elgato Cam Link 4K](/gear/elgato-cam-link-4k). Getting used to using a "proper" camera and optimising the correct settings for capture has and is still taking me some time. I think the last time I had such a device was a Nikon D90 a long time ago.

---

## [Shure MV7](https://chrischinchilla.com/gear/shure-mv7)

Tags: Microphone, Audio

Affiliate link: https://www.amazon.de/dp/B0CTJ8BSWN?ref=as_li_ss_tl&ie=UTF8&linkCode=sl1&tag=gregamamma-20&th=1

A hybrid USB/XLR broadcast mic I use as my main microphone on camera, balancing audio quality with on-screen visibility.

I switched to the Shure MV7 after using a Blue Yeti for years. The MV7 is a hybrid USB/XLR microphone that lets you to record directly into a computer via USB or connect to an audio interface via XLR. I bought it as I was doing more video work and the Yeti was too large and visually distracting on camera. After a period of time connecting it with USB, I now connect it using XLR to a [Arturia MiniFuse 4](/gear/arturia-minifuse-4/) or [Elgato XLR Dock Mk2](/gear/elgato-xlr-dock-mk2/).

---

## [Vesa Shelf](https://chrischinchilla.com/gear/vesa-shelf)

Tags: Desk and Streaming Setup

Affiliate link: https://amzn.to/4aDOwtp

A VESA-mounted shelf that fits between monitors, keeping the camera and other gear neatly out of the way.

I love VESA mounts as they get a lot of this gear out of the way and have two double VESA monitor stands. I'll cover more details on those in another more general setup post, but my latest purchase, [this camera shelf](https://amzn.to/4aDOwtp), is relevant, and I love it.

---

# Software

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## [Apple Style Guide (Vale)](https://chrischinchilla.com/software/apple-vale-style-guide)

Tags: Vale, Software

Project link: https://github.com/ChrisChinchilla/Apple-style-guide

A Vale linter style I created that implements rules from Apple's style guide.

[Apple Style Guide](https://github.com/ChrisChinchilla/Apple-style-guide) is a [Vale](https://vale.sh) linter style implementing rules from the [Apple Style Guide](https://support.apple.com/guide/applestyleguide/) (June 2025 edition), so teams following Apple's writing conventions can lint for them automatically.

It's distributed as a downloadable release: copy the `apple` directory into your Vale `StylesPath` and add it to `BasedOnStyles` in your `.vale.ini`. It's still a work in progress, welcomes contributions, and — as the repo makes clear — isn't maintained or endorsed by Apple.

---

## [Obsidian Trello](https://chrischinchilla.com/software/obsidian-trello)

Tags: Obsidian, Trello, Software

Project link: https://github.com/nathonius/obsidian-trello

An Obsidian plugin that connects Trello cards to Obsidian notes, which I contribute to.

[Obsidian Trello](https://github.com/nathonius/obsidian-trello) is a community plugin for [Obsidian](https://obsidian.md) that connects Trello cards to notes, so you can see and update labels, comments, and checklists without leaving Obsidian. Cards are linked from a dedicated Trello pane, with a command to connect an existing card or create a new one directly from a note.

Trello data is cached locally rather than polled continuously, since Trello's REST API has strict rate limits, so cards can be manually refreshed if they fall out of sync. I'm a contributor to the project, maintained by [nathonius](https://github.com/nathonius).

---

## [Obsidian Vale](https://chrischinchilla.com/software/obsidian-vale)

Tags: Vale, Obsidian, Software

Project link: https://github.com/ChrisChinchilla/obsidian-vale

A Vale client for Obsidian that I created, bringing prose linting into Obsidian notes.

[Obsidian Vale](https://github.com/ChrisChinchilla/obsidian-vale) is a [Vale](https://vale.sh) client for [Obsidian](https://obsidian.md), bringing configurable, offline-first inline style and grammar checking directly into the Obsidian editor.

Issues are highlighted inline as you type, with severity indicators for errors, warnings, and suggestions, hover tooltips for details, and a status bar summary of the current document. It requires Vale to already be installed and configured on your system, since the plugin talks to your existing Vale setup rather than bundling its own.

It's a companion to [Vale VSCode](/software/vale-vscode) and part of the same ongoing Vale tooling work.

---

## [Openly](https://chrischinchilla.com/software/openly-vale-style)

Tags: Vale, Software

Project link: https://github.com/ChrisChinchilla/Openly

A Vale linter style I created that aims to replicate Grammarly's checks in an open-source, privacy-friendly way.

[Openly](https://github.com/ChrisChinchilla/Openly) is a [Vale](https://vale.sh) linter style that attempts to emulate features of the commercial, closed-source Grammarly, running entirely locally through Vale instead of sending your writing to a third-party service.

It's distributed as a [Vale package](https://vale.sh/docs/keys/packages) - point your `.vale.ini` at the latest release, add `Openly` to `BasedOnStyles`, and run `vale sync`. It's still a work in progress, and the project welcomes contributions.

---

## [Pandoc VSCode](https://chrischinchilla.com/software/pandoc-vscode)

Tags: VSCode, Markdown, Software

Project link: https://github.com/ChrisChinchilla/vscode-pandoc

A Visual Studio Code extension I created for rendering markdown to PDF, Word, or HTML using Pandoc, without leaving the editor.

[Pandoc VSCode](https://github.com/ChrisChinchilla/vscode-pandoc) lets you render markdown documents to PDF, Word, or HTML from directly within Visual Studio Code, using [Pandoc](https://pandoc.org) as the conversion engine. Trigger a render via the command palette or a keyboard shortcut, then pick the output format from a list.

Pandoc reads the file from disk rather than the editor buffer, so unsaved changes are saved first and rendering is cancelled rather than exporting stale content if the save fails. Rendering PDFs additionally needs a LaTeX-based PDF engine installed (BasicTeX on macOS, MiKTeX on Windows, TeX Live on Linux).

I built this as a convenience layer for my own technical writing workflow, where I frequently need to hand off markdown drafts as formatted documents, building on earlier work by [dfinke](https://github.com/dfinke).

---

## [Raycast Trello](https://chrischinchilla.com/software/raycast-trello)

Tags: Raycast, Trello, Software

Project link: https://github.com/raycast/extensions/tree/ff986298ee3ca7ee04f7b3b4d4ca5faecb64fe8f/extensions/trello

A Trello extension for Raycast that I contribute to, part of the raycast/extensions community repository.

The Trello extension for [Raycast](https://www.raycast.com/) brings Trello into Raycast's launcher: fetching and searching cards assigned to you, searching and browsing boards, viewing a board's lists and members, creating cards, and moving or deleting cards, all without opening Trello itself.

It's part of the community-maintained [raycast/extensions](https://github.com/raycast/extensions) repository. I'm a contributor to this extension.

---

## [Task Overboard](https://chrischinchilla.com/software/task-overboard)

Tags: Trello, Software

An early open-source project of mine for managing Trello-style boards outside the Trello web app.

Task Overboard is one of my earlier open-source projects, built to work with Trello-style task boards outside the main Trello web app. It predates the Obsidian and Raycast Trello integrations listed here, which grew out of the same interest in getting board-based task views into the tools I actually work in.

---

## [Vale VSCode](https://chrischinchilla.com/software/vale-vscode)

Tags: Vale, VSCode, Software

Project link: https://github.com/ChrisChinchilla/vale-vscode

A Visual Studio Code extension I created that integrates the Vale prose linter directly into the editor.

[Vale VSCode](https://marketplace.visualstudio.com/items?itemName=ChrisChinchilla.vale-vscode) is a Visual Studio Code extension for the [Vale](https://vale.sh) CLI, the prose linter I use for most of my technical writing and editing work. It provides customizable spelling, style, and grammar checking for Markdown, AsciiDoc, reStructuredText, HTML, and DITA, surfacing Vale's checks as inline diagnostics while you write instead of requiring a separate terminal run.

It also supports a detailed problems view for browsing alert details (file location, style, rule ID), quick fixes for word usage and capitalization issues, and spell checking via a configurable Hunspell-compatible dictionary.

As of v0.30.0 the extension runs on the [Vale Language Server](https://github.com/vale-cli/vale-ls) rather than shelling out to the CLI directly, which allows tighter integration with Vale's features at the cost of more platform-specific packaging work.

I built and maintain this extension as part of my ongoing involvement in the Vale ecosystem, alongside other Vale-related tools and styles listed here.

---